Peel Quotes

We've searched our database for all the quotes and captions related to Peel. Here they are! All 100 of them:

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I don't recommend shadow travel if you're scared of: a) The dark b) Cold shivers up your spine c) Strange noises d) Going so fast you feel like your face is peeling off In other words, I thought it was awesome.
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Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
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I don't want to be married just to be married. I can't think of anything lonelier than spending the rest of my life with someone I can't talk to, or worse, someone I can't be silent with.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Reading good books ruins you for enjoying bad books.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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That's what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you to another book, and another bit there will lead you onto a third book. It's geometrically progressive - all with no end in sight, and for no other reason than sheer enjoyment.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Perhaps there is some secret sort of homing instinct in books that brings them to their perfect readers. How delightful if that were true.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Men are more interesting in books than they are in real life.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Zen does not confuse spirituality with thinking about God while one is peeling potatoes. Zen spirituality is just to peel the potatoes.
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Alan W. Watts
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Life is like an onion; you peel it off one layer at a time, and sometimes you weep.
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Carl Sandburg
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Love After Love The time will come when, with elation you will greet yourself arriving at your own door, in your own mirror and each will smile at the other's welcome, and say, sit here. Eat. You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart. Take down the love letters from the bookshelf, the photographs, the desperate notes, peel your own image from the mirror. Sit. Feast on your life.
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Derek Walcott (Collected Poems, 1948-1984)
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Peeling apples, just peeling apples. Didn’t feel your boobs. No, no, not me
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Alice Clayton (Wallbanger (Cocktail, #1))
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You can't eat the orange and throw the peel away - a man is not a piece of fruit.
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Arthur Miller (Death of a Salesman: Text and Criticism)
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I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
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Lemony Snicket
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Whenever she thought she could not feel more alone, the universe peeled back another layer of darkness.
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Janet Fitch (Paint it Black)
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Then why are you here?” Emma demanded. β€œOh, is this one of those missed-connections things? We met the other night, you felt a spark? Sorry, but I don’t date trees.” β€œI am not a tree.” Iarlath looked angry, his bark peeling slightly.
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Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
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Fine, dandy, she thought. Then lose the shirt, peel off those leather pants, and lie down on my tile. We'll take turns being on the bottom.
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J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
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It was what we Japanese called the onion life, peeling away a layer at a time and crying all the while.
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Arthur Golden (Memoirs of a Geisha)
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Because sometimes that is the only way to remember what is in your bones. You must peel off your skin, and that of your mother, and her mother. Until there is nothing. No scar, no skin, no flesh. -An-mei
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Amy Tan (The Joy Luck Club)
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I'm not ill like that,” she groaned. He sat on her bed, peeling back the blanket. A servant entered, frowning at the mess on the floor, and shouted for help. β€œThen it what way?” β€œI,uh...” Her face was so hot she thought it would melt onto the floor. Oh you idiot. β€œMy monthly cycles finally came back!” His face suddenly matched hers and he stepped away, dragging his hand through his short hair. β€œI-if...Then I'll take my leave,” he stammered, and bowed. Celaena raised an eyebrow, and then, despite herself, smiled as he left the room as quick as his feet could go without running, tripping slightly in the doorway as he staggered into the rooms beyond.
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Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
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Was it all in my head? A Lunar trick?” Her stomach twisted. β€œNo.” She shook her head, fervently. How to explain that she hadn’t had the gift before? That she couldn’t have used it against him? β€œI would never lie—” The words faded. She had lied. Everything he knew about her had been a lie. β€œI’m so sorry,” she finished, the words falling lamely in the open air. Kai peeled his eyes away, finding some place of resignation off in the glistening garden. β€œYou’re even more painful to look at than she is.
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Marissa Meyer (Cinder (The Lunar Chronicles, #1))
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Think of it! We could have gone on longing for one another and pretending not to notice forever. This obsession with dignity can ruin your life if you let it.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Life goes on." What nonsense, I thought, of course it doesn't. It's death that goes on.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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As if to build a fence around the fatal emptiness inside her, she had to create a sunny person that she became. But if you peeled away the ornamental egos that she had built, there was only an abbys of nothingness and the intense thirst that came with it. Though she tried to forget it, the nothingness would visit her periodically - on a lonely rainy afternoon, or at dawn when she woke up from a nightmare. What she needed at such times was to be held by someone, anyone.
