“
It's beauty that captures your attention, personality which captures your heart...
”
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Roy Rolfe Gilson
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It's beauty that captures your attention; personality that captures your heart..
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Oscar Wilde
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The fascination exerted by one human being over another is not what he emits of his personality at the present instant of encounter but a summation of his entire being which gives off this powerful drug capturing the fancy and attachment.
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Anaïs Nin (The Four-Chambered Heart: V3 in Nin's Continuous Novel)
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Is it later yet?” Roth asked.
Casting him a lingering look, I grinned as I rose fluidly, with a grace I never thought I’d ever be capable of. “Only if you can catch me.”
Roth rose at once, capturing my hand before I could even take off, threading his fingers through mine. “Already did, Layla.”
And so he had, a long time ago, when he strutted into a dark alley and took out a Poser demon. Truth be told, I really didn’t even want to run.
This was love, and love could change people, even if that person was really a demon and the Crown Prince of Hell. “I love you,” I told him, and I told him that every day and I would tell him that over and over again.
Roth lowered his forehead to mine as he brought our joined hands to his chest, placing them above his heart. “And I love you,” he said. “With every breath I take, I will always love you.
”
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Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
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A girl's desire is like a pretty butterfly. And a man's desire is like a butterfly net. His desire captures and kills her. He turns her into an object to be pinned on a corkboard. I don't think I'm interested in the tyranny of the couple. I'm more interested in what a person does when they're forced to be by themselves.
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Heather O'Neill (The Lonely Hearts Hotel)
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We didn't finish that dance."
"Here?"
"Why not?"
Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
"Do you hear that?" I aked.
Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?"
I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music."
Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing."
"Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me.
She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing.
My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air.
I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster.
A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home.
I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer.
She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire.
Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo.
Her eyes met mine again. "So what does this mean for us?"
I lowered my forehead to hers. "It means you 're mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
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As we drove I remembered how I had told myself I would make Simon happy. I didn't feel the same person. For I now knew that I had been stuffing myself up with a silly fairy tale, that I could never mean to him what Rose had meant. I think I knew it first as I watched his face while he listened to her singing, and then more and more, as he talked about the whole wretched business - not angrily or bitterly, but quietly and without ever saying a word against Rose. But most of all I knew it because a change in myself. Perhaps watching someone you love suffer can teach you more than suffering yourself can.
Long before we got back to the castle, with all my heart and for my own heart's ease as well as his, I would have given her back to him if I could.
”
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Dodie Smith (I Capture the Castle)
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When you’re young, experiencing new relationships and first loves, nobody really knows what they’re doing. We chase the butterflies and try to capture the perfect moments. But the more you grow, the more you realize that’s not what it’s all about. Love becomes real when the ideal fades away. When that one person becomes more important than yourself. When you make the decision that no matter the cost, you’ll never stop fighting for them. When you can face each other, scarred and unashamed in this dark, lonely world, and feel like you’re finally home.
Until we are ready to love with all our hearts, all our minds, and all our souls, we are nothing but lonesome people, just looking to use somebody.
”
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Riley Jean (Use Somebody)
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I do not write every day. I write to the questions and issues before me. I write to deadlines. I write out of my passions. And I write to make peace with my own contradictory nature. For me, writing is a spiritual practice. A small bowl of water sits on my desk, a reminder that even if nothing is happening on the page, something is happening in the room--evaporation. And I always light a candle when I begin to write, a reminder that I have now entered another realm, call it the realm of the Spirit. I am mindful that when one writes, one leaves this world and enters another.
My books are collages made from journals, research, and personal experience. I love the images rendered in journal entries, the immediacy that is captured on the page, the handwritten notes. I love the depth of ideas and perspective that research brings to a story, be it biological or anthropological studies or the insights brought to the page by the scholarly work of art historians.
When I go into a library, I feel like I am a sleuth looking to solve a mystery. I am completely inspired by the pursuit of knowledge through various references. I read newpapers voraciously. I love what newspapers say about contemporary culture. And then you go back to your own perceptions, your own words, and weigh them against all you have brought together. I am interested in the kaleidoscope of ideas, how you bring many strands of thought into a book and weave them together as one piece of coherent fabric, while at the same time trying to create beautiful language in the service of the story. This is the blood work of the writer.
Writing is also about a life engaged. And so, for me, community work, working in the schools or with grassroots conservation organizations is another critical component of my life as a writer. I cannot separate the writing life from a spiritual life, from a life as a teacher or activist or my life intertwined with family and the responsibilities we carry within our own homes. Writing is daring to feel what nurtures and breaks our hearts. Bearing witness is its own form of advocacy. It is a dance with pain and beauty.
”
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Terry Tempest Williams
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also have a new meeting minutes process. Everyone takes their own notes, but one person in the meeting volunteers to capture minutes. These are narrowed down to: Date: Meeting intention: Attendees: Key decisions: Tasks and ownership: The great thing about this new practice is that everyone in the meeting is responsible for stopping to say “Let’s capture this in the minutes”—not just the minute taker. And we now stop meetings five minutes early to review and agree on the minutes before we leave. Before we walk out of the meeting, the minute taker Slacks them to all of us and puts them in any other relevant channel so there isn’t any clean-up or synthesizing guesswork after we’ve dispersed.
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Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
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No priest, no theologian stood at the manger of Bethlehem. And yet all Christian theology has its origin in the wonder of all wonders: that God became human. Holy theology arises from knees bent before the mystery of the divine child in the stable. Without the holy night, there is no theology. “God is revealed in flesh,” the God-human Jesus Christ — that is the holy mystery that theology came into being to protect and preserve. How we fail to understand when we think that the task of theology is to solve the mystery of God, to drag it down to the flat, ordinary wisdom of human experience and reason! Its sole office is to preserve the miracle as miracle, to comprehend, defend, and glorify God’s mystery precisely as mystery. This and nothing else, therefore, is what the early church meant when, with never flagging zeal, it dealt with the mystery of the Trinity and the person of Jesus Christ…. If Christmas time cannot ignite within us again something like a love for holy theology, so that we—captured and compelled by the wonder of the manger of the son of God—must reverently reflect on the mysteries of God, then it must be that the glow of the divine mysteries has also been extinguished in our heart and has died out.
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Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
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An author needs a lot more than one person to succumb to his literary seductive charms, but, like Saul, he must realize that he doesn't have to--and indeed cannot--capture the hearts of every possible reader out there. No matter who the writer, his ideal intended audience is only a small faction of all the living readers. Name the most widely read authors you can think of--from Shakespeare, Austen, and Dickens to Robert Waller, Stephen King, and J.K. Rowling--and the immense majority of book-buyers out there actively decline to read them.
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Thomas McCormack (The Fiction Editor, the Novel, and the Novelist: A Book for Writers, Teachers, Publishers, and Anyone Else Devoted to Fiction)
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I couldn't help think I'd just narrowly escaped a brand new broken heart. I'd been on the precipice of being brave, and nothing can make a person more foolish and vulnerable than bravery.
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Penny Reid (Capture (Elements of Chemistry, #3; Hypothesis, #1.3))
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He flushes slightly. “I was mad about him when I was fifteen.”
“How didn’t I know this?” I say indignantly. “We tell each other everything.”
“Not anymore,” Dylan adds hastily, looking at Gabe, but he shrugs unconcerned.
“Don’t try and cover it up, Dylan. Jude’s our very own Camilla - the third person in our relationship.”
“Why am I the old woman in this scenario?” I say indignantly. “I want to be the younger, much fitter princess, who captured people’s hearts and minds.”
“You would have been, babe,” Dylan says hastily. “And you’d look way better with a tiara than she does.”
“I would,” I nod firmly. “I would be a very desirable addition to the royal family, and a very stabilizing influence, if I do say so myself. I also have a full head of my own hair.”
Gabe shakes his head. “I’m worried that I not only follow these odd flights of fancy, but I find myself actually wanting to weigh in with my own opinions.”
“What did you want to say?” Dylan asks immediately, but he shakes his head.
“I said I wanted to, not that I was going to. I’m looking through the windows of the mental asylum, not going through the door.
”
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Lily Morton (Deal Maker (Mixed Messages, #2))
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As any lawyer knows, the four stages of crime are intention, preparation, attempt, and commission. Nowhere does our law punish the (evil) intentions of an individual since it’s not explicitly seen. Ironically every crime/wrong primarily begins with a (mala-fide) intention. Jesus of Nazareth captured it succinctly when he pointed “What comes out of a person is what defiles them. For it is from within, out of a person’s heart, that evil thoughts come—sexual immorality, theft, murder, adultery, greed, malice, deceit, lewdness, envy, slander, arrogance and folly. All these evils come from inside and defile a person.
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Royal Raj S
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True love can't be shaken completely, and inwardly binds, and even blinds you to another person endlessly. No matter what they do, you want to work it out; to hold them closely; to have them beside you. You can't stand to be in arguments with them. You don't want to entertain thoughts of others. You don't want to flirt with others. Your heart is captured permanently. You would rather die than live without them. True love is like the law, or the ten commandments, verses grace, and the Spirit. An outward love (the Law) can't control inward emotions or desires, only an inward love (grace) can. True love captures a person inwardly, while other loves capture a person only outwardly. Elizabeth this true love is what I inwardly have for you!
