Wallet Picture Quotes

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If God had a refrigerator, your picture would be on it. If He had a wallet, your photo would be in it. He sends you flowers every spring and a sunrise every morning... Face it, friend. He is crazy about you!
Max Lucado
no, no, it's not all random, if it really was all random, the universe would abandon us completely. and the universe doesn't. it takes care of its most fragile creations in ways we can't see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
R.J. Palacio (Wonder (Wonder, #1))
I kept a picture of me kissing my dad’s corpse on the forehead in my wallet for years. I’d break it out any time someone showed me a baby picture, just so they would know how it ends.
Doug Stanhope (Digging Up Mother: A Love Story)
You go through life thinking there's so much you need...Until you leave with only your phone, your wallet, and a picture of your mother.
Nina LaCour (We Are Okay)
so doesn't that make the universe a giant lottery, then? you purchase a ticket when you're born. and it's all just random whether you get a good ticket or a bad ticket. it's all just luck. my head swirls on this, but then softer thoughts soothe, like a flatted third on a major chord. no, no, it's not all random, if it really was all random, the universe would abandon us completely. and the universe doesn't. it takes care of its most fragile creations in ways we can't see. like with the parents who adore you blindly. and the big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all of its birds.
R.J. Palacio (Wonder (Wonder, #1))
What our generation failed to learn was the nobility of work. An honest day's labor. The worthiness of the man in the white socks who would pull out a picture of his grandkids from his wallet. For us, the factory would never do. And turning away from our birthright - our grandfather in the white socks - is the thing that ruined us.
Charlie LeDuff (Detroit: An American Autopsy)
You go through life thinking there's so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don't want to forget. You need your bedspread, white with black diamonds. You need your pillow - it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The dream catcher hanging above your bed. The dozens and dozens of shells in glass jars... You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
Nina LaCour (We Are Okay)
They can award me with the greatest accolades and reward me with the finest diamonds. They can name days and streets after me, canonise and celebrate me. They can make me the queen of their kingdom, the president of their nation. They can carry my picture in their wallets and whisper my name in their prayers but, tell me, what is all this worth if your voice isn’t the one calling me home?
Kamand Kojouri
Wait, wait, wait. Are you telling me they stick you out here where there are no Daimons and you don’t have a weak spot? What kind of shit is that? I live in Daimon Central with one hell of an Achilles’ heel that no one ever bothered to mention, and you live where there’s no danger to you and yet you don’t have one? What’s not fair with this picture? And then Ash asks me to come up here to save your ass and here we are dropping like flies while you’re Teflon. No, I have a problem with this. I love you, man, but dayam. This just ain’t right. I’m up here freezing my balls off, and you, you don’t need protection. Meanwhile I have a bull’s-eye on my arm that says, ‘Hey, Daimon on steroids, kill me right here.’ Do you realize, I put my keys in my mouth to pull out my wallet to pay for gas and they froze there? The last thing I want to do is die up here in this godforsaken place at the hands of some freaked-out something no one has ever heard of before except for Guido the Killer Squire from Jersey? I swear I want someone’s ass for this. (Jess)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
way clean over in Nebraska. He’d even showed her the pictures in his wallet of his kids, two little boys in baseball uniforms, Bobby and Billy. So no matter how many times her father asked who the man
Justin Cronin (The Passage (The Passage, #1))
A big sister who cries over being human over you. A gravelly voiced kid who's friends left him over you. And a pink-haired girl who keeps your picture in her wallet.
R.J. Palacio
my head swirls on this, but then softer thoughts soothe, like a flatted third on a major chord. no, no, it’s not all random, if it really was all random, the universe would abandon us completely. and the universe doesn’t. it takes care of its most fragile creations in ways we can’t see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
R.J. Palacio (Wonder)
God is fond of you. If He had a wallet, your photo would be in it. If He had a refrigerator, your picture would be on it. He sends you flowers every spring and a sunrise every morning. Face it, friend, He's crazy about you.
