Perceptions Short Quotes

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Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next - and disappear. That's why it's so important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
There is a quickness of perception in some, a nicety in the discernment of character, a natural penetration, in short, which no experience in others can equal...
Jane Austen (Persuasion)
Your thoughts and feelings come from your past memories. If you think and feel a certain way, you begin to create an attitude. An attitude is a cycle of short-term thoughts and feelings experienced over and over again. Attitudes are shortened states of being. If you string a series of attitudes together, you create a belief. Beliefs are more elongated states of being and tend to become subconscious. When you add beliefs together, you create a perception. Your perceptions have everything to do with the choices you make, the behaviors you exhibit, the relationships you chose, and the realities you create.
Joe Dispenza (You Are the Placebo: Making Your Mind Matter)
The need for frequent chemical vacations from intolerable selfhood and repulsive surroundings will undoubtedly remain. What is needed is a new drug which will relieve and console our suffering species without doing more harm in the long run than it does good in the short.
Aldous Huxley (The Doors of Perception / Heaven and Hell)
To think that we grasp the fullness of life is to say that by holding a mere drop of water in our hands we are able to understand the immensity of the ocean.
Craig D. Lounsbrough
Our perceptions take on richness and depth as a result of all the things that we learn. The eye is not a camera that objectively takes a photo of the “world out there.” Rather, what the eye sees is determined by what the brain has learned. This suggests a short mantra: learn more, see more.
Richard Restak (Mozart's Brain and the Fighter Pilot: Unleashing Your Brain's Potential)
Call the world, if you please, "the Vale of Soul Making". Then you will find out the use of the world.... There may be intelligences or sparks of the divinity in millions -- but they are not Souls till they acquire identities, till each one is personally itself. Intelligences are atoms of perception -- they know and they see and they are pure, in short they are God. How then are Souls to be made? How then are these sparks which are God to have identity given them -- so as ever to possess a bliss peculiar to each one's individual existence. How, but in the medium of a world like this? This point I sincerely wish to consider, because I think it a grander system of salvation than the Christian religion -- or rather it is a system of Spirit Creation... I can scarcely express what I but dimly perceive -- and yet I think I perceive it -- that you may judge the more clearly I will put it in the most homely form possible. I will call the world a school instituted for the purpose of teaching little children to read. I will call the human heart the hornbook used in that school. And I will call the child able to read, the soul made from that school and its hornbook. Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul? A place where the heart must feel and suffer in a thousand diverse ways.... As various as the lives of men are -- so various become their souls, and thus does God make individual beings, souls, identical souls of the sparks of his own essence. This appears to me a faint sketch of a system of salvation which does not affront our reason and humanity...
John Keats
The idealized market was supposed to deliver ‘friction free’ exchanges, in which the desires of consumers would be met directly, without the need for intervention or mediation by regulatory agencies. Yet the drive to assess the performance of workers and to measure forms of labor which, by their nature, are resistant to quantification, has inevitably required additional layers of management and bureaucracy. What we have is not a direct comparison of workers’ performance or output, but a comparison between the audited representation of that performance and output. Inevitably, a short-circuiting occurs, and work becomes geared towards the generation and massaging of representations rather than to the official goals of the work itself. Indeed, an anthropological study of local government in Britain argues that ‘More effort goes into ensuring that a local authority’s services are represented correctly than goes into actually improving those services’. This reversal of priorities is one of the hallmarks of a system which can be characterized without hyperbole as ‘market Stalinism’. What late capitalism repeats from Stalinism is just this valuing of symbols of achievement over actual achievement. […] It would be a mistake to regard this market Stalinism as some deviation from the ‘true spirit’ of capitalism. On the contrary, it would be better to say that an essential dimension of Stalinism was inhibited by its association with a social project like socialism and can only emerge in a late capitalist culture in which images acquire an autonomous force. The way value is generated on the stock exchange depends of course less on what a company ‘really does’, and more on perceptions of, and beliefs about, its (future) performance. In capitalism, that is to say, all that is solid melts into PR, and late capitalism is defined at least as much by this ubiquitous tendency towards PR-production as it is by the imposition of market mechanisms.
Mark Fisher (Capitalist Realism: Is There No Alternative?)
Saint Bartleby's School for Young Gentlemen Annual Report Student: Artemis Fowl II Year: First Fees: Paid Tutor: Dr Po Language Arts As far as I can tell, Artemis has made absolutely no progress since the beginning of the year. This is because his abilities are beyond the scope of my experience. He memorizes and understands Shakespeare after a single reading. He finds mistakes in every exercise I administer, and has taken to chuckling gently when I attempt to explain some of the more complex texts. Next year I intend to grant his request and give him a library pass during my class. Mathematics Artemis is an infuriating boy. One day he answers all my questions correctly, and the next every answer is wrong. He calls this an example of the chaos theory, and says that he is only trying to prepare me for the real world. He says the notion of infinity is ridiculous. Frankly, I am not trained to deal with a boy like Artemis. Most of my pupils have trouble counting without the aid of their fingers. I am sorry to say, there is nothing I can teach Artemis about mathematics, but someone should teach him some manners. Social Studies Artemis distrusts all history texts, because he says history was written by the victors. He prefers living history, where survivors of certain events can actually be interviewed. Obviously this makes studying the Middle Ages somewhat difficult. Artemis has asked for permission to build a time machine next year during double periods so that the entire class may view Medieval Ireland for ourselves. I have granted his wish and would not be at all surprised if he succeeded in his goal. Science Artemis does not see himself as a student, rather as a foil for the theories of science. He insists that the periodic table is a few elements short and that the theory of relativity is all very well on paper but would not hold up in the real world, because space will disintegrate before lime. I made the mistake of arguing once, and young Artemis reduced me to near tears in seconds. Artemis has asked for permission to conduct failure analysis tests on the school next term. I must grant his request, as I fear there is nothing he can learn from me. Social & Personal Development Artemis is quite perceptive and extremely intellectual. He can answer the questions on any psychological profile perfectly, but this is only because he knows the perfect answer. I fear that Artemis feels that the other boys are too childish. He refuses to socialize, preferring to work on his various projects during free periods. The more he works alone, the more isolated he becomes, and if he does not change his habits soon, he may isolate himself completely from anyone wishing to be his friend, and, ultimately, his family. Must try harder.
Eoin Colfer
One more comment from the heart: I’m old fashioned and think that reading books is the most glorious pastime that humankind has yet devised. Homo Ludens dances, sings, produces meaningful gestures, strikes poses, dresses up, revels and performs elaborate rituals. I don’t wish to diminish the significance of these distractions-without them human life would pass in unimaginable monotony and possibly dispersion and defeat. But these are group activities above which drifts a more or less perceptible whiff of collective gymnastics. Homo Ludens with a book is free. At least as free as he’s capable of being. He himself makes up the rules of the game, which are subject only to his own curiosity. He’s permitted to read intelligent books, from which he will benefit, as well as stupid ones, from which he may also learn something. He can stop before finishing one book, if he wishes, while starting another at the end and working his way back to the beginning. He may laugh in the wrong places or stop short at words he’ll keep for a life time. And finally, he’s free-and no other hobby can promise this-to eavesdrop on Montaigne’s arguments or take a quick dip in the Mesozoic.
Wisława Szymborska (Nonrequired Reading)
I remember clearly the deaths of three men. One was the richest man of the century, who, having clawed his way to wealth through the souls and bodies of men, spent many years trying to buy back the love he had forfeited and by that process performed great service to the world and, perhaps, had much more than balanced the evils of his rise. I was on a ship when he died. The news was posted on the bulletin board, and nearly everyone recieved the news with pleasure. Several said, "Thank God that son of a bitch is dead." Then there was a man, smart as Satan, who, lacking some perception of human dignity and knowing all too well every aspect of human weakness and wickedness, used his special knowledge to warp men, to buy men, to bribe and threaten and seduce until he found himself in a position of great power. He clothed his motives in the names of virtue, and I have wondered whether he ever knew that no gift will ever buy back a man's love when you have removed his self-love. A bribed man can only hate his briber. When this man died the nation rang with praise... There was a third man, who perhaps made many errors in performance but whose effective life was devoted to making men brave and dignified and good in a time when they were poor and frightened and when ugly forces were loose in the world to utilize their fears. This man was hated by few. When he died the people burst into tears in the streets and their minds wailed, "What can we do now?" How can we go on without him?" In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, mo matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror....we should remember our dying and try so to live that our death brings no pleasure to the world.
John Steinbeck (East of Eden)
He had destroyed his talent by not using it, by betrayals of himself and what he believed in, by drinking so much that he blunted the edge of his perceptions, by laziness, by sloth, and by snobbery, by pride and by prejudice, by hook and by crook. What was this? A catalogue of old books? What was his talent anyway? It was a talent all right but instead of using it, he had traded on it. It was never what he had done, but always what he could do.
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
I imagine that she flushes, seeing him there, for she is at that age when even the most commonplace boys take on a sense of mystery. And this boy is not ordinary. He is wild and he has strange and fanciful perceptions. [p. 153]
Kim Edwards (The Secrets of a Fire King)
That’s what sociopaths do: they co-opt others and use them toward their own ends—ruthlessly and efficiently, with no tolerance for dissent or resistance. Fred destroyed Donald, too, but not by snuffing him out as he did Freddy; instead, he short-circuited Donald’s ability to develop and experience the entire spectrum of human emotion. By limiting Donald’s access to his own feelings and rendering many of them unacceptable, Fred perverted his son’s perception of the world and damaged his ability to live in it. His capacity to be his own person, rather than an extension of his father’s ambitions, became severely limited.
