Pillow Tears Quotes

We've searched our database for all the quotes and captions related to Pillow Tears. Here they are! All 100 of them:

She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead, you stupid cat. She's dead.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weatherman could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York is in heavy boots.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
This is for girls who have the tendency to stay up at night listening to music that reminds them of their current situation. Who hide their fears, hurt, pain and tears under the smiles, laughs and giggles on a daily basis. The girls who wear their heart on their sleeve. The girls who pray that things will work out just once and they'll be satisfied. The girls who sceam and cry to their pillows because everyone else fails to listen. The girls who have so many secrets but wont tell a soul. The girls who have mistakes and regrets as a daily moral. The girls that never win. The girls that stay up all night thinking about that one boy and hoping that he'll notice her one day. The girls who take life as it comes, to the girls who are hoping that it'll get better somewhere down the road. For the girls who love with all their heart although it always gets broken. To girls who think it's over. To real girls, to all girls: You're beautiful.
Zayn Malik
When I wake up, my pillow’s cold and damp with tears. But tears for what? I have no idea.
Haruki Murakami (Kafka on the Shore)
love wounds me with soft pillows with tender lips and fingers
Sanober Khan (A touch, a tear, a tempest)
leave me in peace, let me sleep one night at least without my pillow being wet with tears, my eyes burning and my head throbbing
Anne Frank (The Diary of a Young Girl)
But instead of tears, when I press my face against the pillow, a horrible, primal scream comes out of me. It's unlike anything I thought myself capable of. Rage, unlike anything I've ever known.
Lauren DeStefano (Wither (The Chemical Garden, #1))
Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead." I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. "She's dead, you stupid cat. She's dead.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The light of my eyes, I said, light of my eyes, light of the world, that's what you are, light of my life. I didn't know what light of my eyes meant, and part of me wondered where on earth had I fished out such claptrap, but it was nonsense like this that brought tears now, tears I wished to down in his pillow, soak in his bathing suit, tears I wanted him to touch with the tip of his tongue and make sorrow go away.
André Aciman (Call Me by Your Name)
Your salary is not love and your word is not love. Your clothes are not love and holding hands is not love. Sex is not love and a kiss is not love. Long letters are not love and a text is not love. Flowers are not love and a box of chocolates is not love. Sunsets are not love and photographs are not love. The stars are not love and a beach under the moonlight is not love. The smell of someone else on your pillow is not love and the feeling of their skin touching your skin is not love. Heart-shaped candy is not love and an overseas holiday is not love. The truth is not love and winning an argument is not love. Warm coffee isn't love and cheap cards bought from stores are not love. Tears are not love and laughter is not love. A head on a shoulder is not love and messages written at the front of books given as gifts are not love. Apathy is not love and numbness is not love. A pain in your chest is not love and clenching your fist is not love. Rain is not love. Only you. Only you, are love.
pleasefindthis (I Wrote This For You (I Wrote This For You #4))
The queen smiled as she lay her head upon the pillow. When I kissed her cheek, I could taste the salt of her tears.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Sometimes,' he whispered at last, 'sometimes, I dream I am singing, and I wake from it with my throat aching.' He couldn't see her face, or the tears that prickled at the corners of her eyes. 'What do you sing?' she whispered back. She heard the shush of the linen pillow as he shook his head. 'No song I've ever heard, or know,' he said softly. 'But I know I'm singing it for you.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
When it was done and I went to sleep, I lay awake and listened to the clock on your nightstand and the wind outside and understood that I was really home, that in bed with you was home, and something that had been getting close in the dark was suddenly gone. It could not stay. It had been banished. It knew how to come back, I was sure of that, but it could not stay and I could really go to sleep. My heart cracked with gratitude. I think it was the first gratitude I’ve ever really known. I lay there beside you and the tears rolled down the sides of my face and onto the pillow. I loved you then and I love you now and I have loved you every second in between. I don’t care if you understand me. Understanding is vastly overrated, but nobody ever gets enough safety. I’ve never forgotten how safe I felt with that thing gone out of the darkness.
Stephen King (Lisey's Story)
And now I may dismiss my heroine to the sleepless couch, which is the true heroine's portion - to a pillow strewed with thorns and wet with tears. And lucky may she think herself, if she get another good night's rest in the course of the next three months.
Jane Austen (Northanger Abbey)
I lie down on my bed, my back to the window, and the tears finally arrive, running down my face, into my ears, onto my pillow. I lie there for a long time, for hours maybe, and right as I'm about to finally drift to sleep I think I hear the flutter of Christian's wings as he flies away.
Cynthia Hand (Hallowed (Unearthly, #2))
I hate myself pretty often" .She tilted her face back on the pillow, damning tears and attempting so smile at the same time. "Pretty fucking often
Jim Lynch (The Highest Tide)
When the stars ask you what it is you want, why do you speak of a love that tears you apart? Why do you crave a love that will break your heart? Your soul is never beyond repair, so stay humble and be kind and eventually a love will come along and remind you of why you are alive.
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
If you'd only let me come by myself, none of this would have happened. Having you around makes everything worse.' She buried her head under her pillow. 'Stop it! you're so cold! You're heartless, you little robot!' The pillow muffled her words, but they still stung. 'I feel things,' I said. 'I'm not a robot!' I stamped my foot and screamed. Then I burst into tears. I touched the wet little drops and held them toward her. 'See, I'm not a robot. This is proof.
Natalie Standiford (How to Say Goodbye in Robot)
I grab the pillows off the bed and chuck them at the reflection in the mirror of the girl I no longer know. I watch as the girl in the mirror stares back at me, sobbing pathetically. The weakness in her tears infuriates me.
Colleen Hoover (Hopeless (Hopeless, #1))
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
Tyler Knott Gregson
Holding my pendant, I lay on my side without moving, noiseless tears streaming down my face until the pillow grew damp beneath my cheek. I didn't want to die. I wanted to live, to be with Alex, to experience so much more than I had so far. But just then, it was Alex I was crying for. All that he'd gone through, all those deaths of people he loved--and now he was having to experience it again, with me. Thinking of what he was going through was like being beaten up inside; it was even worse than imagining whatever might happen the next day. Part of me hoped that he really did hate me now--maybe it would help; maybe it would make it not hurt so much. And more than that, I guess I was crying for both of us...that it hadn't turned out to be always, after all.
