“
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
”
”
Bob Marley
“
The name’s Jude Ryder, since I know you’re all but salivating like a rabid dog to know, and I don’t do girlfriends, relationships, flowers or regular phone calls. If that works for you, I think we could work out something special.
”
”
Nicole Williams (Crash (Crash, #1))
“
Go outside. Don’t tell anyone and don’t bring your phone. Start walking and keep walking until you no longer know the road like the palm of your hand, because we walk the same roads day in and day out, to the bus and back home and we cease to see. We walk in our sleep and teach our muscles to work without thinking and I dare you to walk where you have not yet walked and I dare you to notice. Don’t try to get anything out of it, because you won’t. Don’t try to make use of it, because you can’t. And that’s the point. Just walk, see, sit down if you like. And be. Just be, whatever you are with whatever you have, and realise that that is enough to be happy.
There’s a whole world out there, right outside your window. You’d be a fool to miss it.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
Because the terrible thing about becoming an adult is being forced to realize that absolutely nobody cares about us, we have to deal with everything ourselves now, find out how the whole world works. Work and pay bills, use dental floss and get to meetings on time, stand in line and fill out forms, come to grips with cables and put furniture together, change tires on the car and charge the phone and switch the coffee machine off and not forget to sign the kids up for swimming lessons. We open our eyes in the morning and life is just waiting to tip a fresh avalanche of "Don't Forget!"s and "Remember!"s over us. We don't have time to think or breathe, we just wake up and start digging through the heap, because there will be another one dumped on us tomorrow. We look around occasionally, at our place of work or at parents' meetings or out in the street, and realize with horror that everyone else seems to know exactly what they're doing. We're the only ones who have to pretend. Everyone else can afford stuff and has a handle on other stuff and enough energy to deal with even more stuff. And everyone else's children can swim.
”
”
Fredrik Backman (Anxious People)
“
What’s not so great is that all this technology is destroying our social skills. Not only have we given up on writing letters to each other, we barely even talk to each other. People have become so accustomed to texting that they’re actually startled when the phone rings. It’s like we suddenly all have Batphones. If it rings, there must be danger.
Now we answer, “What happened? Is someone tied up in the old sawmill?”
“No, it’s Becky. I just called to say hi.”
“Well you scared me half to death. You can’t just pick up the phone and try to talk to me like that. Don’t the tips of your fingers work?
”
”
Ellen DeGeneres (Seriously... I'm Kidding)
“
If you get the message, hang up the phone. For psychedelic drugs are simply instruments, like microscopes, telescopes, and telephones. The biologist does not sit with eye permanently glued to the microscope, he goes away and works on what he has seen.
”
”
Alan W. Watts
“
You try every trick in the book to keep her. You write her letters. You drive her to work. You quote Neruda. You compose a mass e-mail disowning all your sucias. You block their e-mails. You change your phone number. You stop drinking. You stop smoking. You claim you’re a sex addict and start attending meetings. You blame your father. You blame your mother. You blame the patriarchy. You blame Santo Domingo. You find a therapist. You cancel your Facebook. You give her the passwords to all your e-mail accounts. You start taking salsa classes like you always swore you would so that the two of you could dance together. You claim that you were sick, you claim that you were weak—It was the book! It was the pressure!—and every hour like clockwork you say that you’re so so sorry. You try it all, but one day she will simply sit up in bed and say, No more, and, Ya, and you will have to move from the Harlem apartment that you two have shared. You consider not going. You consider a squat protest. In fact, you say won’t go. But in the end you do.
”
”
Junot Díaz (This Is How You Lose Her)
“
Our culture needs to find a robust image of female success that is first, not male, and second, not a white woman on the phone, holding a crying baby,
”
”
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
“
You destroy buildings, fight monsters openly in the streets of the city, work with the police, show up in newspapers, advertise in the phone book, and ride zombie dinosaurs down Michigan Avenue, and think that you work in the shadows? Be reasonable.
”
”
Jim Butcher (Skin Game (The Dresden Files, #15))
“
Be a good steward of your gifts. Protect your time. Feed your inner life. Avoid too much noise. Read good books, have good sentences in your ears. Be by yourself as often as you can. Walk. Take the phone off the hook. Work regular hours.
”
”
Jane Kenyon
“
I'm learning so many different ways to be quiet. There's how I stand in the lawn, that's one way. There's also how I stand in the field across from the street, that's another way because I'm farther from people and therefore more likely to be alone. There's how I don't answer the phone, and how I sometimes like to lie down on the floor in the kitchen and pretend I'm not home when people knock. There's daytime silent where I stare, and a nighttime silent when I do things. There's shower silent and bath silent and California silent and Kentucky silent and car silent and then there's the silence that comes back, a million times bigger than me, sneaks into my bones and wails and wails and wails until I can't be quiet anymore. That's how this machine works.
”
”
Ada Limon (Bright Dead Things)
“
If you have to ask someone to change, to tell you they love you, to bring wine to dinner, to call you when they land, you can’t afford to be with them. It’s not worth the price, even though, just like the Tiffany catalog, no one tells you what the price is. You set it yourself, and if you’re lucky it’s reasonable. You have a sense of when you’re about to go bankrupt. Your own sense of self-worth takes the wheel and says, Enough of this shit. Stop making excuses. No one’s that busy at work. No one’s allergic to whipped cream. There are too cell phones in Sweden. But most people don’t get lucky. They get human. They get crushes. This means you irrationally mortgage what little logic you own to pay for this one thing. This relationship is an impulse buy, and you’ll figure out if it’s worth it later.
”
”
Sloane Crosley (How Did You Get This Number: Essays)
“
out of the arms...
out of the arms of one love
and into the arms of another
I have been saved from dying on the cross
by a lady who smokes pot
writes songs and stories,
and is much kinder than the last,
much much kinder,
and the sex is just as good or better.
it isn't pleasant to be put on the cross and left there,
it is much more pleasant to forget a love which didn't
work
as all love
finally
doesn't work...
it is much more pleasant to make love
along the shore in Del Mar
in room 42, and afterwards
sitting up in bed
drinking good wine, talking and touching
smoking
listening to the waves...
I have died too many times
believing and waiting, waiting
in a room
staring at a cracked ceiling
waiting for the phone, a letter, a knock, a sound...
going wild inside
while she danced with strangers in nightclubs...
out of the arms of one love
and into the arms of another
it's not pleasant to die on the cross,
it's much more pleasant to hear your name whispered in the dark.
”
”
Charles Bukowski (Burning in Water, Drowning in Flame)
“
Phone calls like ours only happen when you've spent several years hurting and being hurt, until every work you utter or hear becomes coded and loaded, as complicated and full of subtext as a bleak and brilliant play.
”
”
Nick Hornby (How to Be Good)
“
People are beautiful. All people, of all shapes and sizes. The fact that we are living, breathing organisms that happen to have opposable thumbs, allowing us to pick up our phones and be on it for the entire damn day, is nothing short of brilliant. What makes us even more magnificent as a species is that we are lucky enough to be uniquely different - and it's THAT individuality we must each harness and celebrate.
”
”
Connor Franta (A Work in Progress)
“
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.”
“Yeah?” I leaned my forehead against his chest. “What about you?”
“Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her.
“Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.”
“Ouch,” I said with a light laugh. “Sounds painful.”
“Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—”
“—and Chubs makes fun of you for it,” I added.
“Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—”
“—but who’s the coolest little girl on the planet,” I manage to squeeze out.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work …
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
”
”
Richard Siken
“
Marriage should be about fun,” she says gently. “It’s about friendship, and laughter, and trust, and fun. If it’s not fun, if you take it all too seriously, what’s the point? You know I’ve been with Andy for fifteen years, and the reason it still works is because he’s my best friend and he still makes me laugh. Admittedly, not all the time, and often we get completely bogged down in work, and the kids, and life, but he’s still the person I most want to phone when anything happens in life, and he’s still the person who makes me laugh the most.
”
”
Jane Green (Swapping Lives)
“
Well, I spent six or seven years after high school trying to work myself up. Shipping clerk, salesman, business of one kind or another. And it's a measly manner of existence. To get on that subway on the hot mornings in summer. To devote your whole life to keeping stock, or making phone calls, or selling or buying. To suffer fifty weeks of the year for the sake of a two-week vacation, when all you really desire is to be outdoors, with your shirt off. And always to have to get ahead of the next fella. And still — that's how you build a future.
”
”
Arthur Miller (Death of a Salesman)
“
The best friendships are like mobile phones, I think--you can't explain exactly how they work, but you're just relieved they do.
”
”
Hester Browne (Little Lady, Big Apple (The Little Lady Agency, #2))
“
He sets his laptop on the counter and folds his arms across his chest. Before his eyes meet mine, his gaze falls on my legs, and then he slowly works his eyes up the entire length of my body. His eyes are narrow and focused. The way he's looking at me makes me want to lunge for the freezer and crawl inside. His eyes are fixed on my mouth, and he quietly swallows, then reaches beside him and picks up his phone. Ridge: Hurry, Syd. I need a serious flaw, and I need it now.
