Pinch Of Love Quotes

We've searched our database for all the quotes and captions related to Pinch Of Love. Here they are! All 100 of them:

The mark of Friendship is not that help will be given when the pinch comes (of course it will) but that, having been given, it makes no difference at all.
C.S. Lewis (Four Loves)
If put to the pinch, an ounce of loyalty is worth a pound of cleverness. (Get Out or Get in Line, 1928)
Elbert Hubbard (Works of Elbert Hubbard. Includes A Message to Garcia, Little Journeys to the Homes of the Great, The Mintage and Love, Life & Work (mobi))
On the map of you, my fingers could always find the green hills, Wales. Cool waters and a shore of white chalk. The ancient part of you carved out of stone in a prayerful circle, sacrosanct. Your spine's a ridge I'd die climbing. If I could spread it out on my desk, I'd find the corner of your mouth where it pinches with my fingers, and I'd smooth it away and you'd be marked with the names of saints like all the old maps. I get the nomenclature now- saints' names belong to miracles
Casey McQuiston (Red, White & Royal Blue)
Pinch me, please. Is any of this real?" Rachel whispered as she looked into Nick's eyes. "This place is very real. You're the dream," Nick answered as he kissed her deeply.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
I don't remember my dreams,' I tell the boy with grey eyes. He pinches my cheek. 'I'll dream for the both of us.' 'Promise?' 'Promise, Elsa
Rina Kent (Twisted Kingdom (Royal Elite, #3))
Settling into a new country is like getting used to a new pair of shoes. At first they pinch a little, but you like the way they look, so you carry on. The longer you have them, the more comfortable they become. Until one day without realizing it you reach a glorious plateau. Wearing those shoes is like wearing no shoes at all. The more scuffed they get, the more you love them and the more you can't imagine life without them.
Tahir Shah (In Arabian Nights: A Caravan of Moroccan Dreams)
You healed my heart and taught me that forgiveness is about love. I used to think that any man of mine had to live up to a list of my expectations. I was wrong. Love has no list. You are the pinch in my heart. The catch in my breath. The reason my stomach tumbles and why I lie awake at night just to look at you. And every time I look at you, I know that I want to look at you forever
Rachel Gibson (Any Man of Mine (Chinooks Hockey Team, #6))
When that slow-motion, silent explosion of love takes place in me, unfolding its melting fringes and overwhelming me with the sense of something much vaster, much more enduring and powerful than the accumulation of matter or energy in any imaginable cosmos, then my mind cannot but pinch itself to see if it is really awake. I have to make a rapid inventory of the universe, just as a man in a dream tries to condone the absurdity of his position by making sure he is dreaming. I have to have all space and all time participate in my emotion, in my mortal love, so that the edge of its mortality is taken off, thus helping me to fight the utter degradation, ridicule, and horror of having developed an infinity of sensation and thought within a finite existence.
Vladimir Nabokov
Absent love, fear will do nicely in a pinch.
Pierce Brown (Morning Star (Red Rising, #3))
When Aaron finally spoke, his voice had a breathless texture, “You pinched my ass, Catalina.” I had. And I was sorry. Sort of. Which didn’t excuse the shameless, outright joyful grin that broke out on my face.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
You think I am very cute, you think me sexy, as well. I can read your thoughts, remember.” I hoisted myself up and slid across his body. You are conceited, arrogant, and domineering, everything I dislike in a man. And you are independent, stubborn, and heedless, everything I dislike in a women. I slid my hands under his back and kissed his dampened lips. So why is it that I love you so much? He smiled a smug, masculine little smile and captured my legs with his. Because I love you, and to be loved by a Dark One is enough for any woman. I pinched him in a particularly vulnerable spot and allowed him to kiss me with all the sexy arrogance he had.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
Is he for real? A hot guy who makes me laugh and loves poetry? Someone pinch me.
Colleen Hoover (Slammed (Slammed, #1))
I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town.
T. Coraghessan Boyle
Delicately, she parted her lips, swept them against his, and kissed first his top, then the bottom. Letting her lead, he pinched his brows together and held still. She didn’t come at him with fire. She told him a story. And he’d be damned if it didn’t start with once upon a time like she were proving he was some kind of hero. Specifically, hers.
Kelly Moran (Redemption (Cattenach Ranch, #1))
Altogether, I think we ought to read only books that bite and sting us. If the book we are reading doesn’t shake us awake like a blow to the skull, why bother reading it in the first place? So that it can make us happy, as you put it? Good God, we’d be just as happy if we had no books at all; books that make us happy we could, in a pinch, also write ourselves. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like suicide. A book must be the ax for the frozen sea within us. That is what I believe.
Franz Kafka
What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is. “A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I thought that it was 'cause I deserved the best and he's out there. He's just with all the wrong women. And let me be clear. After CENTURIES of men looking at my tits in stead of my eyes and pinching my ass instead of shaking my hand, I now have the *DIVINE* right to stare at a man's BACKSIDE with vulgar, cheap appreciation if I want to!
Cecelia Ahern
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay. “Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal. “Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’” Cagney sighed, listened to the leather creak as he shifted his weight in his chair. “No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
J. Conrad Guest (The Cobb Legacy)
And you snap out of it. Or are snapped out of it. Never again will you lay a hand against yourself, not as long as there are plums to eat and somebody--anybody--who gives enough of a damn to haul them to you. So long as you bear the least nibblet of love for any other creature in this dark world, though in love portions are never stingy. There are no smidgens on pinches, only rolling abundance. That's how you acquire the resolution for survival that the upcoming years are about to demand. You don't give it. You earn it.
Mary Karr (The Liars' Club)
There is lovemaking that is bad for a person, just as there is eating that is bad. That boysenberry cream pie from the Thrift-E Mart may appear inviting, may, in fact, cause all nine hundred taste buds to carol from the tongue, but in the end, the sugars, the additives, the empty calories clog arteries, disrupt cells, generate fat, and rot teeth. Even potentially nourishing foods can be improperly prepared. There are wrong combinations and improper preparations in sex as well. Yes, one must prepare for a fuck--the way an enlightened priest prepares to celebrate mass, the way a great matador prepares for the ring: with intensification, with purification, with a conscious summoning of sacred power. And even that won't work if the ingredients are poorly matched: oysters are delectable, so are strawberries, but mashed together ... (?!) Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts use cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes--only a dullard would hang such a millstone around the nibbled neck of a lay--but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure--there are ephemeral explosions of passion between strangers that make more erotic sense than lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris--but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; and honest caring, however singled by lust, that must be present if couplings are to be salubrious and not slow poison.
Tom Robbins (Still Life with Woodpecker)
The Plague Doctor claimed Blackheath was meant to rehabilitate us, but bars can’t build better men and misery can only break what goodness remains. This place pinches out the hope in people, and without that hope, what use is love or compassion or kindness?
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
Up and down," Meera would sigh sometimes as they walked, "then down and up. Then up and down again. I hate these stupid mountains of yours, Prince Bran." "Yesterday you said you loved them." "Oh, I do. My lord father told me about mountains, but I never saw one till now. I love them more than I can say." Bran made a face at her. "But you just said you hated them." "Why can't it be both?" Meera reached up to pinch his nose. "Because they're different," he insisted. "Like night and day, or ice and fire." "If ice can burn," said Jojen in his solemn voice, "then love and hate can mate. Mountain or marsh, it makes no matter. The land is one." "One," his sister agreed, "but over wrinkled.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I love you too, you know.” His kiss turns into a smile. “Yeah?” “I’ve probably loved you longer.” A trickster grin. “Probably.” I pinch his splendid ass for that and he growls, pressing into me.
