Pig Inspirational Quotes

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I am an extremely sincere individual. I am sincere, to a fault. One of the many things that I have come to realize, to learn, is that sincerity must be reserved and given only to those who deserve it. And one must save one's emotions, channeling them only to the people who are worthy of it. One must not throw one's pearls to the pigs.
C. JoyBell C.
I understand that the inventor of the bagpipes was inspired when he saw a man carrying an indignant, astatic pig under his arm. Unfortunately, the man-made sound never equaled the purity of sound achieved by the pig.
Alfred Hitchcock
You pigs, you. You rut like pigs, is all. You got the most in you, and you use the least. You hear me, you? Got a million in you and spend pennies. Got a genius in you and think crazies. Got a heart in you and feel empties. All a you. Every you...
Alfred Bester (The Stars My Destination)
She’s beautiful to look at, she’s new, she’s clean, and perfectly cut. But then you get up and look closely and see that she’s not real. She’s a fake. She doesn't glimmer like a natural diamond or hold the beauty and unbreakable strength of a real diamond. She’s just a manufactured piece of glass. Not the real deal. And sooner or later, that pig headed owner is gonna realize that fake diamonds can never pass for the real ones, no matter how much you wish they would.
Bink Cummings (The Diary of Bink Cummings: Vol 2 (MC Chronicles, #2))
Once you come to terms with why you don't eat cats, dogs, monkeys, and dolphins, you will begin to understand why I don't eat cows, pigs, chickens, and lambs.
Edward Sanchez
Suddenly I am furious, that with my life on the line, they don’t even have the decency to pay attention to me. That I’m being upstaged by a dead pig. (…) Without thinking, I pull an arrow from my quiver and send it straight at the Gamemakers’ table. (…) “Thank you for your consideration,
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
As she stared at them, Waringa noted that their skins were indeed red, like that of pigs or like the skin of a black person who has been scalded with boiling water or who has burned himself with acid creams. Even the hair in their arms and necks stood out stiff and straight like the bristle of an aging hog.
Ngũgĩ wa Thiong'o (Devil on the Cross)
Fears can stop dreams,but not regrets
Marie Guillaume (Mr. Wolf v. The Three Pigs: Mr. Wolf Goes to Court)
… the best time to plant a tree is always twenty years ago. If, for some reason, you did not plant it then, the next best time to plant a tree is now.
Carlos Acosta (Pig's Foot)
For the vile human pigs in life; the sloppy, disheveled, uncaring dregs, the ungrateful, and especially for the vicious, negative emotional peasants — there will only continue to be the hard and painful lessons you so desperately need. The invisible hand will hold you in your wretched place until your last breath — unless you evolve. If you are cruel and ignorant the invisible fist will pound you into oblivion until you submit, humble yourself and soften your hard heart.
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
Hmm, yes. Pig physics.
Albert Einstein
Love worth giving is love perfected on ourselves.
TemitOpe Ibrahim
My hope is that we can navigate through this world and our lives with the grace and integrity of those who need our protection. May we have the sense of humor and liveliness of the goats; may we have the maternal instincts and protective nature of the hens and the sassiness of the roosters. May we have the gentleness and strength of the cattle, and the wisdom, humility, and serenity of the donkeys. May we appreciate the need for community as do the sheep and choose our companion as carefully as do the rabbits. May we have the faithfulness and commitment to family as the geese, and adaptability and affability of the ducks. May we have the intelligence, loyalty, and affection of the pigs and the inquisitiveness, sensitivity, and playfulness of the turkeys. My hope is that we learn from the animals what it is we need to become better people.
Colleen Patrick-Goudreau (Vegan's Daily Companion: 365 Days of Inspiration for Cooking, Eating, and Living Compassionately)
He believed that a burger joint ought to look like a join, not like a surgery, not like a nursery with pictures of clowns and funny animals on walls, not like a bamboo pavilion on a tropical island, not like a glossy plastic replica of a 1950s diner that never actually existed. If you were going to eat charred cow smothered in cheese, with a side order of potato strips made as crisp as ancient papyrus by immersion in boiling oil, and if you were going to wash it all down with either satisfying quantities of icy beer or a milkshake containing the caloric equivalent of an entire roasted pig, then this fabulous consumption ought to occur in an ambience that virtually screamed guilty pleasure, if not sin.
