“
A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven't eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
”
”
Francesca Lia Block
“
Whenever I'm out-of-doors and find myself wanting to have a first-rate think, I fling myself down on my back, throw my arms and legs out so that I look like an asterisk, and gaze at the sky.
”
”
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
“
My dad is adorably optimistic, positive, pie-in-the-sky. He thinks every new song I write is my best. He sells T-shirts at my merchandise stands and hands out guitar picks to fans.
”
”
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
“
Without concrete signs of divine presence in the lives of the poor, the gospel becomes simply an opiate; rather than liberating the powerless from humiliation and suffering, the gospel becomes a drug that helps them adjust to this world by looking for “pie in the sky.
”
”
James H. Cone (The Cross and the Lynching Tree)
“
Pied Beauty—
"
Glory be to God for dappled things--
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches' wings;
Landscape plotted and pieced--fold, fallow, and plough;
And all trades, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise Him.
”
”
Gerard Manley Hopkins (The Poems of Gerard Manley Hopkins)
“
He kissed her. A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven't eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
”
”
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
“
Mom is calculated, logical, business-minded; kind but very, very direct. Makes you better by giving you these little pointers but doesn’t baby you. My dad is a Chatty Cathy, the social butterfly; friendly; knows everybody in the whole world by six degrees; tells me that every performance is the greatest he’s ever seen, every new outfit is the coolest. Constant cheerleader. It’s cool to have pie-in-the-sky Dad, down-to-earth Mom.
”
”
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
“
If your faith rests in your idea of how God is supposed to answer your prayers, your idea of heaven here on earth or pie in the sky or whatever, then that kind of faith is very shaky and is bound to be demolished when the storms of life hit it. But if your faith rests on the character of Him who is the eternal I AM, then that kind of faith is rugged and will endure.
”
”
Elisabeth Elliot (Suffering Is Never for Nothing)
“
Would you like some warm Spring pie?
Then, take a cup of clear blue sky.
Stir in buzzes from a bee,
Add the laughter of a tree.
A dash of sunlight should suffice
To give the dew a hint of spice.
Mix with berries, plump and sweet.
Top with fluffy clouds, and eat!
”
”
Paul F. Kortepeter (Holly Pond Hill: A Child's Book of Easter)
“
You're missing the point! ... We could make it rain cupcakes from the sky! Raspberry-jam pies would grow on trees, and chocolate rabbits would poop chocolate buttons!
”
”
Lisa Mantchev (So Silver Bright (Théâtre Illuminata, #3))
“
Sarah Cynthia Sylvia Stout
Would not take the garbage out!
She'd scour the pots and scrape the pans,
Candy the yams and spice the hams,
And though her daddy would scream and shout,
She simply would not take the garbage out.
And so it piled up to the ceilings:
Coffee grounds, potato peelings,
Brown bananas, rotten peas,
Chunks of sour cottage cheese.
It filled the can, it covered the floor,
It cracked the window and blocked the door
With bacon rinds and chicken bones,
Drippy ends of ice cream cones,
Prune pits, peach pits, orange peel,
Gloppy glumps of cold oatmeal,
Pizza crusts and withered greens,
Soggy beans and tangerines,
Crusts of black burned buttered toast,
Gristly bits of beefy roasts. . .
The garbage rolled on down the hall,
It raised the roof, it broke the wall. . .
Greasy napkins, cookie crumbs,
Globs of gooey bubble gum,
Cellophane from green baloney,
Rubbery blubbery macaroni,
Peanut butter, caked and dry,
Curdled milk and crusts of pie,
Moldy melons, dried-up mustard,
Eggshells mixed with lemon custard,
Cold french fried and rancid meat,
Yellow lumps of Cream of Wheat.
At last the garbage reached so high
That it finally touched the sky.
And all the neighbors moved away,
And none of her friends would come to play.
And finally Sarah Cynthia Stout said,
"OK, I'll take the garbage out!"
But then, of course, it was too late. . .
The garbage reached across the state,
From New York to the Golden Gate.
And there, in the garbage she did hate,
Poor Sarah met an awful fate,
That I cannot now relate
Because the hour is much too late.
But children, remember Sarah Stout
And always take the garbage out!
”
”
Shel Silverstein
“
Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Loved. I hadn't even realized how desperetly I'd wanted love.How much we both needed to know that in a world of dark corners and sharp needles, there really is a place where kisses taste like apple pie and where stars spill like suger across the sky. A place where unknown roads no longer scare you because you have another hand to hold. A place where butterflies always flutter whenever you see each other, and a single touch tells you that you are not alone. A place where every kiss still feels like the first. In that place of us, Liv and Dean, love has its own poetry and language. Allure, quartrefoil, fleur-de-lis...Professor. Beauty.
”
”
Nina Lane (Allure (Spiral of Bliss, #2))
“
Well, being a perfectionist seems okay from the outside, but a perfectionist never enjoys anything, no matter how well it goes, because nothing is ever perfect.
”
”
Jane Smiley (Pie in the Sky (Horses of Oak Valley Ranch, #4))
“
[T]he only thing they needed was hope. Not that pie in the sky stuff, not a preference for optimism over pessimism, but rather “an orientation of the spirit.” The kind of hope that creates a willingness to position oneself in a hopeless place and be a witness, that allows one to believe in a better future, even in the face of abusive power. That kind of hope makes one strong.
”
”
Bryan Stevenson (Just Mercy)
“
Havel had said that people struggling for independence wanted money and recognition from other countries; they wanted more criticism of the Soviet empire from the West and more diplomatic pressure. But Havel had said that these were things they wanted; the only thing they needed was hope. Not that pie in the sky stuff, not a preference for optimism over pessimism, but rather 'an orientation of the spirit.' The kind of hope that creates a willingness to position oneself in a hopeless place and be a witness, that allows one to believe in a better future, even in the face of abusive power. That kind of hope makes one strong.
”
”
Bryan Stevenson (Just Mercy)
“
That shit [religion] was going on all over the planet. They would tell them about sky cookies, or sky pie, or sky baklava. And as each of these civilizations grew, they built ships; they'd go visit each other, and the one guy would walk off the boat and go,'Hey, did you hear the good news about the sky baklava?' and the first guy went,'It's CAKE, motherfucker! You're dead!