”
”
Colleen Hoover (Maybe Someday (Maybe, #1))
“
I loved taking off. In my own house, I seemed to be often looking for a place to hide - sometimes from the children but more often from the jobs to be done and the phone ringing and the sociability of the neighborhood. I wanted to hide so that I could get busy at my real work, which was a sort of wooing of distant parts of myself.
”
”
Alice Munro (Selected Stories)
“
Her phone rang again. “What?” she snapped as she answered it.
Myrnin, of course. “Are you on your way?”
“No!”
“Claire, there are things to do.”
“Here, too,” she said. “And I’m staying here, believe me.”
Myrnin was silent for a beat, and then he said, “Bob would be very disappointed in you.”
“Bob the spider?”
“He looks at you like a mother, you know. I’m surprised at your lack of work ethic. Think of the example you set for—”
She hung up on him and turned the phone on vibrate and relaxed in Shane’s arms.
”
”
Rachel Caine (Black Dawn (The Morganville Vampires, #12))
“
Gerry?' Laurel had to strain to hear thought the noise on the other end of the line. 'Gerry? Where are you?'
'London. A phone booth on Fleet Street.'
'The city still has working phone booths?'
'It would appear so. Unless this is the Tardis, in which case I'm in serious trouble.
”
”
Kate Morton (The Secret Keeper)
“
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
”
”
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help)
“
Your current phone is clearly broken, since I haven't received so much as a text from you in the past five days"
"You miss me."
"I do not."
"You showed up at my work and bought me a new phone because I didn’t text you for a few days... I think that amounts to missing me.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
...A book connects you to the universe like a cell phone connects you to the Internet...But it only work if your battery's not dead. Mr. Nowak
”
”
Paul Acampora (I Kill the Mockingbird)
“
Love is like therapy, it only works when you believe in it.
”
”
Laura Imai Messina (The Phone Booth at the Edge of the World)
“
You made it complicated! You can’t complain now!” I said.
“What the fuck does it matter if I kissed you?”
“Because! I have! A boyfriend!” I yelled into the phone.
“Will he even notice? You haven’t spoken to him in a week!”
“That’s none of your business!”
“Yes, it is! You’re my business!”
“Fuck off!”
“You fuck off!” he yelled back. We were both quiet for a while, and then Trenton finally spoke. “I’m coming over after I get off work.
”
”
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
“
Make a schedule for yourself that incorporates time for phone calls to catch up with your annoying family and friends, sex with your boyfriend, exercise, dinners, therapy, parties, texting, social networking, mani-pedis, shopping, and the work that’s gonna get you paid to maintain the lifestyle you so desire! Create boundaries and structure! You have to be your own parent!
”
”
Sophia Amoruso (#GIRLBOSS)
“
Georgie took out her phone. 'I want to take a picture of you two.' She held up her phone and motioned for us to get together.
Darcy and I lined up against the railing. 'No, I need you closer together to get you both in the photo,' she instructed.
I had taken countless pictures on the waterfront and I knew that if you were getting the skyline in the background, you didn't need to be that close.
Darcy put his arm around my shoulder and we leaned in. I slipped my arm around his waist and I noticed how easily I fit into the little nook on his side.
'Oh, hold on, I'm having problems.' Georgie played with her phone for a few moments while we just stood there in our posed embrace.
'Georgie...'
She looked up at her brother and blushed. 'Um, I think it works now.
”
”
Elizabeth Eulberg (Prom & Prejudice)
“
Have I become the girl who waits by the phone, hoping it will ring, who asks a friend to dial her number to make sure the phone is working?
”
”
Candace Bushnell (Summer and the City (The Carrie Diaries, #2))
“
I KNEW IT WAS OVER
when tonight you couldn't make the phone ring
when you used to make the sun rise
when trees used to throw themselves
in front of you
to be paper for love letters
that was how i knew i had to do it
swaddle the kids we never had
against january's cold slice
bundle them in winter
clothes they never needed
so i could drop them off at my mom's
even though she lives on the other side of the country
and at this late west coast hour is
assuredly east coast sleeping
peacefully
her house was lit like a candle
the way homes should be
warm and golden
and home
and the kids ran in
and jumped at the bichon frise
named lucky
that she never had
they hugged the dog
it wriggled
and the kids were happy
yours and mine
the ones we never had
and my mom was
grand maternal, which is to say, with style
that only comes when you've seen
enough to know grace
like when to pretend it's christmas or
a birthday so
she lit her voice with tiny
lights and pretended
she didn't see me crying
as i drove away
to the hotel connected to the bar
where i ordered the cheapest whisky they had
just because it shares your first name
because they don't make a whisky
called baby
and i only thought what i got
was what
i ordered
i toasted the hangover
inevitable as sun
that used to rise
in your name
i toasted the carnivals
we never went to
and the things you never won
for me
the ferris wheels we never
kissed on and all the dreams
between us
that sat there
like balloons on a carney's board
waiting to explode with passion
but slowly deflated
hung slave
under the pin-
prick of a tack
hung
heads down
like lovers
when it doesn't
work, like me
at last call
after too many cheap
too many sweet
too much
whisky makes me
sick, like the smell of cheap,
like the smell of
the dead
like the cheap, dead flowers
you never sent
that i never threw
out of the window
of a car
i never
really
owned
”
”
Daphne Gottlieb (Final Girl)
“
Sometimes you’re 23 and standing in the kitchen of your house making breakfast and brewing coffee and listening to music that for some reason is really getting to your heart. You’re just standing there thinking about going to work and picking up your dry cleaning. And also more exciting things like books you’re reading and trips you plan on taking and relationships that are springing into existence. Or fading from your memory, which is far less exciting. And suddenly you just don’t feel at home in your skin or in your house and you just want home but “Mom’s” probably wouldn’t feel like home anymore either. There used to be the comfort of a number in your phone and ears that listened every day and arms that were never for anyone else. But just to calm you down when you started feeling trapped in a five-minute period where nostalgia is too much and thoughts of this person you are feel foreign. When you realize that you’ll never be this young again but this is the first time you’ve ever been this old. When you can’t remember how you got from sixteen to here and all the same feel like sixteen is just as much of a stranger to you now. The song is over. The coffee’s done. You’re going to breath in and out. You’re going to be fine in about five minutes.
”
”
Kalyn Roseanne Livernois (High Wire Darlings)
“
Myrnin was silent for a beat, and then he said, “Bob would be very disappointed in you.”
“Bob the spider?”
“He looks at you like a mother, you know. I’m surprised at your lack of work ethic. Think of the example you set for—”
She hung up on him and turned the phone on vibrate and relaxed in Shane’s arms. “You’re not leaving,” he said. He sounded surprised. “You always leave when he calls.”
“Not now,” she said. And kissed him again, sweetly and gently.
”
”
Rachel Caine
“
[Thomas said] "I have my cell phone on me. Try to call before things start exploding."
"Maybe this time it'll be different. Maybe I'll work everything out through reason, diplomacy, dialogue, and mutual cooperation."
Thomas eyed me.
I tried to look wounded. "It could happen.
”
”
Jim Butcher (Turn Coat (The Dresden Files, #11))
“
Far out in the uncharted backwaters of the unfashionable end of the Western spiral arm of the galaxy lies a small unregarded yellow sun. Orbiting this, at a distance of roughly ninety million miles is an utterly insignificant little blue-green planet, whose ape descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea. This planet has, or had, a problem, which was this. Most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small, green pieces of paper, which is odd, because on the whole, it wasn't the small, green pieces of paper which were unhappy. And so the problem remained, and lots of the people were mean, and most of them were miserable, even the ones with digital watches. Many were increasingly of the opinion that they'd all made a big mistake coming down from the trees in the first place, and some said that even the trees had been a bad move, and that no-one should ever have left the oceans. And then one day, nearly two thousand years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, a girl, sitting on her own in a small cafe in Rickmansworth suddenly realised what it was that had been going wrong all this time and she finally knew how the world could be made a good and happy place. This time it was right, it would work, and no-one would have to get nalied to anything. Sadly, however, before she could get to a phone to tell anyone, the Earth was unexpectedly demolished to make way for a new hyperspace bypass and so the idea was lost forever.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
*For eleven years, I've been worked over and abused in ways you can't imagine by things you don't want to know about. I've killed every kind of vile, black-souled, dead-eyed nightmare that ever made you piss your pjs and cry for mommy in the middle of the night. I kill monsters and, if I wanted, I could say a word and burn you to powder from the inside out. I can tear any human you ever met to rages with my bare hands. Give me one good reason why I could possibly need you?