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brother Billy
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The group of artists and scientists that had so far done least was the one that had attracted the greatest interest—and the greatest alarm. This was the team working on “total identification.” The history of the cinema gave the clue to their actions. First sound, then color, then stereoscopy, then Cinerama, had made the old “moving pictures” more and more like reality itself. Where was the end of the story? Surely, the final stage would be reached when the audience forgot it was an audience, and became part of the action. To achieve this would involve stimulation of all the senses, and perhaps hypnosis as well, but many believed it to be practical. When the goal was attained, there would be an enormous enrichment of human experience. A man could become—for a while, at least—any other person, and could take part in any conceivable adventure, real or imaginary. He could even be a plant or an animal, if it proved possible to capture and record the sense impressions of other living creatures. And when the “program” was over, he would have acquired a memory as vivid as any experience in his actual life—indeed, indistinguishable from reality itself. The prospect was dazzling. Many also found it terrifying, and hoped that the enterprise would fail. But they knew in their hearts that once science had declared a thing possible, there was no escape from its eventual realization…. This, then, was New Athens and some of its dreams. It hoped to become what the old Athens might have been had it possessed machines instead of slaves, science instead of superstition. But it was much too early yet to tell if the experiment would succeed.
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Arthur C. Clarke (Childhood's End)
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Humans possess intellect, and claim the knowledge of the ages. They take neither sorrow nor joy from material gain or personal loss. Thus their existence is more difficult than necessary, as they strive too hard for cleverness, and push away from the heart. The fugitives fear capture, and the captured fear escape. They live out their days in uncertainty. What good fortune for the beasts, to lack intelligence; how cursed humans are, that they possess it.
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Yan Ge (Strange Beasts of China)
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My father says there are more than twenty thousand turned out for the king. It seems that most men think that we will win, that York will be captured and killed, though the king in his tender heart has said he will forgive them all if they will surrender.
~Will there be another battle?
~Unless York decides he cannot face the king in person. It is one sort of sin to kill your friends and cousins, quite another to order your bowmen to fire at the king's banner and him beneath it. What if the king is killed in battle? What if York brings his broadsword down on the king's sanctified head?
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Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
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The following is one of the oldest sermon illustrations used in the Christian church. It also tests one’s understanding of the Christian life. There once lived an ugly, hunchback dwarf. No one ever invited him to a party. No one showed him love or even attention. He became disillusioned with life and decided to climb a mountain and throw himself from its peak into the abyss. When he ascended the mountain, he met a beautiful girl. He talked to her and discovered that she was climbing the mountain for the same purpose. Her suffering was at the other extreme. She had everyone’s attention and love, but the one she loved had forsaken her for another girl, one with riches. She felt life had no meaning for her any longer, so they decided to make the ascent together. While they climbed, they met a man who introduced himself as a police officer in search of a very dangerous bandit who had robbed and murdered many people. The king had promised a large reward to the person who captured him. The police officer was very confident: “I will catch him because I know he has a feature by which he can be recognized. He has six fingers on his right hand. The police have been looking for him for years. For the last two or three, nothing has been heard from him, but he must pay for a multitude of past crimes.” The three climbed the mountain. Near its peak was a monastery. Its abbot, although he had become a monk only recently, had quickly attained great renown for saintliness. When they entered the monastery, he came to meet them. You could see the glory of God in his face. As the girl bowed to kiss his right hand, she saw he had six fingers. With this, the story ends. Those who hear this story are perplexed. It can’t finish like this! What happened to the dwarf, the girl, the policeman? Was the criminal caught? The story’s beauty is that it does finish here. Something beautiful has happened: A criminal hunted because of his many robberies and murders has become a great saint, renowned for his godly life. All the rest is of no further interest. The great miracle has been performed. Christ has been born in the heart of a man of very low character.
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Richard Wurmbrand (The Midnight Bride)
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During World War II, there had been a project to sabotage the Nazi nuclear weapons program. Years earlier, Leo Szilard, the first person to realize the possibility of a fission chain reaction, had convinced Fermi not to publish the discovery that purified graphite was a cheap and effective neutron moderator. Fermi had wanted to publish, for the sake of the great international project of science, which was above nationalism. But Szilard had persuaded Rabi, and Fermi had abided by the majority vote of their tiny three-person conspiracy. And so, years later, the only neutron moderator the Nazis had known about was deuterium.
The only deuterium source under Nazi control had been a captured facility in occupied Norway, which had been knocked out by bombs and sabotage, causing a total of twenty-four civilian deaths.
The Nazis had tried to ship the deuterium already refined to Germany, aboard a civilian Norwegian ferry, the SS Hydro.
Knut Haukelid and his assistants had been discovered by the night watchman of the civilian ferry while they were sneaking on board to sabotage it. Haukelid had told the watchman that they were escaping the Gestapo, and the watchman had let them go. Haukelid had considered warning the night watchman, but that would have endangered the mission, so Haukelid had only shaken his hand. And the civilian ship had sunk in the deepest part of the lake, with eight dead Germans, seven dead crew, and three dead civilian bystanders. Some of the Norwegian rescuers of the ship had thought the German soldiers present should be left to drown, but this view had not prevailed, and the German survivors had been rescued. And that had been the end of the Nazi nuclear weapons program.
Which was to say that Knut Haukelid had killed innocent people. One of whom, the night watchman of the ship, had been a good person. Someone who'd gone out of his way to help Haukelid, at risk to himself; from the kindness of his heart, for the highest moral reasons; and been sent to drown in turn. Afterward, in the cold light of history, it had looked like the Nazis had never been close to getting nuclear weapons after all.
And Harry had never read anything suggesting that Haukelid had acted wrongly.
”
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Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
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I HAVE ALWAYS BEEN most interested in the question of what makes a house a home. What are the elements that move a house beyond its physical structure and provide the warmth that we all crave? In my fifteen years as a designer, I’ve come to understand that the answer is simple: It is about surrounding ourselves with things we love.
(...) And in this case, the beauty comes from the owners’ love of books.
Books are beautiful objects in their own right—their bindings and covers—and the space they fill on shelves or stacked on coffee tables in colorful piles add balance and texture to any room. And just like any other part of a home, books require maintenance: They need to be dusted, categorized, rearranged, and maintained. Our relationship with them is dynamic and ever changing.
But our connection to them goes beyond the material. In each house we visited, the libraries were the heart of the home, meaningful to the collectors’ lives. In this book, we tried to capture what they brought to the home—the life and spirit books added. Some subjects have working libraries they constantly reference; others fill their shelves with the potential pleasures of the unread. When we visited the homes, many people could find favorite books almost by osmosis, using systems known only to themselves.
(...) As we found repeatedly, surrounding yourself with books you love tells the story of your life, your interests, your passions, your values. Your past and your future. Books allow us to escape, and our personal libraries allow us to invent the story of ourselves—and the legacy that we will leave behind.
There’s a famous quote attributed to Cicero: “A room without books is like a body without a soul.” If I suspected this before, I know it now. I hope you’ll find as much pleasure in discovering these worlds as we did.
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Nina Freudenberger (Bibliostyle: How We Live at Home with Books)
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This depiction is complete and applicable in all aspects. Sin, as Semiramis, struggles through various methods to gain a person’s consent. As soon as it accomplishes this desire, it conquers man, it captures and kills logic, it erects its throne upon man’s heart and remains in control for the remainder of his life. Such is sin; such are its characteristics. Therefore, let us never give in to its tactics, let us not deliver to it the authority over our heart. Let us not carry out what the inner man does not desire. Let us not submit our free will to the will of sin. Let us not consent to whatever is contrary to the moral law. Let nothing soften our heart. May the most caressing words prove our heart to be tougher than steel. May the tears, sighs, promises, and threats make no impression on us. Let us stand firm and unshakable in our mindset, so that we do not—after a short period—wet our dismal cheeks with tears of fruitless, unproductive regret.
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St. Nektarios (Repentance and Confession)
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Seafood, of course, has aphrodisiac qualities. Mollusks, too---like lanarche ajo e ojo, snails in oil and garlic. Perhaps some carciofioni, baby artichokes cooked with mint, pulled apart with the fingers and dipped in soft, melted butter. Wine, obviously. And then, to finish, a burst of sugar, something light but artificial, so that you feel full of energy and happiness---but that's only one side of the story. If you want someone to fall in love with you, you would cook for them something very different, something perfectly simple but intense. Something that shows you understand their soul."
"Such as?"
"Well, that's the difficulty. It will vary from individual to individual. You'd have to really know the person concerned---their history, their background, whether they are raw or refined, dry or oily. You would have to have tasted them, to know whether their own flesh is sweet or savory, salty or bland. In short, you would have to love them, and even then you might not truly know them well enough to cook a dish that would capture their heart.
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Anthony Capella (The Food of Love)
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His fingers unhooked from hers, following that same path up her arm, and then back down it again. The feeling was so distracting, so good, so sweet against her clammy skin. She didn't choose a piece from her repertoire; Etta gave herself over to the notes that started streaming through her mind, rising from somewhere deep inside of her.
