Penn Lighting Quotes

...the air so still it aches like the place where the tooth was on the morning after you’ve been to the dentist or aches like your heart in the bosom when you stand on the street corner waiting for the light to change and happen to recollect how things once were and how they might have been yet if what happened had not happened.

Which is nonsense, for whatever you live is Life. That is something to remember when you meet the old classmate who says, "Well now, on our last expedition up the Congo-" or the one who says, "Gee, I got the sweetest little wife and three of the swellest kids ever-" You must remember it when you sit in hotel lobbies or lean over bars to talk to the bartender or walk down a dark street at night, in early March, and stare into a lighted window. And remember little Susie has adenoids and the bread is probably burned, and turn up the street, for the time has come to hand me down that walking cane, for I got to catch that midnight train, for all my sin is taken away. For whatever you live is life

I think we all have light and dark inside us.

(...) the train goes fast and is going fast when it crosses a little trestle. You catch the sober, metallic, pure, late-light, unriffled glint of the water between the little banks, under the sky, and see the cow standing in the water upstream near the single leaning willow. And all at once you feel like crying. But the train is going fast, and almost immediately whatever you feel is taken away from you, too.

I feel a brush over my arm where Penn stood just a second ago. It's Knight. And next to Knight stands Vaughn. 'Cole?' Gus twists his lips, glowering. 'What the fuck?' Knight clasps a hand on my shoulder, hitching a shoulder up while lighting a joint. 'The fuck is, you don't fuck with my family and integrity and assume you get out of it in one piece. Or, you know, at all.

The greatest thing about provable reality is that by definition reality is shared. Every argument is really an agreement—an agreement that there is a reality that can be shared, judged, and discussed. To argue over whether the speed of light is constant or Batman could beat up the Lone Ranger is to share the parameters. God is solipsistic; reality is shared.

Love. I don’t use the L word lightly. I don’t go around telling people I love pizza or chocolate or Riverdale. I like those things. Love, I save for the important stuff. But I am hopelessly, tragically in love with Penn Scully.

He wanted to get away: this was like something out of Faulkner or Penn Warren, blasphemed southern ground, soaked in blood a generation old, white trash and black, white innocence and black, all commingled in a very small area on the same day.

Cass Mastern lived for a few years and in that time he learned that the world is all of one piece. He learned that the world is like an enormous spider web and if you touch it, however lightly, at any point, the vibration ripples to the remotest perimeter and the drowsy spider feels the tingle and is drowsy no more but spring out to fling the gossamer coils about you who have touched the web and then inject the black, numbing poison under your hide. It does not matter whether or not you meant to brush the web of things. You happy foot or you gay wing may have brushed it ever so lightly, but what happens always happens and there is the spider, bearded black and with his great faceted eyes glittering like mirrors in the sun, or like God's eye, and the fangs dripping.

Were we happy tonight because we were happy or because once, a long time back, we had been happy? Was our happiness tonight like the light of the moon, which does not come from the moon, for the moon is cold and has no light of its own, but is reflected light from far away?

Those were the ones which would turn loose their grip on the branch before long-- not in any breeze, the fibers would just relax, in the middle of the day maybe with the sunshine bright and the air so still it aches like the place where the tooth was on the morning after you've been to the dentist or aches like your heart in the bosom when you stand on the street corner waiting for the light to change and happen to recollect how things once were and how they might have been yet if what happened had not happened.