Mary L. Trump (Too Much and Never Enough: How My Family Created the World’s Most Dangerous Man)
I believe that life is all about perception and timing. That good things come to those who act and that life’s about more than collecting a paycheck. I believe that the only person you’re destined to become is the one that you decide to be. That if you try hard enough you can convince yourself of anything. That having patience doesn’t make you a hero nor does it make you a doormat. I believe that not showing love proves you’re weak and belittling others doesn’t make you strong. That you are never as far away from people as the miles may suggest. That life’s too short to read awful books, listen to terrible music, or be around uninspiring people. I believe that where you start has little impact on where you finish. That sometimes the best thing you can do is walk away. That you can never be overdressed or overeducated. I believe that the cure for anything is salt water; sweat, tears, or the sea. That you should never let your memories be greater than your dreams. And that you should always choose adventure.
Todd Smidt
People are often short-sighted and stupid, right up to the point where they’re fucking perceptive—that point usually being the most inconvenient moment possible.
Ben Aaronovitch (False Value (Rivers of London #8))
Language operates between literal and metaphorical signification. The power of a word lies in the very inadequacy of the context it is placed, in the unresolved or partially resolved tension of disparates. A word fixed or a statement isolated without any decorative or ‘cubist’ visual format, becomes a perception of similarity in dissimilars—in short a paradox.
Robert Smithson
The second is to grasp the essential nature of the ego and of the universe and to obtain direct perception that both are nothing but a series of ideas which unfold themselves within our minds.
Paul Brunton (The Short Path to Enlightenment: Instructions for Immediate Awakening)
Let me introduce you. These are my friends: Ronan, Adam Parrish, and Jane." Adam's expression focused. Became Adam-like. He blinked over to Gansey. "Blue," Blue corrected. "Oh, yes, you are blue," Malory agreed. "How perceptive you are. What was the name? Jane? This is the lady I spoke to on the phone all those months ago, right? How small she is. Are you done growing?" "What!" Blue said.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Afraid of offending with an off word or the slightest insensitivity, I keep an unobtrusive and silent distance. Nevertheless, my pursed lips and offish stance are perceived as cold, managing to offend all.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
Let man then contemplate the whole of nature in her full and lofty majesty, let him turn his gaze away from the lowly objects around him; let him behold the dazzling light set like an eternal lamp to light up the universe, let him see the earth as a mere speck compared to the vast orbit described by this star, and let him marvel at finding this vast orbit itself to be no more than the tiniest point compared to that described by the stars revolving in the firmament. But if our eyes stop there, let our imagination proceed further; it will grow weary of conceiving things before nature tires of producing them. The whole visible world is only an imperceptible dot in nature’s ample bosom. No idea comes near it; it is no good inflating our conceptions beyond imaginable space, we only bring forth atoms compared to the reality of things. Nature is an infinite sphere whose centre is everywhere and circumference is nowhere. In short it is the greatest perceptible mark of God’s omnipotence that our imagination should lose itself in that thought.
Blaise Pascal (Pensées)
The key to entering into the Divine Exchange is never our worthiness but always God’s graciousness. Any attempt to measure or increase our worthiness will always fall short, or it will force us into the position of denial and pretend, which produces the constant perception of hypocrisy in religious people. To switch to an “economy of grace” is a switch that is very hard for humans to make. We base almost everything in human culture on achievement, performance, accomplishment, an equal exchange value, or some kind of worthiness gauge. I call it meritocracy. Unless one personally experiences a dramatic and personal breaking of the rules of merit (forgiveness or undeserved goodness), it is almost impossible to disbelieve or operate outside of its rigid logic. This cannot happen theoretically or abstractly. It cannot happen “out there” but must be known personally “in here.
Richard Rohr (A Lever and a Place to Stand: The Contemplative Stance, the Active Prayer)
The moments follow each other; nothing lends them the illusion of a content or the appearance of a meaning; they pass; their course is not ours; we contemplate that passage, prisoners of a stupid perception. The heart’s void confronting time’s: two mirrors, reflecting each other’s absence, one and the same image of nullity…
Emil M. Cioran (A Short History of Decay)
Once I loved life ad the sun was a golden joy. But joy is sometimes short lived, priest. And when it dies, a man will seek inside himself and ask: Why? Why hate is so much stronger than love? Why the wicked reap such rich rewards? Why do strenght and speed count for more than morality and kindness? And then the man realizes...there are no answers. None. And for the sake of his sanity the man must change perceptions. Once I was a lamb, playing in a green field. Then the wolves came. Now I am a eagle, and I fly in a different universe.' 'And now you kill the lambs', whispered Dardalion. Waylander chuckled and turned over. 'No, priest. No one pays for lambs
David Gemmell (Waylander (The Drenai Saga #3))
Materialistic perception of life makes us spiritually shortsighted
Sunday Adelaja
Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next—and disappear. That’s why it’s important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
The neo-cons, or some of them, decided that they would back Clinton when he belatedly decided for Bosnia and Kosovo against Milosevic, and this even though they loathed Clinton, because the battle against religious and ethnic dictatorship in the Balkans took precedence. This, by the way, was partly a battle to save Muslims from Catholic and Christian Orthodox killers. That impressed me. The neo-cons also took the view, quite early on, that coexistence with Saddam Hussein was impossible as well as undesirable. They were dead right about that. They had furthermore been thinking about the menace of jihadism when most people were half-asleep. And then I have to say that I was rather struck by the way that the Weekly Standard and its associated voices took the decision to get rid of Trent Lott earlier this year, thus removing an embarrassment as well as a disgrace from the political scene. And their arguments were on points of principle, not 'perception.' I liked their ruthlessness here, and their seriousness, at a time when much of the liberal Left is not even seriously wrong, but frivolously wrong, and babbles without any sense of responsibility. (I mean, have you read their sub-Brechtian stuff on Halliburton....?) And revolution from above, in some states and cases, is—as I wrote in my book A Long Short War—often preferable to the status quo, or to no revolution at all.
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
Language brings with it an identity and a culture, or at least the perception of it. A shared language says, 'We're the same.' A language barrier says, 'We're different.' .... The great thing about language is that you can just as easily use it to do the opposite, convince people that they are the same. Racism teaches us that we are different because of the color of our skin, but because racism is stupid, it's easily tricked. If you're a racist and you meet someone who doesn't look like you, the fact that he can't speak like you reinforces your racist preconceptions. He's different, less intelligent. A brilliant scientist can come over the border from Mexico to live in America, but if he speaks in broken English, people say, 'Hey, I don't trust this guy.' 'But he's a scientist.' 'Yeah, in Mexican science maybe. I don't trust him.' However, if the person who doesn't look like you speaks like you, your brain short-circuits because your racism program has none of those instructions in the code. 'Wait, wait,' your mind says, 'The racism code says if he doesn't look like me, he isn't like me, but the language code says if he speaks like me, he is like me. Something is off here. I can't figure this out.
Trevor Noah (Born a Crime: Stories From a South African Childhood)
Yet in recent years I have witnessed a new phenomenon among filmgoers, especially those considered intelligent and perceptive. I have a name for this phenomenon: the Instant White-out. People are closeted in cozy darkness; they turn off their mobile phones and willingly give themselves, for ninety minutes or two hours, to a new film that got a fourstar rating in the newspaper. They follow the pictures and the plot, understand what is spoken either in the original tongue or via dubbing or subtitles, enjoy lush locations and clever scenes, and even if they find the story superficial or preposterous, it is not enough to pry them from their seats and make them leave the theatre in the middle of the show. But something strange happens. After a short while, a week or two, sometimes even less, the film is whitened out, erased, as if it never happened. They can’t remember its name, or who the actors were, or the plot. The movie fades into the darkness of the movie house, and what remains is at most a ticket stub left accidentally in one’s pocket.
A.B. Yehoshua (The Retrospective)
The worst thing about being underweight or overweight; too dark or too white – in short too plain and bland in someone’s perception is the fact that most people just end up talking to you because they feel you can be a good stepping stone. And guess what – it sucks! It sucks being the ladder to so many, helping everyone grow and bloom, only to find yourself splayed upon the mud to be used as a path from one person to another. Not moving an inch. Just lying there on the sticky dirt infused ground – hoping someone would help you up – no one ever comes. The only person who can help you crawl out is yourself. Get up. Try. Just try. You ARE Enough!
Sijdah Hussain (Red Sugar, No More)
Basil Ransom had got up just as Mrs. Luna made this last declaration; for a young lady had glided into the room, who stopped short as it fell upon her ears. She stood there looking, consciously and rather seriously, at Mr. Ransom; a smile of exceeding faintness played about her lips--it was just perceptible enough to light up the native gravity of her face. It might have been likened to a thin ray of moonlight resting upon the wall of a prison.
Henry James (The Bostonians (Modern Library Classics))
I would fall asleep, and often I would be awake again for short snatches only, just long enough to hear the regular creaking of the wainscot, or to open my eyes to settle the shifting kaleidoscope of the darkness, to savour, in an instantaneous flash of perception, the sleep which lay heavy upon the furniture, the room, the whole surroundings of which I formed but an insignificant part and whose unconsciousness I should very soon return to share.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
His wife, Emilie, still lived, without any financial help from him, in her little house in San Vicente, south of Buenos Aires. She lives there at the time of the writing of this book. As she was in Brinnlitz, she is a figure of quiet dignity. In a documentary made by German television in 1973, she spoke—without any of the abandoned wife’s bitterness or sense of grievance—about Oskar and Brinnlitz, about her own behavior in Brinnlitz. Perceptively, she remarked that Oskar had done nothing astounding before the war and had been unexceptional since. He was fortunate, therefore, that in that short fierce era between 1939 and 1945 he had met people who summoned forth his deeper talents.
Thomas Keneally (Schindler’s List)
For centuries the wolf was North America's beast, an animal transmogrified into a mythic and blood-lustful killer, pursued by every conceivable means, reviled with such savage vehemence that nothing short of wholesale extirpation was imaginable. Today, the symbolic power of the wolf remains while our perception of the animal, as well as ourselves, has vastly changed. That such a transformation was ever possible at all is the ultimate triumph of wolf recovery.