Max Lucado
he had a family in Lincoln, all the way clean over in Nebraska. He’d even showed her the pictures in his wallet of his kids, two little boys in baseball uniforms,
Justin Cronin (The Passage (The Passage, #1))
In fact, I like to think God carries around our pictures in His wallet and shows them to the angels every so often.
Nancy Mehl (Inescapable)
I carry a picture of Buffy Sainte-Marie in my wallet and I’m not even Catholic.
Ron Burgundy (Let Me Off at the Top!: My Classy Life and Other Musings)
What our generation failed to learn was the nobility of work. An honest day’s labor. The worthiness of the man in the white socks who would pull out a picture of his grandkids from his wallet. For us, the factory would never do. And turning away from our birthright—our grandfather in the white socks—is the thing that ruined us.
Charlie LeDuff (Detroit: An American Autopsy)
I got into the express line behind a middle-aged man in a T-shirt. I never saw the front of it, but the back pictured a Labrador retriever standing on the beach with a bikini top in his mouth. Below him were the words GOOD DOG. Some people, I thought, opening the wet wipes so I could wash the tumor off my hands before I touched my wallet.
David Sedaris (Calypso)
adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
R.J. Palacio (Wonder)
The picture shows a man in mid to late middle age. He has jowls and thinning hair painstakingly combed across his otherwise bald dome. He looks like anyone you would pass on the street without noticing, but Billy can see the family resemblance even in the grainy photo, and Alice Reagan Maxwell loved him enough to carry his wallet, with his obituary inside it. Billy has to like her for that. If she’s going to school here, and
Stephen King (Billy Summers)
If we did that, we wouldn’t get confused about who was really making things happen. Not surprisingly, we’d get a lot more done too, because we wouldn’t care who’s looking or taking credit. All that energy would be funneled into awesomeness. Even then, though, don’t take the bait that if we do incredible things Jesus will dig us more. He can’t. He already digs us more. And more than that, our pictures are already in His wallet.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
really was all random, the universe would abandon us completely. and the universe doesn’t. it takes care of its most fragile creations in ways we can’t see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out
R.J. Palacio (Wonder)
random, if it really was all random, the universe would abandon us completely. and the universe doesn’t. it takes care of its most fragile creations in ways we can’t see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
R.J. Palacio (Wonder)
it’s not all random, if it really was all random, the universe would abandon us completely. and the universe doesn’t. it takes care of its most fragile creations in ways we can’t see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
R.J. Palacio (Wonder)
no, no, it's not all random, if it really was all random, the universe would abandon us completely. and the universe doesn't. it takes care of its most fragile creations in ways we can't see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
null
random, if it really was all random, the universe would abandon us completely. and the universe doesn’t. it takes care of its most fragile creations in ways we can’t see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds. What a piece of work is a man!
R.J. Palacio (Wonder)
Antique Foundation Here I built the ruin in My voice on either side of me In the temple the ocean could Not be a crowd I mined The shore with fog the sun dries These bricks I built the vision in The cinder block that is the city Wall this grave Tone I speak with a picture Of myself in my wallet • Don’t be fooled by grass and these words Grass whispers Because they are real they are Ruinous Here, the gossip is in the dust Not the sea cloud enters the open Child’s window dimming the silver Flute’s sheen Where is he Who hears inside the brick those notes? There is a rumor in the city we’ll exist If he plays his song no one knows • Follow that shadow don’t tell me it’s mine Here there is no being alone Here are my hands which tore the leaves so Quietly in the temple the god Emerging from marble points at the chisel At the base of his stone Did I tell you Where I’m going? To the old man Who sings the margin Where on wave-tip swords turn edge over edge Wound us and the shore with foam • My face on either side of my face I tore My picture in half to show the gate You must climb inside your breath to leave As fog the wind will bear you— If you’re lovely—away In the spare clouds The children’s chorus Do you hear?— Where were you, and where are you going? Here I built the ruin in the stone-crushed Sage leaves my hands scented as long ago When I liked to press the desert against my head to think
Dan Beachy-Quick