Season late, day late, sun just down, and the sky Cold gunmetal but with a wash of live rose, and she, From water the color of sky except where Her motion has fractured it to shivering splinters of silver, Rises. Stands on the raw grass. Against The new-curdling night of spruces, nakedness Glimmers and, at bosom and flank, drips With fluent silver. The man, Some ten strokes out, but now hanging Motionless in the gunmetal water, feet Cold with the coldness of depth, all History dissolving from him, is Nothing but an eye. Is an eye only. Sees The body that is marked by his use, and Time's, Rise, and in the abrupt and unsustaining element of air, Sway, lean, grapple the pond-bank. Sees How, with that posture of female awkwardness that is, And is the stab of, suddenly perceived grace, breasts bulge down in The pure curve of their weight and buttocks Moon up and, in swelling unity, Are silver and glimmer. Then The body is erect, she is herself, whatever Self she may be, and with an end of the towel grasped in each hand, Slowly draws it back and forth across back and buttocks, but With face lifted toward the high sky, where The over-wash of rose color now fails. Fails, though no star Yet throbs there. The towel, forgotten, Does not move now. The gaze Remains fixed on the sky. The body, Profiled against the darkness of spruces, seems To draw to itself, and condense in its whiteness, what light In the sky yet lingers or, from The metallic and abstract severity of water, lifts. The body, With the towel now trailing loose from one hand, is A white stalk from which the face flowers gravely toward the high sky. This moment is non-sequential and absolute, and admits Of no definition, for it Subsumes all other, and sequential, moments, by which Definition might be possible. The woman, Face yet raised, wraps, With a motion as though standing in sleep, The towel about her body, under her breasts, and, Holding it there hieratic as lost Egypt and erect, Moves up the path that, stair-steep, winds Into the clamber and tangle of growth. Beyond The lattice of dusk-dripping leaves, whiteness Dimly glimmers, goes. Glimmers and is gone, and the man, Suspended in his darkling medium, stares Upward where, though not visible, he knows She moves, and in his heart he cries out that, if only He had such strength, he would put his hand forth And maintain it over her to guard, in all Her out-goings and in-comings, from whatever Inclemency of sky or slur of the world's weather Might ever be. In his heart he cries out. Above Height of the spruce-night and heave of the far mountain, he sees The first star pulse into being. It gleams there. I do not know what promise it makes him.

But it wasn't a Primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the backroom of Casey's Saloon rolled into one, and when the smoke cleared away not a picture still hung on the walls. And there wasn't any Democratic Party. There was just Willie, with his hair in his eyes, and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood.

396. Patience is a Virtue every where; but it shines with great Lustre in the Men of Government. 397. Some are so Proud or Testy, they won't hear what they should redress. 398. Others so weak, they sink or burst under the weight of their Office, though they can lightly run away with the Salary of it.

Close to the road a cow would stand knee-deep in the mist, with horns damp enough to have a pearly shine in the starlight, and it would look at the black blur we were as we went whirling into the blazing corridor of light which we could never quite get into for it would be always splitting the dark just in front of us. The cow would stand there knee-deep in the mist and look at the black blur and the blaze and then, not turning his head, at the place where the black blur and blaze had been, with the remote, massive, unvindictive indifference of God-All-Mighty or Fate or me, if I were standing there knee-deep in the mist, and the blur and the blaze whizzed past and withered on off between the fields and the patches of woods.

When you come to the end of all the light you know, and it's time to step into the darkness of the unknown, faith is knowing that one of two things shall happen: Either you will be given something solid to stand on or you will be taught to fly.

A year earlier my parents had moved us out of the city to a split-level on Long Island, their idea of the American dream, which meant it as now an hour-and-a-half commute via the 7:06 Hicksville to Penn Station every morning. (Dark City Lights)

If I have to tell him what's going on with Prichard, I will. I'm not proud of it, but pride is a very slippery slope where love is involved. Marx. Love. I don't use the L word lightly. I don't go around telling people I love pizza or chocolate or Riverdale. I like those things. Love, I save for the most important stuff. But I am hopelessly, tragically in love with Penn Scully.

He saw a light come on, far off there, in one of the houses clutching at the shadowy base of the hill. He thought of the human moment in the midst of the land. His heart stirred. He thought of the preciousness of that moment. That, he thought, was all he had ever tried to get: that moment of preciousness. But he had never managed to do it. At least, not the way he dreamed it. Perhaps he would, this time.