”
”
Patton Oswalt
“
I'm just a candy corn farmer. My only part in this play was loving your mother and raising you, and I did both of them as well as I could, but that didn't make me worldly, and it didn't make me wise. It made me a man with a hero for a wife and a daughter who was going to do something great someday, and that was all I wanted to be. I never saved the day. I never challenged the gods. I was the person you could come home to when the quest was over, and I'd greet you with a warm fudge pie and a how was your day, and I'd never feel like I was being left out just because I was forever left behind.
”
”
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
“
When looking at the same sky, people in mature industries see clouds where people in immature industries see pie.
”
”
Peter Lynch (One Up On Wall Street: How To Use What You Already Know To Make Money In)
“
In the middle of all this tragedy, you're growing up, sweet pie, and that is such a wonderful thing.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
there really is a place where kisses taste like apple pie and where stars spill like sugar across the sky.
”
”
Nina Lane
“
I'd grown fond of quoting Václav Havel, the great Czech leader who had said that "hope" was the one thing that people struggling in Eastern Europe needed during the era of Soviet domination.
Havel had said that people struggling for independence wanted money and recognition from other countries; they wanted more criticism of the Soviet empire from the West and more diplomatic pressure. But Havel had said that these were things they wanted; the only thing they needed was hope. Not that pie in the sky stuff, not a preference for optimism over pessimism, but rather "an orientation of the spirit." The kind of hope that creates a willingness to position oneself in a hopeless place and be a witness, that allows one to believe in a better future, even in the face of abusive power. That kind of hope makes one strong.
”
”
Bryan Stevenson (Just Mercy)
“
War is inevitable when the world is fallen. If you stop one, another will start. Redemption is the only path away from war.
”
”
Jane Smiley (Pie in the Sky (Horses of Oak Valley Ranch, #4))
“
Jingwen, the worst kind of lie ... is the one you tell to benefit yourself but will hurt others.
”
”
Remy Lai (Pie in the Sky)
“
A kiss about apple pie à la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven’t eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
”
”
Francesca Lia Block (Dangerous Angels: Five Weetzie Bat Books)
“
London Next—the same day, month, year, but one strand over—is the kind of London other Londons dream: sepia tinted, skies strung with dirigibles, the viciousness of empire acknowledged only as a rosy backdrop glow redolent of spice and petalled sugar. Mannered as a novel, filthy only where story requires it, all meat pies and monarchy—this is a place Blue loves, and hates herself for loving.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
Work and pray, live on hay,
You'll get pie in the sky when you die.
-Joe Hill, The Preacher and the Slave
”
”
Michael Lee West (American Pie)
“
Unlike other religions that promise us pie in the sky, capitalism promises miracles here on earth – and sometimes even delivers.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
I stop at hi. Because what if he asks other questions? I won't have the replies ready, and I'll be staring at him like a frozen booger. I can't possibly prepare all the questions and all the answers. The number of questions he could ask is infinite. My English is very, very finite.
”
”
Remy Lai (Pie in the Sky)
“
When I look at a pumpkin muffin, I see the brilliant orange glow of a sugar maple in its full autumnal glory. I see the crisp blue sky of October, so clear and restorative and reassuring. I see hayrides, and I feel Halloween just around the corner, kids dressed up in homemade costumes, bobbing for apples and awaiting trick or treat. I think of children dressed as Pilgrims in a pre-school parade, or a Thanksgiving feast, the bounty of harvest foods burdening a table with its goodness. I picture pumpkins at a farmer's market, piled happy and high, awaiting a new home where children will carve them into scary faces or mothers will bake them into a pie or stew.
”
”
Jenny Gardiner (Slim to None)
“
I walk with my hands in my pockets and the streetlights casting halogen halos though the fog, and I can't help thinking this is probably what Heaven will be like, warm air and cloudy skies and the feeling of absolute contentment that only comes from coffee and pie and knowing your place in the world.
”
”
Seanan McGuire (Dusk or Dark or Dawn or Day)
“
This was Confection, land of the culinary art become miracle; land of lonely children whose hands itched for pie tins or rolling pins, for the comfortable predictability of timers and sugar scoops and heaping cups of flour. This was a land where perfectly measured ingredients created nonsensical towers of whimsy and wonder - and maybe that was why they could be here, logical creatures that they were, without feeling assaulted by the world around them.
”
”
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
“
Some people find no comfort in the prophets’ vision of a future world. “The church has used that line for centuries to justify slavery, oppression, and all manner of injustice,” they say. The criticism sticks because the church has abused the prophets’ vision. But you will never find that “pie in the sky” rationale in the prophets themselves. They have scathing words about the need to care for widows and orphans and aliens, and to clean up corrupt courts and religious systems. The
people of God are not merely to mark time, waiting for God to step in and set right all that is wrong. Rather, they are to model the new heaven and new earth, and by so doing awaken longings for what God will someday bring to pass.
”
”
Philip Yancey (Disappointment with God)
“
What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn't it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour rid. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hot by pies? We taste custard we taste life. Why love the woman who is your wife? Her nose breathes the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul. But... how to say it?
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Did I ever tell you that my mother and father started out as pen pals? They wrote these long, unabashedly affectionate love letters to one another, peppered with clichés and pie-in-the-sky proclamations of eternal devotion. Despite my father’s eventual dishonesty and unfaithfulness, I have to believe he meant every word he wrote at that time, and it was admittedly romantic, uncovering my parents’ yellowed letters, all soft, crumbling corners and black ink stains, one rainy afternoon. Because how can anyone scrawl lies, really, in their own handwriting, the evidence of your own betrayal right in front of you? I sat cross-legged on the floor, holding my breath as I unfolded each letter, fragile and expectant, like a little girl opening her presents on Christmas morning. I sat there and soaked up my parents’ love for each other, and then I wondered where all those feelings had escaped to. I wondered where love went when it was lost—did it travel far, across miles and oceans and forests and deserts, or did it linger somewhere nearby, just waiting for a chance to be summoned again? Wherever it was, I could only hope it had ended up settling somewhere quieter, safer.
”
”
Marla Miniano (From This Day Forward)
“
The aroma of chicken broth and beef pie wafted into the parlor. She set down the tray of food on the low table next to him. “Are you all right?”
He grunted.
“You don’t want to eat anything?”
“No.” He did not want to tax his stomach for the next twelve hours.
“So what now? Are we going on the run?”
He removed his arm from his face and opened his eyes. She was sitting on the carpet before the low table, wearing his gray, hooded tunic, but not his trousers. Her legs were bare below mid-thigh.
The sight jolted him out of his lethargy. “Where are your trousers?”
