Two Brides Quotes

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And since I’m marrying into the Quartet, I have certain privileges and duties. If you’re sleeping with Laurel—” “I’m not sleeping with Laurel. We’re dating.” “Right, and the two of you are just going to hold hands, admire the moon, and sing camp songs.” “For a while. Minus the singing.
Nora Roberts (Savor the Moment (Bride Quartet, #3))
At 8:23 there seemed every chance of a lasting alliance starting between Florin and Guilder. At 8:24 the two nations were very close to war.
William Goldman (The Princess Bride)
One or two of these scoundrel statesmen should be shot once a-year, just to keep the others on their good behavior.
Walter Scott (Tales of My Landlord. Incl: The Black Dwarf, Old Mortality, The Heart of Midlothian, The Bride of Lammermoor, A Legend of Montrose, Count Robert of Paris & Castle Dangerous. (mobi))
Know the rules of child rearing!! Rule one: Physical strength! Rule two: Physical strength! There are no rules three or four, but rule five is physical strength!
Kaoru Mori (A Bride's Story, Vol. 4 (A Bride's Story, #4))
Here lies a she sun, and a he moon there; She gives the best light to his sphere; Or each is both, and all, and so They unto one another nothing owe; And yet they do, but are So just and rich in that coin which they pay, That neither would, nor needs forbear, nor stay; Neither desires to be spared nor to spare. They quickly pay their debt, and then Take no acquittances, but pay again; They pay, they give, they lend, and so let fall No such occasion to be liberal. More truth, more courage in these two do shine, Than all thy turtles have and sparrows, Valentine.
John Donne (The Complete English Poems)
On his face was an expression of absolute love. Melting, soul-touching, raw, unbridled love, the kind of person dies for, sacrifices and suffers for. It was the kind of love that a person would wait two hundred years to see fulfilled. It was True Love in its purest form.
Jude Deveraux (True Love (Nantucket Brides, #1))
One day I'm going to catch you in a full-blown grin, Mr.Tucker," she said, wagging a finger at him, "and when I do, watch out because I'm going to crow in victory." "We all need goals in life, Miss Richards." J.T. swung two boards up onto his shoulder and peered down at her. "Mine's to get this stuff delivered before the first snow falls. You think I got a chance at making that happen?
Karen Witemeyer (A Tailor-Made Bride)
You want waffles?” I tried to keep the skepticism from my voice. “No firstborn or a pot of gold?” “I’m not a leprechaun, Sam. And what would I do with a baby?” Her eyebrow shot back up, and she crossed her arms. “I want waffles. Take it or leave it.” I glanced at Brid, who was staring at Ashley shrewdly. “Let’s talk numbers,” she said. “Are we talking, like, twenty waffles all at once? Or a waffle a week for six months? What?” “Every day for two years,” Ashley said. “That’s outrageous,” Brid sputtered.
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
Guthrie handed him the mug, a wee pout pulling his pale face out of shape. With his semi-skimmed skin, faint ginger hair, and blond eyebrows he looked like a ghost that had been at the pies. "Milk, two sugars.
Stuart MacBride (Shatter The Bones (Logan McRae, #7))
Maria was married on Saturday. In all important preparations of mind she was complete, being prepared for matrimony by a hatred of home, by the misery of disappointed affection, and contempt of the man she was to marry. The bride was elegantly dressed and the two bridesmaids were duly inferior. Her mother stood with salts, expecting to be agitated, and her aunt tried to cry. Marriage is indeed a maneuvering business.
Jane Austen (Mansfield Park)
She looks like a very young old person, or a very old young person; but then, she's looked that way ever since she was two.
Margaret Atwood (The Robber Bride)
Jericho, hmm?" Hannah felt an answering grin curve her lips. "I suddenly feel a great fondness for that name." The two women giggled like young girls scheming behind the schoolhouse. Jericho Tucker had no idea what was coming his way.