Dean Koontz (By the Light of the Moon)
The Jumblies I They went to sea in a Sieve, they did, In a Sieve they went to sea: In spite of all their friends could say, On a winter's morn, on a stormy day, In a Sieve they went to sea! And when the Sieve turned round and round, And every one cried, 'You'll all be drowned!' They called aloud, 'Our Sieve ain't big, But we don't care a button! we don't care a fig! In a Sieve we'll go to sea!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. II They sailed away in a Sieve, they did, In a Sieve they sailed so fast, With only a beautiful pea-green veil Tied with a riband by way of a sail, To a small tobacco-pipe mast; And every one said, who saw them go, 'O won't they be soon upset, you know! For the sky is dark, and the voyage is long, And happen what may, it's extremely wrong In a Sieve to sail so fast!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. III The water it soon came in, it did, The water it soon came in; So to keep them dry, they wrapped their feet In a pinky paper all folded neat, And they fastened it down with a pin. And they passed the night in a crockery-jar, And each of them said, 'How wise we are! Though the sky be dark, and the voyage be long, Yet we never can think we were rash or wrong, While round in our Sieve we spin!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. IV And all night long they sailed away; And when the sun went down, They whistled and warbled a moony song To the echoing sound of a coppery gong, In the shade of the mountains brown. 'O Timballo! How happy we are, When we live in a Sieve and a crockery-jar, And all night long in the moonlight pale, We sail away with a pea-green sail, In the shade of the mountains brown!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. V They sailed to the Western Sea, they did, To a land all covered with trees, And they bought an Owl, and a useful Cart, And a pound of Rice, and a Cranberry Tart, And a hive of silvery Bees. And they bought a Pig, and some green Jack-daws, And a lovely Monkey with lollipop paws, And forty bottles of Ring-Bo-Ree, And no end of Stilton Cheese. Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve. VI And in twenty years they all came back, In twenty years or more, And every one said, 'How tall they've grown! For they've been to the Lakes, and the Torrible Zone, And the hills of the Chankly Bore!' And they drank their health, and gave them a feast Of dumplings made of beautiful yeast; And every one said, 'If we only live, We too will go to sea in a Sieve,--- To the hills of the Chankly Bore!' Far and few, far and few, Are the lands where the Jumblies live; Their heads are green, and their hands are blue, And they went to sea in a Sieve.
Edward Lear
The notion of a country cottage settled in her thoughts as a watercolor, red bricks, climbing roses, the house the most intelligent of the three little pigs built, but with some age on it now; and the place they found in western Massachusetts wasn’t far off, solid enough to withstand huffs and puffs, small enough to feel manageable, large enough to hold visiting grandchildren, old enough to inspire optimism about what might, improbably, endure.
Robin Black (If I Loved You, I Would Tell You This)
The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")
David J. Schow (Seeing Red)
Romans 12:2 What is the difference between a person born with a silver spoon that later eat with the pig and someone born among the pigs without a silver spoon in his mouth and later eat with a golden spoon? One must have changed his mind. If you can renew your mind, you can change your destiny.
Patience Johnson (Why Does an Orderly God Allow Disorder)
A home is not one place,' [the Wimperling] said slowly. 'A home can be a place where you are born and brought up, a place you like better than any other; it can be a dwelling where your loved one lives, a house in which your children are raised, or somewhere you have to live because there is no other. A home is made by you, it does not create itself. It can be large or small, beautiful or ugly, grand or mean. But in the end it is only one thing: the place where your heart it. And you don't have to be there in your bodily self; you can carry it with you in spirit wherever you go.... Like love.
Mary Brown (The Unexpected Dragon (Pigs Don't Fly, #2-4))
Every day when I wake up and head out for chores, I'm struck by the beauty we enjoy on our farm. Based on visitors' comments, that's a shared awareness. Not one of our doors has a skull and crossbones. We want visitors to be struck not by what we've done, but rather by how we've caressed this beautiful niche of God's creation into a productive and profoundly inspiring place.