*She looks straight at me, not blinking. No fear in her eyes.
*Because you might be the Tasmanian Devil and the Angel of Death all rolled into one, but you don't even know how to get a phone.
*I hate to admit it, but she has a point.
”
”
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
“
Reminder: Your phone doesn’t actually work for you. You pay for it, yes. But it works for a multibillion-dollar corporation in California, not for you. You’re not the customer; you’re the product. It’s your attention that’s for sale, along with your peace of mind.21
”
”
John Mark Comer (The Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the ModernWorld)
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
I knew nothing about Nick Stark--other than what he liked to read, what he listened to, what he smelled like, where he worked, how his laugh sounded when he was sleepy over the phone--and he was probably the jerk I'd always thought him to be.
”
”
Lynn Painter (The Do-Over)
“
Texting and phone calls, fireworks, blends, café au lait, and music. Yesterday's television. Work and beer. The neighbor's dog, or those strange flowers, the way it smells at Maisen. Those ordinary things I talk about with you. With you... I want to talk about love with you.
”
”
Tomoko Yamashita (恋の話がしたい [Koi no Hanashi ga Shitai])
“
Had I ever chosen anything? Had I made some kind of choice that led me here? Thinking it over, I stared at the cell phone in my hands. The job that I was doing, the place where I was living, the fact that I was all alone and had no one to talk to. Could these have been the result of some decision that I'd made?
I heard a crow crying somewhere in the distance and turned to the window. It occurred to me that maybe I was where I was today because I hadn't chosen anything.
I applied to whatever colleges my teacher suggested and fell into a job after graduation, which I'd left only because I had to escape. I was only able to go freelance because of all the leg-work that Hijiri did for me. Had I ever chosen anything on my own, made something happen? Not once. And that's why I was here now, all alone.
”
”
Mieko Kawakami (All the Lovers in the Night)
“
She said, “Do you see how I’m wearing this apron? It means I’m working. For a living.”
The unconcerned expression didn’t flag. He said, “I’ll take care of it.”
She echoed, “Take care of it?”
“Yeah. How much do you make in an hour? I’ll take care of it. And I’ll talk to your manager.”
For a moment, Blue was actually lost for words. She had never believed people who claimed to be speechless, but she was. She opened her mouth, and at first, all that came out was air. Then something like the beginning of a laugh. Then finally, she managed to sputter, “I am not a prostitute.”
The Aglionby boy appeared puzzled for a long moment, and then realization dawned. “Oh, that was not how I meant it. That is not what I said.”
“That is what you said! You think you can just pay me to talk to your friend? Clearly you pay most of your female companions by the hour and don’t know how it works with the real world, but . . . but . . .” Blue remembered that she was working to a point, but now what that point was. Indignation had eliminated all higher functions and all that remained was the desire to slap him. The boy opened his mouth to protest, and her thought came back to her all in a rush. “Most girls, when they’re interested in a guy, will sit with them for free.”
To his credit, the Aglionby boy didn’t speak right away. Instead, he thought for a moment and then he said, without heat, “You said you were working for living. I thought it’d be rude to not take that into account. I’m sorry you’re insulted. I see where you’re coming from, but I feel it’s a little unair that you’re not doing the same for me.”
“I feel you’re being condescending,” Blue said.
In the background, she caught a glimpse of Soldier Boy making a plane of his hand. It was crashing and weaving toward the table surface while Smudgy Boy gulped laughter down. The elegant boy held his palm over his face in exaggerated horror, fingers spread just enough that she could see him wince.
“Dear God,” remarked Cell Phone boy. “I don’t know what else to say.”
“Sorry,” she recommended.
“I said that already.”
Blue considered. “Then ‘bye.’”
He made a little gesture at his chest that she thought was supposed to mean he was curtsying or bowing or something sarcastically gentleman-like.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Advice to friends. Advice to fellow mothers in the same boat. "How do you do it all?" Crack a joke. Make it seem easy. Make everything seem easy. Make life seem easy and parenthood and marriage and freelancing for pennies, writing a novel and smiling after a rejection, keeping the faith after two, reminding oneself that four years of work counted for a lot, counted for everything. Make the bed. Make it nice. Make the people laugh when you sit down to write and if you can't make them laugh make them cry. Make them want to hug you or hold you or punch you in the face. Make them want to kill you or fuck you or be your friend. Make them change. Make them happy. Make the baby smile. Make him laugh. Make him dinner. Make him proud.
Hold the phone, someone is on the other line. She says its important. People are dying. Children. Friends. Press mute because there is nothing you can say. Press off because you're running out of minutes. Running out of time. Soon he'll be grown up and you'll regret the time you spent pushing him away for one more paragraph in the manuscript no one will ever read. Put down the book, the computer, the ideas. Remember who you are now. Wait. Remember who you were. Wait. Remember what's important. Make a list. Ten things, no twenty. Twenty thousand things you want to do before you die but what if tomorrow never comes? No one will remember. No one will know. No one will laugh or cry or make the bed. No one will have a clue which songs to sing to the baby. No one will be there for the children. No one will finish the first draft of the novel. No one will publish the one that's been finished for months. No one will remember the thought you had last night, that great idea you forgot to write down.
”
”
Rebecca Woolf
“
Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot.
When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
”
”
Eric Roth (The Curious Case of Benjamin Button Screenplay)
“
But coming out of that sleep was excruciating. My entire life flashed before my eyes in the worst way possible, my mind refilling itself with all my lame memories, every little thing that had brought me to where I was. I'd try to remember something else—a better version, a happy story, maybe, or just an equally lame but different life that would at least be refreshing in its digressions—but it never worked. I was always still me. Sometimes I woke up with my face wet with tears. The only times I cried, in fact, were when I was pulled out of that nothingness, when the alarm on my cell phone went off.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
Sometimes I feel like I'm just waiting for something that will never happen," he said. "Like I'm just existing from day to day but will never really matter. I get up in the morning because I have to, because I have to do something or I'm just wasting space, or because if I don' answer the phone my dad will he alone. But it's an effort, it takes work. I have to tell myself, every day, get up. Get up, do this, move like this, talk to people, be normal, try to be social, be nice, be patient. On the inside I just feel like, I don't know, nothing. Like I'm just an algorithm that someone put in place.
”
”
Olivie Blake (Alone With You in the Ether)
“
I want to talk about creating your life. There’s a quote I love, from the poet Mary Oliver, that goes:
Tell me, what is it you plan to do with your one wild and precious life?
I so clearly remember what it was like, being young and always in the grip of some big fat daydream. I wanted to be a writer always, but more than that, I wanted to have an extraordinary life. I’m sure I dreamed it a million different ways, and that plenty of them were ridiculous, but I think the daydreams were training for writing, and I also think they spurred me to pursue my dreams for real.
Daydreaming, however awesome it is, is passive. It happens in your head. Learning to make dreams real is another matter, and I think it should be the work of your life. Everyone’s life, whatever their dream (unless their dream is to be an axe murderer or something.)
It took me a while to finish a book. Too long. And you know, it doesn’t matter how good a writer you are unless you finish what you start! I think this is the hardest part for most people who want to write. I was in my mid-30s before I figured it out. The brain plays tricks. You can be convinced you’re following your dream, or that you’re going to start tomorrow, and years can pass like that. Years.
The thing is, there will be pressure to adjust your expectations, always shrinking them, shrinking, shrinking, until they fit in your pocket like a folded slip of paper, and you know what happens to folded slips of paper in your pocket. They go through the wash and get ruined. Don’t ever put your dream in your pocket. If you have to put it somewhere, get one of those holsters for your belt, like my dad has for his phone, so you can whip it out at any moment.
Hello there, dream.
Also, don’t be realistic. The word “realistic” is poison. Who decides?
And “backup plan” is code for, “Give up on your dreams,” and everyone I know who put any energy into a backup plan is now living that backup plan instead of their dream. Put all your energy into your dream. That’s the only way it will ever become real.
The world at large has this attitude, “What makes you so special that you think you deserve an extraordinary life?”
Personally, I think the passion for an extraordinary life, and the courage to pursue it, is what makes us special. And I don’t even think of it as an “extraordinary life” anymore so much as simple happiness. It’s rarer than it should be, and I believe it comes from creating a life that fits you perfectly, not taking what’s already there, but making your own from scratch.
You can let life happen to you, or you can happen to life. It’s harder, but so much better.
”
”
Laini Taylor
“
Once this had been the life I'd wanted. Even chosen. Now, though, I couldn't believe that there had been a time when this kind of monotony and silence, this most narrow of existences, had been preferable. Then again, once, I'd never known anything else...
My mother had to know I was unhappy. But it didn't matter: all she cared about was that I was her Macy again, the one she'd come to depend on, always within earshot or reach. I came to work early, sat up straight at my desk and endured the monotony of answering phones and greeting potential homebuyers with a smile on my face. After dinner, I spent my hour and a half of free time alone, doing accepted activities. When I came home afterwards, my mother w ould be waiting for me, stickingher head out of her office to verify that, yes. I was just where I was supposed to be. And I was. I was also miserable.