Karen Witemeyer (A Tailor-Made Bride)
That's it for me. I'm fucked. As per usual. Always the bridesmaid, never the bride. Although come to think of it I was never even the freaking bridesmaid. Look, show your cock. It's the shortest line between two points. The world ain't giving away nice lives. You got a trust fund? You a genius? Show your cock. It's what you got.
George Saunders
It was a very proper wedding. The bride was elegantly dressed---the two bridemaids were duly inferior---her father gave her away---her mother stood with salts in her hand expecting to be agitated---her aunt tried to cry--- and the service was impressively read by Dr. Grant.
Jane Austen (Mansfield Park)
She'd stand on her own two feet if she had to crawl.
Patricia McLinn (Almost a Bride (Wyoming Wildflowers, #1))
When we’re together, she’s not eighteen, and I’m not thirty-four. We’re just two people who get along great, make each other laugh, take care of each other, and have insane chemistry.
Carian Cole (Don't Kiss the Bride)
Ianthe said smoothly, “Come, Bride, and be joined with your true love. Come, Bride, and let good triumph at last.” Good. I was not good. I was nothing, and my soul, my eternal soul, was damned— I tried to get my traitorous lungs to draw air so I could voice the word. No—no. But I didn’t have to say it. Thunder cracked behind me, as if two boulders had been hurled against each other. People screamed, falling back, a few vanishing outright as darkness erupted. I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. “Hello, Feyre darling,” he purred.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.
Victor Hugo (Les Misérables)
Two things happened: (1) The door, quite clearly, locked. (2) Out went the candles on the high walls. "DON'T BE FRIGHTENED!" Inigo screamed. "I'M NOT, I'M NOT!" Fezzik screamed.
William Goldman (The Princess Bride)
I stare at my reflection in the glass, and I see two versions of myself: the twin sister, and the bride. "It was supposed to be better than this," I whisper.
Lauren DeStefano (Fever (The Chemical Garden, #2))
Sometimes life offers you up that kind of dichotomy, that soul-shearing rift of two very different things happening at once.
Lish McBride (Necromancing the Stone (Necromancer, #2))
Interrupting what promised to be a long spate of fatherly advice, St. Vincent said in a clipped voice, “It’s not a love match. It’s a marriage of convenience, and there’s not enough warmth between us to light a birthday candle. Get on with it, if you please. Neither of us has had a proper sleep in two days.” Silence fell over the scene, with MacPhee and his two daughters appearing shocked by the brusque remarks. Then the blacksmith’s heavy brows lowered over his eyes in a scowl. “I don’t like ye,” he announced. St. Vincent regarded him with exasperation. “Neither does my bride-to-be. But since that’s not going to stop her from marrying me, it shouldn’t stop you either. Go on.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
God is not in a hurry. He kept Abraham and Sarah waiting twenty-five years before Issac was born, and Issac and Rebekah waited twenty years for Esau and Jacob, Jacob had to wait fourteen years to get the bride he really wanted, and then he had to serve six more years to build up his flocks so he could be independent, a total of twenty years. Twenty-two years passed between Joseph's betrayal by his brothers and the brothers' reconciliation in Egypt. God is not in a hurry because all His works are done in love. "Love is patient, love is kind" (1 Cor.13:4). Let's be grateful that God takes His time.
Warren W. Wiersbe (Too Soon to Quit!)
I stared at the pictogram of a burger nestled between similar representations of shakes, sodas, and fries, on the front of my register. I wondered why humankind seemed so dead set on destroying all of its accomplishments. We draw on cave walls, spend thousands of years developing complex language systems, the printing press, computers, and what do we do with it? Create a cash register with the picture of a burger on it, just in case the cashier didn't finish the second grade. One step forward, two steps back-- like an evolutionary cha-cha. Working here just proved that the only thing separating me from a monkey was pants.
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
I always wanted my own fairytale happily ever after, but maybe that doesn’t exist. Maybe true love is just two imperfect people choosing each other despite the obstacles they’ll face together, and deciding that it’s worth it. Because it is.
