Penn Stock Quotes

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Now the situation is different, I admit: I have a wristwatch, I compare the angle of its hands with the angle of all the hands I see; I have an engagement book where the hours of my business appointments are marked down; I have a chequebook on whose stubs I add and subtract numbers. At Penn Station I get off the train, I take the subway, I stand and grasp the strap with one hand to keep my balance while I hold the newspaper up in the other, folded so I can glance over the figures of the stock market quotations: I play the game, in other words, the game of pretending there's an order in the dust, a regularity in the system, or an interpretation of different systems, incongruous but still measurable, so that every graininess of disorder coincides with the faceting of an order which promptly crumbles.
Italo Calvino (The Complete Cosmicomics)
You see, the glamour girl standing before you was not the dame I first laid eyes on in Penn Station. In fact, at first I thought she was the charwoman. Don’t you remember how frightful you looked that night, Honey Pie?” Sam patted Evie’s hand. Her strained smile pleased him. “She was sooty and grimy. Had on her mother’s dress and those thick woolen stockings that grandmas and war orphans wear. And one of her teeth was missing. Ghastly. But I was smitten.” “Oh, Daddy, you might need a visit to the dentist soon yourself.” Evie laughed and tightened her grip on Sam’s hand.
Libba Bray (Lair of Dreams (The Diviners, #2))
Now and then a pair of eyes would burn at us out of the dark ahead. I knew that they were the eyes of a cow–a poor dear stoic old cow with a cud, standing on the highway shoulder, for there wasn't any stock law–but her eyes burned at us out of the dark as though her skull were full of blazing molten metal like blood and we could see inside the skull into that bloody hot brightness in that moment when the reflection was right before we picked up her shape, which is so perfectly formed to be pelted with clods, and knew what she was and knew that inside that unlovely knotty head there wasn't anything but a handful of coldly coagulated gray mess in which something slow happened as we went by. We were something slow happening inside the cold brain of a cow.
Robert Penn Warren (All the King's Men)
the almighty dollar, and ways that investors could reap the benefits of big business. The stock market allowed the average Joe with a computer, some research skills, and business sense to rake in big bucks easily. This was something instilled in Roger during his tenure at Penn State and reaffirmed
Jonathan Sturak (Clouded Rainbow)
Look for strong price signals: channel breakout, head-and-shoulders, good range trades. (I used to include Golden Cross, but it let me down once too often. Maybe I should give it another try, as that was a few years ago.) Always confirm the price signal with another indicator (RSI or volume). If in doubt check a third indicator. If that is not conclusive, don't trade. Ensure the potential profit is at least 2x the stop-loss level, 3x or more if possible.  Trade in lots of [5% my portfolio size]. Place the stop-loss at the same time as the order. Do not ever, ever break these rules. The market can stay irrational longer than you can stay solvent. If you can't find a trade, don't try to make one.
A.Z Penn (Technical Analysis for Beginners: Take $1k to $10k Using Charting and Stock Trends of the Financial Markets with Zero Trading Experience Required)
Here's what no one can teach--except time, I guess. Time can teach you this: The greatest asset you can have is a steely patience, an ever-present calm, as the money disappears; the studio caves; the star bails; the writer goes into hiding; the stock market collapses; your standing in the community withers. And you just calmly keep making notes or rehearsing or believing--whatever it is you do to maintain a belief in yourself and your work. And very few people have this, and I think that everyone who has had a long career--full of all this insanity and uncertainty--has this gift. It can be developed, but no one teaches it to you or tells you where to go buy it or study it. You have to dig it out of yourself.
Arthur Penn
cluster as being stocked with only marginally creative people, the second with highly creative ones. Chapters 5 and 9 return to this topic. As presented here the perceptgenetic approach may seem one sidedly applied. There is, however, a theoretical base, put forward in Chapter 1. The theoretical outlines presented in that chapter rely to a high degree on earlier formulations, particularly those written up in Kragh and Smith (1970). An important, later influence has, of course, been colleagues in micro- and perceptgenetic research all over the world: Werner Frohlich of Bonn University, later Mainz; Juris Draguns of Penn State University; Uwe Hentschel of Mainz and Leiden Universities; John Cegalis of Yale University; and, from the biological side, Jason Brown of New York University Medical School. A number of important contributions by perceptgenetic researchers
Gudmund J.W. Smith (The Process Approach to Personality: Perceptgeneses and Kindred Approaches in Focus (Path in Psychology))