Personalized Blankets With Quotes

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For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
Gillian Flynn (Gone Girl)
-BDB on the board- Knitter's Anonimous May 8, 2006 Rhage (in his bedroom posting in V's room on the board) Hi, my name is V. ("Hi, V") I've been knitting for 125 years now. (*gasping noises*) It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks. (*sounds of sympathy*) I've come seeking a community of people who, like me, are trying not to knit. Can you help me? (*We're with you*) Thank you (*takes out hand-knitted hankie in pink*) (*sniffles*) ("We embrace you, V") Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother. Rhage: Four words? Okay...lemme see... Rhage, you're so sexy. hmmm.... Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P" Use your head for the other three. Bastard. Rhage: P? Hmm... Please pass the yarn Vishous: Payback is a bitch! Rhage: Ohhhhhhhhhhhh I'm so scuuuuuurred. Can you whip me up a blanket to hide under?
J.R. Ward (The Black Dagger Brotherhood: An Insider's Guide (Black Dagger Brotherhood))
As I climbed up into the high old bed, the large fly in my personal ointment did the same. Had I actually told him he could get in bed with me? Well, I decided, as I wriggled down under the soft old sheets and the blanket and the comforter, if Eric had designs on me, I was just too tired to care. "Woman?" "Hmmm?" "What's your name?" "Sookie. Sookie Stackhouse." "Thank you, Sookie." "Welcome, Eric.
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
Anything in your life that’s acting as a security blanket is only smothering the person you were born to be.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
Billy covered his head with his blanket. He always covered his head when his mother came to see him in the mental ward - always got much sicker until she went away. It wasn’t that she was ugly, or had bad breath or a bad personality. She was a perfectly nice, standard-issue, brown-haired, white woman with a high school education. She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone through so much trouble to give him life, and to keep that life going, and Billy didn’t really like life at all.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Before our white brothers came to civilize us we had no jails. Therefore we had no criminals. You can't have criminals without a jail. We had no locks or keys, and so we had no thieves. If a man was so poor that he had no horse, tipi or blanket, someone gave him these things. We were too uncivilized to set much value on personal belongings. We wanted to have things only in order to give them away. We had no money, and therefore a man's worth couldn't be measured by it. We had no written law, no attorneys or politicians, therefore we couldn't cheat. We really were in a bad way before the white men came, and I don't know how we managed to get along without these basic things which, we are told, are absolutely necessary to make a civilized society.
John Fire Lame Deer (Lame Deer, Seeker of Visions)
It's strange," I say to Day later, as we both curl up on the floor. Outside, the hurricane rages on. In a few hours we'll need to head out. "It's strange being here with you. I hardly know you. But...sometimes it feels like we're the same person born into two different worlds." He stays quiet for a moment, one hand absently playing with my hair. "I wonder what we would've been like if I'd been born into a life more like yours,and you had been born into mine. Would we be just like we are now? Would I be one of the Republic's top soldiers? And would you be a famous criminal?" I lift my head off his shoulder and look at him. "I never did ask you about your street name.Why 'Day'?" "Each day means a new twenty-four hours. Each day means everything's possible again.You live in the moment, you die in the moment,you take it all one day at a time." He looks toward the railway car's open door, where streaks of dark water blanket the world. "You try to walk in the light.
Marie Lu (Legend (Legend, #1))
You learn to appreciate the fact that what drives you is very different from what you’re told should make you happy. You learn that it’s okay to prefer your personal idea of heaven (live-tweeting zombie movies from under a blanket of kittens) rather than someone else’s idea that fame/fortune/parties are the pinnacle we should all reach for. And there’s something surprisingly freeing about that.
Jenny Lawson (Furiously Happy: A Funny Book about Horrible Things)
I keep my kindness in my eyes Gently folded around my iris Like a velvety, brown blanket That warms my vision I keep my shyness in my hair Tucked away into a ponytail Looking for a chance to escape On a few loose strands in the air I keep my anger on my lips Just waiting to unleash into the world But trust me; it’s never in my heart It evaporates into words I keep my dignity upon my chin Like a torch held up high For those who have betrayed me Radiating a silent, strong message I keep my gratitude in my smile A glistening waterfall in the sun Gently splashing at that person Who made me happy for some reason I keep my sensitivity in my hands Reaching out for your wet cheek Holding you, with all the love The love I want to share, and feel I keep my passion in my writing My words breathing like fire Screeching against an endless road As I continue to be inspired I keep my simplicity in my soul Spread over me like a clear sky Reflecting all that I am And all that’s ever passed me by And I hope you will look Beyond my ordinary face My simple, tied hair My ordinary tastes And I hope you will see me From everyone...apart As I keep my beauty in my heart.
Sanober Khan
Sister, there are people who went to sleep all over the world last night, poor and rich and white and black, but they will never wake again. Sister, those who expected to rise did not, their beds became their cooling boards, and their blankets became their winding sheets. And those dead folks would give anything, anything at all for just five minutes of this weather or ten minutes of that plowing that person was grumbling about. So you watch yourself about complaining, Sister. What you're supposed to do when you don't like a thing is change it. If you can't change it, change the way you think about it. Don't complain.
Maya Angelou (Wouldn't Take Nothing for My Journey Now)
Some people walk through a hallway with covered mirrors– the hallway is lined with mirrors but there are blankets covering each of them. They go through life believing in an image of themselves that isn't real, and an image of themselves standing in the world and relative to the world, that isn't real. If you happen to be in that hallway and pull the blankets off the mirrors, they're going to think that you're hurting them; but they're actually just seeing their reflection for the first time. Sometimes the most horrendous thing a person can see, is all the hidden things inside them, the things they've covered, the things they choose not look at. And you're not hurting them, you're setting them free.
C. JoyBell C.
The pathetic thing I wanted to say to him on the phone – but didn’t – was this: When you're a little kid, you have something. Maybe it's a blanket or a stuffed animal or whatever. For me, it was this stuffed prairie dog that I got one Christmas when I was like three. I don't even know where they found a stuffed prairie dog, but whatever, it sat up on its hind legs and I called him Marvin, and I dragged Marvin around by his prairie dog ears until I was about ten. And then at some point, it was nothing personal against Marvin, but he started spending more time in the closet with my other toys, and then more time, until finally Marvin became a full-time resident of the closet. But for many years afterward, sometimes I would get Marvin out of the closet and just hang out with him for a while – not for me, but for Marvin. I realized it was crazy, but I still did it. And the thing I wanted to say to Tiny is that sometimes, I feel like his Marvin.
John Green (Will Grayson, Will Grayson)
On a good day, every small thing is enchanting. Everything is a miracle. There is no emptiness. There is no need for forgiveness or escape or medicine. I hear only the wind in the trees, and my devils hatching their sacral plans, fusing all the shattered pieces together into a blanket of ice. I have found that it's under that ice that I can feel I am just another normal person. In the dark and cold, I am at 'peace.
Ottessa Moshfegh (Homesick for Another World)
Perhaps I was easier to shake off for you because you’re such a together person. I was just an extra layer on the outside… like a blanket you could shrug off and feel just the same…. except maybe a little colder…. But I was always a broken person that was haphazardly held together by little more than my own strength. And so you just seeped in the cracks and mingled with my insides until you became an inseparable part of me. And as painful as that is, it still kind of warms me to know I will always carry a part of you with me.
Ranata Suzuki
I had noticed before that to sleep, actually sleep with someone did give this sense of intimacy, as though your dreams had flowed out of you to mingle with theirs and fold you both in a blanket of unconscious knowing. A throwback of some kind, I thought... it was an act of trust to sleep in the presence of another person. If the trust was mutual, simple sleep could bring you closer together than the joining of bodies.
Diana Gabaldon (Outlander (Outlander, #1))
Alone in my room, wrapped in a blanket, I whimpered and talked aloud to myself, recalling the lost glory of my youth when I considered myself, and was considered by others, a bright and capable person. It seemed that was all gone now.
Nicole Krauss (Great House)
Winston hits a switch. The lights go out. There’s a rustle of blankets. “If I hear any of you talk,” Winston says, “I will personally send Brendan over to kick you in the face.” “I am not going to kick anyone in the face.” “Kick yourself in the face, Brendan.” “I don’t even know why we’re friends.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Displaced Person’s Song If you see a train this evening, Far away, against the sky, Lie down in your woolen blanket, Sleep and let the train go by. Trains have called us, every midnight, From a thousand miles away, Trains that pass through empty cities, Trains that have no place to stay. No one drives the locomotive, No one tends the staring light, Trains have never needed riders, Trains belong to bitter night. Railway stations stand deserted, Rights-of-way lie clear and cold, What we left them, trains inherit, Trains go on, and we grow old. Let them cry like cheated lovers, Let their cries find only wind, Trains are meant for night and ruin, And we are meant for song and sin.
