Pipe Organ Quotes

A violin?” I echoed, making a face. “Really? You’re calling in a favor for that? What, you don’t want to wait until you’ve lost a pipe organ or something?” - Puck

You’re playing the creepy vibe a little hard,” I said. “Might as well go for broke, put on a black top hat and pipe in some organ music.

I do not well understand that. Will you play upon this pipe? GUILDENSTERN: My lord, I cannot. HAMLET: I pray you. GUILDENSTERN: Believe me, I cannot. HAMLET: I do beseech you. GUILDENSTERN: I know no touch of it, my lord. HAMLET: It is as easy as lying. Govern these ventages with our fingers and thumb, give it breath with your mouth, and it will discourse most eloquent music. Look you, these are the stops. GUILDENSTERN: But these cannot I command to any utterance of harmony. I have not the skill. HAMLET: Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my compass, and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me.

I’ve often wished that I had some suave and socially acceptable hobby that I could fall back on in times like this. You know, play the violin (or was it the viola) like Sherlock Holmes, or maybe twiddle away on the pipe organ like the Disney version of Captain Nemo. But I don’t. I’m sort of the arcane equivalent of a classic computer geek. I do magic, in one form or another, and that’s pretty much it. I really need to get a life, one of these days

Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and organs, and like unto countless choirs singing with words, began to fashipn the theme of Iluvatar to a great music; and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Iluvatar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void.

For what is man without desires, without free will, and without the power of choice but a stop in an organ pipe?

Oh, dear God, you don't actually have a brain, do you, it's more a filigreed spiderweb, with little chambers in it where trained monkeys play the pipe organ.

When Rosencrantz asks Hamlet, "Good my lord, what is your cause of distemper? You do surely bar the door upon your own liberty, if you deny your grief to your friends"(III, ii, 844-846), Hamlet responds, "Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me." (III,ii, 371-380)

I needed a space suit the way a pig needs a pipe organ.

It did not seem possible that Wendy Wright had been born out of blood and internal organs like other people. In proximity to her he felt himself to be a squat, oily, sweating, uneducated nurt whose stomach rattled and whose breath wheezed. Near her he became aware of the physical mechanisms which kept him alive; within him machinery, pipes and valves and gas-compressors and fan belts had to chug away at a losing task, a labor ultimately doomed. Seeing her face, he discovered that his own consisted of a garish mask; noticing her body made him feel like a low-class wind-up toy.

A merry little surge of electricity piped by automatic alarm from the mood organ beside his bed awakened Rick Deckard.

When you don’t like the way a conversation is going you deflect with personal attacks. You’re like some kind of emotionally abusive octopus entangling everyone in your word tentacles.” “You should talk to your therapist about your choices of imagery,” Mark said. “Pipe organs, octopuses—it’s very revealing.

If real bananas were a note played on a home piano, scratch 'n' sniff bananas were the same note played on a church's pipe organ.

New skin, a new land! And a land of liberty, if that is possible! I chose the geology of a land that was new to me, and that was young, virgin, and without drama, that of America. I traveled in America, but instead of romantically and directly rubbing the snakeskin of my body against the asperities of its terrain, I preferred to peel protected within the armor of the gleaming black crustacean of a Cadillac which I gave Gala as a present. Nevertheless all the men who admire and the women who are in love with my old skin will easily be able to find its remnants in shredded pieces of various sizes scattered to the winds along the roads from New York via Pittsburgh to California. I have peeled with every wind; pieces of my skin have remained caught here and there along my way, scattered through that "promised land" which is America; certain pieces of this skin have remained hanging in the spiny vegetation of the Arizona desert, along the trails where I galloped on horseback, where I got rid of all my former Aristotelian "planetary notions." Other pieces of my skin have remained spread out like tablecloths without food on the summits of the rocky masses by which one reaches the Salt Lake, in which the hard passion of the Mormons saluted in me the European phantom of Apollinaire. Still other pieces have remained suspended along the "antediluvian" bridge of San Francisco, where I saw in passing the ten thousand most beautiful virgins in America, completely naked, standing in line on each side of me as I passed, like two rows of organ-pipes of angelic flesh with cowrie-shell sea vulvas.

An associate of mine named William Congreve once wrote a very sad play that begins with the line 'Music has charms to sooth a savage beast,' a sentence which here means that if you are nervous or upset, you might listen to some music to calm you down or cheer you up. For instance, as I crouch here behind the alter of the Cathedral of the Alleged Virgin, a friend of mine is playing a sonata on the pipe organ, to calm me down and so that the sounds of my typewriter will not be heard by the worshipers sitting in the pews. The mournful melody of the sonata reminds me of a tune my father used to sing when he did the dishes, and as I listen to it I can temporarily forget six or seven of my troubles.

The redwoods are like organ pipes, playing silent chords.

Give me a plumber who reads Virgil, a carpenter who plays pipe organ, and a pastor who recognises a strong trochaic foot. Give me a world full of thinking men and women educated in the liberal arts who confess Christ in their vocations, debate the sanctity of life in the public square, and discuss Tocqueville over dinner. Give me a neighborhood full of graduates from Luther Classical College, and I will look forward to tomorrow.

Once I am sure there's nothing going on I step inside, letting the door thud shut. Another church: matting, seats, and stone, And little books; sprawlings of flowers, cut For Sunday, brownish now; some brass and stuff Up at the holy end; the small neat organ; And a tense, musty, unignorable silence, Brewed God knows how long. Hatless, I take off My cycle-clips in awkward reverence. Move forward, run my hand around the font. From where I stand, the roof looks almost new - Cleaned, or restored? Someone would know: I don't. Mounting the lectern, I peruse a few Hectoring large-scale verses, and pronounce 'Here endeth' much more loudly than I'd meant. The echoes snigger briefly. Back at the door I sign the book, donate an Irish sixpence, Reflect the place was not worth stopping for. Yet stop I did: in fact I often do, And always end much at a loss like this, Wondering what to look for; wondering, too, When churches will fall completely out of use What we shall turn them into, if we shall keep A few cathedrals chronically on show, Their parchment, plate and pyx in locked cases, And let the rest rent-free to rain and sheep. Shall we avoid them as unlucky places? Or, after dark, will dubious women come To make their children touch a particular stone; Pick simples for a cancer; or on some Advised night see walking a dead one? Power of some sort will go on In games, in riddles, seemingly at random; But superstition, like belief, must die, And what remains when disbelief has gone? Grass, weedy pavement, brambles, buttress, sky, A shape less recognisable each week, A purpose more obscure. I wonder who Will be the last, the very last, to seek This place for what it was; one of the crew That tap and jot and know what rood-lofts were? Some ruin-bibber, randy for antique, Or Christmas-addict, counting on a whiff Of gown-and-bands and organ-pipes and myrrh? Or will he be my representative, Bored, uninformed, knowing the ghostly silt Dispersed, yet tending to this cross of ground Through suburb scrub because it held unspilt So long and equably what since is found Only in separation - marriage, and birth, And death, and thoughts of these - for which was built This special shell? For, though I've no idea What this accoutred frowsty barn is worth, It pleases me to stand in silence here; A serious house on serious earth it is, In whose blent air all our compulsions meet, Are recognized, and robed as destinies. And that much never can be obsolete, Since someone will forever be surprising A hunger in himself to be more serious, And gravitating with it to this ground, Which, he once heard, was proper to grow wise in, If only that so many dead lie round.

God, I loved scratch ’n’ sniff bananas. They didn’t smell like bananas, of course. They smelled like the Platonic ideal of bananas. If real bananas were a note played on a home piano, scratch ’n’ sniff bananas were that same note played on a church’s pipe organ.

I’ve often wished that I had some suave and socially acceptable hobby that I could fall back on in times like this. You know, play the violin (or was it the viola?) like Sherlock Holmes, or maybe twiddle away on the pipe organ like the Disney version of Captain Nemo.

To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established.

The closest that most of us come to a direct experience of the centerlessness of capitalism is an encounter with the call center. As a consumer in late capitalism, you increasingly exist in two, distinct realities: the one in which the services are provided without hitch, and another reality entirely, the crazed Kafkaesque labyrinth of call centers, a world without memory, where cause and effect connect together in mysterious, unfathomable ways, where it is a miracle that anything ever happens, and you lose hope of ever passing back over to the other side, where things seem to function smoothly. What exemplifies the failure of the neoliberal world to live up to its own PR better than the call center? Even so, the universality of bad experiences with call centers does nothing to unsettle the operating assumption that capitalism is inherently efficient, as if the problems with call centers weren’t the systemic consequences of a logic of Capital which means organizations are so fixated on making profits that they can’t actually sell you anything. The call center experience distils the political phenomenology of late capitalism: the boredom and frustration punctuated by cheerily piped PR, the repeating of the same dreary details many times to different poorly trained and badly informed operatives, the building rage that must remain impotent because it can have no legitimate object, since – as is very quickly clear to the caller –there is no-one who knows, and no-one who could do anything even if they could. Anger can only be a matter of venting; it is aggression in a vacuum, directed at someone who is a fellow victim of the system but with whom there is no possibility of communality. Just as the anger has no proper object, it will have no effect. In this experience of a system that is unresponsive, impersonal, centerless, abstract and fragmentary, you are as close as you can be to confronting the artificial stupidity of Capital in itself. Call center angst is one more illustration of the way that Kafka is poorly understood as exclusively a writer on totalitarianism; a decentralized, market Stalinist bureaucracy is far more Kafkaesque than one in which there is a central authority. Read, for instance, the bleak farce of K’s encounter with the telephone system in the Castle, and it is hard not to see it as uncannily prophetic of the call center experience.