Bearded Oaks" The oaks, how subtle and marine, Bearded, and all the layered light Above them swims; and thus the scene, Recessed, awaits the positive night. So, waiting, we in the grass now lie Beneath the languorous tread of light: The grassed, kelp-like, satisfy The nameless motions of the air. Upon the floor of light, and time, Unmurmuring, of polyp made, We rest; we are, as light withdraws, Twin atolls on a shelf of shade. Ages to our construction went, Dim architecture, hour by hour: And violence, forgot now, lent The present stillness all its power. The storm of noon above us rolled, Of light the fury, furious gold, The long drag troubling us, the depth: Dark is unrocking, unrippling, still. Passion and slaughter, ruth, decay descend, minutely whispering down, Silted down swaying streams, to lay Foundation for our voicelessness. All our debate is voiceless here, As all our rage, the rage of stone; If hope is hopeless, then fearless is fear, And history is thus undone. Our feet once wrought the hollow street With echo when the lamps were dead All windows, once our headlight glare Disturbed the doe that, leaping fled. I do not love you less that now The caged heart makes iron stroke, Or less that all that light once gave The graduate dark should now revoke. We live in time so little time And we learn all so painfully, That we may spare this hour's term To practice for eternity.

Mortimer had killed Judge Irwin because Judge Irwin had killed him, and I had killed Judge Irwin because Judge Irwin created me, and looking at matters in that light one could say that Mortimer and I were merely the twin instruments of Judge Irwin’s protracted and ineluctable destruction. For either killing or creating may be a crime punishable by death, and the death always comes by the criminal’s own hand and every man is a suicide. If a man knew how to live he would never die.

During all that time I didn't see Willie. I didn't see him again until he announced in the Democratic primary in 1930. But it wasn't a primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the back room of Casey's saloon rolled into one, and when the dust cleared away not a picture still hung on the walls. And there wasn't any Democratic party. There was just Willie, with his hair in his eyes and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood. In the background of the picture, under a purplish tumbled sky flecked with sinister white like driven foam, flanking Willie, one on each side, were two figures, Sadie Burke and a tallish, stooped, slow-spoken man with a sad, tanned face and what they call the eyes of a dreamer. The man was Hugh Miller, Harvard Law School, Lafayette Escadrille, Croix de Guerre, clean hands, pure heart, and no political past. He was a fellow who had sat still for years, and then somebody (Willie Stark) handed him a baseball bat and he felt his fingers close on the tape. He was a man and was Attorney General. And Sadie Burke was just Sadie Burke. Over the brow of the hill, there were, of course, some other people. There were, for instance, certain gentlemen who had been devoted to Joe Harrison, but who, when they discovered there wasn't going to be any more Joe Harrison politically speaking, had had to hunt up a new friend. The new friend happened to be Willie. He was the only place for them to go. They figured they would sign on with Willie and grow up with the country. Willie signed them on all right, and as a result got quite a few votes not of the wool-hat and cocklebur variety. After a while Willie even signed on Tiny Duffy, who became Highway Commissioner and, later, Lieutenant Governor in Willie's last term. I used to wonder why Willie kept him around. Sometimes I used to ask the Boss, "What do you keep that lunk-head for?" Sometimes he would just laugh and say nothing. Sometimes he would say, "Hell, somebody's got to be Lieutenant Governor, and they all look alike." But once he said: "I keep him because he reminds me of something." "What?" "Something I don't ever want to forget," he said. "What's that?" "That when they come to you sweet talking you better not listen to anything they say. I don't aim to forget that." So that was it. Tiny was the fellow who had come in a big automobile and had talked sweet to Willie back when Willie was a little country lawyer.

For once the stone hits the surface of the pond, the ripples never really stop. The waves diminish, and all seems to return to its previous state, but that’s an illusion. Disturbed fish change their patterns, a snake slides off the muddy bank into the water, a deer bolts into the open to be shot. And the stone remains on the slimy bottom, out of sight but inarguably there, dense and permanent, sediment settling over it, turtles and catfish prodding it, the sun heating it through all the layers of water until that far-off day when, whether lifted by the fingers of a curious boy diving fifty years after it was cast or uncovered by a bone-dumb farmer draining the pond to plant another half acre of cotton, that stone finds its way back up to the light.

