Sunset Reminds Me Of Quotes

I’ve always been enchanted by the endings of things. Series finales and sunsets. Last paragraphs and encores. I think for the way they remind me that losing something you love isn’t always sad and heartbreaking, but sometimes breathtaking and beautiful.

I like old bookstores, the smell of coffee brewing, rainy day naps, farmhouse porches, and sunsets. I like the sweet, simple things that remind me that life doesn’t have to be complicated to be beautiful.

Do you see the colours, Salama?' Kenan whispers. The sunset is gorgeous, but it pales in comparison to him. He's drenched in the dying day's glow, a kaleidoscope of shades dancing on his face. Pink, orange, yellow, purple, red. Finally settling into an azure blue. It reminds me of Layla's painting. A colour so stark it would stain my fingers were I to touch it. As the sun sinks, in those few precious moments when the world is caught between day and night, something shifts between Kenan and me. 'Yes,' I breathe. 'Yes.

But this girl—She reminded me of what it was like to believe in something. Her hope was naïve, but it was real, and I hadn’t felt something real in years. Nothing positive anyways. (Eric)

You existence reminded me of sunsets and ocean waves yet you still wonder what it took for me to fall for someone like you

This poem is very long So long, in fact, that your attention span May be stretched to its very limits But that’s okay It’s what’s so special about poetry See, poetry takes time We live in a time Call it our culture or society It doesn’t matter to me cause neither one rhymes A time where most people don’t want to listen Our throats wait like matchsticks waiting to catch fire Waiting until we can speak No patience to listen But this poem is long It’s so long, in fact, that during the time of this poem You could’ve done any number of other wonderful things You could’ve called your father Call your father You could be writing a postcard right now Write a postcard When was the last time you wrote a postcard? You could be outside You’re probably not too far away from a sunrise or a sunset Watch the sun rise Maybe you could’ve written your own poem A better poem You could have played a tune or sung a song You could have met your neighbor And memorized their name Memorize the name of your neighbor You could’ve drawn a picture (Or, at least, colored one in) You could’ve started a book Or finished a prayer You could’ve talked to God Pray When was the last time you prayed? Really prayed? This is a long poem So long, in fact, that you’ve already spent a minute with it When was the last time you hugged a friend for a minute? Or told them that you love them? Tell your friends you love them …no, I mean it, tell them Say, I love you Say, you make life worth living Because that, is what friends do Of all of the wonderful things that you could’ve done During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted And in this very long poem I’m trying to let a poem do what a poem does: Make things simpler We don’t need poems to make things more complicated We have each other for that We need poems to remind ourselves of the things that really matter To take time A long time To be alive for the sake of someone else for a single moment Or for many moments Cause we need each other To hold the hands of a broken person All you have to do is meet a person Shake their hand Look in their eyes They are you We are all broken together But these shattered pieces of our existence don’t have to be a mess We just have to care enough to hold our tongues sometimes To sit and listen to a very long poem A story of a life The joy of a friend and the grief of friend To hold and be held And be quiet So, pray Write a postcard Call your parents and forgive them and then thank them Turn off the TV Create art as best as you can Share as much as possible, especially money Tell someone about a very long poem you once heard And how afterward it brought you to them

Why do all the movies end with the couple running off into the sunset? That’s so boring. Where are the sad stories? That’s why I like Saviour, you know. Life isn’t neat, it’s dirty. I like to be reminded that fucked up stuff exists. It gives me…feelings. Doesn’t feeling stuff, even if it’s bad, make you remember that you’re…I don’t know, alive?

This is a tapestry of every sunset and sunrise …It reminds me that if the sun comes up, the day has beautiful purpose. For God made it so, yes?

As surely as the sunset in my latest November shall translate me to the ethereal world, and remind me of the ruddy morning of youth; as surely as the last strain of music which falls on my decaying ear shall make age to be forgotten, or, in short, the manifold influences of nature survive during the term of our natural life, so surely my Friend shall forever be my Friend, and reflect a ray of God to me, and time shall foster and adorn and consecrate our Friendship, no less than the ruins of temples.

Toward the evening the sky took on the same color as the fires. Everything took on that color, the sky, the buildings, even the ground. Just before the sunset the red in the sky would deepen to the color of blood. I imagined the sky bleeding. I imagined the heavens suffering with us. To this day a red sunset reminds me of the bleeding sky of Auschwitz.