Joel Salatin (The Marvelous Pigness of Pigs: Respecting and Caring for All God's Creation)
[N]ow that growing your own (food, dope, hair, younameit) is hip," wrote the author of an essay widely reprinted in alternative newspapers, "it's time to resurrect the Dope of the Depression - Homebrew." Homemade beer inspired "good vibrations" and a "pleasant high." Unlike the rest of "plastic, mass-produced shit" of modern America, homebrew represented "an exercise of craft" and empowered the "politically oriented" to retaliate against "Augustus [sic] Busch and the other fascists pigs who [were] ripping off the Common Man." "If you're looking for a cheap drunk," added the beer adviser, "go back to Gussie Busch. But if you dig the good vibes from using something you make yourself, plus an improvement in quality over the commercial shit," brew on, brothers and sisters, brew on.
Maureen Ogle (Ambitious Brew : The Story of American Beer)
If I had been born in the 1700′s, presumably children had a bigger vocabulary than I had which means I wouldn’t have been able to recite fairy tales to kids because I’m not smart enough. You know…? I’d have to be like…..uh: In time passed, though not long ago, there lived three pigs in stature, little in number, three, who being of an age both entitled and inspired to seek their fortune did set about to do thusly. When they had traveled a distance, pig numbered first spake saying, “Harken Brethren, head this impetuous realm! Tarry me far from hearth and home I fear we shall fair *snort* not well!” And so being collectively agreed, but individually impaled, the diminutive swine sought each to erect himself an abode.....
John Branyan
Let your little inspire someone greatly and greatly be the reasons for the smiles of someone in little things. Dare to help someone. Dare to be the reasons for somebody’s little smile! Remember, it doesn’t necessarily take too much to make much impact! Remember, it is our little food remains that make the ants get food in season and out of season! Remember, somewhere, it is much of the waste and less of the precious meals meant for our tables that makes the pig grows fatter! Dare to make a noble impact with your noble substance, no matter how big or small it is! Dare to cause a change that will forever be remembered, be it small or big! Dare to be the real reason for the relief of somebody. Their hearts await your impact! Their joy awaits your ignition! Take a step! Make real impact!
Ernest Agyemang Yeboah
The monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open. And so I think what a miracle it would be if this miracle which man attends eternally should turn out to be nothing more than these two enormous turds which the faithful disciple dropped in the bidet. What if at the last moment, when the banquet table is set and the cymbals clash, there should appear suddenly, and wholly without warning, a silver platter on which even the blind could see that there is nothing more, and nothing less, than two enormous lumps of shit. That, I believe would be more miraculous than anything which man has looked forward to. It would be miraculous because it would be undreamed of. It would be more miraculous than even the wildest dream because anybody could imagine the possibility but nobody ever has, and probably nobody ever again will. Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some intrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of everything, I felt relieved, felt as though a great burden had been lifted from my shoulders. At dawn I parted company with the young Hindu, after touching him for a few francs, enough for a room. Walking toward Montparnasse I decided to let myself drift with the tide, to make not the least resistance to fate, no matter in what form it presented itself. Nothing that had happened to me thus far had been sufficient to destroy me; nothing had been destroyed except my illusions. I myself was intact. The world was intact. Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there might not be left a single soul to whom one could turn for sympathy, for aid, for faith. It seemed to me that the great calamity had already manifested itself, that I could be no more truly alone than at this very moment.