Christina Lauren (Josh and Hazel's Guide to Not Dating)
Was he laughing? The nerve of him. The situation called for extreme measures. So, with all the skill I could gather, I stretched down until my hand reached his backside and pinched his butt. Yep. I, Lina Martín, had just pinched Aaron Blackford’s butt.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
knock, knock. who's there? it's cancer. cancer who? cancer of the section right behind your belly button that you have been trying to pass off as the pinch of ovulation. but it's not. it's cancer. it's me.
Laurie Notaro (I Love Everybody (and Other Atrocious Lies))
If you use sarcasm, ridicule, teasing, pinching, tickling, or barbed kidding at times, make a commitment to cease using these passive-aggressive weapons against your partner or anyone.
David Richo (How to Be an Adult in Relationships: The Five Keys to Mindful Loving)
We were sisters. We felt each other’s pain. We caused each other’s pain. We knew the smell of each other’s morning breath. We made each other cry. We made each other laugh. We got angry, pinched, kicked, screamed at each other. We kissed, on the forehead, nose on nose, butterfly eyelashes swept against cheeks. We wore each other’s clothes. We stole from each other, treasured objects hidden under pillows. We defended each other. We lied to each other. We pretended to be older people, other people. We played dress up. We spied on each other. We possessed each other like shiny things. We loved each other with potent, fervent fury. Animal fury. Monstrous fury.
Krystal Sutherland (House of Hollow)
Fame is the responsibility, the perennial discipline, the concubine who solicits and imbibes, bit by bit, the love, the relations, the serenity, and the soul, leaving behind the subaqueous plaudits that pinch to the core..
Himmilicious (The Clicked Shutterbug.)
Release Lady Mirabelle and the kitten or I’ll run you through, skewering your belly, pinching out your life.
Sue-Ellen Welfonder (To Love a Highlander (Scandalous Scots, #1))
You pinched my ass, Catalina.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
My soul lightened as I realized I could help her. I rolled her body flat, like Grandpa taught me. I swept my finger inside her cold mouth to make sure her breathing passage was open, and I placed my mouth on hers, carefully pinching her nose, and breathed life into her lungs. Betsy stirred, sputtered a cough, and opened her eyes. “Now you kiss me?” she said, so weakly I could barely hear her.
Darin C. Brown (The Taste of Despair (The Master of Perceptions, #3))
I worship the ground Eva walks on. I love her smile. I love the way she gets in a snit and her lips get all pinched up. I love the way she thinks she has to cook for me. I love the fact that she lets me butter her biscuit. I love the way she curls into me at night and lets me hold her. I also love how perfect it is when I’m making love to her. How I feel complete.
Abbi Glines (Sometimes It Lasts (Sea Breeze, #5))
I'll need to see your colors to help me gauge your intoxication." I assumed it would be a relief to let down my mental guard, but I felt exposed and didn't like the way my dad's eyes squinched up when he saw my colors. I'd been trying not to think about Kaidan, but that only made me think of him more. My dad pinched the bridge of his nose. I was guessing he didn't think dark pink passionate love had any business being in his little girl's wardrobe of emotions. But he didn't say anything about it-only let out a jagged sigh and began.
Wendy Higgins (Sweet Evil (Sweet, #1))
I think we ought to read only books that bite and sting us. If the book we are reading doesn't shake us awake like a blow on the skull, why bother reading it in the first place? So that it can make us happy, as you put it? Good God, we'd be just as happy if we had no books at all; books that make us happy we could, in a pinch, also write ourselves. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like a suicide. A book must be the axe for the frozen sea within us. That is what I believe.
Franz Kafka
Every nutritious sexual recipe calls for at least a pinch of love, and the fucks that rate four-star rankings from both gourmets and health-food nuts used cupfuls. Not that sex should be regarded as therapeutic or to be taken for medicinal purposes - only a dullard would hang such a millstone around the nibbled neck of a lay - but to approach sex carelessly, shallowly, with detachment and without warmth is to dine night after night in erotic greasy spoons. In time, one's palate will become insensitive, one will suffer (without knowing it) emotional malnutrition, the skin of the soul will fester with scurvy, the teeth of the heart will decay. Neither duration nor proclamation of commitment is necessarily the measure - there are ephemeral explosions of passion between strangers that make more erotic sense than many lengthy marriages, there are one-night stands in Jersey City more glorious than six-months affairs in Paris - but finally there is a commitment, however brief; a purity, however threatened; a vulnerability, however concealed; a generosity of spirit, however marbled with need; an honest caring, however singed by lust, that must be present if couplings are to be salubrious and not slow poison.
Tom Robbins (Still Life with Woodpecker)
No!" he cried and his face pinched with frustration and pain. "I don't want to hear more reasons why we shouldn't be together. No more confessions to explain why you want to run away from what we share." "Julian," she attempted to interrupt again, but he held up a trembling hand. His dark gaze held hers. "I have moved heaven and earth to bring you back to me. I refuse to let you leave again. You are mine and you shall be mine for the rest of my life. Not as my mistress, but as my wife. And if you don't say yes, I shall be forced to drag you into Hyde Park and make love to you in plain view of everyone. Then you will have to accept my proposal in order to save your reputation." His face softened. "I love you, Cecilia.
Jess Michaels (Undeniable)
F*ck, Cassie. What do you want to hear? How much I hate myself for getting drunk that night and losing the only girl in my life I've ever trusted and truly loved? How I called Dean fifty times a day for weeks begging him to tell me how I could get you back? Do you want to hear how fucking weak and pathetic I think I am for not being able to tell her no that night, when I knew what was at stake? His eyebrows pinched together and his jaw tensed as his emotions spilled out into the night air. "Do you want to hear how I tried to talk her out of keeping this baby so that it wouldn't fuck everything up? How I begged her not to keep it, told her I'd pay for everything, I'd drive her there and give her money after it was all over, just to please not to this to me. And then how much of an asshole I felt after that too? Who tells someone that?
J. Sterling (The Perfect Game (The Perfect Game, #1))
Is it too soon to tell you I love you? If it's too soon, I won't say it." His heart swelled to bursting. "I love you." She pinched his ass. "Ow!" "I wanted to say it first," she said. "Fine, I take it back." "Don't you dare.
Olivia Cunning (Wicked Beat (Sinners on Tour, #4))
It wasn’t perfect. It isn’t now. I still have days when I want to exit the system quicker then you can say, “don’t you dare give up now”, and you still have days where you can’t even taste the sweetness in raw honey and neither one of us believes in pills. Days when I so want to kiss you but your mouth is sour and my thoughts are bitter and I’m angry…just mad, just crazy with it all. But we are each others home sweet home, Love. The roof is screwed on too tight at times and the walls of our purple house can pinch a little but my God, they are always warm.