The male staff all wore gorgeous colored loin cloths that always seem to be about to fall off they’re wonderful hips. Their upper bodies were tanned sculpted and naked. The female staff wore short shorts and silky flowing tops that almost but didn’t expose their young easy breasts. I noticed we only ever encountered male staff, and the men walking through the lobby were always greeted by the female staff. Very ingenious, as Rebecca said later - if we had ticked Lesbians on the form I wonder what would have happened? -There was a place to tick for Lesbians, I said ? -Sexual Persuasion- it was on all the forms -Really. And, how many options were there? -You’re getting the picture, said Jillian. This was not your basic check in procedure as at say a Best Western. Our Doormen/Security Guards , held out our chairs for us to let us sit at the elegant ornate table. Then they poured us tea, and placed before each of us a small bowl of tropical fruit, cut into bite size pieces. Wonderful! Almost immediately a check in person came and sat opposite us at the desk. Again a wonderful example of Island Male talent. (in my mind anyway) We signed some papers, and were each handed an immense wallet of information passes, electronic keys, electronic ID’s we would wear to allow us to move through the park and its ‘worlds’ and a small flash drive I looked at it as he handed it to me, and given the mindset of the Hotel and the murals and the whole ambiance of the place, I was thinking it might be a very small dildo for, some exotic move I was unaware of. -What’s this? I asked him -Your Hotel and Theme Park Guide I looked at it again, huh, so not a dildo.
Germaine Gibson (Theme Park Erotica)
Are people really gonna buy it if we never touch each other in public?” Peter asks, looking skeptical. “I don’t think relationships are just about physicality. There are ways to show you care about someone, not just using your lips.” Peter’s smiling, and he looks like he’s about to crack a joke, so I swiftly add, “Or any other body part.” He groans. “You’ve gotta give me something here, Lara Jean. I have a reputation to uphold. None of my friends will believe I suddenly turned into a monk to date you. How about at least a hand in your back jean pocket? Trust me, it’ll be strictly professional.” I don’t say what I’m thinking, which is that he cares way too much what people think about him. I just nod and write down, Peter is allowed to put a hand in Lara Jean’s back jean pocket. “But no more kissing,” I say, keeping my head down so he can’t see me blush. “You’re the one who started it,” he reminds me. “And also, I don’t have any STDs, so you can get that out of your head.” “I don’t think you have any STDs.” I look back up at him. “The thing is…I’ve never had a boyfriend before. I’ve never been on a real date before, or held hands walking down the hallway. This is all new for me, so I’m sorry about the forehead thing this morning. I just…wish all of these firsts were happening for real and not with you.” Peter seems to be thinking this over. He says, “Huh. Okay. Let’s just save some stuff, then.” “Yeah?” “Sure. We’ll have some stuff for you to do when it’s the real thing and not for show.” I’m touched. Who knew Peter could be so thoughtful and generous? “Like, I won’t pay for stuff. I’ll save that for a guy who really likes you.” My smile fades. “I wasn’t expecting you to pay for anything!” Peter’s on a roll. “And I won’t walk you to class or buy you flowers.” “I get the picture.” It seems to me like Peter’s less concerned about me and more concerned about his wallet. He sure is cheap.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
You go through life thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
Nina LaCour (We Are Okay)
YOU GO THROUGH LIFE thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. The cab was waiting outside the station. The airport, I said, but no sound came out. “The airport,” I said, and we pulled away. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
Nina LaCour (We Are Okay)
An inch?” Minh held his fingers apart trying to judge the unfamiliar measurement. Shake took his hand and squeezed the fingers closer together.           “By such small amounts...we win or lose.”           “Nobody won in that fight, Minh. We both lost.”           “The dreams...”           “Yes. I have them too...and you are always there.”           “Where is all the hate?”           “Gone. It always goes...when you realize your enemy is just another man...just another soldier trying to do his duty.”           “That’s how you think of me?”           “It is now. Before this you were the black-eyed monster of my nightmares.”           “And you were the green-eyed monster...”           They smiled and studied the glow of the candle.           “You stayed in your Marine Corps...”           “Yes. I had nothing in common with civilians. Didn’t like them much. I was comfortable as a Marine...among others who understand me.”           “I understand you...”           “I believe you do, Minh.”           “Did you marry? Have children?”           “I was married but that is finished now. This is my daughter...my only child.”Shake reached for his wallet and pulled out Stacey’s high school graduation picture in cap and gown.           “A scholar. She is very beautiful.”           “Yes...she is everything to me.”           “And if I had killed you that night up on those walls, she would never have been born.”Minh handed the photo back and nodded. “I wish I had known this. It makes me feel better.