“They had no braces and won’t stay up. Besides, it’s warm enough in here.”
He was feeling quite hot. It was not unusual to see girls in short robes come summertime in Delamer. But in England skirts always skimmed the ground and men went mad for a glimpse of feminine ankles. So much skin—boys at school would faint from overexcitement.
He might have been a bit unsteady too, if he were not already lying down.
“You never answered my question,” she said, as if the view of long, shapely legs should not scramble his thoughts at all.
”
”
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
“
My wife and I tend to overgift to our kids at Christmas. We laugh and feel foolish when a kid is so distracted with one toy that we must force them into opening the next, or when something grand goes completely unnoticed in a corner. How consumerist, right? How crassly American. How like God. We are all that overwhelmed kid, not even noticing our heartbeats, not even noticing our breathing, not even noticing that our fingertips can feel and pick things up, that pie smells like pie and that our hangnails heal and that honey-crisp apples are real and that dogs wag their tails and that awe perpetually awaits us in the sky. The real yearning, the solomonic state of mind, is caused by too much gift, by too many things to love in too short a time. Because the more we are given, the more we feel the loss as we are all made poor and sent back to our dust.
”
”
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
“
Not that pie in the sky stuff, not a preference for optimism over pessimism, but rather ‘an orientation of the spirit.’ The kind of hope that creates a willingness to position oneself in a hopeless place and be a witness, that allows one to believe in a better future, even in the face of abusive power. That kind of hope makes one strong.
”
”
Bryan Stevenson (Just Mercy)
“
Not that pie in the sky stuff, not a preference for optimism over pessimism, but rather “an orientation of the spirit.” The kind of hope that creates a willingness to position oneself in a hopeless place and be a witness, that allows one to believe in a better future, even in the face of abusive power. That kind of hope makes one strong.
”
”
Bryan Stevenson (Just Mercy)
“
I did not choose death!” Vaste shouted under the red sky. “If there’s a choice, I choose pie—
”
”
Robert J. Crane (Heretic (Sanctuary, #7))
“
El cielo está en cualquier lugar, empieza en tus pies.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
Cornelia—who was in town dropping off her children at her parents’ house for a week of, as she put it, “unfettered joy, limitless pie, and irreversible spoiling
”
”
Marisa de los Santos (I'll Be Your Blue Sky)
“
And when the cutters of the pie throw their summers in the sky, no love lost baby, the future is so bright.
”
”
Aesop Rock
“
When suffering invades the human experience, people usually respond in one of three ways. Some assume a “pie in the sky” perspective, clinging to superficial “Bible Band-Aids.” They affirm, rightly, that “God is good all the time; all the time God is good,” but they fail to acknowledge the feelings of being betrayed by God, which are expressed in the Bible as well.
”
”
Scott Sauls (Jesus Outside the Lines: A Way Forward for Those Who Are Tired of Taking Sides)
“
to live and work in the Light so that the darkness does not overcome us. If we have a pie-in-the-sky, everything-is-beautiful attitude, we are in fact going to be trapped by the darkness because we
”
”
Richard Rohr (Preparing for Christmas: Daily Meditations for Advent)
“
He also loved the city itself. Coming to and leaving Cousin Joe’s, he would gorge himself on hot dogs and cafeteria pie, price cigarette lighters and snap-brim hats in store windows, follow the pushboys with their rustling racks of furs and trousers. There were sailors and prizefighters; there were bums, sad and menacing, and ladies in piped jackets with dogs in their handbags. Tommy would feel the sidewalks hum and shudder as the trains rolled past beneath him. He heard men swearing and singing opera. On a sunny day, his peripheral vision would be spangled with light winking off the chrome headlights of taxicabs, the buckles on ladies’ shoes, the badges of policemen, the handles of pushcart lunch-wagons, the bulldog ornaments on the hoods of irate moving vans. This was Gotham City, Empire City, Metropolis. Its skies and rooftops were alive with men in capes and costumes, on the lookout for wrongdoers, saboteurs, and Communists. Tommy
”
”
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
“
Evolutionary pressures have accustomed humans to see the world as a static pie. If somebody gets a larger slice of the pie, somebody else inevitably gets a smaller slice. A particular family or city may prosper, but humankind as a whole is not going to produce more than it produces today. Accordingly, traditional religions such as Christianity and Islam sought ways to solve humanity’s problems with the help of current resources, either by redistributing the existing pie, or by promising a pie in the sky.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
Purple and orange weren't two colors Ruby would ever put together and she couldn't for the life f her understand how this Lord God of theirs could have come up with the combination, but He had, and there they were in the sky outside the Winnebago's windshield.
”
”
Amy Wallen (MoonPies and Movie Stars)
“
i said, so
what do you want to do?
you said
paint the sky black, break
pearl necklaces and watch the beads
dance on the wooden floor,
open a bakery and only serve
pecan pies, take
my dog to church, open windows
in the middle of winter, burn
the taste of your tongue off
of my skin, ask strangers for their
laughter, open your neighbors mail,
tip the waitress way too much,
fly myself
to anywhere but
here,
open doors for all kinds of people,
bleed my secrets into
your soul, cancel credit cards,
watch old couples, young
couples, say things like
i love you
and mean it
”
”
irynka
“
But Havel had said that these were things they wanted; the only thing they needed was hope. Not that pie in the sky stuff, not a preference for optimism over pessimism, but rather “an orientation of the spirit.” The kind of hope that creates a willingness to position oneself in a hopeless place and be a witness, that allows one to believe in a better future, even in the face of abusive power. That kind of hope makes one strong. Havel prescribed exactly what our work seemed to require. Walter’s case had needed it more than most. So I didn’t discourage Minnie. Together, we hoped.
”
”
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
“
THE RIGHT AND WRONG PICTURE OF A DREAM I’ve studied successful people for almost forty years. I’ve known hundreds of high-profile people who achieved big dreams. And I’ve achieved a few dreams of my own. What I’ve discovered is that a lot of people have misconceptions about dreams. Take a look at many of the things that people pursue and call dreams in their lives: Daydreams—Distractions from Current Work Pie-in-the-Sky Dreams—Wild Ideas with No Strategy or Basis in Reality Bad Dreams—Worries that Breed Fear and Paralysis Idealistic Dreams—The Way the World Would Be If You Were in Charge Vicarious Dreams—Dreams Lived Through Others Romantic Dreams—Belief that Some Person Will Make You Happy Career Dreams—Belief that Career Success Will Make You Happy Destination Dreams—Belief that a Position, Title, or Award Will Make You Happy Material Dreams—Belief that Wealth or Possessions Will Make You Happy If these aren’t good dreams—valid ones worthy of a person’s life—then what are? Here is my definition of a dream that can be put to the test and pass: a dream is an inspiring picture of the future that energizes your mind, will, and emotions, empowering you to do everything you can to achieve it.