L.A. Weatherly (Angel (Angel, #1))
I doubt the world is in the mood for a miracle, so we know not to expect a happily-ever-after. I only care about the endings we lived through today. Like how I stopped being someone afraid of the world and the people in it.” “And I stopped being someone I don’t like,” I say. “You wouldn’t have liked me.” He’s tearing up and smiling. “And you wouldn’t have waited for me to be brave. Maybe it’s better to have gotten it right and been happy for one day instead of living a lifetime of wrongs.” He’s right about everything. We rest our heads on his pillows. I’m hoping we die in our sleep; that seems like the best way to go.
Adam Silvera (They Both Die at the End (Death-Cast, #1))
and then, it's just me alone in bed with a man who can sleep with his back to me while I cry silent tears tha make the pillow wet around my head.
Jennifer Lauck (Still Waters)
Here you sit on your high-backed chair Wonder how the view is from there I wouldn't know 'cause I like to sit Upon the floor, yeah upon the floor If you like we could play a game Let's pretend that we are the same But you will have to look much closer Than you do, closer than you do And I'm far too tired to stay here anymore And I don't care what you think anyway 'Cause I think you were wrong about me Yeah what if you were, what if you were And what if I'm a snowstorm burning What if I'm a world unturning What if I'm an ocean, far too shallow, much too deep What if I'm the kindest demon Something you may not believe in What if I'm a siren singing gentlemen to sleep I know you've got it figured out Tell me what I am all about And I just might learn a thing or two Hundred about you, maybe about you I'm the end of your telescope I don't change just to suit your vision 'Cause I am bound by a fraying rope Around my hands, tied around my hands And you close your eyes when I say I'm breaking free And put your hands over both your ears Because you cannot stand to believe I'm not The perfect girl you thought Well what have I got to lose And what if I'm a weeping willow Laughing tears upon my pillow What if I'm a socialite who wants to be alone What if I'm a toothless leopard What if I'm a sheepless shepherd What if I'm an angel without wings to take me home You don't know me Never will, never will I'm outside your picture frame And the glass is breaking now You can't see me Never will, never will If you're never gonna see What if I'm a crowded desert Too much pain with little pleasure What if I'm the nicest place you never want to go What if I don't know who I am Will that keep us both from trying To find out and when you have Be sure to let me know What if I'm a snowstorm burning What if I'm a world unturning What if I'm an ocean, far too shallow, much too deep What if I'm the kindest demon Something you may not believe in What if I'm a siren singing gentlemen to sleep Sleep... Sleep...
Emilie Autumn
That night she dreamed of the deer. Strangely, the animal was holding her. She cuddled close into the soft fur and touched and kissed it gently. In the morning her pillow was wet with tears.
Julie Andrews Edwards
She did nothing to try to control the shakes that rattled her body,and didn't attempt to stop herself from crying. Tears left both of her eyes at the far corners,slipping out and flowing over her temples.Some landed in her ears. Some eased down her neck and were absorbed by the pillow.Others clouded her vision,as if they didn't want to leave home.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
She remembered a story she had once heard: a woman had gossiped about her neighbors and later regretted what she said. She went to the rabbi and asked how she might take back her words. He instructed her to take a feather pillow to the top of the highest hill and tear it open, letting the feathers fly every which way. Then, the rabbi said, she should return to him and he would tell her what to do. She did as he said and when she returned, he told her to go outside and gather the feathers. But that's impossible, she cried. They're already scattered all over the village. He looked at her and smiled. The same is true of your words, he said.
Tova Mirvis (The Ladies Auxiliary)
He's come on foot then, all the way from 13. Maybe they kicked him out or maybe he just couldn't stand it there without her, so he came looking. "It was the waste of a trip. She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead." I clutch my middle to dull the pain. Sink down on my heels, rocking the pillow, crying. "She's dead, you stupid cat. She's dead.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
In bed that night I invented a special drain that would be underneath every pillow in New York, and would connect to the reservoir. Whenever people cried themselves to sleep, the tears would all go to the same place, and in the morning the weathermen could report if the water level of the Reservoir of Tears had gone up or down, and you could know if New York was in heavy boots. And when something really terrible happened - like a nuclear bomb, or at least a biological weapons attack - an extremely loud siren would go off, telling everyone to get to Central Park to put sandbags around the reservoir.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
THE TEARS ... streamed down, and I let them flow as freely as they would, making of them a pillow for my heart. On them it rested." -AUGUSTINE, Confessions IX, i z
Nicholas Wolterstorff (Lament for a Son)
She leaves behind a damp pillow, wet with her tears. You touch the warmth with your hand and watch the sky outside gradually lighten. Far away a crow caws. The Earth slowly keeps on turning. But beyond any of those details of the real, there are dreams. And everyone's living in them.
Haruki Murakami (Kafka on the Shore)
In her dreams the Hawk would be waiting for her by the sea's edge; her kilt-clad, magnificent Scottish laird. He would smile and his eyes would crinkle, then turn dark with smoldering passion. She would take his hand and lay it gently on her swelling abdomen, and his face would blaze with happiness and pride. Then he would take her gently, there on the cliff's edge, in tempo with the pounding of the ocean. He would make fierce and possessive love to her and she would hold on to him as tightly as she could. But before dawn, he would melt right through her fingers. And she would wake up, her cheeks wet with tears and her hands clutching nothing but a bit of quilt or pillow.
Karen Marie Moning (Beyond the Highland Mist (Highlander, #1))
No tear dropped over that pillow; in such straits as these, the heart has no tears to give,--it drops only blood, bleeding itself away in silence.
Harriet Beecher Stowe (Uncle Tom's Cabin)
When afterwards I tried to tell my aunt, she punished me again for my wicked persistence. Then, as I said, everyone was forbidden to listen to me, to hear a word about it. Even my fairy-tale books were taken away from me for a time - because I was too 'imaginative'. Eh! Yes, they did that! My father belonged to the old school.... And my story was driven back upon myself. I whispered it to my pillow - my pillow that was often damp and salt to my whispering lips with childish tears. And I added always to my official and less fervent prayers this one heartfelt request: 'Please God I may dream of the garden. O! take me back to my garden.
H.G. Wells (The Door in the Wall)
Home at last. Why was I not feeling relief? I turn in m bed thinking of the last time that I had laid my head on that pillow. Sadness took over me almost instantly. A pillow soaked in tears, the feeling of someone tearing a part of my chest out, it replayed in my head as if it had happened yesterday. I coculdn't believe that that girl was me. I was so much stronger than that, how had I allowed myself to become so vulnerable? I never thought that I would be the girl who'd get her heart broken. I never thought that he'd be the one to break it. But I was, and I know he did. I know, because, no one will ever know how much I cried that night.