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Haruki Murakami (1Q84 (1Q84, #1-3))
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Humans waste words. They toss them like banana peels and leave them to rot. Everyone knows the peels are the best part.
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Katherine Applegate (The One and Only Ivan (The One and Only #1))
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You have so many layers, that you can peel away a few, and everyone's so shocked or impressed that you're baring your soul, while to you it's nothing, because you know you've twenty more layers to go.
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Craig Thompson (Carnet de Voyage)
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I have gone to [this bookshop] for years, always finding the one book I wanted - and then three more I hadn’t known I wanted.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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At lunchtime I bought a huge orange The size of it made us all laugh. I peeled it and shared it with Robert and Daveβ€” They got quarters and I had a half. And that orange it made me so happy, As ordinary things often do Just lately. The shopping. A walk in the park This is peace and contentment. It's new. The rest of the day was quite easy. I did all my jobs on my list And enjoyed them and had some time over. I love you. I'm glad I exist.
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Wendy Cope (Serious Concerns)
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I'm watching her talk. Watching her jaw move and collecting her words one by one as they spill from her lips. I don't deserve them. Her warm memories. I'd like to paint them over the bare plaster walls of my soul, but everything I paint seems to peel.
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Isaac Marion (Warm Bodies (Warm Bodies, #1))
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We clung to books and to our friends; they reminded us that we had another part to us.
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Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
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In biology, nothing is clear, everything is too complicated, everything is a mess, and just when you think you understand something, you peel off a layer and find deeper complications beneath. Nature is anything but simple.
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Richard Preston (The Hot Zone: The Terrifying True Story of the Origins of the Ebola Virus)
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All my life I thought that the story was over when the hero and heroine were safely engaged -- after all, what's good enough for Jane Austen ought to be good enough for anyone. But it's a lie. The story is about to begin, and every day will be a new piece of the plot.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Garlic is divine. Avoid at all costs that vile spew you see rotting in oil in screwtop jars. Too lazy to peel fresh? You don't deserve to eat garlic.
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Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
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Have you ever noticed that when your mind is awakened or drawn to someone new, that person's name suddenly pops up everywhere you go? My friend Sophie calls it coincidence, and Mr. Simpless, my parson friend, calls it Grace. He thinks that if one cares deeply about someone or something new one throws a kind of energy out into the world, and "fruitfulness" is drawn in.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Isola doesn't approve of small talk and believes in breaking the ice by stomping on it.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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I can't face losin' ya, Riley. Yer all I got left in this world.” That brutal honesty again. He'd peeled away more armor, and this time he'd exposed his heart.
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Jana Oliver (Forbidden (The Demon Trappers, #2))
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Grace. I held on to that name. If I kept that in my head, I would be OK. Grace. I was shaking, shaking; my skin peeling away. Grace. My bones squeezed, pinched, pressed against my muscles. Grace. Her eyes held me even after I stopped feeling her fingers gripping my arms. Sam," she said. "Don't go.
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Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
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I'm so lonely in the world I want to peel all of my flesh off and walk, just bone and gristle, straight into the river, to be swallowed.
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Kathleen Glasgow (Girl in Pieces)
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I sometimes think I prefer suitors in books rather than right in front of me. How awful, backward, cowardly, and mentally warped that will be if it turns out to be true.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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I love seeing the bookshops and meeting the booksellers-- booksellers really are a special breed. No one in their right mind would take up clerking in a bookstore for the salary, and no one in his right mind would want to own one-- the margin of profit is too small. So, it has to be a love of readers and reading that makes them do it-- along with first dibs on the new books.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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How memories lie to us. How time coats the ordinary with gold. How it breaks the heart to go back and attempt to re-live them. How crushed we are when we discover that the gold was merely gold-plating thinly coated over lead, chalk and peeling paint.
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Henry Rollins (Black Coffee Blues)
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Why? You want to know why? Step into a tanning booth and fry yourself for two or three days. After your skin bubbles and peels off, roll in coarse salt, then pull on long underwear woven from spun glass and razor wire. Over that goes your regular clothes, as long as they are tight. Smoke gunpowder and go to school to jump through hoops, sit up and beg, and roll over on command. Listen to the whispers that curl into your head at night, calling you ugly and fat and stupid and bitch and whore and worst of all, "a disappointment." Puke and starve and cut and drink because you don't want to feel any of this. Puke and starve and drink and cut because you need the anesthetic and it works. For a while. But then the anesthetic turns into poison and by then it's too late because you are mainlining it now, straight into your soul. It is rotting you and you can't stop. Look in a mirror and find a ghost. Hear every heartbeat scream that everysinglething is wrong with you. "Why?" is the wrong question. Ask "Why not?