Catharina Maura (The Wrong Bride (The Windsors, #1))
That is the true bride!" The step-mother and the two sisters were terrified and became pale with rage; he, however, took Cinderella on his horse and rode away with her.
Jacob Grimm (Household Tales by the Brothers Grimm)
We are two blues, the neat seam of dusk and dawn. We share a sky, if not a soul, and yet we are cut of the same shades.
Roshani Chokshi (The Last Tale of the Flower Bride)
She [the Virgin Mary] was normal. She had already had other children. The Bible tells us that Jesus had two brothers. Virginity, as it relates to Jesus, is based on a different thing: Mary initiated a new generation of grace. A new era began. She is the cosmic bride, Earth, which opens to the heavens and allows itself to be fertilized.
Paulo Coelho (By the River Piedra I Sat Down and Wept)
Nodding, Parker ate. “He’s an exceptional kisser.” “He really is. He . . . How do you know?” When Parker just smiled, Emma’s jaw dropped. “You? You and Jack? When? How?” “I think it’s disgusting,” Mac muttered. “Yet another best pal moving on my imaginary ex.” “Two kisses, my first year at Yale, after we ran into each other at a party and he walked me back to the dorm. It was nice. Very nice. But as exceptional a kisser as he is, it was too much like kissing my brother. And as exceptional a kisser as I am, I believe he felt it was too much like kissing his sister. And that’s how we left it. I gather that wasn’t an issue for you and Jack.
Nora Roberts (Bed of Roses (Bride Quartet, #2))
So I graduated from college with a degree in journalism and was ready to find my dream job at a newspaper in addition to one good man who owned his own car and was certain about his sexuality, my two new, revised qualifying criteria for a potential date.
Laurie Notaro (Autobiography of a Fat Bride: True Tales of a Pretend Adulthood)
You are very cross tonight, Hart. Perhaps the lady disappointed you." Hart stared at her over the glass he'd started to raise. "What lady?" "The one whose perfume you positively reak of." His brows went up."You mean the Countess von Hohenstahlen? She's eighty-two and drenches herself in scents that would make a tart blush. "Oh.
Jennifer Ashley (The Duke's Perfect Wife (MacKenzies & McBrides, #4))
Long, long ago, I learned the heart cannot live in two places. I had to choose. My heart is in America. Where is yours?
Marivi Soliven Blanco (The Mango Bride)
I’ve heard there are two kinds of people in the world. Those who wake up and say ‘Good Morning, God’ and those who say ‘Good God, Morning.
Debbie Macomber (Home for the Holidays: The Forgetful Bride / When Christmas Comes)
In that moment he realized that all the experience of thirty-two years in the NYPD and all the formal police training in the world was useless when the smile of someone you suddenly care about finds the bow that wraps your heart and undoes it.
James McBride (Deacon King Kong)
Dear Mama, I am being stalked by not one but two men of exceptionally high birth. One is a madman who tortured me and promised to make me love him forever. The other is a madman who gave me his shadow and lives to make my life difficult. No doubt you would be pleased, but I intend to deny you grandchildren for the foreseeable future. Henry is a dear, but I suspect the only reason his parents were willing to consider me for his bride was that he does not, in fact, like women at all. In place of comforting news about my marriageability and future grandchildren, please know I have adopted a bird. You would like him. Much love, Hopeless Jessamin
Kiersten White (Illusions of Fate)
Alone you're refinding a glittering, a clarity, you're finding your distilled self. ...You think of the two types of aloneness you've known recently: this wonderful, sparkly, soul-refreshing type, and the despairing loneliness that sucks the breath from your life.
Nikki Gemmell (The Bride Stripped Bare (Bride Trilogy, #1))
Annabel better not have headed back to England. He’d wring her bloody neck if she had. She was his. And why the hell would she go there anyway? Surely life with him was better than life with those two coldhearted English— “Nay.
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
As Norman bride and English queen she would walk a fine line between the interests of two rulers -- her brother and her lord. Both men would demand her fealty. One, at least, would exact a heavy price if she were to prove disloyal.