The melody of her heart had no name; it was quick, and light. It rolled with the waves, falling as the breath left his chest, rising as he inhaled. It was the rain sliding down the glass; the fog spreading its fingers over the water. The creaking of a ship's great body. The secrets whispered by the wind, and the unseen life that moved below.
It was the flame against the candle.
Nicholas's arm was a map of hard muscles and delicate sinews, heartbreakingly perfect. She wondered if he could hear her humming the piece against his skin over the droning roars overhead. Maybe. His free hand skimmed up her skin, leaving a trail of sparks in its wake.
With the world blacked out around them, she could catalog all over her senses, capture this moment in the warm darkness forever. He brushed back the loose hair across her forehead, cheek, the corner of her lips, her jaw, and she knew it had to be the same for him, that they'd never been so aware of another person in their entire lives.
She released his arm, and he drew it up around her, guiding both of them down so they were on their sides, their heads cushioned by the bag, his jacket drawn over them. Etta understood that here, in the darkness, they'd found a place beyond rules; a place that hung somewhere between the past and the future. This was a single moment of possibility.
The clattering of the attack from above faded as he rested his forehead against hers, his thumb lightly stroking a bruise on her cheek. She traced his face - the straight nose, the high, proud cheekbones, the full curve of his lips. His hand caught her there, taking it in his own; he pressed a hard, almost despairing kiss to it.
But when she tilted her face up, half - desperate with longing, her blood racing, Nicholas pulled back; and although Etta could feel him beside her, his heart pounding, his ragged breath, it was as if he had disappeared into the thundering dark.
”
”
Alexandra Bracken (Passenger (Passenger, #1))
“
You’ve got spirit, I’ll give you that,” Ezmia said. “Perhaps this will humble you.” Ezmia placed the glass jar she had been carrying on a small table close to Charlotte’s cage. Charlotte was horrifed to see a miniature ghostly version of the Fairy Godmother trapped inside. “That’s my… my… grandmother!” Charlotte said, almost forgetting she was still pretending to be her own daughter. “What have you done to her?” A smile appeared on Ezmia’s face, matching the satisfaction in her eyes. “I captured her soul,” she said. The thought almost made Charlotte sick. She’d had no idea such a thing was possible, even in the fairy-tale world. “What do you want with her soul?” Charlotte asked. “It’s a bit of a hobby of mine, actually,” Ezmia said and walked to her fireplace. Displayed proudly on the mantel were five other turquoise jars, each containing a ghostly substance. “You’re a soul collector?” Charlotte asked. “Is it to make up for being soulless?” “What a clever play on words,” Ezmia said mockingly. “You know that phrase forgive and forget? Well, I always disagreed with it—I found it impossible, actually. People would do me wrong and then forget about me, as if their actions didn’t matter—because I didn’t matter. How was I supposed to forgive people like that?” “So you imprisoned their souls instead of forgiving?” Charlotte said. “Precisely,” Ezmia said. “I found taking away their life force to be much more appealing than simply forgiving. To forgive would be to allow them to continue living their lives, free of consequence. But by taking their souls and preventing them from all future happiness, I could heal and find peace.” Charlotte couldn’t believe what she was hearing. “Do you honestly expect anyone to sympathize with that?” Charlotte asked her. Ezmia stared into the fire at the burning skulls, almost in a trance. “I don’t want the world to understand; I want it to grovel,” she said. The confession made Charlotte’s heart heavier. She wondered if she would ever escape the clutches of a person who thought like this. But thinking about her children, Bob, and the life she had been stolen from gave Charlotte the strength to survive the Enchantress’s imprisonment. “I find it hard to believe that the Fairy Godmother, who is known for her generosity, would harm you in any way,” Charlotte said. “Sometimes help can be just as destructive as harm,” Ezmia said. “But I imagine someone who helps for a
”
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Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
In any case, we should expect that in due time we will be moved into our eternal destiny of creative activity with Jesus and his friends and associates in the “many mansions” of “his Father’s house.” Thus, we should not think of ourselves as destined to be celestial bureaucrats, involved eternally in celestial “administrivia.” That would be only slightly better than being caught in an everlasting church service. No, we should think of our destiny as being absorbed in a tremendously creative team effort, with unimaginably splendid leadership, on an inconceivably vast plane of activity, with ever more comprehensive cycles of productivity and enjoyment. This is the “eye hath not seen, neither ear heard” that lies before us in the prophetic vision (Isa. 64:4). This Is Shalom When Saint Augustine comes to the very end of his book The City of God, he attempts to address the question of “how the saints shall be employed when they are clothed in immortal and spiritual bodies.”15 At first he confesses that he is “at a loss to understand the nature of that employment.” But then he settles upon the word peace to describe it, and develops the idea of peace by reference to the vision of God—utilizing, as we too have done, the rich passage from 1 Corinthians 13. Thus he speaks of our “employment” then as being “the beatific vision.” The eternal blessedness of the city of God is presented as a “perpetual Sabbath.” In words so beautiful that everyone should know them by heart, he says, “There we shall rest and see, see and love, love and praise. This is what shall be in the end without end. For what other end do we propose to ourselves than to attain to the kingdom of which there is no end?” And yet, for all their beauty and goodness, these words do not seem to me to capture the blessed condition of the restoration of all things—of the kingdom come in its utter fullness. Repose, yes. But not as quiescence, passivity, eternal fixity. It is, instead, peace as wholeness, as fullness of function, as the restful but unending creativity involved in a cosmoswide, cooperative pursuit of a created order that continuously approaches but never reaches the limitless goodness and greatness of the triune personality of God, its source. This, surely, is the word of Jesus when he says, “Those who overcome will be welcomed to sit with me on my throne, as I too overcame and sat down with my Father on his throne. Those capable of hearing should listen to what the Spirit is saying to my people” (Rev. 3:21
”
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Dallas Willard (The Divine Conspiracy: Rediscovering Our Hidden Life In God)
“
The Prime Minister, who was in close contact with the Queen and Prince Charles, captured the feelings of loss and despair when he spoke to the nation earlier in the day from his Sedgefield constituency. Speaking without notes, his voice breaking with emotion, he described Diana as a ‘wonderful and warm human being.’
‘She touched the lives of so many others in Britain and throughout the world with joy and with comfort. How difficult things were for her from time to time, I’m sure we can only guess at. But people everywhere, not just here in Britain, kept faith with Princess Diana. They liked her, they loved her, they regarded her as one of the people. She was the People’s Princess and that is how she will stay, how she will remain in all our hearts and memories for ever.’
While his was the first of many tributes which poured in from world figures, it perfectly captured the mood of the nation in a historic week which saw the British people, with sober intensity and angry dignity, place on trial the ancient regime, notably an elitist, exploitative and male-dominated mass media and an unresponsive monarchy. For a week Britain succumbed to flower power, the scent and sight of millions of bouquets a mute and telling testimony to the love people felt towards a woman who was scorned by the Establishment during her lifetime.
So it was entirely appropriate when Buckingham Palace announced that her funeral would be ‘a unique service for a unique person’. The posies, the poems, the candles and the cards that were placed at Kensington Palace, Buckingham Palace and elsewhere spoke volumes about the mood of the nation and the state of modern Britain. ‘The royal family never respected you, but the people did,’ said one message, as thousands of people, most of whom had never met her, made their way in quiet homage to Kensington Palace to express their grief, their sorrow, their guilt and their regret. Total strangers hugged and comforted each other, others waited patiently to lay their tributes, some prayed silently. When darkness fell, the gardens were bathed in an ethereal glow from the thousands of candles, becoming a place of dignified pilgrimage that Chaucer would have recognized. All were welcome and all came, a rainbow of coalition of young and old of every colour and nationality, East Enders and West Enders, refugees, the disabled, the lonely, the curious, and inevitably, droves of tourists. She was the one person in the land who could connect with those Britons who had been pushed to the edges of society as well as with those who governed it.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
Elaborating on this idea later in his Confessions, Augustine wrote: Wherever the soul of man turns, unless towards God, it cleaves to sorrow, even though the things outside God and outside itself to which it cleaves may be things of beauty. (Confessions 4.10.15)310 Smith, following Augustine, argues that our ultimate loves are constitutive of our identity. They determine “that to which we are fundamentally oriented, what ultimately governs our vision of the good life, what shapes our being-in-the-world . . . and makes sense of all our penultimate desires and actions.”311 The things we love individually not only determine our character, but what a society loves collectively shapes its culture. This latter idea was the heart of Augustine’s great work City of God. He believed societies are the mutual associations of individuals united by what they love in common. What does this mean? Smith’s entire book is committed to the thesis that to change people most profoundly, we must change what we worship. Thinking, arguments, and beliefs are crucial as means of moving the heart, but ultimately we are what we adore. We are what captures our imagination, what leads us to praise and to compel others to praise it. Our inordinate anger, anxiety, and discouragement result from disordered loves. Our relational problems result from disordered loves, and our social and cultural problems as well. What can re-engineer our very inner being, the structure of our personality? What can create healthy human community? Worship and adoration of God. We must love God supremely, and that can be cultivated only through praise and adoration.