Yrsa Daley-Ward
Here’s my image of Ash Wednesday: If our lives were a long piece of  fabric with our baptism on one end and our funeral on another, and we don’t know the distance between the two, then Ash Wednesday is a time when that fabric is pinched in the middle and the ends are held up so that our baptism in the past and our funeral in the future meet. The water and words from our baptism plus the earth and words from our funerals have come from the past and future to meet us in the present. And in that meeting we are reminded of the promises of  God: That we are God’s, that there is no sin, no darkness, and yes, no grave that God will not come to find us in and love us back to life.
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
Are you in?" I roll my eyes and try to kiss him again, but he won't let me. I pinch his nipples, and all he does is wink and growl at me. "Say it." "Fuck you" "We'll get there, Naomi. Be patient. But first, you have to say it." I keep glaring, but I feel my body melting, my shields and my walls crashing down in flames. "Say you're mine, tell me that you're my girlfriend." "You're my boyfriend," I say, and the words nearly kill me. "That's all you get for now. Best I can fucking do.
C.M. Stunich (Bad Day (Hard Rock Roots, #4))
I used to pinch those pages closed when I read the book to keep from having to see Joan [of Arc] fail. But now I love that picture. I love it so much. I love how Joan kept going right up to the end. It reminds me that sometimes defeat is the price of taking action. If you do something, you become a target. People want to take you down. That's a risk. But it's better to do too much, better to try to hard, better to have a crisis of faith and get thrown and climb back up on your horse and keep riding, than to see something wrong in the world and not do anything at all.
Madeleine George (The Difference Between You and Me)
Reality is painful and imperfect ... That's just the way it is, that's how we distinguish it from dreams. When something seems absolutely lovely we think it can only be a dream, and we pinch ourselves just to be sure we're really not dreaming - if it hurts it's because we're not dreaming. Reality can hurt us, even those moments when it may seem to us to be a dream. You can find everything that exists in the world in books - sometimes truer in colors, and without the real pain of everything that really does exist. Given a choice between life and books, my son, you must choose books
José Eduardo Agualusa (The Book of Chameleons)
I didn't like Dali: now, like you, I do. Like you, I began to drink my Coke with a pinch of salt . Like you, I stopped bothering about ironed clothes. Like you, I sit with a dictionary while reading the papers. Like you, I sit on the compound wall after a bath.
Sachin Kundalkar (Cobalt Blue)
To love mankind for the sake of God-that has been the most nobel and far-fetched feeling yet achieved by human beings. The idea that without some sanctifying ulterior motive, a love of mankind is just one more brutish stupidity, that the predisposition to such a love must first find its weight, its refinement, its grain of salt and pinch of ambergris in another even higher predisposition-whoever first felt and 'witnessed' this, and however much his tongue may have stuttered in attempting to express such a delicate idea: may he remain forever venerable and holy in our sight as the man who as yet has flown the highest and erred the most beautifully!
Friedrich Nietzsche (Beyond Good and Evil)
Mephistopheles waved her off as she left. “One more woman running off with another man. I’m losing my touch.” “Have you considered you might be a Thorne in their sides?” Thomas asked. “You certainly can be a pric—” “Thomas,” I whispered harshly, pinching the inside of his elbow. “How clever,” Mephistopheles said blandly. “You’ve made my name into a pun. What other comedic brilliance will you think of next? I wish I could say I missed this”—he motioned between himself and Thomas—“but that sort of lying doesn’t pay my bills.” “Nor do the gemstones on your suits,” Thomas muttered. “Are you still jealous about my jackets?” Mephistopheles grinned. “For the love of the queen,” I said, interrupting before they really got into it.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
She loved him, but that wasn't good enough. The word "love" was required to cover such a range of emotions that it almost meant nothing at all. Since the love we distill for each beloved conforms to such a specific, rarefied recipe, with varying soupcons of resentment, pity, or lust, and sometimes even pinches of dislike, you really needed as many different words for the feeling as there were people whom you cared for in your life.
Lionel Shriver (The Post-Birthday World)
Steve's throat swelled with tension as the intimacy of the moment became more tangible. He moved his eyes from the dark, reflective river, to the dark, reflective pupils in Diane's eyes. They seemed to quiver with tenderness - but then they would grow distant. He found himself continually surprised at the "aliveness" of the person standing just a foot away from him now. She wasn't inanimate: she would flinch if he pinched her, and answer if he asked her. And she was beautiful." -- From "The Grand Unified Story" -- a short story in Zack Love's Stories and Scripts: an Anthology
Zack Love (Stories and Scripts: an Anthology)
I’d loved women who were old and who were young; those extra kilos and large rumps, and others so thin there was barely even skin to pinch, and every time I held them, I worried I would snap them in two. But for all of these: where they had merited my love was in their delicious smell. Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour.
Roman Payne
Do you know that i paid two dollars for [Doxocology] thirty-three years ago? Everything was wrong with him, hoofs like flapjacks, a hock so thick and short and straight there seems no joint at all. he's hammerheaded and swaybacked. He has a pinched chest and a big behind. He has an iron mouth and he still fights the upper. with a saddle he feels as thought you were riding a sled over a gravel pit. He can't trot and he stumbles over his feet when he walks. I have never in thirty-three years fond one good thing about him. He even has an ugly disposition. He is selfish and quarrelsome and mean and disobedient. to this day I don't dare walk behind him because he will surely take a kick at me. when I feed him mush he tries to bite my hand. And I love him.
John Steinbeck (East of Eden)
Y-naga: "That's the thing... It's like trying to find a guy who's a kid at heart but still a responsible adult, so he can be counted on when I find myself in a pinch, somebody who's a little wild at times but normally lets me have my way even when I'm being selfish and just says, "well, if you insist," a guy who's not too full of himself but understands what clothes suit his body type best..." S-hara: "What I'm saying is the pretty ones are stupid! The ones who have it all together are all so, so stubborn that they never do things my way!
Fumi Yoshinaga (Not Love But Delicious Foods)
The word love was required to cover such a range of emotions that it almost meant nothing at all. Since the love we distill for each beloved conforms to such a specific, rarefied recipe, with varying soupcons of resentment, pity, or lust, and sometimes even pinches of dislike, you really needed as many different words for the feeling as there were people whom you cared for in your life.
Lionel Shriver
Rising up, rising down! History shambles on! What are we left with? A few half-shattered Greek stelae; Trotsky's eyeglasses; Gandhi's native-spun cloth, Cortes' pieces of solid gold (extorted from their original owner, Montezuma); a little heap of orange peels left on the table by the late Robespierre; John Brown's lengthily underlined letters; Lenin's bottles of invisible ink; one of Di Giovanni's suitcases, with an iron cylinder of gelignite and two glass tubes of acid inside; the Constitution of the Ku Klux Klan; a bruised ear (Napoleon pinched it with loving condescension)... And dead bodies, of course. (They sing about John Brown's body.) Memoirs, manifestoes, civil codes, trial proceedings, photographs, statues, weapons now aestheticized by that selfsame history - the sword of Frederick the Great, and God knows what else. Then dust blows out of fresh graves, and the orange peels go grey, sink, wither, rot away. Sooner or later, every murder becomes quaint. Charlemagne hanged four and a half thousand "rebels" in a single day, but he has achieved a storybook benevolence. And that's only natural: historiography begins after the orange has been sucked,; the peeler believes in the "great and beautiful things," or wants to believe; easy for us to believe likewise, since dust reduced truth and counterfeit to the same greyness - caveat emptor. But ends remain fresh, and means remain inexplicable. Rising up and rising down! And whom shall I save, and who is my enemy, and who is my neighbor?