Henry Miller (Tropic of Cancer (Tropic, #1))
I was never really a child, and therefore something in the nature of childhood will cling to me always, I'm certain. I have simply grown, become older, but my nature never changed. I enjoy mischief just as I did years ago, but that's just the point, actually I never played mischevious tricks. Once, very early on, I gave my brother a knock on the head. That just happened, it wasn't mischief. Certainly there was plenty of mischief and boyishness, but the idea always interested me more than the thing itself. I began, early on, to look for deep things everywhere, even in mischief. I don't develop. At least, that's what I claim. Perhaps I shall never put out twigs and branches. One day some fragrance or other will issue from my nature and my originating, I shall flower, and the fragrance will shed itself around a little, then I shall bow my head, which Kraus calls my stupid arrogant pig-head. My arms and legs will strangely sag, my mind, pride, and character, everything will crack and fade, and I shall be dead, not really dead, only dead in a certain sort of way, and then I shall vegetate and die for perhaps another sixty years. I shall grow old. But I'm not afraid of myself. I couldn't possibly inspire myself with dread. For I don't respect my ego at all, I merely see it, and it leaves me cold. Oh, to come in from the cold! How glorious! I shall be able to come into the warmth, over and over again, for nothing personal or selfish will ever stop me from becoming warm and catching fire and taking part. How fortunate I am, not to be able to see in myself anything worth respecting and watching! To be small and to stay small. And if a hand, a situation, a wave were ever to raise me up and carry me to where I could command power and influence, I would destroy the circumstances that had favored me, and I would hurl myself down into the humble, speechless, insignificant darkness. I can only breathe in the lower regions.
Robert Walser (Jakob von Gunten)
Maybe you are a pig and don't even know it.
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
The vile are trampled beneath the feet of other pigs.
Bryant McGill (Simple Reminders: Inspiration for Living Your Best Life)
Pigs don't know pigs stink.
David Severen
They’re not fat pigs; we’re mad scientists.
Colleen Patrick-Goudreau (Vegan's Daily Companion: 365 Days of Inspiration for Cooking, Eating, and Living Compassionately)
Meanwhile, angered by white violence in the South and inspired by the gigantic June 23 march in Detroit, grassroots people on the streets all over the country had begun talking about marching on Washington. “It scared the white power structure in Washington, D.C. to death,” as Malcolm put it in his “Message to the Grassroots” and in his Autobiography.6 So the White House called in the Big Six national Negro leaders and arranged for them to be given the money to control the march. The result was what Malcolm called the “Farce on Washington” on August 28, 1963. John Lewis, then chairman of SNCC and fresh from the battlefields of Georgia, Mississippi, and Alabama where hundreds of blacks and their white student allies were being beaten and murdered simply for trying to register blacks to vote, was forced to delete references to the revolution and power from his speech and, specifically, to take out the sentence, “We will not wait for the President, the Justice Department nor Congress, but we will take matters into our own hands and create a source of power, outside of any national structure, that could and would assure us a victory.” Marchers were instructed to carry only official signs and to sing only one song, “We Shall Overcome.” As a result, many rank-and-file SNCC militants refused to participate.7 Meanwhile, conscious of the tensions that were developing around preparations for the march on Washington and in order to provide a national rallying point for the independent black movement, Conrad Lynn and William Worthy, veterans in the struggle and old friends of ours, issued a call on the day of the march for an all-black Freedom Now Party. Lynn, a militant civil rights and civil liberties lawyer, had participated in the first Freedom Ride from Richmond, Virginia, to Memphis, Tennessee, in 1947 and was one of Robert Williams’s attorneys.8 Worthy, a Baltimore Afro-American reporter and a 1936–37 Nieman Fellow, had distinguished himself by his courageous actions in defense of freedom of the press, including spending forty-one days in the Peoples Republic of China in 1957 in defiance of the U.S. travel ban (for which his passport was lifted) and traveling to Cuba without a passport following the Bay of Pigs invasion in order to help produce a documentary. The prospect of a black independent party terrified the Democratic Party. Following the call for the Freedom Now Party, Kennedy twice told the press that a political division between whites and blacks would be “fatal.
Grace Lee Boggs (Living for Change: An Autobiography)
Don’t ever wrestle with a pig. You’ll both get dirty, but the pig will enjoy it.