The sunset reminds me of me as a person. But not the current me. No, the one from before last night, when I was a more orange version of myself.

It’s called “Caliban At Sunset”.’ ‘What at sunset?’ ‘Caliban.’ He cleared his throat, and began: I stood with a man Watching the sun go down. The air was full of murmurous summer scents And a brave breeze sang like a bugle From a sky that smouldered in the west, A sky of crimson, amethyst and gold and sepia And blue as blue as were the eyes of Helen When she sat Gazing from some high tower in Ilium Upon the Grecian tents darkling below. And he, This man who stood beside me, Gaped like some dull, half-witted animal And said, ‘I say, Doesn’t that sunset remind you Of a slice Of underdone roast beef?’ He

Chapter 1 I was sitting in Tina's Sunset Restaurant, watching the outriggers shuffle lazily through the clear waters of Sabang Bay, when Tomboy took a seat opposite me, ordered a San Miguel from Tina's daughter, and told me someone else had to die. It was five o'clock in the afternoon, there wasn't a cloud in the sky, and up until that point I'd been in a good mood. I told him I didn't want to kill people anymore, that it was a part of my past I didn't want to be reminded of, and he replied that he understood all that, but once again we needed the money. 'It's just the way the cookie crumbles.' he added, with the sort of bullshit 'I share your suffering' expression an undertaker might give to one of his customer's relatives. Tomboy Darke was my business partner and a man with a cliche for every occasion, including murder.

This is the Los Angeles Lakers of sunsets. Purple and yellow, it reminds me of Larry Bird.

How long have we lived together?” “Too fucking long. That reminds me, I forgot to tell you years ago, pack your shit and get out.

Every sunset gives me a hope to live. It reminds me, You have capture more with your heart. It reminds me you are not alone, surrounded by a beautiful world, always there for you.

It was a rather odd melody. It reminded me of sunsets I had never seen myself because they were before my time, and of sunsets I never will see, because they'll happen long after I'm dead.

It may be that God is reminding me that I am approaching my November. Well, why regret it? November has beauty, has seen the harvest into the barns, even laid by next year's seed. No need to fret about not being allowed to stay and sow it, someone else will do that. So go contentedly into the earth with the moist, gentle, skeletal leaves, worn to cobweb fragility, like the skins of very old men, that bruise and stain at the mere brushing of the breeze, and flower into brown blotches as the leaves into rotting gold. The colors of late autumn are the colors of the sunset: the farewell of the year and the farewell of the day. And of the life of man? Well, if it ends in a flourish of gold, that is no bad ending.

I will look at the vastness of the ever changing sky the presence of the moon that helps the sea the same sunset that has been going around the earth for billions of years and remind myself that the same universe that made them and gave them such purpose also made me.

How is it the seasons change? Do they change so slowly so creepingly because we so rarely break away from whatever it was that we were dreaming to notice? What the season brings us to suffer (because seasons, no matter how lovely, will bring us to suffer) it brings when we are not looking. I know the look of a cracked landscape, winter in black and white, flat and finite with a sunset on the horizon like a red heartbeat suffering there. It will take me longer each morning now to go out and face it, the leaves shivering then falling about as if to remind that somehow despite leavings, there is some magic, some beauty there. I don’t want it: the mountain view, the shimmer of summer rain, a troutfilled creek. How is it that I came to be here this way with the wind a suggestion that it was, indubitably was, autumn (already and again)?

I saw him with her last week, at a coffeehouse near my apartment. They were holding hands. She’s captivated him.” “The Lakota Captive.” Leta made a line in the air with her hand. “I can see it now, the wily, brave Lakota warrior with the brazen white woman pioneer. She carries him off into the sunset over her shoulder…” Cecily whacked her with a strand of grass she’d pulled. “You write history your way, I’ll write it my way,” Leta said wickedly. “Native Americans are stoic and unemotional,” Cecily reminded her. “All the books say so.” “We never read many books in the old days, so we didn’t know that,” came the dry explanation. She shook her head. “What a sad stereotype so many make of us-a bloodthirsty ignorant people who never smile because they’re too busy torturing people over hot fires.” “Wrong tribe,” Cecily corrected. She frowned thoughtfully. “That was the northeastern native people.” “Who’s the Native American here, you or me?” Cecily shrugged. “I’m German-American.” She brightened. “But I had a grandmother who dated a Cherokee man once. Does that count?” Leta hugged her warmly. “You’re my adopted daughter. You’re Lakota, even if you haven’t got my blood.