Bruce Hampton (The Great American Wolf)
Don’t you ever read the papers? Roderick Spode is the founder and head of the Saviours of Britain, a Fascist organization better known as the Black Shorts. His general idea, if he doesn’t get knocked on the head with a bottle in one of the frequent brawls in which he and his followers indulge, is to make himself a Dictator.’ ‘Well, I’m blowed!’ I was astounded at my keenness of perception. The moment I had set eyes on Spode, if you remember, I had said to myself ‘What ho! A Dictator!’ and a Dictator he had proved to be. I couldn’t have made a better shot, if I had been one of those detectives who see a chap walking along the street and deduce that he is a retired manufacturer of poppet valves named Robinson with rheumatism in one arm, living at Clapham. ‘Well, I’m dashed! I thought he was something of that sort. That chin…Those eyes…And, for the matter of that, that moustache. By the way, when you say “shorts”, you mean “shirts”, of course.’ ‘No. By the time Spode formed his association, there were no shirts left. He and his adherents wear black shorts.’ ‘Footer bags, you mean?’ ‘Yes.’ ‘How perfectly foul.
P.G. Wodehouse (The Code of the Woosters)
Of all the things that can boost emotions, motivation, and perceptions during a workday, the single most important is making progress in meaningful work. And the more frequently people experience that sense of progress, the more likely they are to be creatively productive in the long run.
Jason Shen (How to Get What You Want: A Short Primer for Ambitious People)
She stood there looking, consciously and rather seriously, at Mr. Ransom; a smile of exceeding faintness played about her lips—it was just perceptible enough to light up the native gravity of her face. It might have been likened to a thin ray of moonlight resting upon the wall of a prison.
Henry James (Complete Works of Henry James: Novels, Short Stories, Plays, Essays, Autobiography and Letters: The Portrait of a Lady, The Wings of the Dove, The American, ... Knew, Washington Square, Daisy Miller…)
Life Contains Inevitable Difficulties Life is not only short, but difficult. There are times of great joy, love, triumph, and delight, moments when we are beside ourselves with happiness. But there are also times of inevitable sorrow: of sickness and loss, of grief and despair. There are also incomprehensible amounts of unnecessary sorrow: of senseless oppression and torment, slaughter and suffering. None of us escapes life unscathed. It is crucial to recognize this and not gloss over the inevitable difficulties of life, because “If a way to the Better there be, it exacts a full look at the Worst.” This is why religious scholar Jacob Needleman concluded, from his survey of world religions: The perception of the suffering inherent in the human condition, the perception of man’s inhumanity to man: this moment of awareness has been spoken of in all traditions as a tremendous moment. It is a tremendous moment because it is the recognition of suffering—both ours and the world’s—which gives birth to both compassion and the urge to awaken. These motives propel us to spiritual practice and thereby eventually allow us to escape suffering and to relieve the suffering of others. Our
Roger Walsh (Essential Spirituality: The 7 Central Practices to Awaken Heart and Mind)
Oh, there IS one, of course, but you'll never know it." The assertion, laughingly flung out six months earlier in a bright June garden, came back to Mary Boyne with a sharp perception of its latent significance as she stood, in the December dusk, waiting for the lamps to be brought into the library.
Edith Wharton (The Early Short Fiction of Edith Wharton - Part 2)
Ivan, Ivan. He got up in the morning, put on some clothes he got from somewhere, drank his orange juice, and went out into the world of chalkboards and motorcycles. He could be really arrogant sometimes. His jeans were always too short, and he thought clowns had something complicated to teach us about human fallibility. And still no waking moment went by that I didn’t think of him — he was in the background of everything I thought. My own perceptions were no longer enough to constitute the physical world for me. Every sound, every syllable that reached me, I wanted to filter through his consciousness.
Elif Batuman (The Idiot)
Mendeleyev used a slightly different approach, placing his elements into groups of seven, but employed fundamentally the same principle. Suddenly the idea seemed brilliant and wondrously perceptive. Because the properties repeated themselves periodically, the invention became known as the periodic table.
Bill Bryson (A Short History of Nearly Everything)
some linguists have also concluded that, while the innatist perspective provides a plausible explanation for first language acquisition, something else is required for second language acquisition, since it so often falls short of full success. From the cognitive psychology perspective, however, first and second language acquisition are seen as drawing on the same processes of perception, memory, categorization, and generalization. The difference lies in the circumstances of learning as well as in what the learners already know about language and how that prior knowledge shapes their perception of the new language.
Patsy M. Lightbown (How Languages are Learned)
When it repudiates a past paradigm, a scientific community simultaneously renounces, as a fit subject for professional scrutiny, most of the books and articles in which that paradigm had been embodied. Scientific education makes use of no equivalent for the art museum or the library of classics, and the result is a sometimes drastic distortion in the scientist's perception of his discipline's past. More than the practitioners of other creative fields, he comes to see it as leading in a straight line to the discipline's present vantage. In short, he comes to see it as progress. No alternative is available to him while he remains in the field.
Thomas S. Kuhn (The Structure of Scientific Revolutions)
T is the perception of the beautiful, A fine extension of the faculties, Platonic, universal, wonderful, Drawn from the stars, and filter'd through the skies, Without which life would be extremely dull; In short, it is the use of our own eyes, With one or two small senses added, just To hint that flesh is form'd of fiery dust.
Lord Byron (Don Juan)
Sometimes our positions are unpopular in the short term, even among the masses, only to be vindicated as events unfold to reveal a truth that was obscured by the faulty analysis of the prevailing common perception. On such occasions we must move in opposition to the direction the masses are attempting to go. Otherwise, what is the meaning of leadership?
Omali Yeshitela (An Uneasy Equilibrium: The African Revolution versus Parasitic Capitalism)
However, questions arise. Are there people who aren't naive realists, or special situations in which naive realism disappears? My theory—the self-model theory of subjectivity—predicts that as soon as a conscious representation becomes opaque (that is, as soon as we experience it as a representation), we lose naive realism. Consciousness without naive realism does exist. This happens whenever, with the help of other, second-order representations, we become aware of the construction process—of all the ambiguities and dynamical stages preceding the stable state that emerges at the end. When the window is dirty or cracked, we immediately realize that conscious perception is only an interface, and we become aware of the medium itself. We doubt that our sensory organs are working properly. We doubt the existence of whatever it is we are seeing or feeling, and we realize that the medium itself is fallible. In short, if the book in your hands lost its transparency, you would experience it as a state of your mind rather than as an element of the outside world. You would immediately doubt its independent existence. It would be more like a book-thought than a book-perception. Precisely this happens in various situations—for example, In visual hallucinations during which the patient is aware of hallucinating, or in ordinary optical illusions when we suddenly become aware that we are not in immediate contact with reality. Normally, such experiences make us think something is wrong with our eyes. If you could consciously experience earlier processing stages of the representation of the book In your hands, the image would probably become unstable and ambiguous; it would start to breathe and move slightly. Its surface would become iridescent, shining in different colors at the same time. Immediately you would ask yourself whether this could be a dream, whether there was something wrong with your eyes, whether someone had mixed a potent hallucinogen into your drink. A segment of the wall of the Ego Tunnel would have lost its transparency, and the self-constructed nature of the overall flow of experience would dawn on you. In a nonconceptual and entirely nontheoretical way, you would suddenly gain a deeper understanding of the fact that this world, at this very moment, only appears to you.
Thomas Metzinger (The Ego Tunnel: The Science of the Mind and the Myth of the Self)
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses. Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over. Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right. Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who... "Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too. She opened her mouth and his fingers touched her wet cheeks. "Anna," he said, his body going still. "Call on your wolf." "You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you." "There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf." "You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker. "I love you," he told her. "Now, call your wolf." She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth. "I'm sorry," she told him. "I'll go away—" And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short. Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes. Then he snarled at her. "You are not leaving me." It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate. "You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke. Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—" His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body. "Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
Patricia Briggs (Fair Game (Alpha & Omega, #3))
No one can understand history without continually relating the long periods which are constantly mentioned to the experiences of our own short lives. Five years is a lot. Twenty years is the horizon to most people. Fifty years is antiquity. To understand how the impact of destiny fell upon any generation of men one must first imagine their position and then apply the time-scale of our own lives. Thus nearly all changes were far less perceptible to those who lived through them from day to day than appears when the salient features of an epoch are extracted by the chronicler. We peer at these scenes through dim telescopes of research across a gulf of nearly two thousand years. We cannot doubt that the second and to some extent the third century of the Christian era, in contrast with all that had gone before and most that was to follow, were a Golden Age for Britain. But by the early part of the fourth century shadows had fallen upon this imperfect yet none the less tolerable society. By steady, persistent steps the sense of security departed from Roman Britain. Its citizens felt by daily experience a sense that the world-wide system of which they formed a partner province was in decline.
Winston S. Churchill (The Birth of Britain (A History of the English Speaking Peoples #1))
There's a difference between an old-fashioned financial panic and what had happened on Wall Street in 2008. In an old-fashioned panic, perception creates its own reality: Someone shouts "Fire!" in a crowded theater and the audience crushes each other to death in its rush for the exits. On Wall Street in 2008 the reality finally overwhelmed perceptions: A crowded theater burned down with a lot of people still in their seats.