Everance Caiser
Tears impress no one. But, oh yeah, there's no one here to impress. So I go ahead and let tears fall. Rain. Storm. Flood. My pillow soaks with the salt of regret, and I rest my head against it...
Ellen Hopkins
Waste forces within him, and a desert all around, this man stood still on his way across a silent terrace, and saw for a moment, lying in the wilderness before him, a mirage of honourable ambition, self-denial, and perseverance. In the fair city of this vision, there were airy galleries from which the loves and graces looked upon him, gardens in which the fruits of life hung ripening, waters of Hope that sparkled in his sight. A moment and it was gone. Climbing to a high chamber in a well of houses, he threw himself down in his clothes on a neglected bed, and its pillow was wet with wasted tears.
Charles Dickens (A Tale of Two Cities)
i love good cries, loud sobs that soak your pillow that kind that come at the end of a perfect book you're gasping for air as droplets of salt water trickle down your cheeks into the corners of your mouth as your chest rises and falls and your vision is blurred by the tears but your mind is so clear and your every thought in that moment feels so meaningful and important and right it feels okay to just let it all out it makes you feel like you are free
Madisen Kuhn (Eighteen Years)
It was left to Nancy and me to pick up the pieces that my brother had become; to resurrect his shrunken spirit and pull his pale tear-stained face from beneath his pillow and give sense to a world that had given him none; he loved, yet he wasn't loved back.
Sarah Winman (When God Was a Rabbit)
Keefe gave her another reassuring shoulder pat—but when she flung the pillow aside and buried her face in her hands, she heard him growl something that sounded like “screw it.” Then his arms wrapped around her and she sank into the hug, not realizing she was crying until she felt her tears soak into his tunic.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
I get a message from my dad. In the mood I'm in, I tear up to see his name in my inbox, and imagine him down the hall in bed, propped on pillows, emailing me. "Hon, Enjoyed our gelato date the other night. I just want to say I'm proud of you for a lot of reasons. Also, I've attached a picture of my foot." He's such a weirdo goofball. I love him.
Sara Zarr (Roomies)
She turned her face into the pillow and let her tears drain into it, and felt that yet more was lost, when there was no witness to her sorrow.
Ian McEwan (Atonement)
She left two mermaid tears, crystals with a bit of salt embedded in them, on his pillow.
Jane Yolen (How to Fracture a Fairy Tale)
It hurts,” she whispered, wrapping her arms around a pillow and pulling it closer to her chest. Her eyes stayed closed, and I watched a few tears slip out. “Being left behind hurts.
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
Six years in chains for one moment of principle. That's the tithe I paid. But you know what I learned in all the years between then and this, little Crow?" "...No." Sid fixed Mia in his ice-blue stare. "There's no softer pillow than a clear conscience." Mia sat in the dark, trembling head to foot. Tears spilling down her cheek. And without another word, Sidonius lay down in the straw, rolled over onto his side, and closed his eyes. "Sleep well, Mia.
Jay Kristoff (Godsgrave (The Nevernight Chronicle, #2))
I'm tired of spending every minute of every hour of every day fighting back tears, swallowing repeatedly to try and ease the constant ache at the back of my throat. Even at night, as I lie there hugging my pillow, staring out through the open curtains, I don't allow myself to give in -- because if I did I would fall apart, I would fragment into a thousand pieces like shattered glass.
Tabitha Suzuma (Forbidden)
I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.
Sanober Khan (A touch, a tear, a tempest)
A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing
Robert Hass (Sun under Wood)
It's not what a mom should do!" I collapse onto the couch. Hug the pillow to my chest, hiding my heart, not my stomach. "Moms shouldn't do that." Tears flow as I rock back and forth. "She's supposed to love me." My voice is a whisper. "Just love me.
Lisa Fipps (Starfish)
She choked on a sob. She wouldn't cry. She wouldn't. She refused to cry about Gifford. But then she did. She was a sixteen-year-old girl, after all, and sometimes a sixteen-year-old girl needs to throw herself into a pillow and let the tears come as they may.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
To the stars who hear me cry. To my pillows who have seen my tears. And to my heart who have been breaking for far to long.
London
Days grow hotter and life grows shorter. Time is somehow running out. She flips her pillow so she won't have to sleep on her tears.
Toby Barlow
When you miss your loved one, remember the beautiful moments you’ve had with them. And when your heart swells, cuddle your pillow and let your tears soothe the pain.
Anoir Ou-chad
I shift my position on the sofa, so my head is on a big, lumpy pillow in Greenie's lap and Georgia is leanign back against my middle and Claire is just about asleep on the floor. Allison and I catch eyes, and she tilts her head and smiles, and when I smile back, we both well up with tears, I think beause we both recognize that whatever else may be unfolding, this is happiness.
Kelly Corrigan (The Middle Place)
Happy smiles were shared between the bride and groom, but it was the cake their guests remembered - the vanilla custard filling, the buttercream finish, the slight taste of raspberries that had surely been added to the batter. No one brought home any slices of leftover cake to place under their pillow, hoping to dream of their future mate; instead, the guests… ate the whole cake and then had dreams of eating it again. After this wedding unmarried women woke in the night with tears in their eyes, not because they were alone, but because there wasn't any cake left.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
At night when I look at Boris' goatee lying on the pillow I get hysterical. O Tania, where now is that warm cunt of yours, those fat, heavy garters, those soft, bulging thighs? There is a bone in my prick six inches long. I will ream out every wrinkle in your cunt, Tania, big with seed. I will send you home to your Sylvester with an ache in your belly and your womb turned inside out. Your Sylvester! Yes, he knows how to build a fire, but I know how to inflame a cunt. I shoot hot bolts into you, Tania, I make your ovaries incandescent. Your Sylvester is a little jealous now? He feels something, does he? He feels the remnants of my big prick. I have set the shores a little wider. I have ironed out the wrinkles. After me you can take on stallions, bulls, rams, drakes, St. Bernards. You can stuff toads, bats, lizards up your rectum. You can shit arpeggios if you like, or string a zither across your navel. I am fucking you, Tania, so that you'll stay fucked. And if you are afraid of being fucked publicly I will fuck you privately. I will tear off a few hairs from your cunt and paste them on Boris' chin. I will bite into your clitoris and spit out two franc pieces...