Patricia Bracewell (Shadow on the Crown (The Emma of Normandy Trilogy #1))
My dowry is thirty-five. A year.” His brows climbed. “You’re joking.” “I would never joke about money with a notorious thief. Just imagine, in a mere two years you’re at a profit.” “How I adore a woman who does mathematics in her head.” “I can forge signatures as well.” “Splendid. Exactly the bride I’ve been hoping for.
Shana Abe
In India, a "bride burning"-- to punish a woman for inadequate dowry or to eliminate her so a man can remarry-- takes place approximately once every two hours, but rarely constitute news.
Nicholas D. Kristof (Half the Sky: Turning Oppression into Opportunity for Women Worldwide)
Where Insch was bald, Steel looked as if someone had sellotaped a Cairn terrier to her head. Rumour had it she was only forty-two, but she looked a lot older. Years of chain smoking had left her face looking like a holiday home for lines and wrinkles.
Stuart MacBride (Cold Granite (Logan McRae, #1))
Their daughter scrunched up her hands and legs, waving them wildly in the air. He opened his palm, allowing the babe to kick his hand. "Is she like a puppy?" Constance choked. "What!" He looked up. "Will she get her spots later?" Laughter bubbled up from within her as she playfully whacked him on the shoulder. "Yes. Yes, I'm afraid she will. As soon as the sun touches her skin, the freckles will appear." A delicious two-dimple grin spread across his face. "Good. I find I'm rather partial to freckled redheads.
Deeanne Gist (A Bride Most Begrudging)
Judge Rountree holds half my property in the palm of his hand." Denton's growl broke the silence. "I'd appreciate if you didn't insult him at all, much less in his own home." "He named his children One, Two, Three, and Four," she said. "He deserves to be insulted.
Deeanne Gist (A Bride in the Bargain)
The old man nodded. “Now I can die.” She glanced at him. “Don’t.” Her tone was surprisingly tender, and probably she sensed how important he really was to her, because when he did die, two years further on, she went right after, and most of the people who knew her well agreed it was the sudden lack of opposition that undid her.
William Goldman (The Princess Bride)
He's been going on about the End of All Things for as long as I've known him," she said carelessly. "And we're all still here. Hey, want to see a really upsetting party trick I can do with two flick-knives and an unwilling volunteer?
Simon R. Green (The Bride Wore Black Leather (Nightside, #12))
Relationship ties heart of two souls eager to fly freely soaring to sky feats in full-fledged wings unrestrained passions to a realm in which both remain invisible.
Rajesh Nanoo
Each time your integrity will be put t the test. Each time your soul will be pulled in two directions - to fit in or stand outside. Alone.
Lynna Banning (Plum Creek Bride)
By God, I can’t sort out whether you’re insolent as brass or missing a brain between your ears.” “If I’m forced to choose from solely those two options? The former.
Christi Caldwell (The Heiress's Deception (Sinful Brides, #4))
In that moment he realized that all the experience of thirty-two years on the NYPD and all the formal police training in the world was useless when the smile of someone you suddenly care about finds the bow that wraps your heart and undoes it.
James McBride (Deacon King Kong)
If you ask me the man's short a hat size or two but he's harmless. Not like the Texas Kid or the Tuscon Kid. Drat, he's not even like Billy the Kid. Now those are outlaws." His assurances did little to calm her nerves. Apparently the only bandits he took seriously were the ones belonging to a society of human goats.
Margaret Brownley (Dawn Comes Early (The Brides of Last Chance Ranch, #1))
The host in question, the chapel's owner, Grayston Boscastle, the fifth Marquess of Sedgecroft, sat thinking that the bride had the most appealing derriere he had seen in a long time. Not that he made a point of lusting after young women in wedding dresses, but he had been staring at the back of her for over two hours now. A normal man's curiosity could not help but be aroused. What else was he to look at? He wondered whether the rest of her was appealing.
