β
For the two of us, home isn't a place. It is a person. And we are finally home.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
The more you know who you are, and what you want, the less you let things upset you.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Is it possible for home to be a person and not a place?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
French name, English accent, American school. Anna confused.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I know you aren't perfect. But it's a person's imperfections that make them perfect for someone else.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I wish friends held hands more often, like the children I see on the streets sometimes. I'm not sure why we have to grow up and get embarrassed about it.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Will you please tell me you love me? Iβm dying here.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Boys turns girls into such idiots.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I'm saying I'm in love with you! I've been in love with you this whole bleeding year!
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Maybe the grass is greener on the other side depends who was standing in it. Sometimes you have to go over there and look.
β
β
Lynne Rae Perkins
β
Why is it that the right people never wind up together? Why are people so afraid to leave a relationship, even if they know it's a bad one?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I mean, really. Who sends their kid to boarding school? It's so Hogwarts. Only mine doesn't have cute boy wizards or magic candy or flying lessons.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I wish for the thing that is best for me.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Girl scouts didn't teach me what to do with emotionally unstable drunk boys.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Just because something isn't practical doesn't mean it's not worth creating. Sometimes beauty and real-life magic are enough.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I'm a little distracted by this English French American Boy Masterpiece.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.
β
β
Charlotte Perkins Gilman (The Yellow Wallpaper and Other Stories)
β
Soap?"
"School of America in Paris" he explains. "SOAP".
Nice. My father sent me here to be cleansed.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Perfect is overrated. Perfect is boring."
I smile. "You don't think I'm perfect?"
"No. You're delightfully screwy, and I wouldn't have you any other way.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
When it's right, it's simple.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Seriously, I don't know any American girl who can resist an English accent.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
So do you believe in second chances?" I bite my lip.
"Second, third, fourth. Whatever it takes. However long it takes. If the person is right," he adds.
"If the person is... Lola?"
This time, he holds my gaze. "Only if the other person is Cricket.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I don't want to feel this way around him. I want things to be normal. I want to be his friend, not another stupid girl holding out for something that will never happen.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
And if I'm the stars, Cricket Bell is entire galaxies.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
How many times can our emotions be tied to someone else's - be pulled and stretched and twisted - before they snap? Before they can never be mended again?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
There is no female mind. The brain is not an organ of sex. As well speak of a female liver.
β
β
Charlotte Perkins Gilman (Women and Economics)
β
There are some people in life that you can't get over.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
We both got our Point Zero wishesβeach other. He said he wished for me every time.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Sometimes a mistake isn't a what. It's a who.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
A moment of reserve. "That was it? The whole story?"
"Yes. God, you're right. That was pants."
I sidestep another aggressive couscous vendor. "Pants?"
"Rubbish. Crap. Shite."
Pants. Oh heavens, that's cute.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I don't believe in fashion. I believe in costume. Life is too short to be same person every day.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I moan with pleasure.
"Did you just have a foodgasm?" he asks, wiping ricotta from his lips.
"Where have you been all my life?" I ask the beautiful panini.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
This is home. The two of us.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Anna, Anna," Josh interrupts. "If I had a euro for every stupid thing I've done, I could buy the Mona Lisa. You'll be fine.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Madame Guillotine gets mad at me. Not because I told them to shove it, but because I didnβt say it in French. What is wrong with this school?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
The only French word I know is oui, which means βyes,β and only recently did I learn itβs spelled o-βu-βi and not w-βe-βe.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
People should say what they mean and not make other people stumble around.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Everyone makes mistakes. The important thing is to not make the same mistake twice.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
It's easy to talk about things we hate, but sometimes it's hard to explain exactly why we like something.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Please. The boy gets a boner every time you walk into the room."
My eyes pop back open. Does she mean that figuratively or has she actually seen something? No. Focus, Anna.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Why do I care so much about him, and why do I wish I didn't? How can one person make me so confused all of the time?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Har. Bloody. Har."
He smiles. "Oh, I see. Known me less than a day and teasing me about my accent. What's next? Care to discuss the state of my hair? My height? My trousers?"
Trousers. Honestly.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Because thatβs the thing about depression. When I feel it deeply, I donβt want to let it go. It becomes a comfort. I want to cloak myself under its heavy weight and breathe it into my lungs. I want to nurture it, grow it, cultivate it. Itβs mine. I want to check out with it, drift asleep wrapped in its arms and not wake up for a long, long time.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I am hard on myself. But isnβt it better to be honest about these things before someone else can use them against you? Before someone else can break your heart? Isnβt it better to break it yourself?