William T. Vollmann
I remember how I would eye with envy all the kids in our neighborhood, in my school, who had a little brother or sister. How bewildered I was by the way some of them treated each other, oblivious to their own good luck. They acted like wild dogs. Pinching, hitting, pushing, betraying one another any way they could think of. Laughing about it too. They wouldn’t speak to one another. I didn’t understand. Me, I spent most of my early years craving a sibling. What I really wished I had was a twin, someone who’d cried next to me in the crib, slept beside me, fed from Mother’s breast with me. Someone to love helplessly and totally, and in whose face I could always find myself.
Khaled Hosseini (And the Mountains Echoed)
Zoya, do you know why the Darkling lost the civil war? How Alina stopped him?” Zoya pinched the bridge of her nose. “No. I wish I did.” “Because he always fought alone. He let his power isolate him. Alina had us. You have us. You push us away, keep us all at arm’s distance so that you won’t mourn us. But you’ll mourn us anyway. That’s the way love works.” Zoya turned away. “I don’t know how to do this anymore. I don’t know how to just go on.” “I don’t know either. There are days when I don’t want to. But I can’t live a life without love.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
if another person got on that elevator to travel eight feet upward, I couldn’t have been responsible for what I did. I had been pushed to the limit. The next time it happens, I swore to myself, I’m going to reach out and pinch that One Floorer and say, “You get out there and walk! You won’t come close to burning a fraction of the three thousand calories you ate at lunch, but maybe by the time you reach the landing, you’ll pass out from exhaustion and get to go home for the rest of the day, you lazy little asshole, because that’s exactly what you want anyway!
Laurie Notaro (I Love Everybody (and Other Atrocious Lies))
Always keep believing, hoping, seeking, working, helping, forgiving, understanding and loving and your life will be meaningful. But don’t forget to be always vigilant about eagles, crows and vultures around you. In a flash, they may pounce and pinch your peace, prosperity, joy and happiness, blur your vision with their filthy wings, vilify your fame with dirt and halt your progress.
Lord Robin
One of the reasons I hate Hollywood so much is that they portray the travails of teen life as so innocuous and fun loving, some kind of idyll before the mean business of adulthood. People forget how much it all hurts back then. Someone pinches you and you feel it in your bones. They don't want to face what a bunch of fragile sadists teenagers were. All these folks who acted all shocked and outraged when those kids in Columbine went off - where the hell did they go to high school?
Steve Almond (Which Brings Me to You)
She’d always assumed that falling in love would be like getting slammed into a brick wall. That you’d just be going along as usual and you’d get knocked on your ass and think, Gee, I guess I’m in love. But it hadn’t happened that way. It had just kind of snuck up on her before she’d realized it. It had happened one smile and one touch at a time. One look. One kiss. One pink cat collar. One pinch to the heart and one breathless anticipation after another until she was in so deep there was no denying it. No turning back before it was too late. No more lying about what she felt.
Rachel Gibson (Tangled Up In You (Truly Idaho, #2; Writer Friends, #3))
Oh, the dream. The goddamned man + baby dream. Written by the High Commission on Heterosexual Love and Sexual Reproduction and practiced by couples across the land, the dream's a bitch if you're a maternally inclined straight female and not living it by the age of thirty-seven -- a situation of a spermicidally toxic flavor. Of course you want to bring out your six-shooter every time you see another bloated mom hoisting up another pinched-faced spawn on Facebook. You want the dream too!
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
As Tim followed me up the narrow stairwell, he playfully pinched my butt with every step, a pleasant (and painful--in a black-and-blue sort of way) reminder that all I had yearned for as a student twenty-five years before had come true, even if I hadn't taken the time to notice it until now: I was happy. At twenty years old, had I articulated what I thought I needed in life, I would have probably said a big house, a successful husband, and a great career. Yet all I really needed for true happiness was the homeless, unemployed bus driver right behind me, pinching my butt every step of the way.
Doreen Orion (Queen of the Road: The True Tale of 47 States, 22,000 Miles, 200 Shoes, 2 Cats, 1 Poodle, a Husband, and a Bus with a Will of Its Own)
Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
Abuse can feel like love." I blinked, the voice so close that my ears tingled. Slowly, I raised my eyes to look at the side of Damon Torrance's face, his shirt wrinkled, and his tie draped around his neck. The whole class fell silent, and I glanced at Will next to me, seeing his eyebrows pinched together as he looked at the back of his friend's head. Mr. Townsend approached. "Abuse can feel like love..." he repeated. "Why?" Damon remained so still it didn't look like he was breathing. He looked at the teacher, unwavering. "Starving people will eat anything.
Penelope Douglas (Nightfall (Devil's Night, #4))
Nothing among all human emotions is more beautiful and more hopeless than the wish to be loved for oneself alone. Who are you anyway, next to countless others, to deserve such preference ? We do not want to be interchangeable; let no one be able to pinch-it for us. A figurative unmistakability claiming to be spatial and siritual. As though the earth had only one heaven, and heaven only one earth, we lay claim to the validity of both and, if we have one, we want to be the other. In reality, however, we are filled with planets, and countless heavens open their doors to us.
Elias Canetti (The Human Province)
Product Warning If this book were a medication with a label, it would read something like this: Side Effects Include but Are Not Limited to renewed sense of self-esteem increased motivation in all areas of life You may also lose weight, fall in love, leave a bad marriage, create a better one, have closer relationships with your family, or find the job of your dreams. Some Users Have experienced a kick in their step a swing in their hips a twinkle in their eye Hair-tossing (commercial-style) is common, but seek medical attention if you pinch a nerve or can’t stop doing it.
Stacy London (The Truth About Style)
Gary,” the dragon whispered in awe, the name on his lips sounding almost like benediction. “Have two syllables ever sounded more beautiful together? Geh. Ree. The gods must have outdone themselves the day that word was born. They took the exquisiteness from the earth and rolled it together with a pinch of sunshine and love and gorgeousness and when it was finished, it was Gary.” “Wow,” Gary said. “That was… words.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
She's my pride, my winning prize, always a surprise, to look into her eyes, see her free soul, as soap that slips from the grip of control; a stroll through the park on a dark night with stars to spark the sky, heaven with no price tag I realize, love is the same: endless, priceless, full bliss; to have this princess I pinch myself thinking this is a dream, but to my reprise, I can only say I am now, at last, alive.
Anthony Liccione
They can respond to any situation with a two-dollar retort from a self-help book at a pinch. Is your father dead? He’s gone to a better place. Have you lost your job? Stay strong – if you believe in yourself, you’ll find a way. Husband left you, taking the kids? You can fight this one, and with the strength you have inside and the love of your children, you can win. The world is boiled down to aphorisms and fairytales. I
Claire North (The Sudden Appearance of Hope)
You're so... You're too... You're..." He faltered, then took a deep breath. "I have no words for you, Sita. You leave me speechless." I smiled and pinched his buttock so he twitched. "Speechless? Gods, I've broken you. I never would have deemed it possible to render you speechless.
