Penn Friendship Quotes

A true friend unbosoms freely, advises justly, assists readily, adventures boldly, takes all patiently, defends courageously, and continues a friend unchangeably

Death is but crossing the world, as friends do the seas; they live in one another still. For they must needs be present, that love and live in that which is omnipresent. In this divine glass, they see face to face; and their converse is free as well as pure. This is the comfort of friends, that though they may be said to die, yet their friendship and society are, in the best sense, ever present, because immortal.

They that love beyond the world cannot be separated by it. Death cannot kill what never dies. Nor can spirits ever be divided, that love and live in the same divine principle, the root and record of their friendship. If absence be not death, neither is theirs. Death is but crossing the world, as friends do the seas; they live in one another still. For they must needs be present, that love and live in that which is omnipresent. In this divine glass they see face to face; and their converse is free, as well as pure. This is the comfort of friends, that though they may be said to die, yet their friendship and society are, in the best sense, ever present, because immortal.

Death is but crossing the world, as friends do the seas; they live in one another still.

In the late twentieth century we consider solitude our natural condition. Mates divorce, and even friendship is diagnosed as a disorder - co-dependency. So the concept of living a life interlocked with another human is unthinkable

This is the comfort of friends, that though they may be said to die, yet their friendship and society are, in the best sense, ever present, because immortal.

The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this–’On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves–’” The Friend of Your Youth is your friend because he does not see you anymore. And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn’t matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!

Death is but crossing the world, as friends do the seas; they live in one another still. For they must needs be present, that love and live in that which is omnipresent. In this divine glass, they see face to face; and their converse is free, as well as pure. This is the comfort of friends, that though they may be said to die, yet their friendship and society are, in the best sense, ever present, because immortal.   William Penn, More Fruits of Solitude

The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!

The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face which does not exist anymore, speaks a name…which belongs to that non-existent face but which by some inane and doddering confusion of the universe is for the moment attached to a not too happily met and boring stranger.

The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face which does not exist anymore, speaks a name which belongs to that now nonexistent face but which by some inane and doddering confusion of the universe if for the moment attached to a not to happily met and boring stranger... The Friend of Your Youth is your friend because he does not see you any more. The Friend of Your Youth is the only friend you will ever have, for he hasn't the slightest concern with calculating his interest or your virtue. He doesn't give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn't really belong to your face)

I sometimes worry that I get more out of our friendship than he does and that he’ll get sick of me one day. I don’t think I’d ever recover from that. I need Penn. He’s my best friend. I love him … too much.

Sophie’s the first one of us to have a baby, even though Everly has a five-year-old son, Jake. Everything is happening so fast. Well, for my friends anyway. Sophie met Luke last fall during our senior year at Penn. She was pregnant and married before graduation. Everly met Sawyer last Thanksgiving and they were married over the summer. Sawyer’s son from a previous relationship lives with them full-time and Everly adapted to insta-motherhood better than anyone could have expected. She’s working on a children’s book series about blended families now. Weird, I know. I always assumed she’d write porn. And then there’s Sandra; she’s a few years older than us. Sandra works for Everly’s husband and quickly became a part of our friendship circle, or squad, as Everly prefers we call it. Sandra started dating Gabe at the beginning of the year and was living with him by summer. That leaves me. Chloe Scott. Third wheel, or seventh wheel in this case.

So when I’m listening to someone tell their story, I’m also asking myself, What characters does this person have in his head? Is this a confident voice or a tired voice, a regretful voice or an anticipating voice? For some reason, I like novels where the narrator has an elegiac voice. In F. Scott Fitzgerald’s The Great Gatsby, Robert Penn Warren’s All the King’s Men, and Ford Madox Ford’s The Good Soldier, the narrators have a world-weary tone. It’s like they’re looking back on glorious past events when dreams were fresh and the world seemed new and the disappointments of life had not yet settled in. That voice sounds to me like writing done in the minor key, and I find it tremendously moving. But I guess I wouldn’t like to be around people with that voice in real life. In real life I’d prefer to be around my friend Kate Bowler’s voice. As I mentioned, Kate got cancer a few years ago, when she was a young mother, and her voice is filled with vulnerability and invites vulnerability, but mostly it says: Life can suck, but we’re going to be funny about it. She has a voice that pulls you into friendship and inspires humor; in her voice, laughter is never very far away.

Fast Times at Ridgemont High (1982)—Not bad. It may fall into the general category of youth-exploitation movies, but it isn’t assaultive. The young director, Amy Heckerling, making her feature-film début, has a light hand. If the film has a theme, it’s sexual embarrassment, but there are no big crises; the story follows the course of several kids’ lives by means of vignettes and gags, and when the scenes miss they don’t thud. In this movie, a gag’s working or not working hardly matters—everything has a quick, makeshift feeling. If you’re eating a bowl of Rice Krispies and some of them don’t pop, that’s O.K., because the bowlful has a nice, poppy feeling. The friendship of the two girls—Jennifer Jason Leigh as the 15-year-old Stacy who is eager to learn about sex and Phoebe Cates as the jaded Valley Girl Linda who shares what she knows—has a lovely matter-of-factness. With Sean Penn as the surfer-doper Spicoli—the most amiable stoned kid imaginable. Penn inhabits the role totally; the part isn’t big but he comes across as a star. Also with Robert Romanus, Judge Reinhold, Brian Backer, and Ray Walston. The script, by Cameron Crowe, was adapted from his book about the year he spent at a California high school, impersonating an adolescent. The music—a collection of some 19 pop songs—doesn’t underline things; it’s just always there when it’s needed. Universal. color (See Taking It All In.)

The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!” So I sat in one of his broken-down easy chairs, after he had cleared the books out, and drank his whisky, and waited for the moment when I was going to say, “Now, listen here, I’m going to tell you something and don’t you start yelling till I finish.

Aeschylus, The Libation Bearers Death is but crossing the world, as friends do the seas; they live in one another still. For they must needs be present, that love and live in that which is omnipresent. In this divine glass, they see face to face; and their converse is free, as well as pure. This is the comfort of friends, that though they may be said to die, yet their friendship and society are, in the best sense, ever present, because immortal. William Penn, More Fruits of Solitude

He tastes like rain and friendship and memories and love. And I can’t get enough. -Penn