”
”
John C. Maxwell (Put Your Dream to the Test: 10 Questions to Help You See It and Seize It)
“
If interest rates are kept below their natural level, misguided investments occur: too much time is used in production, or, put another way, the investment returns don’t justify the initial outlay. ‘Malinvestment’, to use a term popularized by Austrian economists, comes in many shapes and sizes. It might involve some expensive white-elephant project, such as constructing a tunnel under the sea, or a pie-in-the-sky technology scheme with no serious prospect of ever turning a profit.
”
”
Edward Chancellor (The Price of Time: The Real Story of Interest)
“
Finally, there a motley crowd of those who carry out his orders, some reluctantly but simply eager to avoid trouble; others with gusto, hoping to seize something along the way for themselves; still others enjoying the cruel game of making his targets, often high in the social hierarchy, suffer and die. The aspiring tyrant never lacks for such people, in Shakespeare and, from what I can tell, in life. True, there might be a world somewhere where this does not happen. Such is the world that Montaigne’s friend Étienne de La Boétie once envisaged, where the dictator would fall simply because of a massive, nonviolent refusal to cooperate. He would call for some strawberries or for a round of executions, and no one would move a muscle. But Shakespeare seems to have regarded such a proto-Gandhian idea as hopeless pie in the sky. He thought that the tyrant would always find willing executioners, men who would, in Hamlet’s phrase, “make love to this employment” (Hamlet 5.2.57).
”
”
Stephen Greenblatt (Tyrant: Shakespeare on Politics)
“
I said I could cook,” the Former House Nigger said. “I didn’t say I was any good at it. I can make a peach pie, though, and it ain’t bad if you can imagine it with a crust. I mostly just make the pie slop. Crust defeats me.” “What we got now,” Hatch said, “ain’t even cooking of the lowest order. There’s just a couple of fellas that boil water and put stuff in it, mostly turnips. It’s just one step up from eating horse turds. So if you can do better than that, out here you’re a goddamn chef.
”
”
Joe R. Lansdale (Paradise Sky)
“
Her mind whirled, fragments of pictures of him flashing in and out so fast she could barely settle on any one: the day he’d brought her from the railway station and stopped so she could see the view…the horseback ride beside the river when he’d said her eyes were the most beautiful blue he’d ever seen…teaching her to shoot…saving her from the grizzly bear…eating the saskatoon pie she’d baked…coaxing Lizzy to drink her lemonade…the magical night at the pool…his long-lashed green eyes glowing with love for her…
”
”
Debra Holland (Wild Montana Sky (Montana Sky, #1))
“
What could he say that might make sense to them? Could he say love was, above all, common cause, shared experience? That was the vital cement, wasn’t it? Could he say how he felt about their all being here tonight on this wild world running around a big sun which fell through a bigger space falling through yet vaster immensities of space, maybe toward and maybe away from Something? Could he say: we share this billion-mile-an-hour ride. We have common cause against the night. You start with little common causes. Why love the boy in a March field with his kite braving the sky? Because our fingers burn with the hot string singeing our hands. Why love some girl viewed from a train, bent to a country well? The tongue remembers iron water cool on some long lost noon. Why weep at strangers dead by the road? They resemble friends unseen in forty years. Why laugh when clowns are hit by pies? We taste custard, we taste life. Why love the woman who is your wife? Her nose breathes in the air of a world that I know; therefore I love that nose. Her ears hear music I might sing half the night through; therefore I love her ears. Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh knows heat, cold, affliction, I know fire, snow, and pain. Shared and once again shared experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut two senses; life halves itself on the instant. We love what we know, we love what we are. Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose, flesh, heart, and soul.
”
”
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
“
Sal and Henry return with a gust of warm garden air and I settle down to create miniature roses from sugarpaste using tiny ivory spatulas and crimpers. I will have no antique tester bed crowning my cake, only a posy of flowers: symbols of beauty and growth, each year new-blossoming. I let Henry paint the broken pieces with spinach juice, while I tint my flowers with cochineal and yellow gum. As a pretty device I paint a ladybird on a rose, and think it finer than Sèvres porcelain.
At ten o'clock tomorrow, I will marry John Francis at St. Mark's Church, across the square. As Sal and I rehearse our plans for the day, pleasurable anticipation bubbles inside me like fizzing wine. We will return from church for this bride cake in the parlor, then take a simple wedding breakfast of hot buttered rolls, ham, cold chicken, and fruit, on the silver in the dining room. Nan has sent me a Yorkshire Game Pie, so crusted with wedding figures of wheatsheafs and blossoms it truly looks too good to eat. We have invited few guests, for I want no great show, and instead will have bread and beef sent to feed the poor. And at two o'clock, we will leave with Henry for a much anticipated holiday by the sea, at Sandhills, on the southern coast. John Francis has promised Henry he might try sea-bathing, while I have bought stocks of cerulean blue and burnt umber to attempt to catch the sea and sky in watercolor.
”
”
Martine Bailey (A Taste for Nightshade)
“
A few months later I got a call from a close friend, Jeff Bloch.
“I was reading in Men’s Health that they’re going to do a search for a regular guy to put on the cover,” Jeff said.
He went on to tell me that Men’s Health usually only had celebrities on their cover, but they were teaming up with Kenneth Cole to do this “Ultimate Guy Search,” and Jeff thought I should enter. During my Army days I used to tell the guys that I’d be on the cover of Men’s Health someday. Back then it was a real pie-in-the-sky dream, but I thought about it a lot. I even thought about it again after I was injured and started to design my own workouts. I thought I had a legit story for them. But of course it wasn’t a reality until Jeff’s call.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
Ant then, opening her eyes, how fresh like frilled linen clean from a laundry, laid in wicker trays the roses looked; and dark and prim the red carnations, holding their heads up; and all the sweet peas spreading in their bowls, tinged violet, snow white, pale - as if it were the evening and girls in muslin frocks came out to pick sweet peas and roses after the superb summer's day, with its almost blue-black sky, its delphiniums, its carnations, its arum lilies was over; and it was the moment between six and seven when every flower - roses, carnations, irises, lilac - glows; white, violet, red, deep orange; every flower seems to burn by itself, softly, purely in the misty beds; and how she loved the grey-white moths spinning in and out, over the cherry pie, over the evening primroses!