Thomas Pynchon (Gravity’s Rainbow)
Sometimes one forgives in order to remain in a relationship with someone she cares about, even if the person has caused her pain and anguish. It's not a blanket pardon; it's the trade-off one is willing to make when preserving the relationship is more important than correcting the injustice.
Carolyn Jessop (Triumph: Life After the Cult--A Survivor's Lessons)
I lay there wrapped in Carter’s arms and it was the most comfortable I had ever been. For about five minutes. This just proved that everything they did in the movies was a load of bullshit. His arm was under my neck on the pillow which tilted my head at an awkward angle. I could already feel the beginnings of a kink. I was starting to sweat like a whore in church with his other arm heavily draped over my waist and his legs tangled with mine. With my sweaty ass and his itchy leg hair, it felt like I had a hundred mosquito bites on my legs. It would be wrong to kick him now, right? I shifted my body just the tiniest bit. I didn't want him to think I didn't want to cuddle, but I was going insane trying to lie perfectly still. . . . "Out with it, Claire," Carter mumbled close to my ear. Shit. Now it was going to get awkward. We just now had sex for the first time in years and I was going to tell him to get away from me so I could sleep. I am the most unromantic person in the world. . . . "My neck is killing me and I'm so hot right now my skin could start a blanket fire," I rambled. Carter was quiet. Too quiet. Shit, I hurt his feelings. "Oh, thank fucking God," he said as he pulled both of his arms out from around me. "My arm fell asleep and my legs were getting a cramp.
Tara Sivec
Keefe?' Amy repeated, her lips curling into a grin. 'He's the supercute blonde guy you picked up cookies for, right? The one who keeps staring at you all intense when I met him, like you were the only person that mattered to him in the entire universe?' Someone coughed near the doorway. It was probably Grady, maybe Edaline too, but Sophie decided she would rather not know who was eavesdropping. 'He doesn't stare at me like that,' she said, hoping her cheeks weren't blushing too badly. It didn't help that Ro kept cackling beside her. ... 'I swear, you have no idea how lucky you are, getting to be around so many gorgeous boys all the time. I don't know how you haven't dated any of them--or have you?' 'She tried with Fitzy,' Ro answered for her. 'But then she realized he was too boring, so they broke up.' 'That's not what happened!' Sophie argued--over lots more coughing from the doorway. 'We didn't really date. We just sort of... liked each other... openly. But then it got super complicated, so we decided to focus on being friends. ... Why are we talking about this?' Sophie asked ... 'Because it's fun watching you get all red and fidgety!' Amy told her. 'Plus, there's a chance our boy is somewhere nearby, listening to this conversation,' Ro added before she raised her voice to a shout. 'Hear that, Hunkyhair? Get your overdramatic butt back here! Your girl is single--and the great Foster Oblivion is over! This is what you've been waiting for!' 'Hunkyhair?' Amy asked, raising one eyebrow as Sophie contemplated smothering herself with her blankets. 'Great Foster Oblivion?' 'Never mind,' Sophie mumbled, sinking deeper into her blankets.
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
Everybody knows that a good mother gives her children a feeling of trust and stability. She is their earth. She is the one they can count on for the things that matter most of all. She is their food and their bed and the extra blanket when it grows cold in the night; she is their warmth and their health and their shelter; she is the one they want to be near when they cry. She is the only person in the whole world in a whole lifetime who can be these things to her children. There is no substitute for her.
Katharine Butler Hathaway
The truth doesn’t matter,’ Pip said, digging her nails into her thigh. The Pip from last year wouldn’t recognize this one today. That lively-eyed girl and her school project, naïvely clinging to the truth, wrapping it around herself like a blanket. But the Pip sitting here was a different person and she knew better. The truth had burned her too many times; it couldn’t be trusted
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
People often say “Just look for the silver lining.” But what do you say to the person surrounded by fog? They don’t see a fluffy object in the sky, blocking the sun for a moment or two. But instead, they see everything as it was before, but through the murky, un-clarity of hopelessness. As if they were standing at the bottom of a grimy lake except able to breathe. But not wanting to because with each breath they grow numb from the cold loneliness. What if they’re surrounded by a dreary blanket of darkness, made up of their own thoughts, too impenetrable for any light to break through? So what do you tell that person who, as far as the eye could see, only sees fog? A place where there is no silver lining peeking around the corner. Imagine a place where your only companion is the confusion you walk around with.
Sadie Turner
Every single person I've seen in the past few days asks me about the Leg. How is it? How's the Leg? The Leg is attached. Thanks for asking. There's The Leg right there. It's on display, always outside of the sheets and blanket, although the whole thing is still so wrapped up it looks like I borrowed The Leg from some ancient Egyptian mummy. How's The Leg? It seems a bit mummyish, thanks.
Michael Grant (Eve & Adam (Eve & Adam, #1))
My parents taught me to zoom in, ya know? It’s easy to judge others from afar. It’s easy to look at someone from outside your world and make blanket statements and judgments on who those people are. Because when you see others’ flaws, you somewhat justify that your flaws are better than theirs. But when you zoom in, when you truly look at the person beside you, you’ll see many of the same things. Hope. Love. Fear. Anger. Once you zoom in, you realize we are all similar in so many ways. We all bleed red, and even monster’s hearts can break. Just gotta remember to always zoom in.
Brittainy C. Cherry (Disgrace)
Alone in my room, wrapped in a blanket, I whimpered and talked aloud to myself, recalling the lost glory of my youth when I considered myself, and was considered by others, a bright and capable person. It seemed that was all gone now. I wondered whether what I was experiencing was some sort of psychotic break, the sort that ambushes a person who until then has lived an ordinary life, auguring a new existence full of torment and struggle.
Nicole Krauss (Great House)
Griffin spoke around a mouthful of food. “What’s it like being blind?” “Do you think about what it’s like to have hair every second?” Cheyenne blew air out of her nose. “It’s just who I am now. I try not to think about it all the time.” Which was true. But it didn’t work. She never really forgot that she was blind. And even if she did for a minute, she could count on there being a reminder. Usually painful. She sighed. “At first, it feels like someone has thrown a blanket over your head. Some days you just want to scream, ‘I’m inside here! Doesn’t anybody out there see that? Doesn’t anybody remember me? I’m still the same person!’ ” Cheyenne fell silent. She knew the last sentence wasn’t true, even if she wanted it to be. She wasn’t the same person.
April Henry (Girl, Stolen (Girl, Stolen, #1))
And the way I loved her was like nothing else. This, I decided, was the love all other loves were measured against. They say girls look to marry their fathers, but I decided after having Maxie that we all, every one of us, were looking to marry our mothers. Sitting on the sofa with her wrapped in a soft blanket in my arms, I’d think, ‘This baby has it so good.’ It just seemed that the love I’d been searching and hoping for all my life was what Maxie already had right now: two big arms and a lap, a warm blanket, the background music of a heartbeat and a pair of lungs, food at a moment’s notice, sleep at every urge, and a person totally obsessed with her, whose every moment—waking or otherwise—was totally devoted to her comfort and care. Was that so much to ask for?
Katherine Center
I had not slept with many men other than my husband, but I noticed before that to sleep, actually sleep with someone did give this sense of intimacy, as though your dreams had flowed out of you to mingle with his and fold you both in a blanket of unconsciousness knowing. A throwback of some kind, I thought. In older, more primitive times, it was an act of trust to sleep in the presence of another person. If the trust was mutual, simple sleep could bring you closer together than the joining of bodies.
Diana Gabaldon (Outlander (Outlander, #1))
Late into the night she reads, and the lamplight falls in a soft circle across her tented knees, across the warm blankets, across Luca's casting breath. In their new home, Lydia rereads Amor en los tiempos del colera, first in Spanish, then again in English. No one can take this from her. This book is hers alone.
Jeanine Cummins (American Dirt)
Pain is such a personal thing. I wear mine like a cloak of protection, keeping people at bay. Max just casually removes it from my shoulders and drops it to the ground. If that weren't intimidating enough, he lays it out like a picnic blanket, waiting for me to take a seat and join him.
Maggi Myers (Lily Love)
You’ve got to get cold to get warm,” Phoebe said. Now that is the truth. That is so true about so many things. You learn it first with sheets and blankets: that the initial touch of the smooth sheets will send you shivering, but their warming works fast, and you must experience the discomfort to find the later contentment. It’s true with money and love, too. You’ve got to save to have something to spend. Think of how hard it is to ask out a person you like. In my case, Claire asked me to go on a date to the cash machine, so I didn’t actually have to ask her. Still, her lips were cold, but her tongue was warm.