Henry Miller (Tropic of Cancer (Tropic, #1))
Well, for one…” He tugs at the thread a few times. “I want to know how He defeated the grave.” Though Tucker has sunk his head deeper into the pillows, his mouth lifts in a bittersweet smile. Then his lashes rise toward the ceiling, and his expression grows serious, voice so very soft. “And for two…I want to know how heavy the cross was to carry.” Tears burn. “I want to know those ones, too.” “Do you?” His head shifts so he can look at me. To my surprise, his eyes are alight. I nod. Fiercely. “Then I’ll save those two for when you get there.” His voice is gentle. “We’ll ask Him together.
Joanne Bischof (This Quiet Sky)
I am glad you think I am all those things, and I believe you. But I’m not going to magically think I’m beautiful or perfect or talented just because you do. I have to get there for myself. I have to believe those things for myself—not because I have a boyfriend who values me and thinks I invented airplane neck pillows. If I base my self-worth on someone else’s opinion or view of me, then I will also base my lack of worth on that person’s opinion as well. And that has the potential of tearing me to pieces.
Penny Reid (Heat (Elements of Chemistry, #2; Hypothesis, #1.2))
Grief broke down in phrases And extrapolated lines From me without myself Tear-stained pillow of stone I felt I was lying Beside him in the coffin Wormy mother Who takes us into the ground With her whenever and wherever She wants the grass glistens And grows over us in the heat Of late summer in the country
Edward Hirsch (Gabriel: A Poem)
He reaches forward slowly, to lift the pen from my lax grip. Wearily I regard the faltering trail of ink it has tracked down my page. I have seen that shape before, I think, but it was not ink then. A trickle of drying blood on the deck of a Red-Ship, and mine the hand that spilled it? Or was it a tendril of smoke rising black against a blue sky as I rode too late to warn a village of a Red-Ship raid? Or poison swirling and unfurling yellowly in a simple glass of water, poison I had handed someone, smiling all the while? The artless curl of a strand of woman's hair left upon my pillow? Or the trail of a man's heels left in the sand as we dragged the bodies from the smoldering tower at Sealbay? The track of a tear down a mother's cheek as she clutched her Forged infant to her despite his angry cries? Like Red-Ships, the memories come without warning, without mercy.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
Father? I am your son. That is only a kitten. Why do you abandon me to chase after it?" "When you were alive, you were all my joy. Now you are dead, I see you only in my dreams. And when I awake, my pillow is wet with tears. The kitten is living, and it needs my help.
Neil Gaiman (The Sandman, Vol. 10: The Wake)
There was hair. So much hair. Dead hair, hair of my gone self, wisps of spiderweb hair, old uniform lint hair, pillow sponge and tangerine strings hair. A whole life pulled itself up by my hair, the hair that locked the year I broke my tooth, hair that locked the day we caught cane ashes in the yard. Hair of our lean years, hair of the fat, pollen of marigolds hair, my mother's aloe vera hair, my sisters weaving wild ixoras in my hair, the pull of the tides at our sea village hair, grits of sand hair, hair of salt tears, hair thick with the blood of my own cut wrists. Hair of my binding, hair of my unbeautiful wanting, hair of his bitter words, hair of the cruel world, hair roping me to my father's belt, hair wrestling the taunts of baldheads in the street, hair of my lone self, hair wrapped atop the ghost woman in white's hair, red thread of hair, centuries of hair, galloping future of incorrigible hair, all cut away from me.
Safiya Sinclair (How to Say Babylon)
Tears came to my eyes when I read of a mere boy in one of our eastern cities who noticed a vagrant asleep on a sidewalk and who then went to his own room, retrieved his own pillow, and placed it beneath the head of that one whom he knew not. Perhaps there came from the precious past the welcome words: ‘Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me’ (Matt. 25:40).
Thomas S. Monson
Little tears had started slipping out of my eyes and down onto the pillow. I wasn’t sad, I didn’t know why I was crying. I’d had this problem before, with Bobbi, who believed it was an expression of my repressed feelings. I couldn’t stop the tears so I just laughed self-effacingly instead, to show that I wasn’t invested in the crying. I knew I was embarrassing myself badly, but there was nothing I could do about it.
Sally Rooney (Conversations with Friends)
When girls like us fall, there’s no one to catch us. Least of all that boy for whom we’ve taken the fall. We’re the girls with secrets and witchy hearts. We’re the girls who listen to sad songs. Who slow dance to them with tears streaming down our faces, even as a smile lingers on our lips. Who cry in our pillows at night and who ride our sunshine-yellow bicycle along the empty, desolate, miserable places, where no one goes.
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
Next morning, his nose still in the dreambag of a deep pillow contributed to his otherwise austere bed by sweet Blanche (with whom, by the parlour-game rules of sleep, he had been holding hands in a heart-breaking nightmare– or perhaps it was just her cheap perfume), the boy was at once aware of the happiness knocking to be let in. He deliberately endeavored to prolong the glow of its incognito by dwelling on the last vestiges of jasmine and tears in a silly dream...
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Maybe I would wake tomorrow and find that it had all been a dream, that Alexei was still alive and Mal was unhurt, that no one had tried to kill me, that I’d never met the King and Queen or seen the Apparat, or felt the Darkling’s hand on the nape of my neck. Maybe I would wake to smell the campfires burning, safe in my own clothes, on my little cot, and I could tell Mal all about this strange and terrifying, but very beautiful, dream. I rubbed my thumb over the scar in my palm and heard Mal’s voice saying, “We’ll be okay, Alina. We always are.” “I hope so, Mal,” I whispered into my pillow and let my tears carry me to sleep.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
14. Indifference I SAID,—for Love was laggard, O, Love was slow to come,— “I’ll hear his step and know his step when I am warm in bed; But I’ll never leave my pillow, though there be some As would let him in—and take him in with tears!” I said. I lay,—for Love was laggard, O, he came not until dawn,— 5 I lay and listened for his step and could not get to sleep; And he found me at my window with my big cloak on, All sorry with the tears some folks might weep!
Edna St. Vincent Millay
A few minutes later, John got up, put his clothes back on, palmed his liquor bottle, and left. As the door clicked shut, Xhex pulled the duvet over herself. She did nothing to try to control the shakes that rattled her body, and didn't attempt to stop herself from crying. Tears left both of her eyes at the far corners, slipping out and flowing over her temples. Some landed in her ears. Some eased down her neck and were absorbed by the pillow. Others clouded her vision, as if they didn't want to leave home. Feeling ridiculous, she put her hands to her face and captured them as best she could, wiping them on the duvet. She cried for hours. Alone.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
Robert G. Ingersoll (Some Mistakes of Moses)
an unattached hand, or rather a detached one. It lay there alone — open, palm upwards, clean, capable, solitary. I could not tear my eyes from it. The hand is the artisan of the soul. It is the second member of the human trinity of head and hand and heart. A man has no faculty more human than his hand, none more beautiful nor expressive nor productive. To see this hand lying alone, as though contemptuously cast aside, no longer a part of a man, no longer his help, was to see war in all its wantonness; it was to see the especially brutal savagery of our own technique of rending, and it was to see men at their eternal worst, turning upon one another, tearing one another, clawing at their own innards with the maniacal fury of the pride-possessed.