”
”
Virginia Woolf (Mrs. Dalloway)
“
How Much Do I Love You? I love you more than pancakes, more than ice cream, more than pickles, more than my life. I love you more than dogs or cats or diamonds or gold, more than anyone else in the world. I loved brushing your hair every night and walking you to school. I told you every story you knew. I want you to remember our last day. I read you a story about two sisters who could find their way through the woods even if it was dark. I want you to remember the last evening we had. We drank tea made of roses. We baked a peach pie. We had spaghetti with butter for supper. We looked at the stars with your father, sitting high up on the roof, and then I took you inside. I kissed you both good night. I hope you remember everything. Someday you will find this and you’ll know that to the very end I thought about you. There is no ending to that. You still hold my heart in your hands. I loved you girls more than a fish loves a river, more than a bird loves the sky. Remember that. Remember me.
”
”
Alice Hoffman (The Bookstore Sisters)
“
No matter how many times I walk this same path, I never get bored of it. The central Realms—home to most of the residents and buildings—are set up like a grid, with walking paths crisscrossing each other at even intervals. On either side of the paths trees loom high and streams weave their way between them. When I was younger, before I started delivering the pies, I could usually be found in one of the distant fields with Kal or Bren, watching the clouds change color. The sky here is without color, but the clouds more than make up for it. I learned in school that on the planets, clouds and trees and water are solid objects, providing some sort of purpose in nature. In The Realms, they are more like suggestions of such things, until someone wants to use them. A lake becomes a lake when someone wants to go fishing. A flower becomes a flower when someone wants to water it, or admire it, or put it in a vase. Even then it’s not a “real” flower, like the type that grows in the soil of many of the terrestrial planets. But that doesn’t make it any less beautiful.
”
”
Wendy Mass (Pi in the Sky)
“
somewhere
there is a women in China holding a black umbrella so she
won’t taste the salt of the rain when the sky begins to weep,
there is a 17 year old girl who smells like pomegranates and has summer air tight on her naked skin, wrapping around her scars
like veins in a bloody garden, who won’t make it past tomorrow,
there is a young man, who buys yellow flowers for the woman
in apartment 84B, who learned braille when he realized she
couldn’t read his poetry about her white neck and mint eyes
there are people watching films,
making love for the first time, opening mail with the
heading of ‘i miss you’, cooking noodles with
organic spices and red sauces, buying lemon detergent,
ignoring ‘do not smoke’ signs, painting murals
of his lips in abandoned warehouses, chewing
the words ‘i love you’ over and over again, swallowing
phone numbers and forgotten birthdays, eating
strawberry pies, drinking white wine off of each
others open mouths, ignoring the telephone,
reading this poem
somewhere
someone is thinking
i’m alone
somewhere
someone finally understands
they never really
were
”
”
Anonymous
“
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me.
"Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically.
The man sprints off the seat as my face flames. His pregnant girlfriend?
"Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together."
"That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds.
Time passes quickly for an eight-hour flight.
We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle.
"At least they're practical," he says.
"What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall."
"At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?"
"I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?"
"Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!"
We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase.
There's a lot of blood. And Mickey Mouse ears.
After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there.
He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here.
I'm home.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
After many years the woman died, of natural causes. And a few years after that, the ogre died. Eventually, his mistresses died, down on the ground, in the people village, over decades. The war men and women died. The human girl who had escaped her early death died, across the land, over by the ocean, in her shack of blue bowls and rocking chairs. The witch, who had originally made the cake and made up up the spell and given it as a gift to her beloved ogre friend, died.
The cake went on and on. Time passed...
And the cake, always wanting to please, the cake who had found a way to survive its endlessness by recreating its role over and over again, tried to figure out, in its cake way, what this light-dappled object might want to eat. So it became darkness, a cake of darkness. It did not have to be human food. It did not have to be digestible through a familiar tract. It lay there on the dirt, waiting, a simmering cake of darkness. Through time, and wind, and earthquakes, and chance. At last the cloak fell out of the tree and blew across the land and happened upon the cake where it ate its darkness and extinguished its own dappled light. The cloak disappeared into night and was not seen again, as it was only a piece of coat shaped darkness now and could not be spotted so easily, had there been any eyes left to see it. It floated and joined with nowhere.
Darkness was overtaking everything, anyway, pouring over the land and sky. The cake itself, still in the shape of darkness, sat on the hillside.
'What's left?' said the cake.
It thought in blocks of feeling. It felt the thick darkness all around it.
'What is left to eat me, to take me in?'
Darkness did not want to eat more darkness, not especially. Darkness did not care for carrot cake, or apple pie. Darkness did not seem interested in a water cake or a cake of money. Only when the cake filled with light did it come over. The darkness circling around the light, devouring the light. But the cake kept refilling, as we know. This is the spell of the cake. And the darkness eating light, and again, light, and again, light, lifted.
”
”
Aimee Bender (The Color Master: Stories)
“
Karl Marx and others have charged that religion is “the opiate of the masses.” That is, it is a sedative that makes people passive toward injustice, because there will be “pie in the sky bye and bye.” That may be true of some religions that teach people that this material world is unimportant or illusory. Christianity, however, teaches that God hates the suffering and oppression of this material world so much, he was willing to get involved in it and to fight against it. Properly understood, Christianity is by no means the opiate of the people. It’s more like the smelling salts.
”
”
Timothy J. Keller (The Prodigal God (Korean Edition))
“
Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!
”
”
Chris Grabenstein (Mr. Lemoncello's Library Olympics (Mr. Lemoncello's Library, #2))
“
Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!” SPLAT! Fifty gallons of syrupy, goopy tomato sauce slimed him from above. It oozed down his face and dribbled off his ears. Everybody laughed. So Kyle, who loved being the class clown almost as much as he loved playing (and winning) Mr. Lemoncello’s wacky games, went ahead and read the whole list of banned words as quickly as he could. “Mustard-mayonnaise-pickle-relish.” SQUOOSH! He was drenched by buckets of yellow glop, white sludge, and chunky green gunk. The slop slid along his sleeves, trickled into his pants, and puddled on the floor. His four friends busted a gut laughing at Kyle, who was soaked in more “condiments” (the word on his card) than a mile-
”
”
Chris Grabenstein (Mr. Lemoncello's Library Olympics (Mr. Lemoncello's Library, #2))
“
Will you be traveling there again? To Istanbul and Arabia and the places where they follow the Koran?"