Nicholson Baker (A Box of Matches)
I’m rarely at a loss for words outside the library. But within its walls I'm required to form sentences that no logical person should ever have to utter, for instance, "You can't sleep on the floor at the library under your blanket.
Josh Hanagarne (The World's Strongest Librarian: A Memoir of Tourette's, Faith, Strength, and the Power of Family)
There, in her imagination, was everything Irene feared—seeing herself reduced to a cliché of old age, a person without agency, without hope or future or intention, sitting by herself in a comfortable chair with a blanket over her knees, in the waiting room of death.
Paula Hawkins (A Slow Fire Burning)
A brick could be used as a doorstop. But that’s obvious. What isn’t obvious is why somebody would want to stop a door, since doors represent openness. What is that person hiding behind that door that they want to stop people from opening it up? I don’t know, but it’s got to be diabolical, and if anything is to be stopped, it’s not the door—it’s the evil plan by the Door Master to take over the world.

Jarod Kintz (Brick and Blanket)
Seafood poisoning, a cigarette lit as the person is drifting off to sleep and that sets fire to the sheets or, worse, to a woollen blanket; a slip in the shower—the back of the head—the bathroom door locked; a lightning bolt that splits in two a tree planted in a broad avenue, a tree which, as it falls, crushes or slices off the head of a passer-by, possibly a foreigner; dying in your socks, or at the barber’s, still wearing a voluminous smock, or in a whorehouse or at the dentist’s; or eating fish and getting a bone stuck in your throat, choking to death like a child whose mother isn’t there to save him by sticking a finger down his throat; or dying in the middle of shaving, with one cheek still covered in foam, half-shaven for all eternity, unless someone notices and finishes the job off out of aesthetic pity; not to mention life’s most ignoble, hidden moments that people seldom mention once they are out of adolescence, simply because they no longer have an excuse to do so, although, of course, there are always those who insist on making jokes about them, never very funny jokes.
Javier Marías (Tomorrow in the Battle Think on Me)
When a tragedy occurs, do not say that your thoughts are with the victims. People do not need thoughts, they need blankets, they need food, they need water, they need shelter. They need a shoulder to cry on and a hand to hold. All the cumulative thoughts from every sentient being that has ever existed is worth less than a single glass of water given to a thirsty person. - Holy Scrolls of Soeck, Eighteenth Binding, Fourteenth Stanza
Aaron Lee Yeager (Kharmic Rebound)
The human heart is fragile. So delicate that it should be protected, taken care of. Nurtured and swaddled among piles of blankets like an infant. Because once it breaks... It´s broken forever. After you heart breaks once, it never heals quite right. There are always cracks, or chipped pieces. And depending on what kind of person you are and what kind personal strenght you have, sometimes after your heart breaks it can feel like you´ve never had a heart at all. Or that it´s hardened. Turned to stone. Then... You change. Become a different person. You become bitter. Cold. Distant. You start to hate things. And people. Pretty much everything around you. You hate the sun for rising every day. You hate the moon for illuminating the night sky. Hate, hate, hate. It consumes you. It eats you alive from the inside out. Until... Hate is the only thing you know. And pretty soon your days stretch on and on and are never ending decades of nothingness. You forget what it´s like to feel. You forget what it´s like to love. And more then anything you feel like you´ll never deserve the kind of love you once had. I´ve been there. I´ve been full of hate.
Lauren Hammond (Beautiful Nightmares (Asylum, #3))
I press my back against the wall and feel the pressure of it against my whole body. I want to feel enclosed again, protected, safe as I was in the village. I wrap the blanket tightly around me, and I try to comfort myself by thinking about Tadeusz, but the loneliness that has opened up inside me is bigger than one person can fill.
Brigid Pasulka (A Long, Long Time Ago and Essentially True)
Before he became a father, he imagined the relationship as being like an intensive version of owning a pet. The child, he thought, was essentially a passive, a vessel into which you poured your love. On TV that’s how it looked. Children were silent, dormant; you went into their bedrooms, gazed down at them fondly, drew the blankets over them as they slept. But in life, he discovered, parenthood was like – it was – living with a person. A new person, with strong opinions, strong tastes, arbitrary swings of emotion, all of them addressed at you. You were the passive one: the work of care was primarily to endure, to weather the endless, buffeting storms of unmediated will.
Paul Murray (The Bee Sting)
The black mother perceives destruction at every door, ruination at each window, and even she herself is not beyond her own suspicion. She questions whether she loves her children enough- or more terribly, does she love them too much? Do her looks cause embarrassment- or even terrifying, is she so attractive her sons begin to desire her and her daughters begin to hate her. If she is unmarried, the challenges are increased. Her singleness indicates she has rejected or has been rejected by her mate. Yet she is raising children who will become mates. Beyond her door, all authority is in the hands of people who do not look or think or act like her children. Teachers, doctors, sales, clerks, policemen, welfare workers who are white and exert control over her family’s moods, conditions and personality, yet within the home, she must display a right to rule which at any moment, by a knock at the door, or a ring in the telephone, can be exposed as false. In the face of this contradictions she must provide a blanket of stability, which warms but does not suffocate, and she must tell her children the truth about the power of white power without suggesting that it cannot be challenged.
Maya Angelou (The Heart of a Woman)
All this is to say, if your present community sees your spiritual journey as a problem because you are wandering off their beach blanket, it may be time to find another community. One should never do that impulsively. But if after a time you are sensing that you do not belong, that you are a problem to be corrected rather than a valued member of the community, maybe God is calling you elsewhere and to find for yourself that “they” aren’t so bad after all. That decision is very personal (sometimes involving whole families) and can take some courage to make, but it is worth the risk. One thing is certain: if you stay where you are without any change at all, the pressure to either conform or keep quiet will work in you like a slow-acting poison. And if you go too far down that road, it can be a tough haul coming back from bitterness and resentment—especially for children.
Peter Enns (The Bible Tells Me So: Why Defending Scripture Has Made Us Unable to Read It)
Bricks could be used to neatly pack your suitcase. It would promote personal strength and frugality.

Jarod Kintz (Brick and Blanket Test in Brick City (Ocala) Florida)
A brick could be used to float a good idea at work—especially if it’s a good idea that would be bad for you personally.

Jarod Kintz (Brick and Blanket Test in Brick City (Ocala) Florida)
A brick and a blanket aptly describe my former roommate. He was as dumb as a brick, and only highly functional on a bed. Or so I heard—not that I’d know from personal experience.

Jarod Kintz (A brick and a blanket walk into a bar)
A brick represents my rationality, and a blanket represents my emotions. It’s robot versus mannequin, and to get a sense of who I am as a person, you need some mortar and a pillow.

Jarod Kintz (Brick and Blanket)
WE ALL create the person we become by our choices as we go through life. In a very real sense, by the time we are adult, we are the sum total of the choices we have made. This is not pleasant hearing for the person who wishes to place the responsibility for what he has become on someone else or on that blanket alibi, circumstances beyond his control. To such a person the circumstances always seem to be beyond his control. But I believe most firmly that in the long run every single one of us must be responsible for himself and for his actions.
Eleanor Roosevelt (You Learn by Living: Eleven Keys for a More Fulfilling Life)
To whom it may concern, I don't know what brought you to this little shed, but I hope you'll be happy here - for however long you need to stay. I've taken the liberty of restocking the woodpile and bringing some new blankets and a few dishes, some matches and a mirror (because even though you may be the only person for twenty miles in any direction, most people feel better when they know what their hair looks like). Help yourself to the canned goods - that's what they're here for. But most of all, be careful and take care of this place. It's special to me. Maddie (and me, too - Logan)
Ally Carter (Not If I Save You First)
A brick could be used to stall for time when the police are searching your place looking for a missing person. I kept telling them, I didn’t steal a person—I kidnapped a mannequin. Is that a crime? 

Jarod Kintz (Brick and Blanket Test in Brick City (Ocala) Florida)
The last person to come through the line was Chiron himself, pushed in his wheelchair by Rachel Dare. The old centaur gave Leo a warm, fatherly smile. “My boy, I am so pleased to have you back. And you freed Calypso, I see. Well done, and welcome, both of you!” Chiron spread his arms for a hug. “Uh, thanks, Chiron.” Leo leaned forward. From underneath Chiron’s lap blanket, his equine foreleg shot out and implanted a hoof in Leo’s gut. Then, just as quickly, the leg disappeared. “Mr. Valdez,” Chiron said in the same kindly tone, “if you ever pull a stunt like that again—” “I got it, I got it!” Leo rubbed his stomach. “Dang, for a teacher, you got a heck of a high kick.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
This was really something to experience: free restaurant menu of our choice, smiling and caring assistants who looked like Hollywood stars, warm blankets to cover our feet during the journey, personal video screens, lovely presents… every little thing was taken into account for our personal convenience. Any celebrity would be pleased with this type of service! It was an unforgettable flight—another shock during this holiday, and this time a pleasant one.