Robert Leckie (Helmet for My Pillow: From Parris Island to the Pacific)
The South is a land that has known sorrows; it is a land that has broken the ashen crust and moistened it with tears; a land scarred and riven by the plowshare of war and billowed with the graves of her dead; but a land of legend, a land of song, a land of hallowed and heroic memories. To that land every drop of my blood, every fiber of my being, every pulsation of my heart, is consecrated forever. I was born of her womb; I was nurtured at her.breast; and when my last hour shall come, I pray God that I may be pillowed upon her bosom and rocked to sleep within her tender and encircling arms.
Michael Andrew Grissom (Southern by the Grace of God)
It’s not until the tears flood my eyes and drench the pillow that I realize I’m crying. I don’t deserve this beautiful man. Because he has opened his soul to me and I’m lying to him. It hurts imagining what it'll be like once he knows. He'll hate me. I never knew I could be devastated by something that hasn't even happened yet. But that's what this feels like. Devastation. Like I'm already in ruins.
M. Malone (Alphas After Dark)
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
The very first day, I came up with an obstacle course that everyone could do. The kids had to pick their way through five hula hoops lying on the ground; cross a mat by stepping on four giant, brightly colored "feet" that I'd cut out of felt; and then pick up an extra-large beanbag (actually a buckwheat neck and shoulder pillow) and bring it back to the group. I'd bought bags of cheap gold medals at Walmart, the kind you'd put in a little kid's birthday part goody bag. I made sure I had enough for everyone. So even when a child stepped on every single hula hoop and none of the giant feet, he or she got a medal. A few weeks in, I noticed that Adam, a nonverbal thirteen-year-old, was always clutching that medal in whichever hand his mom wasn't holding. The medals weren't very study to begin with, and his was beginning to look a bit worse for wear, so after class I slipped a couple of spares into his mom's purse. Turning to thank me, she had tears in her eyes. "You can't imagine how much it means to him to have a medal," she said. "He sleeps with it.
Kristine Barnett (The Spark: A Mother's Story of Nurturing Genius)
All at once my position rose on me like a ghost. Anomalous, desolate, almost blank of hope, it stood. What was I doing here alone in great London? What should I do on the morrow? What prospects had I in life? What friends had I on earth? Whence did I come? Whither should I go? What should I do? I wet the pillow, my arms, and my hair with rushing tears. A dark interval of bitter thought followed this burst; but I did not regret the step taken, nor wish to retract it. A strong, vague persuasion that it was better to go forward than backward, and that I could go forward - that a way, however narrow and difficult, would in time open - predominated over other feelings.
Charlotte Brontë (Villette)
Oh, by the way," Coop announces as he weaves his DeathBot ship through a barrage of space debris on his laptop screen. "In case you didn't know. It's national 'That's What She Said' Day." I give him a thumbs-up. "I like it." We're camping out in Sean's backyard tonight. It's another one of our traditions. One night, every summer, we buy a ton of junk food and energy drinks and set up Sean's six-person tent in the far corner of his yard. We've got an extension cord running from the garage so that we can rough it in style, with computers and a TV and DVD player. There's a citronella candle burning in the middle of the tent to ward off mosquitoes and to mask the thick stink of mildew. Everyone's brought sleeping bags and pillows, but we aren't planning on logging too many Zs. Sean enters the tent carrying his Xbox. "I don't think there are enough sockets for all of these." I waggle my eyebrows at Coop. "That's what she said." Coop busts up. Sean stands there, looking confused. "I don't get it." "That's what she says," Coop says, sending him and me into hysterics. Sean sighs and puts the Xbox down. "I can see this is going to be a long night." "That's what she said," me and Coop howl in chorus. "Are you guys done yet?" Coop is practically in tears. "That's what she said." "Okay. I'll just keep my mouth shut," Sean grumbles. "That's what she said." I can barely talk I'm laughing so hard. "Enough. No more. My cheeks hurt," Coop says, rubbing his face. I point at him. "That's what she said." And with that, the three of us fall over in fits. "Oh, man, now look what you made me do." Coop motions to his computer. "That was my last DeathBot ship." "That's what she said," Sean blurts out, laughing at his nonsensical joke. Coop and I stare at him, and then silmultaniously, we hit Sean in the face with our pillows.
Don Calame (Swim the Fly (Swim the Fly, #1))
Hyacinth, who wept before sleep, had wept that night; he had wept too—had wept in joy and pain, and in joy at his pain. When tears were done and their heads rested on one pillow, she had said that no man had ever wept with her before. Two floors below them, their reflected images knelt in the fishpond at Thelxiepeia’s feet, subsistent but invisible. There she would weep for him longer than they lived. He lowered his naked body into a rising pool, warm and scarcely less romantic. Ermine’s,
Gene Wolfe (Exodus From The Long Sun: The Final Volume of the Book of the Long Sun)
(...) I'm my very best self when I'm with him, but every day, I want him more than I need him. He taught me that love is patient, love is kind, love is calm and quiet. It's not a music video of big hair, big tears and erotic, electrical storms. It's two people pottering about a small flat making each other coffee. It's waking up every morning and feeling quietly delighted as you smell the sleep on his skin and observe the the way his tufty hair is framed by the pillow. It's sly hands sneaking up jumpers to stroke the silky skin underneath and wanting to share all your big news, bad news and pictures of especially adorable dogs. It's knowing that there's nothing that can't be talked over and solved by a walk to the park or a trip to the pub.
Daisy Buchanan (How to Be a Grown-Up)
It was one of those scenes of life and animation, caught in its very brightest and freshest moments, which can scarcely fail to please; for if the eye be tired of show and glare, or the ear be weary with a ceaseless round of noise, the one may repose, turn almost where it will, on eager, happy, and expectant faces, and the other deaden all consciousness of more annoying sounds in those of mirth and exhilaration. Even the sunburnt faces of gypsy children, half naked though they be, suggest a drop of comfort. It is a pleasant thing to see that the sun has been there; to know that the air and light are on them every day; to feel that they are children, and lead children's lives; that if their pillows be damp, it is with the dews of Heaven, and not with tears; that the limbs of their girls are free, and that they are not crippled by distortions, imposing an unnatural and horrible penance upon their sex; that their lives are spent, from day to day, at least among the waving trees, and not in the midst of dreadful engines which make young children old before they know what childhood is, and give them the exhaustion and infirmity of age, without, like age, the privilege to die. God send that old nursery tales were true, and that gypsies stole such children by the score!