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Laurie Halse Anderson (Wintergirls)
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I went to a tattoo parlor and had YES written onto the palm of my left hand, and NO onto my right palm, what can I say, it hasn't made my life wonderful, its made life possible, when I rub my hands against each other in the middle of winter I am warming myself with the friction of YES and NO, when I clap my hands I am showing my appreciation through the uniting and parting of YES and NO, I signify "book" by peeling open my hands, every book, for me, is the balance of YES and NO, even this one, my last one, especially this one. Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.
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Jonathan Safran Foer
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Nobody peels a banana before stabbing themselves with it. But that’s exactly how I loveβ€”dangerously. 

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Jarod Kintz (Love quotes for the ages. And the ageless sages.)
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Words. Borne on the ever swelling current of hatred, like flowers opening in the current, petals peeling back, then falling apart.
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Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
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What if a dawn of a doom of a dream bites this universe in two, peels forever out of his grave, and sprinkles nowhere with me and you?
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E.E. Cummings (100 Selected Poems)
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I made it the mantra of those days; when I paused before yet another series of switchbacks or skidded down knee-jarring slopes, when patches of flesh peeled off my feet along with my socks, when I lay alone and lonely in my tent at night I asked, often out loud: Who is tougher than me? The answer was always the same, and even when I knew absolutely there was no way on this earth that it was true, I said it anyway: No one.
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Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
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I am to cover the philosophical side of the debate and so far my only thought is that reading keeps you from going gaga.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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I could peel you like a pear and god himself would see the justice in it.
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Katharine Hepburn
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Life is an onion - you peel it year by year and sometimes cry.
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Carl Sandburg (Remembrance Rock)
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She peels an orange, separates it in perfect halves, and gives one of them to me. If I could wear it like a friendship bracelet, I would. Instead I swallow it section by section and tell myself it means even more this way. To chew and to swallow in silence here with her. To taste the same thing in the same moment.
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Nina LaCour (We Are Okay)
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Then I imagined a lifetime of having to cry to get him to be kind, and I went back to no again.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Guys can smell desperation. It triggers an instinct in them to run far and fast so they aren't around when a woman starts peeling apart her heart.
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Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
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Hi," I whisper. He peels off my hands and turns toward the aisle. "Please don't make this any harder than it already is," he whispers back.
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Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
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He [Ranger] peeled my [Stephanie] clothes off and wrangled me into bed. And then suddenly he was inside me. He once told me that time spent with him would ruin me for all other men. When he said it, I thought it was an outrageous threat. I no longer though it outrageous.
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Janet Evanovich (Hard Eight (Stephanie Plum, #8))
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My worries travel around in my head on their well worn path
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Partings are strange. It seems so simple: one minute ago, four, five, he was here, at her side; now, he is gone. She was with him; she is alone. She feels exposed, chill, peeled like an onion.
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Maggie O'Farrell (Hamnet)
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I dreamed vaguely of killing myself to wipe out at least one of these superfluous lives. But even my death would have been In the way. In the way, my corpse, my blood on these stones, between these plants, at the back of this smiling garden. And the decomposed flesh would have been In the way in the earth which would receive my bones, at last, cleaned, stripped, peeled, proper and clean as teeth, it would have been In the way: I was In the way for eternity.
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Jean-Paul Sartre (Nausea)
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Each day had a tranquility a timelessness about it so that you wished it would never end. But then the dark skin of the night would peel off and there would be a fresh day waiting for us glossy and colorful as a child's transfer and with the same tinge of unreality.
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Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
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A dry martini,' he said. 'One. In a deep champagne goblet.' ... Just a moment. Three measures of Gordon's, one of vodka, half a measure of Kina Lillet. Shake it very well until it's ice-cold, then add a large thin slice of lemon-peel. Got it?
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Ian Fleming (Casino Royale (James Bond, #1))
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i gut fruit with my mouth push tongue into black belly of papaya peel lychee with teeth bite into ripe pear suck on stone of mango all of this, over the kitchen sink barefoot middle of winter sticky hands pushing hair away from face moaning into sweet flesh the whole time your name flat against the roof of my mouth.
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Warsan Shire
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But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.