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
Life isnβt about what you get, itβs about what you DO with what you get.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Phones are distracting. The internet is distracting.The way he looked at you? He wasn't distracted. He was consumed.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
A blank canvas...has unlimited possibilities.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
And I hold my head high toward my big entrance, hand in hand with the boy who gave me the moon and the stars.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I draw him closer by his tie and whisper into his ear, "Cricket Bell, I have been in love with you for my entire life.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
What just happened?"
"Your father invited the former love of your life in for pie."
"Yeah, that's what I thought.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Sorry to be your second choice."
"Don't be stupid. Third choice. Mum's asleep, remember?" He laughs again.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
St. Clair clears his throat. 'My fiancΓ©e and I are headed out for a celebratory dessert. I'd ask you all to join us, but I don't want you there.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
There's no story,' I say. 'I saw you one day, and I just knew.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
Oof," he says.
"Hey, there's a bed there."
"Thanks for the warning."
"No problem.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
It's not right. It hasn't been right, not since I met you.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Why?" His voice is suspicious. "Are you two going out now?"
"Yeah, we set up our first date right after he asked me to marry him. Please. We're just friends.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Do adults realize how lucky they are? Or do they forget that these small moments are actually small miracles? I donβt want to ever forget.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
If you ask me to kiss you, I will,β he says.
His fingers stroke the inside of my wrists, and I burst into flames.
βKiss me,β I say.
He does.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I wasn't being a git. I wasn't even being a twat, or a wanker, or any of your other bleeding Briticisms -
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Do you know my biggest regret?" She asks. "That you turned into this bright, beautiful, fascinating person... and I can't take credit for any of it.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time."
"My pleasure. Always happy to educate.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
You say that I'm afraid of being alone, and it's true. I am. And I'm not proud of it. But you need to take a good look at yourself, Anna, because I am NOT the only one in this room who suffers this problem.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Lola?" Cricket is on his knees at the side of my bed. I feel it. "I'm here," he whispers. "You can talk to me or not talk to me, but I'm here.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
There are few things worse than having feelings for someone you shouldn't, and I don't like where my thoughts were headed.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
No more moving. I'm here. I'm wherever you are.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Anna prods St. Clair's shoulder. "Come on. Weren't you gonna show me that thing?"
"What thing?"
She stares at him. He stares back. She cocks her head toward Cricket and me.
"Ah, yes." St. Clair stands. "That thing."
They rush out. The door shuts, and St. Clair shouts, "Lola, Cricket wants to show you his thing, too-oo!
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
What...what about when I'm married?β
βWe'll buy a cot. Your husband can sleep on that when he visits.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
His eyes lock on mine."Anna,I promise that I will never leave you."
My heart pounds in response.And Γtienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding,too.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I have the strangest feeling that he's aware of me as I am of him.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
There's something about blue eyes.
The kind of blue that startles you every time they're lifted in your direction. The kind of blue that makes you ache for them to look at you again. Not the blue green or blue gray, the blue that's just blue.
Cricket has those eyes.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Remember that day I made you the elevator?β he suddenly asks.
I give him a faint smile. βHow could I forget?β
βThat was the day I had my first kiss.β
My smile fades.
βIβm better now,β He sets the apple beside me. βAt kissing, just so you know.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I look at you, and I think about you, and ... I don't know. No one has ever confounded me the way you do.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
No, I don't love Max anymore. But I don't want to give you this broken, empty me. I want you to have me when I'm full, when I can give something back to you. I don't have much to give right now.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Har. Bloody. Har.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Pinkie means excited or happy, thumb means thinking or worried. Iβm surprised I know
the meaning of these gestures. How closely have I been paying attention to him?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
What do you say to someone who is not the same and yet completely the same?
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have?
Screw it. Let the fates decide.
I wish for the thing that is best for me.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.
One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name.
At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights.
The boy did. By thinking about the girl.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Most people in Atlanta don't have an accent. It's pretty urban. A lot of people speak gangsta, though," I add jokingly.
"Fo' shiz," he replies in his polite English accent.
I spurt orangey-red soup across the table. St. Clair gives a surprised ha-HA kind of laugh, and I'm laughing too, the painful kind like abdominal crunches. He hands me a napkin to wipe my chin. "Fo'. Shiz." He repeats it solemnly.
Cough cough. "Please don't ever stop saying that. It's too-" I gasp. "Much."
"You oughtn't to have said that. Now I shall have to save it for special occasions."