Sahara Sanders (MALDIVES... THE PARADISE (ALL AROUND THE WORLD: A Series of Travel Guides))
At the same moment when massive global institutions seem to rule the world, there is an equally strong countermovement among regular people to claim personal agency in our own lives. We grow food in backyards. We brew beer. We weave cloth and knit blankets. We shop local. We create our own playlists. We tailor delivery of news and entertainment. In every arena, we customize and personalize our lives, creating material environments to make meaning, express a sense of uniqueness, and engage causes that matter to us and the world. It makes perfect sense that we are making our spiritual lives as well, crafting a new theology. And that God is far more personal and close at hand than once imagined.
Diana Butler Bass (Grounded: Finding God in the World-A Spiritual Revolution)
In the years following my first hospitalization and my first explorations into myself, I determined to become someone I could live with, if not, in the words of the therapist, someone I could love. My first efforts were based on my blanket acceptance that I wasn't a very good person, and that I should change those parts of myself that could be changed. I hadn't yet realized that I'd simply internalized all the verbal assaults that characterized the first eighteen years of my life.
Pat Capponi (Upstairs In The Crazy House: The Life Of A Psychiatric Survivor)
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
I had noticed before that to sleep, actually sleep with someone did give this sense of intimacy, as though your dreams had flowed out of you to mingle with his and fold you both in a blanket of unconscious knowing. A throwback of some kind, I thought. In older, more primitive times (like these? asked another part of my mind), it was an act of trust to sleep in the presence of another person. If the trust was mutual, simple sleep could bring you closer together than the joining of bodies.
Diana Gabaldon (Outlander (Outlander, #1))
He said that once you find that person, your split-apart, you are blanketed by such belonging, such desire, that you will never want to be without it . . . as Plato said, ‘and they don’t want to be separated from one another, not even for a moment.
Tillie Cole (A Veil of Vines)
Winston hits a switch. The lights go out. There's a rustle of blankets. 'If I hear any of you talk,' Winston says. 'I will personally send Brendan over to kick you in the face.' 'I am not going to kick anyone in the face.' 'Kick yourself in the face, Brendan.' 'I don't even know why we're friends.' 'Please shut up,' Lily shouts from her corner. 'You heard the lady,' Winston says. 'Everyone shut up.' 'You're the one talking dumbass,' Ian says. 'Brendan, kick him in the face, please.' 'Shut up, mate, I am not kicking any-' 'Good Night,' Castle says. Everyone stops breathing. 'Good night, sir,' Kenji whispers. I roll over so I'm face-to-face with Kenji. He grins at me in the dark. I grin back. 'Good night,' I mouth. He winks at me.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I had not slept with many men other than my husband, but I noticed before that to sleep, actually sleep with someone did give this sense of intimacy, as though your dreams had flowed out of you to mingle with his and fold you both in a blanket of unconsciousness knowing. A throwback of some kind, I thought. In older, more primitive times, it was an act of trust to sleep in the presence of another person. If the trust was mutual, simple sleep could bring you closer together than joining the bodies.
Diana Gabaldon (Outlander (Outlander, #1))
The bunk was a long, rectangular building. Inside, the walls were whitewashed and the floor unpainted. In three walls there were small, square windows, and in the fourth a solid door with a wooden latch. Against the walls were eight bunks, five of them made up with blankets and the other three showing their burlap ticking. Over each bunk there was nailed an apple-box with the opening forward so that it made two shelves for the personal belongings of the occupant of the bunk. And these shelves were loaded with little articles, soap and talcum-powder, razors and those Western magazines ranch-men love to read and scoff at and secretly believe. And there were medicines on the shelves, and little vials, combs; and, from nails on the box-sides, a few neck-ties. Near one wall there was a black cast-iron stove, its stove-pipe going straight up through the ceiling. In the middle of the room stood a big square table littered with playing-cards, and around it were grouped boxes for the players to sit on.
John Steinbeck (Of Mice and Men)
A brick could be used to control whole populations of people. Just get a good looking person, like a news anchor, to give it out to the masses and say soothing things with a straight face and all will be OK and the system will continue on as centrally planned. 

Jarod Kintz (Brick and Blanket Test in Brick City (Ocala) Florida)
Be happy. Do things that make you happy within the confines of the legal system. Do things that make you feel good and proud. It can be almost anything. Name something. Yes, sure, try that. Contribute to the world. Help people. Help one person. Help someone cross the street today. Help someone with directions unless you have a terrible sense of direction. Help someone who’s trying to help you. Just help. Make an impact. Show someone you care. Say yes instead of no. Say something nice. Smile. Make eye contact. Hug. Kiss. Get naked. Laugh. Laugh as much as you can. Laugh until you cry. Cry until you laugh. Keep doing it even if people are passing you on the street saying, “I can’t tell if that person is laughing or crying but either way they seem crazy, let’s walk faster.” Emote. It’s okay. It shows you are thinking and feeling. Find out who you are and figure out what you believe in. Even if it’s different from what your neighbors believe in and different from what your parents believe in. Stay true to yourself. Have your own opinion. Don’t worry about what people say about you or think about you. Let the naysayers nay. They will eventually grow tired of naying. I don’t mean to tell you what to do or how to live your lives, but those are some of the things that have worked for me. And I believe with all my heart and soul that even if we try the teeniest tiniest bit we can make this world a much happier and healthier one. And if we try even harder, we can do some pretty spectacular things. I know sometimes it seems like a world that has a blanket with sleeves can’t get any better, but I think it can.
Ellen DeGeneres (Seriously...I'm Kidding)
Here’s the reality: “Infants and toddlers are natural night-wakers which has been shown to be protective against SIDS (Sudden Infant Death Syndrome). Children tend to differ not in whether they wake in the night or not, but in whether they need help being soothed back to sleep or not based on their own unique personality, health, environmental factors, etc. Sleeping patterns are neither a sign of a ‘good’ baby or a ‘bad’ baby, just a normal baby. Even adults tend to wake frequently at night, but typically just roll over or adjust their blankets or take a quick trip to the bathroom and then go back to sleep. They just often don’t remember any of it in the morning! In reality, night-waking is simply a biological norm1 that has been misconstrued as ‘problems sleeping’ or ‘sleep issues’ by the demands of our modern, hectic lifestyle.
L.R. Knost (The Gentle Parent: Positive, Practical, Effective Discipline (A Little Hearts Handbook))
Triumph of hope over experience,” Parks observes. “Nostalgia,” Dr Caldwell says categorically. “The psychological comfort outweighs the logical objections. Everybody needs a security blanket.” Only idiots, Parks thinks. Personally, he tends to see security in much less abstract terms. Gallagher
M.R. Carey (The Girl With All the Gifts)
Social psychologists have likened the effects of COVID-19 to that of the great World Wars for the characteristics are all there down to the sirens and curfews; it is after all a life-altering event that has blanketed the world with uncertainty and an unfathomable restriction on personal freedoms.