We had read about snorting chocolate and talked about it on the show, and someone in Canada, where it’s being sold, sent us some. It had fancy packaging and a little spring-loaded double nasal catapult. Goudeau cocked it and put two little coke-spoons full of their fancy chocolate-and-spice mixture in it, one on each side, and I held it under my nose, breathed in, and hit the button. We had checked with CrayRay, and he said it wouldn’t affect the diet, but it probably wasn’t healthy. I love chocolate, and I got a big blast of it up my nose and down into my lungs. I kinda wanted to love it. The idea that I’d be snorting chocolate in my office while I was writing this appealed to me. It was a little fun, but really no more fun than walking into a Godiva store at a mall. It was the good smell of chocolate, and that was about it. We all tried it and enjoyed it a little, and then the headaches hit and we were done. I got to the show that night and was light-headed from not eating, and my throat and voice were fucked-up from snorting chocolate. I’m an idiot. Matt

The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off? Then Daniel dropped the ax to the ground. "What are you doing?" Luce asked. Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned. And then- Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward. Shouts rang out around the cenote: "What is he?" "The boy is winged!" "He is a god! Sent to us by Chaat!" Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until- Until she couldn't move anymore. Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun. Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening. Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed. She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin. Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out. Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke. Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame. All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce. "Ix Cuat!" Daniel reached for her. His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious." "Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-" "I'm still here," Luce insisted. "You're still-" He was crying. "Can you see me? The true me?" "I can see you." And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before. Hadn't she? As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her. "No!" she cried,feeling the fire sear her heart and her body shake free of something.

Cambodian dust whipped up in the wind and stuck to my clothes like clay. I put a hand between my face and the sun and blinked Phnom Penn dust from my tired eyes. One idea, drink, beamed light in all directions across my dark consciousness. A slim lady walked toward me with a big smile and a bigger head. Her left hand rested on her waggling hips and her right hand rose above her head, limp-wristed, like she’d just thrown a winning ball toward a basket and was leaving her hand in the shot position. The lady walking toward me was a man. At least that much was clear, but the nature or our relationship was still a fog to me. She wore blue jeans and a white top accentuating her breasts, but her Adam’s apple and cow sized hands revealed more in daylight than she could hide at night.

Even now in the mornings, I prop myself up on one elbow and quietly watch your face with the sublime satisfaction of knowing you’re in my bed, inches away from me, breathing the same air. You continue to light up the room whenever you enter, even after our three years as Dr and Mrs Penn. Nothing

True religion is not a matter of outward observances. Rather it takes place within the heart. It is not rooted in past events in a far-off land but in the true Inner Light that shone then and continues to shine today. Men must follow this Inner Light until it illuminates their heart and they experience a closeness of God there. No other man, no priest or clergyman, can mediate this. Each man, in the quiet of his heart, must come to his own reckoning with God. For the Scriptures tell us that man looks on the outward appearance, but God looks at a man’s heart.

The past is always with us, darling,” Tom went on. “Sometimes we carry it lightly, but other times it’s like dragging a wounded brother behind you.

Many of the Fox family’s close friends were discovering their own gift for mediumship. Isaac Post found that if he entered a trance, he was guided by the spirits to write down their messages. In 1851, the year that Uncle Tom’s Cabin first appeared in serial form and Hawthorne’s House of the Seven Gables and Melville’s Moby Dick were published, Isaac compiled messages from William Penn, George Washington, Thomas Jefferson, Emanuel Swedenborg, and others into a three-hundred-page volume called Voices from the Spirit World; Being Communications From Many Spirits by the Hand of Isaac Post, Medium. The messages, Isaac said, had been transcribed through automatic writing that sometimes occurred in the presence of “A.L. Fish (a rapping medium).” In 1852 Charles Hammond, the Universalist minister who had watched in awe as the furniture danced and floated in front of him at one of the sisters’ early seances, produced a book called Light from the Spirit World; The Pilgrimage of Thomas Paine, and Others, to the Seventh Circle in the Spirit World.

and I’m sure I was not the only child who thought “Harold” was God’s name and that we prayed not to be led into Penn Station.

other about what would happen next. Was Josh going to punch his lights out? Was he going to make Stanley eat his rainbow unicorn T-shirt? Was he going to deliver

It is not a light thing to be called “a friend of God”!  It doubtless cost Abraham many tears, and hours of conflict as “against hope” he “believed in hope” that God would fulfil His word.  It cost Moses much to stand unflinchingly true to God in the face of Israel’s sufferings and Pharaoh’s parleying.

You know how every realm has two kinds of magic? Light and shadow in Lumnos, stone and ice in Montios, sea and air in Meros, and so on.