Jillian Hunter (The Seduction of an English Scoundrel (Boscastle, #1))
She has never been in the presence, before, of two people who are in love with each other. She feels like a stray child, ragged and cold, with her nose pressed to a lighted window. A toy-store window, a bakery window, with fancy cakes and decorated cookies. Poverty prevents her entrance. These things are for other people; nothing for her.
Margaret Atwood (The Robber Bride)
Your Midas touch on the Chevy door November flush and your flannel cure "This dorm was once a madhouse" I made a joke, "Well, it's made for me" How evergreen, our group of friends Don't think we'll say that word again And soon they'll have the nerve to deck the halls That we once walked through One for the money, two for the show I never was ready, so I watch you go Sometimes you just don't know the answer 'Til someone's on their knees and asks you "She would've made such a lovely bride What a shame she's fucked in her head, " they said But you'll find the real thing instead She'll patch up your tapestry that I shred
Taylor Swift
When I watch the living meet, And the moving pageant file Warm and breathing through the street Where I lodge a little while, If the heats of hate and lust In the house of flesh are strong, Let me mind the house of dust Where my sojourn shall be long. In the nation that is not Nothing stands that stood before; There revenges are forgot, And the hater hates no more; Lovers lying two and two Ask not whom they sleep beside, And the bridegroom all night through Never turns him to the bride.
A.E. Housman (A Shropshire Lad)
What are you doing?' If I texted back too soon, he would think I wasn't doing anything and then he would probably try to come over. I watched another episode before texting him again: 'Watching Kim K. shop for a dress. You?' He texted back: 'Standing outside your door'. Shit!
Whitney G. (Take Two (Jilted Bride, #1))
This practice of arranging the marriage of a dead person was uncommon, usually held in order to placate a spirit. A deceased concubine who had produced a son might be officially married to elevate her status to a wife. Or two lovers who died tragically might be united after death. That much I knew. But to marry the living to the dead was a rare and, indeed, dreadful occurrence.
Yangsze Choo (The Ghost Bride)
My siblings had already instilled the notion of black pride in me. I would have preferred that Mommy were black. Now, as a grown man, I feel privileged to have come from two worlds. My view of the world is not merely that of a black man but that of a black man with something of a Jewish soul. I don’t consider myself Jewish, but when I look at Holocaust photographs of Jewish women whose children have been wrenched from them by Nazi soldiers, the women look like my own mother and I think to myself, There but for the grace of God goes my own mother—and by extension, myself.
James McBride (The Color of Water)
Now Jews were buying homes on Beech Street, making plans to build a bigger Jewish synagogue, and what’s more, they were polluting the town’s good white Christian teenagers with Negro music—jazz—brought to town by none other than Chona’s husband, yet another Jew who owned not one but two theaters. Where was America in all this? Pottstown was for Americans. God had predestined it. The Constitution guaranteed it. The Bible had said it. Jesus! Where was Jesus in all this? Doc felt his world was falling apart.
James McBride (The Heaven & Earth Grocery Store)
Dear Mommy I’m doing really good, I get all A’s in school And I don’t cry at bedtime anymore, Though my new mom said I could. I remember how much you hate tears, You slapped them out of me To make me strong, I think it worked. I learned to use a microscope And my hair grew two inches. It’s pretty, just like yours. I’m not allowed to clean the house, Only my own room, Isn’t that a funny rule? You say kids are so much trouble Getting born, they better pay it back. I’m not supposed to take care Of the other kids, only me, I sort of like it. I still get the hole in my stomach When I do something wrong, I have a saying on my mirror “Kids make mistakes, It’s OK,” I read it every day, Sometimes I even believe it. I wonder if you ever think of me Or if you’re glad the troublemaker’s gone, I never want to see you again. I love you, Mommy.