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Ernest Hemingway (A Moveable Feast)
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Because there is nothing I would rather do than rummage through bookshops, I went at once to Hastings & Sons Bookshop upon receiving your letter. I have gone to them for years, always finding the one book I wanted - and then three more I hadn't known I wanted.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Ocean had given me hope. He’d made me believe in people again. His sincerity had rubbed me raw, had peeled back the stubborn layers of anger I’d lived in for so long. Ocean made me want to give the world a second chance.
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Tahereh Mafi (A Very Large Expanse of Sea)
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Naturally curly hair is a curse, and don't ever let anyone tell you different.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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Men are more interesting in books than they are in real life.
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Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
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Your questions regarding that gentleman are very delicate, very subtle, very much like being smacked in the head with a mallet...it's a tuba among the flutes.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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If I could have anything I wanted, I would choose story without end, and it seems I have lots of company in that.
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Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
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That's what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you onto another book, and another bit there will lead you onto a third book. It's geometrically progressiveβ€”all with no end in sight, and for no other reason than sheer enjoyment.
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Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
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Will Thisbee gave me The Beginner's Cook-Book for Girl Guides. It was just the thing; the writer assumes you know nothing about cookery and writes useful hints - "When adding eggs, break the shells first.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962
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Sylvia Plath (Ariel)
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Do you arrange your books alphabetically? (I hope not.)
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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He said, 'What do you want?' All I could think of was peeling the skin of a Valencia orange in bed on a bright morning with someone pulling me into the covers because they want to spend two or three minutes nestling before starting their day. So I said, 'Not much.
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Marlowe Granados (Happy Hour)
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We clear the harbor and the wind catches her sails and my beautiful ship leans over ever so gracefully, and her elegant bow cuts cleanly into the increasing chop of the waves. I take a deep breath and my chest expands and my heart starts thumping so strongly I fear the others might see it beat through the cloth of my jacket. I face the wind and my lips peel back from my teeth in a grin of pure joy.
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L.A. Meyer (Under the Jolly Roger: Being an Account of the Further Nautical Adventures of Jacky Faber (Bloody Jack, #3))
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Treat a dog right and he'll treat you right. ... Cats is different, but I never held it against them.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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The problem, if anything, was precisely the opposite. I had too much to write: too many fine and miserable buildings to construct and streets to name and clock towers to set chiming, too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within, too many terrible genetic and fiduciary secrets to dig up and bury and dig up again, too many divorces to grant, heirs to disinherit, trysts to arrange, letters to misdirect into evil hands, innocent children to slay with rheumatic fever, women to leave unfulfilled and hopeless, men to drive to adultery and theft, fires to ignite at the hearts of ancient houses.
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Michael Chabon (Wonder Boys)
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Moses: God or crowd control?!?
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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I am a grown woman-- mostly-- and I can guzzle champagne with whomever I choose.
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Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
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Humour is the best way to make the unbearable bearable.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
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He’d spent his life being a perfect gentleman. He’d never been a flirt. He’d never been a rogue. He hated being the center of attention, but by God, he wanted to be the center of her attention. He wanted to do the wrong thing, the bad thing. He wanted to pull her into his arms and carry her to her bed. He wanted to peel every last inch of her clothing from her body, and then he wanted to worship her. He wanted to show her all the things he wasn’t sure he knew how to say.
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Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
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I can’t think of anything lonelier than spending the rest of my life with someone I can’t talk to, or worse, someone I can’t be silent with.
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Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society (Random House Reader's Circle Deluxe Reading Group Edition): A Novel)
β€œ
It was amazing to me then, and still is, that so many people who wander into bookshops don't really know what they're after--they only want to look around and hope to see a book that will strike their fancy. And then, being bright enough not to trust the publisher's blurb, they will ask the book clerk the three questions: (1) What is it about? (2) Have you read it? (3) Was it any good?
”
”
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
β€œ
Tally sighed, tipping her feet again to follow. "Maybe that's because they have better stuff to do than kid tricks. Maybe partying in town is better than hanging out in a bunch of old ruins." Shay's eyes flashed. "Or maybe when they do the operation-when they grind and stretch your bones to the right shape, peel off your face and rub all your skin away, and stick in plastic cheekbones so you look like everyone else-maybe after going through all that you just aren't very interesting anymore.