At school they said light and shadow work the same, but my magic tutor has both, and she says the shadows are harder to convince into doing what you want them to do. She said the light wants to please its wielder, but the shadows only want to fight.

Shadows work the same way. Darkness isn’t just the absence of light—it’s the absence of everything. No light, no heat, no air. True darkness can destroy even life itself.

That still doesn’t explain how you can make it solid. Even pure light and darkness can’t do that.” His lip quirked again—higher this time. “That, Miss Bellator, is why we call it magic.

For every spark that has lost its light and needs a little help remembering how to glow.

Prince Luther, the King’s nephew. He’s incredibly powerful, no matter how you measure it. He’s one of the only Lumnos Descended that can wield both light magic and shadow magic.

Fast Times at Ridgemont High (1982)—Not bad. It may fall into the general category of youth-exploitation movies, but it isn’t assaultive. The young director, Amy Heckerling, making her feature-film début, has a light hand. If the film has a theme, it’s sexual embarrassment, but there are no big crises; the story follows the course of several kids’ lives by means of vignettes and gags, and when the scenes miss they don’t thud. In this movie, a gag’s working or not working hardly matters—everything has a quick, makeshift feeling. If you’re eating a bowl of Rice Krispies and some of them don’t pop, that’s O.K., because the bowlful has a nice, poppy feeling. The friendship of the two girls—Jennifer Jason Leigh as the 15-year-old Stacy who is eager to learn about sex and Phoebe Cates as the jaded Valley Girl Linda who shares what she knows—has a lovely matter-of-factness. With Sean Penn as the surfer-doper Spicoli—the most amiable stoned kid imaginable. Penn inhabits the role totally; the part isn’t big but he comes across as a star. Also with Robert Romanus, Judge Reinhold, Brian Backer, and Ray Walston. The script, by Cameron Crowe, was adapted from his book about the year he spent at a California high school, impersonating an adolescent. The music—a collection of some 19 pop songs—doesn’t underline things; it’s just always there when it’s needed. Universal. color (See Taking It All In.)

This great country was once a beacon of light, a haven for freedom. Now it has slipped backwards into despotism and slavery, fueled by greed, negligence, and the want to be immortal. We closed our eyes and let it happen.

I’ve sometimes wondered whether human beings are like the universe itself, where 95 percent of what surrounds us is dark matter, and cannot be seen. The only way black holes can be detected is by the behavior of what’s around them—light and matter being distorted by immense forces within the collapsing star. Have I seen and yet not seen certain events that hint at deep,

Truth, like light, blinds. Falsehood, on the contrary, is a beautiful twilight that enhances every object.

There I sat as my dad and the salesperson walked down the aisle. My dad seemed to take some particular interest in the video game that I had just been playing. Maybe interest is too weak of a word, because my dad became engrossed with the demo. I spent the next forty-five minutes crouched behind the boxes across the aisle, waiting for my dad to get bored and to move along. He never moved. Actually, it was pretty impressive how well he did on the game. In that time, he beat three levels and unlocked a few hidden treasures that I never even heard of. I’m starting to wonder if the reason why he’s always telling me to get off the video games is so he can play himself. The salesman urged him a few times to see other set-ups and even try other games, but my dad had none of it. He was like a man possessed on that controller. The whole time, my back was growing sorer from crouching under the shelf and my butt was starting to go numb. Finally, as it came closer to the time he had to leave to pick me up, he graciously thanked the salesman for his time. When they walked away, I burst out from behind the boxes ready to sprint. I needed to beat my dad outside, but the first stride I took sent me collapsing to the ground. Both legs were fully asleep! I shook them like crazy to get the blood flowing back into them. A man walked by with a frightened look on his face, shielding his young son from the sight of me. By the time I got my feet to stop tingling, it was too late. I ran to the front of the store just in time to see my dad get into his car. At that point, I should have cut my losses and admitted to the charade. At least this way, I would have had a ride back. But that’s not how it happened. At that moment, I was sure I could sprint back to the library faster than he could drive there. Three traffic lights stood in between Good Buys and the library. I was counting on a little help from the big Guy upstairs to make those lights red for as long as possible.