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
It happened all the time in this city that encompassed seven hills, two continents, three seas and fifteen million mouths. It happened behind closed doors and in open courtyards; in cheap motel rooms and five-star luxury suites; in the midst of the night or plain daylight. The brothels of this city could tell many a story had they only found ears willing to listen. Call girls and rent boys and aged prostitutes beaten, abused and threatened by clients looking for the smallest excuse to lose their temper. Transsexuals who never went to the police for they knew they could be assaulted a second time. Children scared of particular family members and new brides of their fathers- or brothers-in-law; nurses and teachers and secretaries harassed by infatuated lovers just because they had refused to date them in the past; housewives who would never speak a word for there were no words in this culture to describe marital rape. It happened all the time. Canopied under a mantle of secrecy and silence that shamed the victims and shielded the assailants. Istanbul was no stranger to sexual abuse. In this city where everyone feared outsiders, most assaults came from those who were too familiar, too close.
Elif Shafak (Havva'nın Üç Kızı)
I spent hours yesterday talking of little but medical symptoms and insane asylums. And you listened as though it were poetry and all but swooned at my feet. It is too bad I don't have any medical treatises about. I'm sure I need read a paragraph or two, and you will become ravenous with lust and begin tearing my clothes off. (Dorian from "The Mad Earl's Bride")
Loretta Chase (Three Weddings and a Kiss)
From the railway station far away the sharp clang of a bell...In half an hour the train starts, and there is so much still to say that has been left unsaid...The mothers, fearful and fussy, look for their sons in among the crowd like hens in search of their chicks; their wizened faces are hard and wrinkled like winter apples, they carry huge baskets on their arms, over-filled with the last delicacies which their fond, toil-worn hands will prepare for the beloved son for the next three years:--a piece of smoked bacon, a loaf of rye bread, a cake of maize-flour. The gypsies have struck up a melancholy Magyar folksong: the crowd breaks up in isolated groups, mothers and father with their sons whisper in the dark corners of the bran. The father who did his service thirty years ago gives sundry good advice—no rebellion, quiet obedience, no use complaining or grumbling, the three years are quickly over. The mother begs her darling not to give way to drink, and not to get entangled with one of the hussies in the towns; women and wine, the two besetting temptations that assail the Magyar peasant—let the darling boy resist both for his sorrowing mother’s sake.
Emmuska Orczy (A Bride of the Plains)
In any case, the two countries had stayed alive over the centuries mainly by warring on each other. There had been the Olive War, the Tuna Fish Discrepancy, which almost bankrupted both nations, the Roman Rift, which did send them both into insolvency, only to be followed by the Discord of the Emeralds, in which they both got rich again, chiefly by banding together for a brief period and robbing everybody within sailing distance.
William Goldman (The Princess Bride)
When I see two little Jewish old ladies giggling over coffee at a Manhattan diner, it makes me smile, because I hear my own mother’s laughter beneath theirs. Conversely, when I hear black “leaders” talking about “Jewish slave owners” I feel angry and disgusted, knowing that they’re inflaming people with lies and twisted history, as if all seven of the Jewish slave owners in the antebellum South, or however few there were, are responsible for the problems of African-Americans now. Those leaders are no better than their Jewish counterparts who spin statistics in marvelous ways to make African-Americans look like savages, criminals, drags on society, and “animals” (a word quite popular when used to describe blacks these days). I don’t belong to any of those groups. I belong to the world of one God, one people.
James McBride (The Color of Water)
It was only when she sat and the hem of her dress lifted that I noticed the blood pooling in her glass slippers, the fine crack along one side. Indigo removed the shoes carefully. Two of her toes were blue. Later, we would discover they were broken. Later, I would cradle her ankles and tell her I loved her and insist on carrying her up the stairs and all throughout the house. I had always found the rejected stepsisters of Cinderella far more captivating than the story’s namesake, and now I knew why. When the shoe did not fit, they cut off their toes, sliced off their heels, squeezed their feet into glass, and lowered their skirts to cover the pain. Perhaps, in the end, the prince made the wrong choice. Such devotion is hard to come by, after all. Look how I will carve myself to fit into your life. Who will not do less? In Indigo’s blue toes and ruined skin, I saw a love letter. Gruesome, yes, but for all that it became in the end, it must be said that it was always true.