A harmonica is easy to carry. Take it out of your hip pocket, knock it against your palm to shake out the dirt and pocket fuzz and bits of tobacco. Now it’s ready. You can do anything with a harmonica: thin reedy single tone, or chords or melody with rhythm chords. You can mold the music with curved hands, making it wail and cry like bagpipes, making it full and rounds like an organ, making it as sharp and bitter as the reed pipes of the hills. And you can play it and put it back in your pocket. It is always with you, always in your pocket. And as you play, you learn new tricks, to pinch the tone with your lips, and no one teaches you. You feel around—sometimes in the tent door after supper when the women are washing up. Your foot taps gently on the ground. Your foot taps gently on the ground. Your eyebrows rise and fall in rhythm. And if you lose it or break it, why, it’s no great loss. You can buy another for a quarter.

Hydrogen sulfide is so swiftly lethal that farm- and workplace-safety organizations urge anyone who enters a manure pit or attempts to clear a blocked sewage pipe to wear a self-contained breathing apparatus.

Lend your ear then to this tutti of steeples; diffuse over the whole the buzz of half a million of human beings, the eternal murmur of the river, the infinite piping of the wind, the grave and distant quartet of the four forests placed like immense organs on the four hills of the horizon; soften down, as with a demi-tint, all that is too shrill and too harsh in the central mass of sound, and say if you know any thing in the world more rich, more gladdening, more dazzling than that tumult of bells; than that furnace of music; than those ten thousand brazen tones breathed all at once from flutes of stone three hundred feet high; than that city which is but one orchestra; than that symphony rushing and roaring like a tempest.

This organ lacked what he considered the most basic of facilities, such as the Thunder pedal, a 128-foot Earthquake pipe and a complete keyboard of animal noises, but he was certain there was something exciting that could be done in the bass register.

The next time you drive into a Walmart parking lot, pause for a second to note that this Walmart—like the more than five thousand other Walmarts across the country—costs taxpayers about $1 million in direct subsidies to the employees who don’t earn enough money to pay for an apartment, buy food, or get even the most basic health care for their children. In total, Walmart benefits from more than $7 billion in subsidies each year from taxpayers like you. Those “low, low prices” are made possible by low, low wages—and by the taxes you pay to keep those workers alive on their low, low pay. As I said earlier, I don’t think that anyone who works full-time should live in poverty. I also don’t think that bazillion-dollar companies like Walmart ought to funnel profits to shareholders while paying such low wages that taxpayers must pick up the ticket for their employees’ food, shelter, and medical care. I listen to right-wing loudmouths sound off about what an outrage welfare is and I think, “Yeah, it stinks that Walmart has been sucking up so much government assistance for so long.” But somehow I suspect that these guys aren’t talking about Walmart the Welfare Queen. Walmart isn’t alone. Every year, employers like retailers and fast-food outlets pay wages that are so low that the rest of America ponies up a collective $153 billion to subsidize their workers. That’s $153 billion every year. Anyone want to guess what we could do with that mountain of money? We could make every public college tuition-free and pay for preschool for every child—and still have tens of billions left over. We could almost double the amount we spend on services for veterans, such as disability, long-term care, and ending homelessness. We could double all federal research and development—everything: medical, scientific, engineering, climate science, behavioral health, chemistry, brain mapping, drug addiction, even defense research. Or we could more than double federal spending on transportation and water infrastructure—roads, bridges, airports, mass transit, dams and levees, water treatment plants, safe new water pipes. Yeah, the point I’m making is blindingly obvious. America could do a lot with the money taxpayers spend to keep afloat people who are working full-time but whose employers don’t pay a living wage. Of course, giant corporations know they have a sweet deal—and they plan to keep it, thank you very much. They have deployed armies of lobbyists and lawyers to fight off any efforts to give workers a chance to organize or fight for a higher wage. Giant corporations have used their mouthpiece, the national Chamber of Commerce, to oppose any increase in the minimum wage, calling it a “distraction” and a “cynical effort” to increase union membership. Lobbyists grow rich making sure that people like Gina don’t get paid more. The

Reunited in their parents’ bed, the Shemets boys set up a whistling and rumbling and a blatting of inner valves that would shame the grand pipe organ of Temple Emanu-El. The boys execute a series of maneuvers, a kung fu of slumber, that drives Landsman to the very limit of the bed. They chop at Landsman, stab him with their toes, grunt and mutter. They masticate the fiber of their dreams. Around dawn, something very bad happens in the baby’s diaper. It’s the worst night that Landsman has ever spent on a mattress, and that is saying a good deal.

Organized religion was the first and greatest protection racket, an economy of perpetual profit built on voluntary fear and coerced guilt. Donating money to churches, temples, mosques, synagogues, cults, et cetera, to help ensure a spot for one’s soul in the express elevator to that penthouse in the sky known as the afterlife was marketing genius! Had Sleepy paid his spiritual insurance? If so, had it done him any good? According to Shorty, whose memory had been beaten into the consistency of oatmeal by a length of pipe, or so said Bon, a quartet of Arab youth had set on them.

I’d said it casually, but the phrase caught hold and was amplified across the press. Some Americans seemed to embrace it, understanding all too well the amount of organization and drive it takes to raise children. Others, meanwhile, seemed vaguely appalled, presuming it to mean that as First Lady I’d do nothing but pipe-cleaner craft projects with my kids.

Construction work was the city’s new brutalist art form, erecting its installations wherever you looked. Tall buildings fell and construction sites rose. Pipes and cables rose from and descended into the hidden depths. Telephone landlines ceased to work and water and power and gas services were randomly suspended. Construction work was the art of making the city become aware of itself as a fragile organism at the mercy of forces against which there was no appeal. Construction work was the mighty metropolis being taught the lessons of vulnerability and helplessness. Construction workers were the grand conceptual artists of our time and their installations, their savage holes in the ground, inspired not only hatred—because most people disliked modern art—but also awe.

We know, however, that the mind is capable of understanding these matters in all their complexity and in all their simplicity. A ball flying through the air is responding to the force and direction with which it was thrown, the action of gravity, the friction of the air which it must expend its energy on overcoming, the turbulence of the air around its surface, and the rate and direction of the ball's spin. And yet, someone who might have difficulty consciously trying to work out what 3 x 4 x 5 comes to would have no trouble in doing differential calculus and a whole host of related calculations so astoundingly fast that they can actually catch a flying ball. People who call this "instinct" are merely giving the phenomenon a name, not explaining anything. I think that the closest that human beings come to expressing our understanding of these natural complexities is in music. It is the most abstract of the arts - it has no meaning or purpose other than to be itself. Every single aspect of a piece of music can be represented by numbers. From the organization of movements in a whole symphony, down through the patterns of pitch and rhythm that make up the melodies and harmonies, the dynamics that shape the performance, all the way down to the timbres of the notes themselves, their harmonics, the way they change over time, in short, all the elements of a noise that distinguish between the sound of one person piping on a piccolo and another one thumping a drum - all of these things can be expressed by patterns and hierarchies of numbers. And in my experience the more internal relationships there are between the patterns of numbers at different levels of the hierarchy, however complex and subtle those relationships may be, the more satisfying and, well, whole, the music will seem to be. In fact the more subtle and complex those relationships, and the further they are beyond the grasp of the conscious mind, the more the instinctive part of your mind - by which I mean that part of your mind that can do differential calculus so astoundingly fast that it will put your hand in the right place to catch a flying ball- the more that part of your brain revels in it. Music of any complexity (and even "Three Blind Mice" is complex in its way by the time someone has actually performed it on an instrument with its own individual timbre and articulation) passes beyond your conscious mind into the arms of your own private mathematical genius who dwells in your unconscious responding to all the inner complexities and relationships and proportions that we think we know nothing about. Some people object to such a view of music, saying that if you reduce music to mathematics, where does the emotion come into it? I would say that it's never been out of it.