"My birthday is in February." Cough choke wheeze. "Please don't forget.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
But I MUST say what I feel and think in some way β it is such a relief! But the effort is getting to be greater than the relief.
β
β
Charlotte Perkins Gilman (The Yellow Wall-Paper)
β
What my parents never considered is that I just wanted a choice.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Where's your hat?"
He squints at me. "Mer? Is that you? Do I need my scarf? Will it be cold, Mummy?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Nathan nods. "Have a good time. Don't do anything I wouldn't do." I hear Andy as I'm walking out the front door. "Honey, that threat doesn't work when you're gay.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I donβt care what he thinks. Only what you think.β He holds me tighter. βLike if you think I need to stop biting my nails.β
βYouβve worn your pinkies to nubs,β I say cheerfully.
βOr if I need to start ironing my bed spread.β
βI DO NOT IRON MY BED SPREAD.β
βYou do. And I love it.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
It's become impossible to deny he means something to me.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
The first thing I notice is his hair - it's the first thing I notice about anyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles, since I've just seen them in Meredith's room. It's artist's hair. Musician hair. I-pretend-I-don't-care-but-I-really-do hair.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I'm not sure how to order."
"Easy," Josh says. "Stand in line. Tell them what you want. Accept delicious goodies. And then give them your meal card and two pints of blood."
"I heard they raised it to three pints this year," Rashmi says.
"Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I risk a glance, and St. Clair stares back. Deeply. He has not looked at me like this before. I turn away first, then feel him turn a few beats later.
I know he is smiling, and my heart races.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Do you like it?" she asks. Universal bitch speak for I think it's hideous.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Because I donβt want to be alone right now.β His voice echoes through the night.
I turn around to face him one last time. βYou werenβt alone, asshole.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Yes, St. Claire. I like you. But I can't say it aloud, because he's my friend. And friends don't let other friends make drunken declarations and expect them to act upon them the next day
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
History books are filled with lies. Whoever wins the war tells the story.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
That's it," Rashmi says. "I'm outta here. Enjoy your hormones.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I cry at nothing, and cry most of the time.
β
β
Charlotte Perkins Gilman (The Yellow Wallpaper)
β
Welcome to Paris, Anna. I'm glad you've come.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
One of the new girls followed me in and said she thinks Toph is an insensitive douchebag motherhumping assclown, and that I shouldn't let him get to me. Which was sweet, but didn't really help.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
If I weren't standing next to your boyfriend, I'd be tempted to ask you out myself."
She blushes, and St. Clair bounds inside the box office and wrestles her into a hug. "Miiiiiiiiine!" he says.
"Cut it out." Anna pushes him off, laughing. "You'll get fired. And then I'll have to support your sorry arse for the rest of our lives.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
You're the most incredible girl I've ever known. You're gorgeous and smart, and you make me laugh like no one else can. And I can talk to you. And I know after all this I don't deserve you, but what I'm trying to say is that I love you, Anna. Very much
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
How'd you get this number?"
"Well, you see, there's this book. It has white pages. And it has all these phone numbers listed inside it. It's also online.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
How much detention did you get?
"Two weeks. One per arsehole.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Some people are finicky about going to the theater alone, but Iβm not. Because when the lights go down, the only relationship left in the room is the one between the movie and me.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I'm sorry," he says.
"What? Why?"
"You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things."
"Oh, it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want."
He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that.
Not that that would be so bad.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I just can't fathom why anyone would stand on a ledge when there's a respectable amount of walking space right next to it.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
It does not do to trust people too much.
β
β
Charlotte Perkins Gilman (The Yellow Wall-Paper)
β
Josh bear-hugs St Clair. "I'm sorry you're off the market."
"Don't tell Anna, but I bought one for you, too," St Clair says.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
Closed. Plenty of time to see it later, remember?" He leads me into the courtyard, and I take the opportunity to admire his backside. Callipygian. There is something better than Notre-Dame.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Imagine," she said, after registering, "a whole city of gorgeous Italian guys. They can say anything to me, and it'll be sexy."
"You'll be so easy," Rashmi said. "Would you like-ah to order-ah the spa-ghe-tti? 'Oh, do me, Marco!
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair."
"Ha! So you are English!" I poke him in the stomach.
He grabs my hand and we wrestle, laughing. "I claim... no... nationality.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
There are things in that paper that nobody knows but me, or ever will.