I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.

I rise above the farmhouse and see slates and green, the gutter of leaves that remind me of fall and seasons that change no matter who dies. I am high in the sky and Montana is a footnote, patchwork fields stitched by tractors like ants, people that bob like they are drowning in ordinary. The ocean is endless but I see its end. I see the earth, the curves are tomorrow but it won't turn. I see clouds that hold sky, a sunset in the desert and a rise over metals. Before long I am darkness and stars and their moons. The world is nothing, so small I raise a finger and hide it. I am the God I don't believe in. I am big enough to stop the bad men.

The Bible is full of evidence that God’s attention is indeed fixed on the little things. But this is not because God is a Great Cosmic Cop, eager to catch us in minor transgressions, but simply because God loves us—loves us so much that the divine presence is revealed even in the meaningless workings of daily life. It is in the ordinary, the here—and—now, that God asks us to recognize that the creation is indeed refreshed like dew—laden grass that is “renewed in the morning” (Ps 90:5), or to put it in more personal and also theological terms, “our inner nature is being renewed every day” (2 Cor 4:16). Seen in this light, what strikes many modern readers as the ludicrous attention to detail in the book of Leviticus, involving God in the minutiae of daily life—all the cooking and cleaning of a people’s domestic life—might be revisioned as the very love of God. A God who cares so much as to desire to be present to us in everything we do. It is this God who speaks to us through the psalmist as he wakes from sleep, amazed, to declare, “I will bless you, Lord, you give me counsel, and even at night direct my heart” (Ps 16:7, GR). It is this God who speaks to us through the prophets, reminding us that by meeting the daily needs of the poor and vulnerable, characterized in the scriptures as the widows and orphans, we prepare the way of the Lord and make our own hearts ready for the day of salvation. When it comes to the nitty—gritty, what ties these threads of biblical narrative together into a revelation of God’s love is that God has commanded us to refrain from grumbling about the dailiness of life. Instead we are meant to accept it gratefully, as a reality that humbles us even as it gives us cause for praise. The rhythm of sunrise and sunset marks a passage of time that makes each day rich with the possibility of salvation, a concept that is beautifully summed up in an ancient saying from the monastic tradition: “Abba Poeman said concerning Abba Pior that every day he made a new beginning.

You know,” I said, “you don’t owe New Fiddleham anything. You don’t need to help them.” “Look,” Charlie said as we clipped past Market Street. He was pointing at a man delicately painting enormous letters onto a broad window as we passed. NONNA SANTORO’S, it read, although the RO’S was still just an outline. “That Italian restaurant?” “Yes,” he smiled. “They will be opening their doors for the first time very soon. Sweet family. I bought my first meal in New Fiddleham from that man. A couple of meatballs from a street cart were about all I could afford at the time. He’s an immigrant, too. He’s going to do well. His red sauce is amazing.” “That’s grand for him, then,” I said. “I like it when doors open,” said Charlie. “Doors are opening in New Fiddleham every day. It is a remarkable time to be alive anywhere, really. Do you think our parents could ever have imagined having machines that could wash dishes, machines that could sew, machines that do laundry? Pretty soon we’ll be taking this trolley ride without any horses. I’ve heard that Glanville has electric streetcars already. Who knows what will be possible fifty years from now, or a hundred. Change isn’t always so bad.” “Your optimism is both baffling and inspiring,” I said. “The sun is rising,” he replied with a little chuckle. I glanced at the sky. It was well past noon. “It’s just something my sister and I used to say,” he clarified. “I think you would like Alina. You often remind me of her. She has a way of refusing to let the world keep her down.” He smiled and his gaze drifted away, following the memory. “Alina found a rolled-up canvas once,” he said, “a year or so after our mother passed away. It was an oil painting—a picture of the sun hanging low over a rippling ocean. She was a beautiful painter, our mother. I could tell that it was one of hers, but I had never seen it before. It felt like a message, like she had sent it, just for us to find. “I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.” “I think I like Alina already. It’s a heartening philosophy. I only worry that it’s wasted on this city.” “A city is just people,” Charlie said. “A hundred years from now, even if the roads and buildings are still here, this will still be a whole new city. New Fiddleham is dying, every day, but it is also being constantly reborn. Every day, there is new hope. Every day, the sun rises. Every day, there are doors opening.” I leaned in and kissed him on the cheek. “When we’re through saving the world,” I said, “you can take me out to Nonna Santoro’s. I have it on good authority that the red sauce is amazing.” He blushed pink and a bashful smile spread over his face. “When we’re through saving the world, Miss Rook, I will hold you to that.

