Fringe Tv Show Quotes

When I was a little girl, my favorite television show starred Roy Rogers and Dale Evans- the queen of the cowgirls." Mrs. Coley explained. "Dale wore a fancy fringed leather skirt and rode a buckskin horse named Buttermilk........... "Thank heavens for Dale Evans," she said with a sigh.

I would rather be part of a show that aims for best ever and comes in 2nd than aims for mediocrity and achieves his goal.” – Joshua Jackson (about Fringe TV series)

Claudette Colbert was not Hollywood’s greatest beauty, but her trim little figure, round, kitten-like face, and obviously intelligent good humor made her a bit of a sex symbol, much to her own surprise. By 1934 she’d adopted the hairstyle she kept for life: a short, auburn bob with a fringe of bangs. Although a partygoer and social animal, Claudette was also known as a tough-as-nails professional, overseeing her lighting and camera angles. Her right profile was known as “the dark side of the moon,” and scenes had to be staged so as not to show it. She was also self-conscious about her short neck—directing her in a 1956 TV show, Noël Coward reportedly snapped, “If only Claudette Colbert had a neck, I’d wring it!” “When it comes to details, I’m a horror,” she admitted cheerfully, though downplaying the profile story. “Why not have your good side showing?

As hospitals in New York City filled up with acutely sick patients, a new conspiracy theory was hatched on social media. Lunatics claimed that the hospitals were actually empty, and they stalked the entrances and parking lots with their cell phone cameras to come up with “proof.” Look, they said, there aren’t many cars in the parking lot! Dr. Bray, at Elmhurst, heard this shit secondhand. “They think the hospital is empty,” she said, positively stunned. Bray wondered: Where are they getting this stuff? The answer, in part, was Fox. The network often mainstreamed ideas from the far right fringe, and that’s exactly what Fox News contributor Sara Carter did on March 29, during a segment on a Sunday night talk show. “You can see it on Twitter,” she said. “People are saying, ‘Film your hospital,’ people are driving by their hospitals and they’re not seeing—in the ones that I’m seeing—they’re not seeing anybody in the parking lots. They’re not seeing anybody drive up. So, people are wondering what’s going inside the hospital.” Bray’s reaction: She wished her hospital was empty. “This is worse than war,” she said. In Geneva, the head of the World Health Organization said countries like the U.S. were in the eye of the Covid-19 storm. In Washington, Dr. Anthony Fauci went on TV and warned Americans to brace for 100,000-plus deaths from the coronavirus. He said millions could be infected. But the president had something else on his mind. He tweeted that his ratings were “so high.” This was the Fox News presidency in action. Here’s how it happened.

Fringe (2008–2013) and Counterpart (2017–2018)— In the twenty-first century, two popular TV shows demonstrate the idea of a single parallel world that has somehow split off from this world, but retains many similarities, including a shared history. The source of the divergence is never explained fully, but the existence of a parallel world with alternate versions of the main characters is a key plot point in both. Both shows reveal that some physics phenomenon was responsible for either (1) breaching a way into the other universe or (2) causing a branch off the main universe to create the second one.

Every Sunday, the Weavers drove their Oldsmobile east toward Waterloo and pulled into the gravel parking lot of the Cedarloo Baptist Church, on a hill between Waterloo and Cedar Falls, took their place in the pews, and listened to the minister. But there seemed to be no fire or passion, no sense of what was really happening in the world. They’d tried other churches and found congregations interested in what God had done 2,000 years ago, but no one paying attention to what God was doing right then. Certainly, churches weren’t addressing the crime in Cedar Falls, the drugs, or the sorry state of schools and government, not to mention the kind of danger that Hal Lindsey described. They would have to find the truth themselves. They began doing their own research, especially Vicki. She had quit work to raise Sara, and later Samuel, who was born in April 1978. When Sara started school, Randy and Vicki couldn’t believe the pagan things she was being taught. They refused to allow her to dress up for Halloween—Satan’s holiday—and decided they had to teach Sara at home. But that was illegal in Iowa. A booster shot of religion came with cable television and The PTL Club, the 700 Club, and Jerry Falwell. The small television in the kitchen was on all the time for a while, but most of Vicki’s free time was spent reading. She’s lose herself in the Cedar Falls public library, reading the science fiction her dad had introduced her to as a kid, the novels and self-help books friends recommended, biblical histories, political tracts, and obscure books that she discovered on her own. Like a painter, she pulled out colors and hues that fit with the philosophy she and Randy were discovering, and everywhere she looked there seemed to be something guiding them toward “the truth,” and, at the same time, pulling them closer together. She spent hours in the library, and when she found something that fit, she passed it along first to Randy, who might read the book himself and then spread it to everyone—the people at work, in the neighborhood, at the coffee shop where he hung out. They read books from fringe organizations and groups, picking through the philosophies, taking what they agreed with and discarding the rest. Yet some of the books that influenced them came from the mainstream, such as Ayn Rand’s classic libertarian novel Atlas Shrugged. Vicki found its struggle between the individual and the state prophetic and its action inspiring. The book shows a government so overbearing and immoral that creative people, led by a self-reliant protagonist, go on strike and move to the mountains. “‘You will win,’” the book’s protagonist cries from his mountain hideout, “‘when you are ready to pronounce the oath I have taken at the start of my battle—and for those who wish to know the day of my return, I shall now repeat it to the hearing of the world: “‘I swear—by my life and my love of it—that I will never live my life for the sake of another man, nor ask another to live for mine.