I remember one incident which bears upon this part of the treatise. The gentleman who gave it to me had asked to see my tobacco-pipe; he examined it carefully, and when he came to the little protuberance at the bottom of the bowl he seemed much delighted, and exclaimed that it must be rudimentary. I asked him what he meant. "Sir," he answered, "this organ is identical with the rim at the bottom of a cup; it is but another form of the same function. Its purposes must have been to keep the heat of the pipe from marking the table upon which it rested. You would find, if you were to look up the history of tobacco-pipes, that in early specimens this protuberance was of a different shape to what it is now. It will have been broad at the bottom, and flat, so that while the pipe was being smoked the bowl might rest upon the table without marking it. Use and disuse must have come into play and reduced the function its present rudimentary condition. I should not be surprised, sir," he continued, "if, in the course of time, it were to become modified still farther, and to assume the form of an ornamental leaf or scroll, or even a butterfly, while in some cases, it will become extinct.

The idea that humans will always have a unique ability beyond the reach of non-conscious algorithms is just wishful thinking. The current scientific answer to this pipe dream can be summarised in three simple principles: 1. Organisms are algorithms. Every animal – including Homo sapiens – is an assemblage of organic algorithms shaped by natural selection over millions of years of evolution. 2. Algorithmic calculations are not affected by the materials from which you build the calculator. Whether you build an abacus from wood, iron or plastic, two beads plus two beads equals four beads. 3. Hence there is no reason to think that organic algorithms can do things that non-organic algorithms will never be able to replicate or surpass. As long as the calculations remain valid, what does it matter whether the algorithms are manifested in carbon or silicon?

Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out the heart of my mystery, you would sound me from my lowest note to the top of my compass, and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me.

A Lutheran church in Nebraska is typically a place where any mad passion for Christ is politely concealed. Men and women recite the various creeds in hypnotic monotone; the hymns, pumped from wheezy organ pipes, are sung with no lilt or musicality. The members of the choirs not only don't dance, they don't sway. That's not to say no one is ever smacked hard with God's love or filled up to the eyeballs with the Holy Spirit, but when you are, you keep it to yourself." (48)

Quote from Father Tim during a sermon given after the former priest was found after a suicide attempt. "      'Father Talbot has charged me to tell you that he is deeply repentant for not serving you as God appointed him to do, and as you hoped and needed him to do.         'He wished very much to bring you this message himself, but he could not.  He bids you goodbye with a love he confesses he never felt toward you...until this day.  He asks--and I quote him--that you might find it in your hearts to forgive him his manifold sins against God and this parish.'         He felt the tears on his face before he knew he was weeping, and realized instinctively that he would have no control over the display.  He could not effectively carry on, no even turn his face away or flee the pulpit.  He was in the grip of a wild grief that paralyzed everything but itself.          He wept face forward, then, into the gale of those aghast at what was happening, wept for the wounds of any clergy gone out into a darkness of self-loathing and beguilement; for the loss and sorrow of those who could not believe, or who had once believed but lost all sense of shield and buckler and any notion of God's radical tenderness, for the ceaseless besettings of the flesh, for the worthless idols of his own and of others; for those sidetracked, stumped, frozen, flung away, for those both false and true, the just and the unjust, the quick and the dead.           He wept for himself, for the pain of the long years and the exquisite satisfactions of the faith, for the holiness of the mundane, for the thrashing exhaustions and the endless dyings and resurrectings that malign the soul incarnate.           It had come to this, a thing he had subtly feared for more than forty years--that he would weep before the many--and he saw that his wife would not try to talk him down from this precipice, she would trust him to come down himself without falling or leaping.         And people wept with him, most of them.  Some turned away, and a few got up and left in a hurry, fearful of the swift and astounding movement of the Holy Spirit among them, and he, too, was afraid--of crying aloud in a kind of ancient howl and humiliating himself still further.  But the cry burned out somewhere inside and he swallowed down what remained and the organ began to play, softly, piously.  He wished it to be loud and gregarious, at the top of its lungs--Bach or Beethoven, and not the saccharine pipe that summoned the vagabond sins of thought, word, and deed to the altar, though come to think of it, the rail was the very place to be right now, at once, as he, they, all were desperate for the salve of the cup, the Bread of Heaven.             And then it was over.  He reached into the pocket of his alb and wondered again how so many manage to make in this world without carrying a handkerchief.  And he drew it out and wiped his eyes and blew his nose as he might at home, and said, 'Amen.'                 And the people said, 'Amen.

They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.

My attitude toward all other persons is well illustrated by this story from a celebrated traveler: He arrived one day in the midst of a tribe of savages, where a child had just been born. A crowd of soothsayers, magicians, and quacks ― armed with rings, hooks, and cords ― surrounded it. One said: "This child will never smell the perfume of a peace- pipe unless I stretch his nostrils." Another said: "He will never be able to hear unless I draw his ear-lobes down to his shoulders." A third said: "He will never see the sunshine unless I slant his eyes." Another said: "He will never stand upright unless I bend his legs." A fifth said: "He will never learn to think unless I flatten his skull." "Stop," cried the traveler. "What God does is well done. Do not claim to know more than He. God has given organs to this frail creature; let them develop and grow strong by exercise, use, experience, and liberty.

It did not seem possible that Wendy Wright had been born out of blood and internal organs like other people. In proximity to her he felt himself to be a squat, oily, sweating, uneducated nurt whose stomach rattled and whose breath wheezed. Near her he became aware of physical mechanisms which kept him alive; within him machinery, pipes and valves and gas-compressors and fan belts had to chug away at a losing task, a labor ultimately doomed. Seeing her face, he discovered that his own consisted of a garish mask; noticing her body made him feel like a low-class windup toy. All her colors possessed a subtle quality, indirectly lit. Her eyes, those green and tumbled stones, looked impassively at everything; he had never seen fear in them, or aversion, or contempt. What she saw she accepted. Generally she seemed calm. But more than that she struck him as being durable, untroubled and cool, not subject to wear, or to fatigue, or to physical illness and decline. Probably she was twenty-five or -six, but he could not imagine her looking younger, and certainly she would never look older. She had too much control over herself and outside reality for that.

Unlike Kate, by then I’d had a job. In fact, I’d had sixteen jobs, not including the years I worked as a babysitter before I could legally be anyone’s employee. They were janitor’s assistant (humiliatingly, at my high school), fast-food restaurant worker, laborer at a wildlife refuge, administrative assistant to a Realtor, English as a Second Language tutor, lemonade cart attendant, small town newspaper reporter, canvasser for a lefty nonprofit, waitress at a Japanese restaurant, volunteer coordinator for a reproductive rights organization, berry picker on a farm, waitress at a vegetarian restaurant, “coffee girl” at an accounting firm, student-faculty conflict mediator, teacher’s assistant for a women’s studies class, and office temp at a half a dozen places that by and large did not resemble offices and did not engage me in work that struck me as remotely “officey,” but rather involved things such as standing on a concrete floor wearing a hairnet, a paper mask and gown, goggles, and plastic gloves and—with a pair of tweezers—placing two pipe cleaners into a sterile box that came to me down a slow conveyor belt for eight excruciating hours a day.

More Activities to Develop Sensory-Motor Skills Sensory processing is the foundation for fine-motor skills, motor planning, and bilateral coordination. All these skills improve as the child tries the following activities that integrate the sensations. FINE-MOTOR SKILLS Flour Sifting—Spread newspaper on the kitchen floor and provide flour, scoop, and sifter. (A turn handle is easier to manipulate than a squeeze handle, but both develop fine-motor muscles in the hands.) Let the child scoop and sift. Stringing and Lacing—Provide shoelaces, lengths of yarn on plastic needles, or pipe cleaners, and buttons, macaroni, cereal “Os,” beads, spools, paper clips, and jingle bells. Making bracelets and necklaces develops eye-hand coordination, tactile discrimination, and bilateral coordination. Egg Carton Collections—The child may enjoy sorting shells, pinecones, pebbles, nuts, beans, beads, buttons, bottle caps, and other found objects and organizing them in the individual egg compartments. Household Tools—Picking up cereal pieces with tweezers; stretching rubber bands over a box to make a “guitar”; hanging napkins, doll clothes, and paper towels with clothespins; and smashing egg cartons with a mallet are activities that strengthen many skills.

I loved driving with Marlboro Man. I saw things I’d never seen before, things I’d never even considered in my two and a half decades of city life. For the first time ever, I began to grasp the concept of north, south, east, and west, though I imagine it would take another twenty-five years before I got them straight. I saw fence lines and gates made of welded iron pipe, and miles upon miles of barbed wire. I saw creeks--rocky, woodsy creeks that made the silly water hazard in my backyard seem like a little mud puddle. And I saw wide open land as far as the eye could see. I’d never known such beauty. Marlboro Man loved showing me everything, pointing at pastures and signs and draws and lakes and giving me the story behind everything we saw. The land, both on his family’s ranch and on the ranches surrounding it, made sense to him: he saw it not as one wide open, never-ending space, but as neatly organized parcels, each with its own purpose and history. “Betty Smith used to own this part of our ranch with her husband,” he’d say. “They never had kids and were best friends with my grandparents.” Then he’d tell some legend of Betty Smith’s husband’s grandfather, remembering such vivid details, you’d think he’d been there himself. I absorbed it all, every word of it. The land around him pulsated with the heartbeats of all who’d lived there before…and as if it were his duty to pay honor to each and every one of them, he told me their names, their stories, their relationship, their histories. I loved that he knew all those things.