Aysha Taryam
THOSE BORN UNDER Pacific Northwest skies are like daffodils: they can achieve beauty only after a long, cold sulk in the rain. Henry, our mother, and I were Pacific Northwest babies. At the first patter of raindrops on the roof, a comfortable melancholy settled over the house. The three of us spent dark, wet days wrapped in old quilts, sitting and sighing at the watery sky. Viviane, with her acute gift for smell, could close her eyes and know the season just by the smell of the rain. Summer rain smelled like newly clipped grass, like mouths stained red with berry juice — blueberries, raspberries, blackberries. It smelled like late nights spent pointing constellations out from their starry guises, freshly washed laundry drying outside on the line, like barbecues and stolen kisses in a 1932 Ford Coupe. The first of the many autumn rains smelled smoky, like a doused campsite fire, as if the ground itself had been aflame during those hot summer months. It smelled like burnt piles of collected leaves, the cough of a newly revived chimney, roasted chestnuts, the scent of a man’s hands after hours spent in a woodshop. Fall rain was not Viviane’s favorite. Rain in the winter smelled simply like ice, the cold air burning the tips of ears, cheeks, and eyelashes. Winter rain was for hiding in quilts and blankets, for tying woolen scarves around noses and mouths — the moisture of rasping breaths stinging chapped lips. The first bout of warm spring rain caused normally respectable women to pull off their stockings and run through muddy puddles alongside their children. Viviane was convinced it was due to the way the rain smelled: like the earth, tulip bulbs, and dahlia roots. It smelled like the mud along a riverbed, like if she opened her mouth wide enough, she could taste the minerals in the air. Viviane could feel the heat of the rain against her fingers when she pressed her hand to the ground after a storm. But in 1959, the year Henry and I turned fifteen, those warm spring rains never arrived. March came and went without a single drop falling from the sky. The air that month smelled dry and flat. Viviane would wake up in the morning unsure of where she was or what she should be doing. Did the wash need to be hung on the line? Was there firewood to be brought in from the woodshed and stacked on the back porch? Even nature seemed confused. When the rains didn’t appear, the daffodil bulbs dried to dust in their beds of mulch and soil. The trees remained leafless, and the squirrels, without acorns to feed on and with nests to build, ran in confused circles below the bare limbs. The only person who seemed unfazed by the disappearance of the rain was my grandmother. Emilienne was not a Pacific Northwest baby nor a daffodil. Emilienne was more like a petunia. She needed the water but could do without the puddles and wet feet. She didn’t have any desire to ponder the gray skies. She found all the rain to be a bit of an inconvenience, to be honest.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
We should therefore, with grace and optimism, embrace NOMA's tough-minded demand: Acknowledge the personal character of these human struggles about morals and meanings, and stop looking for definite answers in nature's construction. But many people cannot bear to surrender nature as a "transitional object"--a baby's warm blanket for adult comfort. But when we do (for we must), nature can finally emerge in her true form: not as a distorted mirror of our needs, but as our most fascinating companion. Only then can we unite the patches built by our separate magisteria into a beautiful and coherent quilt called wisdom.
Stephen Jay Gould (Rocks of Ages: Science and Religion in the Fullness of Life)
You ask me why the I.W.W. is not patriotic to the United States. If you were a bum without a blanket; if you had left your wife and kids when you went west for a job, and had never located them since; if your job had never kept you long enough in a place to qualify you to vote; if you slept in a lousy, sour bunkhouse, and ate food just as rotten as they could give you and get by with it; if deputy sheriffs shot your cooking cans full of holes and spilled your grub on the ground; if your wages were lowered on you when the bosses thought they had you down; if there was one law for Ford, Suhr, and Mooney, and another for Harry Thaw; if every person who represented law and order and the nation beat you up, railroaded you to jail, and the good Christian people cheered and told them to go to it, how in hell do you expect a man to be patriotic? This war is a business man’s war and we don’t see why we should go out and get shot in order to save the lovely state of affairs that we now enjoy.
Howard Zinn (A People's History of the United States: 1492 to Present)
A brick could be used as the perfect response in one particular situation. Next time someone says, “I love you,” say nothing. Just grab a brick, cradle it with both hands like a kitten, and hold it out to the other person. Whether you want the other person to leave, or whether you want them to stay, the response works flawlessly every time.

Jarod Kintz (Brick and Blanket)
That's what coming face-to-face with six months in the woods will do to you: as soon as you realize you have the chance to be a different person, you become one. You can forget who you are. This is no accident when you've spent miles wondering, with every labored step, Who is this person who has decided to try this?--wondering who you are. You have nothing but time to answer the question, to give a new account of yourself. Your only witness might be a blanket of cool moss on a sunny day, or a panorama of endless mountains, or a young doe gazing by the Trail. You've yet to discover that the journey is the destination. So you lose yourself, then you find yourself again, farther along.
Winton Porter (Just Passin' Thru: A Vintage Store, the Appalachian Trail, and a Cast of Unforgettable Characters)
I got interested in the idea that love is often used as a kind of blanket explanation for things. I mean, battered wives, for instance: "Why did you go back to him?" "Oh, I loved him." "Why did you embezzle fifteen million pounds and run away to the other side of the world?" "Oh, well, because I was in love." All that and then you don't ask anything else. I thought if I just say, these people needed love and they found it, then it kind of explained it away. I wanted to look at their behaviour and how love can inspire the best and the very worst in human behaviour but love itself is not behaviour. So I avoided the word 'love' until the very end and it's the last word in the novel. I wanted to explore what people will do when they're in such terrible need of love. If there was a big idea then that was it. Then, of course, I hope that if it's a story worth reading it's the characters themselves who make you want to read it, not the big idea. I don't think a big idea drives a novel usually. Something else has to engage you on a much more kind of personal level.
Morag Joss
Some people are naturally solitary. They want to live lone lives, and are content. Most, however, have a need for enduring, close relationships. These provide both a psychic and social framework for personal growth, under­standing, and development. It is an easy enough matter to shout to the skies: "I love my fellow men," when on the other hand you ronn no strong, enduring relationship with others. It is easy to claim an equal love for all members of the species, but love itself requires an understanding that at your level of activity is based upon intimate experience. You cannot love someone you do not know-not unless you water down the definition of love so much that it becomes meaningless. To love someone, you must appreciate how that per­son differs from yourself and from others. You must hold that person in mind so that to some extent love is a kind of meditation-a loving focus upon another individual. Once you experience that kind of love you can translate it into other tenns. The love itself spreads out, expands, so that you can then see others in love's light. Love is naturally creative and explorative-that is, you want to creatively explore the aspects of the beloved one. Even characteristics that would otherwise appear as mults attain a certain loving significance. They are accepted­seen, and yet they make no difference. Because these are still attributes of the beloved one, even the seeming faults are redeemed. The beloved attains prominence over all others. The span of a god's love can perhaps equally hold within its vision the existences of all individuals at one time in an infinite loving glance that beholds each person, seeing each with all his or her peculiar characteristics and tendencies. Such a god's glance would delight in each person's difference from each other person. This would not be a blanket love, a soupy porridge of a glance in which individuality melted, but a love based on a full understand­ing of each individual. The emotion of love brings you closest to an understanding of the nature of All That Is. Love incites dedication, commitment. It specifies. You cannot, therefore, honestly insist that you love humanity and all people equally if you do not love one other person. If you do not love yourself, it is quite difficult to love another.
Seth
On a good day, every small thing is enchanting. Everything is a miracle. There is no emptiness. There is no need for forgiveness or escape or medicine. I hear only the wind in the trees, and the devils hatching their sacral plans, fusing all the shattered pieces together into a blanket of ice. I have found that it's under that ice that I can feel like I am just another normal person. In the dark and cold, I am at peace
Ottessa Moshfegh (Homesick for Another World)
On a good day, every small thing is enchanting. Everything is a miracle. There is no emptiness. There is no need for forgiveness or escape or medicine. I hear only the wind in the trees, and the devils hatching their sacral plans, fusing all the shattered pieces together into a blanket of ice. I have found that it's under that ice that I can feel like I am just another normal person. In the dark and cold, I am at peace.
Ottessa Moshfegh
Eugene Peterson reminds us that “because we learned language so early in our lives we have no memory of the process” and would therefore imagine that it was we who took the initiative to learn how to speak. However, that is not the case. “Language is spoken into us; we learn language only as we are spoken to. We are plunged at birth into a sea of language. . . . Then slowly syllable by syllable we acquire the capacity to answer: mama, papa, bottle, blanket, yes, no. Not one of these words was a first word. . . . All speech is answering speech. We were all spoken to before we spoke.”109 In the years since Peterson wrote, studies have shown that children’s ability to understand and communicate is profoundly affected by the number of words and the breadth of vocabulary to which they are exposed as infants and toddlers. We speak only to the degree we are spoken to. It is therefore essential to the practice of prayer to recognize what Peterson calls the “overwhelming previousness of God’s speech to our prayers.”110 This theological principle has practical consequences. It means that our prayers should arise out of immersion in the Scripture. We should “plunge ourselves into the sea” of God’s language, the Bible. We should listen, study, think, reflect, and ponder the Scriptures until there is an answering response in our hearts and minds. It may be one of shame or of joy or of confusion or of appeal—but that response to God’s speech is then truly prayer and should be given to God. If the goal of prayer is a real, personal connection with God, then it is only by immersion in the language of the Bible that we will learn to pray, perhaps just as slowly as a child learns to speak.