Michael Lewis (The Big Short: Inside the Doomsday Machine)
Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next—and disappear. That’s why it’s important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives. William James first wrote about the curious warping and foreshortening of psychological time in his Principles of Psychology in 1890: “In youth we may have an absolutely new experience, subjective or objective, every hour of the day. Apprehension is vivid, retentiveness strong, and our recollections of that time, like those of a time spent in rapid and interesting travel, are of something intricate, multitudinous and long-drawn-out,” he wrote. “But as each passing year converts some of this experience into automatic routine which we hardly note at all, the days and the weeks smooth themselves out in recollection to contentless units, and the years grow hollow and collapse.” Life seems to speed up as we get older because life gets less memorable as we get older. “If to remember is to be human, then remembering more means being more human,” said Ed.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
Only by means of the petrification and coagulation of a mass of images which originally streamed from the primal faculty of human imagination like a fiery liquid, only in the invincible faith that this sun, this window, this table is a truth in itself, in short, only by forgetting that he himself is an artistically creating subject, does man live with any repose, security, and consistency. If but for an instant he could escape from the prison walls of this faith, his "self consciousness" would be immediately destroyed. It is even a difficult thing for him to admit to himself that the insect or the bird perceives an entirely different world from the one that man does, and that the question of which of these perceptions of the world is the more correct one is quite meaningless, for this would have to have been decided previously in accordance with the criterion of the correct perception, which means, in accordance with a criterion which is not available.
Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense)
A so-called busy man may declare the day to be endless, or may mourn how the hours crawl slowly toward dinner time, but this is no evidence that this man’s life is long. For when the busy man finally has some time to himself he’s left to stew in boundless boredom with nothing to do and with no clue how to fill his day. Restlessly these types seek new ways to be at leisure and the time between play needles them to no end. Their excitement peaks at the announcement of a gladiator bout or some other such spectacle and they long to skip the days that lie between now and the grand day of extravagant entertainment. Their impatient waiting for something they desire gives them the illusion that time is passing by slowly. Yet their days on Earth remain finite, even as they fritter away time bobbing from one pleasure to another. For these wasters, uneventful afternoons of no play are long and hateful. Yet a single night out drinking with a harlot seems to fly by in no time! This strange perception of the passage of time depending on one’s mood and company has provided material for the poets. We have heard tales of how when Jupiter was with a lover the night he spent in her pleasant company seemed to pass twice as long. But doesn’t using the story concerning a god as an example of how to make time pass longer merely encourage more human vice? Can a night that costs a man so much really be regretted by that same man for being so short? They waste the day in anticipation of the night, then spend the night worrying about the coming dawn.
Seneca (Stoic Six Pack 2 (Illustrated): Consolations From A Stoic, On The Shortness of Life and More)
You have to stay out of the game. It’s deadly and no one ever wins. Everyone is a loser. Even seeming wins are short-lived and have the taste of bitterness mixed in with the satisfaction of personal gain. The ego is exclusive by nature. While the spirit seeks to include, the ego is unashamedly manipulative in its culling of people. The intention of self-aggrandisement is barely even covered over. The soul does not see people in terms of what it can gain. It seeks to share. It seeks to create by extension of its own and others’ true nature. The ego is extremely changeable. It has no stability. Constantly guarding against attack and looking out for its own advantage, its perceptions and thus feelings towards others are ever-shifting. This creates unhappiness. The more we veer away from our true nature, the more unhappy we feel. When we align with our better self, we feel happy again. And so the process continues until the spaces between happiness are not as long and arduous. The presence or absence of personal peace is our barometer. It will guide us even if we are not sure of the way.
Donna Goddard (Circles of Separation (Waldmeer, #3))
Who are you, and how did you get here? It was God brought you into the world, who showed you the light, gave you the people who support you, gave you reason and perception. And he brought you into the world as a mortal, to pass your time on earth with a little endowment of flesh, to witness his design and share for a short time in his feast and celebration. [105] So why not enjoy the feast and pageant while it’s given you to do so; then, when he ushers you out, go with thanks and reverence for what you were privileged for a time to see and hear.
Epictetus (Discourses and Selected Writings (Classics))
There’s got to be a minimum basic kind of competence before you can even begin to think of writing, and there’s got to be a whole hell of a lot more than that before you can even dream of being one of those writers who appear in the how-to-read anthologies. I don’t say it can’t happen. It can happen. You don’t even have to be a better person. All you have to do is have that twist of the mind that is true talent. You have to see everything in a way that’s not just accurate but peculiar--that’s all, just have an originality of perception and utterance.
Lawrence Rust Hills (Writing In General And The Short Story In Particular)
To me, fiction writing at any length, in any form, is a feat of radical compression: take the sprawling chaos of human experience, run it through the sieve of perception, and distill it into something comparatively miniscule that somehow, miraculously, illuminates the vast complexity around it. I don’t think about short stories any differently than I do about novels or novellas or even memoirs. But the smaller scale of a story is important; the distillation must be even more extreme in order to succeed. It also must be purer; there is almost no room for mistakes.
Jennifer Egan (The Best American Short Stories 2014)
As for the description, it might, like most other tabulated descriptions, have fitted tens of thousands of men. With most persons, recognition, even of an intimate, was based on the perception of vague, half-observed quantities which together formed a caricature significant more in its relation to the observer than to the observed. A short man, conscious of his lack of height, would describe a man of medium height as tall. For the ordinary business of hating and loving and getting from the cradle to the deathbed with the least possible discomfort, such caricatures were, no doubt, satisfactory.
Eric Ambler (A Coffin for Dimitrios (Charles Latimer #1))
When students are free to write anything they want, What they write first are pieces they hope look like something they saw published somewhere About subjects they believe are pre-authorized Because someone has already written about them In pieces they hoped looked like something they saw published somewhere. A first piece of that kind is a tacit way of taking shelter under the authority of someone else’s perceptions. It’s also a way of saying, “I know you’re not really interested in what I think or notice.” But that’s the very thing the reader is interested in If your sentences allow him to be.
Verlyn Klinkenborg (Several Short Sentences About Writing)
And, irritatingly, bacteria are generating resistance to antibiotics we haven’t even thought of yet. For example, after placing a single bacterial species in a nutrient solution containing sublethal doses of a newly developed and rare antibiotic, researchers found that within a short period of time the bacteria developed resistance to that antibiotic and to twelve other antibiotics that they had never before encountered—some of which were structurally dissimilar to the first. Stuart Levy observes that “it’s almost as if bacteria strategically anticipate the confrontation of other drugs when they resist one.
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
The root of American governmental power is revealed most clearly in the instance of the power conferred by the Constitution upon the Judiciary of the United States and specifically upon this Court. As Americans of each succeeding generation are rightly told, the Court cannot buy support for its decisions by spending money and, except to a minor degree, it cannot independently coerce obedience to its decrees. The Court’s power lies, rather, in its legitimacy, a product of substance and perception that shows itself in the people’s acceptance of the Judiciary as fit to determine what the Nation’s law means and to declare what it demands.
Linda Greenhouse (The U.S. Supreme Court: A Very Short Introduction (Very Short Introductions))
Epicurus thought the fundamental source of human anguish is the fear of death. He developed thought experiments to illustrate that the fear of annihilation is illogical: if you’re extinguished, you can’t regret extinction. There’s nothing to fear about nothing. In nothingness, there is no perception, no consciousness, no memory. “That most fearful of all bad things, death, is nothing to us, since when we are, death has not come, and when death is present, we are not.” (Many centuries later, Bernard de Fontenelle echoed him. He was a month short of a hundred years old when he died, saying, “I feel nothing except a certain difficulty in continuing to exist.”)
Sallie Tisdale (Advice for Future Corpses (and Those Who Love Them): A Practical Perspective on Death and Dying)
But there’s a difference between an old-fashioned financial panic and what had happened on Wall Street in 2008. In an old-fashioned panic, perception creates its own reality: Someone shouts “Fire!” in a crowded theater and the audience crushes each other to death in its rush for the exits. On Wall Street in 2008 the reality finally overwhelmed perceptions: A crowded theater burned down with a lot of people still in their seats. Every major firm on Wall Street was either bankrupt or fatally intertwined with a bankrupt system. The problem wasn’t that Lehman Brothers had been allowed to fail. The problem was that Lehman Brothers had been allowed to succeed. This
Michael Lewis (The Big Short: Inside the Doomsday Machine)
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
Geraldine Brooks (The Best American Short Stories 2011)
To some extent, the direction of one's chosen path automatically selects for the paths that may cross it. A warriors path will intersect the paths of other warriors, allies and enemies alike. A workers path will interest the paths of other workers. But as with games of cards and dice, sometimes unexpected crossings occur. Some are driven by chance, others by design, others by a change in one's goal. Some are driven by malice. Such manipulations can prove effective in the short term. But the longer-term consequences can be perilously difficult to predict. The path of Arihnda Pryce is one such example. A deep and perceptive study of it can serve as a valuable lesson. And as an even more valuable warning.
Timothy Zahn
Consumer society thrives as long as it manages to render the non-satisfaction of its members (and so, in its own terms, their unhappiness) perpetual. The explicit method of achieving such an effect is to denigrate and devalue consumer products shortly after they have been hyped into the universe of the consumers' desires. But another way to do the same thing, and yet more effectively, stays in the semi-shade and is seldom brought out into the limelight except by perceptive investigative journalists: namely, by satisfying every need/desire/want in such a fashion that they cannot but give birth to yet new needs/desires/wants. What starts as an effort to satisfy a need must end up as a compulsion or an addiction.
Zygmunt Bauman (Consuming Life)
So on 6 February 1685, the new king, James II, ascended the throne in the face of sustained and organized opposition from Shaftesbury and the Whigs. He was fifty-two years of age and in vigorous health. He had already proved himself to be determined and decisive; he had remained faithful to his Catholic beliefs despite every attempt to persuade him otherwise. He was more resolute and more trustworthy than his brother, but he lacked Charles’s geniality and perceptiveness. He seemed to have no great capacity for compromise and viewed the world about him in the simple terms of light and darkness; there was the monarchy and authority on on side, with republicanism and disorder on the other. His manner was stiff and restrained, his temper short.