”
”
Scott Westerfeld (Uglies (Uglies, #1))
β€œ
Sam smiled, his brown eyes turning golden in the dawn. It was such a Sam look, the twinkle of mischief, the hint of exasperation, the kindness that would always, always make him a better person than she was. Before she knew what she was doing, Celaena threw her arms around him and held him close. Sam stiffened, but after a heartbeat, his arms came around her. She breathed him inβ€”the smell of his sweat, the tang of the dust and rock, the metallic odor of his blood... Sam rested his cheek on her head. She couldn't remember β€”honestly couldn't recallβ€”the last time anyone had held her. But embracing Sam was different, somehow. Like she wanted to curl into his warmth, like for one moment, she didn't have to worry about anything or anybody. β€œSam,” she murmured into his chest. β€œHmm?” She peeled away from him, stepping out of his arms. β€œIf you ever tell anyone about me embracing you... I'll gut you.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
β€œ
With a deep regret, I wiggled out from under him despite his sleepy protests and grabbed articles of clothing as I tiptoed to his door. What amazing willpower I had. What fantastic self-control. I'd come over for one reason, and everything but that reason seemed to be resolved. When I reached the door, I saw what looked like another note. But this was his door, not mine. I peeled it off, then angled it until I could read it by the light of the fire. Is that all you've got? With a smile spreading slowly across my face, I dropped everything I'd just picked up and went back for more.
”
”
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
β€œ
Day in, day out, you peel the layers back for me. Smart mouth, funny, sweet, wild in bed. Chattin' with bikers like they were insurance brokers. Holdin' my girl's hand, givin' her strength when her Mom's bein' a bitch. Keepin' your chin up when your people show in the middle of a full blown drama. But so fuckin' vulnerable, you're scared shitless of livin' life." "You don't know me, Tack." His head came up and his eyes pierced mine. "I know you, Tyra." "You don't." "Life's a roller coaster. Best damn ride in the park. You don't close your eyes, hold on and wait for it to be over, babe. You keep your eyes open, lift your hands straight up in the air and enjoy the ride for as long as it lasts.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
β€œ
Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
β€œ
Guys can smell desperation. It triggers an instinct in them to run far and fast so they aren't around when a woman starts peeling apart her heart. They know she'll ask for help in putting it back together the right way - intact and beating correctly - and they dread the thought of puzzling over layers that they can't understand, let alone rebuild. They'd rather just not get blood on their hands. But sharks are different. They smell the blood of desperation and circle in. They whisper into a girl's ear, "I'll make it better. I'll make you forget all about your pain." Sharks do this by eating your heart, but they never mention this beforehand. That is the thing about sharks.
”
”
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
β€œ
Lea stood upon a fallen log ahead of us, staring ahead. Mouse walked up to her. Gggrrrr rawf arrrgggrrrrarrrr," I said. Mouse gave me an impatient glance, and somehow--I don't know if it was something in his body language or what--I became aware that he was telling me to sit down and shut up or he'd come over and make me. I sat down. Something in me really didn't like that idea, but when I looked around, I saw that everyone else had done it too, and that made me feel better. Mouse said, again in what sounded like perfectly clear English, "Funny. Now restore them." Lea turned to look at the big dog and said, "Do you dare to give me commands, hound?" Not your hound," Mouse said. I didn't know how he was doing it. His mouth wasn't moving or anything. "Restore them before I rip your ass off. Literally rip it off." The Leanansidhe tilted her head back and let out a low laugh. "You are far from your sources of power here, my dear demon." I live with a wizard. I cheat." He took a step toward her and his lips peeled up from his fangs in unmistakable hostility. "You want to restore them? Or do I kill you and get them back that way?" Lea narrowed her eyes. Then she said, "You're bluffing." One of the big dog's huge, clawed paws dug at the ground, as if bracing him for a leap, and his growl seemed to . . . I looked down and checked. It didn't seem to shake the ground. The ground was actually shaking for several feet in every direction of the dog. Motes of blue light began to fall from his jaws, thickly enough that it looked quite a bit like he was foaming at the mouth. "Try me." The Leanansidhe shook her head slowly. Then she said, "How did Dresden ever win you?" He didn't," Mouse said. "I won him.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
β€œ
Percy glanced over. He saw the fallen giant and seemed to understand what was happening. He yelled something that was lost in the wind, probably: Go! Then he slammed Riptide into the ice at his feet. The entire glacier shuddered. Ghosts fell to their knees. Behind Percy, a wave surged up from the bay-a wall of gray water even taller than the glacier. Water shot from the chasms and crevices in the ice. As the wave hit, the back half of the camp crumbled. The entire edge of the glacier peeled away, cascading into the void-carrying buildings, ghosts, and Percy Jackson over the edge.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
β€œ
Dear Goat, How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever? I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked. I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire. I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds: "I'm in love." "Typically stupid choice." "I am, though, I'm racked by love as if love were pain." "Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it." "There's only one face, it's all I see, awake or asleep." I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back. When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain, As ever, Ram
”
”
Cathleen Schine (The Love Letter)
β€œ
I open the orangutan's door and set a pan of fruits, vegetables, and nuts on the floor. As I close it, her long arm reaches through the bars. She points at an orange in another pan. 'That? You want that?' She continues to point, blinking at me with close-set eyes. Her features are concave, her face a wide platter fringed with red hair. She's the most outrageous and beautiful thing I've ever seen. 'Here,' I say, handing her the orange. 'You can have it.' She takes it and sets it on the floor. Then she reaches out again. After several seconds of serious misgivings, I hold out my hand. She wraps her long fingers around it, then lets go. She sits on her haunches and peels her orange. I stare in amazement. She was thanking me.