”
”
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
“
A gang of roving bandits who terrorized the backcountry of North Carolina in the mid-1700s captured seventeen-year-old Joseph Cook and threatened to murder him if he did not join their band. After Joseph explained that he was a Quaker and that his conscience would not allow him to kill another person, the ruffians began making plans to shoot him. While they were discussing his execution, Mary Herbert, a young Quaker woman about Joseph's age, suddenly appeared in their midst. She demanded that they let Joseph go and boldly stated that they could not have him because Joseph belonged to her. When the startled bandits refused her, she surprised them by grabbing Joseph and carrying him away in her arms. The captain of the bandits, presumably amused and certain that she could not carry him very far, shouted after her, “When you put him down we will start shooting.” Mary, empowered by love, found the strength to carry Joseph well beyond the range of their guns. Quaker journals from that period reveal that “two years later Mary established a legal claim to Joseph by marrying him.”16 There is love locked in our hearts waiting to empower us with strength beyond our imagining. The power to overcome evil by witnessing to love lies within us all, waiting to be released. Yet most of us keep this transforming power locked away, and we die having never dared to use it. Now is the time to listen within and unlock the transforming power of our love. If we dare to listen deeply, we hear love calling, inviting us to plain living, to “do no harm,” and to respect, love, and serve one another. Hope is whispering to us from the future, calling us each by name, beseeching us to open our hearts because only then will the world be transformed by what Love is waiting to do.
”
”
Catherine Whitmire (Plain Living: A Quaker Path to Simplicity)
“
III. But we must close with a third remark. Christ really underwent yet a third trial. He was not only tried before the ecclesiastical and civil tribunals, but, he was really tried before the great democratical tribunal, that is, the assembly of the people in the street. You will say, "How?" Well, the trial was somewhat singular, but yet it was really a trial. Barabbas—a thief, a felon, a murderer, a traitor, had been captured; he was probably one of a band of murderers who were accustomed to come up to Jerusalem at the time of the feast, carrying daggers under their cloaks to stab persons in the crowd, and rob them, and then he would be gone again; besides that, he had tried to stir up sedition, setting himself up possibly as a leader of banditti. Christ was put into competition with this villain; the two were presented before the popular eye, and to the shame of manhood, to the disgrace of Adam's race, let it be remembered that the perfect, loving, tender, sympathizing, disinterested Savior was met with the word, "Crucify him!" and Barabbas, the thief, was preferred. "Well," says one, "that was atrocious." The same thing is put before you this morning—the very same thing; and every unregenerate man will make the same choice that the Jews did, and only men renewed by grace will act upon the contrary principle. I say, friend, this day I put before you Christ Jesus, or your sins. The reason why many come not to Christ is because they cannot give up their lusts, their pleasures, their profits. Sin is Barabbas; sin is a thief; it will rob your soul of its life; it will rob God of his glory. Sin is a murderer; it stabbed our father Adam; it slew our purity. Sin is a traitor; it rebels against the king of heaven and earth. If you prefer sin to Christ, Christ has stood at your tribunal, and you have given in your verdict that sin is better than Christ. Where is that man? He comes here every Sunday; and yet he is a drunkard? Where is he? You prefer that reeling demon Bacchus to Christ. Where is that man? He comes here. Yes; and where are his midnight haunts? The harlot and the prostitute can tell! You have preferred your own foul, filthy lust to Christ. I know some here that have their consciences open pricked, and yet there is no change in them. You prefer Sunday trading to Christ; you prefer cheating to Christ; you prefer the theater to Christ; you prefer the harlot to Christ; you prefer the devil himself to Christ, for he it is that is the father and author of these things. "No," says one, "I don't, I don't." Then I do again put this question, and I put it very pointedly to you—"If you do not prefer your sins to Christ, how is it that you are not a Christian?" I believe this is the main stumbling-stone, that "Men love darkness rather than light, because their deeds are evil." We come not to Christ because of the viciousness of our nature, and depravity of our heart; and this is the depravity of your heart, that you prefer darkness to light, put bitter for sweet, and choose evil as your good. Well, I think I hear one saying, "Oh! I would be on Jesus Christ's side, but I did not look at it in that light; I thought the question was. "Would he be on my side? I am such a poor guilty sinner that I would fain stand anywhere, if Jesu's blood would wash me." Sinner! sinner! if thou talkest like that, then I will meet thee right joyously. Never was a man one with Christ till Christ was one with him. If you feel that you can now stand with Christ, and say, "Yes, despised and rejected, he is nevertheless my God, my Savior, my king. Will he accept me? Why, soul, he has accepted you; he has renewed you, or else you would not talk so. You speak like a saved man. You may not have the comfort of salvation, but surely there is a work of grace in your heart, God's divine election has fallen upon you, and Christ's precious redemption has been made for you, or else you would not talk so. You cannot be willing to come to Christ, and y
”
”
Anonymous
“
perished.1 Andrea’s story, of parents whose last heroic act is to ensure their child’s survival, captures a moment of almost mythic courage. Without doubt such incidents of parental sacrifice for their progeny have been repeated countless times in human history and prehistory, and countless more in the larger course of evolution of our species.2 Seen from the perspective of evolutionary biologists, such parental self-sacrifice is in the service of “reproductive success” in passing on one’s genes to future generations. But from the perspective of a parent making a desperate decision in a moment of crisis, it is about nothing other than love. As an insight into the purpose and potency of emotions, this exemplary act of parental heroism testifies to the role of altruistic love—and every other emotion we feel—in human life.3 It suggests that our deepest feelings, our passions and longings, are essential guides, and that our species owes much of its existence to their power in human affairs. That power is extraordinary: Only a potent love—the urgency of saving a cherished child—could lead a parent to override the impulse for personal survival. Seen from the intellect, their self-sacrifice was arguably irrational; seen from the heart, it was the only choice to make. Sociobiologists point to the preeminence of heart over head at such crucial moments when they conjecture about why evolution has given emotion such a central role in the human psyche. Our emotions, they say, guide us in facing predicaments
”
”
Daniel Goleman (Emotional Intelligence)
“
So, judges, what was your favorite dish?" The producer stepped back so the cameras could pan over the long table.
Tarquin answered.
"A crisp almond tart."
Sophia's heart began to pound.
"Smooth lemony custard. Light as air."
She clenched the edge of her worktable.
"Only one person chose the boysenberries as an ingredient today. They were ripe, juicy, bursting with flavor. But somewhat difficult to wrestle with in terms of tartness. This contestant made a truly inspired syrup, infused with basil... and lemon thyme, I think." Jonathan shrugged. "I can't wait to find out how this syrup was created."
Sophia started to sway.
The blogger smiled. "I love lemon. It's bright. It's sunny. But I don't have a big sweet tooth. This dish was not too sweet. It was lovely."
"And best of all," Tarquin interrupted, "a little surprise under the tart. Hidden. Using the organic bittersweet chocolate we provided. Well played."
"And the flowers!" Jenny sighed. "This plate captures the very essence of summer. Sprinkled with flower petals.
”
”
Penny Watson (A Taste of Heaven)
“
There are those amongst us who seek unconditional love, an object that could either be construed as wise or foolhardy. But regardless of individual perspective, many of us search for a like-minded being, someone to return our affection, capture our heart or comfort and encourage when all others may criticize or condemn. A few relationships are to be considered unusual or diverse, but although cultural differences and personal preference may be argued, our unions typically conform to the rules and moral values that we make. After all, most strange deviations in love can be explained...ordinarily.
”
”
Jane Jordan (Ravens Deep (Ravens Deep #1))
“
What we fail to understand is that we don’t have a hope problem; we have a sight problem. Hope has come. “What?” you say. “Where?” Hope isn’t a thing. Hope isn’t a set of circumstances. Hope isn’t first a set of ideas. Hope is a person, and his name is Jesus. He came to earth to face what you face and to defeat what defeats you so that you would have hope. Your salvation means that you are now in a personal relationship with the One who is hope. You have hope because he exists and is your Savior. You don’t have a hope problem; you have been given hope that is both real and constant. The issue is whether you see it. Paul captures the problem this way in Ephesians 1:18–19: “. . . having the eyes of your hearts enlightened, that you may know what is the hope to which he has called you, what are the riches of his glorious inheritance in the saints, and what is the immeasurable greatness of his power toward us who believe, according to the working of his great might.
”
”
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
“
Lost and alone… After her mother’s death, Lyra grew up in the foster care system, struggling to hide who she is from the humans who found enough wrong with her. Never fitting in anywhere, she learned to adapt, hiding the damaged parts of herself as best she could. Until the night three men tore her world apart—one with a cry to come home, one with a desire to hurt her, and one with a possessive look that calls to the spirit inside her. A mated mongrel… Aleksy Costas is a primal beast in human skin. Part Bengal, part panther, part lion, he’s a creation of spliced DNA that even other shifters give a wide berth. When a mission takes him into a bar in the heart of Chicago, he finds the one person he never believed existed. Now, he’ll do anything to save her. Mine… Captured and tortured, Lyra prays for a savior, never expecting the man who steps out of the shadows and breaks her free. It’s not safety he brings, but a cataclysm of lust and need that only his touch can quench. A bond is forming between them, but is it strong enough to withstand the battle brewing around them, one that will change everything in the war between hunters and shifters?
