Peter Torch Quotes

The torches went out, and in the darkness, he placed his lips to my ear. “I believe you because I choose to; not because I do.

There was nothing of high mark in this. They were not a handsome family; they were not well dressed; their shoes were far from being water-proof; their clothes were scanty; and Peter might have known, and very likely did, the inside of a pawnbroker’s. But, they were happy, grateful, pleased with one another, and contented with the time; and when they faded, and looked happier yet in the bright sprinklings of the Spirit’s torch at parting, Scrooge had his eye upon them, and especially on Tiny Tim, until the last.

Their meal was illuminated by torches, which Gwen found were utterly without fire. What the children called torches were really just small platforms on tall, wooden poles. The reason they radiated light was because fairies had flown up to them to waltz and glow on the tiny dance floors.

The most sacred truths of the faith are given full material reality, leading up to that moment when Christ himself becomes present at the altar. This was marked by the moment of elevation when the priest held up the host, become by a miracle the body of Jesus. At that instant candles and torches, made up of bundles of wood, were lit to illuminate the scene; the sacring bell was rung, and the church bells pealed so that those in the neighbouring streets or fields might be aware of the solemn moment. It was the sound which measured the hours of their day. Christ was present in their midst once more and, as a the priest lifted up the thin wafer of bread, time and eternity were reconciled.

After that came a moment which is hard to describe, for the children seemed to be seeing three things at once. One was the mouth of a cave opening into the glaring green and blue of an island in the Pacific, where all the Telmarines would find themselves the moment they were through the Door. The second was a glade in Narnia, the faces of Dwarfs and Beasts, the deep eyes of Aslan, and the white patches on the Badger’s cheeks. But the third (which rapidly swallowed up the other two) was the gray, gravelly surface of a platform in a country station, and a seat with luggage round it, where they were all sitting as if they had never moved from it--a little flat and dreary for a moment after all they had been through, but also, unexpectedly, nice in its own way, what with the familiar railway smell and the English sky and the summer term before them. “Well!” said Peter. “We have had a time.” “Bother!” said Edmund. “I’ve left my new torch in Narnia.

They worked at the ivy with their hands and with Peter’s pocket-knife till the knife broke. After that they used Edmund’s. Soon the whole place where they had been sitting was covered with ivy; and at last they had the door cleared. “Locked, of course,” said Peter. “But the wood’s all rotten,” said Edmund. “We can pull it to bits in no time, and it will make extra firewood. Come on.” It took them longer than they expected and, before they had done, the great hall had grown dusky and the first star or two had come out overhead. Susan was not the only one who felt a slight shudder as the boys stood above the pile of splintered wood, rubbing the dirt off their hands and staring into the cold, dark opening they had made. “Now for a torch,” said Peter. “Oh, what is the good?” said Susan. “And as Edmund said--” “I’m not saying it now,” Edmund interrupted. “I still don’t understand, but we can settle that later. I suppose you’re coming down, Peter?” “We must,” said Peter. “Cheer up, Susan. It’s no good behaving like kids now that we are back in Narnia. You’re a Queen here. And anyway no one could go to sleep with a mystery like this on their minds.

The Gestapo hanged the final group of 28 July 20th “traitors” on April 20th, 1945 as a birthday present to the Fuhrer. Many of the victims made no effort to either kill themselves or escape prior to their arrest, preferring to await the Gestapo with “dignity” and thus express their belief they were neither criminals nor traitors but brave German officers doing their duty and accepting the consequences of failure. Peter Yorck von Wartenburg wrote to his wife during the trials, “I, too, am dying for my country, and even if it seems to all appearances a very inglorious and disgraceful death, I shall hold up my head and I only hope that you will not believe this to be from pride or delusion. We wished to light the torch of life and now we stand in a sea of flames.” (Thomsett, 1997, 236).

Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!" -Emma Lazarus

The Devil’s Chessboard seeks to shine a torch down the well of “deep politics,” as Peter Dale Scott—an important scholar of American power—has termed this underworld of unaccountable authority. Until we have a full reckoning of the Dulles era and its high crimes, the country cannot find its way forward.

For the crowd’s immeasurable pleasure, as Peter’s life was ebbing away, two hundred Christian men and women were dragged into the stadium, stripped naked, flogged and tied to stakes. Ravenous dogs, mad at the scent of blood, were brought in to finish them off. And that night and for nights on end Nero’s gardens were the scene of a ghastly display: Christians whom Nero had dipped in animal fat and turned into human torches to illuminate the husk of a city that had once been the great Rome.

If the word citronella makes you think of candles and torches, the people at the candle companies are doing their jobs right. But citronella isn't just for candles. You can wear it, too. Citronella is an essential oil derived from lemongrass, and it's one of the most beloved mosquito repelling substances around.

I HAVEN’T HAD the Dream in a long time. But it’s back. And it’s changed. It does not begin as it always has, with the chase. The woods. The mad swooping of the griffins and the charge of the hose-beaked vromaski. The volcano about to erupt. The woman calling my name. The rift that opens in the ground before me. The fall into the void. The fall, where it always ends. Not this time. This time, these things are behind me. This time, it begins at the bottom. I am outside my own body. I am in a nanosecond frozen in time. I feel no pain. I feel nothing. I see someone below, twisted and motionless. The person is Jack. Jack of the Dream. But being outside it, I see that the body is not mine. Not the same face. As if, in these Dreams, I have been dwelling inside a stranger. I see small woodland creatures, fallen and motionless, strewn around the body. The earth shakes. High above, griffins cackle. Water trickles beneath the body now. It pools around the head and hips. And the nanosecond ends. The scene changes. I am no longer outside the body but in. Deep in. The shock of reentry is white-hot. It paralyzes every molecule, short-circuiting my senses. Sight, touch, hearing—all of them join in one huge barbaric scream of STOP. The water fills my ear, trickles down my neck and chest. It freezes and pricks. It soothes and heals. It is taking hold of the pain, drawing it away. Drawing out death and bringing life. I breathe. My flattened body inflates. I see. Smell. Hear. I am aware of the soil ground into my skin, the carcasses all around, the black clouds lowering overhead. The thunder and shaking of the earth. I blink the grit from my eyes and struggle to rise. I have fallen into a crevice. The cracked earth is a vertical wall before me. And the wall contains a hole, a kind of door into the earth. I see dim light within. I stand on shaking legs. I feel the snap of shattered bones knitting themselves together. One step. Two. With each it becomes easier. Entering the hole, I hear music. The Song of the Heptakiklos. The sound that seems to play my soul like a guitar. I draw near the light. It is inside a vast, round room, an underground chamber. I enter, lifted on a column of air. At the other side I see someone hunched over. The white lambda in his hair flashes in the reflected torch fire. I call to him and he turns. He looks like me. Beside him is an enormous satchel, full to bursting. Behind him is the Heptakiklos. Seven round indentations in the earth. All empty.