Peter Ackroyd (Rebellion: The History of England from James I to the Glorious Revolution (The History of England, #3))
Why two (or whole groups) of people can come up with the same story or idea at the same time, even when across the world from each-other: "A field is a region of influence, where a force will influence objects at a distance with nothing in between. We and our universe live in a Quantum sea of light. Scientists have found that the real currency of the universe is an exchange of energy. Life radiates light, even when grown in the dark. Creation takes place amidst a background sea of energy, which metaphysics might call the Force, and scientists call the "Field." (Officially the Zero Point Field) There is no empty space, even the darkest empty space is actually a cauldron of energies. Matter is simply concentrations of this energy (particles are just little knots of energy.) All life is energy (light) interacting. The universe is self-regenreating and eternal, constantly refreshing itself and in touch with every other part of itself instantaneously. Everything in it is giving, exchanging and interacting with energy, coming in and out of existence at every level. The self has a field of influence on the world and visa versa based on this energy. Biology has more and more been determined a quantum process, and consciousness as well, functions at the quantum level (connected to a universe of energy that underlies and connects everything). Scientist Walter Schempp's showed that long and short term memory is stored not in our brain but in this "Field" of energy or light that pervades and creates the universe and world we live in. A number of scientists since him would go on to argue that the brain is simply the retrieval and read-out mechanism of the ultimate storage medium - the Field. Associates from Japan would hypothesize that what we think of as memory is simply a coherent emission of signals from the "Field," and that longer memories are a structured grouping of this wave information. If this were true, it would explain why one tiny association often triggers a riot of sights, sounds and smells. It would also explain why, with long-term memory in particular, recall is instantaneous and doesn't require any scanning mechanism to sift through years and years of memory. If they are correct, our brain is not a storage medium but a receiving mechanism in every sense, and memory is simply a distant cousin of perception. Some scientists went as far as to suggest that all of our higher cognitive processes result from an interaction with the Field. This kind of constant interaction might account for intuition or creativity - and how ideas come to us in bursts of insight, sometimes in fragments but often as a miraculous whole. An intuitive leap might simply be a sudden coalescence of coherence in the Field. The fact that the human body was exchanging information with a mutable field of quantum fluctuation suggested something profound about the world. It hinted at human capabilities for knowledge and communication far deeper and more extended than we presently understand. It also blurred the boundary lines of our individuality - our very sense of separateness. If living things boil down to charged particles interacting with a Field and sending out and receiving quantum information, where did we end and the rest of the world began? Where was consciousness-encased inside our bodies or out there in the Field? Indeed, there was no more 'out there' if we and the rest of the world were so intrinsically interconnected. In ignoring the effect of the "Field" modern physicists set mankind back, by eliminating the possibility of interconnectedness and obscuring a scientific explanation for many kinds of miracles. In re-normalizing their equations (to leave this part out) what they'd been doing was a little like subtracting God.
Lynne McTaggart (The Field)
In an extremely short period of geologic time the Earth has been saturated with several billion pounds of nonbiodegradable, often biologically unique pharmaceuticals designed to kill bacteria. Many antibiotics (literally meaning “against life”) do not discriminate in their activity, but kill broad groups of diverse bacteria whenever they are used. The worldwide environmental dumping, over the past 65 years, of such huge quantities of synthetic antibiotics has initiated the most pervasive impacts on the Earth’s bacterial underpinnings since oxygen-generating bacteria supplanted methanogens 2.5 billion years ago. As bacterial researcher Stuart Levy comments . . . It has stimulated evolutionary changes that are unparalleled in recorded biologic history.4
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
Art is that imaginative expression of human energy, which, through technical concretion of feeling and perception, tends to reconcile the individual with the universal, by exciting in him impersonal emotion. And the greatest Art is that which excites the greatest impersonal emotion in an hypothetical perfect human being. Impersonal emotion! And what - I thought - do I mean by that? Surely I mean: That is not Art, which, while I am contemplating it, inspires me with any active or direct impulse; that is Art, when, for however brief a moment, it replaces within me interest in myself by interest in itself. For, let me suppose myself in the presence of a carved marble bath. If my thoughts be: 'What could I buy that for?' Impulse of acquisition; or: 'From what quarry did it come?' Impulse of inquiry; or: 'Which would be the right end for my head?' Mixed impulse of inquiry and acquisition - I am at that moment insensible to it as a work of Art. But, if I stand before it vibrating at sight of its colour and forms, if ever so little and for ever so short a time, unhaunted by any definite practical thought or impulse - to that extent and for that moment it has stolen me away out of myself and put itself there instead; has linked me to the universal by making me forget the individual in me. And for that moment, and only while that moment lasts, it is to me a work of Art. The word 'impersonal,' then, is but used in this my definition to signify momentary forgetfulness of one's own personality and its active wants.
John Galsworthy (Candelabra: Selected Essays and Addresses)
Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next—and disappear. That’s why it’s important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives. William James first wrote about the curious warping and foreshortening of psychological time in his Principles of Psychology in 1890: “In youth we may have an absolutely new experience, subjective or objective, every hour of the day.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
In short, here are the four steps from Schwartz to help you get a handle on this: Step 1: Relabel: Identify deceptive brain messages and the uncomfortable sensations; call them what they really are. Step 2: Reframe: Change your perception of the importance of the deceptive brain messages; say why these thoughts, urges, and impulses keep bothering you. (“It's not me; it's just my brain!”) Step 3: Refocus: Direct your attention toward an activity or mental process that is wholesome and productive—even while the false and deceptive urges, thoughts, impulses, and sensations are still present and bothering you. Step 4: Revalue: Clearly see the thoughts, urges, and impulses for what they are—sensations caused by deceptive brain messages that are not true and that have little to no value.
Joe Vitale (At Zero: The Final Secrets to "Zero Limits" The Quest for Miracles Through Ho'oponopono)
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
Peter Joseph
I can’t recapture that feeling of euphoric gratitude any more than I can really remember the mortal terror I felt when I was pretty sure I had about four minutes to live. But I know that it really happened, that that state of grace is accessible to us, even if I only blundered across it once and never find my way back. At my cabin on the Chesapeake Bay I’ll see bald eagles swoop up from the water with wriggling little fish in their talons, and whenever they accidentally drop their catch, I like to imagine that fish trying to tell his friends about his own near-death experience, a perspective so unprecedented there are no words in the fish language to describe it: for a short time he was outside the world, he could see forever, there’s so much more than they knew, but he’s glad to be back.
Tim Kreider (We Learn Nothing)
Language brings with it an identity and a culture, or at least the perception of it. A shared language says “We’re the same.” A language barrier says “We’re different.” The architects of apartheid understood this. Part of the effort to divide black people was to make sure we were separated not just physically but by language as well. In the Bantu schools, children were only taught in their home language. Zulu kids learned in Zulu. Tswana kids learned in Tswana. Because of this, we’d fall into the trap the government had set for us and fight among ourselves, believing that we were different. The great thing about language is that you can just as easily use it to do the opposite: convince people that they are the same. Racism teaches us that we are different because of the color of our skin. But because racism is stupid, it’s easily tricked. If you’re racist and you meet someone who doesn’t look like you, the fact that he can’t speak like you reinforces your racist preconceptions: He’s different, less intelligent. A brilliant scientist can come over the border from Mexico to live in America, but if he speaks in broken English, people say, “Eh, I don’t trust this guy.” “But he’s a scientist.” “In Mexican science, maybe. I don’t trust him.” However, if the person who doesn’t look like you speaks like you, your brain short-circuits because your racism program has none of those instructions in the code. “Wait, wait,” your mind says, “the racism code says if he doesn’t look like me he isn’t like me, but the language code says if he speaks like me he… is like me? Something is off here. I can’t figure this out.
Trevor Noah (Born a Crime: Stories from a South African Childhood)
When his support team on the surface finally called down to him on September 14, the day his experiment was scheduled to wrap up, it was only August 20 in his journal. He thought only a month had gone by. His experience of time’s passage had compressed by a factor of two. Monotony collapses time; novelty unfolds it. You can exercise daily and eat healthily and live a long life, while experiencing a short one. If you spend your life sitting in a cubicle and passing papers, one day is bound to blend unmemorably into the next—and disappear. That’s why it’s important to change routines regularly, and take vacations to exotic locales, and have as many new experiences as possible that can serve to anchor our memories. Creating new memories stretches out psychological time, and lengthens our perception of our lives.
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
In the forest of sensible objects that surrounds me, I find my way to becoming master of the chaos of the sensations assailing me only by separating objects from others, by giving them outline, dimensions, and form; in short, by creating unity in diversity and vividly and confidently designating these objects with the stamp of my inner sense, as if this were a seal of truth. Our whole life, then, is to a certain extent poetics: we do not see images but rather create them. The Divinity has sketched them for us on a great panel of light, from which we trace their outlines and paint the images in the soul using a finer brush than that of the rays of light. For the image that is projected on the retina of your eye is not the idea that you derive from its object; it is merely a product of your inner sense, a work of art created by your soul’s faculty of perception.
Johann Gottfried Herder (Selected Writings on Aesthetics)
Memory, imagination, conception and perception, generalization in short, are not there “for nothing, for pleasure.” It really seems, to listen to certain theorists, that the mind fell from heaven with a subdivision into psychological functions whose existence simply needs to be recognized: because these functions are such, they will no doubt be used in such a manner. I believe on the contrary that it is because they are useful, because they are necessary to life, that they are what they are: one must refer to the fundamental exigencies of life to explain their presence and to justify it if need be, I mean in order to know if the ordinary subdivision into such or such faculties is artificial or natural, and if in consequence we should maintain it or modify it. All our observations on the mechanism of function will be warped if we have badly cut it out of the continuity of the psychological tissue.