She’s smart, but it’s not just that she’s smart. She works harder than anyone I know, yet she’s too hard on herself. Everyone likes Mia. From the geeks to the jocks to the stoners, every single group of kids in our class has nothing but the best to say about her because she never judges. She’s not petty like other people. She doesn’t gossip, but instead, she gives people the benefit of the doubt. I’ve seen her put others first, one too many times because she hates confrontation. Unless it’s with me, of course, and then she’s brutal.” Carson’s voice grew soft as he turned me around in his arms to face him. “But she puts too much pressure on herself to be perfect. And I hate that. It eats away at me when I see it.” My heart pounded like a drum in my chest until I thought it might burst. All I could do was stare up at him, my lashes fluttering as I blinked away my shock. He reached up to my hair and smoothed a hand through my locks, and for a moment, I wondered if he remembered we weren’t alone, that there was someone—a stranger—standing only feet away from us, but he just continued, dragging his fingers through the length of my locks as he said, “Her hair. . .it reminds me of the sunset—both orange, and fiery pink, and pale yellow at the same time. She’s a good friend—loyal to the core and trustworthy, the kind who will be on your side through anything. And her laugh. . .She has this laugh. The one where she doesn’t think someone’s funny, but she’s pretending anyway. That laugh doesn’t reach her eyes. But her real laugh, now that’s something to see because her whole face gets into it. It’s uncontrollable. It sounds like wind chimes, and she crinkles her nose and eyes.” Reaching up, he touched the bridge of my nose, making me gasp. “And every time I hear it, I think, I want to be the one to make her laugh like that because it’s impossible to hear and not smile. It pulls you in, that laugh.

Writing about the circulation of information, Berardi makes a distinction that’s especially helpful here, between what he calls connectivity and sensitivity. Connectivity is the rapid circulation of information among compatible units—an example would be an article racking up a bunch of shares very quickly and unthinkingly by like-minded people on Facebook. With connectivity, you either are or are not compatible. Red or blue: check the box. In this transmission of information, the units don’t change, nor does the information. Sensitivity, in contrast, involves a difficult, awkward, ambiguous encounter between two differently shaped bodies that are themselves ambiguous—and this meeting, this sensing, requires and takes place in time. Not only that, due to the effort of sensing, the two entities might come away from the encounter a bit different than they went in. Thinking about sensitivity reminds me of a monthlong artist residency I once attended with two other artists in an extremely remote location in the Sierra Nevada. There wasn’t much to do at night, so one of the artists and I would sometimes sit on the roof and watch the sunset. She was Catholic and from the Midwest; I’m sort of the quintessential California atheist. I have really fond memories of the languid, meandering conversations we had up there about science and religion. And what strikes me is that neither of us ever convinced the other—that wasn’t the point—but we listened to each other, and we did each come away different, with a more nuanced understanding of the other person’s position. So connectivity is a share or, conversely, a trigger; sensitivity is an in-person conversation, whether pleasant or difficult, or both. Obviously, online platforms favor connectivity, not simply by virtue of being online, but also arguably for profit, since the difference between connectivity and sensitivity is time, and time is money. Again, too expensive. As the body disappears, so does our ability to empathize.

Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it’s heavy, a thick curtain pulled up over the eyes. Wool blanket.” ― Margaret Atwood, The Handmaid's Tale tags: night 321 likes Like “I am not your justification for existence.” ― Margaret Atwood, The Handmaid's Tale 316 likes Like “I want to be held and told my name. I want to be valued, in ways that I am not; I want to be more than valuable. I repeat my former name; remind myself of what I once could do, how others saw me. I want to steal something.