”
”
Lacey Thorn (Cry of the Pride (Awakening Pride, #9))
“
I seek to create an artistic statement of my being by producing a unified voice that speaks for me and to me. I will attempt to capture the pulsation of my mind and harness its incessant rush into a telling format that is revelatory and self-healing. Confessing my sins is the first steps of communing with the self by focusing the light of consciousness upon the darkness of the unconsciousness in an attempt to comprehend what I am for the very first time. I endeavor to open my heart and mind, be an indomitable witness to the paradoxes that bedevil humanity, and serve as an unrepentant admirer of the irrepressible splendor of living in a natural manner undisturbed by the behavior of other people or the inevitable changes in the world that we occupy.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
We identified four key learnings during our rumble. First, as a leadership team, we need a shared understanding of all the moving pieces so no single person is the connective tissue. We’ve fixed this with new communication processes that include the team continuing to meet—across all areas of the businesses—when I’m locked away writing, researching, or on the road. We also have a new meeting minutes process. Everyone takes their own notes, but one person in the meeting volunteers to capture minutes.
”
”
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
“
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Milk tea, renowned for its creamy texture and diverse flavor profiles, has captured the hearts of beverage enthusiasts worldwide. Now, with the introduction of protein powder, milk tea becomes more than just a delightful indulgence; it transforms into a nourishing treat that supports muscle recovery and overall health.
Protein powder milk tea takes the beverage experience a step further by addressing the needs of those who seek to integrate protein into their daily routines. Protein is an essential building block for our bodies, aiding in muscle repair, immune function, and maintaining a healthy metabolism. With protein powder milk tea, individuals can enjoy the flavors they love while also benefiting from the nutritional value of protein.
This innovation offers versatility that caters to different lifestyles and preferences. Whether you're a fitness enthusiast looking for a post-workout replenishment or someone who appreciates a nutritious and delicious snack, protein powder milk tea fits the bill. Its adaptability makes it a convenient choice for anyone striving to strike a balance between their taste buds and their health goals.
The availability of protein powder milk tea has also expanded the options for at-home customization. Enthusiasts can experiment with flavors, sweetness levels, and protein concentrations, creating a personalized beverage that aligns with their dietary preferences.
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”
”
https://bobanutrition.co/collections/whey-protein-boba-nutrition
“
We intuitively know that the heart is the center of love and empathy, and studies are showing this to be true. In fact, empathy manifests in the electromagnetic field (EMF), which is generated by the heart in amounts greater than anywhere else in the body. The heart’s EMF emits fifty thousand femtoteslas (a measure of EMF), in contrast to the ten generated by the brain.37 Other research shows that when separated from the magnetic field, the heart’s electrical field is sixty times greater in amplitude than the brain’s field.38 Through this field, a person’s nervous system tunes in to and responds to the magnetic fields produced by the hearts of other people.39 The heart’s field is therefore one of the means by which a practitioner affects patients. This effect leads to the question, What do you want to share? To generate positive outcomes for a patient, a practitioner must hold positive feelings in his or her own heart. Not only does good will profit the client, but it also benefits the practitioner as a person. A set of studies by researcher Dr. Rollin McCraty of the HeartMath Institute in California, and described in his e-book, The Energetic Heart, helps explain the importance of positive energy.40 For decades, scientists have known that information is encoded in the nervous system in the time intervals between activities or in the pattern of electrical activity. Recent studies also reveal that information is captured in hormone pulses. Moreover, there is a hormone pulse that coincides with heart rhythms, which means that information is also shared in the interbeat intervals of the pressure and electromagnetic waves produced by the heart. Negative emotions such as anger, frustration, or anxiety disturb the heart rhythm. Positive emotions such as appreciation, love, or compassion produce coherent or functional patterns. Feelings, distributed throughout the body, produce chemical changes within the entire system. Do you want to be a healthy person? Be sincerely positive as often as you can. You thus “increase the probability of maintaining coherence and reducing stress, even during challenging situations.”41 What you as a practitioner believe will be shared—everywhere and with everyone you meet.
”
”
Cyndi Dale (The Subtle Body: An Encyclopedia of Your Energetic Anatomy)
“
A wealthy man and his son loved to collect works of art. They had in their collection works ranging from Picasso to Raphael and Rembrandt. When the Vietnam War broke out, the son was drafted and sent to fight in ’Nam. He was very courageous and died in battle. The father was notified and grieved deeply for his only son. About a month later, a young lad appeared at the door to his house and said, “Sir, you don’t know me, but I am the soldier for whom your son gave his life that fateful day. He was carrying me to safety when a bullet struck him in the heart. He died instantly. He used to often talk about you and your love for art. Here’s something for you,” he added, holding out a package. “It is something that I drew. I know I am not much of an artist, but I wanted you to have this from me as a small measure of memory and thanks.” It was a portrait of his son, painted by the young man. It captured the personality of his son. The father’s eyes welled up with tears as he thanked the young man for the painting. He offered to pay for the picture, but the man replied, “Oh! No, sir. I could never repay what your son did for me. It is my gift to you.” The father hung the portrait over his mantel and showed it proudly to all his visitors along with all of the great works of art he possessed. Some time later, the old man died. As decreed in his will, his paintings were all to be auctioned. Many influential and rich people gathered together, excited over the prospect of owning one of the masterpieces. On a platform nearby also sat the painting of his son. The auctioneer pounded his gavel. “Let’s start the bidding with the picture of his son. Who will bid for this picture?” There was silence. A voice shouted from the back, “Let’s skip this one. We want the famous masters.” But the auctioneer persisted. “Ten dollars, twenty dollars, what do I hear?” Another voice came back angrily, “We didn’t come here for this. Let’s have the Picassos, the Matisses, the van Goghs.” Still the auctioneer persisted. “The son. Anyone for the son? Who’ll take the son?” Finally a quavering voice came from the back. It was the longtime gardener of the house. “I’ll take the son for ten dollars. I am sorry, but that’s all I have.” “Ten dollars once, ten dollars twice, anybody for twenty dollars? Sold for ten dollars.” “Now let’s get on with the auction,” said a wealthy art aficionado sitting in the front row. The auctioneer laid down his gavel and spoke. “I am sorry, but the auction is over.” “But what about the other paintings? The masters?” “The auction is over,” said the auctioneer. “I was asked to conduct the auction with a stipulation, a secret stipulation that said that only the painting of the son would be auctioned. Whoever bought that painting would inherit the entire estate, paintings and all. The one who took the son gets everything.
”
”
Ramesh Richard (Preparing Evangelistic Sermons: A Seven-Step Method for Preaching Salvation)
“
Dear Christopher,
You’ve made me realize that words are the most important things in the world. And never so much as now. The moment Audrey gave me your last letter, my heart started beating faster, and I had to run to my secret house to read it in private.
I haven’t yet told you…last spring on one of my rambles, I found the oddest structure in the forest, a lone tower of brick and stonework, all covered with ivy and moss. It was on a distant portion of the Stony Cross estate that belongs to Lord Westcliff. Later when I asked Lady Westcliff about it, she said that keeping a secret house was a local custom in medieval times. The lord of the manor might have used it as a place to keep his mistress. Once a Westcliff ancestor actually hid there from his own bloodthirsty retainers. Lady Westcliff said I could visit the secret house whenever I wanted, since it has long been abandoned. I go there often. It’s my hiding place, my sanctuary…and now that you know about it, it’s yours as well.
I’ve just lit a candle and set it in a window. A very tiny lodestar, for you to follow home.
Dearest Prudence,
Amid all the noise and men and madness, I try to think of you in your secret house…my princess in a tower. And my lodestar in the window.
The things one has to do in war…I thought it would all become easier as time went on. And I’m sorry to say I was right. I fear for my soul. The things I have done, Pru. The things I have yet to do. If I don’t expect God to forgive me, how can I ask you to?
Dear Christopher,
Love forgives all things. You don’t even need to ask.
Ever since you wrote to me about the Argos, I’ve been reading about stars. We’ve loads of books about them, as the subject was of particular interest to my father. Aristotle taught that stars are made of a different matter than the four earthly elements--a quintessence--that also happens to be what the human psyche is made of. Which is why man’s spirit corresponds to the stars. Perhaps that’s not a very scientific view, but I do like the idea that there’s a little starlight in each of us.
I carry thoughts of you like my own personal constellation. How far away you are, dearest friend, but no farther than those fixed stars in my soul.
Dear Pru,
We’re settling in for a long siege. It’s uncertain as to when I’ll have the chance to write again. This is not my last letter, only the last for a while. Do not doubt that I am coming back to you someday.
Until I can hold you in my arms, these worn and ramshackle words are the only way to reach you. What a poor translation of love they are. Words could never do justice to you, or capture what you mean to me.
Still…I love you. I swear by the starlight…I will not leave this earth until you hear those words from me.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
The all-sustaining power of knowledge is captured in the simile
of knowledge being food for the soul. Various versions of it are met
with in the Graeco-Arabic tradition, “Like as the body grows through
food and becomes -fi
rm through exercise, thus the soul grows through
studying and becomes strong through patiently enduring (the hardships
of ) studying.” Diogenes, it seems, was supposed to have made this
statement. Someone else, apparently Theognis, is said to have already
played a variation on the theme: “Knowledge is not on the level of
food which suffi
ces to feed two or three but cannot feed many persons.