~Macy, pg 306
”
”
Sarah Dessen (The Truth About Forever)
“
Everything I told him was technically true, more or less, and I got the job done," Jack said stubbornly. "Look, sir, if I were perfect, I wouldn't be working here in the first place. Now, would I?"
And then he hung up. On speakerphone. On a freaking archangel.
I couldn't help it. I let out a rolling belly laugh. "I just got suckered into doing this by...Stars and stones, you didn't even know that he...Big bad angel boy, and you get the wool pulled over your eyes by..." I stopped trying to talk and just laughed.
Uriel eyed the phone, then me, and then tucked the little device away again, clearly nonplussed. "It doesn't matter how well I believe I know your kind, Harry. They always manage to find some way to try my patience.
”
”
Jim Butcher (Ghost Story (The Dresden Files, #13))
“
It is June. This is what I have decided to do with my life just now. I will do this work and lead this life, the one I am leading today. Each morning the blue clock and the crocheted bedspread, the table with the Phone, the books and magazines, the Times at the door.
”
”
Elizabeth Hardwick
“
Because the floor numbers were listed next to the names and phone extensions of committee personnel, it was possible to calculate roughly who worked in proximity to whom. And by transposing telephone extensions from the roster and listing them in sequence, it was even possible to determine who worked for whom.
”
”
Carl Bernstein (All the President's Men)
“
I decided to make spaghetti for lunch again. Not that I was the least bit hungry. But I couldn't just go on sitting on the sofa, waiting for the phone to ring. I had to move my body, to begin working toward some goal. I put water in a pot, turned on the gas, and until it boiled I would make tomato sauce while listening to an FM broadcast. The radio was playing an unaccompanied violin sonata by Bach. The performance itself was excellent, but there was something annoying about it. I didn't know whether this was the fault of the violinist or of my own present state of mind, but I turned off the music and went on cooking in silence. I heated the olive oil, put garlic in the pan, and added minced onions. When these began to brown, I added the tomatoes that I had chopped and strained. It was good to be cutting things and frying things like this. It gave me a sense of accomplishment that I could feel in my hands. I liked the sounds and the smells.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
to whom it may concern: please phone me for appointments when you want to see me. I will not answer unsolicited knocks upon the door. I need time to do my work. I will not allow you to murder my work. please understand that what keeps me alive will make me a better person toward and for you when we finally meet under easy and unstrained conditions.
”
”
Charles Bukowski (Tales of Ordinary Madness)
“
Even in engineering-driven Silicon Valley, the buzzwords of the moment call for building a “lean startup” that can “adapt” and “evolve” to an ever-changing environment. Would-be entrepreneurs are told that nothing can be known in advance: we’re supposed to listen to what customers say they want, make nothing more than a “minimum viable product,” and iterate our way to success. But leanness is a methodology, not a goal. Making small changes to things that already exist might lead you to a local maximum, but it won’t help you find the global maximum. You could build the best version of an app that lets people order toilet paper from their iPhone. But iteration without a bold plan won’t take you from 0 to 1. A company is the strangest place of all for an indefinite optimist: why should you expect your own business to succeed without a plan to make it happen? Darwinism may be a fine theory in other contexts, but in startups, intelligent design works best.
”
”
Peter Thiel (Zero to One: Notes on Startups, or How to Build the Future)
“
She’s a telepath?” demanded Dominic.
“And he catches up with the conversation.” I patted his knee. “Yes, she’s a telepath. Sarah reads minds. Don’t worry, she’s not reading yours.”
“It would be rude,” said Sarah. Putting her phone down, she began arranging herself carefully in the chair. “Telepathic ethics say you should never read a sentient creature’s mind without permission, provocation, or legitimate reason to fear for your life.”
“Telepaths have ethics?” Dominic’s eyes narrowed, tone and posture united to convey his disbelief.
“My mother and I do,” said Sarah, letting her head settle against the back of the chair. “We mostly got them from Babylon 5, but they still work.
”
”
Seanan McGuire (Discount Armageddon (InCryptid, #1))
“
Dust sleeping on your bookshelf
and all your plants are drying out
you are too busy to save yourself
is your mind heading for burnout?
Coffee rings on your bedside table
anxiety pills under your pillowcase
working round the clock to foot the bill
is there no time for breakfast these days?
Friends haven't seen you in a while
your phone is always out of reach
you're slowly forgetting how to smile
is your silence a figure of speech?
Life can sometimes seem to be unfair
but hoping is better than you think
send the message in a bottle if you dare
is it so hard to not force yourself to sink?
”
”
Akash Mandal
“
My dad's filthy rich, and even though we're Irish Catholic I'm an only child. I've got more money than you do so I'll work for free. No charge. A free law clerk for three weeks. I'll do all the research, typing, answering the phone. I'll even carry your briefcase and make the coffee.
I was afraid you'd want to be a a law partner.
No I'm a woman, and I'm in the South. I know my place.
”
”
John Grisham (A Time to Kill (Jake Brigance, #1))
“
The Ballad of Lucy Jordan
The morning sun touched lightly on the eyes of Lucy Jordan
In a white suburban bedroom in a white suburban town
As she lay there 'neath the covers dreaming of a thousand lovers
Till the world turned to orange and the room went spinning round.
At the age of thirty-seven she realised she'd never
Ride through Paris in a sports car with the warm wind in her hair.
So she let the phone keep ringing and she sat there softly singing
Little nursery rhymes she'd memorised in her daddy's easy chair.
Her husband, he's off to work and the kids are off to school,
And there are, oh, so many ways for her to spend the day.
She could clean the house for hours or rearrange the flowers
Or run naked through the shady street screaming all the way.
At the age of thirty-seven she realised she'd never
Ride through Paris in a sports car with the warm wind in her hair
So she let the phone keep ringing as she sat there softly singing
Pretty nursery rhymes she'd memorised in her daddy's easy chair.
The evening sun touched gently on the eyes of Lucy Jordan
On the roof top where she climbed when all the laughter grew too loud
And she bowed and curtsied to the man who reached and offered her his hand,
And he led her down to the long white car that waited past the crowd.
At the age of thirty-seven she knew she'd found forever
As she rode along through Paris with the warm wind in her hair
”
”
Marianne Faithfull
“
You went back in time,” he repeated, “and you expect his cell phone to work?”
“Well, no, I just, I mean, I came back and he hasn’t! Shouldn’t he have?”
Morrison, very steadily, said, “Were you together?”
“No! I just said he went to fight the Morrigan!”
“I see.” There was a pause. “The man is seventy-four years old, Joanie. He can take care of himself. If you were,” a great and patient pause filled the line before he went on, “time traveling. If you were time traveling and got separated, then I can’t think of any reason he would necessarily come back to the present at the same time you did.”
“Except I was the focal point, it was my fault, it --!”
“Joanne. Siobhan. Siobhan Grainne MacNamarra Walkingstick.”
I didn’t think anybody had ever said my name like that before. I gulped down a hysterical sob and whispered, “Yeah?”
Morrison, with gentle emphasis, said, “I love you. Now pull yourself together and go find the bad guy,” and hung up.
”
”
C.E. Murphy (Raven Calls (Walker Papers, #7))
“
Sam’s voice comes through the phone. “Hey—so, I’m not sure if I should do this … Or if it will even work. I probably should have said this to you over the phone, but we ran out of time. Or maybe, the truth is, I was scared you would think of me differently … That is, if you knew why I picked up the phone that first time—” He pauses. “Before we hung up, you said something that made me feel a bit guilty. You said I picked up your call that night because you needed me. I guess part of that is true. But that isn’t the reason I answered.” A long pause. “The truth is … I picked up because—because I needed you. I needed to hear your voice again, Julie. Because I wanted to make sure you didn’t forget me. You see, I took you to all those places—like the fields, to see the stars that night—so that you’d always remember. So that whenever you looked up at the sky at night, you’d think of me. Because I didn’t want to let you go yet. I never wanted to say good-bye, Jules. And I[…]”
Excerpt From
You've Reached Sam
Dustin Thao
This material may be protected by copyright.
”
”
Dustin Thao (You've Reached Sam (You've Reached Sam #1))
“
Look at them. Where are they looking? They're not looking at each other, they're not looking at the art on the wall or the sun in the sky; they're looking at their phones. They hang on to every beep and alert and tweet and status update. I don't want to be that. I'm distracted enough as it is by the actual, tangible, physical world. I've embraced the efficiency of a desktop PC for work and research, and I even use a laptop on my own time, but I draw the line at a cell phone. If I want social media, I'll join a book club. I will not be collared and leashed and tracked like a tagged orca in the ocean.