Henri Bergson (The Creative Mind: An Introduction to Metaphysics)
The ancient rishi Patanjali6 defines yoga as “neutralization of the alternating waves in consciousness.”7 His short and masterly work, Yoga Sutras, forms one of the six systems of Hindu philosophy. In contradistinction to Western philosophies, all six Hindu systems8 embody not only theoretical teachings but practical ones also. After pursuing every conceivable ontological inquiry, the Hindu systems formulate six definite disciplines aimed at the permanent removal of suffering and the attainment of timeless bliss. The later Upanishads uphold the Yoga Sutras, among the six systems, as containing the most efficacious methods for achieving direct perception of truth. Through the practical techniques of yoga, man leaves behind forever the barren realms of speculation and cognizes in experience the veritable Essence. The Yoga system of Patanjali is known as the Eightfold Path.9 The first steps are (1) yama (moral conduct), and (2) niyama (religious observances). Yama is fulfilled by noninjury to others, truthfulness, nonstealing, continence, and noncovetousness. The niyama prescripts are purity of body and mind, contentment in all circumstances, self-discipline, self-study (contemplation), and devotion to God and guru. The next steps are (3) asana (right posture); the spinal column must be held straight, and the body firm in a comfortable position for meditation; (4) pranayama (control of prana, subtle life currents); and (5) pratyahara (withdrawal of the senses from external objects). The last steps are forms of yoga proper: (6) dharana (concentration), holding the mind to one thought; (7) dhyana (meditation); and (8) samadhi (superconscious experience). This Eightfold Path of Yoga leads to the final goal of Kaivalya (Absoluteness), in which the yogi realizes the Truth beyond all intellectual apprehension.
Paramahansa Yogananda (Autobiography of a Yogi (Self-Realization Fellowship))
The psychological devastation women experience stems in part from damage to a woman’s sexual reputation. This reputation, in turn, is formed and driven by two key evolutionary forces of sexual selection—men’s mate preferences and women’s intrasexual competition. Men worldwide prioritize sexual fidelity in long-term mates. Men interpret cues to perceived promiscuity as compromising prospects for fidelity in a committed partner. In contrast, men are attracted to cues of a woman’s perceived promiscuity when they seek casual sex partners because these cues convey information about their chances of succeeding sexually. So victims of revenge porn suffer damage to their long-term mate value in the eyes of men. Women perceived as promiscuous, even if that perception is entirely erroneous and based on images they themselves have not posted, also tend to be slotted in the male brain as potential short-term mates.
David M. Buss (When Men Behave Badly: The Hidden Roots of Sexual Deception, Harassment, and Assault)
In the wake of his breakdown, Oswaldo had become hyperattuned to the way he, and people like him, were perceived. For his first three years at Yale, he'd been frustrated by these perceptions, feeling that they were inescapable, allowing that caged feeling to overwhelm him. The perspective granted him by two weeks of near total isolation had led him to believe that he––and in a much bigger way, Rob––had only propagated the ignorance of their peers. Because they did get stoned all the time, they did get angry, they did dress like thugs, they did talk shit about a college education that might set them up for fulfilling lives, they did set themselves apart. For Oswaldo, the issue had ceased to be a philosophical and historical one, and instead had come to revolve around a simple goal: to graduate from Yale without making that task harder than it needed to be. After all, that was the point of college––not freedom, not alcohol, not relationships, but to obtain a degree.
Jeff Hobbs (The Short and Tragic Life of Robert Peace: A Brilliant Young Man Who Left Newark for the Ivy League)
The usual short story cannot have a complex plot, but it often has a simple one resembling a chain with two or three links. The short short, however, doesn't as a rule have even that much - you don't speak of a chain when there's only one link. ... Sometimes ... the short short appears to rest on nothing more than a fragile anecdote which the writer has managed to drape with a quantity of suggestion. A single incident, a mere anecdote - these form the spine of the short short. Everything depends on intensity, one sweeping blow of perception. In the short short the writer gets no second chance. Either he strikes through at once or he's lost. And because it depends so heavily on this one sweeping blow, the short short often approaches the condition of a fable. When you read the two pieces by Tolstoy in this book, or I.L. Peretz's 'If Not Higher,' or Franz Kafka's 'The Hunter Gracchus,' you feel these writers are intent upon 'making a point' - but obliquely, not through mere statement. What they project is not the sort of impression of life we expect in most fiction, but something else: an impression of an idea of life. Or: a flicker in darkness, a slight cut of being. The shorter the piece of writing, the more abstract it may seem to us. In reading Paz's brilliant short short we feel we have brushed dangerously against the sheer arbitrariness of existence; in reading Peretz's, that we have been brought up against a moral reflection on the nature of goodness, though a reflection hard merely to state. Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short. ... Writers who do short shorts need to be especially bold. They stake everything on a stroke of inventiveness. Sometimes they have to be prepared to speak out directly, not so much in order to state a theme as to provide a jarring or complicating commentary. The voice of the writer brushes, so to say, against his flash of invention. And then, almost before it begins, the fiction is brought to a stark conclusion - abrupt, bleeding, exhausting. This conclusion need not complete the action; it has only to break it off decisively. Here are a few examples of the writer speaking out directly. Paz: 'The universe is a vast system of signs.' Kafka in 'First Sorrow': The trapeze artist's 'social life was somewhat limited.' Paula Fox: 'We are starving here in our village. At last, we are at the center.' Babel's cossack cries out, 'You guys in specs have about as much pity for chaps like us as a cat for a mouse.' Such sentences serve as devices of economy, oblique cues. Cryptic and enigmatic, they sometimes replace action, dialogue and commentary, for none of which, as it happens, the short short has much room. There's often a brilliant overfocussing. ("Introduction")
Irving Howe (Short Shorts)
But how do you know that [your faith] was not all a delusion—the product of your own fervid imagination? Do not mistake me; I want to find it true.” “It is a right and honest question, my lady. I will tell you. Not to mention the conviction which a truth beheld must carry with itself...this experience goes far with me...namely, that all my difficulties and confusions have gone on clearing themselves up ever since I set out to walk in that way. My consciousness of life is threefold what it was; my perception of what is lovely around me, and my delight in it, threefold; my power of understanding things and of ordering my way, threefold also; the same with my hope and my courage, my love to my kind, my power of forgiveness. In short, I cannot but believe that my whole being and its whole world are in process of rectification for me. Is not that something to set against the doubt born of the eye and ear, and the questions of an intellect that can neither grasp nor disprove? I say nothing of better things still.
George MacDonald (The Marquis of Lossie)
Therefore, perception, which I count as the most wonderful of instruments, has just as little reality as that of my poor senses. However I might conceive of matter, it is always something different from what I understood it to be. But it is not only that I can never completely perceive the essence of matter, but also it's that it has no being. Spray water on a hot oven and it is instantaneously vaporized, if I throw a lump of sugar into a cup of tea it melts. If I break the cup I'm drinking out of, I'll have nothing but shards - but no longer a cup. If, however, being can be turned into not-being with the flip of the wrist, then it is not worth talking about it as being. Not-being, death, is the real essence of all matter, life is only a negation of this essence for an infinitely short span of time. But the thought of the drop of water, or the lump of sugar remains immutable, it can never be broken, vaporated, or melted. So isn't this thought to be spoken of with much greater right as reality, than fluctuating material is? "From The Diary Of An Orange Tree
Hanns Heinz Ewers (Nachtmahr: Strange Tales)
Subterfuge as a woman was always more complicated than subterfuge as a man; the guise of femininity required further insight, required understanding of the cultural context in which the costume would be viewed. For a man, changes in accoutrements and clothing created changes in status perception, but, no matter the culture, a man was a man. A woman, on the other hand, was never JUST a woman. A woman was an object, a canvas, upon which society and culture painted labels and framed unspoken expectations, a collectively owned piece upon which shame, scorn, and punishment should be heaped if she failed to confirm to the prescribed design. Even in the most forward-thinking countries, subconscious collusion and tacit social agreement put the value of the opinions and contributions of women at less than those of a full person - somewhere between child and adult. Subterfuge as a woman was always more complicated because a man in a suit was a man in a suit, but a woman in a dress with a hemline two inches too short was a slut, and, in the wrong part of town, a whore, and, in the wrong country, a corpse not quite yet dead.