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
Asita wasn’t hungry this day, however. There were other ways to keep the prana, or life current, going. If he did visit the demon loka, it would take enormous prana to sustain his body. There would be no air for his lungs to breathe among the demons. He allowed the brilliant Himalayan sun to dry his body as he walked above the tree line. Demons do not literally live on moun-taintops, but Asita had learned special powers that allowed him to penetrate the subtle world. He had to get as far away as possible from human beings to exercise these abilities. The atmosphere was dense around population. In Asita’s eyes a quiet village was a seething cauldron of emotions; every person—except only small infants—was immersed in a fog of confusion, a dense blanket of fears, wishes, memories, fantasy, and longing. This fog was so thick that the mind could barely pierce it.
Deepak Chopra (Buddha: A Story of Enlightenment)
When you’re a little kid, you have something. Maybe it’s a blanket or a stuffed animal or whatever. For me, it was this stuffed prairie dog that I got one Christmas when I was like three. I don’t even know where they found a stuffed prairie dog, but whatever, it sat up on its hind legs and I called him Marvin, and I dragged Marvin around by his prairie dog ears until I was about ten. And then at some point, it was nothing personal against Marvin, but he started spending more time in the closet with my other toys, and then more time, until finally Marvin became a full-time resident of the closet. But for many years afterward, sometimes I would get Marvin out of the closet and just hang out with him for a while—not for me, but for Marvin. I realized it was crazy, but I still did it. And the thing I wanted to say to Tiny is that sometimes, I feel like his Marvin.
John Green (Will Grayson, Will Grayson)
had noticed before that to sleep, actually sleep with someone did give this sense of intimacy, as though your dreams had flowed out of you to mingle with his and fold you both in a blanket of unconscious knowing. A throwback of some kind, I thought. In older, more primitive times (like these? asked another part of my mind), it was an act of trust to sleep in the presence of another person. If the trust was mutual, simple sleep could bring you closer together than the joining of bodies.
Diana Gabaldon (Outlander (Outlander, #1))
Cookies are the cornerstone of pastry. But for many of us, they are also at the core of our memories, connecting our palate to our person. Cookies wait for us after school, anxious for little ones to emerge from a bus and race through the door. They fit themselves snugly in boxes, happy to be passed out to neighbors on cold Christmas mornings; trays of them line long tables, mourning the loss of the dearly departed. While fancy cakes and tarts walk the red carpet, their toasted meringue piles, spun sugar, and chocolate curls boasting of rich rewards that often fail to sustain, cookies simply whisper knowingly. Instead of pomp and flash, they offer us warm blankets and cozy slippers. They slip us our favorite book, they know the lines to our favorite movies. They laugh at our jokes, they stay in for the night. They are good friends, they are kind words. They are not jealous, conceited, or proud. They evoke a giving spirit, a generous nature. They beg to be shared, and rejoice in connection. Cookies are home.
Sarah Kieffer (100 Cookies: The Baking Book for Every Kitchen, with Classic Cookies, Novel Treats, Brownies, Bars, and More)
At Jeanette’s slumber party, I told Kitty Coffey she smelled like a hamper and was delighted when she cried. I ate greedily, danced myself into a sweat, and laughed so loud that Mrs. Nord had to come in and speak to me. “Keep it down, honey, will you? I can hear you all over the house,” she said. “Shut up, you whore,” I thought of saying, but only made a face. I dared each girl there to stay awake as long as I could—to match my energy. When the last of them faded off to sleep, I started shaking so hard that I couldn’t stop myself. Maybe he’d left because I was a bad person. Because I’d wished he’d married Mrs. Nord instead of Ma. Because I told Ma she was ugly. By dawn, my eyes burned from no sleep. I tiptoed amongst my girlfriends in the blanketed clumps on Jeanette’s floor, pretending they were all dead from some horrible explosion. Because I had stayed awake, I was the only survivor. Birds chirped outside in the Nords’ graying yard. I got dressed, walked down the hall, and pedaled barefoot back to Bobolink Drive.
Wally Lamb (She's Come Undone)
A sudden gust of wind made the branches outside shake and jitter. He couldn’t help imagining the long, bony fingers of the trees scraping against the glass. When he was a little kid, he’d had a firm belief in universally observed monster rules. He’d been sure, for example, that if he kept all parts of himself on the mattress and shrouded beneath blankets, if he kept his eyes closed, and if he pretended to be asleep, then he’d be safe. He didn’t know where he’d gotten the idea from. He did remember his mother saying he’d smother himself if he kept sleeping with his head under the comforter. Then one night—quite randomly—he fell asleep with his head above the covers like a normal person, and no monster got him. Over time he got spottier about observing his safety precautions, until he routinely slept with an arm dangling off the side of his bed and his feet kicked free of the sheets. But right then, at the sound of the wind, for one panicky moment, all he wanted was to burrow under the blankets and never come out. Tap. Tap.
Holly Black (Doll Bones)
It’s easy to judge others from afar. It’s easy to look at someone from outside your world and make blanket statements and judgments on who those people are. Because when you see others’ flaws, you somewhat justify that your flaws are better than theirs. But when you zoom in, when you truly look at the person beside you, you’ll see many of the same things. Hope. Love. Fear. Anger. Once you zoom in, you realize we are all similar in so many ways. We all bleed red, and even monster’s hearts can break. Just gotta remember to always zoom in.
Brittainy C. Cherry (Disgrace)
Come on, baby. It’s time.” “You’re mean, Noah.” The blanket falls off her arm as I slide a finger down her shoulder. Goose bumps form along her skin at my touch. She may be cranky, but she’s responding. “A deal’s a deal,” I remind her. “I changed my mind. I’d rather sleep.” With her eyes still shut, she hunts for the cover, but I kick it off. She presses her lips together. “I’m serious. You’re the meanest person I know.” I kiss her neck then blow on the skin, pleased with the smile she’s fighting. “Does that feel mean?” I ask. “Horribly.” She giggles. “It’s torture.
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
Our parents tell us the story of our beginning and they have total control over it--they know they've changed it, and we know they've changed it, but we just let them. They massage the details to reflect who we are now, so that there will be a sense to it: you are this because that. We gave you a blanket with birdies on it and now you're a pilot, how lovely! All so that we think of ourselves as being in . . . not just a story, but a good story. One written in full command of their craft. Someone who abides by the contract with the audience, even if the audience is us. Everyone loves a system. Everyone relaxes.
Catherynne M. Valente (Radiance)
The single most dangerous (to the controllers) Human Soul alive in our time is the person who listens to their heart and is withdrawing all their agreements to the various fictions in play right now. If you cannot be conned by fictions presented to you, than the only thing remaining, is reality. Like layers of an onion, we strip away the illusions of reality to reveal spirit. That's one of the aspects of orgone work, to strip away the layers of lies blanketing all the kingdoms, mineral, animal, plant, human, angelic, and other. As you gift, freeing others, you free yourself. And further down/up the rabbit hole of wisdom and knowledge we fall.
Don Bradley
Do not throw that at me!” Kane’s voice suddenly shouted. Keela cackled. “It’s just a tub of butter, you big baby.” “It’s a frozen tub of butter, so you might as well throw a brick at my head!” “That can be arranged, big man.” “You’re an evil little person, I hope you know that.” “I do.” I laughed at their conversation and sunk back into my sofa, tugging my blanket farther up my body. “Leave him alone, Keela.” I heard something being set down on either the kitchen counter or table. It dropped with a thud. “You’re lucky she wants you alive and unharmed.” “And you’re lucky she wants you here often, otherwise I’d ban you from ever entering this building.” Keela seethed. “You’ve gone mad with power.” I smiled.
L.A. Casey (Aideen (Slater Brothers, #3.5))
I reach over and grab his hand, and lock my fingers around his, and he locks back, and I am comforted in knowing that tonight he feels the exact same way, and there is no distance between us. We spread a blanket out and lie side by side. The moon looks like a glacier in the navy night. So far I don’t see anything out of the ordinary. It looks like the normal night sky to me. “Maybe we should’ve gone to the mountains,” Peter says, turning his face to look at me. “No, this is perfect,” I say. “Anyway, I read that stargazing is a waiting game no matter where you are.” “We have all night,” he says, pulling me closer. Sometimes I wish we’d met when we were twenty-seven. Twenty-seven sounds like a good age to meet the person you’re going to spend the rest of your life with. At twenty-seven, you are still young, but hopefully you are well on your way to being the you you want to be. But then I think, no, I wouldn’t give up twelve, thirteen, sixteen, seventeen with Peter for the world. My first kiss, my first fake boyfriend, my first real boyfriend. The first boy who ever bought me a piece of jewelry. Stormy would say that that is the most monumental moment of all. She told me that that’s how a boy lets you know that you’re his. I think for us it was the opposite. It’s how I knew he was mine. I don’t want to forget any of this. The way he’s looking at me at this very moment. How, when he kisses me, I still get shivers down my back, every time. I want to hold on to everything so tight.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The child shifted and stretched, then at last her eyelids fluttered open. She had kicked off the blanket in the night and Helen felt a small smile come as she looked at the girl, buried in the nightgown that was three times too big. “Look at you.” Helen let the smile spread a bit. “You’re like a person, but smaller.” She remembered how her brother Paul would tell her the same thing as he leaned against her head. Then Will would chime in as though to stick up for her, saying you had to hand it to short people—because they generally couldn’t reach “it” themselves. How strange, it seemed in that moment, that all their stories started here, that they’d had years of teasing and banter and laughter, then had grown and life took them to where they were now. All that laughter was gone.