"I hope so," he said, laying aside the golden book very carefully. "The air is so hot there, warm and fragrant, the sky so blue, and the food tastes like nothing here. They have olives and dates and soft cheeses. I think you would like it, my Séraphine. You could dress in pink and gold and mahogany and lounge on silken pillows, listening to strange music. I'd buy you a little monkey with a vest and a hat to make you laugh and I'd sit and watch you and feed you juicy grapes."
She smiled sadly and drew off her stays. "And how would we get there, Val?"
"I'd hire a ship," he said taking a sip of his red wine. "No, I'd buy a ship- one of our very own. It'll have blue sails and a flag with a rooster on it. We'll take your mongrel and Mehmed and all his cats and set sail with fifty strong men. During the day we'll sit on deck and watch for mermaids and monsters in the waves, and at night we'll stare at the stars and then I'll make love to you until dawn."
"And after far Arabia?" she whispered as she drew off her chemise and stood nude save for her stockings and shoes. "What then?"
His smile faded and he looked very grave as she took off her shoes and stockings. "Why, Séraphine, then we would journey on to Egypt or India or China or indeed wherever else you please. Or even come round about here, back to foggy, bustling London, where, if nothing else, the pies and sausages are quite good, if that was what you wished. Just as long as I were with you and you with me, my sweet Séraphine.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
Perhaps the idea of a leftist transnationalism is pie in the sky, but the fact is that Europe is in crisis, and if the Right can successfully exploit it (and has!), so can the Left. The future of Europe, in this sense, is an open question; it can turn toward a retrograde nostalgia for European “greatness,” or it can equally open up a space for a radically alternative vision.
”
”
Zahi Zalloua (Universal Politics)
“
Herety profundiza en su idea del potencial que el trabajo en pista aporta a un gran corredor de ruta: «Hay habilidades que ganas corriendo en pista y que realmente no puedes desarrollar -o no tan fácilmente- en la ruta». Habla del manejo de la bici y del ‘saber estar’ en carrera, o de modo más general, del tipo de habilidades que sólo se perfeccionan en una pista con un peralte empinado dentro de un grupo a gran velocidad, sobre una bici sin frenos ni marchas. Ahí no tienes nada salvo tu propia habilidad, equilibrio y templanza para sostenerte en pie y esquivar los percances. «Si por naturaleza eres un corredor rápido de movimientos, quizás puedes salvar el déficit de habilidades que tendrías al no haber rodado en pista, pero aun así estarías limitado. Por ello, que los corredores que estuviesen con nosotros adquiriesen esas habilidades era importantísimo. Y Rod era muy buen maestro».
”
”
Richard Moore (Sky's the Limit. Sky, el límite es el cielo. (Spanish Edition))
“
Could he say how he felt about their all being
here tonight on this wild world running around a big sun which fell through a bigger
space falling through yet vaster immensities of space, maybe toward and maybe away
from Something? Could he say: we share this billon-mile-an-hour ride. We have
common cause against the night. You start with little common causes. Why love the boy
in a March field with his kite braving the sky? Because our fingers burn with the hot
string singeing our hands. Why love some girl viewed from a train, bent to a country
well? The tongue remembers iron water cool on some long lost noon. Why weep at
strangers dead by the road? They resemble friends unseen in forty years. Why laugh
when clowns are hit by pies? We taste custard, we taste life. Why love the woman who
is your wife? Her nose breathes in the air of a world that I know; therefore I love that
nose. Her ears hear music I might sing half the night through; therefore I love her ears.
Her eyes delight in seasons of the land; and so I love those eyes. Her tongue knows
quince, peach, chokeberry, mint and lime; I love to hear it speaking. Because her flesh
knows heat, cold, affliction, I know fire, snow and pain. Shared and once again shared
experience. Billions of prickling textures. Cut one sense away, cut part of life away. Cut
two senses; life halves itself on the instant. We love what we know, we love what we are.
Common cause, common cause, common cause of mouth, eye, ear, tongue, hand, nose,
flesh, heart, and soul.
”
”
Ray Bradbury, Something Wicked This Way Comes
“
Para Hunt, sólo existía Bryce, sangrando y herida. Bryce, quien se había lanzado tan valientemente por la espada, probablemente pensando que era su única oportunidad. Bryce, quien se había puesto de pie de todas maneras y planeaba morir peleando.
Bryce, su pareja.
Los tres mastines se volvieron a convertir en uno. En preparación para el golpe mortal.
Hunt aterrizó en el suelo junto a ella y aulló con tal fuerza que la Puerta misma se sacudió.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
Tharion Ketos la había cagado realmente.
De manera literal. La Reina del Río estaba encabronada. Por eso ahora se veía obligado a hacer el esfuerzo de mantenerse en pie en una pequeña embarcación pesquera en un mar tan tormentoso que incluso su estómago de acero estaba revuelto. Arriba y abajo, abajo y arriba, el barco se movía bajo la lluvia, a merced de las olas y el viento que amenazaba con arrancarle la piel hasta los huesos a pesar de su grueso suéter negro y su chaleco táctico.
Podría estar descansando ahora sobre una roca en el Istros, de preferencia mientras lo admiraban todas las mujeres que recorrían el muelle. Ciertamente disfrutaba encontrar fotos no-tan-discretas de él en las redes sociales con pies de página como: ¡Tan sexy que de milagro no evapora todo el Istros!
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
She was more beautiful than anything he’d ever seen,
Her hair the shade of coffee beans,
A hoodie sheltered her in a sheet of red,
That slowly seeped and gently bled
And when she laughed
She crept her way into his heart.
Broken pieces, tied together,
A sea of stars that were forever
A mystery meant to be solved
And in a flash, his world evolved
A fearless bird soaring through a bright blue sky
Yet still as sweet as strawberry pie
Secrets bottled, stolen glances
Cloud-filled skies and second chances
And as time swept past in a quick blur
The lost boy fell in love with her.
”
”
Yuen Wright (The Hoodie Girl)
“
Work and pray,
Live on hay.
You'll get pie
In the sky
When you die—
It's a lie!