Kathy Collins (200 Motivational and inspirational Quotes That Will Inspire Your Success)
PLUTARCH HEAVENSBEE’S ROASTED SUCKLING PIG SURPRISE One
Emily Ansara Baines (The Unofficial Hunger Games Cookbook: From Lamb Stew to "Groosling" - More than 150 Recipes Inspired by The Hunger Games Trilogy (Unofficial Cookbook))
Trust him. And when you have done that, you are living the life of grace. No matter what happens to you in the course of that trusting - no matter how many waverings you may have, no matter how many suspicions that you have bought a poke with no pig in it, no matter how much heaviness and sadness your lapses, vices, indispositions, and bratty whining may cause you - you believe simply that Somebody Else, by his death and resurrection, has made it all right, and you just say thank you and shut up. The whole slop-closet full of mildewed performances (which is all you have to offer) is simply your death; it is Jesus who is your life. If he refused to condemn you because your works were rotten, he certainly isn't going to flunk you because your faith isn't so hot. You can fail utterly, therefore, and still live the life of grace. You can fold up spiritually, morally, or intellectually and still be safe. Because at the very worst, all you can be is dead - and for him who is the Resurrection and the Life, that just makes you his cup of tea.” ― Between Noon & Three: Romance, Law & the Outrage of Grace
Father Robert Farrar Capon
Dashing by Maisie Aletha Smikle On my farm I keep a firearm The deer I charm And then disarm To feed my family venison And stay away from medicine Sheep so sweet We love to eat Young lambs we chop To get lamb chops Pigs in wigs Dished their wigs to do a jig Pigs skinny dip Floated and strip So turkey chicken and rabbit May be covered with bacon strips Cows roaming in the valleys Cats left in the Alleys Bring the cows It's time to chow Beef for steak Make no mistake Mince it grind it chop it We must have it We plant dashene To cook and steam To feed the animals so they keep lean Fit and ready to consume Eat we must Or we'd be dust Knead the dough for the pie crust Get the pan it will not rust We will dine Without wine We will roast eat then toast Thanking God that He is our Host
Maisie Aletha Smikle
Pinky Pig by Maisie Aletha Smikle Pinky pig is big Pinky wears no wig Pinky likes to wallow Pinky’s wallow makes her cotton white hair butter yellow The butcher comes calling Pinky started bawling I ain't your bacon I ain't your ham I ain't no steak I ain't no loin called Sir Am just a pig Called Pinky Don't use me for steak I take too long to bake Am not fit for a cake My life is at stake But all you need is steak Steak rare Steak medium Steak well done See I ain't none I ain't rare I ain't medium I ain't well done It's the season To be butchered and eaten But I ain't your steak to bake Am just Pinky the pink pig
Maisie Aletha Smikle
Anarchism is the purity of rebellion. A pig who struggles wildly and rends the air with his cries while he is held to be slaughtered, and a baby who kicks and screams when, wanting warmth and his mother's breast, he is made to wait in the cold—these are two samples of natural rebellion. Natural rebellion always inspires either deep sympathy and identification with the rebelling creature, or a stiffening of the heart and an activation of aggressive-defensive mechanisms to silence an accusing truth. This truth is that each living being is an end in itself; that nothing gives a being the right to make another a mere instrument of his purposes.
Giovanni Baldelli (Social Anarchism)
It's way too late in the game to get the real value of design, and mostly what's being done is what we call the “lipstick on the pig” model.
Marty Cagan (INSPIRED: How to Create Tech Products Customers Love (Silicon Valley Product Group))
You never know who will step up with the brains and talent in a time of need and be the right one for the job.
Chris Kurtz (The Adventures of a South Pole Pig)
Apparently it was cheap pig lard that had inspired the term ham, meaning a poor-quality performer.
Juliette Fay (The Tumbling Turner Sisters)
A home is not one place,' [the Wimperling] said slowly. A home can be a place where you are born and brought up, a place you like better than any other; it can be a dwelling where your loved one lives, a house in which your children are raised, or somewhere you have to live because there is no other. A home is made by you, it does not create itself. It can be large or small, beautiful or ugly, grand or mean. But in the end it is only one thing: the place where your heart it. And you don't have to be there in your bodily self; you can carry it with you in spirit wherever you go.... Like love.