Roshani Chokshi (The Last Tale of the Flower Bride)
His principle can be quite simply stated: he refuses to die while he is still alive. He seeks to remind himself, by every electric shock to the intellect, that he is still a man alive, walking on two legs about the world. For this reason he fires bullets at his best friends; for this reason he arranges ladders and collapsible chimneys to steal his own property; for this reason he goes plodding around a whole planet to get back to his own home; and for this reason he has been in the habit of taking the woman whom he loved with a permanent loyalty, and leaving her about (so to speak) at schools, boarding-houses, and places of business, so that he might recover her again and again with a raid and a romantic elopement. He seriously sought by a perpetual recapture of his bride to keep alive the sense of her perpetual value, and the perils that should be run for her sake.
G.K. Chesterton (Manalive)
Oh, I hate him,' she said, and I noticed a flush of colour come into her cheeks and the manner in which the fingers of her left hand dug into her palm, as if she wanted something to take away the pain. 'I absolutely detest him. Afterwards, I didn't feel very much at all for a week or two. I suppose I was in shock. But then the fury rose and it hasn't subsided since. Sometimes I find it difficult to control. I think it was around the time that everyone stopped asking me whether I was all right, when lives went back to how they had been before. Had he been in Dublin I might well have gone over there, broken down his door and stabbed him as he slept. Fortunately for him, he was in Madagascar with his lepers.' (p. 268)
John Boyne (The Heart's Invisible Furies)
She fluttered her fan. “And do you know what they say of women of a certain age, what they want above all?” Desire simmered in him at her not quite smile. “Do tell.” “To be rid of you, Hastings. So that they don’t have to waste what remains of their precious few years suffering your lecherous looks.” “If I stopped looking at you lecherously, you’d miss it.” “Why don’t we test that hypothesis? You stop and I’ll tell you after ten years or so whether I miss it.” .... He rose and bowed slightly. “You wouldn’t last two weeks, Miss Fitzhugh.
Sherry Thomas (Tempting the Bride (Fitzhugh Trilogy, #3))
Dear Judy: Your letter is here. I have read it twice, and with amazement. Do I understand that Jervis has given you, for a Christmas present, the making over of the John Grier Home into a model institution, and that you have chosen me to disburse the money? Me - I, Sallie McBride, the head of an orphan asylum! My poor people, have you lost your senses, or have you become addicted to the use of opium, and is the raving of two fevered imaginations? I am exactly as well fitted to take care of one hundred children as to become the curator of a zoo.
Jean Webster (Dear Enemy (Daddy-Long-Legs, #2))
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
James Joyce (Ulysses)
Electricity poured though him like liquid agony, setting every nerve on fire. His body arched, his muscles going into spams, a cry tearing itself from between clenched teeth. Then Quintana stepped back, leaving Zach shaking, breathless, wanting to puke. Strangely, he found the pain easier to bear now than he had two weeks before. Perhaps it was just that he'd been through this before. Or perhaps it was the fact that his pain was buying time for the woman he loved. Why hadn't he told her? Why hadn't he told Natalie he loved her when he'd had the chance? It would've taken only a few seconds. What the hell had he been afraid of? And all at once it hit him- regret as deep and wide as the ocean. Natalie. If he died today, she would never know what she meant to him. If he died, he would never even get a shot at building a life with her, of knowing what it was like to come home every night and find someone waiting for him. Hell, he wouldn't even know whether he'd gotten her pregnant. Then don't die, McBride. Zach looked into the eyes of the man who was going to kill him. I love you, Natalie. I'm sorry I didn't tell you. Forgive me.