Erica Dakin (The Conspiracy (Theft and Sorcery, #2))
He doesn’t like Emma and Rachel making plans together. Not because he thinks they’re being devious, but because he doesn’t like feeling left out. Not to mention that when Emma is making plans without him, they’re usually reckless. The only reason she’d keep a secret from him is if she was doing something he didn’t approve of, or didn’t want him to interfere with. After all, her motto is “Better to ask for forgiveness than permission.” Galen despises that motto. “I cleared out the sporting goods store this morning,” Rachel says. “I took what was on the shelf and made them cough up their stock in the back.” Galen tenses up. Emma laughs. “Don’t be jealous, Highness. Rachel still loves you more than she loves me.” “Aww! You guys are fighting over me?” Rachel says, pinching Galen’s cheek. “That’s so adorable.” “I’m not jealous,” he says, trying not to sound pouty. “I just don’t know why we would need life jackets.” “We don’t,” Emma says, wriggling around on his lap so she can face him. Secretly, he’s delighted. “But humans do. And if my job is keeping the humans safe, then I should be prepared, right?” But Galen is too distracted by the close proximity of her mouth to be bothered with the words coming out of it. She must recognize it, because she leans forward as if giving him a chance to make good on his craving. It’s all the invitation he needs. He captures her mouth with his. Life jackets, islands, and airports are forgotten. The only thing that exists is her lips on his, her body pressed into his. Suddenly the creaky office chair is transformed into their own little world. “Uh, I’m just going to get more wine,” Rachel says. He didn’t mean to make her uncomfortable enough to leave. Not good. The last thing we need is privacy and free rein to do as we please. He tries to end it, to pull away, but Emma won’t have it. And it’s difficult for him not to indulge her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
We were sisters. We felt each other's pain. We caused each other's pain. We knew the smell of each other's morning breath. We made each other cry. We made each other laugh. We got angry, pinched, kicked, screamed at each other. We kissed, on the forehead, nose on nose, butterfly eyelashes swept against cheeks. We wore each other's clothes. We stole from each other, treasured objects hidden under pillows. We defended each other. We lied to each other. We pretended to be older people, other people. We played dress up. We spied on each other. We possessed each other like shiny things. We loved each other with potent, fervent fury. Animal fury. Monstrous fury. My sisters. My blood. My skin. What a gruesome bond we shared.
Krystal Sutherland (House of Hollow)
After forty-odd years you stop asking," she says. "Want some free advice?" I nod. "Don't trip over yourselves trying to be a perfect couple, love. Get out of each other's way; don't be afraid of falling out, shutting up, or telling little porky pies; do your share of the cleaning; don't leave your dirty undies inside out on the carpet; leave the seat down; buy her flowers once a month; and pinch her bum once a week - the rest's up to you.
Andy Jones (The Two of Us)
Do you think I am a foo, Masha? All this time, and you speak to me as though I were a flighty pinprick of a girl. I am a magician! Did you ever think, even once, that I loved lipstick and rouge for more than their color alone? I am a student of their lore, and it is arcane and hermetic beyond the dreams of alchemists. Did you ever wonder why I gave you so many pots, so many creams, so much perfume? ... Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied.
Catherynne M. Valente (Deathless)
Alessandro Volta, an Italian count and the inspiration for the eponym “volt,” demonstrated this back around 1800 with a clever experiment. Volta had a number of volunteers form a chain and each pinch the tongue of one neighbor. The two end people then put their fingers on battery leads. Instantly, up and down the line, people tasted each other’s fingers as sour.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
[...] And before she knew it the word was on her lips, lips being bitten and nibbled by his. “Pill,” she burst out on a breath. “I’m on the—” He was inside her before she could finish the sentence. Inside her, stretching her. Pumping into her, one hand yanking her leg up around his hip, squeezing her arse, the other cupping and kneading her breast, pinching her nipple.
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
With a wicked smirk, he turned his attention back to the desolate road. “I’ve always wanted to do this. Who better to have my first time out on the open road with than the only girl I’ve ever been in love with.” Staring straight ahead, he dared not look her way. It hadn’t exactly slipped, and telling her he was in love with her wasn’t on a whim. The whole time that he’d been tormented this past week, he’d considered showing up at her house and just spilling it. If there was ever anything he’d been certain of, it was this. He finally glanced at Nellie, her silence scaring the hell out of him. She was staring at him with her hand over her mouth. Her eyes completely welled again and her brows pinched. “It’s true,” he smiled, “not just in love, Nell, but hopeless, there’s-no-helping-this-guy kind of in love with you.
Elizabeth Reyes (Abel (5th Street, #4))
She's saying something. My mother's words found me, there in the black. I pinched my eyes closed, her face coming into perfect view One long, dark red braid over her shoulder. Pale gray eyes the color of morning fog and the sea-dragon necklace around her neck as she looked up into the clouds above us. Isolde loved the storms. That night, the bell rang out and my father came for me, pulling me from my hammock bleary-eyed and confused. and when he put me in the rowboat, I screamed for my mother until my throat was raw. The Lark was already half-sunk, disappearing in the water behind us. My mother called it touching the soul of the storm. When she came upon us like that, she was taking us into her hart and letting us see her. She was saying something. And only then would we know what lay within her. Only then would we know who she was.
Adrienne Young (Fable (The World of the Narrows, #1))
North Korea is a famine state. In the fields, you can see people picking up loose grains of rice and kernels of corn, gleaning every scrap. They look pinched and exhausted. In the few, dingy restaurants in the city, and even in the few modern hotels, you can read the Pyongyang Times through the soup, or the tea, or the coffee. Morsels of inexplicable fat or gristle are served as 'duck.' One evening I gave in and tried a bowl of dog stew, which at least tasted hearty and spicy—they wouldn't tell me the breed—but then found my appetite crucially diminished by the realization that I hadn't seen a domestic animal, not even the merest cat, in the whole time I was there.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
My cheeks are hot when he stalks right up to me, eyes narrowed. Pinched between his bloody fingers is a piece of scrap metal laced with seilgflùr from the blunderbuss—a shot that would have killed any other faery. “Really?” he says. “You were traipsing around in a low-visibility field while enemy fae are afoot,” I say defensively, hoping he can’t tell I’m blushing. “What is wrong with you?” Aithinne snickers and Kiaran casts her a sharp glance. “It’s not funny.” His sister tries to hold back a laugh, but doesn’t quite succeed. “I’m sorry,” she says. “But you just . . . I’ve never seen you look like such a complete mess.” Kiaran studies her with a narrowed gaze. “And both of you look like you’ve gone three rounds with a roving band of feral cats. I’d say we’re even.” “Even? Oh, please.” Aithinne ticks off each finger. “Thus far the Falconer and I escaped through a forest of spiked trees, fought off the mara, fled from Lonnrach’s soldiers, and defeated two mortair. You were shot by accident with some weapon composed of a wooden stick with a barrel on the end—” “A blunderbuss,” I correct helpfully. Kiaran gives me a pointed look that says, Whose side are you on? “—so I’d say I win this round.” She finishes with the sort of arrogant grin that makes it very clear that this must be an ongoing competition. Sibling rivalry, it seems, is not just for humans. If Kiaran’s glare is any indication, he’s contemplating about fifty different ways of killing his own sister. “Just remember,” I whisper to him, “murder is frowned upon in most societies.” “Not mine,” Kiaran says shortly. “She’s lucky I love her.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
Please have a seat, Henrietta. Winifred, thank you; that will be all. Ensure we’re not disturbed.” The older woman bobbed a slight curtsey, giving Etta’s back a parting pinch, hard enough to make her jump forward a step. Etta waited until the woman had vanished through the door in a swirl of dark skirts before turning to Henry and spitting out, “She doesn’t travel through passages, does she? She sacrifices a puppy and flies through the centuries on her broom.” He gave a sharp cough into his hand. “I assure you, your great-aunt is quite loving,” Henry said, only to stop and reconsider. “That is, she’s quite loving in her own way…every other Sunday. In May. Won’t you sit?” Great-aunt. No way in hell.