Rather, it is like light which enables many eyes to see all at the same
time.” Diogenes, or, according to another version, the Church Father,
Basilius, admonishes us to take the appropriate measures against harmful
knowledge in the same way in which we are used to protect ourselves
against harmful foods, because knowledge is the food of the soul.
According to Plato, the pleasure which the soul shares with the body is that
of food and drink, whereas its incorporeal pleasure is that of knowledge
and wisdom. For Pseudo-Apollonius of Tyana (Balînûs), proof of the
incorporeality of the soul lies in the fact that it does not partake of material
nourishment. “According to the Stoics,” he reports, “Socrates said that
the soul eats; however, its food is something that is not corporeal, since
the food of the soul is knowledge.”
Knowledge is also described by
Ibn Butlân as the thing that nourishes the intellect. It is for the intellect what food is for the body, since the two supplement each other and must
exist together in human beings. Ibn Taymîyah states that “the arrival of
knowledge in the heart is like the arrival of food in the body. The body
is aware of food and drink. In the same manner, the hearts are aware of
the sciences (-
ulûm) that establish themselves in them and which are their
food and drink.” In the popular conception, knowledge and books
have always been identifi
ed as spiritual food, down to the present day.
”
”
Franz Rosenthal (Knowledge Triumphant: The Concept of Knowledge in Medieval Islam (Brill Classics in Islam))
“
So cry out for grace. The war between God’s will and your will has not yet ended. The desire for God to exercise his power to deliver your personal dreams is not yet gone. The temptation to think that you know better still has the power to capture you. Reach out for the help your Savior died to give you. Ask him again to rescue you from you. Pray for the sense of heart to know that there is no safer place to be than in submission to the will of your Father in heaven. And have the courage this morning to look toward heaven and say, “Your kingdom come, your will be done right here, right now in my life as it is in heaven.” And thank God that he cared for you so much that he exercised his will for your welfare and salvation. When you’re joyfully willing to submit to the will of this One, you know grace has taken residence in your heart.
”
”
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
“
It’s beauty that captures your attention; personality which captures your heart.” ~ Oscar Wilde
”
”
Ella Dominguez (Altered State)
“
I watched him play every perfect chord as if it were an entire song, every song as if it were a grand sonata. The old man was lost in the captivating music and I was lost too—in his commanding presence, in his seamless movement, in his unmatched talent. His fingers floated effortlessly over the worn strings of the acoustic guitar, each one crossing over the other with calming ease. I found it hard to distinguish where one part ended and another began, inspiring and stirring my soul like a miracle.
Elsie watched him with great intent, with great wonder, as did I.
Then she got up from her leather armchair in the corner, walked over to the parlor grand piano, and joined in just as the song began to swell to its airy peak. They played together flawlessly, a man and a woman, for what could have been the thousandth time.
Yet as I watched them, as the music filled me like the warmth of coming home, I could see it was new to them too, though ancestral and old. I was swept away, amazed at how each part was so distinct, so solitary in and of itself, and how yet it could only capture its full potential, its full beauty, as a part of something greater. I thought of how we are all pieces of music, of how one person would cease to swell without the other, of how the part that moves us the most freely in ourselves might not exist at all.
I watched Johnny as he continued to strum, then Elsie as her fingers darted from place to place on the keys of the piano. The music swept over me like a memory of summertime, and I closed my eyes, letting it take me where it would, to a place so strikingly beautiful that everything else was silently perfect, letting the melody lead the moment. The hopeful sound filled my expectant ears and my emotions felt new again, as if I were a child, the moment peacefully pure, like rocking a newborn back to sleep. Wet streams of tears escaped my soft, emotional eyes as I let the notes take their full effect.
To Johnny and Elsie, music was a language that didn't require words. In fact, it exceeded them. For what was flowing from the withered hands of the couple before me now was in itself perfection. Words could only ruin a moment this pure. As I watched them, I realized I wanted to care about anything as much as they did about music.
A tear ran down my cheek as the last note hung softly, like a butterfly might hang on air. I decided right then that some things in life were much too beautiful not to cry about. This, I now knew, was one of them.
”
”
Emily Nelson
“
Kes gave me his shy smile again and my heart was captured from that moment. I didn’t know it then; I didn’t understand what it meant, but whenever I looked at him, my skin felt warm, like my own personal sun was shining just for me.
”
”
Jane Harvey-Berrick (The Traveling Man (Traveling, #1))
“
to change people most profoundly, we must change what we worship. Thinking, arguments, and beliefs are crucial as means of moving the heart, but ultimately we are what we adore. We are what captures our imagination, what leads us to praise and to compel others to praise it. Our inordinate anger, anxiety, and discouragement result from disordered loves. Our relational problems result from disordered loves, and our social and cultural problems as well. What can re-engineer our very inner being, the structure of our personality? What can create healthy human community? Worship and adoration of God. We must love God supremely, and that can be cultivated only through praise and adoration.
”
”
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
“
Whether you consider yourself an economic veteran or novice, now is the time to uncover the economic graffiti that lingers in all of our minds and, if you don’t like what you find, scrub it out; or, better still, paint it over with new images that far better serve our needs and times. The rest of this book proposes seven ways to think like a twenty-first-century economist, revealing for each of those seven ways the spurious image that has occupied our minds, how it came to be so powerful, and the damaging influence it has had. But the time for mere critique is past, which is why the focus here is on creating new images that capture the essential principles to guide us now. The diagrams in this book aim to summarise that leap from old to new economic thinking. Taken together they set out – quite literally – a new big picture for the twenty-first-century economist. So here is a whirlwind tour of the ideas and images at the heart of Doughnut Economics. First, change the goal. For over 70 years economics has been fixated on GDP, or national output, as its primary measure of progress. That fixation has been used to justify extreme inequalities of income and wealth coupled with unprecedented destruction of the living world. For the twenty-first century a far bigger goal is needed: meeting the human rights of every person within the means of our life-giving planet. And that goal is encapsulated in the concept of the Doughnut. The challenge now is to create economies – local to global – that help to bring all of humanity into the Doughnut’s safe and just space. Instead of pursuing ever-increasing GDP, it is time to discover how to thrive in balance.
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Kate Raworth (Doughnut Economics: Seven Ways to Think Like a 21st-Century Economist)
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I do love him, and it’s not really all that surprising. Ronan didn’t just capture my heart; he ruthlessly stole it right out of my chest. He didn’t even have to try. He did it by being genuine. By just being him. He might be the best person I’ve ever met in my life. No, he is. He definitely is.
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Sara Cate (Highest Bidder (Salacious Players Club, #5))
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I always cry when I create...and the tears manifest from both joy and pain. To capture your fellow souls in the palm of your hand and to nourish and inspire them with your heart and your spirit is one of the most potent forms of communion in this realm. Reach them, touch them...let them feel the heat of the fire inside of you. Let your very heartbeat shake their bones. THIS is life. THIS is what it's all about. Art is a religion that binds us all, and it's no respecter of persons; It's an equalizer, and inspires us all to greatness.
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Lioness DeWinter
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Human nature dictates that the wealthier a person, the more they tend to look down on the poor. The more beautiful a person, the more they are put off by the ugly. And without realizing what we are doing, we quietly assume that one so high and exalted has corresponding difficulty drawing near to the despicable and unclean. Sure, Jesus comes close to us, we agree—but he holds his nose. This risen Christ, after all, is the one whom “God has highly exalted,” at whose name every knee will one day bow in submission (Phil. 2:9–11). This is the one whose eyes are “like a flame of fire” and whose voice is “like the roar of many waters” and who has “a sharp two-edged sword” coming out of his mouth and whose face is “like the sun shining in full strength” (Rev. 1:14–16); in other words, this is one so unspeakably brilliant that his resplendence cannot adequately be captured with words, so ineffably magnificent that all language dies away before his splendor. This is the one whose deepest heart is, more than anything else, gentle and lowly.
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Dane C. Ortlund (Gentle and Lowly: The Heart of Christ for Sinners and Sufferers)
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If beauty catches the eye, then character captures the heart.
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Abd Faek Ghananeem (Stories For Kids: The Lost Treasure of the Desert: An Adventurous Quest for Hidden Wonders Ages 7-12)
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By D. Donovan, Senior Reviewer, Midwest Book Review
"Historical fiction readers are in for a treat with When I Was Better, a love story set in Hungary and Canada which follows the journey of István and Teréza, who flee the Nazi and Soviet invasions and the Hungarian Revolution to finally make their home in Winnipeg in the 1960s.
Maps and a cast of characters portend an attention to details that history buffs will appreciate, but the lively chapter headings that begin with "This is What Dying Feels Like" are the real draw, promising inviting scenarios that compel readers to learn more about the characters' lives and influences.
Few other books about immigrant experience hold the descriptive power of When I Was Better:
"Her world had transformed into a place of gestures and facial expressions, making her feel more vigilant now than she had ever been under Communism. No one understood her but Zolti. Already she ached for her language and the family she left behind."
Rita Bozi's ability to capture not just the history and milieu of the times, but the life and passions of those who live it is a sterling example of what sets an extraordinary read apart from a mundane narration of circumstance and history.