”
”
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
“
My own view is that everyone works too hard and too long and they ought to get out more. There isn’t time in their improverished lives to do anything creative, or even to just sit and stare, one of my favourite occupations. And how the wired-in young—never without their music, never out of touch because of mobile phones, constantly sharing everything, even pictures—are going to cope if they ever encounter solitude and silence is another thing.
”
”
Kerry Greenwood (Trick Or Treat (Corinna Chapman, #4))
“
The reality is that most consumers in the developed world would rather not know where their phones and gas come from as long as the prices are low. If you know, you must act, so it is better not to know. The occasional scandal over inhuman working conditions in Chinese factories (or women’s rights in Saudi Arabia) allows some liberals to feel better when a Nike or Apple announces an investigation that is quickly forgotten by the time the next shoe or gadget comes out.
”
”
Garry Kasparov (Winter Is Coming: Why Vladimir Putin and the Enemies of the Free World Must Be Stopped)
“
Marturano recommended something radical: do only one thing at a time. When you’re on the phone, be on the phone. When you’re in a meeting, be there. Set aside an hour to check your email, and then shut off your computer monitor and focus on the task at hand. Another tip: take short mindfulness breaks throughout the day. She called them “purposeful pauses.” So, for example, instead of fidgeting or tapping your fingers while your computer boots up, try to watch your breath for a few minutes. When driving, turn off the radio and feel your hands on the wheel. Or when walking between meetings, leave your phone in your pocket and just notice the sensations of your legs moving. “If I’m a corporate samurai,” I said, “I’d be a little worried about taking all these pauses that you recommend because I’d be thinking, ‘Well, my rivals aren’t pausing. They’re working all the time.’ ” “Yeah, but that assumes that those pauses aren’t helping you. Those pauses are the ways to make you a more clear thinker and for you to be more focused on what’s important.
”
”
Dan Harris (10% Happier)
“
Today 5:14 p.m.
"Mrrrrrowl. Mrrrrrowl."
"Ow! Ow, stupid cat! Ahem. You told me, 'stop calling, Isabelle,' but I'm not the one calling you. Church is calling you. Mine are merely the fingers that work the phone.
"See, here's something you may not have known before you committed your recent rash acts. Our cat, Church, and your cat, Chairman Meow? They're in love. I've never seen such love before. I never knew such love could exist in the heart of a... cat. Some people say that love between two dude cats is wrong, but I think it's beautiful. Love makes Church happier than I've ever seen him. Nothing makes him happy like Chairman Meow. Not tuna. Not shredding centuries-old tapestries. Nothing. Please don't keep these cats apart. Please don't take the joy of love away from Church.
"Look, this is really just a warning for your own good. If you keep Church and Chairman Meow apart, Church will start to get angry.
"You wouldn't like Church when he's angry."
Beep
”
”
Cassandra Clare (The Bane Chronicles)
“
Mitchell Maxwell’s Maxims
• You have to create your own professional path. There’s no longer a roadmap for an artistic career.
• Follow your heart and the money will follow.
• Create a benchmark of your own progress. If you never look down while you’re climbing the ladder you won’t know how far you’ve come.
• Don’t define success by net worth, define it by character. Success, as it’s measured by society, is a fleeting condition.
• Affirm your value. Tell the world “I am an artist,” not “I want to be an artist.”
• You must actively live your dream. Wishing and hoping for someday doesn’t make it happen. Get out there and get involved.
• When you look into the abyss you find your character.
• Young people too often let the fear of failure keep them from trying. You have to get bloody, sweaty and rejected in order to succeed.
• Get your face out of Facebook and into somebody’s face. Close your e-mail and pick up the phone. Personal contact still speaks loudest.
• No one is entitled to act entitled. Be willing to work hard.
• If you’re going to buck the norm you’re going to have to embrace the challenges.
• You have to love the journey if you’re going to work in the arts.
• Only listen to people who agree with your vision.
• A little anxiety is good but don’t let it become fear, fear makes you inert.
• Find your own unique voice. Leave your individual imprint on the world, not a copy of someone else.
• Draw strength from your mistakes; they can be your best teacher.
”
”
Mitchell Maxwell
“
No," I said automatically, "don't do anything about Dad. You can't fix my relationship with him."
"I can block or run interference."
"Thanks, Jack, but I don't need blocking, and I really don't need any more interference."
He looked annoyed. "Well, why did you waste all that time complaining to me if you didn't want me to do something about it?"
"I don't want you to fix my problems. I just wanted you to listen."
"Hang it all, Haven, talk to a girlfriend if all you want is a pair of ears. Guys hate it when you give us a problem and then don't let us do something about it. It makes us feel bad. And then the only way to make ourselves feel better is to rip a phone book in two or blow something up. So let's get this straight — I'm not a good listener. I'm a guy."
"Yes you are." I stood and smiled. "Want to buy me a drink at an after work bar?"
"Now you're talking," my brother said, and we left the office.
”
”
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
“
You can be a rich person alone. You can be a smart person alone. But you cannot be a complete person alone. For that you must be part of, and rooted in, an olive grove. This truth was once beautifully conveyed by Rabbi Harold S. Kushner in his interpretation of a scene from Gabriel García Márquez’s classic novel One Hundred Years of Solitude: Márquez tells of a village where people were afflicted with a strange plague of forgetfulness, a kind of contagious amnesia. Starting with the oldest inhabitants and working its way through the population, the plague causes people to forget the names of even the most common everyday objects. One young man, still unaffected, tries to limit the damage by putting labels on everything. “This is a table,” “This is a window,” “This is a cow; it has to be milked every morning.” And at the entrance to the town, on the main road, he puts up two large signs. One reads “The name of our village is Macondo,” and the larger one reads “God exists.” The message I get from that story is that we can, and probably will, forget most of what we have learned in life—the math, the history, the chemical formulas, the address and phone number of the first house we lived in when we got married—and all that forgetting will do us no harm. But if we forget whom we belong to, and if we forget that there is a God, something profoundly human in us will be lost.
”
”
Thomas L. Friedman (The Lexus and the Olive Tree)
“
SIMONE: I was getting a lot of phone calls from Daisy at all hours of the day. I’d say, “Let me come get you.” And she’d refuse. I thought about trying to force her into rehab. But you can’t do that. You can’t control another person. It doesn’t matter how much you love them. You can’t love someone back to health and you can’t hate someone back to health and no matter how right you are about something, it doesn’t mean they will change their mind.
I used to rehearse speeches and interventions and consider flying to where she was and dragging her off that stage—as if, if I could just get the words right, I could convince her to get sober. You drive yourself crazy, trying to put words in some magical order that will unlock their sanity. And when it doesn’t work, you think, I didn’t try hard enough. I didn’t talk to her clearly enough.
But at some point, you have to recognize that you have no control over anybody and you have to step back and be ready to catch them when they fall and that’s all you can do. It feels like throwing yourself to sea. Or, maybe not that. Maybe it’s more like throwing someone you love out to sea and then praying they float on their own, knowing they might well drown and you’ll have to watch.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
Yes, there was racism, but there was also classism. You’re a high-powered corporate attorney. You’ve spent most of your life reviewing contracts, brokering deals, talking on the phone. That’s what you’re good at, that’s what made you rich and what allowed you to hire a plumber to fix your toilet, which allowed you to keep talking on the phone. The more work you do, the more money you make, the more peons you hire to free you up to make more money. That’s the way the world works. But one day it doesn’t. No one needs a contract reviewed or a deal brokered. What it does need is toilets fixed. And suddenly that peon is your teacher, maybe even your boss. For some, this was scarier than the living dead.
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
here’s my 8-step process for maximizing efficacy (doing the right things): Wake up at least 1 hour before you have to be at a computer screen. Email is the mind-killer. Make a cup of tea (I like pu-erh) and sit down with a pen/pencil and paper. Write down the 3 to 5 things—and no more—that are making you the most anxious or uncomfortable. They’re often things that have been punted from one day’s to-do list to the next, to the next, to the next, and so on. Most important usually equals most uncomfortable, with some chance of rejection or conflict. For each item, ask yourself: “If this were the only thing I accomplished today, would I be satisfied with my day?” “Will moving this forward make all the other to-dos unimportant or easier to knock off later?” Put another way: “What, if done, will make all of the rest easier or irrelevant?” Look only at the items you’ve answered “yes” to for at least one of these questions. Block out at 2 to 3 hours to focus on ONE of them for today. Let the rest of the urgent but less important stuff slide. It will still be there tomorrow. TO BE CLEAR: Block out at 2 to 3 HOURS to focus on ONE of them for today. This is ONE BLOCK OF TIME. Cobbling together 10 minutes here and there to add up to 120 minutes does not work. No phone calls or social media allowed. If you get distracted or start procrastinating, don’t freak out and downward-spiral; just gently come back to your ONE to-do.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
People ask why my brother killed himself. "Why would such a gifted journalist, whose works have won all the prizes in the world, do such a thing?" "He had so many friends, why would he want to leave them?" "But what about all he had to live for?"