I saw her tonight. I didn’t mean to and I wasn’t prepared for it. I came across her sweet smiling face and I had no choice but to be confronted with all the emotions and memories I associated with her. It brought me back to this past summer when she passed from this world into the next and how I watched the minutes in the day pass and felt the sorrow of the approaching sunset knowing that darkness would soon follow. There is something profound about the first night after someone you love dies. Seeing her again and mourning the loss of her anew reminded me that we keep too much to ourselves and we let people go without them ever knowing how much they touched us, intrigued us, taught us, or moved us. I’m a firm believer in actions doing the telling, but people need to hear it as well.

Then your thinking self kicks in: ‘Wow, look at all those colours! This reminds me of that sunset we saw on holiday last year. I wish I had my camera. It’s so beautiful; this looks like something out of a movie.’ The more attention your observing self pays to the running commentary of the thinking self, the more you lose direct contact with that sunset.

My eyes bloom as I meet a silk as smooth as water. It shines like a pool of opals. The connection is tender and romantic, like how the feeling of summer swelled up within Romeo when he first laid eyes on Juliet. She was beautiful, as fair as their beloved Verona. And here, this dress reminds me of all the loveliness of Luna Island. It's hand dyed soft colors--- blush and blue, lilac and lemon--- like a sunset sky above island waters. A blue sash cinches the waist, and the bow in the back fans out into multiple ribbons, each one a color featured on the dress. Labyrinthine embroidery coils into rose-like shapes, and ruffled sleeves remind me of cream puff shells.

I Am What Remains of Me”: October 9, 2024 at 9:53 AM Verse 1: I used to be a cowboy, riding high and free, With a heart full of dreams and a love that was meant to be. But the winds of change blew hard, and the years took their toll, Now I’m just a shadow, a man without a soul. Chorus: I am what remains of me, a ghost of who I used to be, Lost in the echoes of a love that couldn’t stay. I am what remains of me, a broken heart and memories, Wandering these empty fields, where we used to play. Verse 2: We danced under the moonlight, with stars in our eyes, But the fire burned out, and left me with goodbyes. Now the whiskey’s my companion, and the night my only friend, As I search for pieces of a heart that won’t mend. Chorus: I am what remains of me, a ghost of who I used to be, Lost in the echoes of a love that couldn’t stay. I am what remains of me, a broken heart and memories, Wandering these empty fields, where we used to play. Bridge: The sunsets still remind me of the warmth of your embrace, But the dawn brings the cold, and the tears upon my face. I keep holding on to moments that have slipped away, Hoping someday I’ll find the strength to face another day. Chorus: I am what remains of me, a ghost of who I used to be, Lost in the echoes of a love that couldn’t stay. I am what remains of me, a broken heart and memories, Wandering these empty fields, where we used to play. Outro: So I’ll ride into the sunset, with the pain that never fades, A lonely cowboy searching for the love that we once made. I am what remains of me, a story left untold, In the heart of a cowboy, who’s lost his way back home.

With each press and pull, I tasted the sweetness of forgotten memories, the bitterness of past separations, the tang of adventures shared, and the rich, heady essence of love rekindled. The flavor was more intoxicating than any wine, and I found myself drowning in it, wanting to savor every drop. She reminded me of a stormy night, a sunlit day, a snow-laden morning, and a fiery sunset all at once.

You look like you’re surprised about something.” “I used to hate sunsets,” I admitted. “I thought they were depressing. Sunsets represented endings, and they reminded me that every good thing comes to an end. I always felt sad when I saw one, but now… I don’t think they’re so bad. I like nights better than days, anyway.” “Good,” Xavier said softly. “I like nights better, too.

Can I also work for you?” “You can lose to me,” he said, and shook his head. “You still gotta drop two.” “How about, if I win, you have to hire me.” “No,” he said. “So, what do you actually want to do?” “I want to make enough money so I can buy back the big yellow house in St. Paul.” “I meant for work.” “I think I want to be a teacher,” she said for the first time. It was scary to hear herself say it. “Do you think I’d be a good teacher?” He looked at her with a placid, impressed stare. It reminded her of how her father, who didn’t enjoy much, used to look at the sunset. “You’re the second person I’ve ever let into my house. I’d say you can do anything you set your mind to.

In the growing light of the sun behind me, I could finally make out that they weren’t the brown I suspected. They were the darkest shade of blue I’d ever seen, and it reminded me of when I was a kid and my parents had taken me west to California, a rare treat they could barely afford. We had gone to see the ocean when we arrived but missed the best part of the sunset. Yet the light had been just enough that the water wasn’t quite black yet but a blue so dark. A shade I didn’t know the word for.