Instead there was a rush on me of people having to have immediate action; some hand-hacked old kitchen stiff as thickened with grease as a miner or sandhog would be with clay, wanting me to go and see his boss, subito; or an Indian would bring his grievances written in a poem on a paper bag soaked with doughnut oil.[….] There were Greek and Negro chambermaids from all the hotels, porters, doormen, checkroom attendants, waitresses, specialists [….]. All kinds were coming. The humanity of the under-galleries of pipes, storage, and coal made an appearance, maintenance men, short-order grovelers; or a ducal Frenchman, in homburg, like a singer, calling himself “the beauty cook,” who wrote down on his card without taking off his gloves. And then old snowbirds and white hound-looking faces, guys with Wobbly cards from an earlier time, old Bohunk women with letters explaining what was wanted, and all varieties of assaulted kissers, infirmity, drunkenness, dazedness, innocence, limping, crawling, insanity, prejudice, and from downright leprosy the whole way again to the most vigorous straight- backed beauty. So if this collection of people has nothing in common with what would have brought up the back of a Xerxes’ army or a Constantine’s, new things have been formed; but what struck me in them was a feeling of antiquity and thick crust. But I expect happiness and gladness have always been the same, so how much variation should there be in their opposite? Dealing with them, signing them into the organization and explaining what to expect, wasn’t all generous kindness. In large part it was rough, when I wanted to get out of the way. The demand was that fierce, the idea having gotten around that it was a judgment hour, that they wanted to pull you from your clerical side of the desk to go with them.

You've a perfect right to call me as impractical as a dormouse, and to feel I'm out of touch with life. But this is the point where we simply can't see eye to eye. We've nothing whatever in common. Don't you see. . . it's not an accident that's drawn me from Blake to Whitehead, it's a certain line of thought which is fundamental to my whole approach. You see, there's something about them both. . . They trusted the universe. You say I don't know what the modern world's like, but that's obviously untrue. Anyone who's spent a week in London knows just what it's like. . . if you mean neurosis and boredom and the rest of it. And I do read a modern novel occasionally, in spite of what you say. I've read Joyce and Sartre and Beckett and the rest, and every atom in me rejects what they say. They strike me as liars and fools. I don't think they're dishonest so much as hopelessly tired and defeated." Lewis had lit his pipe. He did it as if Reade were speaking to someone else. Now he said, smiling faintly, "I don't think we're discussing modern literature." Reade had an impulse to call the debater's trick, but he repressed it. Instead he said quietly, "We're discussing modern life, and you brought up the subject. And I'm trying to explain why I don't think that murders and wars prove your point. I'm writing about Whitehead because his fundamental intuition of the universe is the same as my own. I believe like Whitehead that the universe is a single organism that somehow takes account of us. I don't believe that modern man is a stranded fragment of life in an empty universe. I've an instinct that tells me that there's a purpose, and that I can understand that purpose more deeply by trusting my instinct. I can't believe the world is meaningless. I don't expect life to explode in my face at any moment. When I walk back to my cottage, I don't feel like a meaningless fragment of life walking over a lot of dead hills. I feel a part of the landscape, as if it's somehow aware of me, and friendly.

As time passed, I learned more and more about the culture that comes with beign an injured veteran. There are a lot of really wonderful people and organizations to help veterans returning from war. Right about the time I started to really move forward in my recovery, two women came by and introduced themselves. They explained that they raise money to help injured veterans with various needs. They asked if there was anything I or my family needed. I said, “No thank you, I’m all good.” But my sisters piped up and said, “He needs clothes. He doesn’t have anything.” The women smiled and said they’d be back. They came back with some sweatpants and a shirt and then announced that they were taking us to the mall. This would be my first time leaving the campus of Walter Reed, my first real trip out of the hospital. We were all excited. Leaving the hospital was a big step for me but my poor sisters had been cooped up much of the time with me in there as well. I was a little nervous, but I owed it to them to push aside my anxiety. We decided that the electric wheelchair would be too heavy and too much trouble to get in and out of the car, so Jennifer wheeled me down to the front door where the ladies were waiting in their car. With very little assistance, Jennifer was able to get me for that chair into the car and we were off to the mall. When we arrived, my sisters pulled the wheelchair out of the trunk and placed it next to the car door. They opened the door and Jennifer leaned down and with one swift motion lifted me up like a nearly weightless child and placed me in the chair. I laughed it off. “My sister’s strong. She’s really strong,” I boasted on her behalf. Sara, Katherine, and Jennifer were laughing the whole time because I didn’t realize how scrawny I was, how much weight I had lost. Jennifer could pick me up with no problem because I practically weighed nothing at all. But through the laughter, I felt a pang of guilt. I am the brother of three sisters. It was my job to protect and care for them. Yet here I was, barely able to take care of myself.

It has to be said: there are too many great men in the world. There are too many legislators, organizers, founders of society, leaders of peoples, fathers of nations, etc., etc. Too many people put themselves above humanity in order to rule it and too many people think their job is to become involved with it. People will say to me: you yourself are becoming involved, you who talk about it. That is true. But they will agree that it is for a very different reason and from a very different point of view, and while I am taking on those who wish to reform, it is solely to make them abandon their effort. I am becoming involved with it not like Vaucanson with his automaton but like a physiologist with the human organism, in order to examine it and admire it. I am becoming involved with it in the same spirit as that of a famous traveler. He arrived among a savage tribe. A child had just been born and a host of fortune-tellers, warlocks, and quacks were crowding around it, armed with rings, hooks, and ties. One said, “This child will never smell the aroma of a pipe if I do not lengthen his nostrils.” Another said, “He will be deprived of the sense of hearing if I do not make his ears reach down to his shoulders.” A third said, “He will never see the light of the sun unless I make his eyes slant obliquely.” A fourth said, “He will never stand upright if I do not make his legs curve.” A fifth said, “He will never be able to think if I do not squeeze his brain.” “Away with you,” said the traveler. “God does His work well. Do not claim to know more than He does and, since He has given organs to this frail creature, leave those organs to develop and grow strong through exercise, experimentation, experience, and freedom.” [print edition page 146] God has also provided humanity with all that is necessary for it to accomplish its destiny. There is a providential social physiology just as there is a providential human physiology. The social organs are also constituted so as to develop harmoniously in the fresh air of freedom. Away with you, therefore, you quacks and organizers! Away with your rings, chains, hooks, and pincers! Away with your artificial means! Away with your social workshop, your phalanstery, your governmentalism, your centralization, your tariffs, your universities, your state religion, your free credit or monopolistic banks, your constraints, your restrictions, your moralizing, or your equalizing through taxes! And since the social body has had inflicted on it so many theoretical systems to no avail, let us finish where we should have started; let us reject these and at last put freedom to the test, freedom, which is an act of faith in God and in His work.

Between concentric pavement ripples glide errant echoes originating from beyond the Puddled Metropolis. Windowless blocks and pickle-shaped monuments demarcate the boundaries of patternistic cycles from those wilds kissed neither by starlight nor moonlight. Lethal underbrush of razor-like excrescence pierces at the skins of night, crawls with hyperactive sprouts and verminous vines that howl with contempt for the wicked fortunes of Marshland Organizers armed with scythes and hoes and flaming torches who have only succeeded in crafting their own folly where once stood something of glorious and generous integrity. There are familiar whispers under leaves perched upon by flapping moths. They implore the spirit again to heed the warnings of the vines and to not be swayed by the hubris of these organizing opportunists. One is to stop moving at frantic zigzags through gridlocked streets, stop climbing ladders altogether, stop relying on drainage pipes where floods should prevail, stop tapping one’s feet in waiting rooms expecting to be seen and examined and acknowledged. Rather, one is to eschew unseemly fabrications and conceal oneself beneath the surface of leaves—perhaps even inside the droplets of dew—one is, after all, to feel shameful of the form, of all forms, and seek instead to merge with whispers which do not shun or excoriate, for they are otherwise occupied in the act of designating meaning. Yet, what meaning stands beyond the rectitude of angles and symmetry, but rather in wilds among agitated insects and resplendent bogs and malicious spiders and rippling mosses pronouncing doom upon their surroundings? One is said to find only the same degree of opportunism, and nothing greatly edifying that could serve to extend beyond the banalities of self-preservation. But no, surely there is something more than this—there absolutely must be something more, and it is to be found! Forget what is said about ‘opportunism’—this is just a word and, thusly, a distraction. The key issue is that there are many such campaigns of contrivance mounted by the taxonomic self-interest of categories and frameworks ‘who’ only seek primacy and authority over their consumers. The ascription of ‘this’ may thusly be ascribed also with that of ‘this other’ and so it cannot be ‘that precisely’ because ‘this’ contradicts another ‘that other’ with which ‘this other’ surely claims affiliation. Certainly, in view of such limiting factors, there is a frustration that one is bound to feel that the answers available are constrained and formulaic and insufficient and that one is simply to accept the way of things as though they are defined by the highest of mathematics and do not beget anything higher. One is, thusly, to cease in one’s quest for unexplored possibility. The lines have been drawn, the contradictions defined and so one cannot expect to go very far with these mathematical rules and boundaries in place. There are ways out: one might assume the value of an imaginary unit and bounce out of any restrictive quadrant as with the errant echoes against the rippling pavement of this Puddled Metropolis. One will then experience something akin to a bounding and rebounding leap—iterative, but with all subleaps constituting a more sweeping trajectory—outward to other landscapes and null landscapes, inward through corridors and toward the centroid of circumcentric chamber clusters, into crevices and trenches between paradigms and over those mountain peaks of abstruse calculation.