β
β
Charlotte Perkins Gilman (The Yellow Wallpaper and Other Stories)
β
I collapse in bed and fall asleep with me other hand clasped around the blue rubber band. And I dream about blue eyes and blue nails and first-kiss lips dusted with blue sugar crystals.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I donβt care what he thinks. Only what you think.β He holds me tighter. βLike if you think I need to stop biting my nails.β
βYouβve worn your pinkies to nubs,β I say cheerfully.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
My smile wavers as I revert to my natural state of being: nervous and weird.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
You should show encouragement whenever you can. People try harder when they know that someone cares about them.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Iβmβ¦getting there. Iβm beginning to think that maybe itβs okay to be a blank canvas. Maybe itβs okay that my future is unknown. And maybe,β I say with another smile, βitβs okay to be inspired by the people who do know their future.β βIt goes both ways, you know.β I link his icicle fingers through mine. βWhat does?β βArtists are inspired by blank canvases.β My smile grows wider.
β
β
Stephanie Perkins (Isla and the Happily Ever After)
β
I've always thought the best relationships are those that are as happy and content in silence as they are in action [...]
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
They left me. My parents actually left me! IN FRANCE!
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
You forgot to call,' he says.
I throw open my arms. He pulls me into them, and we kiss, and his lips are cold, and I think he's crying, and I'm definitely crying, and I pull back to say, 'I am so in love with you, Joshua Wasserstein. Of course I'll wait for you.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
What are you working on?" I ask.
"The last page." He gestures towards the table, where a pencilled sketch is being turned into inked brushstrokes. It's a drawing of us, in this cafΓ©, in this moment.
I smile up at him "It's beautiful. But what comes next?"
"The best part." And he pulls me back into his arms. "The happily ever after.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
And I realize ... itβs okay. Itβs okay if St. Clair and I never become more than friends. His friendship alone has strengthened me in a way that no one
elseβs ever has. He swept me from my room and showed me independence. In other words, he was exactly what I needed. I wonβt forget it. And I certainly
donβt want to lose it.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
You're doing the girl thing. Saying you're happy when you're not.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I trail my fingers across his cheek. He stays perfectly still for me. βPlease stop apologizing, Γtienne.β
βSay my name again,β he whispers.
I close my eyes and lean forward. βΓtienne.β
He takes my hands into his.Those perfect hands, that fit mine just so. βAnna?β
Our foreheads touch. βYes?β
βWill you please tell me you love me? Iβm dying here.β
And then weβre laughing. And then Iβm in his arms, and weβre kissing, at first quicklyβto make up for lost timeβand then slowly, because we have all
the time in the world. And his lips are soft and honey sweet, and the careful, passionate way he moves them against my own says that he savors the way I
taste, too.
And in between kisses, I tell him I love him.
Again and again and again.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Meretricious. Showily attractive but cheap or insincere.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
When all usefulness is over, when one is assured of an unavoidable and imminent death, it is the simplest of human rights to choose a quick and easy death in place of a slow and horrible one.
β
β
Charlotte Perkins Gilman
β
Death? Why all this fuss about death? Use your imagination, try to visualize a world without death! Death is the essential condition to life, not an evil.
β
β
Charlotte Perkins Gilman
β
Umbrellas are so small and sad and easy to forget.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
Callipygian. Having shapely buttocks. Nice one, Bridge.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
You must think I'm a complete idiot right? That I'm just some doormat who'll wait for you on the sidelines forever? That you can keep running back to her every time things get difficult and I'll just be okay with it?!
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
His wang is rubbed shiny," Josh elaborates. "For luck."
"Why are we talking about parts again?" Mer asks. "Can't we ever talk about anything else?"
"Really?" I ask. "Shiny wang?"
"Very," St. Clair says.
"Now that's something I've gotta see.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Now why should that man have fainted? But he did,and right across my path by the wall, so that I had to creep over him every time!
β
β
Charlotte Perkins Gilman (The Yellow Wall-Paper)
β
I must be a masochist to keep putting myself in these situations. I need help. I
need to see a shrink or be locked in a padded cell or straitjacketed or something.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Take a risk. Take a fucking risk. If you keep playing it safe, you'll never know who you are -Josh
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
I like you. And I don't mean as a friend.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I want to kiss him for the rest of the night, for the rest of our lives. The one.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I love it when he cocks an eyebrow whenever I say something he finds clever or amusing.
I love listening to his boots clomp across my bedroom ceiling.
I love that the accent over his first name is called an acute accent, and that he has a cute accent.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
And it didnβt matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Nobody would believe what an effort it is to do what little I am able, - to dress and entertain, and order things
β
β
Charlotte Perkins Gilman (The Yellow Wall-Paper)
β
You know that because you asked me out, youβre the one who has to pick the place, right?β
Throat. Dry.