Charles Dickens (Nicholas Nickleby)
She brought a finger to her mouth, licked it. Salt. A clean scent. Not male sweat rich with the scent of musk and masculine flesh, but something else. Something purer. Tears. “Iain?” He trembled and she could have sworn she heard his tears run down his cheeks and plop onto the pillow. “My God, Beth. I’ve seen you. I’ve seen you in my heart and in my soul.” And then he stiffened, pressed his fingers into her hips, squeezing. “Can I, Beth? Can I come inside you?” “Yes,” she murmured, holding him close, feeling his body shudder beneath hers. “And stay forever.
Charlotte Featherstone (Temptation & Twilight (The Brethren Guardians, #3))
Uh . . . you’ve seen how cute she is, right?” Keefe asked. Sophie flung a pillow at his head. Or, she tried to. Throwing with her left arm was much harder than she’d expected, and . . . She ended up nailing Magnate Leto in the face. Keefe doubled over, clutching his sides and gasping between choking laughs: “THAT . . . WAS . . . THE . . . GREATEST . . . THING . . . I’VE . . . EVER . . . SEEN!” “IT WAS!” Ro agreed, nearly collapsing to the floor in a fit of giggles. Fitz and Elwin were cracking up too—though they at least tried to cover it with coughs. Sophie slunk down under her covers. “Sorry.” “It’s all right, Miss Foster,” Magnate Leto said, handing her back her pillow. “It’s good to see you regaining some strength.” Keefe wiped the tears streaming down his cheeks. “You realize I’m going to call you Principal Pillowhead from now on, right?
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
…deceitful!” she decided with a little bounce of fury that briefly ballooned the silk of her trousers. “There! You deceitful …” “Gillia…” “…misleading, dishonest, insincere…” “Those are all the same words, Gill—” “Ooh! Liar!” She’d managed to get her hands on a small pillow. He ducked just as it whizzed past him. In justice, however, it did strike the mosaic vase behind him on an engraved mahogany pedestal, and it tipped and spun on its base before landing in a shattered heap on the bare floor. “Now, look what you’ve done!” she accused tearfully and bolted from the room.
V.S. Carnes
Deep in the meadow, under the willow A bed of grass, a soft green pillow Lay down your head, and close your sleepy eyes And when again they open, the sun will rise.   Here it’s safe, here it’s warm Here the daisies guard you from every harm Here your dreams are sweet and tomorrow brings them true Here is the place where I love you.   Rue’s eyes have fluttered shut. Her chest moves but only slightly. My throat releases the tears and they slide down my cheeks. But I have to finish the song for her.   Deep in the meadow, hidden far away A cloak of leaves, a moonbeam ray Forget your woes and let your troubles lay And when again it’s morning, they’ll wash away.   Here it’s safe, here it’s warm Here the daisies guard you from every harm   The final lines are barely audible.   Here your dreams are sweet and tomorrow brings them true Here is the place where I love you.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Waste forces within him, and a desert all around, this man stood still on his way across a silent terrace, and saw for a moment, lying in the wilderness before him, a mirage of honourable ambition, self-denial, and perseverance. In the fair city of this vision, there were airy galleries from which the loves and graces looked upon him, gardens in which the fruits of life hung ripening, waters of Hope that sparkled in his sight. A moment, and it was gone. Climbing to a high chamber in a well of houses, he threw himself down in his clothes on a neglected bed, and its pillow was wet with wasted tears. Sadly, sadly, the sun rose; it rose upon no sadder sight than the man of good abilities and good emotions, incapable of their directed exercise, incapable of his own help and his own happiness, sensible of the blight on him, and resigning himself to let it eat him away. VI.
Charles Dickens (A Tale of Two Cities)
He touched her chin. His eyes never left hers, and she almost felt as if he’d touched those as well. And then, with the softest, most tender caress imaginable, he kissed her. Sophie didn’t just feel loved; she felt revered. “I should wait until Monday,” he said, “but I don’t want to.” “I don’t want you to wait,” she whispered. He kissed her again, this time with a bit more urgency. “You’re so beautiful,” he murmured. “Everything I ever dreamed of.” His lips found her cheek, her chin, her neck, and every kiss, every nibble robbed her of balance and breath. She was sure her legs would give out, sure her strength would fail her under his tender onslaught, and just when she was convinced she’d crumple to the floor, he scooped her into his arms and carried her to the bed. “In my heart,” he vowed, settling her against the quilts and pillows, “you are my wife.” Sophie’s breath caught. “After our wedding it will be legal,” he said, stretching out alongside her, “blessed by God and country, but right now—” His voice grew hoarse as he propped himself up on one elbow so that he could gaze into her eyes. “Right now it is true.” Sophie reached up and touched his face. “I love you,” she whispered. “I have always loved you. I think I loved you before I even knew you.” He leaned down to kiss her anew, but she stopped him with a breathy, “No, wait.” He paused, mere inches from her lips. “At the masquerade,” she said, her voice uncharacteristically shaky, “even before I saw you, I felt you. Anticipation. Magic. There was something in the air. And when I turned, and you were there, it was as if you’d been waiting for me, and I knew that you were the reason I’d stolen into the ball.” Something wet hit her cheek. A single tear, fallen from his eye. “You are the reason I exist,” she said softly, “the very reason I was born.” He opened his mouth, and for a moment she was certain he would say something, but the only sound that emerged was a rough, halting noise, and she realized that he was overcome, that he could not speak. She was undone.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Awkward Things One has gone to a house and asked to see someone; but the wrong person appears, thinking that it is he who is wanted; this is especially awkward if one has brought a present. One has allowed oneself to speak badly about someone without really intending to do so; a young child who has overheard it all goes and repeats what one has said in front of the person in question. Someone sobs out a pathetic story. One is deeply moved; but it so happens that not a single tear comes to one’s eyes— most awkward. Though one makes one’s face look as if one is going to cry, it is no use: not a single tear will come. Yet there are times when, having heard something happy, one feels the tears streaming out.