And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs. Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.

You know, it isn't the best time to be in the Keys. Not as a tourist, anyway. We natives like it 'cause it makes us feel so superior. We don't mind the humidity and the insects and the hurricanes. We got starch in us; not just in our backbones, but in our whole skeletons." She laughs, the church-bell accompaniment to Nathan's pipe-organ guffaw. "Miss Tia," Nathan says, "you could put some of that starch in your backbone. Looks like you're about to go under the table.

Unhealthy diets don’t just affect the structure of your arteries; an unhealthy diet can also affect their functioning. Your arteries are not merely inert pipes through which blood flows. They are dynamic, living organs. We’ve known for nearly two decades that a single fast-food meal—Sausage and Egg McMuffins were used in the original study—can stiffen your arteries within hours, cutting in half their ability to relax normally.43 And just as this inflammatory state starts to calm down five or six hours later—lunchtime! You may once again whack your arteries with another load of harmful food, leaving many Americans stuck in a danger zone of chronic, low-grade inflammation. Unhealthy meals don’t just cause internal damage decades down the road but right here and now, within hours of going into your mouth.

This propelled Dr Graham to national fame. He moved to London and in prime premises in Pall Mall set up his electromagnetic musical ‘Grand State Celestial Bed’, an exotic form of infertility treatment. The Celestial Bed had a tilting inner frame that allegedly put couples in the best position to conceive. Their movements set off music from organ pipes which breathed out ‘celestial sounds’ whose intensity increased with the ardour of the bed’s occupants. Stimulating fragrances were released into ‘the temple of Hymen’, the canopy that encircled the electrical bed. A pair of live doves fluttered above.

There was a massive organ, with keys of bone, and pipes blackened and sheer rising up from below the floor out of the top of the massive tower. A hunched figure bellowed over the keys.

The staircase that leads over the tracks to Utter Maurby Terminal is enclosed with roof and walls, forming a gigantic organ pipe that resonates with an infrasonic throb as it is pummeled by wind and water. As he walks into the lower end of the staircase, the storm is suddenly peeled away from his face and he is able to stand there for a moment and give this phenom the full appreciation it deserves.

If someone fixing a broken water pipe says, “Hand me the wrench,” his co-worker will not, generally speaking, say, “And what do I get for it?”—even if they are working for Exxon-Mobil, Burger King, or Goldman Sachs. The reason is simple efficiency (ironically enough, considering the conventional wisdom that “communism just doesn’t work”): if you really care about getting something done, the most efficient way to go about it is obviously to allocate tasks by ability and give people whatever they need to do them.11 One might even say that it’s one of the scandals of capitalism that most capitalist firms, internally, operate communistically. True, they don’t tend to operate very democratically. Most often they are organized around military-style top-down chains of command. But there is often an interesting tension here, because top-down chains of command are not particularly efficient: they tend to promote stupidity among those on top and resentful foot-dragging among those on the bottom. The greater the need to improvise, the more

faith in progress was fundamental to western Christianity. As for Orthodox Christianity in the Byzantine East, it prohibited both clocks and pipe organs from its churches.51

He went back to Iowa State, considered changing his major to mathematics, but didn’t. It was the consensus of all whom he consulted that mathematics, like pipe-organ restoration, was a fine thing, but that one needed some way to put bread on the table.

One of my professors has interesting things to say about the similarity between the way organ pipes are controlled by keys and stops, and the way random-access memory bits are read by computers.

Having type 2 diabetes raises a person’s risk of dying, in some cases to a small degree, in other cases substantially, but it is treatable using drugs, diet, and exercise. Although drugs help, they aren’t always necessary. Diet and exercise can sometimes allow the body to heal itself. In one dramatic test of this concept, ten overweight Australian aborigines with type 2 diabetes reversed their disease after just seven weeks of returning to an active hunting and gathering lifestyle.20 The mechanisms by which physical activity helps prevent and treat type 2 diabetes are well studied. Most basically, exercise (in conjunction with diet) can ameliorate every characteristic of metabolic syndrome including excess organ fat, high blood pressure, and high levels of blood sugar, fat, and cholesterol. In addition, exercise lowers inflammation and counteracts many of the damaging effects of stress. And most remarkably, exercise can reverse insulin resistance by restoring blocked insulin receptors and causing muscle cells to produce more of the transporter molecules that shuttle sugar out of the bloodstream.21 The effect is akin to unclogging a drain and flushing out the pipes. Altogether, by simultaneously improving the delivery, transport, and use of blood sugar, exercise can resuscitate a once resistant muscle cell to suck up as much as fiftyfold more molecules of blood sugar. No drug is so potent.

The heart is essentially a muscular pump connected to an elaborate network of branching tubes. Although there are several kinds of cardiovascular disease, almost all arise from something going wrong in either the tubes or the pump. Most problems start with the tubes, primarily the arteries that carry blood from the heart to every nook and cranny of the body. Like the pipes in a building, arteries are vulnerable to getting clogged with unwanted deposits. This hardening of the arteries, termed atherosclerosis, starts with the buildup of plaque—a gloppy mixture of fat, cholesterol, and calcium—within the walls of arteries. Plaques, however, don’t simply accumulate in arteries like crud settling in a pipe. Instead, they are dynamic, changing, growing, shifting, and sometimes breaking. They develop when white blood cells in arteries trigger inflammation by reacting to damage usually caused by a combination of high blood pressure and so-called bad cholesterol that irritates the walls of the artery. In an effort to repair the damage, white blood cells produce a foamy mixture that incorporates cholesterol and other stuff and then hardens. As plaque accumulates, arteries stiffen and narrow, sometimes preventing enough blood from flowing to the tissues and organs that need it and further driving up blood pressure. One potentially lethal scenario is when plaques block an artery completely or detach and obstruct a smaller artery elsewhere. When this happens, tissues are starved of blood (also called ischemia) and die. Plaques can also cause the artery wall to dilate, weaken, and bulge (an aneurysm) or to tear apart (a rupture), which can lead to massive bleeding (a hemorrhage). Blocked and ruptured arteries create trouble anywhere in the body, but the most vulnerable locations are the narrow coronary arteries that supply the heart muscle itself. Heart attacks, caused by blocked coronary arteries, may damage the heart’s muscle, leading to less effective pumping of blood or triggering an electrical disturbance that can stop the heart altogether. Other highly vulnerable arteries are in the brain, which cause strokes when blocked by blood clots or when they rupture and bleed. To this list of more susceptible locations we should also add the retinas, kidneys, stomach, and intestines. The most extreme consequence of coronary artery disease is a heart attack, which, if one survives, leaves behind a weakened heart unable to pump blood as effectively as before, leading to heart failure.

What is that unholy moaning?” said Rutspud. “It sounds like a whale trying to mate with a pipe organ.” “Oh, that’ll be the Enya,” said Scabass. “Don’t worry, you’ll totally forget about it once the kittens get to work on you.” With

But why did Rome fall? We have far too many answers. There is the intellectual answer: Montesquieu said that the Romans conquered the world with their republican principles, they changed their principles to fit an empire, and the new principles destroyed it. There is the moral answer: license, luxury, and sloth, a decline in character and in discipline. The Christian answer of Saint Augustine: Sinful Rome fell to prepare for the triumph of the City of God. The rationalist answer of eighteenth-century freethinkers: Christianity, teaching nonresistance, other-worldliness, disarmed the Romans in the face of the barbarians. The political answer: Caesarism, loss of public spirit, the failure of the civil power to control the army. The social answer or answers: the war of classes and the institution of slavery, which suppresses incentives toward change and progress. The economic answer: trade stagnation, low productivity, scarcity of gold and silver. The physical answer: soil depletion, deforestation, climatic change, drought. The pathological answer: plague and malaria, or even lead poisoning from cooking pots and water pipes. The genetic and racial answers: the dwindling of the old Roman stock through war and birth control and its mingling with Oriental and barbarian breeds. And the biological-cyclical-mystical answer: An empire is an organism, and like a living creature, it must pass through stages of growth, maturity, and decline, to death.

ancient television and withdrew a silver-black vacuum tube. “See this? Part of my DNA, sort of. . . .” He tossed the thing into the shadows and Case heard it pop and tinkle. “You’re always building models. Stone circles. Cathedrals. Pipe-organs. Adding machines.