”
”
Fritz Leiber (Bread Overhead)
“
De pronto, volví a ser consciente de las profundidades gélidas y opacas que fluían bajo nuestros pies, esperando la grieta más pequeña para empujarnos hacia el fondo.
La sensación era aterradora, como si hubiera algo que me amarrara a él.
Porque si uno de los dos caía en la oscuridad, el otro iría detrás.
”
”
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
“
I can’t help thinking this is probably what Heaven will be like, warm air and cloudy skies and the feeling of absolute contentment that comes only from coffee and pie and knowing your place in the world.
”
”
Seanan McGuire (Dusk or Dark or Dawn or Day)
“
Watchtower A religion that tells you there’s only pie in the sky
and all earthly life is lousy and vicious
and that you shouldn’t be too concerned
is the best guarantee you’ll stumble at every step
and break your teeth and soul
against absolutely earthly rocks.
”
”
Roque Dalton (Historias y poemas de una lucha de clases / Stories and Poems of a Class Struggle)
“
In solitude, I learnt, my Heart has wings,
Caged, held hostage by unvarying routine,
Locked with treasure chest of my dreams,
In this break, song of freedom it sings.
Cage is broken, the chest now opens,
The Heart has taken a giant leap,
Carrying my dreams on its wings,
Flies, flies, n it flies, the sky beckons.
So strange are the ways of Thee,
Didn't hear, when heart was with me,
Now that it's flying, it's song so clear,
Closed eyes, I follow, Pied Piper for me!
”
”
Mukesh Kwatra
“
Did you know that patience is a virtue?” I asked. Caldwell snickered. “Did you know that virtue is the seventh highest order of the nine-fold celestial hierarchy?
”
”
Mary Maxwell (Chocolate Most Deadly (Sky High Pies Mysteries #2))
“
he’s a magician,” she continued.
”
”
Mary Maxwell (When Magic is Murder (Sky High Pies Mysteries #4))
Mary Maxwell (Red Velvet, Dead Velvet (Sky High Pies Mysteries #3))
“
Britton is one of those people whose ideas seem too theoretical, too pie-in-the-sky to matter, until suddenly they change the world.
”
”
Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
“
first place.” “Hold
”
”
Mary Maxwell (When Magic is Murder (Sky High Pies Mysteries #4))
“
Tears blurred my vision and I had to wipe my eyes with my left hand, while holding the hose with my right. For all my efforts, the fire curled tight and fierce up into the darkened sky. And still, the barking continued like a hammer striking raw metal at my back. As I pulled the hose one more time to stretch it to the limit, I sensed movement off to my left. Fletcher Enloe, my neighbor and tireless commentator that city folks, like me, don’t belong in the mountains, emerged from the pine thicket separating our houses. A canvas, pork-pie fishing hat squeezed low over his thick gray hair, and his wiry body listed from the weight of a dark roll slung over his shoulder.
”
”
Morgan James (Quiet Killing (Promise McNeal Mysteries Book 2))
“
There are facts. There are suppositions. There are beliefs. Learn to keep them separate, Sergeant. All men die. Fact. Death may not be the end. Supposition. There’s pie in the sky when you die. Belief.
”
”
P.D. James (2 Cordelia Gray Mysteries: An Unsuitable Job for a Woman / The Skull Beneath the Skin)
“
Positive people on the other had are not those who deny what is going on around them for some pie-in-the-sky type of thinking. Positive people are very award of the problems, disasters and difficulties that are happening all around them. What they do not do is give into defeat.
”
”
John Patrick Hickey (Oops! Did I Really Post That)
“
The dark came down on All Hallows’ Eve. We went to sleep to the sound of howling wind and pelting rain, and woke on the Feast of All Saints to whiteness and large soft flakes falling down and down in absolute silence. There is no more perfect stillness than the solitude in the heart of a snowstorm. This is the thin time, when the beloved dead draw near. The world turns inward, and the chilling air grows thick with dreams and mystery. The sky goes from a sharp clear cold where a million stars burn bright and close, to the gray-pink cloud that enfolds the earth with the promise of snow. I took one of Bree’s matches from its box and lit it, thrilling to the tiny leap of instant flame, and bent to put it to the kindling. Snow was falling, and winter had come; the season of fire. Candles and hearth fire, that lovely, leaping paradox, that destruction contained but never tamed, held at a safe distance to warm and enchant, but always, still, with that small sense of danger. The smell of roasting pumpkins was thick and sweet in the air. Having ruled the night with fire, the jack-o’-lanterns went now to a more peaceful fate as pies and compost, to join the gentle rest of the earth before renewal. I had turned the earth in my garden the day before, planting the winter seeds to sleep and swell, to dream their buried birth. Now is the time when we reenter the womb of the world, dreaming the dreams of snow and silence. Waking to the shock of frozen lakes under waning moonlight and the cold sun burning low and blue in the branches of the ice-cased trees, returning from our brief and necessary labors to food and story, to the warmth of firelight in the dark. Around a fire, in the dark, all truths can be told, and heard, in safety. I pulled on my woolen stockings, thick petticoats, my warmest shawl, and went down to poke up the kitchen fire. I stood watching wisps of steam rise from the fragrant cauldron, and felt myself turn inward. The world could go away, and we would heal.
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Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
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I have tried to find a configuration of comfort for you. A word, a sentence, a paragraph that would make you feel better, validated, vindicated, justified in your needs and wants. (...) You are not alone in this need for more, or in falling prey to the sway of expectation. Every person the world over has a ideal. These quintessential assumptions affect every relationship we cultivate, be it family, friendships or even romantic bonds. The truth of the matter is that we cannot hold people to our pie-in-the-sky notions.
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Tamara Thiel (Random Musings of a Curious Soul)
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Home where you belong,
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Mary Maxwell (Murder by the Slice (Sky High Pies Mysteries #1))
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only had eyes for Hayden, who was wearing her blond hair pinned up in elaborate braids. In her light blue summer dress, she looked as fresh and alluring as apple pie. Even as a boy, he could have stared at her for hours when she did her hair in such a beautifully girlish fashion. And as a young man, after he’d discovered the joy of exploring the soft skin of his girlfriend, he could never look away from her pretty face when she offered him a smile. Even now, he couldn’t think of anything he’d rather do than scrutinize her soft curves under that dress, to trace her delicate features with his gaze and stare into her sky-blue eyes. But that was no longer possible. He
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Poppy J. Anderson (The Heat Is On (Boston 5, #1))
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Why?” I asked as Darcy made it close enough to us to listen while Orion held onto her possessively, “Who was it?” “Justin Masters,” Gabriel said with a frown and Geraldine burst into tears beside us which were punctuated with words that I could just about make out. “I have brought such shame on you, my ladies,” she wailed. “My own betrothed was a snake in your lawn, a tiger in your pie, a worm in your oatmeal!” “Seriously?” I asked in surprise. “Justin? But he’s such a wet blanket.” “We caught him covered in blood and there hasn’t been a death since he was apprehended. The plan is to execute him once the Cyclopses get some proof out of his head, but there was a debate over who had the authority to order that seeing as the true queens weren’t here which means he’s become a low priority,” Orion explained and I wrinkled my nose at the thought of having to order an execution.