”
”
Sara Gruen (Water for Elephants)
β€œ
Nothing about you or Wonderland makes sense. And the β€˜one abiding truth’ is that life was so much easier when I’d forgotten your massive ego and that other world ever existed.” A tremor shifts through his features, first fragile, then severe. His muscles twitch under his T-shirt, sending a tingling sensation through my knuckles. β€œYou want me nonexistent?" Before I can respond, he steps back and flips the hat from his head. Then he drags off his vest and his T-shirt, dropping them all on the floor at my feet. Once he’s peeled off his necklace and bracelets, he stands there facing me in only jeans and boots. I watch him warily. β€œW-w-what are you doing?” β€œI’m clearing the way for my massive ego.
”
”
A.G. Howard (Unhinged (Splintered, #2))
β€œ
But his kind will always lose in the end. I know this, and now I know why. Whether it's wife or nation they occupy, their mistake is the same: they stand still, and their stake moves underneath them.... Chains rattle, rivers roll, animals startle and bolt, forests inspire and expand, babies stretch open-mouthed from the womb, new seedlings arch their necks and creep forward into the light. Even a language won't stand still. A territory is only possessed for a moment in time. They stake everything on that moment, posing for photographs while planting the flag, casting themselves in bronze.... Even before the flagpole begins to peel and splinter, the ground underneath arches and slides forward into its own new destiny. It may bear the marks of boots on its back, but those marks become the possessions of the land.
”
”
Barbara Kingsolver (The Poisonwood Bible)
β€œ
Sarah Cynthia Sylvia Stout Would not take the garbage out! She'd scour the pots and scrape the pans, Candy the yams and spice the hams, And though her daddy would scream and shout, She simply would not take the garbage out. And so it piled up to the ceilings: Coffee grounds, potato peelings, Brown bananas, rotten peas, Chunks of sour cottage cheese. It filled the can, it covered the floor, It cracked the window and blocked the door With bacon rinds and chicken bones, Drippy ends of ice cream cones, Prune pits, peach pits, orange peel, Gloppy glumps of cold oatmeal, Pizza crusts and withered greens, Soggy beans and tangerines, Crusts of black burned buttered toast, Gristly bits of beefy roasts. . . The garbage rolled on down the hall, It raised the roof, it broke the wall. . . Greasy napkins, cookie crumbs, Globs of gooey bubble gum, Cellophane from green baloney, Rubbery blubbery macaroni, Peanut butter, caked and dry, Curdled milk and crusts of pie, Moldy melons, dried-up mustard, Eggshells mixed with lemon custard, Cold french fried and rancid meat, Yellow lumps of Cream of Wheat. At last the garbage reached so high That it finally touched the sky. And all the neighbors moved away, And none of her friends would come to play. And finally Sarah Cynthia Stout said, "OK, I'll take the garbage out!" But then, of course, it was too late. . . The garbage reached across the state, From New York to the Golden Gate. And there, in the garbage she did hate, Poor Sarah met an awful fate, That I cannot now relate Because the hour is much too late. But children, remember Sarah Stout And always take the garbage out!