Sei Shōnagon (The Pillow Book)
His voice grew more remote. She wondered if he was calling from his condominium, where he’d lost his best friend, or from Avalon, where he’d lost himself. “I like you, Billie. You’re a nice person. Good company. But tonight was a mistake.” She flung an arm over her eyes and swallowed the lump of tears that had lodged in her throat. “Oh? Which part? The part where you introduced me to your family and exposed yourself as coming from a perfectly average, wholesome background? Or the part where you touched me and turned me inside-out while swaying in a hammock in the rich, beautiful woods—one of the most searing sexual experiences of my life? Which part do you regret, Adrian?” “All of it. I can’t have those things with you. You know what I am.” “Yes, Adrian, I know what you are. A gentle man. A likable one. Smart. Cultured. Sexy. I know what you are.” “But the other part—” “What about the other part? You hide behind the other part.” She yanked the pillow out from beneath her head and winged it across the bedroom, furious suddenly. “Did you call to tell me I’m not going to see you anymore? Because if that’s the case, hurry up and say it. Then hang up and go back to work, and don’t worry one bit about me. I’ve been on my own a long time, and I’m tougher than you think. I won’t cling to any man who’d rather be a-a—” She stumbled, bit back the ugly words rushing to her lips. “A what?” he countered softly. “A whore? A gigolo? Go ahead and say it, Billie. If you’re going to waste your time caring about me, then you’d better get used to the idea, because I can’t change. I won’t. Not for you or anyone.” She bit back a sound of pure derision. “How about for you? Think you could walk the straight and narrow for yourself?” He didn’t reply. He didn’t have to. Billie already knew the answer. “You’re afraid.” She sat up among the sheets as cold realization washed through her. “Afraid to live without women clambering to pay top dollar for you. All that money…it’s a measure of your value, right? It’s your self-esteem. What would happen if you were paid in love instead of cash? Would the world end? My God, Adrian. You’re running scared.” The half-whispered accusation seemed to permeate his impassivity. “I was fine before you.” His voice came low and furious. Finally, finally. True emotion. “Damn it, Billie. I want my life back.” “Then hang up and don’t call me again, because I’m not going to pay you for sex, Adrian. What I offer is a worthless currency in your world.
Shelby Reed (The Fifth Favor)
Like a child, I close my eyes as if they can't see me either. The fire from the kiss broadcasts itself all over me in the form of a full-body blush. Galen laughs. "There it is," he says, running his thumb over my bottom lip. "That is my favorite color. Wow." I'm going to kill him. "Galen. Please. Come. With. Me," I coke out. Gliding past him, my bare feet slap against the tile until I'm stomping on carpet in the hallway, then up the stairs. I can tell by the prickles on my skin that he's following like a good dead fish. As I reach the ladder to the uppermost level, I nod to him to keep following before I hoist myself up. Pacing the room until he gets through the trap door, I count more Mississipis than I've ever counted in my whole life. He closes the door and locks it shut but makes no move to come closer. Still, for a person who's about to die, he seems more amused than he should. I point my finger at him, but can't decide what to accuse him of first, so I put it back down. After several moments of this, he breaks the silence. "Emma, calm down." "Don't tell me what to do, Highness." I dare him with my eyes to call me "boo." Instead of the apology I'm looking for, his eyes tell me he's considering kissing me again, right now. Which is meant to distract me. Tearing my gaze from his mouth, I stride to the window seat and move the mountains of pillows on it. Making myself comfortable, I lean my head against the window. He knows as well as I do that if we had a special spot, this would be it. For me to sit here without him is the worst kind of snub. In the reflection, I see him run his hand through his hair and cross his arms. After a few more minutes, he shifts his weight to the other leg. He knows what I want. He knows what will earn him entrance to the window seat and my good graces. I don't know if it's Royal blood or manly pride that keeps him from apologizing, but his extended delay just makes me madder. Now I won't accept an apology. Now, he must grovel. I toss a satisfied smirk into the reflection only to find he's not there anymore. His hand closes around my arm and he jerks me up against him. His eyes are stormy, intense. "You think I'm going to apologize for kissing you?" he murmurs. "I. Yes. Uh-huh." Don't look at his mouth! Say something intelligent. "We don't have any clothes on." Fan-flipping-tastic. I meant to say he shouldn't kiss me in front of everyone, especially half naked. "Mmm," he says, pulling me closer. Brushing his lips against my ear, he says, "I did happen to notice that. Which is why I shouldn't have followed you up here.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Deep in the meadow, under the willow A bed of grass, a soft green pillow Lay down your head, and close your sleepy eyes And when again they open, the sun will rise. Here it’s safe, here it’s warm Here the daisies guard you from every harm Here your dreams are sweet and tomorrow brings them true Here is the place where I love you. Rue’s eyes have fluttered shut. Her chest moves but only slightly. My throat releases the tears and they slide down my cheeks. But I have to finish the song for her. Deep in the meadow, hidden far away A cloak of leaves, a moonbeam ray Forget your woes and let your troubles lay And when again it’s morning, they’ll wash away. Here it’s safe, here it’s warm Here the daisies guard you from every harm The final lines are barely audible. Here your dreams are sweet and tomorrow brings them true Here is the place where I love you.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
As I tried to doze, the incident on the piazzetta, lost somewhere amid the Piave war memorial and our ride up the hill with fear and shame and who knows what else pressing on me, seemed to come back to me from summers and ages ago, as though I'd biked up to the piazzetta as a little boy before World War I and had returned a crippled ninety-year-old soldier confined to this bedroom that was not even my own, because mine had been given over to a young man who was the light of my eyes. The light of my eyes, I said, light of my eyes, light of the world, that's what you are, light of my life. I didn't know what light of my eyes meant, and part of me wondered where on earth had I fished out such claptrap, but it was nonsense like this that brought tears now, tears I wished to drown in his pillow, soak in his bathing suit, tears I wanted him to touch with the tip of his tongue and make sorrow go away.
André Aciman (Call Me by Your Name)
The history of the clown’s underpants is a secret history and I will never tell it. But if you think people are stupid and mazloom, and all you ever do is take from them then they eventually learn how to survive you. They learn to hide away everything they love where you can’t touch and they won’t just hide it some place easy to find like a clown’s pockets or any place in this world. They’ll create a new world with its own language and they’ll hide everything there. All the favorite jokes they won’t say around you. All the best books. The spot on the wall that looks like a keyhole. Being safe and free and comfortable. All those things, and you won’t even know they exist. And when you've gotten your hands on the one orange and you’ve laughed at the badly hidden tears. You won’t even know there was a secret zipper in a bus pillow where the rest of the bars were really hidden. Not some obvious clown. You won’t know because you believe the weak can’t do anything. But hiding is something you do when you wait to get stronger.