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Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
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Who is your ideal target market? Be as specific as possible about all the attributes that may be relevant. What is their gender, age, geography? Do you have a picture of them? If so, cut out or print a picture of them when you think about and answer the following questions: • What keeps them awake at night, indigestion boiling up in their esophagus, eyes open, staring at the ceiling? • What are they afraid of? • What are they angry about? • Who are they angry at? • What are their top daily frustrations? • What trends are occurring and will occur in their businesses or lives? • What do they secretly, ardently desire most? • Is there a built-in bias in the way they make decisions? For example, engineers are exceptionally analytical. • Do they have their own language or jargon they use? • What magazines do they read? • What websites do they visit? • What’s this person’s day like? • What’s the main dominant emotion this market feels? • What is the ONE thing they crave above all else? These are not theoretical, pie-in-the-sky questions. They are key to your marketing success. Unless you can get into the mind of your prospect, all your other marketing efforts will be wasted
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Allan Dib (The 1-Page Marketing Plan: Get New Customers, Make More Money, And Stand out From The Crowd)
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Socialists offered a glorious vision; capitalists held out the prospect of a ten-cent raise. Socialists stood on principle; capitalists compromised and curried favor with both major parties. Socialists represented a risky upheaval of the familiar; capitalists enticed the public with luxuries ranging from electric lights to Pullman cars. The nation's citizens wanted pie, all right, but they didn't want it in the sky.
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Jack Kelly (The Edge of Anarchy: The Railroad Barons, the Gilded Age, and the Greatest Labor Uprising in America)
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When she saw the troubled look in Maheu’s eyes replaced by a gleam of conviction, she became anxious and interrupted Étienne loudly: ‘Don’t you listen to him, my love! You know it’s all pie in the sky…Do you think the bourgeois will ever agree to work the way we do?
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Émile Zola (Germinal (Les Rougon-Macquart, #13))
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In the collective consciousness of Filipinos, dislocation is assumed to be a natural state. We have learned not to take our identity crises seriously. We have learned instead to laugh, and sing, and dance, for it seems that these are the only permissible ways of asserting an identity. We often question ourselves on the worthiness of the struggle and resign ourselves to the hands of the gods. This is where the Catholic and Protestant Churches have attained a measure of “success,” for by preaching sin and hell, churches appeal to the fatalistic and frightened consciousness of the oppressed. The promise of A personal story 21
heaven becomes a relief for their existential fatigue. The more the masses are drowned in a culture of silence, the more they take refuge in churches that offer pie in the sky by and by. They see the church as a womb where they can hide from an oppressive society. In despising the world as one of vice, sin, and impurity, they are in one sense taking revenge on their oppressors. This directs their anger against the world instead of the social system that runs the world. By doing so, they hope to reach transcendence without passing the way of the mundane. The pain of domination leads them to accept this anesthesia with the hope that it will strengthen them to fight sin and the devil, leaving untouched the real source of oppression.
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Leny Strobel
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Long-haired preachers come out every night
And they tell you what’s wrong and what’s right
And when you ask them for something to eat
They tell you in voices so sweet:
You will eat by and by, in that glorious place in the sky
Work and pray, live on hay, you will get pie in sky when you die.
That’s a lie!
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Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
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And truthfully, Valentine's Town is unexpectedly charming--in an odd, sideways sort of way. No sooty sky or charcoal buildings teetering in the distance. No rotted skulls or jack-o'-lanterns glowing sinisterly in the dark, no cackling ghouls or demons or grim reapers with hollowed-out eyes watching us from shadowed corners. In fact, there are no dark places at all. Instead, everything is bright and confectioner-sugar-shiny. The air has a pinked, dreamy quality, a subtly sweet tinge, like rosebuds newly bloomed in spring or the first lick of pumpkin-pie filling on a spoon.
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Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
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In moments like this, my prosperity friends from all my years of research know me best. If poked and prodded they would probably agree with me that, while heaven is great, it is even better when it is enjoyed here on earth. Technically, this is all heresy. It's called an "overrealized eschatology," an exaggerated sense of what earth can reveal about the Kingdom of God. The famous Reverend Ike, pioneer of black televangelism, used to say it with a cheeky smile: "Don't wait for your pie in the sky by and by; have it now with ice cream and a cherry on top!" But I don't want ice cream, I want a world where there is no need for pediatric oncology, UNICEF, military budgets, or suicide rails on the top floors of tall buildings. The world would drip with mercy. Thy kingdom come, I pray and my heart aches. And my tongue trips over the rest. Thy will be done.
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Kate Bowler (Everything Happens for a Reason: And Other Lies I've Loved)
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Magazine Street was a sea of green. Piper reveled in the pleasure and satisfaction of having finished the scene in her first feature film as she made her way through the crowds and watched the floats decorated by New Orleans marching clubs. The float riders threw carrots, potatoes, moon pies, and beads to the onlookers gathered on the sidewalk. Pets joined in the festivities as well, sporting leprechaun attire and green-tinted fur.
Under a bright sun and a clear blue sky, families and friends were gathered for the opportunity to celebrate one of the biggest street parties of the year. Some set up ladders along the parade route, climbing atop for the best views. Others scaled trees and found perches among the branches.
"Hey, mister, throw me something!" yelled a man next to Piper.
Waving hands rose in the air as a head of cabbage came hurtling from the float. Everyone in the crowd lunged for it. The person who snagged it was roundly congratulated for the catch.
"What's with the cabbage?" Piper asked the man standing next to her.
"They aren't supposed to throw them, just hand them out. Somebody could get hurt by one of those things." The man shrugged. "But the tradition is to cook them for dinner on St. Patrick's Day night.
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Mary Jane Clark (That Old Black Magic (Wedding Cake Mystery, #4))