Mary Brown (The Unexpected Dragon (Pigs Don't Fly, #2-4))
Shake Shack- The now multinational, publicly traded fast-food chain was inspired by the roadside burger stands from Danny's youth in the Midwest and serves burgers, dogs, and concretes- frozen custard blended with mix-ins, including Mast Brothers chocolate and Four & Twenty Blackbirds pie, depending on the location. Blue Smoke- Another nod to Danny's upbringing in the Midwest, this Murray Hill barbecue joint features all manner of pit from chargrilled oysters to fried chicken to seven-pepper brisket, along with a jazz club in the basement. Maialino- This warm and rustic Roman-style trattoria with its garganelli and braised rabbit and suckling pig with rosemary potatoes is the antidote to the fancy-pants Gramercy Park Hotel, in which it resides. Untitled- When the Whitney Museum moved from the Upper East Side to the Meatpacking District, the in-house coffee shop was reincarnated as a fine dining restaurant, with none other than Chef Michael Anthony running the kitchen, serving the likes of duck liver paté, parsnip and potato chowder, and a triple chocolate chunk cookie served with a shot of milk. Union Square Café- As of late 2016, this New York classic has a new home on Park Avenue South. But it has the same style, soul, and classic menu- Anson Mills polenta, ricotta gnocchi, New York strip steak- as it first did when Danny opened the restaurant back in 1985. The Modern- Overlooking the Miró, Matisse, and Picasso sculptures in MoMA's Sculpture Garden, the dishes here are appropriately refined and artistic. Think cauliflower roasted in crab butter, sautéed foie gras, and crispy Long Island duck.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself (Mother's Day Gift for New Moms))
Think P.I.G. - that’s my motto. P stands for Persistence, I stands for Integrity, and G stands for Guts. These are the ingredients for a successful business and a successful life. -Linda Chandler
M. Prefontaine (The Big Book of Quotes: Funny, Inspirational and Motivational Quotes on Life, Love and Much Else (Quotes For Every Occasion 1))
But this gargantuan dam in Glen Canyon, authorized in April 1956, and begun just five months later with appropriate presidential fanfare and a pig-tailed string of blasting sticks, wasn’t the first audacious impoundment of the Colorado. Twenty-five years before, in 1931, work had gotten under way in Black Canyon, 400 miles downstream, on an enormous dam that would ultimately be named for Herbert Hoover—the largest dam in the world at that time, and the first time engineers had been able to test their convictions that a high concave wedge of concrete could successfully stop a river. Often called Boulder Dam during the desperate Depression years of its construction, Hoover Dam claimed the lives of 110 men before a swarm of workers topped it out, but it also captured the wonder and pride of the nation at a time when there were few palpable symbols of America’s continuing might. It was a public work on the grandest scale imaginable, and its sweeping walls of concrete crowned by fluted, Deco-inspired intake towers attested to the fact that we as a nation knew we would be great again, signaled the certainty that our natural resources remained our secure and fundamental wealth.
Russell Martin (A Story that Stands Like a Dam: Glen Canyon and the Struggle for the Soul of the West)
There's always gonna be someone better. Always. That's part of life, you know? Let the good ones inspire you to be the best you that you can be and work hard to make it happen." -Tom
Jodi Kendall (The Unlikely Story of a Pig in the City)
The award-winning American TV series Breaking Bad has a scene in its second season set in the murder capital of Ciudad Juárez. In this episode, American and Mexican agents are lured to a patch of desert just south of the border looking for an informant. They discover the informant’s head has been cut off and stuck on the body of a giant turtle. But as they approach, the severed cranium, turned into an IED, explodes, killing agents. The episode was released in 2009. I thought it was unrealistic, a bit fantastic. Until July 15, 2010. In the real Ciudad Juárez on that day, gangsters kidnapped a man, dressed him in a police uniform, shot him, and dumped him bleeding on a downtown street. A cameraman filmed what happened after federal police and paramedics got close. The video shows medics bent over the dumped man, checking for vital signs. Suddenly a bang rings out, and the image shakes vigorously as the cameraman runs for his life. Gangsters had used a cell phone to detonate twenty-two pounds of explosives packed into a nearby car. A minute later, the camera turns back around to reveal the burning car pouring smoke over screaming victims. A medic lies on the ground, covered in blood but still moving, a stunned look on his face. Panicked officers are scared to go near him. The medic dies minutes later along with a federal agent and a civilian. I’m not suggesting that Breaking Bad inspired the murders. TV shows don’t kill people. Car bombs kill people. The point of the story is that the Mexican Drug War is saturated with stranger-than-fiction violence. Mexican writer Alejandro Almazán suffered from a similar dilemma. As he was writing his novel Among Dogs, he envisioned a scene in which thugs decapitate a man and stick a hound’s head on his corpse. It seemed pretty out there. But then in real life some gangsters did exactly that, only with a pig’s head. It is just hard to compete with the sanguine criminal imagination. Cartel thugs have put a severed head in a cooler and delivered it to a newspaper; they have dressed up a murdered policeman in a comedy sombrero and carved a smile on his cheeks; and they have even sewn a human face onto a soccer ball.