Corinne Beenfield (The Ocean's Daughter : (National Indie Excellence Award Finalist))
In the blackness of the midnight sleep world, immunized from the harsh glare of daytime reality, the active imagination of the soul dances in the mind of a dream weaver. Safely shrouded in the all-encompassing blanket of darkness supplied by nighttime sleep, our secret wishes speak to us by channeling the collective mythology of the primordial mind. During the wee hours of night, right before first light, we summon our personal muse to tell us in operatic fashion what it means to be human. If we listen carefully, our muse’s heart songs shares with us what it means to experience both the tragedy and comedy of life, and encourages us to unreservedly embrace in a moral manner the banality, brutality, beauty, and splendor of nature that occurs eternally in the cosmic world that swaddles us.
Kilroy J. Oldster (Dead Toad Scrolls)
Stuff doesn't matter. That's what they say. I wonder if they've tried losing everything? I left Kerenza with nothing but the clothes I was wearing, and I lost those soon after. I got a ship jumpsuit instead. They say people are more important than stuff. Maybe that's true, though I think there's a reason nobody but Brothers and Sisters renounce their possessions. Even the destitute have something to cling to, right? Your stuff is a series of choices that show who you are. Yeah, I went for the black digiplayer with the skulls on, got a problem with that? Yeah, these are the boots my mom says make me look like I'm in the army. This is the shirt my boyfriend loves, that I have to wear a jacket over when I leave the house. That's the toy turtle my grandma gave me before she died. All I have now is me. People matter more than stuff? Well *beep* you, I don't have people. My mother's dead or mad. My father's on Heimdall, which means he's probably dead too. And my stuff might have been a tiny reminder, something to cling to. Something to tell me who I am. Excuse me for being so ----ing shallow. I want to slam this keyboard against the wall. This keyboard that belongs to the Hypatia. Not mine. Requisitioned. Like my blanket. Like my clothes. Like my life. So here's the thing. My people are gone. My stuff is gone. Nobody's left who knows me, there's nothing left to say who I am. Everyhing's gone, except one thing. One person. He told me to run, to get out, to spread the word. Byron said the same. I understand why they did. But Ezra was ready to die just to improve my chance of survival one percent more. Turns out I feel the same way. Time to go get him. Or die trying. - Kady; The Illuminae Files
Jay Kristoff (Illuminae (The Illuminae Files, #1))
He didn’t speak further, but relaxed a bit under my hands when he realized that it wasn’t going to hurt. I felt an odd sense of intimacy with this young Scottish stranger, due in part, I thought, to the dreadful story he had just told me, and in part to our long ride through the dark, pressed together in drowsy silence. I had not slept with many men other than my husband, but I had noticed before that to sleep, actually sleep with someone did give this sense of intimacy, as though your dreams had flowed out of you to mingle with his and fold you both in a blanket of unconscious knowing. A throwback of some kind, I thought. In older, more primitive times (like these? asked another part of my mind), it was an act of trust to sleep in the presence of another person. If the trust was mutual, simple sleep could bring you closer together than the joining of bodies.
Diana Gabaldon (Outlander (Outlander, #1))
The sky [above Tehran] was like a star-eaten black blanket, and so far as I could read them its constellations were unfamiliar. Lawrence speaks somewhere of drawing 'strength from the depths of the universe'; Malcolm Lowry speaks about the deadness of the stars except when he looked at them with a particular girl; I had neither feeling. The founder of the Jesuits used to spend many hours under the stars; it is hard to be certain whether his first stirrings of scientific speculation or pre-scientific wonder about space and the stars in their own nature were some element in his affinity with starlight, or whether for him they were only a point of departure, but in this matter I think I am about fifty years more modern than Saint Ignatius; stars mean to me roughly what they meant to Donne's generation, a bright religious sand imposing the sense of an intrusion into human language, and arousing a certain personal thirst to be specific.
Peter Levi (The Light Garden of the Angel King: Travels in Afghanistan with Bruce Chatwin)
Outside, the floorboards creaked from the weight of a person walking, as if complete silence were a cloak the enemy could wear and discard at will. The treading of heavy boots came closer and closer. The doorway filled, blacking out the faint light from the hall, and a tall, incredibly tall, figure stepped inside. A thin line of blood trickled from its throat, as if it had been beheaded and glued back together. A dress of green silk billowed underneath the wound. Its face was a white mask, and its eyes were monstrous streaks of red. Trembling, Kuji raised his blade. He moved so slowly it felt like he was swimming through mud. The creature watched him swing his sword, its eyes on the metal, and somehow, he knew it was fully capable of putting a stop to the action. If it cared to. The edge of the dao bit into his opponent’s shoulder. There was a snapping noise, and a sudden pain lashed his cheek. The sword had broken, the top half bouncing back in Kuji’s face. It was a spirit. It had to be. It was a spirit that could pass through walls, a ghost that could float over floors, a beast impervious to blades. Kuji dropped the handle of the useless sword. His mother had told him once that invoking the Avatar could safeguard him from evil. He’d known as a child she was making up stories. But that didn’t mean he couldn’t decide to believe them right now. Right now, he believed harder than he believed anything in his life. “The Avatar protect me,” he whispered while he could still speak. He fell on his behind and scrambled to the corner of the room, blanketed completely by the spirit’s long shadow. “Yangchen protect me!” The spirit woman followed him and lowered her red-and-white face to his. A human would have passed some kind of judgment on Kuji as he cowered like this. The cold disregard in her eyes was worse than any pity or sadistic amusement. “Yangchen isn’t here right now,” she said in a rich, commanding voice that would have been beautiful had she not held such clear indifference for his life. “I am.
F.C. Yee (Avatar: The Shadow of Kyoshi (The Kyoshi Novels, #2))
“A fresh start.” His voice was bitter. “It was never the truth. We were moving to get away from the problems my father had created—from his debts, his drinking. As if he could outrun them. And I—” His eyes were haunted. “I never wanted to be like him, I fought so hard to not be like him. And yet I find myself planning to run away. To do what he would do. Because I’m afraid.” Thomas kicked the blanket off his lap. The carriage rocked under his feet as he moved to sit on the opposite bench beside Alastair. He wanted to put his hand over Alastair’s but held back. “I have never thought of you as afraid,” he said, “but there is no shame in it. What are you afraid of?” “Change, I suppose,” said Alastair, a little desperately. Outside, the branches of trees whipped back and forth in the wind. Thomas could hear a dull roaring sound—thunder, he guessed, though it was oddly muffled. “I know that I must change myself. But I don’t know how to do it. There is no instruction manual for becoming a better person.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
We continually remember before our God and Father your work produced by faith, your labor prompted by love, and your endurance inspired by hope in our LORD Jesus Christ. 1 THESSALONIANS 1:3 OCTOBER 9 To be a true optimist, you have to be rugged and tough in mind. An optimist is a person who believes in a good outcome even when he can’t yet see it. He is a person who believes in a greater day when there is yet no evidence of it. He is one who believes in his own future when he can’t see much possibility in it. A lot of people live under a cloud. But up above the clouds, the sun is always shining. Down here, on the surface of the earth, groping around in the shadows under a low ceiling, a person may not feel optimistic. But you ought to begin to practice optimism. Send up into the mass of dark clouds bright, powerful optimistic thoughts, a bright optimistic faith. By so doing, you can actually dissipate the clouds and have an entirely different life. Constantly send up into the overcast sky that is blanketing your mind bright thoughts of faith, love, hope, thoughts of God, thoughts about the greatness of life.
