Photo Mosaic Quotes

I know you see yourself as dark. But you aren’t. You’re swirling color, all different shades, a mosaic. You’re complicated and beautiful. And I’m not quitting on you, so you better not quit on me.

I know you see yourself as dark. But you aren’t. You’re swirling color, all different shades, a mosaic. You’re complicated and beautiful.

I was in Sarasota, Florida, on a spring-break trip with my friends Bruce and Karen Moore. Bruce and I were waiting on the beach for the rest of our crew when and a man and his grown kids came strolling up the sand. They looked at me for a minute, sort of hesitating, and then asked, "Would you mind taking a picture?" "Sure," I said, and quickly arranged all of us in a line, putting myself in the middle and motioning to Bruce to come snap the photo. Right about that time, the father said, "Actually, we were wondering if you could take a picture just of us." An understandable mistake on my part, but really embarrassing. Bruce has had a field day reminding me of that one ever since. Lesson learned: Never assume anything about your own importance. It's a great big world, and all of us are busy living our lives. None of us knows all the time and effort that another person puts into his or her passion.

People say that America has no religion, but it's the opposite: America has every religion, all the old ones, and produces more new ones than anywhere else on earth. America;'s religious life is like the photo mosaic in which a thousand little images add up to one big picture, except there's no big picture, just a blob of unrelated and unrelatable images, texts, and poses, the freedom to take what you want from a religion and reject hte rest and be lonely, standing outsdie the warm shelters of temples with your own goon god that no one else can understand.

The mental Images were liquifying So I could no longer separate what I was recalling from the past from what I'd seen in detailed photos that afternoon. Like life. I've long suspected that many of my memories from childhood Are actually drawn from old pictures, That they are composed of snapshots, A mosaic of celluloids Images reworked into a remembered reality. Kodak cast backwards. Maybe it's better to recall The pass that way. We rarely take pictures of sad occasions.

The mental images were liquifying so I could no longer separate what I was recalling from the past from what I'd seen in detailed photos that afternoon. Like life. I've long suspected that many of my memories from childhood are actually drawn from old pictures, That they are composed of snapshots, A mosaic of celluloids Images reworked into a remembered reality. Kodak cast backwards. Maybe it's better to recall the past that way. We rarely take pictures of sad occasions.

The comic strip and the ad, then, both belong to the world of games, to the world of models and extensions of situations elsewhere. MAD magazine, world of the woodcut, the print, and the cartoon, brought them together with other games and models from the world of entertainment. MAD is a kind of newspaper mosaic of the ad as entertainment, and entertainment as a form of madness. Above all, it is a print- and woodcut-form of expression and experience whose sudden appeal is a sure index of deep changes in our culture. Our need now is to understand the formal character of print, comic and cartoon, both as challenging and changing the consumer-culture of film, photo, and press. There is no single approach to this task, and no single observation or idea that can solve so complex a problem in changing human perception.

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