Ioan Grillo (El Narco: Inside Mexico's Criminal Insurgency)
The Rooster taught me to wake up early and be a leader. The Butterfly encouraged me to allow a period of struggles to develop strong and look beautiful. The Squirrel showed me to be alert and fast all the time. The Dog influenced me to give up my life for my best friend. The Cat told me to exercise every day. Otherwise, I will be lazy and crazy. The Fox illustrated me to be subtle and keep my place organized and neat. The Snake demonstrated to me to hold my peace even if I am capable of attack, harm, or kill. The Monkey stimulated me to be vocal and communicate. The Tiger cultivated me to be active and fast. The Lion cultured me not to be lazy especially if I have strength and power that could be used. The Eagle was my sample for patience, beauty, courage, bravery, honor, pride, grace, and determination. The Rat skilled me to find my way out no matter what or how long it takes. The Chameleon revealed to me the ability to change my color for beauty and protection. The Fish display to live in peace even if I have to live a short life. The Delphin enhanced me to be the source of kindness, peace, harmony, and protection. The Shark enthused me to live as active and restful as I can be. The Octopus exhibited me to be silent and intelligent. The Elephant experienced me with the value of cooperation and family. To care for others and respect elders. The Pig indicated to me to act smart, clean, and shameless. The Panda appears to me as life is full of white and black times but my thick fur will enable me to survive. The Kangaroo enthused me to live with pride even if I am unable to walk backward. The Penguin influenced me to never underestimate a person. The Deer reveals the ability to sense the presence of hunters before they sense you. The Turtle brightened me to realize that I will get there no matter how long it takes me while having a shell of protection above me. The Rabbit reassured me to allow myself to be playful and silly. The Bat proved to me that I can fly even in darkness. The Alligator/crocodile alerted me that threat exists. The Ant moved me to be organized, active, and social with others. The Bee educated me to be the source of honey and cure for others. The Horse my best intelligent friend with who I bond. Trained me to recover fast from tough conditions. The Whale prompted me to take care of my young ones and show them life abilities. The Crab/Lobster enlightened me not to follow them when they make resolutions depending on previous undesirable events.
Isaac Nash (The Herok)
There are stranger things out there than flying pigs.
Jane Tara (The Happy Endings Book Club)
The lounge of the private terminal in Delhi. A place of beige leather sofas and cappuccinos, set deep in that world where a seeling modernity has yet to close over the land, and where in the empty spaces that lie between the elevated roads and the coloured glass buildings there are still, like insects taking shelter under the veined roof of a leaf, the encampments of families who built them. Black pigs still thread their way through the weeds, there are still patient lorry-loads of labourers, waiting among the dazzle of the new cars, for the lights to change. One India, dwarfed and stunted, adheres like a watchful undergrowth to another India which, in very physical ways, as with the roads that fly up out of the pale land, or the chunks of monorail that rise up from the ground like the remnants of an ancient wall, or the blank closed faces of the glass buildings, wishes to shrug off its poorer opposite: to leave it behind; to shut it out; to soar over it. One man, above all, captures the mood of this time: the security guard. In him, this man of expectation – a man not rich himself, but standing guard at the doorway to a world of riches – it is possible to feel the boredom and restlessness of a world that inspires ambition, but cannot answer it. Skanda watches him watching the lounge, with eyes glazed and yellowing from undernourishment. A favourite phrase from college returns: Quis custodiet ipsos custodes?