Dale A. Dye (Laos File (The Shake Davis Series Book 1))
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Ezra Flynn
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
Laura Moore (Night Swimming: A Novel)
So, what time do you get off work? Would you like to grab something to eat afterward?” She released a soft exhale. “Derrick, you seem like a really nice guy, but didn’t you notice that I’m a lot older than you? How are you even in medical school? I know what you are ... you’re one of those young princes from overseas, aren’t you? From Romania maybe? You have such dark hair and eyes, like a gypsy.” He laughed. “I’m not so sure if that was a compliment or if I should be offended, but you’re not even close.” He continued to chuckle as he pulled out his wallet. “I was born in Massachusetts, I assure you, and I’m older than you think.” He was also ten years older than his driver’s license indicated, but he couldn’t share that with her. She peeked at his date of birth. “Twenty-five? I’m twenty-five! You barely look eighteen, while I probably look thirty,” she groaned. He furrowed his brow. “Most people say I look at least nineteen, so I’m above the legal age to date. That’s why I showed you my license, though. No one ever believes me,” he said through a laugh, attempting to set her at ease. “And you don’t look thirty. Twenty-nine tops,” he said, grinning. She smacked his arm. “Hey, that’s just mean to kick a girl when she’s already feeling inferior.” “Maybe that’s why I can’t get a pretty young woman to have dinner with me.” “I’m sure you get turned down all the time. Not!” He chuckled softly. “Actually, you’re the first woman I’ve asked out in a year.” She released a non-believing puff of air. “I’m flattered. But honestly, I really don’t have time to date. And ...” She paused, reaching into her backpack and pulling out her wallet too. She flipped it open and held it out for his inspection. “I have an eight-year-old daughter.” He stole a peek into the rearview mirror, then glanced at the picture of Janelle and her daughter. It appeared to be one of those shots taken at a cheap photo box booth in the mall. Her daughter had the same color hair, identical features, same smile. Even with the seventeen-year difference, they looked more like sisters than mother and daughter. “Nice try, but you failed to deter me. How about we study together at a coffee shop.” She released a long sigh. “You’re sweet —” “Oh, no ...” He laughed harder than before. He felt so natural with her. “Not sweet, anything but sweet.” She
Carmen DeSousa (Creatus (Creatus, #1))
There are multiple ways in which you can keep your loved ones connected, even if they are dead. You can keep a journal where you write all your happy memories with that person. You can write letters telling them about everything going on in your life (even if you know you can’t send it). Make an album of all their photos. Carry a small picture of them in your wallet. Keep a small piece of jewelry that they owned with you at all times. You can visit their favorite places, watch their favorite movie, or eat their favorite food. It’s the small things that can make you feel connected even after losing them.