Daniel Nayeri (Everything Sad Is Untrue)
Then the events leading up to her collapse came back to her in a flash. Her hands flew automatically to her belly and she was only partially reassured to feel the tight ball there. Was her baby okay? Was she herself okay? She blinked harder to bring the room more into focus. There was light shining through a crack in the bathroom door. A glance at the blinds told her that it was dark outside. Then her gaze fell on the chair beside her bed and she found Ryan staring at her, his gaze intense. She flinched away from the raw emotion shining in his blue eyes. “Hey,” he said quietly. “How are you feeling?” “Numb,” she answered before she could think better of it. “Kind of blank. My head doesn’t hurt anymore. Are my feet still swollen?” He carefully picked up the sheet and pushed it over her feet. “Maybe a little. Not as bad as they were. They’ve been giving you meds and they’re monitoring the baby.” “How is she?” Kelly asked, a knot of fear in her throat. “For now, she’s doing fine. Your blood pressure stabilized, but they might have to do a C-section if it goes back up or if the baby starts showing signs of distress.” Kelly closed her eyes and then suddenly Ryan was close to her, holding her, his lips pressed against her temple. “Don’t worry, love,” he murmured. “You’re supposed to stay calm. You’re getting the best possible care. I’ve made sure of it. They’re monitoring you round-the-clock. And the doctor said the baby has an excellent prognosis at thirty-four weeks’ gestation.” She sagged against the pillow and closed her eyes. Relief pulsed through her but she was so tired she couldn’t muster the energy to do anything more than lie there thanking God that her baby was okay. “I’m going to take care of you, Kell,” Ryan said softly against her temple. “You and our baby. Nothing will ever hurt you again. I swear it.” Tears burned her eyelids. She was emotionally and physically exhausted and didn’t have the strength to argue. Something inside her was broken and she had no idea how to fix it. She felt so…disconnected.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
Chapter 28 Genghis Cat Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.” It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.” “Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.” “No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!” Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?” Elizabeth nodded. “There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?” “Yes,” Elizabeth said. “I give you my word.” She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder. Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.” “He ought to be shot!” Bentner said with blazing contempt. Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
Judith McNaught (Almost Heaven (Sequels, #3))
Hullo,” he said sleepily, rubbing a hand along his jaw. He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room- I came to life. “Get out!” He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face. “But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.” Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close. I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up… Armand shifted a bit, rearranging the pillows behind his shoulders. I wet my lips. “If this is about the kiss-“ “No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“ “You can’t be in here!” “And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.” Dark power. Compel him to leave. I was desperate enough to try. “You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.” Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor. “That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?” Blast. I tipped my head back against the wood of the door and clenched my teeth. “Do you have any idea the trouble I’ll be in if they should find you here? What people will think?” “Oh, yes. It rather gives me the advantage, doesn’t it?” “Mrs. Westcliffe will expel me!” “Nonsense.” He smiled. “All right, probably she will.” “Just tell me that you want, then!” His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh. “All I want,” he said quietly, “is to talk. “Then pay a call on me later this afternoon,” I hissed. “No.” “What, you don’t have the time to tear yourself away from your precious Chloe?” I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither. Reasonably certain.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Iain MacGregor,” she whispered longingly, looking up. The woods were quiet. Strips of moonlight shone through tree limbs that reached like surreal black fingertips across her vision. A single tear slid down her cheek. She touched her mouth, imagining his kiss. Taking a small pocket knife out of her cargo pants, she looked about. A mystic had once told her that if she left pieces of herself around while she lived, it would expand her haunting territory when she died. Jane wasn’t sure she believed in sideshow magic tricks—or the Old Magick as the mystic had spelled it on her sign. She had no idea what had possessed her to talk to the palm reader and ask about ghosts. Still, just in case, she was leaving her stamp all over the woods. She cut her palm and pressed it to a nearby tree under a branch. Holding the wound to the rough bark stung at first, but then it made her feel better. This forest wouldn’t be a bad eternity. The sound of running feet erupted behind her and she stiffened. No one ever came out here at night. She’d walked the woods hundreds of times. Her mind instantly went to the creepy girl ghosts chanting by the stream. “Whoohoo!” Jane whipped around, startled as a streak of naked flesh sprinted past her. The Scottish voice was met with loud cheers from those who followed him. “Water’s this way, lads, or my name isn’t Raibeart MacGregor, King of the Highlands!” Another naked man dashed through the forest after him. “It smells of freedom.” Jane stayed hidden in the branches, undetected, with her hand pressed to the bark. “Aye, freedom from your proper Cait,” Raibeart answered, his voice coming through the dark where he’d disappeared into the trees. “Murdoch, stop him before he reaches town. Cait will not teleport ya out of jail again,” a third man yelled, not running quite so fast. “Raibeart, ya are goin’ the wrong way!” “Och, Angus, my Cait canna live without me,” Murdoch, the second streaker, answered. “She’ll always come to my rescue.” “I said stop him, Murdoch, we’re new to this place.” Angus skidded to a stop and lifted his jaw, as if sensing he was being watched. He looked in her direction and instantly covered his manhood as his eyes caught Jane’s shocked face in the tree limbs. “Oh, lassie.” “Oh, naked man,” Jane teased before she could stop herself. “That I am,” Angus answered, “but there is an explanation for it.” “I don’t think some things need explained,” Jane said.
Michelle M. Pillow (Spellbound (Warlocks MacGregor, #2))
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?” Elizabeth shook her head. “He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.” Fury sent bright flags of color to her pale cheeks. “You’re blushing, my dear,” Ian said in an awful voice. “I am furious!” she countered, momentarily forgetting that she was confronting a madman. His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.” “Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room. Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite. Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone. “What is it?” she asked suspiciously. “It’s brandy. It will help you sleep.” He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
Judith McNaught (Almost Heaven (Sequels, #3))
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.” Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.” A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.” He grinned. “I have more.” She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts. By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes. “I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.” “I wouldn’t have done it without you.” She shook her head. “You did it for yourself not for me.” Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.” She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.” “Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.” Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased. His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him. Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life. Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face. Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it. “I heard you that night,” he admitted. “When you told me you loved me.” Her head tilted. “I thought you were asleep.” “No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.” Her smile was smug. “I know.” She kissed him again. “Make love to me.” His entire body pulsed. “I intend to, but there’s one thing I have to do first.” Rose frowned. “What’s that?” Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))