Alexandra Bracken (Wayfarer (Passenger, #2))
No, I have made sure of that over the past few weeks, hell, over the past few years. But I want to correct that. I…” He hesitated. “I love you, Mariah.” Her mouth dropped open and she stared at him. She was dreaming. Except when she pinched herself, she remained just where she was, only with a sore spot tingling her arm. “I do want a wife,” he continued. “To protect me as much as I protect her. To be a partner. A friend. A lover. That wife is you. It could only ever be you.
Jess Michaels (For Desire Alone (Mistress Matchmaker, #2))
His quick eyes seemed to miss nothing, and she couldn’t hide the motion of her fingers squeezing the fabric of her skirts. His gaze rose back to her face, lingering on her lips, then meeting her eyes. Even giving away her nerves with the telltale sign of her pinched fingers, she refused to look away. “Andreas, I think I’ve fallen in love.” “Roman.” There was a wealth of unspoken meaning in that one word, so darkly uttered. But Roman’s too-beautiful mouth crooked, head cocked, eyes watching.
Anne Mallory (One Night Is Never Enough (Secrets, #2))
My mother said no woman should get married until they’ve had at least three…” She waves her hand as if I know how to finish that sentence. “Three…?” my father prompts her. “Lovers,” she blurts out. “Boyfriends, whatever.” I pinch my eyebrows together. “What the hell are you talking about?” She lets out a sigh, straightening her spine and looking visibly uncomfortable. Finally, she takes the ketchup, Heinz sauce, and A.1. bottle, moving them one next to the other. “Lust, learn, and love,” she says, placing the condiments and touching her finger to the ketchup. “My mother said the first boy—or man—is a crush. You think you love them, but what you really love is how they make you feel. It’s not love. It’s lust. Lust for attention. Lust for danger. Lust to feel special.” She looks between us. “You’re needy with number one. Needy for someone to love you.” My father forgets the food he’s chewing as he gapes at her. “The second is to learn about yourself.” She touches the Heinz. “Your first crush has been crushed. You’re sad, but most of all, you’re angry. Angry
Penelope Douglas (Credence)
Ageing Woman I am invisible now, indistinguishable in a passing crowd - just another woman blending in. I remember, not long ago, in that whimsical way memory measures time, I ached with the desire to be desired. I was catcalled as soon I stepped out on the street, I was groped and pawed at sidewalk lights, pinched by Italian teenagers cruising on Vespas. My sex smelled then of camphor and oranges. It now smells musty books and cucumbers - And I love it. I am content in my ageing cloak of invisibility, I breathe a sigh of relief, free from the man-handling, unwelcome fondling, free from the incessant gaze of strangers, free from the foolishness of sex. There, I've said it. I'M FREE, FREE, FREE OF SEX. Free at last. I have faith in the wisdom of this old body which no longer craves what I can no longer have and I sleep like a baby, peacefully in my single bed.
Beryl Dov
As a matter of fact, I fucked someone else last night." I physically flinched at his words, my body jerking back, my knees almost giving out, my eyes wide, and my mouth open in horror. And then the worst happened. I began to cry. Through my tears I saw Braden's lips pinch together and he took two steps towards me, his whole body bristling. "I fucking knew it," he hissed, still coming toward me. "Don't touch me?" I yelled, not able to bear the thought of him near me now. "Don't touch you?" He snarled, his eyes sparking violently. "I'm going to kill you!" ... "Babe," his voice rumbled, the tenderness back, although I could still see the annoyance in his eyes. "I was so pissed off last night when you broke up with me, so I just walked away. I went to Elodie's because I knew she'd be awake worrying about Ellie and I wanted to see if she was okay. She knew something was wrong with me as soon as she let me in. I told her what had happened and she told me what she said to you at the wedding, and she also told me that wen she said that to you, you looked like you'd been slapped. And after, when we were dancing, she realized she was wrong about you." He let go of my wrists to slide his hands into my hair, tilting my head back so I couldn't look away. "I spent last night govern over and over the last six months in my head and I know you're lying to me. I know you love me, Jocelyn, because there's no fucking way I can be this in love with you, and not have you feel the same way.
Samantha Young
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi." Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail? A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper." Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions." "I'm not sure what you mean by that." "Sure you do." "If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it." I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time." "What does that mean? Hard to get?" "It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention." He nods. "Exactly. That's exactly what she's doing." Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get." "Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games." The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly. "Find out?" "If all she wants is games." "How?" "You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'" "I've never heard that." "Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you." He shakes his head. "I don't think I can do that." "You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know." "I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice. "You've got to be ready to deal with it, no matter what." Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return. I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I notice you have written about mussels a few times, but you only ever mention cooking clams. I recently learned a creative mussels recipe from a Frenchwoman I met on a voyage to the Far East. I am enclosing a packet of saffron from that voyage. It is my small way of thanking you for "Letters from the Island." For steamed mussels, in a stockpot add a generous pinch of saffron, coarsely chopped garlic, and parsley to a half cup of melted butter. The red enamel pot you mentioned in your column about racing Dungeness crabs, the one with the pockmark from your niece's Red Ryder BB gun, will do perfectly. If you can't find fresh garlic, shallots can be substituted, but in my opinion, without fresh garlic the dish isn't worth making. The Frenchwoman told me the addition of a cup or so of white wine is considered standard for this broth, but she prefers vermouth. I agree with her. It gives the dish a crisp, botanical flavor, and I can save my Chablis for drinking with my meal.
Kim Fay (Love & Saffron)
my fingers penetrated your bushy hair, pulled it up in tufts, squeezed the tension out of your head, to your quiet, grateful groans. I untied the Gordian knots in your shoulders with juniper oil, pummelled your back with my fists, knuckle each vertebrae down to your coccyx, knead your hard buttocks, rub oil into your legs, bathe your tired feet, squeeze them until your tingles shoot up my arm, I chew each toe in turn until it is softened, bite into your soles like a joint of pork, you cannot help but giggle, sir, I turn you over, with my palms, rotate your temples, trace the curves on your face, touching yet not, three fingers inside your mouth, let you suckle, baby, from belly to breast, I massage your chest in concentric circles, pinch your nipples, nibble gently, set my belly-dancer tongue on to them, take your hands, my love, tie them above your head, with your belt, I sit astride my steed, take the reins, my flexible muscles holding you in, flexing like strong fists, tighten and release, teasing you, taming you, your eyes are shut, you have died and gone to Olympus, smiling, I slap it off, so hard my hand hurts, your eyes shoot open like a dead man dying, I slap you again, you feign amusement, your eyes suggest so this is slap and tickle? I take your riding crop, fold it, lash your chest. ‘Take that!’ I hiss. ‘How dare you humour me. Who’s the boss now?