In a short space of time, I had a drawerful of articles wirtten by reporters pondering the death of one who, like them, made a living out of trying to sort out the truth, separating fact from conjecture. They were hell-bent on making sense out of this event.
When they phoned, I told them they were going to fail. I told them that the problem with suicide is that it is a senseless event. There is no why.
But of course that's wrong. There are numerous whys, though it's almost impossible, or unlikely that any single one of them is "the answer" that people want to hear.
”
”
Christopher Lukas
“
By just living one’s life, sadness accumulates here and there, be it in the sheets hung out in the sun to dry, the toothbrushes in the bathroom, and the history logs of the mobile phone…In the last several years, I have forged ahead without any regard, just to touch what I cannot reach. Without understanding the sources from which this menacing thought surged forth from, I continued working. When I at last noticed, my heart had already become hard from the gradual loss of its youthful vitality. And on certain morning, when I at last came to an earnest realization that I had lost everything that was beautiful, I knew I was at my limits and quit the company.
”
”
Makoto Shinkai
“
Dear Deborah,
Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say:
When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle.
When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs.
When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her.
When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen.
When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her.
When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away.
Tell her you love her, so that she will know a man can say the words.
If you hurt her, apologize, so that she will know a man can admit that he's wrong.
These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole.
Without it, there are tatters.
It is never too late for a man to learn to stitch, to begin mending.
These are the things I would tell that young father, if I could.
A daughter grown up quickly. There isn't time to waste.
I love you,
Dad
”
”
Lisa Wingate (Dandelion Summer (Blue Sky Hill #4))
“
How fast can you run?
When you really have to?
In heels and a work skirt, with your bag banging against your side: how fast?
When you’re late for your train and you have to get home, and you race down the platform with seconds to spare: how fast can you run?
What if it isn’t a train you’re running for, but your life?
If you’re late home from work, and there’s no one in sight. If you haven’t charged your phone and no one knows where you are. If the footsteps behind you are getting closer, and you know, because you do it every day, that you’re on your own; that between the platform and the exit you won’t see another soul.
If there’s breath on your neck, and the panic is rising, and it’s dark, and cold, and wet.
If it’s just the two of you.
Just you, and whoever’s behind you.
Whoever is chasing you.
How fast could you run then?
It doesn’t matter how fast.
Because there’s always someone who can run faster.
”
”
Clare Mackintosh (I See You)
“
Um, Jace, can I ask you something? If you want something to happen, and you feel like it could but maybe the other person is waiting for you to give a signal that you're ready - that you're maybe ready - no, that you're definitely ready, maybe, what should you do? In this hypothetical scenario."
There was a pause.
"Hmm," said Jace. "Good question. I'm glad you came to me with this. I think you should go ahead and give a signal."
"Great," said Alec. "Yes, that's what I was wondering. Thanks, Jace."
"Hard to work out signals on the phone," Jace said thoughtfully. "I'll think about various signals and show you when you get home. Like, one signal is for 'there is a demon creeping up behind you and you should stab it,' right? But there should be a different signal for if a demon is creeping up behind you, but I have it in my sights. That just makes sense."
There was another silence.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
They had Rembrandt on the calendar that year, a rather smeary self-portrait due to imperfectly registered color plate. It showed him holding a smeared palette with a dirty thumb and wearing a tam-o’-shanter which wasn’t any too clean either. His other hand held a brush poised in the air, as if he might be going to do a little work after a while, if somebody made a down payment. His face was aging, saggy, full of the disgust of life and the thickening effects of liquor. But it had a hard cheerfulness that I liked, and the eyes were as bright as drops of dew.
I was looking at him across my office desk at about four-thirty when the phone rang and I heard a cool, supercilious voice that sounded as if it thought it was pretty good. It said drawlingly, after I had answered:
“You are Philip Marlowe, a private detective?
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
1.
I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates.
2.
The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.”
3.
Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay.
4.
The last eight times I told you I loved you, they sounded like apologies.
5.
You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice.
6.
Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.”
7.
You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent.
8.
I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it.
9.
I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.”
10.
I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave.
11.
I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help.
12.
Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself.
13.
I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.”
14.
The entire time, I was only pretending that I knew it was coming.
”
”
Miles Walser
“
And What Good Will Your Vanity Be When The Rapture Comes”
says the man with a cart of empty bottles at the corner of church
and lincoln while I stare into my phone and I say
I know oh I know while trying to find the specific
filter that will make the sun’s near-flawless descent look
the way I might describe it in a poem and the man
says the moment is already right in front of you and I
say I know but everyone I love is not here and I mean
here like on this street corner with me while I turn
the sky a darker shade of red on my phone and I mean
here like everyone I love who I can still touch and not
pass my fingers through like the wind in a dream
but I look up at the man and he is a kaleidoscope
of shadows I mean his shadows have shadows
and they are small and trailing behind him and I know
then that everyone he loves is also not here and the man doesn’t ask
but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty
to go home to and the sun is still hot even in its
endless flirt with submission and the man’s palm has a small
river inside I mean he has taken my hand now and here we are
tethered and unmoving and the man says what color are you making
the sky and I say what I might say in a poem I say all surrender
ends in blood and he says what color are you making the sky and
I say something bright enough to make people wish they were here
and he squints towards the dancing shrapnel of dying
light along a rooftop and he says I love things only as they are
and I’m sure I did once too but I can’t prove it to anyone these days
and he says the end isn’t always about what dies and I know I know
or I knew once and now I write about beautiful things
like I will never touch a beautiful thing again and the man
looks me in the eyes and he points to the blue-orange vault
over heaven’s gates and he says the face of everyone you miss
is up there and I know I know I can’t see them but I know
and he turns my face to the horizon and he says
we don’t have much time left and I get that he means the time
before the sun is finally through with its daily work or I
think I get that but I still can’t stop trembling and I close
my eyes and I am sobbing on the corner of church and
lincoln and when I open my eyes the sun is plucking everyone
who has chosen to love me from the clouds and carrying them
into the light-drunk horizon and I am seeing this and I know
I am seeing this the girl who kissed me as a boy in the dairy aisle
of meijer while our parents shopped and the older boy on the
basketball team who taught me how to make a good fist and swing
it into the jaw of a bully and the friends who crawled to my porch
in the summer of any year I have been alive they were all there
I saw their faces and it was like I was given the eyes of a newborn
again and once you know what it is to be lonely it is hard to
unsee that which serves as a reminder that you were not always
empty and I am gasping into the now-dark air and I pull my shirt
up to wipe whatever tears are left and I see the man walking in the
other direction and I chase him down and tap his arm and I say did
you see it did you see it like I did and he turns and leans into the
glow of a streetlamp and he is anchored by a single shadow now
and he sneers and he says have we met and he scoffs and pushes
his cart off into the night and I can hear the glass rattling even
as I watch him become small and vanish and I look down at my
phone and the sky on the screen is still blood red.
”
”
Hanif Abdurraqib
“
It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning.
I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours.
All this to try to come back to the surface of our book...
Phone me quickly, Promethea, get me out of this parenthesis fast!)
”
”
Hélène Cixous (The Book of Promethea)
“
This is my friend Veronica,” I told him. “And this is Kaidan.”
“Oh, I've heard all about you.” Veronica gave him a big smile.
His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose.
Veronica let out a loud cackle, proving she should be the one in my costume.
“I told you it was stupid!” She gloated.
With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me.
“Your hair's grown a lot,” I said to him.
“So has your bottom.”
My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor.
I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress.
“Dude, you can get away with anything,” said the pirate to the straight-faced ape.
“I meant it as a compliment.”
“That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.”
She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something.
“My dad gave me a cell phone.” And a car. And a ton of money.
Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands.
“Here,” I said, taking his phone. Saving my number for him gave me a thrill.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Marketing is not a department Do you have a marketing department? If not, good. If you do, don’t think these are the only people responsible for marketing. Accounting is a department. Marketing isn’t. Marketing is something everyone in your company is doing 24/7/365. Just as you cannot not communicate, you cannot not market: Every time you answer the phone, it’s marketing. Every time you send an e-mail, it’s marketing. Every time someone uses your product, it’s marketing. Every word you write on your Web site is marketing. If you build software, every error message is marketing. If you’re in the restaurant business, the after-dinner mint is marketing. If you’re in the retail business, the checkout counter is marketing. If you’re in a service business, your invoice is marketing. Recognize that all of these little things are more important than choosing which piece of swag to throw into a conference goodie bag. Marketing isn’t just a few individual events. It’s the sum total of everything you do.
”
”
Jason Fried (ReWork)
“
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips:
1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy.