My friends wouldn't have a platform to deliver a poignant speech about how we met, but they could show me how much they cared in other ways: checking in during their coffee breaks when I'm upset over a racist encounter, surreptitiously leaving a Polaroid of a moody Halifax sunset on my desk because it reminds them of me, an invitation to go for a quiet walk on the beach, or simply to sit in the kitchen with them while they bake an apple pie because there's a whisper of Fall in the air

He shrugged. “I can’t speak for the rest of Scotland, but I rarely use the word myself.” Our eyes met again. “I think I like calling you that. Lass.” He let the word drip from his tongue, and I held onto it until the very last sound. “A green-eyed lass as pretty as the sunset over the loch. Yes, it suits you.” “But my name is Sabrina,” I reminded him playfully. “You said you’d call me ‘M’lord.’ I think it’s fair that I have a nickname for you, too.

I rise above the farmhouse and see slates and green, the gutter of leaves that remind me of fall and seasons that change no matter who dies. I am high in the sky and Montana is a footnote, patchwork fields stitched by tractors like ants, people that bob like they are drowning in ordinary. “The ocean is endless but I see its end. I see the earth, the curves are tomorrow but it won’t turn. I see clouds that hold sky, a sunset in the desert and a rise over metals. Before long I am darkness and stars and their moons. The world is a nothing so small I raise a finger and hide it. I am the God I don’t believe in. I am big enough to stop the bad men.

A relentless storm rages within me, a maelstrom born out of this irritating affliction called Akathisia. This isn't just restlessness; it's akin to being trapped in a never-ending marathon with invisible shackles chaining every muscle, nerve, and inch of my being. I see the world around me as vibrant, lively, and pulsating with life, yet I'm confined to this lonely island of agony, isolated and misunderstood. Every moment is a battle against an invisible enemy that holds my peace hostage. I clench my fists, grit my teeth, and ride out the waves of torment. But the relentless onslaught of Akathisia never ceases. An unseen demon has sunk its claws into my soul, forcing me to endure this relentless turmoil. I look into the mirror and see a stranger staring back, a hollow shell writhing in pain, enslaved by an unseen tormentor. The cruel irony is that the world continues to spin, oblivious to the infernal landscape that has become my existence. From sunrise to sunset, the silent scream of Akathisia echoes within me, a chilling reminder of the hell on earth I am condemned to.

I never dreamed I’d find a woman as perfectly suited for me as she is. Alexa loves the color green, but not just any green. It’s a mint green—a sea foam green. The shade suits her well because she has always reminded me of the sea. She is calm like the ocean waves. She is a constant source of light, like a lighthouse. She is hard-working, like a ship in the middle of a storm. She is a safe harbor. She is a bright horizon. And I want to sail into the sunset with her.

She’d moved away, to cities out east, but now she was back, and she wondered how she could have possibly forgotten her love of the place. On her good days, the scent of desert flowers and creosote bush was all the therapy she needed. On her bad, it was still a steadfast reminder that the landscape had been a comfort yesterday and would be again tomorrow. Sometimes she couldn’t help but feel she’d been a terrible friend, abandoning a place that had meant so much to her at one time. And yet the desert didn’t seem to care about her thoughtlessness. It remained the same, continuing to turn sunrises orange and sunsets red. It continued to sit quietly under fast-moving clouds and thunderstorms while allowing the wind to carry its sand away, lifting the grains high, taking them far