Bernardine Evaristo (The Emperor's Babe)
When she returns a few minutes later, the bachelor party is in tow. She gives me a warning look. Don’t act drunk, she mouths. I give her a thumbs-up. Then I jump up and throw my arms around Peter. “Peter!” I shout above the music. He looks so cute in his button-down and tie. So cute I could cry. I bury my face in his neck like a squirrel. “I’ve missed you so, so very much.” Peter peers at me. “Are you drunk?” “No, I only had like two sips. Two drinks.” “Trina let you drink?” “No.” I giggle. “I stole sips.” “We’d better get you out of here before your dad sees you,” Peter says, eyes darting around. My dad is looking through a songbook with Margot, who is giving me a look that says, Get it together. “What he doesn’t know won’t hurt a living soul.” “Let’s go out to the parking lot so you can get some air,” he says, putting an arm around me and hustling me out the door and through the restaurant. We step outside, and I sway on my feet a little. Peter’s trying not to smile. “You’re drunk.” “I guess I’m a weightlight!” “Lightweight.” He pinches my cheeks. “Right. Weightlight. I mean, lightweight.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Here Nanny had taken the biggest thing God ever made, the horizon—for no matter how far a person can go the horizon is still way beyond you—and pinched it in to such a little bit of a thing that she could tie it about her granddaughter’s neck tight enough to choke her. She hated the old woman who had twisted her so in the name of love. Most humans didn’t love one another nohow, and this mislove was so strong that even common blood couldn’t overcome it all the time. She had found a jewel down inside herself and she had wanted to walk where people could see her and gleam it around. But she had been set in the market-place to sell. Been set for still-bait. When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Then after that some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks make them hunt for one another, but the mud is deaf and dumb. Like all the other tumbling mud-balls, Janie had tried to show her shine.
Zora Neale Hurston (Their Eyes Were Watching God)
Do we have any plans for this evening?” he whispered in her ear. She nodded; the motion caused her hair to tickle his cheek. “A ball,” she said. “At Lady Mottram’s.” Anthony couldn’t resist the soft silkiness of her hair, and he threaded two fingers through it, letting it slide across his hand and wrap around his wrist. “Do you know what I think?” he murmured. He heard her smile as she asked, “What?” “I think I’ve never cared that much for Lady Mottram. And do you know what else I think?” Now he heard her trying not to giggle. “What?” “I think we should go upstairs.” “You do?” she asked, clearly feigning ignorance. “Oh, indeed. This very minute, as a matter of fact.” She wiggled her bottom, the minx, ascertaining for herself just how quickly he needed to go upstairs. “I see,” she murmured gravely. He pinched her hip lightly. “I rather thought you felt” “Well, that, too,” she admitted. “It was quite enlightening.” “I’m sure it was,” he muttered. Then, with a very wicked smile, he nudged her chin until they were nose to nose. “Do you know what else I think?” he said huskily. Her eyes widened. “I’m sure I can’t imagine.” “I think,” he said, one of his hands creeping under her dress and slithering up her leg, “that if we don’t go upstairs this instant, I might be content to remain right here.” “Here?” she squeaked. His hand found the edge of her stockings. “Here,” he affirmed. “Now?” His fingers tickled her soft thatch of hair, then sank into the very core of her womanhood. She was soft and wet and felt like heaven. “Oh, most definitely now,” he said. “Here?” He nibbled on her lips. “Didn’t I already answer that question?” And if she had any further questions, she didn’t voice them for the next hour. Or maybe it was just that he was trying his damnedest to rob her of speech. And if a man could judge from the little squeals and mewls that slipped from her mouth, he was doing a ripping good job. -Anthony & Kate
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
They had such a good meet-cute,” I croak. “What’s a meet-cute?” Peter’s lying on his side now, his head propped up on his elbow. He looks so adorable I could pinch his cheeks, but I refrain from saying so. His head is big enough as it is. “A meet-cute is when the hero and heroine meet for the very first time, and it’s always in a charming way. It’s how you know they’re going to end up together. The cuter the better.” “Like in Terminator, when Reese saves Sarah Connor from the Terminator and he says, ‘Come with me if you want to live.’ Freaking amazing line.” “I mean, sure, I guess that’s technically a meet-cute…I was thinking more like It Happened One Night. We should add that to our list.” “Is that in color or black-and-white?” “Black-and-white.” Peter groans and falls back against the couch cushions. “It’s too bad we don’t have a meet-cute,” I muse. “You jumped me in the hallway at school. I think that’s pretty cute.” “But we already knew each other, so it doesn’t really count.” I frown. “We don’t even remember how we met. How sad.” “I remember meeting you for the first time.” “Nuh-uh. Liar!” “Hey just because you don’t remember something doesn’t mean I don’t. I remember a lot of things.” “Okay, so how did we meet?” I challenge. I’m sure that whatever comes out of his mouth next will be a lie. Peter opens his mouth, then snaps it shut. “I’m not telling.” “See! You just can’t think of anything.” “No, you don’t deserve to know, because you don’t believe me.” I roll my eyes. “So full of it.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
As soon as she releases me, Galen grabs my hand and I don’t even have time to gasp before he snatches me to the surface and pulls me toward shore, only pausing to dislodge his pair of swimming trunks from under his favorite rock, where he had just moments before taken the time to hide them. I know the routine and turn away so he can change, but it seems like no time before he hauls me onto the beach and drags me to the sand dunes in front of my house. “What are we doing?” I ask. His legs are longer than mine so for every two of his strides I have to take three, which feels a lot like running. He stops us in between the dunes. “I’m doing something that is none of anyone else’s business.” Then he jerks me up against him and crushes his mouth on mine. And I see why he didn’t want an audience for this kiss. I wouldn’t want an audience for this kiss, either, especially if the audience included my mother. This is our first kiss after he announced that he wanted me for his mate. This kiss holds promises of things to come. When he pulls away I feel drunk and excited and nervous and filled with a craving that I’m not sure can ever be satisfied. And Galen looks startled. “Maybe I shouldn’t have done that,” he says. “That makes it about fifty times harder to leave, I think.” He tucks my head under his chin and I wrap my arms around him until both our breathing returns to normal. I take the time to soak in his scent, his warmth, the hard contours of his-well, his everything. It’s really not fair that he has to leave when he’s only just gotten back. We didn’t have much time to talk on the way back home. We haven’t had much time for anything. “Emma,” he murmurs. “The water isn’t safe for you right now. Please don’t get in it. Please.” “I won’t.” I really won’t. He said please, after all. He lifts my chin with the crook of his finger. His eyes hold all the gentleness and love in the world, with a pinch of mischief. “And take good notes in calculus, or I’ll be forced to cheat off you and for some weird reason that makes me feel guilty.” I wonder what Grom the Triton king would think of that. That Galen basically just stated his intention to keep doing human things. Galen pushes his lips against my forehead, then disentangles himself from me and leads me back toward the water. My body feels ten degrees cooler when his arms fall, and it’s got nothing to do with the temperature outside. We reach the others just in time to see Rayna all but throw herself at Toraf. I can’t help but smile as they kiss. It’s like watching Beauty and the Beast. And Toraf’s not the Beast.
