Philippine Literature Quotes

Pinapakita nyong mga dayuhang libro pa rin at mga dayuhang libro lang ang tinatangkilik ng mga tao. Bakit magsusugal ang mga publisher sa Pilipinong manunulat kung hindi naman pala mabili ang mga kwentong isinusulat ng mga Pilipino? At kung walang mga publisher na tatanggap ng mga trabaho ng mga Pilipinong manunulat, sino pa ang gugustong magsulat? Kung walang magsusulat, ano ang kahihinatnan ng panitikan sa bansa at sa kakayanan nating bumasa't sumulat?

Rizal" is a compulsory course in school, but few teachers make Rizal's novels interesting. If students are taught to enjoy Rizal's works as literature instead of as a lodemine of 'patriotic' allusions I am sure they would not mind reading and rereading the 'Noli me Tangere'.

Ang panitikan ay hindi sarili ng iilang tao lamang; yaoý pag-aari ng sino mang may tapat na pagnanasang maghain ng kanyang puso, diwa't kaluluwa alang-alang sa ikaluluwalhati ng sangkatauhang kinabibilangan niya.

Just as in textual ethics, compassion fatigue is a recurring term across this literature, as different scholars are concerned about patterns of society-wide desensitization and indifference to social suffering as a function of mediation. However, compassion fatigue is operationalized and measured in different ways. There are those who empirically study patterns of avoidance toward televised suffering (Kinnick et al. 1996); some research rhetorical responses of apathy or pity toward specific texts of suffering (Höijer 2004); others theorize about both (Cohen 2001; Seu 2003).

Writing from my life, I know it's pure ego and vanity that motivated me. But early too, I also realized I was not writing for myself along; I was also voicing the feelings of my kin in that village where I grew up, giving them and my countrymen memory, shaping their dreams. I've done this with perseverance and dogged industry; by doing so, I hope I have given this transient life meaning, ennobling each trivial day. All this compulsion, as a duty and as a Filipino.

What, after all, is literature but pain remembered. In remembering, we adorn it with our imagination, our craftsmanship, ennobling it perhaps, imbuing it with permanence; it then exists beyond our puny lives, a testament to your humanity for all the world to witness. And having witnessed it, it is our hope that what we have written will evoke compassion, for in the end, this is what draws us together.

All of us who write short stories, novels, poems--we endure the agony of creating these, maybe because some celestial hand has touched our hearts and perhaps, just perhaps, we will be able to create beauty that will endure to adorn an otherwise dismal world.

For Filipinos, revolution was not just a crash course in warfare, it was a school of learning. The forms of writing and composition corresponded to the exigencies of the time: proclamations, manifestoes, improvisatory theater, verses, and songs. The literature produced was not just war propaganda but texts that aimed to constitute a nation.

You cannot ask the poor for sacrifices," I said. "We are already poor. What can we give? How do you measure the patriotism of the poor?

which the United States seized, in the name of liberty, Spanish imperial possessions from Cuba to the Philippines. A century after it was written, when our literature was being deployed in the 1950s as a weapon on the cultural front of the Cold War, it seemed an expression of self-serving generosity in the spirit of the Marshall Plan. By the Vietnam era, it was widely cited as an exhibit of national arrogance—a sort of naive companion text to Norman Mailer’s novel Why Are We in Vietnam?—in which one could see America in all its fatal pride. Today, amid images of the invasion and occupation of Iraq, it has again become a passage of great power and unsettling ambiguity.

Umaalis ang mga magulang upang habulin ang kanilang mga pangarap, at malao't madali, may mga anak na tutunton sa duguang bakas ng kanilang ama't ina.