Cortez Ranieri (Grief Of A Parent And Loss: Navigating And Coping With Grief After The Death Of A Parent (Grief and Loss Book 3))
English and half Nigerian, Stacey had never set foot outside the United Kingdom. Her tight black hair was cut short and close to her head following the removal of her last weave. The smooth caramel skin suited the haircut well. Stacey’s work area was organised and clear. Anything not in the labelled trays was stacked in meticulous piles along the top edge of her desk. Not far behind was Detective Sergeant Bryant who mumbled a ‘Morning, Guv,’ as he glanced into The Bowl. His six foot frame looked immaculate, as though he had been dressed for Sunday school by his mother. Immediately the suit jacket landed on the back of his chair. By the end of the day his tie would have dropped a couple of floors, the top button of his shirt would be open and his shirt sleeves would be rolled up just below his elbows. She saw him glance at her desk, seeking evidence of a coffee mug. When he saw that she already had coffee he filled the mug labelled ‘World’s Best Taxi Driver’, a present from his nineteen-year-old daughter. His filing was not a system that anyone else understood but Kim had yet to request any piece of paper that was not in her hands within a few seconds. At the top of his desk was a framed picture of himself and his wife taken at their twenty-fifth wedding anniversary. A picture of his daughter snuggled in his wallet. DS Kevin Dawson, the third member of her team, didn’t keep a photo of anyone special on his desk. Had he wanted to display a picture of the person for whom he felt most affection he would have been greeted by his own likeness throughout his working day. ‘Sorry I’m late, Guv,’ Dawson called as he slid into his seat opposite Wood and completed her team. He wasn’t officially late. The shift didn’t start until eight a.m. but she liked them all in early for a briefing, especially at the beginning of a new case. Kim didn’t like to stick to a roster and people who did lasted a very short time on her team. ‘Hey, Stacey, you gonna get me a coffee or what?’ Dawson asked, checking his mobile phone. ‘Of course, Kev, how’d yer like it: milk, two sugars and in yer lap?’ she asked sweetly, in her strong Black Country accent.
Angela Marsons (Silent Scream (DI Kim Stone, #1))
Danny’s life strategy of not trusting himself. “His defining emotion is doubt,” said one of his former students. “And it’s very useful. Because it makes him go deeper and deeper and deeper.” Or maybe he just wanted another line of defense against anyone hoping to figure him out. In any case, he kept at a great distance the forces and events that had shaped him. He might not trust his memories, but he still had a few. For instance, he remembered the time in late 1941 or early 1942—at any rate, a year or more after the start of the German occupation of Paris—when he was caught on the streets after curfew. The new laws required him to wear the yellow Star of David on the front of his sweater. His new badge caused him such deep shame that he took to going to school half an hour early so that the other children wouldn’t see him walking into the building wearing it. After school, on the streets, he’d turn his sweater inside out. Heading home too late one evening, he saw a German soldier approaching. “He was wearing the black uniform that I had been told to fear more than others—the one worn by specially recruited SS soldiers,” he recalled, in the autobiographical statement required of him by the Nobel Committee. “As I came closer to him, trying to walk fast, I noticed that he was looking at me intently. Then he beckoned me over, picked me up, and hugged me. I was terrified that he would notice the star inside my sweater. He was speaking to me with great emotion, in German. When he put me down, he opened his wallet, showed me a picture of a boy, and gave me some money. I went home more certain than ever that my mother was right: people were endlessly complicated and interesting.” He
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
The widower was so full of questions that I half expected him to ask for an identity card. The only thing I carry in my wallet is my driver's license. I should have something with my picture on it and a statement below that tells who I am. Megumi Naomi Nakane. Born June 18, 1936, Vancouver, British Columbia. Marital status: Old maid. Health: Fine, I suppose. Occupation: School teacher. I'm bored to death with teaching and ready to retire. What else would anyone want to know? Personality: Tense. Is that past or present tense? It's perpetual tense. I have the social graces of a common housefly. That's self-denigrating, isn't it.