Aatish Taseer (The Way Things Were)
Don’t ever wrestle with a pig. You’ll both get dirty, but the pig will enjoy it. - Cale Yarborough
Kathy Collins (200 Motivational and inspirational Quotes That Will Inspire Your Success)
ORIGIN OF CONCENTRATION CAMPS When Namibia won its independence in 1990, the main avenue of the capital city still bore the name Göring. Not for Hermann, the Nazi, but in honor of his father, Heinrich Göring, one of the perpetrators of the first genocide of the twentieth century. That Göring, who represented the German Empire in the southwest corner of Africa, kindly approved in 1904 an annihilation order given by General Lothar von Trotta. The Hereros, black shepherds, had risen up in rebellion. The colonial authorities expelled them all and warned that any Herero found in Namibia, man, woman, or child, armed or unarmed, would be killed. Of every four Hereros, three were killed, by cannon fire or the desert sun. The survivors of the butchery ended up in concentration camps set up by Göring. And Chancellor Bernhard von Bülow pronounced for the very first time the word “Konzentrationslager.” The camps, inspired by a British forerunner in South Africa, combined confinement, forced labor, and scientific experimentation. The prisoners, emaciated from a life in the gold and diamond mines, served as human guinea pigs for research into inferior races. In those laboratories worked Theodor Mollison and Eugen Fischer, who later became the teachers of Josef Mengele. Mengele carried forth their work as of 1933, the year that Göring the son set up the first concentration camps in Germany, following the model his father pioneered in Africa.
Eduardo Galeano (Mirrors: Stories of Almost Everyone)
way that you see me? Broken heart that won’t lay down Is this the way you would be free? To take your life without a sound Is this the way that it should be? It’s not the same without you around…oh no-o-o…   It gave me frigging goose bumps. Seriously, I thought I might start crying like I had in college, so I pinched my arm hard enough to leave a bruise. Hearing two extremely talented people—world class musicians—perform my creation to such perfection with such inspired passion… well, frankly, it made me much more grateful to be alive. Not to mention it crushed any remaining doubts I had as far as holding our own against the very best talent the non-country music industry has to offer. Our rehearsal was one of the best we’ve ever had. High energy and inspired play… I thought we better have a frigging shower in our dressing rooms at our upcoming gig if we performed anywhere near this level. We were sweating like pigs, man, but someone told me once that pigs don’t sweat. At least not like us.
Aiden James (Deadly Night (NashVegas Paranormal Book 1))
But what bothers me, when I let it, is the way our new kitchen conforms so completely to the tenor of the times—our modern propensity, I mean, for cleaving to the sin and escaping the penalty. Go ahead, drive like a mania, we’ll protect you with air bags. Go on, drink your sweet soda, we took out the sugar. Type sloppy, IBM will correct you; be rude, we’ll excuse you for your insecurities; be spendthrift, there’s always a credit card . . . all these things being wholly at odds with the moral climate I grew up in, where if you sinned, you suffered, and the retributions was approximately immediate. Drive crazy, you got hurt. Be a pig, you got sick. Type sloppy, you typed it over. Be rude, you got smacked. Be extravagant you went broke.
Peg Bracken (A Window over the Sink: A Memoir)
Not all Prodigals are downtrodden or live in the pig pen, quite the opposite for one third of all prodigals are very successful in life and their only hang up is the big brother not allowing them to come home
James D. Wilson
All realities are mental constructs, for all realities are created in the neurons of the brain of human, so either you live in a reality created by some power-mongering, authoritarian, nationalist pig with no vision for a global world, or you rise and start building an actual conscientious world for the countless generations to come.
Abhijit Naskar (Let The Poor Be Your God)