Taylor Stevens (The Catch (Vanessa Michael Munroe #4))
The Swedish royal family’s legitimacy is even more tenuous. The current king of Sweden, Carl XVI Gustaf, is descended neither from noble Viking blood nor even from one of their sixteenth-century warrior kings, but from some random French bloke. When Sweden lost Finland to Russia in 1809, the then king, Gustav IV Adolf—by all accounts as mad as a hamburger—left for exile. To fill his throne and, it is thought, as a sop to Napoleon whose help Sweden hoped to secure against Russia in reclaiming Finland, the finger of fate ended up pointing at a French marshal by the name of Jean-Baptiste Bernadotte (who also happened to be the husband of Napoleon’s beloved Desirée). Upon his arrival in Stockholm, the fact that Bernadotte had actually once fought against the Swedes in Germany was quickly forgotten, as was his name, which was changed to Charles XIV John. This, though, is where the assimilation ended: the notoriously short-tempered Charles XIV John attempted to speak Swedish to his new subjects just the once, meeting with such deafening laughter that he never bothered again (there is an echo of this in the apparently endless delight afforded the Danes by the thickly accented attempts at their language by their current queen’s consort, the portly French aristocrat Henri de Monpezat). On the subject of his new country, the forefather of Sweden’s current royal family was withering: “The wine is terrible, the people without temperament, and even the sun radiates no warmth,” the arriviste king is alleged to have said. The current king is generally considered to be a bit bumbling, but he can at least speak Swedish, usually stands where he is told, and waves enthusiastically. At least, that was the perception until 2010, when the long-whispered rumors of his rampant philandering were finally exposed in a book, Den motvillige monarken (The Reluctant Monarch). Sweden’s tabloids salivated over gory details of the king’s relationships with numerous exotic women, his visits to strip clubs, and his fraternizing with members of the underworld. Hardly appropriate behavior for the chairman of the World Scout Foundation. (The exposé followed allegations that the father of the king’s German-Brazilian wife, Queen Silvia, was a member of the Nazi party. Awkward.) These days, whenever I see Carl Gustaf performing his official duties I can’t shake the feeling that he would much prefer to be trussed up in a dominatrix’s cellar. The
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
Barthes constructed his theory of what he called “myth,” describing essentially the same thing as we mean here by “narrative.” Barthes argues that modern, industrialized societies are governed in large part by such myths, constructed by each society’s political arm and disseminated via the mass media (the political arm’s propaganda machine) as commonsensical, therefore as absolutely real. For Barthes, myth is always political, always constructed, and at the same time always constitutive of our view of the world, and yet myth nearly always seeks to masquerade as something timeless, eternal, and “natural.” He says: Semiology has taught us that myth has the task of giving a historical intention a natural justification, and making contingency appear eternal. . . . The world enters language as a dialectical relation between activities, between human actions; it comes out of myth as a harmonious display of essences. A conjuring trick has taken place; it has turned reality inside out, it has emptied it of history and has filled it with Nature, it has removed from things their human meaning so as to make them signify a human insignificance. The function of myth is to empty reality: it is, literally, a ceaseless flowing out, a hemorrhage, or perhaps an evaporation, in short, a perceptible absence.42
Matthew Strecher (The Forbidden Worlds of Haruki Murakami)
To economists, everything revolves around scarcity - after all, even the biggest spenders can't buy everything. However, the perception of scarcity is not ubiquitous. An empty schedule feels different than a jam-packed workday. And that's not some harmless little feeling. Scarcity impinges on your mind. People behave differently when they perceive a thing to be scarce. What that thing is doesn't much matter; whether it's too little time, money, friendship, food - it all contributes to experience a "scarcity mentality". And this has benefits. People who experience a sense of scarcity are good at managing their short-term problems. Poor people have an incredible ability - in the short term - to make ends meet, the same way that overworked CEOs can power through to close a deal. Despite all this, the drawbacks of a "scarcity mentality" are greater than the benefits. Scarcity narrows your focus to your immediate lack, to the meeting that's starting in five minutes or the bills that need to be paid tomorrow. The long-term perspective goes out of the window. "Scarcity consumes you", Shafir explains. "You're less able to focus on other things that are also important to you." ... There's a key distinction though between people with busy lives and those living in poverty: You can't take a break from poverty.
Rutger Bregman (Utopia for Realists: How We Can Build the Ideal World)
Look at what I wrote at the beginning of this memoir. Have I caught anything at all of the extraordinary night when Paul Dempster was born? I am pretty sure that my little sketch of Percy Boyd Staunton is accurate, but what about myself? I have always sneered at autobiographies and memoirs in which the writer appears at the beginning as a charming, knowing little fellow, possessed of insights and perceptions beyond his years, yet offering these with false naivete to the reader, as though to say, 'What a little wonder I was, but All Boy.' Have the writers any notion or true collection of what a boy is? I have and I have reinforced it by forty-five years of teaching boys. A boy is a man in miniature, and though he may sometimes exhibit notable virtue, as well as characteristics that seem to be charming because they are childlike, he is also schemer, self-seeker, traitor, Judas, crook, and villain - in short, a man. Oh these autobiographies in which the writer postures and simpers as a David Copperfield or a Huck Finn! False, false as harlots' oaths! Can I write truly of my boyhood? Or will that disgusting self-love which so often attaches itself to a man's idea of his youth creep in and falsify the story? I can but try. And to begin I must give you some notion of the village in which Percy Boyd Staunton and Paul Dempster and I were born.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Our speed-dating lab study of the sexual over-perception bias led to several fascinating findings. We had women and men who had never met interact with each other for five minutes and then evaluate the other on their sexual interest in them and report on the level of their own sexual interest. Then interaction partners rotated, chatted with a new person, and did the ratings again. Each person interacted with a total of five members of the other sex. Our first finding confirmed the sexual over-perception bias—men over-inferred a woman’s sexual interest in them compared with women’s reports of their actual interest. Not all men, however, are equally vulnerable to the bias. Some proved to be accurate at inferring women’s interest or lack thereof. Men who scored high on narcissism and who indicated a preference for short-term mating were exceptionally prone to this bias—an inferential error that presumably promotes many sexual advances, even if many of them are not reciprocated. Narcissistic men apparently think they are hot, even when they’re not. Not all women were equally likely to be victims of the male bias. Rather, women judged to be physically attractive by the experimenters were especially prone to evoke men’s sexual over-perception. The irony is that attractive women, because they receive a larger volume of male sexual attention, are precisely the women who, on average, are least likely to reciprocate men’s sexual interest.
David M. Buss (When Men Behave Badly: The Hidden Roots of Sexual Deception, Harassment, and Assault)
We have to think of something new in order to wake people up. Because at the moment people have become so blasé. How do you get through this miasma of complacency and make people listen? How do we break through it and slap people’s faces—metaphorically—and say, “The world’s collapsing around you, and all you’re worried about is how many ‘likes’ you’ve got on your social media accounts. For fuck’s sake, wake up!” We used to think we were a romantic existentialist. But after all the incredible evidence we’ve witnessed in different shamanic traditions worldwide, we’ve had to adjust our perceptions. Now we are happy to be a compassionate utopian idealist. The potential of humanity is infinite. And the choices we make as a species could be either our downfall or our celebration. That’s what we think about now: What’s next? There is definitely a parallel between what was happening at the end of the 1970s and what is happening now. People need to be slapped awake … but that’s not our job anymore. All of you who are reading this: you’re supposed to be changing this. You must. “Because what happens in the future is a direct result of what you do and don’t do right now. There’s always a way. You don’t need resources. You don’t need money. You just need to have an idea that’s strong enough, and that you feel strongly enough about, that you will go against everybody else to say or to put into practice. Please go out and try to change the fucking world. End gender. Break sex. Short-circuit control.” .
Genesis P-Orridge (Nonbinary: A Memoir)
Many people today acquiesce in the widespread myth, devised in the late 19th century, of an epic battle between ‘scientists’ and ‘religionists’. Despite de unfortunate fact that some members of both parties perpetuate the myth by their actions today, this ‘conflict’ model has been rejected by every modern historian of science; it does not portray the historical situation. During the 16th and 17th centuries and during the Middle Ages, there was not a camp of ‘scientists’ struggling to break free of the repression of ‘religionists’; such separate camps simply did not exist as such. Popular tales of repression and conflict are at best oversimplified or exaggerated, and at worst folkloristic fabrications. Rather, the investigators of nature were themselves religious people, and many ecclesiastics were themselves investigators of nature. The connection between theological and scientific study rested in part upon the idea of the Two Books. Enunciated by St. Augustine and other early Christian writers, the concept states that God reveals Himself to human beings in two different ways – by inspiring the sacred writers to pen the Book of Scripture, and by creating the world, the Book of Nature. The world around us, no less than the Bible, is a divine message intended to be read; the perceptive reader can learn much about the Creator by studying the creation. This idea, deeply ingrained in orthodox Christianity, means that the study of the world can itself be a religious act. Robert Boyle, for example, considered his scientific inquiries to be a type of religious devotion (and thus particularly appropriate to do on Sundays) that heightens the natural philosopher’s knowledge and awareness of God through the contemplation of His creation. He described the natural philosopher as a ‘priest of nature’ whose duty it was to expound and interpret the messages written in the Book of Nature, and to gather together and give voice to all creation’s silent praise of its Creator.
Lawrence M. Principe (Scientific Revolution: A Very Short Introduction)
Sadly though, this side of heaven, we can only attempt to have a fore-shadow of the romance to come. Even the best marriages and the men and women who valiantly strive to follow the Bible’s model of marriage fall short. I am sure many of us have failed in obtaining the type of earthly relationship God planned and intended to display His love. Pre-marital sex, extra-marital sex, homosexuality, sex outside of a marriage covenant, and love-less, dysfunctional marriages are just the beginning. Many have been abused, sold, objectified, molested, even raped. All manner of perversion and depravity have marred the beauty God intended. We are broken, injured, hurt, marginalized, left feeling like so much less than what God requires. If you are one broken, please hear this: It should not have been. It was not God’s way or His will that you were treated like anything less than His highly valued, flawless beauty—His beloved. If you are one who lost your way and engaged in things beneath your royal standing, He died, arose and lives to forgive and restore. Yes, we know a good and solid Biblical marriage gives the closest representation of godly intimacy. But let’s get real for a minute. So few of us have ever experienced that for ourselves or grew up in homes where that was our example, we desperately need to trust God for our own healing and restoration in this area before we can ever hope to experience it in our relationships. I am convinced God’s priority for us is to learn about spiritual intimacy with Him. He can restore marriages, liberate from sexual addictions, save spouses, give us a godly man. But I think, for the most part, those things happen after we realize and accept our need for Christ. His priority will always be our spirit intimately one with His, because He puts the spirit above the flesh. We have to lay our souls bare and ask for His touch. God alone can reclaim our perception of intimacy for His holy and righteous glory. He can restore our hearts and minds to righteousness, clean and pure so we might experience holy intimacy through the Spirit until we see Him face to face in glory.