Dry throat.
All of the dryness in my throat.
βWhatever you suggest.β He grins. βIβll say yes. Youβll definitely get a yes. If that helps.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
But I hurt you." His voice grows quiet. "I wish that I hadn't.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Would you rather be great at something you like, or just okay at something you love?
β
β
Stephanie Perkins (My True Love Gave to Me: Twelve Holiday Stories)
β
I canβt imagine Josh falling for someone vanilla.
Not that Josh would ever fall for me.
But I wouldnβt want to ruin any chance.
Even though I donβt have a chance.
But just in case I do.
Even though I donβt.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
The United States spends over $87 billion conducting a war in Iraq while the United Nations estimates that for less than half that amount we could provide clean water, adequate diets, sanitations services and basic education to every person on the planet. And we wonder why terrorists attack us.
β
β
John Perkins (Confessions of an Economic Hit Man)
β
Anna: You really think he likes me?
Rashmi: Anna. He teases you all the time. It's classic boy-pulling-girl's-pigtail syndrome. And whenever anyone else even remotely does it, he always takes your side and tells them to shove it.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
whyareyougivingawaythecookies?!
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
In a sick society, women who have difficulty fitting in are not ill but demonstrating a healthy and positive response.
β
β
Charlotte Perkins Gilman
β
Thereβs only one thing I donβt love about him. Her.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
It's a physical sickness. Γtienne. How much I love him. I love Γtienne. I love that the accent over his first name is called an acute accent, and that he has a cute accent.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
When you're asleep, no one asks you to do anything. No one expects anything of you. And you don't have to face any of your troubles.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
My mind wanders to the other side of the courtyard, where St. Clair waits with Josh in Q-through-Z. I wonder if I have any classes with him. I mean, them. Classes with them.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Watch it." Josh bites into a pink apple and talks through a full mouth. "He has parts down there you don't have."
"Ooo, parts," I say. "Intriguing. Tell me more."
Josh smiles sadly. "Sorry. Privileged information. Only people with parts can know about said parts.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I spent the period reading the first novel assigned for English. And wow. If I hadn't realized I was in France yet, I do now. Because Like Water for Chocolate has sex in it. LOTS of sex.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
It's maddening how someone so easy to read can be so impossible to understand.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Saw two fallen branches in the shape of a heart. Thought of you.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Butββ
βBut what? You love him, and he loves you, and you live in the most romantic city in the world.β
I shake my head. βItβs not that simple.β
βThen let me put it another way. A gorgeous boy is in love with you, and youβre not even gonna try to make it work?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I smile up at him. "It's beautiful. But what comes next?"
"The best part." And he pulls me back into his arms. "The happily ever after.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
SPACES... BREAKS...TO CONTEMPLATE THINGS... TO FIGURE OUT WHAT'S IMPORTANT...
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
You said on my birthday that you were afraid of being alone, but Iβve been here this whole time. This whole time.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Thank you for helping my sister,β he says.
I lean forward, mimicking his position. βIβm happy to.β
Calliope leans out her window. βSTOP FLIRTING AND GET BACK TO WORK.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin.
β
β
Charlotte Perkins Gilman (The Yellow Wall-Paper)
β
Kismet is closing.β
βWhatβs Kismet?β
βFate,β he says.
βWhat?β
βThe name of the cafe.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
I'll only be twenty-minute train ride from your school, and I'll make the commute to see you every night. I'd take a commute ten times just to be with you every night.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Happy Thanksgiving," he says, handing me my ticket. "Let's see some dead people.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
John laughs at me, of course, but one expects that in marriage.
β
β
Charlotte Perkins Gilman (The Yellow Wall-Paper)
β
What do you guys even do every night?" The words slip from my mouth before I can stop them.
"It," Rashmi says. "They do it. He's ditching us to screw.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I am glad my case is not serious! But these nervous troubles are dreadfully depressing. John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him.
β
β
Charlotte Perkins Gilman (The Yellow Wall-Paper)
β
St. Clair waggles his eyebrows at Josh, but the moment he sees that I've caught him, his expression changes to a flirtatious grin. "Aw, mate," he says to Josh. "Admit it. You couldn't resist me."
Josh relaxes into a smile. "You're like a gorgeous little bonbon."
"Delicious in every way," St Clair says.
Anna rolls her eyes. "Wait until you try his creamy centre.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
You know, If you weren't tiny, cute and remarkably innocent looking I'd be running away right now. This feels like the set-up to some torture porn.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
We stop at a red light.Mom stares at me."You like him"
"OH GOD,MOM."