Her ability to depict the everyday experiences and insights of her protagonist bonds reader to the subject in an intimate manner that brings not just the era, but the psychology of its participants to life through inner reflection, influence and experience, and even dialogue:
“Four lengths of sausage, please?” Teréza watched as the man pulled two small lengths from the hook and wrapped them in course paper. “I beg your pardon, sir, but would you kindly add in two more lengths?”
“We got an aristocrat here? If you take four lengths, what d’you imagine the workers are gonna eat at the end of the day?”
The account of a seven-year separation, Budapest and Winnipeg cultures and contrasts, and refugee experiences brings history to life through the eyes of its beholders.
That which doesn't kill us, makes us stronger. This saying applies especially strongly to When I Was Better 's powerful story, highly recommended for historical fiction readers and library collections interested in powerfully compelling writing packed with insights:
“Why is it so agonizing to be truthful?” István asked, not expecting an answer.
“It depends on what truth you’re about to reveal. And how you expect it to be received. If you’re expecting an execution, you have two choices. Die for what you believe in or lie to save your life.”
“So in the end, it all comes down to values.” István reached for the martini, took another sip.
Bela smiled. “Without truth, there’s no real connection. The truth hurts, but love eventually heals what hurts.”"
"With sharp insight and the gifts of a natural, Bozi's novel brilliantly chronicles the plight of an entire generation of Hungarians through the intimate portrait of two lovers tested by the political and personal betrayals that ripped through the heart of the twentieth century.
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Rita Bozi
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remind yourself that you are a very fulfilled person—stable, functional, and happy—with a career, friends, and hobbies, and that you are perfectly capable of living with or without him. You are not an empty vessel waiting for him to fill you up, support you, or give you a life. You are alive and enthusiastic, engaged in work and in living fully on your own.
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Ellen Fein (All the Rules: Time-Tested Secrets for Capturing the Heart of Mr. Right)
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I love you so much, angel,” I whispered. “If anyone ever hurts you, I’ll kill them.” And I meant it. At this point it seems important to note that I am not a violent person. True story: I capture flies under plastic cups and relocate them into the wild. So, I quite literally wouldn’t hurt a fly. My soul belongs in an overstuffed teddy bear, but something inside me had changed. I wasn’t just a momma bear; I was a momma grizzly. An Ursus arctos horribilis, y’all. Accent on the horribilis. From the moment you become a parent, your heart moves outside of your body. There is nothing you wouldn’t do, no line you wouldn’t cross, to protect the child that you love. As I held my son and felt that grizzly roar within, I was forced to reckon with the possibility that I had never loved anyone like this before. That before I became a parent, my life was a little bit selfish. Not that I was a jerk or anything. It was simply this: Every decision, until I had children, was made in the interest of me. I was out in the world, living free and wild, taking consequences as they came. But when a child is born, so is a mother. And in her, a grizzly awakens. Her love is maternal, instinctive, and deep. And when necessary, even dangerous. There are certain movies you watch as a kid which inspire you to do stupid
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Mary Katherine Backstrom (Holy Hot Mess: Finding God in the Details of this Weird and Wonderful Life)
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Raven Cure sells heels, boots, and goth shoes for men and women around the world. We specializes in Grunge, Burlesque, Goth, Emo, Kawaii, Pastel Goth, Steampunk, Cybergoth, and Scene styles. Gothic clothing lacks many fashion-standard elements: well designed pockets, sizes that fit every unique person, and clothing that can be worn by all ages. Raven was born to fix the woes of the gothic fashion scene. Goth isn't amazon. Goth is not just clothes. Raven captures the heart of goth.
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Raven Cure
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Unveiling London E-commerce Triumph: Decoding Data with WooCommerce Analytics
In the bustling realm of London e-commerce, navigating the digital landscape requires not just intuition but informed decision-making backed by data. This is where the marriage of WooCommerce and analytics becomes a game-changer. In this exploration, we delve into the nuances of leveraging WooCommerce Analytics for e-commerce success in London. As we embark on this journey, the expertise of a dedicated woocommerce development in london adds a unique perspective, unraveling the potential of data decoding in the heart of the e-commerce landscape.
Understanding the London E-commerce Scene
This section emphasizes the importance of understanding the unique characteristics of the London e-commerce landscape. It underscores the need for businesses to be attuned to local market trends, consumer preferences, and the digital sophistication of the London audience to effectively leverage WooCommerce Analytics.
The Role of WooCommerce Agency in London E-commerce Analytics
1. Proactive Data Strategy: Setting the Foundation
This point explains the proactive role of a WooCommerce agency in London in establishing a robust data strategy. It involves setting up analytics tools, defining KPIs, and aligning data collection with the specific goals of London e-commerce businesses.
2. Tailoring Analytics to London Market Trends
Here, the focus is on tailoring analytics solutions to capture and interpret data that is directly relevant to the ever-evolving market trends of London. A WooCommerce agency in London customizes analytics approaches to provide actionable insights for businesses in the local market.
Key Metrics and KPIs for London E-commerce Success
3. Conversion Rate Optimization (CRO): Turning Clicks into Transactions
This point explores the pivotal role of Conversion Rate Optimization (CRO) in London e-commerce. It delves into how a WooCommerce agency in London optimizes the conversion rate by refining the checkout process, analyzing user journeys, and enhancing the overall user experience to maximize sales.
4. Customer Lifetime Value (CLV): Fostering Long-Term Relationships
The focus here is on the importance of Customer Lifetime Value (CLV) analytics. It explains how a WooCommerce agency in London helps businesses identify high-value customers, tailor marketing strategies, and foster long-term relationships for sustained success.
WooCommerce Analytics Tools and Implementations
5. Google Analytics Integration for Comprehensive Insights
This point delves into the integration of Google Analytics with WooCommerce. It explains how a WooCommerce agency in London guides businesses through the integration process, utilizing Google Analytics to gain comprehensive insights into user behavior, traffic sources, and website performance.
6. Custom Reports and Dashboards: Tailoring Insights for London Businesses
Here, the emphasis is on the creation of custom reports and dashboards by a WooCommerce agency in London. These tailored insights provide businesses with specific information relevant to their products, target audience, and market trends, enhancing decision-making accuracy.
Analyzing User Behavior for Enhanced User Experience
7. Heatmaps and User Flow Analysis: Optimizing the Customer Journey
This point explores the use of heatmaps and user flow analysis to optimize the customer journey in London e-commerce. A WooCommerce agency in London employs these tools to uncover patterns, identify bottlenecks, and make strategic adjustments for a seamless user experience.
8. Abandoned Cart Analysis: Recovering Lost Opportunities
This section discusses the significance of abandoned cart analysis. It explains how a WooCommerce agency in London utilizes analytics to understand the reasons behind cart abandonment and implements targeted strategies to recover potentially lost sales through personalized retargeting campaigns.
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Webskitters uk
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Laughter isn’t just fun; it’s also healthy. God created us so that laughing releases endorphins that create a vigorous, energetic and healthier body. I believe any person can become 100 percent better looking in an instant—anytime they choose—without spending a dime on cosmetic surgery. How? Simply, by smiling more often. A single, sincere smile can capture and change hearts and minds.
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L.C. Fowler (Dare To Live Greatly)
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In passing the sentence, Judge W.D. Shipman, in the course of his address to the prisoner Nathaniel Gordon said:
Let me implore you to seek the spiritual guidance of the ministers of religion; and let your repentance be as humble and thorough as your crime was great. Do not attempt to hide its enormity from yourself; think of the cruelty and wickedness of seizing nearly a thousand fellow beings, who never did you harm, and thrusting them beneath the decks of a small ship, beneath a burning tropical sun, to die in of disease or suffocation, or be transported to distant lands, and be consigned, they and their posterity, to a fate far more cruel than death.
Think of the sufferings of the unhappy beings whom you crowded on the Erie; of their helpless agony and terror as you took them from their native land; and especially of their miseries on the ---- ----- place of your capture to Monrovia! Remember that you showed mercy to none, carrying off as you did not only those of your own sex, but women and helpless children.
Do not flatter yourself that because they belonged to a different race from yourself, your guilt is therefore lessened – rather fear that it is increased. In the just and generous heart, the humble and the weak inspire compassion, and call for pity and forbearance. As you are soon to pass into the presence of that God of the black man as well as the white man, who is no respecter of persons, do not indulge for a moment the thought that he hears with indifference the cry of the humblest of his children. Do not imagine that because others shared in the guilt of this enterprise, yours, is thereby diminished; but remember the awful admonition of your Bible, "Though hand joined in hand, the wicked shall not go unpunished."
— Worcester Aegis and Transcript; December 7, 1861; pg. 1, col. 6.
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W.D. Shipman
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it's beauty that captures your attention; personality that captures your heart.
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Oscar Wilde
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Karl Barth was the most significant theologian in the twentieth century, at least in western Christianity. His defence of the doctrines of the Holy Trinity, the incarnation of God’s eternal Son and his virginal conception in Mary’s womb, stunned the liberalism that had captured Protestantism in Europe. For this we can be thankful. But orthodox confession of foundational truths, if not allied to a whole hearted submission to the sufficiency and absolute authority of God’s inscripturated revelation, the proclamation of Jesus Christ as the only Saviour of sinners, the necessity of the new birth, and personal repentance and faith, is not biblical Christianity.