Jimmy laughed. The thing was a computer terminal, he said. It could talk. And not in a synth-voice, but with a beautiful arrangement of gears and miniature organ pipes. It was a baroque thing for anyone to have constructed, a perverse thing, because synth-voice chips cost next to nothing.

[...] the prostate gland is a miracle of bad engineering, only a moron engineer would design an organ that's prone to swelling that surrounds a collapsable pipe [09: "Why Evolution Is True" - 35m40]

How in the direction of nearby services with plumber The disease or damaged sewer somewhere to eat on the needs of the environment of the property or in the office is not immediate. Drinking water supply as a result of the expiry of promoting damage, as a significant drop due to the free flow of H2O or ruin your furniture imported and domestic wood. Therefore, the same under the sink, although the cover or part of the house damaged, is smart, a plumber can choose the rescue and hardened pipes quickly. Even before he published a plumber in the house, the important point is high absolutely certain that the supply mechanically interlocked with H2O is on drunk driving to create, so it does not come through other more harm in the sense of your own home , Or, if this type of pipes has a main valve arranged directly detected water meter. Some require keys, and some just came clockwise at the end of lead in drinking water purchased at home alternative pipeline valves. Today, every time you select a plumber, it is less complicated to the user to check the direction of friends and spouse and children advice. Family and friends are to be generally easier to purchase self-guided tour, and will be used by similar problems, are able to keep track direction when they can to implement fantastic plumber composed. Examine the site and installers who can access services, many alternatives are completely abandoned. Plumbers usually contain effective advantage proposals with their name and ask their previous customers to ensure that their correct answers about the plumber. The first person with specialized potentially provide unique designs, what and who himself is a must. At the time, in fact, to relax tight, you can ask to self has types and issues, as they were only in the organization. Added opinion does not necessarily mean a lot more experience, no matter when. In addition, plumbers constructive part’s sure you as needed to be able to manage the project management. Plumber’s consultant can make sure their professionalism. If your own way, one after another, before the service, appearance and adequate compensation and professional identity can be reproduced in the way see that they treat their business. And most important ideals, what little. At any time to explore alternative wages to leave the direction of the conversation, such as supply and property prices have some people will be surprised to see how you will use the monthly bill too important to save for economic time. That's because each of us the importance of creating knew, of course, considering all costs move towards Bill damage to your account, after the tube to take healed.

The chapel is the most important building in traditional colleges and a pipe organ is often the centerpiece of a chapel.

If they are looking for a rewarding long term business with a plumber to perform tasks There are many companies who are working to decide what kind of vocational schools, replacement or installation of higher education institutions. For your education initiative must be the only option that is able to provide intensive plumber work relevant by the classic Nationwide Plumbing Code. After completing the program, each providing accreditation to another relevant effort and hard work as a plumber. The program includes training in the relevant programs to install and configure resources. It also includes mechanical design, troubleshooting, piping plans and key ingredients. Bacteriology and sanitation is also part of an important program for plumbers exercise. Although few plumbing works carried out in the classroom, the most important part of the class exercise is comfortable on the stage. The most important bands in principle were supposed to be a plumber in the direction of the company to do the exercises. It is organized in such a way that the student really easy, because you need a plumber's apprentice as an assistant purchasing palms running plumbing parts training. The student gets serious compensated despite the hour discovery replacement rate. He always takes four-year students to get the name of the certificate. In this position, the plumber will be held against the craftsman marketing consultant. When the full study plumbing, plumber charges may choose the next action plan for the office or a plumber, or may be may decide to acquire its own plumber in person in the office. System officeholder has more tasks and also includes all However, more flexibility. He came to power to decide employment opportunities for leadership simply do not want to take, and it can also maintain services in other management plumbers enough to have a lot less work if you need a cute hat.

Not long ago, I attended a gathering with a congregation other than my own, and I thought my ears were going to bleed. The moment the preservice music began, the congregation collectively shuddered and stood cringing under the instrumental blast for the next thirty minutes, until the sermon began. We hoped that the volume would modulate downward after the sermon, but it didn’t. The preacher left the platform and the onslaught continued. I couldn’t resist the temptation to pull out my iPhone and use an app to check the sound levels. While the app surely isn’t the most accurate measurement, it measured sustained levels well over 110 decibels, which can be damage-inducing. (By contrast, our sound engineers at Sojourn are trained to keep sustained volume at about 90 decibels or below, at which they have varied levels of success.) The irony of this, of course, is that I was in a traditional service, and the instrument in question was a roaring pipe organ.

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I would have liked to believe in God. Now there was something that could have been everything better than anything else. By believing in God, I could succumb to ease and comfort and reassurance. Fearlessness was an option! Eternity was mine! It could all be mine: the awesome pitch of organ pipes, the musings of Anglican bishops. All I had to do was put away my doubts and believe. Whenever I was on the verge of that, I would call myself back from the brink. Keep clarity! I would cry. Hold on to yourself! For the reason the world was so pleasurable, and why I wanted to extend that pleasure through total submission to God, was my thoughts—my reasoned, stubborn, skeptical thoughts—which always unfortunately made quick work of God.

In the tenth century AD, Augustine’s biblical philosophy of music inspired a group of Benedictine monks to build the world’s largest pipe organ in the cathedral of Winchester, England. The organ required seventy men and twenty-six bellows to supply wind to its four hundred pipes. Technologically, the pipe organ was the world’s most advanced machine until the invention of the mechanical clock. Europe’s organs stood as emblems of the West’s unique desire and ability to use the arts, science, and technology for the glory of God as well as for the relief of humanity’s suffering and toil.**

For each stop—each timbre, or type of sound, that the organ could make (viz. blockflöte, trumpet, piccolo)—there was a separate row of pipes, arranged in a line from long to short. Long pipes made low notes, short high. The tops of the pipes defined a graph: not a straight line but an upward-tending curve. The organist/math teacher sat down with a few loose pipes, a pencil, and paper, and helped Lawrence figure out why. When Lawrence understood, it was as if the math teacher had suddenly played the good part of Bach’s Fantasia and Fugue in G Minor on a pipe organ the size of the Spiral Nebula in Andromeda—

Our release was a melody through the hollow and sacred room, a pipe organ cry into the night, as my demon fucked me on top of his church rafters.

I was crucified on a pain extraction machine, one of billions that milk the world’s suffering and screams, all connected by swollen, organic cables, snaking under the foundations of reality. And there had to be a place where all the conduits of pulsing flesh, like the roots of old trees, converged into a single enormous pipe, where all the screams of fear from humanity mixed together, the despair and hopelessness of a madrepore with thousands and millions of living creatures with red mouths hanging wide open, screaming with clenched eyes, for eternity, in the hands of blind and deaf and impersonal executioners, the instruments of our terrifying destiny. Where did it go, the vertical conduit of human suffering? Who fed on our crying and unhappiness and helplessness and annihilation and mortality? Who enjoyed the crack of our bones, the pain of unrequited love, of the ravages of cancer and the death of the people we love, of burned skin, of torn-out eyes, of exploding veins? Who needed our ill-fated substance as clear as tears, like we needed air and water? I imagined a vertical pipe, like the needle of a syringe but with the diameter of the oldest baobab tree, descending to the center of the earth and feeding there, in the empty, spherical hypogeum, a people of necromancers and telepaths related to bedbugs, ticks, and mites. Hedonists of pain, visionaries of terror, archangels of being crushed alive, kings of destruction and hate …

On the second floor was a music room built around an Aeolian electric pipe organ for Felix to play; a Red Room to house the Italian paintings, Raphael’s “Madonna and Child” among them; a huge conservatory with stained-glass windows; and the formal dining room. On the third floor Gilbert placed a joint sitting room for Frieda and Felix where they would both have desks on which to array family photographs and where they would place their Friday evening candles; a family breakfast room; Frieda’s boudoir

Even underground is this vast grid of tunnels, cables, pipes and sewers carrying water, waste, electricity, gas – all these things that humans have to organize and funnel about endlessly. It’s bloody frantic. Penguins just crap in the snow and that’s fine, get food from the water and that’s fine, get light from the sky and that’s fine, get entertainment from each other.