"You do.You like this boy."
"He's just a friend.He has a girlfriend."
"Anna has a boooy-friend," Seany chants.
"I do not!"
"ANNA HAS A BOOOY-FRIEND!
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
He pats his way around the the bed and slides back in. "Ow," he says.
"yes?"
"My belt. Would it be weird..."
I'm thankful he can't see me blush."Of course not." And I listen to the slap of leather, s he pulls it out of his belt loops. He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"yes"
"Oh, piss off. I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath, and now we're lying side-by-side. In my narrow bed. Funny, but I never never imagined my first sleepover with a guy being, well, a sleepover.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
And, suddenly, I want to touch him. Not a push, or a shove, or even a friendly hug. I want to feel the creases in his skin, connect his freckles with invisible lines, brush my fingers across the inside of his wrist.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
There's a cough behind me, and I find Cheeseburger staring anxiously at my box. I glare at Amanda, the Arm-Toucher, and pull out an entire sleeve of Thin Mints. "Here you go, Cheeseburger."
He looks at me in surprise, but then again, that's how he always looks. "Wow. Thanks Anna." Cheeseburger takes the cookies and lumbers toward the stairwell.
Josh is horrified. "Whyareyougivingawaythecookies?
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I like stories of adventure. Especially if thereβs some kind of disaster involved.β
The eyebrow remains arched.
I laugh. βI read the ones with happy endings, too.β
Josh gestures towards my shelves. βYou read a lot.β
βSafer than going on a real adventure.β
Now heβs the one who laughs. βMaybe.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
Being with Anna is easy. She's the one."
The one. It stops my heart. I thought Max was the one, but... there's that other one.
The first one.
"Do you believe in that?" I ask quietly. "In one person for everyone?"
Something changes in St Clair's eyes. Maybe sadness. "I can't speak for anyone but myself," he says. "But, for me, yes. I have to be with Anna. But this is something you have to figure out on your own. I can't answer that for you, no one can."
"Oh."
"Lola." He rolls his chair over to my side. "I know things are shite right now. And in the name of friendship and full disclosure, I went through something similar last year. When I met Anna, I was with someone else. And it took a long time before I found the courage to do the hard thing. But you have to do the hard thing."
I swallow. "And what's the hard thing?"
"You have to be honest with yourself.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Josh grins. "Just give me your hand."
"W-what?"
"Your hand," he repeats. "Give it to me."
I extend my shaking right hand. And-in a moment that is a hundred dreams come true-Joshua Wasserstein laces his fingers through mine. A staggering shock of energy shoots straight into my veins. Straight into my heart.
"There," he says. "I've been waiting a long time to do that."
Not nearly as long as I've been waiting.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
This warmth over the telephone. Is it possible for home to be a person and not a place? Bridgette used to be home to me. Maybe St. Clair is my new home.
I mull this over as our voices grow tired and we stop talking. We just keep each other company. My breath. His breath. My breath. His breath.
I could never tell him, but it's true.
This is home. The two of us.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Where in the bloody hell did that come from?" asks the other person behind the counter. Or more precisely, on top of the counter, where her ridiculously attractive, English-accented boyfriend is perched.
He's the other thing I like about Anna. Wherever she goes, he follows.
He nods toward the baby wipe. "What else are you carrying in your pockets? Dust rags? Furniture polish?"
"Watch it," she says. "Or I'll scrub your arms, Γtienne."
He grins. "As long as you do it in private.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Hereβs the thing about Cricket Bell. You canβt NOT notice him when he walks into a room. The first thing that registers is his height, but itβs quickly followed by recognition of his energy. He moves gracefully like his sister, but with an enthusiasm he canβt quite control- the constantly moving body, hands, feet. Heβs been subdued the last few times Iβve seen him, but heβs fully revived now.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
He glances down and notices that I'm still wearing a certain blue something, and, this time, it's HIS index finger that wraps underneath MY rubber band.
I shiver wonderfully. "I'm never taking it off."
Cricket brushes the delicate skin of my wrist. "It'll fall off."
"I'll ask you for another one."
"I'll give you another one." He smiles and touches his nose to mine.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
Why didn't you guys dress up?" Lindsey asks.
"We did." Calliope cracks her first smile. "we're dressed as twins."
Lindsey grins back. "Hmm, I see it now. Fraternal or identical?"
"You'd be surprised how many people ask," Cricket says.
"What do you tell them?" Lindsey asks.
"That I have a penis."