Hamilton, Ian. "False Friend?" review of Karl Barth: An Introductory Biography for Evangelicals, by Mark Galli, Banner of Truth, 682: 29.
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Ian Standish Monteith Hamilton
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The body, the heart, the mind, and the spirit. The essence of these needs is captured in this phrase “to live, to love, to learn, to leave a legacy.
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Stephen R. Covey (How to Develop Your Personal Mission Statement)
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Eventually, she held up the page, satisfied. It depicted Yalb and the porter in detail, with hints of the busy city behind. She’d gotten their eyes right. That was the most important. Each of the Ten Essences had an analogous part of the human body—blood for liquid, hair for wood, and so forth. The eyes were associated with crystal and glass. The windows into a person’s mind and spirit.
She set the page aside. Some men collected trophies. Others collected weapons or shields. Many collected spheres.
Shallan collected people. People, and interesting creatures. Perhaps it was because she’d spent so much of her youth in a virtual prison. She’d developed the habit of memorizing faces, then drawing them later, after her father had discovered her sketching the gardeners. His daughter? Drawing pictures of darkeyes? He’d been furious with her—one of the infrequent times he’d directed his infamous temper at his daughter.
After that, she’d done drawings of people only when in private, instead using her open drawing times to sketch the insects, crustaceans, and plants of the manor gardens. Her father hadn’t minded this—zoology and botany were proper feminine pursuits—and had encouraged her to choose natural history as her Calling.
She took out a third blank sheet. It seemed to beg her to fill it. A blank page was nothing but potential, pointless until it was used. Like a fully infused sphere cloistered inside a pouch, prevented from making its light useful.
Fill me.
The creationspren gathered around the page. They were still, as if curious, anticipatory. Shallan closed her eyes and imagined Jasnah Kholin, standing before the blocked door, the Soulcaster glowing on her hand. The hallway hushed, save for a child’s sniffles. Attendants holding their breath. An anxious king. A still reverence.
Shallan opened her eyes and began to draw with vigor, intentionally losing herself. The less she was in the now and the more she was in the then, the better the sketch would be. The other two pictures had been warm-ups; this was the day’s masterpiece. With the paper bound onto the board—safehand holding that—her freehand flew across the page, occasionally switching to other pencils. Soft charcoal for deep, thick blackness, like Jasnah’s beautiful hair. Hard charcoal for light greys, like the powerful waves of light coming from the Soulcaster’s gems.
For a few extended moments, Shallan was back in that hallway again, watching something that should not be: a heretic wielding one of the most sacred powers in all the world. The power of change itself, the power by which the Almighty had created Roshar. He had another name, allowed to pass only the lips of ardents. Elithanathile. He Who Transforms.
Shallan could smell the musty hallway. She could hear the child whimpering. She could feel her own heart beating in anticipation. The boulder would soon change. Sucking away the Stormlight in Jasnah’s gemstone, it would give up its essence, becoming something new. Shallan’s breath caught in her throat.
And then the memory faded, returning her to the quiet, dim alcove. The page now held a perfect rendition of the scene, worked in blacks and greys. The princess’s proud figure regarded the fallen stone, demanding that it give way before her will. It was her. Shallan knew, with the intuitive certainty of an artist, that this was one of the finest pieces she had ever done. In a very small way, she had captured Jasnah Kholin, something the devotaries had never managed. That gave her a euphoric thrill. Even if this woman rejected Shallan again, one fact would not change. Jasnah Kholin had joined Shallan’s collection.
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Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
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A verse in 2 Corinthians 5 explains this concept of being an awe breaker. It says that Jesus lived and died so that “those who live might no longer live for themselves” (v. 15). Here’s what this powerful little phrase means: people whose every thought, desire, word, and action was meant to be motivated and shaped by awe of God, exchange awe of God for awe of self. It’s not just that sin makes us rebels and fools. It’s not just that sin makes us want to write our own laws. No, sin does something more fundamental to each of us. Sin captures and redirects the motivational system of our hearts. In a practically life-shaping way, sin changes how our hearts operate. Paul is talking here about two opposite perspectives on life. In one, the heart is filled with a vision of what I want for me and my little world; in the other, the heart is filled with wonder at who Christ is and what he has done. Each is driven by awe, either awe of personal glory or awe of the glory of Christ. Though we were created to be moved by the awe of God, sin causes our hearts to be moved by the small, individualistic agenda of awe of self. Because we break God’s awe design, we then proceed to break God’s law design. Let me say it as clearly and practically as I can. Because of sin, awe of God is very quickly replaced by awe of self.
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Paul David Tripp (Awe: Why It Matters for Everything We Think, Say, and Do)
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Let’s say I have cancer.” He opens his eyes to glare at me. “I don’t like this.” “Just hear me out. I have cancer, and there’s nothing more they can do for me.” He goes still, and for a moment I don’t even feel his heartbeat through his chest, like the thought of my heart stopping stopped his. “I don’t have much time left,” I whisper, letting him feel the possibility of me being gone. “But then someone discovers the cure for cancer.” He tips his mouth to the left and he traces the curves of my knees. “There’s just one catch.” I dip my head to capture his eyes. “The man who discovered the cure—he’s a white supremacist.” He looks back at me unblinkingly for a second before allowing himself one blink—just one. “Do you accept the cure for cancer?” “What good is this when—” “Answer the question. Do you accept the cure for cancer from a white supremacist to save my life?” “I’d accept the cure from the devil himself to save you. You know that.” He sighs. “It’s not the same.” “What’s the title of Dr. Hammond’s book?” He rolls his eyes. “You know the title, Bris.” “Humor me.” “Virus. The title of his book is Virus.” “And the point is that racism is a virus that’s constantly changing, constantly adapting, right?” I ask. “That it adapted when slavery was outlawed and when Jim Crow was eradicated and when segregation was legally struck down. It works its way into our systems, like our penal system, right? It’s a nasty bastard that just keeps morphing and surviving like a cockroach.” Now I have his attention. He’s stopped countering my every word, stopped protesting and thinking this is a useless exercise. He’s finally listening. “The person who finally cures cancer won’t be perfect,” I tell him. “They’ll just be the person who figured out the cure for cancer, and the people who live because of that won’t care that he cheated on his taxes or stepped out on his wife. They’ll care that he cured cancer. Dr. Hammond has a cure, at least for part of the problem. With his ideas and your resources and influence, imagine how much good you can do.” “He doesn’t think we should be together, thinks I’ve been societally conditioned to ‘acquire’ you.” Grip’s flinty look doesn’t dissuade me, even though that is some bullshit. “I bet there are more things you agree on than disagree.” I prop my elbows on his shoulders, leaning into him and persisting. “I bet when he gets to know me, I’ll go from being a ‘they’ to being Bristol. Isn’t that what you said months ago when you performed ‘Bruise’ for the Black and Blue Ball? That sometimes it takes us being around each other and getting to know each other, at least giving us the chance to go from being a category to who we really are? As individuals, who we really are?” He shakes his head, genuine humor apparent for the first time since his steps stuttered through our front door. “So, what?” A grin tilts his mouth. “You remember every word I say?” He really has no idea. “If I only get one life with you,” I mutter into his neck, “then, yes, I’m holding on to every moment and every word you say.” He pulls me away from the crook of his neck, studying my face. His eyes darken, emotion redolent in the air between us. “You’re so precious to me, Bristol,” he says, his voice the perfect blend of raw and reverent.
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Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
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I loved the sound he could get on tape for my drums. In rock music, getting this right is still one of the great tests for any engineer. Since the drum's original use was to spur on troops to warfare, rather than winning over a maiden's fair heart, it is hardly surprising that many a battle has been fought over the drum sound.
The kit - virtually the only remaining acoustic instrument in a standard rock context - consists of a number of different constituent parts which insist on vibrating and rattling through a remarkable range of sounds and surfaces. Worse, hitting one element will set up a chain vibration in the others. In the days of four-track recording, the engineer needed to capture, but keep separate, the firm impact of the bass drum and the hi-hat for marking the time, the full fat sound of the snare drum, the tuned tones of the tom-toms and the sizzle or splash of the cymbals. Setting up the mikes to capture this is one of the black arts of the business, and is a pretty good way of detecting the best practitioners of them. Alan's full range of engieering skills were self-evident as we began to piece the record together.
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Nick Mason (Inside Out: A Personal History of Pink Floyd)
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what is important to me is not safe with this person in this situation (or any situation).” These definitions perfectly capture what emerged from our data on trust and mistrust.
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Brené Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)
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Faith exalts the human heart, by removing it from the market-place, making it sacred and unexchangeable. Under the jurisdiction of religion our deeper feelings are sacralised, so as to become raw material for the ethical life: the life lived in judgement. When faith declines, however, the sacred is unprotected from marauders; the heart can be captured and put on sale. When this happens the human heart becomes kitsch. The clichéd kiss, the doe-eyed smile, the Christmas-card sentiments advertise what cannot be advertised without ceasing to be. They therefore commit the salesman to nothing; they can be bought and sold without emotional hardship, since the emotion, being a fantasy product, no longer exists in its committed and judgement-bearing form.
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Roger Scruton (An Intelligent Person's Guide to Modern Culture)