GV-15 and 16 are located within one inch of each other on the back of the head, at the base of the hairline. By striking this point, the ability of the Extraordinary Vessels to correct energetic imbalances of the Yang associated meridians are severed. What does this mean exactly? It means that a forceful strike or series of strikes, which are aimed at GV-15 and 16, will greatly hinder, or even completely stop, the ability of the body to correct energetic imbalances to the heart. This concept is referred to as “sealing the qi”1 or “sealing the energy.” Remember that in a combative situation that your opponent’s body will be in an energetic state in which the Fire and Metal meridians will be in great excess. The Wood, Water, and Earth meridians will be energetically in a highly deficient state during such an encounter. During the encounter you attack the Main Meridians in a manner that accentuates those imbalances. This is through your initial entering technique to the strike that places your opponent in a position where strikes to GV-15 and 16 are possible. Your finishing strike or strikes are focused on those two points, which are no more than one half of an inch from each other. It is a great possibility that the excessive energy of the heart, which can not be corrected by the Extraordinary Vessels after your finishing strike, will result in a heart attack. Think of it this way. Because of the automatic responses of Body Alarm Reaction, the Heart meridian is “flooded” with extra energy by the Extraordinary Vessels. That extra energy places in the Heart meridian in an excessive state. Martial techniques are executed that contribute to this already excessive state. The heart will be overwhelmed with extra energy. It will be beating at a much greater than normal rate. To correct this excessive state the body would normally utilize the connection points of GV-15 and 16 to “pipe out” or “draw off” the excessive energy that is present in the Heart meridian. By striking GV-15 and 16, repeatedly if possible, the connection is disrupted to the point that this can not occur. The result is that the heart is in a major excessive state and it can not correct the imbalance. That can result in arrhythmia. This is the worst possible energetic attack to the delicate Yin associated Heart Meridian. It is the worst possible energetic attack period. The Heart is the most delicate and important organ of the body to energetic fluctuations. Where are no other energetic attacks that have this much of a negative effect on the body. The results of this type of attack are extremely serious and should only be used in life-or-death situations!

Waterhouse seeks happiness. He achieves it by breaking Nip code systems and playing the pipe organ. But since pipe organs are in short supply, his happiness level ends up being totally dependent on breaking codes. He cannot break codes (hence, cannot be happy) unless his mind is clear. Now suppose that mental clarity is designated by Cm, which is normalized, or calibrated, in such a way that it is always the case that where Cm = 0 indicates a totally clouded mind and Cm = 1 is Godlike clarity—an unattainable divine state of infinite intelligence. If the number of messages Waterhouse decrypts, in a given day, is designated by Ndecrypts, then it will be governed by Cm in roughly the following way: Clarity of mind (Cm) is affected by any number of factors, but by far the most important is horniness, which might be designated by σ, for obvious anatomical reasons that Waterhouse finds amusing at this stage of his emotional development. Horniness begins at zero at time t = t0 (immediately following ejaculation) and increases from there as a linear function of time: The only way to drop it back to zero is to arrange another ejaculation. There is a critical threshold σc such that when σ > σc it becomes impossible for Waterhouse to concentrate on anything, or, approximately, which amounts to saying that the moment σ rises above the threshold σc it becomes totally impossible for Waterhouse to break Nipponese cryptographic systems. This makes it impossible for him to achieve happiness (unless there is a pipe organ handy, which there isn’t). Typically, it takes two to three days for σ to climb above σc after an ejaculation: Critical, then, to the maintenance of Waterhouse’s sanity is the ability to ejaculate every two to three days. As long as he can arrange this, σ exhibits a classic sawtooth-wave pattern, optimally with the peaks at or near σc [see below] wherein the grey zones represent periods during which he is completely useless to the war effort. So much for the basic theory.

For example, early in 1642 in Norwich it was believed that local apprentices planned to attack the cathedral to remove the altar rails and the organ, in response to which the dean and chapter decided themselves to dismantle the rails but to save the organ. With rumours that the apprentices intended to attack on Shrove Tuesday, they took drastic measures to defend the cathedral, locking the doors and gathering prebendaries and choristers to defend the building, but also bringing in some musketeers, whose weapons were ‘ready charged with bullets and one of them had in his musket a bullet split in parts for to shoot the apprentices when they came’, some halberdiers, ‘expecting to run their halberds in any bodies that dare offer to come’, and some ‘pistol blades’, one of whom drunkenly boasted that he was ready to kill hundreds of apprentices. In fact, none appeared and, according to the mocking printed account of the event, the defenders ‘stood like so many Abraham Ninnies doing nothing but tell how many crows flew over the pinnacle’, the author concluding that ‘they would rather lose their lives than their organs, so fast are they glued to their pipes and popish trinkets’.12

The rich, deep sounds of the pipe organ seem to vibrate through my whole body, as the notes tumble out from under skillful fingers.

I passed long, narrow valleys, eroded hills and mountainsides, meager soils, so sheet-washed and thin from being sluiced with rain, the water pouring across them and carrying the surface away. In the winding river gorges that Mexicans call barrancas, the clinging vegetation—yucca, organ pipe and prickly pear cactus, tenacious, bristling with spikes—looked strangely metallic. To the east was the Tehuacán-Cuicatlán Biosphere Reserve, cloud forests at the higher elevations, and on some lower slopes, tall columnar cactus in mazy green colonnades.

Released in 1967, The Sweet Primeroses marked Shirley’s reunion with her sister Dolly, who had studied modern composition with Alan Bush and was now leading a faintly eccentric existence installed with a piano in a double-decker bus in a field outside Hastings, attempting to reconnect with what she believed were the Collins family’s Irish Gypsy ancestry (their mother was camped nearby in a painted wagon). In accompanying her younger sister, Dolly chose the portative organ, also known as a pipe or flute organ, a contraption dating back to the thirteenth century that consists of squared-off upright wooden pipes.

Try to imagine being a destitute beet farmer in 1700. All of your life you hear only the birds in the sky, the sounds of hammers on wood and iron, and shovels digging in fields. The closest thing to music you get is a rowdy chorus once or twice a month at the local commons, more often during a harvest. At some point during your simple life, you have occasion to travel to a great city with a grand cathedral. It is the largest building you've ever seen, adorned by previously unimaginable wealth and splendor. It is God's house. And there is music. It is a haunting, terrible melody that fills your chest with something that you cannot describe. The sound is so loud that it simply can't be real. The pipe organ creating the noise is a device that you have heard stories about, but it is more impressive than you could ever guess. It is a colossus, a sparkling gilded tribute to God and truly must be the greatest creation of man. What a world we live in.

Waterhouse is going to fix the church’s organ. This project will be sure to have side benefits for his own organ, a single-pipe instrument that needs attention just as badly.

Suppose an Occultist were to claim that the first grand organ of a cathedral had come originally into being in the following manner. First, there was a progressive and gradual elaboration in Space of an organizable material, which resulted in the production of a state of matter named organic PROTEIN. Then, under the influence of incident forces, those states having been thrown into a phase of unstable equilibrium, they slowly and majestically evolved into and resulted in new combinations of carved and polished wood, of brass pins and staples, of leather and ivory, wind-pipes and bellows. After which, having adapted all its parts into one harmonious and symmetrical machine, the organ suddenly pealed forth Mozart's Requiem. This was followed by a Sonata of Beethoven, etc., ad infinitum; its keys playing of themselves and the wind blowing into the pipes by its own inherent force and fancy. . . . . What would Science say to such a theory? Yet, it is precisely in such wise that the materialistic savants tell us that the Universe was formed, with its millions of beings, and man, its spiritual crown.

slow down decisions and can paralyze execution, allowing the adversary to dance around the methodical, process-driven approach. Skip-echelon will generally work to restore the speed of decisions and agility; if not, removing entire organizations can clear the pipes.

As a geezer one grows tired of the story of Sisyphus. Let that boulder stay where it is and, by its presence, exactly where it wished to be, but then I’m old enough to have forgotten what the boulder stood for? I think of all of the tons of junk the climbers have left up on Everest, including a few bodies. Even the pyramids, those imitation mountains, say to the gods, “We can do it too.” Despite planes you can’t get off the earth for long. Even the dead meat strays behind, changing shape, the words drift into the twilight across the lake. I’m not bold enough to give a poetry reading while alone far out in the desert to a gathering of saguaro and organ-pipe cactus or listen to my strophes reverberate off a mountain wall. At dawn I sat on a huge boulder near Cave Creek deep in the Chiracahuas and listened to it infer that it didn’t want to go way back up the mountain but liked it near the creek where gravity bought its passage so long ago. Everest told me to get this crap off my head or stay at home and make your own little pyramids.

Whereas most keyboardists back then sat up straight like a squirrel with paws perched on keys as if at prayer, Louis, after first quietly and serenely nodding his head in the direction of the sheet music, veritably threw himself into every gesture as if he was wrestling the very soul of the music out of the organ’s pipes.