Oh God. My cheeks burn as they all burst into laughter. Think about something else, Dolores. ANYTHING else. Cucumbers, Bananas, Zucchini. AHHHH! NO NO NO NO NO NO NO. I turn my face away from them as Calliope fakes a yakking sound.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I told him your loins were clearly burning, and he should man up and make a move."
"You did not!"
"I did. And if he doesn't, then I suggest you jump his bones."
...
I finally register what he's wearing. It's a handsome skinny black suit with a shiny sheen. The pants are too short - on purpose, of course - exposing his usual pointy shoes and a pair of blue socks that match my dress exactly.
And I totally want to jump him.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I'm the last one in the dark, until- suddenly- it happens. St. Clair removes something from his pocket. And then he gets down on one knee.
Anna's entire body lights with shock and joy and love. She nods a vigorous yes. St. Clair places the ring on her finger. He stands, she throws her arms around him, and they kiss. He spins her in a circle. They kiss again. Deep, hungry, long. And then he turns to us and waves- with the biggest smile I've ever seen- clearly aware that we've been standing here the whole time.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
Cricket tells a joke and turns to see if I'm laughing, if I think he's funny, and I want him to know that I do think he's funny, and I want him to know that I'm glad he's my friend, and I want him to know that he has the biggest heart of anyone I've ever known. And I want to press my palm against his chest to feel it beat, to prove he's really here.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
I have a rule."
"Elaborate."
The statue is still warm from the previous visitors. "I ask myself, if the worst happenedβif I did get knocked up-would I be embarrassed to tell my child who his father was? If the answer is anywhere even remotely close to yes, then there's no way."
He nods slowly. "That's a good rule.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
You have a roommate."
"Yeah." He sounds confused.
"The, um, picture on your door surprised me."
"NO. No. I prefer my women with...fewer carnivorous beasts and less weaponry." He pauses and smiles. "Naked is okay. What she needs are a golden retriever and a telescope. Maybe then it would do it for me."
I laugh.
"A squirrel and a laboratory beaker?"
"A bunny rabbit and a flip chart," I say.
"Only if the flip chart has mathematical equations on it."
I fake swoon onto his bed. "Too much, too much!
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
She rests her hand on the ruffled costume beside her. βJust answer this one question. My brother never got over you. Did you ever get over him?βI swallow. βThere are some people in life that you canβt get over.β
βGood.β Calliope stands and gives me a grim smile. βBut break Cricketβs heart? Iβll break your face.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
St. Clair gets a crush on Anna. He's torn between her and Ellie, and he spends so much time running between them that he hardly has time left for Josh. And the more time that Josh spends alone, the more he realizes how alone he actually is. All of his friends will be gone the next year. Josh grows increasingly antagonistic toward school, which makes Rashmi increasingly antagonistic toward him, which makes him increasingly antagonistic toward her. And she's upset because Elie dropped her as a friend, and Meredith is upset because now St. Clair likes two girls who aren't her, and Anna is upset because St. Clair is leading her on, and then St. Clair's mom gets cancer.
It's a freaking soap opera.
β
β
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
β
I spin around and give him the finger down low, hoping Monsieur Boutin can't see. St. Clair responds by grinning and giving me the British version, the V-sign with his first two fingers. Monsieur Boutin tuts behind me with good nature. I pay for my meal and take the seat next to St. Clair. "Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time."
"My pleasure. Always happy to educate.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I slide my hand between our mouths, just in time. His lips
are soft against my palm. I slowly, slowly remove it. βNo, I
donβt love Max anymore. But I donβt want to give you this
broken, empty me. I want you to have me when Iβm full,
when I can give something back to you. I donβt have much to
give right now.β
Cricketβs limbs are still, but his chest is pounding hard
against my own. βBut youβll want me someday? That feeling
you once had for me β¦ that hasnβt left either?β
Our hearts beat the same wild rhythm. Theyβre playing the
same song.
βIt never left,β I say.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
The moon is fat, but half of her is missing. A ruler-straight line divides her dark side from her light. She hangs low over the bustling Castro, noticeably earlier than the night before. Autumn is coming. For as long as I can remember, Iβve talked to the moon. Asked her for guidance. Thereβs something deeply spiritual about her pale glow, her cratered surface, her waxing and waning. She wears a new dress every evening, yet sheβs always herself.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
He stares at his hands. Whatever word he wrote there, its been crossed off. There's only a black box. "Lola, you were the only person I wanted there that night. I was crazy about you, but I didn't know what to do. It was paralyzing. There were so many times when I wanted to take your hand, but...I couldn't. That one small move felt impossible."