Angie Nichols (Something Abundant)
I believe that social media, and the internet as a whole, have negatively impacted our ability to both think long-term and to focus deeply on the task in front of us. It is no surprise, therefore, that Apple CEO, Steve Jobs, prohibited his children from using phones or tablets—even though his business was to sell millions of them to his customers! The billionaire investor and former senior executive at Facebook, Chamath Palihapitiya, argues that we must rewire our brain to focus on the long term, which starts by removing social media apps from our phones. In his words, such apps, “wire your brain for super-fast feedback.” By receiving constant feedback, whether through likes, comments, or immediate replies to our messages, we condition ourselves to expect fast results with everything we do. And this feeling is certainly reinforced through ads for schemes to help us “get rich quick”, and through cognitive biases (i.e., we only hear about the richest and most successful YouTubers, not about the ones who fail). As we demand more and more stimulation, our focus is increasingly geared toward the short term and our vision of reality becomes distorted. This leads us to adopt inaccurate mental models such as: Success should come quickly and easily, or I don’t need to work hard to lose weight or make money. Ultimately, this erroneous concept distorts our vision of reality and our perception of time. We can feel jealous of people who seem to have achieved overnight success. We can even resent popular YouTubers. Even worse, we feel inadequate. It can lead us to think we are just not good enough, smart enough, or disciplined enough. Therefore, we feel the need to compensate by hustling harder. We have to hurry before we miss the opportunity. We have to find the secret that will help us become successful. And, in this frenetic race, we forget one of the most important values of all: patience. No, watching motivational videos all day long won’t help you reach your goals. But, performing daily consistent actions, sustained over a long period of time will. Staying calm and focusing on the one task in front of you every day will. The point is, to achieve long-term goals in your personal or professional life, you must regain control of your attention and rewire your brain to focus on the long term. To do so, you should start by staying away from highly stimulating activities.
Thibaut Meurisse (Dopamine Detox : A Short Guide to Remove Distractions and Get Your Brain to Do Hard Things (Productivity Series Book 1))
From Life, Volume III, by Unspiek, Baron Bodissey: I am constantly startled and often amused by the diverse attitudes toward wealth to be found among the peoples of the Oikumene. Some societies equate affluence with criminal skill; for others wealth represents the gratitude of society for the performance of valuable services. My own concepts in this regard are easy and clear, and I am sure that the word ‘simplistic’ will be used by my critics. These folk are callow and turgid of intellect; I am reassured by their howls and yelps. For present purposes I exclude criminal wealth, the garnering of which needs no elaboration, and a gambler’s wealth which is tinsel. In regard, then, to wealth: Luxury and privilege are the perquisites of wealth. This would appear a notably bland remark, but is much larger than it seems. If one listens closely, he hears deep and far below the mournful chime of inevitability. To achieve wealth, one generally must thoroughly exploit at least three of the following five attributes: Luck. Toil, persistence, courage. Self-denial. Short-range intelligence: cunning, improvisational ability. Long-range intelligence: planning, the perception of trends. These attributes are common; anyone desiring privilege and luxury can gain the precursory wealth by making proper use of his native competence. In some societies poverty is considered a pathetic misfortune, or noble abnegation, hurriedly to be remedied by use of public funds. Other more stalwart societies think of poverty as a measure of the man himself. The critics respond: What an unutterable ass is this fellow Unspiek! I am reduced to making furious scratches and crotchets with my pen! — Lionel Wistofer, in The Monstrator I am poor; I admit it! Am I then a churl or a noddy? I deny it with all the vehemence of my soul! I take my bite of seed-cake and my sip of tea with the same relish as any paunchy plutocrat with bulging eyes and grease running from his mouth as he engulfs ortolans in brandy, Krokinole oysters, filet of Darango Five-Horn! My wealth is my shelf of books! My privileges are my dreams! — Sistie Fael, in The Outlook … He moves me to tooth-chattering wrath; he has inflicted upon me, personally, a barrage of sheer piffle, and maundering insult which cries out to the Heavens for atonement. I will thrust my fist down his loquacious maw; better, I will horsewhip him on the steps of his club. If he has no club, I hereby invite him to the broad and convenient steps of the Senior Quill-drivers, although I must say that the Inksters maintain a superior bar, and this shall be my choice since, after trouncing the old fool, I will undoubtedly ask him in for a drink. — McFarquhar Kenshaw, in The Gaean
Jack Vance (Demon Princes (Demon Princes #1-5))
THE MEANS OF GOSPEL RENEWAL While the ultimate source of a revival is the Holy Spirit, the Spirit ordinarily uses several “instrumental,” or penultimate, means to produce revival. EXTRAORDINARY PRAYER To kindle every revival, the Holy Spirit initially uses what Jonathan Edwards called “extraordinary prayer” — united, persistent, and kingdom centered. Sometimes it begins with a single person or a small group of people praying for God’s glory in the community. What is important is not the number of people praying but the nature of the praying. C. John Miller makes a helpful and perceptive distinction between “maintenance” and “frontline” prayer meetings.1 Maintenance prayer meetings are short, mechanical, and focused on physical needs inside the church. In contrast, the three basic traits of frontline prayer are these: 1. A request for grace to confess sins and to humble ourselves 2. A compassion and zeal for the flourishing of the church and the reaching of the lost 3. A yearning to know God, to see his face, to glimpse his glory These distinctions are unavoidably powerful. If you pay attention at a prayer meeting, you can tell quite clearly whether these traits are present. In the biblical prayers for revival in Exodus 33; Nehemiah 1; and Acts 4, the three elements of frontline prayer are easy to see. Notice in Acts 4, for example, that after the disciples were threatened by the religious authorities, they asked not for protection for themselves and their families but only for boldness to keep preaching! Some kind of extraordinary prayer beyond the normal services and patterns of prayer is always involved.
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
Oh, yes," Father Mancuso nodded. "As Father Ryan mentioned, I've seen and heard many who've come to me as a psychotherapist and as a parish priest." Chancellor Ryan picked up the thread. "Then there are the so-called extraordinary activities of the devil in the world. Usually these are material things around a person that are affected; that might be what you're up against. We call it infestation. It breaks down into different categories which we'll explain in a minute." "Obsession," Father Nuncio put in, "is the next step, in which the person is affected either internally or externally. And finally there is possession, by which the person temporarily loses control of his faculties and the devil acts in and through him." When Father Mancuso had come to the Chancellors' office to keep his appointment, he had been somewhat embarrassed as to how to approach his problem. But he relaxed as the two priests had shown keen interest. Now with their spelling out the guidelines he must take in this kind of situation, Father Mancuso raised his hopes for deliverance from this evil. "In investigating cases of possible diabolical interference," Chancellor Ryan went on, "we must consider the following: One, fraud and deception. Two, natural scientific causes. Three, parapsychological causes. Four, diabolical influences. And five, miracles. In this case, fraud and trickery don't seem plausible. George and Kathleen Lutz seem to be normal, balanced individuals. We think you are too. The possibilities therefore are reduced to psychological, parapsychological, or diabolical influences." "We'll exclude the miraculous," Father Nuncio broke in, "because the Divine would not involve itself in the trivial and foolish." "True," said Father Ryan. "Therefore the explanation would seem to include hallucination and autosuggestion - you know, like the invisible touches Kathy experienced - and when George thought he heard that marching band. But let's take the parapsychological line. Parapsychologists like Dr. Rhine, who works at Duke University in Durham, North Carolina, define four main operations in the science. The first three come under the general heading of ESP-extrasensory perception. They are mental telepathy, clairvoyance, and precognition, which could explain George's visions and 'picking up' information that seems to coincide with known facts about the DeFeos. The fourth parapsychological area is psychokinesis, where objects move by themselves. That would be the case with the Lutzes' ceramic lion - if it did move," he added. Father Nuncio got up to refill his cup. "All of what we've said, Frank, is part of the suggestion we have for the Lutzes. Have them contact some investigative organization like Dr. Rhine's to come in and look at the house. They'll do extensive testing and I'm sure they can come to some conclusion short of diabolical influence.
Anonymous
You can lead if you want." He whipped them around so he moved backward, pulling her with him across the floor. "You're still leading," she said. "Perception is a tricky thing." He kissed the side of her neck, and shivers followed. "I know on way to lead." She dropped her hand from his shoulder to the band of his shorts, and slipped her hand in his waistband. He sucked in a breath, and her hand snaked downward. She stroked the length of him, feeling him grow hard and rigid. "Mei." He pulled her closer...
Susannah Scott (Dragon Her Back (Las Vegas Dragons, #3))
I’m sure all of today’s graduates have read John Stuart Mill’s On Liberty. But allow me to read a short passage from it: ‘The peculiar evil of silencing the expression of an opinion is, that it is robbing the human race; posterity as well as the existing generation; those who dissent from the opinion, still more than those who hold it.’ “He continued: ‘If the opinion is right, they are deprived of the opportunity of exchanging error for truth: if wrong, they lose, what is almost as great a benefit, the clearer perception and livelier impression of truth, produced by its collision with error.
Anonymous
Thus higher-order memorization is a multistage process, involving the transfer of perceptions, or perceptual syntheses, from short-term to long-term memory. It is just such a transfer that fails to occur in people with temporal lobe damage.
Oliver Sacks (An Anthropologist on Mars: Seven Paradoxical Tales)
Since the different parts of your brain interact with each other, different parts of your reality model can interact with each other, so the model of you can interact with your model of the outside world, giving rise to the subjective sensation of the former perceiving the latter. When you're looking at a strawberry, your brain's model of the color red feels subjectively very real-and so does your brain's model of your mind's eye as an observing vantage point. We already know that our brain is astonishingly creative in interpreting the same basic types of electrical signals in a bundle of neurons as qualia that subjectively feel completely different: we perceive them as colors, sounds, smells, tastes or touches, depending on whether the neuron bundle comes from our eyes, ear, nose, mouth, or skin. The key difference lies not in the neurons that carry this information, but in the patterns whereby they're connected. Although your perception of yourself and your perception of the strawberry are extremely different, it's therefore plausible that they're both fundamentally the same kind of thing: complex patterns in spacetime. In other words, I'm arguing that your perceptions of having a self, that subjective vantage point that you call "I," are qualia just as your subjective perceptions of "red" or "green" are. In short, redness and self-awareness are both qualia.
Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)