Fundamentals of Esperanto The grammatical rules of this language can be learned in one sitting. Nouns have no gender & end in -o; the plural terminates in -oj & the accusative, -on Amiko, friend; amikoj, friends; amikon & amikojn, accusative friend & friends. Ma amiko is my friend. A new book appears in Esperanto every week. Radio stations in Europe, the United States, China, Russia & Brazil broadcast in Esperanto, as does Vatican Radio. In 1959, UNESCO declared the International Federation of Esperanto Speakers to be in accord with its mission & granted this body consultative status. The youth branch of the International Federation of Esperanto Speakers, UTA, has offices in 80 different countries & organizes social events where young people curious about the movement may dance to recordings by Esperanto artists, enjoy complimentary soft drinks & take home Esperanto versions of major literary works including the Old Testament & A Midsummer Night’s Dream. William Shatner’s first feature-length vehicle was a horror film shot entirely in Esperanto. Esperanto is among the languages currently sailing into deep space on board the Voyager spacecraft. - Esperanto is an artificial language constructed in 1887 by L. L. Zamenhof, a polish oculist. following a somewhat difficult period in my life. It was twilight & snowing on the railway platform just outside Warsaw where I had missed my connection. A man in a crumpled track suit & dark glasses pushed a cart piled high with ripped & weathered volumes— sex manuals, detective stories, yellowing musical scores & outdated physics textbooks, old copies of Life, new smut, an atlas translated, a grammar, The Mirror, Soviet-bloc comics, a guide to the rivers & mountains, thesauri, inscrutable musical scores & mimeographed physics books, defective stories, obsolete sex manuals— one of which caught my notice (Dr. Esperanto since I had time, I traded my used Leaves of Grass for a copy. I’m afraid I will never be lonely enough. There’s a man from Quebec in my head, a friend to the purple martins. Purple martins are the Cadillac of swallows. All purple martins are dying or dead. Brainscans of grown purple martins suggest these creatures feel the same levels of doubt & bliss as an eight-year-old girl in captivity. While driving home from the brewery one night this man from Quebec heard a radio program about purple martins & the next day he set out to build them a house in his own back yard. I’ve never built anything, let alone a house, not to mention a home for somebody else. Never put in aluminum floors to smooth over the waiting. Never piped sugar water through colored tubes to each empty nest lined with newspaper shredded with strong, tired hands. Never dismantled the entire affair & put it back together again. Still no swallows. I never installed the big light that stays on through the night to keep owls away. Never installed lesser lights, never rested on Sunday with a beer on the deck surveying what I had done & what yet remained to be done, listening to Styx while the neighbor kids ran through my sprinklers. I have never collapsed in abandon. Never prayed. But enough about the purple martins. Every line of the work is a first & a last line & this is the spring of its action. Of course, there’s a journey & inside that journey, an implicit voyage through the underworld. There’s a bridge made of boats; a carp stuffed with flowers; a comic dispute among sweetmeat vendors; a digression on shadows; That’s how we finally learn who the hero was all along. Weary & old, he sits on a rock & watches his friends fly by one by one out of the song, then turns back to the journey they all began long ago, keeping the river to his right.

We deserve healthy, organic and whole food that nourishes the body and the brain, that allows for both the full course of energy and the full rest of sleep at the end of a day well-lived and balances with service, love and dreaming, We deserve to know life without the threat of heart attacks at 50, or strokes or diabetes and blindness because the food we have access to and can afford os a loaded gun. And shelter. We deserve that too. Not the shelter that's lined with asbestos in the walls, or walls that are too thin to keep out the cold. Not the shelter with pipes that poor lead based water onto our skin, down our throats, in Flint, North Dakota, in New York, Mississippi. In places that don't make the news. We deserve the kind of shelter that is not a cage, whether that cage is a prison or its free-world equivalent. A shelter where our gifts are watered, where they have the space to grow, a greenhouse for all the we pull from our dreaming and are allowed to plant.

In his address at Marx’s funeral Engels described “the law of human history” his friend is said to have discovered: that mankind must first of all eat, drink, have a shelter and clothing, before it can pursue politics, science, art, religion etc; that therefore the production of the immediate material means of subsistence . . . form[s] the foundation upon which the state institutions, the legal conceptions, art, and even ideas on religion of the people concerned have evolved, and in the light of which they must, therefore, be explained, instead of vice versa, as had hitherto been the case. In short, economics is the foundation of organized life: all else is “superstructure.

More important still was the introduction of state-sponsored welfare schemes. The industrial democracies, alarmed by socialist strides in organizing labor and gaining seats in parliamentary elections, instituted social legislation in the form of unemployment and health insurance and other benefits that kept the working class from sinking into destitution.

The French socialist Jean Jaurès predicted: The proletariat will come to power not through an unanticipated blow of political agitation, but by the methodical and legal organization of its own powers under democratic conditions and the universal right to vote. Our society will gradually develop towards Communism, not through the collapse of the capitalist bourgeoisie but by a gradual and inexorable strengthening of the proletariat.

When Heckel spoke, his voice emerged from a miniature pipe organ projecting from the top of his helmet. He had to keep making adjustments to knobs in his chest area to stop the voice becoming too shrill or deep.

Detroit was ready to explode. On a Sunday afternoon marked by rising temperatures and short tempers, scuffles broke out between whites and blacks at a park called Belle Isle. A false rumor ricocheted among the African Americans that whites had thrown a black woman and child to their deaths off a bridge leading to the park. For the next thirty hours, until several thousand federal troops and tanks intervened, mobs raged through the city. “Race War in Detroit: Americans Maul and Murder Each Other as Hitler Wins a Battle in the Nation’s Most Explosive City,” bellowed Life magazine. Eight pages of disturbing pictures showed bloodied black men being chased, surrounded, and beaten by whites armed with lead pipes and bottles. In the end, twenty-five blacks and nine whites lay dead and six hundred injured. Seventeen of the black victims were killed by policemen. Of the fourteen hundred people arrested, twelve hundred were black, even though most of them reportedly had been attacked first. Despite the many problems in Detroit, bigotry did not reign in all quarters of the city. The United Automobile Workers union refused to tolerate whites who would not work with blacks on its assembly lines, and there were few problems. It was a lesson in what could happen when discipline was imposed. It is an example that another organization renowned for discipline

When you have a lot of people singing without any organ accompaniment, there is a constant tendency for the note to drop all the time; it gets lower and lower as it goes on. And therefore, when the choir isn’t accustomed to singing without accompaniment, every now and then the choir-master, who has a pitch-pipe concealed on his person, gives a little ‘toot’ in the background, to remind them of the higher note which they ought to be taking, and aren’t. And, you see, we are rather like that. We go on living from day to day without thinking much about how we are living, or what we are here for, or whether the things that chiefly interest us are really worth living for; and we get accustomed to our sins, and feel vaguely that it is a pity we go on committing them, but after all, there doesn’t seem to be much chance of our stopping; and our prayers get very languid and washed out, and we think of very little except our food and our amusements – do you see what I mean? All the time, the note on which our lives are lived is dropping, dropping, till it’s ready to die away into our boots, and we don’t notice, just as the choir doesn’t notice when the note drops. So we want that sudden little ‘toot’ of the pitch-pipe, to pull us together and screw the note of our lives up again. And the pitch-pipe we use ... is meditation on Our Lord’s Passion.[791

Suppose an Occultist were to claim that the first grand organ of a cathedral had come originally into being in the following manner. First, there was a progressive and gradual elaboration in Space of an organizable material, which resulted in the production of a state of matter named organic PROTEIN. Then, under the influence of incident forces, those states having been thrown into a phase of unstable equilibrium, they slowly and majestically evolved into and resulted in new combinations of carved and polished wood, of brass pins and staples, of leather and ivory, wind-pipes and bellows. After which, having adapted all its parts into one harmonious and symmetrical machine, the organ suddenly pealed forth Mozart's Requiem. This was followed by a Sonata of Beethoven, etc., ad infinitum; its keys playing of themselves and the wind blowing into the pipes by its own inherent force and fancy. . . . . What would Science say to such a theory? Yet, it is precisely in such wise that the materialistic savants tell us that the Universe was formed, with its millions of beings, and man, its spiritual crown. Whatever may have been the real inner

The elaborate and rather flexible political police system established in Russia in the early 1880s was unique in at least two respects. Before the First World War no other country in the world had two kinds of police, one to protect the state and another to protect its citizens. Only a country with a deeply rooted patrimonial mentality could have devised such a dualism. Secondly, unlike other countries, where the police served as an arm of the law and was required to turn over all arrested persons to the judiciary, in imperial Russia and there alone police organs were exempt from this obligation.

If there is much to be said for the virtues of the free market, for its role in encouraging hard work, innovation, and economic growth--and argument that seems nearly beyond dispute at this point--then it must also be acknowledged as equally indisputable that organizing an economic system around self-interest and competition tends to produce a multitude of so-called neighborhood effects. No one has yet to solve the conundrum of the ecological costs associated with economic growth without conceiving of some role of state intervention. Thus far, the notion that unrestrained capitalism can make the United States fabulously wealthy and save the planet too remains little more than a pipe dream.