Now I'm staring at my hands, too. "I would have let you take it."
"I know." His voice croaks.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
That guys. Sideburns. You like him?"
My back squirms. "You've asked me that before."
"What I meant was," he says, flustered. "Your feelings haven't changed? Since you've been here?"
It takes a moment to consider the question. "It's not a matter of how I feel," I say at last. "I'm interested, but ... I don't know if he's still interested in me."
St. Clair edges closer. "Does he still call?"
"Yeah. I mean, not often. But yes."
"Right. Right, well," he says, blinking. "There's your answer.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Iβm teleporting to Atlanta. Iβm picking you up, and weβll go someplace where our families canβt find us. Weβll take Seany. And weβll let him run laps until he tires, and then you and I will take a long walk. Like Thanksgiving. Remember? And weβll talk about everything BUT our parents β¦ or perhaps we wonβt talk at all. Weβll just walk. And weβll keep walking until the rest of the world ceases to exist.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
Oh my. He's English.
"Er. Does Mer live here?"
Seriously, I don't know any American girl who can resist an English accent.
The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?"
"I'm sorry." He takes the smallest step away from me. "You were going to bed."
"Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating.
The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin.
"Γtienne," he says. "I live one floor up."
"I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused.
He raps twice on Meredith's door. "Well. I'll see you around then, Anna."
Eh-t-yen says my name like this: Ah-na.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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What are you gonna do with a giant crossword poster? 'Oh, I'm sorry, Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall.'"
"At least I'm not buying a Large Plastic Rock for hiding 'unsightly utility posts.' You realize you have no lawn?"
"I could hide other stuff. Like...failed French tests. Or illegal moonshining equipment." He couples over with that wonderful boyish laugher, and I grin. "But what will you do with a motorized swimming-pool snack float?"
"Use it in the bathtub.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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When I come back, the club is packed. There's hardly any standing room. Anna snagged a wooden bar stool, one of the few seats here. St. Clair stands close to her, facing her, and he smoothes the platinum stripe in her hair. She pulls him even closer by the top of his jeans, one finger tucked inside. It's an intimate gesture. I'm embarrassed to watch, but I can't look away.
He kisses her slowly and deeply. They don't care that anyone could watch. Or maybe they've forgotten they aren't alone. When they break apart, Anna says something that makes him fall into silly, boyish laughter. For some reason, that's the moment that makes me turn away. Something about their love is painful.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Cricket walks several steps behind me. It's a careful distance. I wonder if he's looking at my butt.
WHY DID I JUST THINK THAT? Now my butt feels COLOSSAL. Maybe he's looking at my legs. Is that better? Or worse? Do I want him looking at me? I hold on to the bottom of my dress as I climb into the backseat and crawl to the other side. I'm sure he's looking at my butt. He has to be. It's huge, and it's right there, and it's huge.
No. I'm acting crazy.
I glance over, and he smiles at me as he buckles his seat belt.
My cheeks grow warm.
WHAT IS WRONG WITH ME?
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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Cricket removes his hand. I blink at him, and he cautiously offers his arm.
I hesitate.
And then I take it.
And then we're so close that I smell him. I smell him.
His scent is clean like a bar of soap, but with a sweet hint of mechanical oil. We don't speak as he leads me across the street to the bus stop. I press against him. Just a little. His other arm jumps, and he lowers it. But then he raises it again, slowly, and his hand comes to rest on top of mine. It scorches. The heat carries a message: I care about you. I want to be connected to you. Don't let go.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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We are kissing like crazy. Like our lives depend on it. His tongue slips inside my mouth, gentle but demanding, and itβs nothing like Iβve ever experienced, and I suddenly understand why people describe kissing as melting because every square inch of my body dissolves into his. My fingers grip his hair, pulling him closer. My veins throb and my heart explodes. I have never wanted anyone like this before. Ever.
He pushes me backward and weβre lying down, making out in front of the children with their red balloons and the old men with their chess sets and the
tourists with their laminated maps and I donβt care, I donβt care about any of that.
All I want is Γtienne.
The weight of his body on top of mine is extraordinary. I feel himβall of himβpressed against me, and I inhale his shaving cream, his shampoo, and
that extra scent thatβs just . . . him. The most delicious smell I could ever imagine.
I want to breathe him, lick him, eat him, drink him. His lips taste like honey. His face has the slightest bit of stubble and it rubs my skin but I donβt care, I
donβt care at all. He feels wonderful. His hands are everywhere, and it doesnβt matter that his mouth is already on top of mine, I want him closer closer
closer.
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))