”
”
Shel Silverstein
β€œ
I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel. Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness. Okay. Okay, R. Here it comes.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β€œ
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed. Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume." The faerie looked puzzled. Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes." "We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks." "I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets." "I have done nothing to break the Cold Peace," said the fey. "TechnicallyΒ true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine." The fey looked puzzled. "Where does the sun not shine? Is this a riddle?" Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood." The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
β€œ
My head is so full of memories!" Cinderheart wailed. "I feel as though there are two lives inside me, not one. How can it be my choice to make? Doesn't Cinderpelt have a choice? I can't make her a warrior! She was a medicine cat!" Lionblaze pressed his muzzle closer. "She chose you", he murmured. "She gave you the choice". Cinderheart began to tremble. Lionblaze could sense her mind whirling. "You can only live one life, Cinderheart. It's your choice! This is your destiny, not Cinderpelt's. She lived her own life". Cinderheart gasped. Then her pelt smoothed. She lifted her chin. "Then I choose the life of a warrior". Her blue eyes shone. "And I choose you". A breeze stirred the ferns. Lionblaze glimpsed a pale gray shape appear like a shadow beside Cinderheart. Stepping back in surprise, he saw it peel away from her and drift up like a cobweb carried by the wind. A soft voice whispered, Thank you. Lionblaze's fur stood on end. "Did you see that? Cinderheart was watching the shadow disappear into the trees. "It was Cinderpelt", she breathed. "I've set her free". Lionblaze purred loudly. "Will you fight alongside me?" Cinderheart pressed her muzzle fiercely against his. "Always".
”
”
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
β€œ
If you have ever peeled an onion, then you know that the first thin, papery layer reveals another thin, papery layer, and that layer reveals another, and another, and before you know it you have hundreds of layers all over the kitchen table and thousands of tears in your eyes, sorry that you ever started peeling in the first place and wishing that you had left the onion alone to wither away on the shelf of the pantry while you went on with your life, even if that meant never again enjoying the complicated and overwhelming taste of this strange and bitter vegetable. In this way, the story of the Baudelaire orphans is like an onion, and if you insist on reading each and every thin, papery layer in A Series of Unfortunate Events, your only reward will be 170 chapters of misery in your library and countless tears in your eyes. Even if you have read the first twelve volumes of the Baudelaires' story, it is not too late to stop peeling away the layers, and to put this book back on the shelf to wither away while you read something less complicated and overwhelming. The end of this unhappy chronicle is like its bad beginning, as each misfortune only reveals another, and another, and another, and only those with the stomach for this strange and bitter tale should venture any farther into the Baudelaire onion. I'm sorry to tell you this, but that is how the story goes.
”
”
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
β€œ
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
”
”
George Saunders (Lincoln in the Bardo)
β€œ
there is a list of questions i want to ask but never will there is a list of questions i go through in my head every time i'm alone and my mind can't stop itself from searching for you there is a list of questions i want to ask so if you're listening somewhere here i am asking them what do you think happens to the love that's left behind when two lovers leave how blue do you think it gets before it passes away does it pass away or does it still exist somewhere waiting for us to come back when we lied to ourselves by calling this unconditional and left which one of us hurt more i shattered into a million little pieces and those pieces shattered into a million more crumbled into dust till there was nothing left of me but the silence tell me how love how did the grieving feel for you how did the mourning hurt how did you peel your eyes open after every blink knowing i'd never be there staring back it must be hard to live with what ifs there must always be this constant dull aching in the pit of your stomach trust me i feel it too how in the world did we get here how did we live through it and how are we still living how many months did it take before you stopped thinking of me or are you still thinking of me cause if you are then maybe i am too thinking of you thinking of me with me in me around me everywhere you and me and us do you still touch yourself to the thoughts of me do you still imagine my naked naked tiny tiny body pressed into yours do you still imagine the curve of my spine and how you wanted to rip it out of me cause the way it dipped into my perfectly rounded bottom drove you crazy baby sugar baby sweet baby ever since we left how many times did you pretend it was my hand stroking you how many times did you search for me in your fantasies and end up crying instead of coming don't you lie to me i can tell when you're lying cause there's always that little bit of arrogance in your response are you angry with me are you okay and would you tell me if you're not and if we ever see each other again do you think you'd reach out and hold me like you said you would the last time we spoke and you talked of the next time we would or do you think we'd just look shake in our skin as we pine to absorb as much as we can of each other cause by this time we've probably got someone else waiting at home we were good together weren't we and is it wrong that i'm asking you these questions tell me love that you have been looking for these answers too
”
”
Rupi Kaur (The sun and her flowers)
β€œ
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))