(Home) ‘This land is beautiful, but the people are horrible.’ The people took this beautiful land and raped it, and put up a bunch of ugly boxes, however, my home is in the Victorian-style and it is old and has a handcrafted personality. There is an ancient oak tree outside my window, sometimes I step out my window then onto the roof of the porch, and sit in the tree branch that hangs over, and watches all the stars as they appear to turn on and off. Yes, I have wished upon a shooting star, that things will change, and that the towers will be no more. Looking straight ahead, I can see all the lights that go on the horizon, some days the sunsets are blazing before the lights turn on. Then there are some days that the window is shut because it is cold windy while everything is chilled with the color of blue. (Frame of mind) My mood can change just like this and that it seems. Yes, just like all the summer turns into winter, and the winters turn into spring, and all of these thoughts running in my mind fall like the leaves through my brain, and they most likely do not mean a thing. I guess you could blame it on my ADD, ADHD, dyslexia, bipolar disorder, or OCD. I do not have any of these… I do not have anything wrong with me. But, if you are like one of the sisters or someone from my school, you would say my mood changes are because of my- STD’s, HIV, or being as they say GAY or BI, and LEZ-BO. They have also said, I am a pedophile and a child stocker, and I get moody if I do not get some from them. That is why I am so sober at times, or so they say. Whatever…! They also have said that I am a schizophrenic- psycho and that I could not even buy love. I would not try that anyways. I think that having money does not give you happiness; I am okay being a humble farm- girl, the guy that finds me… needs to be happy with that also. I am sure there are more things they say. However, those are just some of them that I can dredge up as of now, off the top of my head. They have murdered me and my life, in so many ways. So now, do you wonder as to why I am afraid of talking to people or even looking at them? You know you and they can try to destroy me, and my life. However, I do not have any of those listed either; none of these random arrangements of letters defines me as the person I truly am. (Sight) Looking out the windows, I can see the golden hayfields of ecstasy, I see the windmills that twist and tumble. I can see the abandoned railroad track that lies not far from my home. I can hear the cries of the swing as the wind gusts in spurts. But yet I am still in my room, but that is just okay with me. Because I know that there will someday soon be someone there for me. (Household) My room is a land of peace and tranquility without all the gloom, with a bed and a canopy overhead but still, I am not truly happy? There is nothing- like the sounds of the crickets speaking up often in the cool August night breeze. It is relaxing to me, however; it is a reminder to me of how the last glimmers of summer are ending. Besides the sounds slowly fade away, yes- I can hear this music from my bedroom window. It is just like in the spring the birds sing in the morning and leave in the cool gusts to come. It is just like the hummingbirds that flutter by, and then before I know it, all has changed; so, it seems by the time I walk out my bedroom door, to start my day. ‘Life goes in cycles of tunes it seems, and nature is its synchronization in its symphony you just have to listen.

Because beautiful things always make us sad,' she replied, closing her eyes and nestling her head against his. 'Why?' 'Because we can't hold onto them forever.' 'No, because they're transient, like a rainbow or a sunset. Nothing beautiful lasts. Or perhaps because they remind us of where we came from and our spirits long to return

There is another extreme to be wary of, I remind myself. Behind my desk I have a good library and a philosophy degree on the wall. I appreciate solid research and reasoned conclusions, but I get impatient when academicians limit the boundaries of truth within the five senses and the bicameral brain. At that point I put aside the book and step outside. There, with the warm colors of a sunset or the pastels of a rainbow, I breathe in the clear air and sense again my own Self. A bird chirps, a squirrel scurries up a tree. This divine Essence is greater than my body and utilizes more senses than my physical limitations. Scientists know that colors vibrate at a particular frequency, but there is much more going on; sentient beings delight in the pulsating rhythmic waves and lovers swoon in romantic locales. My own inner barometer senses a higher Order. A hawk or eagle catches my eye. It majestically circles above me, high in the blue sky, then it shoots off towards the west, where rain clouds gather. The sun is setting, light beams through, and a rainbow forms. Thank you Hawk. I get a thrill, my hair stands on end. Something else is here. Signs in the sky. Auspicious. Yes. The mysteries are still here, and we are being called.

She looked so old that she reminded me of a comic book hero of my childhood: The Heap. It was a World War I German pilot who was shot down and lay wounded for months in a bog and was slowly changed by mysterious juices into a ⅞ plant and ⅛ human thing. The Heap walked around like a mound of moldy hay and performed good deeds, and of course bullets had no effect on it. The Heap killed the comic book villains by giving them a great big hug, then instead of riding classically away into the sunset like a Western, The Heap lumbered off into the bog. That’s the way the old woman looked.

She’d kind of been missing him. In a friendly way. Like in a let’s-catch-up-over-a-cup-of-coffee way, more than a let’s-wander-along-the-beach-at-sunset-and-you-can-smile-at-me-with-those-incredible-blue-eyes way. Because she was with Daniel, she didn’t think about other guys. She definitely didn’t start blushing intensely in the middle of class while reminding herself that she didn’t think about other guys.