Joy Kagawa
Bud handed them to Pike, and tapped the top picture. “This man was one of the original home invaders. You shot him in Malibu. He’s the only one of the five you shot who was also one of the home invaders.” “What’s his name?” “I don’t know. But this man—” Bud shuffled the pictures to point out a man with prominent cheekbones and a scarred lip. “—he’s the freak who beat the housekeeper. You recognize either of these other guys from Malibu or Eagle Rock?” “Who are they?” “Don’t know. We haven’t been able to identify any of the five people you put in the morgue. The Live Scan kicked back zero. No IDs were found on the bodies, and they weren’t in the system. You can keep these pictures, you want.” Pike stared at the pictures, thinking it didn’t make sense that none of the five had been identified. The type of man you could hire to do murder almost always had a criminal record. The Live Scan system digitized fingerprints, then instantly compared them with computerized records stored by the California Department of Justice and the NCIC files, and those files were exhaustive. If a person had ever been arrested anywhere in the country or served in the military, their fingerprints were in the file. Pike said, “That doesn’t sound right.” “No, it does not, but all five of these guys were clean.” “No IDs or wallets?” “Not one damn thing of a personal nature. You arrested a lot of people, Joe. You remember many shitbirds smart enough to clean up before they did crime?” Pike shook his head. “Me neither. So here we are.” Bud slammed his trunk, then stared at the girl.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
Let me give you the balance sheet of this war: fifty great men to go down in the annals of history; millions of dead who won’t be mentioned any more; and one thousand millionaires who lay down the law. A soldier’s life is worth about fifty francs in the wallet of some fat industrialist in London, Paris, Berlin, New York, Vienna or anywhere else. Are you getting the picture?’ ‘So
Gabriel Chevallier (Fear: A Novel of World War I)
Four blue-blazered, gray-slacked guards stood at the entrance—real guards, Myron noted, with cop eyes and KGB facial tics, not the rent-a-uniforms you saw at department stores or airports. The four of them stood silently, eyeing Myron like he was wearing a tube top in the Vatican. One of the guards stepped forward. “May I see some ID please?” Myron took out his wallet and showed him a credit card and driver’s license. “There’s no photo on the driver’s license,” the guard said. “New Jersey doesn’t require them.” “I need a photo ID.” “I have my picture on my health club membership card.” Cop-patient sigh. “That won’t do, sir. Do you have a passport?” “In midtown Manhattan?” “Yes, sir. For the purposes of ID.” “No,” Myron said. “Besides, it’s a terrible picture. Doesn’t fully capture the radiant blue in my eyes.” Myron batted them for emphasis. “Wait here, sir.” He
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
Take out a sheet of paper and list your last ten major decisions, the ones that really shook things up. Look at your list and ask yourself: Were these all necessary, or were they hand grenades? Look for patterns in the decisions that weren’t necessary. Were you rushing? Micromanaging? Penny-pinching? Then, if you see a pattern emerge, write down your current assassin. Bonus: If you really want to have fun with this, you could always print off a picture of a target and write in “The Supervisor” or “The Speed Demon” or whatever assassin you’re currently facing. Then fold up that target and put it in your wallet or purse and carry it around with you.
Dan Martell (Buy Back Your Time: Get Unstuck, Reclaim Your Freedom, and Build Your Empire)
no, no, it’s not all random, if it really was all random, the universe would abandon us completely. and the universe doesn’t. it takes care of its most fragile creations in ways we can’t see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
R.J. Palacio (Wonder)
Victor also has a photograph of his late father in his wallet, a picture taken from an album, from the days when there were albums, when too many photos hadn’t yet killed photos.
Hervé Le Tellier (The Anomaly)
habitat.
Lisa Strattin (Alligator Wallet, Alligator Head, Alligator Slippers, Under My Bed: Fun Facts About American Alligators (A Picture Book For Kids 9))
...we have feelings for each other that we didn't want to admit. We tried so hard to be just fuck buddies we completely ignored our hearts because, truth be told, Isabella Rey, I wasn't sleeping with anyone else but you. I didn't even talk to other girls, I didn't take numbers, I ignored every female that wasn't you." He pulls out his wallet and opening it. "I got your photo in my wallet, both pictures, so yeah, I want you to be my girl.
Marilyn Shae (Crashing In (Baby Doll))
Do you think I’m not going to have our home covered in pictures of you? My desk, my phone, our jet, my wallet. It’s going to be full of every expression you’ve ever made. You think you’re obsessed with me, angel? You haven’t seen anything yet
Jessa Kane (An Innocent Obsession)
Picasso hesitates for a moment and asks, “So what do you think reality looks like?” The man grabs his wallet and pulls out a picture of his wife. “Here, like this. It’s my wife.” Picasso takes the photograph, looks at it, and grins. “Really? She’s very small. And flat, too.