Norman Vincent Peale (Positive Living Day by Day)
They had very little grub and they usually run out of that and lived on straight beef; they had only three or four horses to the man, mostly with sore backs, because the old time saddle ate both ways, the horse's back and the cowboy's pistol pocket; they had no tents, no tarps, and damn few slickers. They never kicked, because those boys was raised under just the same conditions as there was on the trail―corn meal and bacon for grub, dirt floors in the houses, and no luxuries. They used to brag they could go any place a cow could and stand anything a horse could. It was their life. In person the cowboys were mostly medium-sized men, as a heavy man was hard on horses, quick and wiry, and as a rule very good natured; in fact it did not pay to be anything else. In character there like never was or will be again. They were intensely loyal to the outfit they were working for and would fight to the death for it. They would follow their wagon boss through hell and never complain. I have seen them ride into camp after two days and nights on herd, lay down on their saddle blankets in the rain, and sleep like dead men, then get up laughing and joking about some good time they had had in Ogallala or Dodge City. Living that kind of a life, they were bound to be wild and brave. In fact there was only two things the old-time cowpuncher was afraid of, a decent woman and being set afoot.
E.C. "Teddy Blue" Abbott
First, bring your attention to the moment, and breathe deeply. Then, get your mind to your mouth, and drink as slowly and purposefully as you can. (When you drink, you rebuild the energies surrounding your Throat Chakra. Any time you feel lost in thoughts or unable to express your desires, swallow and relax your neck.)"Let yourself answer for a moment. Yeah, it's a big question— even a daunting one — but it's one you can use to step more deeply into the intended purpose of your life. The first step in understanding what you need to feel more fully alive is to recognize and express your personal truth. •       Simply sit down with it as the answer comes to you. Bring it in. Inhabit the body, and feel it. When you understand the deepest personal truths, they will open up other truths from there. Of examples, if your greatest personal reality is that energy is real, then other truths emerge: If energy is real, magic is real; if magic is real, anything is possible; if anything is possible, you are boundless; if you are boundless, your wildest dreams will come true. •       Unlimited vision, lovely girl. Know that you are treasured beyond measure and trust when you conduct yourself in service of the highest reality of All Beings. Let the true reality of harmony envelope you. •       Ask your elders and spirit guides to be with you while you absorb what you've seen as you feel connected to reality at every point. Welcome its presence as it surrounds you. They're here to help you love each other and honor yourself deeper than ever. When in this blanket of support and wisdom you feel fully enveloped, close your induction with the universal blessing: Amen.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Fifty Ways to Love Your Partner 1. Love yourself first. 2. Start each day with a hug. 3. Serve breakfast in bed. 4. Say “I love you” every time you part ways. 5. Compliment freely and often. 6. Appreciate—and celebrate—your differences. 7. Live each day as if it’s your last. 8. Write unexpected love letters. 9. Plant a seed together and nurture it to maturity. 10. Go on a date once every week. 11. Send flowers for no reason. 12. Accept and love each others’ family and friends. 13. Make little signs that say “I love you” and post them all over the house. 14. Stop and smell the roses. 15. Kiss unexpectedly. 16. Seek out beautiful sunsets together. 17. Apologize sincerely. 18. Be forgiving. 19. Remember the day you fell in love—and recreate it. 20. Hold hands. 21. Say “I love you” with your eyes. 22. Let her cry in your arms. 23. Tell him you understand. 24. Drink toasts of love and commitment. 25. Do something arousing. 26. Let her give you directions when you’re lost. 27. Laugh at his jokes. 28. Appreciate her inner beauty. 29. Do the other person’s chores for a day. 30. Encourage wonderful dreams. 31. Commit a public display of affection. 32. Give loving massages with no strings attached. 33. Start a love journal and record your special moments. 34. Calm each others’ fears. 35. Walk barefoot on the beach together. 36. Ask her to marry you again. 37. Say yes. 38. Respect each other. 39. Be your partner’s biggest fan. 40. Give the love your partner wants to receive. 41. Give the love you want to receive. 42. Show interest in the other’s work. 43. Work on a project together. 44. Build a fort with blankets. 45. Swing as high as you can on a swing set by moonlight. 46. Have a picnic indoors on a rainy day. 47. Never go to bed mad. 48. Put your partner first in your prayers. 49. Kiss each other goodnight. 50. Sleep like spoons. Mark and Chrissy Donnelly
Jack Canfield (A Taste of Chicken Soup for the Couple's Soul (Chicken Soup for the Soul))
Why did you come back to Salt Lake?" I knew the answer before I asked the question and he knew I knew, and it was like you could see the shadow of it hanging there between us. "I needed to see you," he finally said. "It's hard to explain." "You don't have to." "I tried telling my mom once what happed that day. Showed her the hole in the window screen and Moe and even after that she said it was complicated, that my dad's a complicated man and we all needed to try harder to understand him." His voice was shaking now. "And I thought, hey, maybe she's right. Maybe he was just playing around, you know. Maybe we didn't need to run." "We did," I whispered. "That's why I had to come, see?" He didn't move and I didn't move, but in a few seconds I heard him sniffling and he couldn't stop and I knew he was crying. "Cameron." I propped myself up, reached out my arm. "Come here." He got up and came to me, dragging his blanket behind him like a child. I scooted over in my bed to make room. "Come on." He positioned himself beside me-I stayed under the covers, he was on top of them, his head next to mine on the pillow. I stroked his hair and thought of the week he'd lived at our house, the way we slept shoulder to shoulder in our sleeping bags in the living room and I got another good memory. Jennifer, Cameron had said. You awake? His voice was coming from across the room. I sat up. Yeah. Look. He was standing by the living room window. The blinds were closed, but he had his hands on the cord, a big smile on his face. Ready? I nodded, starting to smile myself. One, two, three, Cameron said, then pulled the blind up, hand over hand on the cord like someone on TV. His smile got even bigger as he watched my face. Snow. Giant flakes of it falling in front of the window even though it was only September. Now, I fell asleep with my arm over Cameron's chest, thinking of how the flakes had been slow and white in the glow of the streetlights that lined the apartment walkways, and the smile on his face and on mine, like the snow was personal, a gift he'd given me himself.
Sara Zarr (Sweethearts)
Enjoyment requires discernment. It can be a gift to wrap up in a blanket and lose myself in a TV show but we can also amuse ourselves to death. My pleasure in wine or tea or exercise is good in itself but it can become disordered. As we learn to practice enjoyment we need to learn the craft of discernment: How to enjoy rightly, to have, to read pleasure well. There is a symbiotic relationship, cross-training, if you will, between the pleasures we find in gathered worship and those in my tea cup, or in a warm blanket, or the smell of bread baking. Lewis reminds us that one must walk before one can run. We will not be able to adore God on the highest occasions if we have learned no habit of doing so on the lowest. At best our faith and reason will tell us that He is adorable but we shall not have found Him so. These tiny moments of beauty in our day train us in the habits of adoration and discernment, and the pleasure and sensuousness of our gathered worship teach us to look for and receive these small moments in our days, together they train us in the art of noticing and reveling in our God’s goodness and artistry. A few weeks ago I was walking to work, standing on the corner of tire and auto parts store, waiting to cross the street when I suddenly heard church bells begin to ring, loud and long. I froze, riveted. They were beautiful. A moment of transcendence right in the middle of the grimy street, glory next to the discount tire and auto parts. Liturgical worship has been referred to sometimes derisively as smells and bells because of the sensuous ways Christians have historically worshipped: Smells, the sweet and pungent smell of incense, and bells, like the one I heard in neighborhood which rang out from a catholic church. At my church we ring bells during the practice of our eucharist. The acolyte, the person often a child, assisting the priest, rings chimes when our pastor prepares the communion meal. There is nothing magic about these chimes, nothing superstitious, they’re just bells. We ring them in the eucharist liturgy as a way of saying, “pay attention.” They’re an alarm to rouse the congregation to jostle us to attention, telling us to take note, sit up, and lean forward, and notice Christ in our midst. We need this kind of embodied beauty, smells and bells, in our gathered worship, and we need it in our ordinary day to remind us to take notice of Christ right where we are. Dostoevsky wrote that “beauty will save the world.” This might strike us as mere hyperbole but as our culture increasingly rejects the idea and language of truth, the churches role as the harbinger of beauty is a powerful witness to the God of all beauty. Czeslaw Milosz wrote in his poem, “One more day,” “Though the good is weak, beauty is very strong.” And when people cease to believe there is good and evil, only beauty will call to them and save them so that they still know how to say, “this is true and that is false.” Being curators of beauty, pleasure, and delight is therefore and intrinsic part of our mission, a mission that recognizes the reality that truth is beautiful. These moments of loveliness, good tea, bare trees, and soft shadows, or church bells, in my dimness, they jolt me to attention and remind me that Christ is in our midst. His song of truth, sung by His people all over the world, echos down my ordinary street, spilling even into my living room.
Tish Harrison Warren (Liturgy of the Ordinary: Sacred Practices in Everyday Life)