Anna Banks (Of Triton (The Syrena Legacy, #2))
LOVE, FORGIVE ME After Rachel McKibbens My sister told me a soul mate is not the person who makes you the happiest, but the one who makes you feel the most. Who conducts your heart to bang the loudest. Who can drag you giggling with forgiveness from the cellar they locked you in. It has always been you. You are the first person I was afraid to sleep next to, not because of the fear you would leave in the night but because I didn’t want to wake up gracelessly. In the morning, I crawled over your lumbering chest to wash my face and pinch my cheeks and lay myself out like a still-life beside you. Your new girlfriend is pretty like the cover of a cookbook. I have said her name into the empty belly of my apartment. Forgive me. When I feel myself falling out of love with you, I turn the record of your laughter over, reposition the needle. I have imagined our children. Forgive me. I made up the best parts of you. Forgive me. When you told me to look for you on my wedding day, to pause on the altar for the sound of your voice before sinking myself into the pond of another love, forgive me. I mistook it for a promise.
Sierra DeMulder (New Shoes On A Dead Horse)
Cersei cupped the other woman’s breast. Softly at first, hardly touching, feeling the warmth of it beneath her palm, the skin as smooth as satin. She gave it a gentle squeeze, then ran her thumbnail lightly across the big dark nipple, back and forth and back and forth until she felt it stiffen. When she glanced up, Taena’s eyes were open. “Does that feel good?” she asked. “Yes,” said Lady Merryweather. “And this?” Cersei pinched the nipple now, puling on it hard, twisting it between her fingers. The Myrish woman gave a gasp of pain. “You’re hurting me.” “It’s just the wine. I had a flagon with my supper, and another with the widow Stokeworth. I had to drink to keep her calm.” She twisted Taena’s other nipple too, puling until the other woman gasped. “I am the queen. I mean to claim my rights.” “Do what you wil.” Taena’s hair was as black as Robert’s, even down between her legs, and when Cersei touched her there she found her hair al sopping wet, where Robert’s had been coarse and dry. “Please,” the Myrish woman said, “go on, my queen. Do as you wil with me. I’m yours.” But it was no good. She could not feel it, whatever Robert felt on the nights he took her. There was no pleasure in it, not for her. For Taena, yes. Her nipples were two black diamonds, her sex slick and steamy. Robert would have loved you, for an hour. The queen slid a finger into that Myrish swamp, then another, moving them in and out, but once he spent himself inside you, he would have been hard-pressed to recal your name. She wanted to see if it would be as easy with a woman as it had always been with Robert. Ten thousand of your children perished in my palm, Your Grace, she thought, slipping a third finger into Myr. Whilst you snored, I would lick your sons of my face and fingers one by one, al those pale sticky princes. You claimed your rights, my lord, but in the darkness I would eat your heirs. Taena gave a shudder. She gasped some words in a foreign tongue, then shuddered again and arched her back and screamed. She sounds as if she is being gored, the queen thought. For a moment she let herself imagine that her fingers were a bore’s tusks, ripping the Myrish woman apart from groin to throat. It was stil no good. It had never been any good with anyone but Jaime. When she tried to take her hand away, Taena caught it and kissed her fingers. “Sweet queen, how shal I pleasure you?” She slid her hand down Cersei’s side and touched her sex. “Tel me what you would have of me, my love.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I go to one of my favorite Instagram profiles, the.korean.vegan, and I watch her last video, in which she makes peach-topped tteok. The Korean vegan, Joanne, cooks while talking about various things in her life. As she splits open a peach, she explains why she gave up meat. As she adds lemon juice, brown sugar, nutmeg, a pinch of salt, cinnamon, almond extract, maple syrup, then vegan butter and vegan milk and sifted almond and rice flour, she talks about how she worried about whitewashing her diet, about denying herself a fundamental part of her culture, and then about how others don't see her as authentically Korean since she is a vegan. I watch other videos by Joanne, soothed by her voice into feeling human myself, and into craving the experiences of love she talks of and the food she cooks as she does. I go to another profile, and watch a person's hands delicately handle little knots of shirataki noodles and wash them in cold water, before placing them in a clear oden soup that is already filled with stock-boiled eggs, daikon, and pure white triangles of hanpen. Next, they place a cube of rice cake in a little deep-fried tofu pouch, and seal the pouch with a toothpick so it looks like a tiny drawstring bag; they place the bag in with the other ingredients. "Every winter my mum made this dish for me," a voice says over the video, "just like how every winter my grandma made it for my mum when she was a child." The person in the video is half Japanese like me, and her name is Mei; she appears on the screen, rosy cheeked, chopsticks in her hand, and sits down with her dish and eats it, facing the camera. Food means so much in Japan. Soya beans thrown out of temples in February to tempt out demons before the coming of spring bring the eater prosperity and luck; sushi rolls eaten facing a specific direction decided each year bring luck and fortune to the eater; soba noodles consumed at New Year help time progress, connecting one year to the next; when the noodles snap, the eater can move on from bad events from the last year. In China too, long noodles consumed at New Year grant the eater a long life. In Korea, when rice-cake soup is eaten at New Year, every Korean ages a year, together, in unison. All these things feel crucial to East Asian identity, no matter which country you are from.
Claire Kohda (Woman, Eating)
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
The curve of her bare breast filled my palm, and we both made a noise of pleasure. I tweaked the hard bead of her nipple, loving the way her lids fluttered as her lips parted. She arched into the touch, her head tilting to the side. I kissed my way along her neck, pinching that sweet nipple, tugging it. Oh, but she liked that, whimpering and wiggling, lifting those sweet tits up higher in encouragement. I dipped down and dragged my tongue along one beaded tip. The sound she made was so dirty, hot, and greedy my dick pulsed. Holding that succulent breast plumped in the palm of my hand, I licked, sucked, and kissed it the way I'd been dying to. "Lucian..." She needed more, her hips grinding on my thigh with uncoordinated motions. My free hand moved to her ass---that spectacular ass----and gripped it. I hauled her up close, my mouth finding hers. "Ride me, honey." I worked her on my thigh, holding her ass as she rocked the slick heat of her sex up and down its length. Emma's breasts tickled my chest with every upward thrust, her lips feathering over mine. Our breath mingled, and I stole a kiss, messy and frantic. My cock throbbed for release, fucking ached for it. But watching her lids flutter, the way her gorgeous face strained with pleasure, made it worth the torture. "I'm going to come if you..."----she gasped, nibbled my lower lip----"keep doing that." "Good," I grunted, flexing my thigh, bouncing her. Oh, she loved that. "Come all over me, honey. Let me see you move." Her head fell to my shoulder, her lips nuzzling my neck. She rocked and ground on my thigh, getting it hot and wet. But her clever hand slid down and found my needy dick once more. I made a noise that sounded a lot like pain, but it was unadulterated pleasure that had me pushing up into the clasp of her hand. "Not without you," she said, jacking my length. Our mouths met, and the kiss became a wild thing. I kissed her until I couldn't breathe, then kissed her again. And she moved on me, her hand stroking and pulling. Heat swarmed my skin, licked up my cock. My abs clenched as I groaned, curling myself around her with a shudder of pure lust. "I'm close." "Are you?" "Yeah." Panting now, we worked with each other, harder, faster. The air steamed, and she trembled. "Now, Lucian. Now." "Fuck." "Oh!" Her deep moan, the way she clenched all around me as her orgasm shuddered through her slim frame, set me off. I released with a shout, pulsing so hard my head went light.
Kristen Callihan (Make It Sweet)
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
Kyung-ran Jo (Tongue)