2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously!
3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside!
4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live!
5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom!
6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true!
7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn.
8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours!
9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative!
10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
”
”
Brooke Hampton
“
Does helping others really confer happiness or prosperity on the helper? I know of no evidence showing that altruists gain money from their altruism, but the evidence suggests that they often gain happiness. People who do volunteer work are happier and healthier than those who don’t; but, as always, we have to contend with the problem of reverse correlation: Congenitally happy people are just plain nicer to begin with,24 so their volunteer work may be a consequence of their happiness, not a cause. The happiness-as-cause hypothesis received direct support when the psychologist Alice Isen25 went around Philadelphia leaving dimes in pay phones. The people who used those phones and found the dimes were then more likely to help a person who dropped a stack of papers (carefully timed to coincide with the phone caller’s exit), compared with people who used phones that had empty coin-return slots. Isen has done more random acts of kindness than any other psychologist: She has distributed cookies, bags of candy, and packs of stationery; she has manipulated the outcome of video games (to let people win); and she has shown people happy pictures, always with the same finding: Happy people are kinder and more helpful than those in the control group.
”
”
Jonathan Haidt (The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom)
“
I made it three days before the text messages started one afternoon while I was trying to finish warming up before our afternoon session. I had gotten to the LC later than usual and had gone straight to the training room, praising Jesus that I’d decided to change my clothes before leaving the diner once I’d seen what time it was and had remembered lunchtime traffic was a real thing. I was in the middle of stretching my hips when my phone beeped from where I’d left it on top of my bag. I took it out and snickered immediately at the message after taking my time with it.
Jojo: WHAT THE FUCK JASMINE
I didn’t need to ask what my brother was what-the-fucking over. It had only been a matter of time. It was really hard to keep a secret in my family, and the only reason why my mom and Ben—who was the only person other than her who knew—had kept their mouths closed was because they had both agreed it would be more fun to piss off my siblings by not saying anything and letting them find out the hard way I was going to be competing again.
Life was all about the little things.
So, I’d slipped my phone back into my bag and kept stretching, not bothering to respond because it would just make him more mad.
Twenty minutes later, while I was still busy stretching, I pulled my phone out and wasn’t surprised more messages appeared.
Jojo: WHY WOULD YOU NOT TELL ME
Jojo: HOW COULD YOU DO THIS TO ME
Jojo: DID THE REST OF YOU KEEP THIS FROM ME
Tali: What happened? What did she not tell you?
Tali: OH MY GOD, Jasmine, did you get knocked up?
Tali: I swear, if you got knocked up, I’m going to beat the hell out of you. We talked about contraception when you hit puberty.
Sebastian: Jasmine’s pregnant?
Rubes: She’s not pregnant.
Rubes: What happened, Jojo?
Jojo: MOM DID YOU KNOW ABOUT THIS
Tali: Would you just tell us what you’re talking about?
Jojo: JASMINE IS SKATING WITH IVAN LUKOV
Jojo: And I found out by going on Picturegram. Someone at the rink posted a picture of them in one of the training rooms. They were doing lifts.
Jojo: JASMINE I SWEAR TO GOD YOU BETTER EXPLAIN EVERYTHING RIGHT NOW
Tali: ARE YOU KIDDING ME? IS THIS TRUE?
Tali: JASMINE
Tali: JASMINE
Tali: JASMINE
Jojo: I’m going on Lukov’s website right now to confirm this
Rubes: I just called Mom but she isn’t answering the phone
Tali: She knew about this. WHO ELSE KNEW?
Sebastian: I didn’t. And quit texting Jas’s name over and over again. It’s annoying. She’s skating again. Good job, Jas. Happy for you.
Jojo: ^^ You’re such a vibe kill
Sebastian: No, I’m just not flipping my shit because she got a new partner.
Jojo: SHE DIDN’T TELL US FIRST THO. What is the point of being related if we didn’t get the scoop before everybody else?
Jojo: I FOUND OUT ON PICTUREGRAM
Sebastian: She doesn’t like you. I wouldn’t tell you either.
Tali: I can’t find anything about it online.
Jojo: JASMINE
Tali: JASMINE
Jojo: JASMINE
Tali: JASMINE
Tali: Tell us everything or I’m coming over to Mom’s today.
Sebastian: You’re annoying. Muting this until I get out of work.
Jojo: Party pooper
Tali: Party pooper
Jojo: Jinx
Tali: Jinx
Sebastian: Annoying
...
I typed out a reply, because knowing them, if I didn’t, the next time I looked at my phone, I’d have an endless column of JASMINE on there until they heard from me.
That didn’t mean my response had to be what they wanted.
Me: Who is Ivan Lukov?
”
”
Mariana Zapata (From Lukov with Love)
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Speech therapy is an art that deserves to be more widely known. You cannot imagine the acrobatics your tongue mechanically performs in order to produce all the sounds of a language. Just now I am struggling with the letter l, a pitiful admission for an editor in chief who cannot even pronounce the name of his own magazine! On good days, between coughing fits, I muster enough energy and wind to be able to puff out one or two phonemes. On my birthday, Sandrine managed to get me to pronounce the whole alphabet more or less intelligibly. I could not have had a better present. It was as if those twenty-six letters and been wrenched from the void; my own hoarse voice seemed to emanate from a far-off country. The exhausting exercise left me feeling like a caveman discovering language for the first time. Sometimes the phone interrupts our work, and I take advantage of Sandrine's presence to be in touch with loved ones, to intercept and catch passing fragments of life, the way you catch a butterfly. My daughter, Celeste, tells me of her adventures with her pony. In five months she will be nine. My father tells me how hard it is to stay on his feet. He is fighting undaunted through his ninety-third year. These two are the outer links of the chain of love that surrounds and protects me. I often wonder about the effect of these one-way conversations on those at the other end of the line. I am overwhelmed by them. How dearly I would love to be able to respond with something other than silence to these tender calls. I know that some of them find it unbearable. Sweet Florence refuses to speak to me unless I first breathe noisily into the receiver that Sandrine holds glued to my ear. "Are you there, Jean-Do?" she asks anxiously over the air.
And I have to admit that at times I do not know anymore.
”
”
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
“
My cell phone rang on the table. I never went far without it, even in the house. I picked it up. An unlisted number. Oh goodie.
“Nevada Baylor.”
“I need to talk to you,” Mad Rogan said into the phone. “Meet me for lunch.”
My pulse jumped, my body snapped to attention, and my brain shut down for a second to come to terms with the impact of his voice. I’d slap myself except my mother and grandmother already thought I was nuts, and hurting myself would get me committed for sure.
“Sure, let me get right on that.” Hey, my voice still worked. “Should I bring my own chains this time? Or do you have bigger plans, and this is some freaky murder foreplay”—why did the word foreplay just come out of my mouth?—“and I’ll end up cut up into small pieces inside some freezer at the end? I can just spray myself with mace and shoot myself in the head now and save you some trouble?”
“Are you done?” he asked.
“Just getting started.” I was so brave over the phone.
“Lunch, Ms. Baylor. Concentrate. Pick a place.”
“You seem to be under the impression that I work for you and you can give me orders. Let me fix that.” I hung up.
Grandma looked at my mom. “Did she just hang up on Mad Rogan?”
“Yes, she did.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
She had this habit. Drove me up the wall. She’d come home from work, and the first thing she’d do was take off her shoes and leave them by the door. Her socks would follow, just laid out on the floor. A trail of clothes left there, waiting for me to pick them up. I asked her why she just didn’t put them in the hamper like a normal person. You know what she said?” “What?” Wallace asked. “She said that life was more than dirty socks.” Wallace stared at him. “That … doesn’t mean anything.” Nelson’s smile widened. “Right? But it made perfect sense to her.” His smile trembled. “I came home one day. I was late. I opened the door, and there were no shoes right inside. No socks on the floor. No trail of clothes. I thought for once she’d picked up after herself. I was … relieved? I was tired and didn’t want to have to clean up her mess. I called for her. She didn’t answer. I went through the house, room by room, but she wasn’t there. Late, I told myself. It happens. And then the phone rang. That was the day I learned my wife had passed unexpectedly. And it’s funny, really. Because even as they told me she was gone, that it had been quick and she hadn’t suffered, all I could think about was how I’d give anything to have her shoes by the door. Her dirty socks on the floor. A trail of clothes leading toward the bedroom.
”
”
T.J. Klune (Under the Whispering Door)
“
This is meant to be in praise of the interval called hangover,
a sadness not co-terminous with hopelessness,
and the North American doubling cascade
that (keep going) “this diamond lake is a photo lab”
and if predicates really do propel the plot
then you might see Jerusalem in a soap bubble
or the appliance failures on Olive Street
across these great instances,
because “the complex Italians versus the basic Italians”
because what does a mirror look like (when it´s not working)
but birds singing a full tone higher in the sunshine.