Seth Godin (Linchpin: Are You Indispensable? How to drive your career and create a remarkable future)
During a visit to the county landfill, I parked my truck in front of a junk heap and stared. As I meditated on the garbage piled as high as a demolished apartment building, it struck me that everything in this gigantic entangled mass was once new. State-of-the-art. An object of want. There were BBQ grills, bikes, toys, lawn furniture, stoves, picture frames, wine racks; it was a graveyard of past desires, a swollen scrap heap of residually accumulated consumption. Then I thought: Someone once opened their wallet, swiped a credit card, and bought this stuff. And now, here it lies as worthless junk, while its debt probably remains.
M.J. DeMarco (UNSCRIPTED: Life, Liberty, and the Pursuit of Entrepreneurship)
I understood Fox's late-night habit of emptying his wallet, shuffling through his identification. He'd lay the pieces out in different patterns, rearrange them, wait for a picture to form. I knew what he was looking for. You did the same thing with your childhoods, [Sandii]. In New Rose, tonight, I choose from your deck of pasts
William Gibson
Holy. Fucking. Shit. In his hand were five driver’s licenses, each with an identical picture of the stranger, each issued from a different state. In the pale moonlight, Mikah read the name on each ID. Carlos Guzman from Utah. Steven Harrison from Washington. Daniel Parker from Nevada. Angelo Guarini from Oregon. Jonathan Myers from Arizona. “What the actual fuck?”  Mikah hissed. His blood ran cold as the man shifted in bed, undoubtedly reacting to the sound of Mikah’s voice. Hurriedly Mikah shoved the IDs back in the wallet and closed it back up, stuffing it quickly back into the pants. There was a dull thump of something hitting the floor as Mikah refolded the garment, something that nearly collided with Mikah’s foot. Back in bed, the stranger’s breath was again even. He was evidently a heavy sleeper. Mikah looked down. At first, he couldn’t believe what he was seeing. With shaking hands, Mikah picked it up. A gun. There was a gun in an ankle holster glinting in the darkness. It was like someone has poured a bucket of ice water down Mikah’s spine. Fear made him panic as he looked from the gun back to the resting stranger, and from the stranger to the gun. Oh dear god, he thought. What the hell have I done?
Chance Christopher (The Stranger 2)
Most guys don't like that much wildness." He tucked the picture back into his wallet. "I do. Don't want to tame it. Don't even want to mellow it. I just want to possess it and keep it close, wrap myself in it and keep it safe.
Rebecca Zanetti (Over the Top (Maverick Montana, #4))
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The Truth About Mr. Harrison Mr. Harrison’s first name is George. “I know Mr. Harrison’s real name,” I told everybody after I handed back the wallet and he left. “What is it?” Ryan asked. “His name is . . . ,” I said. “I’m not telling.” “Come on, A.J.!” said Michael. “Spill the beans.”4 “I’ll be your best friend,” said Neil the nude kid. “Arlo, what’s Mr. Harrison’s first name?” said Andrea. “It’s George,” I said. “George?” said Alexia. “That’s not a weird name.” “I wonder why he wouldn’t tell us his name was George,” said Michael. “George Harrison,” said Andrea. “Wait a minute! George Harrison was somebody famous! He was one of the Beatles!” “One of the what?” asked Neil the nude kid. “That old rock group, dumbhead,” said Michael. Oh, yeah! My parents told me about the Beatles, and I played this video game called Rock Band, where you play Beatle songs. It’s cool. Everybody knows who the Beatles were. “Mr. Harrison was one of the Beatles?” asked Ryan. “Wait a minute,” Andrea said. “George Harrison of the Beatles died a long time ago.” “He must have faked his death,” I told her. “Famous people do that all the time, you know.” “That doesn’t make any sense, A.J.,” said Michael. “Why would a big rock star fake his death and get a job as a tech guy in a school?” “He probably hated being famous,” I told them. “Celebrities get sick of signing autographs and having people take pictures of them all the time. He must be hiding out in our school so his fans won’t bother him.” “Being a nerdy tech guy would be the perfect disguise,” Alexia admitted. “But Mr. Harrison doesn’t look anything like the other George Harrison,” Andrea said. “I’ve seen pictures of him.” “Haven’t you ever heard of plastic surgery?
Dan Gutman (My Weirder School: #1-4 [Collection])
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