I´m going to call them Honest Eyes until I know if they are,
in the interval called slam clicker, Realm of Pacific,
because the second language wouldn´t let me learn it
because I have heard of you for a long time occasionally
because diet cards may be the recovery evergreen
and there is a new benzodiazepene called Distance,
anti-showmanship, anti-showmanship, anti-showmanship.
I suppose a broken window is not symbolic
unless symbolic means broken, which I think it sorta does,
and when the phone jangles
what´s more radical, the snow or the tires,
and what does the Bible say about metal fatigue
and why do mothers carry big scratched-up sunglasses
in their purses.
Hello to the era of going to the store to buy more ice
because we are running out.
Hello to feelings that arrive unintroduced.
Hello to the nonfunctional sprig of parsley
and the game of finding meaning in coincidence.
Because there is a second mind in the margins of the used book
because Judas Priest (source: Firestone Library)
sang a song called Stained Class,
because this world is 66% Then and 33% Now,
and if you wake up thinking “feeling is a skill now”
or “even this glass of water seems complicated now”
and a phrase from a men´s magazine (like single-district cognac)
rings and rings in your neck,
then let the consequent misunderstandings
(let the changer love the changed)
wobble on heartbreakingly nu legs
into this street-legal nonfiction,
into this good world,
this warm place
that I love with all my heart,
anti-showmanship, anti-showmanship, anti-showmanship.
”
”
David Berman
“
I didn't have a choice."
"Are you saying...What are you saying?" Is he...could he be talking about me?
He runs a hand through his hair. I've never seen him this emotional before. He's always so controlled, so sure of himself. "I'm saying you're what I want, Emma. I'm saying I'm in love with you."
He steps forward and lifts his hand to my cheek, blazing a line of fire with his fingertips as they trace down to my mouth. "How do you think it would make me feel to see you with Grom?" he whispers. "Like someone ripped my heart out and put it through Rachel's meat grinder, that's how. Probably worse. It would probably kill me. Emma, please don't cry."
I throw my hands in the air. "Don't cry? Are you serious? Why did you come here, Galen? Did you think it would make me feel better to know that you do love me, but that it still won't work out? That I still have to mate with Grom for the greater good? Don't you tell me not to cry, Galen! I...c...c...can't h...h...help-" The waterworks soak me. Galen looks at me, hands by his side, helpless as a trapped crab. I'm bordering on hyperventilation, and pretty soon I'll start hiccupping. This is too much.
His expression is so severe, it looks like he's in physical pain. "Emma," he breathes. "Emma, does this mean you feel the same way? Do you care for me at all?"
I laugh, but it sounds sharper than I intended, because of a hiccup. "What does it matter how I feel, Galen? I think we pretty much covered why. No need to rehash things, right?"
"It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?"
"If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-"
His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch.
I accidentally moan into his lips. He takes it for his cue to lift me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder.
He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is, Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk."
"Right," I say, but I'm shaking my head.
He laughs. "I didn't come all the way to Atlantic City to make you cry."
"I'm not crying." I lean into him again. He doesn't refuse my lips, but he doesn't do them justice either, planting a measly little kiss on them before stepping back.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies.
I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony.
And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
”
”
Sloane Crosley (I Was Told There'd Be Cake: Essays)
“
Clowns.”
Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t.
The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.”
God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.”
Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?”
Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled.
“Yes.” The fractures of my grin cracked into bigger pieces.
“Because I was scared of clowns?” It was like he couldn’t understand why that was amusing.
But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.”
“I was four.”
I couldn’t help but snicker. “Four… fourteen, same difference.”
Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.”
Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.”
“I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close.
I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was.
“Aiden?” I whispered.
“Hmm?” he murmured.
“Thank you for coming in here with me.”
“Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale.
Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him.
“Good night. Thank you again for staying with me.”
Peeking one eye open, just a narrow slit, he hummed. “Shh.”
That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get.
I closed my eyes with a little grin on my face.
Maybe five seconds later, Aiden’s spoke up. “Vanessa?”
“Hmm?”
“Why was I saved on your work phone as Miranda P.?”
That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?”
The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position.
I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do.
"What are you doing?" he asked without removing his arm.
"Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say.
"I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication.
"Damn it, man! I'm trying to save your life! Don't interrupt."
A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions.
"Don't you die on me!"
And praying.
After another round, he asked, "Am I going to make it?"
"It's touch-and-go. I'm going to have to bring out the defibrillator."
"We have a defibrillator?" he asked, quirking a brow, clearly impressed.
I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth.
"I had no idea smartphones were so versatile."
"I'll just have to download it. It'll just take a sec."
"Do I have that long?"
Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted?
"Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!"
Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway.
He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper.
After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat.
"Well?" he asked after a tense moment.
I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow."
Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair.
It was a miracle!
”
”
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
“
They had found out.
Before I could panic, I made myself stretch my fingers wide and take a calming breath. You already knew this was bound to happen. At least that’s what I told myself.
The more I thought about it, the more I should have been appreciative that the people at the chapel in Las Vegas hadn’t recognized him. Or that people on the street had been oblivious and hadn’t seen us going in and out of there. Or that the receptionist at the acupuncturist hadn’t snapped a picture on her phone and posted it online.
Because I might not understand all people, much less most of them, but I understood nosey folks. And nosey folks would do something like that without a second thought. Yet, I reminded myself that there was nothing to be embarrassed about.
It would be fine. So, one gossip site posted about us getting married. Whoop-de-do. There was probably a thousand sites just like it.
I briefly thought about Diana hearing about it, but I’d deal with that later. There was no use in getting scared now. She was the only one whose reaction I cared about. My mom and sisters’ opinions and feelings weren’t exactly registering at the top of my list now… or ever. I made myself shove them to the back of my thoughts. I was tired of being mad and upset; it affected my work. Plus, they’d made me sad and mad enough times in my life. I wasn’t going to let them ruin another day.
Picking my phone up again, I quickly texted Aiden back, swallowing my nausea at the same time.
Me: Who told you?
Not even two minutes passed before my phone dinged with a response.
Miranda: Trevor’s blowing up my phone.
Eww. Trevor.
Me: We knew it was going to happen eventually, right? Good luck with Trev. I’m glad he doesn’t have my number.
And I was even gladder there wasn’t a home phone; otherwise, I’m positive he would have been blowing it up too.
I managed to get back to looking at images on the screen for a few more minutes—a bit more distracted than usual—when the phone beeped again.
It was Aiden/Miranda. I should really change his contact name.
Miranda: Good luck? I’m not answering his calls.
What?
Me: That psycho will come visit if you don’t.
Was that me being selfish? Yes. Did I care? No.
Aiden: I know.
Uh.
Me: You’re always at practice…
Aiden: Have fun.
This asshole! I almost laughed, but before I could, he sent me another message.
Aiden: I’ll get back to him in a couple days. Don’t worry.
Snorting, I texted back.
Me: I’m not worried. If he drops by, I’ll set him up in your room.
Aiden: You genuinely scare me.
Me: You don’t know how many times you barely made it through the day alive, for the record.
He didn’t text me back after that
”
”
Mariana Zapata (The Wall of Winnipeg and Me)
“
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me.
My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand.
If I pushed her down across my knees, I could spank her ass.
She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?”
“Did you send me a potato?”
Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?”
“Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?”
Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?”
“Yeeeess. The note says to call you before I open it. Why am I afraid?”
Kristen giggled. “Open it now. Is Brandon with you?”
“Yes, he’s with me. He’s shaking his head.”
I could picture his face, that easy smile on his lips.
“Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!”
Kristen rolled forward, putting her forehead to my shoulder in laughter.
“I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!”
Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though.
“Wait, who’s with you?” Sloan asked.
Kristen wiped at her eyes. “Josh is here.”
“Didn’t he have a date tonight? Brandon told me he had a date.”
“He did, but he came back over after.”
“He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting.
Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering.
“And what did you two talk about?” I asked, arching an eyebrow.
I liked that she’d talked about me. Liked it a lot.
“Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.”
A hot fireman like you.I did my best to hide my smirk.
“So do you do this to Sloan a lot?” I asked.
“All the time. I love messing with her. She’s so easily worked up.” She reached for her beer.
I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?”
She took a swig of her beer. “With the fan on medium.”
My laugh came so hard Stuntman Mike looked up and cocked his head at me.
She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?”
“Those candles are a huge fire hazard.” I tipped my beer toward the screen.
“Right? And try getting wax out of the carpet. Good luck with that.”
I looked at the side of her face. “So what do you think is romantic?”
“Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor.
But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary … You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals.
You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs.
My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
”
”
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
“
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond.
But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen.
Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now.
Now, not then.
I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it.
There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together.
There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.'
I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now.
He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on.
Even when broken it still works.
”
”
Cecelia Ahern (Thanks for the Memories)