Pamela Clare (Breaking Point (I-Team, #5))
there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die. The sight of Beanie’s mother howling at her son’s coffin would haunt them all in the next few days. Next week, or next month some time, some other mother would take her place, howling her grief. And another after that. They saw the future, too, she could tell. It would continue forever. It was all so very grim. But then, she thought, every once in a while there’s a glimmer of hope. Just a blip on the horizon, a whack on the nose of the giant that set him back on his heels or to the canvas,
James McBride (Deacon King Kong)
Stop fussing,” Legna admonished her, tapping her finger against Isabella’s absently energetic hand. “I’m getting married in a few minutes, Legna, I think I’ve a right to fuss.” Isabella felt her heart turn over as she spoke aloud, listening to herself talk about her impending marriage. “Well, brides are supposed to be blushing, as I understand it. At the moment you are no less than five shades of gray.” Legna continued with her interrupted weaving of more ribbons in Isabella’s hair. “And as much as it matches the silver of your dress, I think you would look better with a little natural color.” Legna reached to smooth down a portion of the shimmering silver fabric that draped off of the bride’s shoulders in a Grecian fashion. “You know,” she pressed, “there are only two nights in a year when Demons perform a joining ceremony. Samhain and Beltane. If you pass out tonight, you will have to wait until next spring.” “Thanks for the bulletin. You’re too kind,” Isabella retorted dryly. “Actually, purely out of kindness, I will tell you that your future husband is just shy of tossing his cookies himself, so you can take comfort in knowing he is just as nervous as you are.” “Legna!” Bella laughed. “You’re a wretch!” She turned to look at the female Demon, briefly admiring how pretty she looked in her soft white chiffon gown. “And how would you know? You’re standing too close to me to be able to sense his emotions.” “Because when I went to fetch the ribbons, he was seated next to Noah with his head between his knees.” Legna giggled. “I have never seen anything rattle Jacob before. I cannot help but find it amusing.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
What the hell is taking so long?” Elijah complained. “Elijah, hush,” Legna admonished. “It is their joining. Let them be.” Legna moved to snuggle up against her brother, allowing him to keep her warm as the three of them awaited the bride and her groom. “Jacob! I swear if you don’t put me down this very instant I’m going to marry someone else!” Isabella’s voice carried shrilly through the night, half annoyed, half laughing. The three waiting at the altar turned in unison to see the couple break from the tree line. Jacob had indeed carried his bride out of the woods, but he’d done so by slinging her over a shoulder, leaving her backside displayed prominently. Elijah choked on a laugh and Legna released a horrified gasp. Noah reached out to stay her from moving. “Let it be, Legna. What did you expect from the two of them?” Serves you right, you little tease. Jacob, please! You’re embarrassing me! And having me walk out of the woods in a state of arousal would not have embarrassed me? I said I was sorry! Was that before or after the mental striptease you sent me? Isabella sighed with exasperation, and then giggled. “You know, Emily Post is having heart failure right about now.” “Good, then that makes two of us.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Why were you so happy to see me? You know, besides my general awesomeness." Marz pushed out of his chair, big grin on his face, and held out his hands. "I'm getting married!" Shane sighed. The expressions on the other two said they'd already been down this road. "All right. I'll bite." "I think the appropriate sentiment is 'congratulations'," Marz said, crossing his arms and feigning insult. "Just spill the brilliance of whatever this is about," Shane said. "Only because you acknowledged its brilliance." Marz sat excitement rolling off the guy. "I figured out how to solve the problem of getting us eyes and ears in the back of Confessions." "By getting married?" "By pretending to get married. And what does every pretend groom need?" Marz's grin was full of anticipation. "A bride?" Shane said. Marz rolled his eyes and waved his hands. "Okay, but what else?" Shane looked between the three of them. And then the lightbulb went on. "A bachelor party," Shane said. Marz clapped his hands. "Ding ding ding. Give the man a cigar." Yup. The idea was, in fact, brilliant. Really brilliant.
Laura Kaye (Hard as You Can (Hard Ink, #2))
...Life does have its twists and turns, and that certainly is true. However, one can predict the future with some degree of accuracy based on one's own knowledge of past events. And rare events do occur , but it is their lack of repetition that makes them rare. I cannot alter the past, but the future is very much in my hands I find that memories, especially from one's childhood, very often do not live up to the realities Does anyone truly understand females? the more I am in their company the less i know. Their behavior is the opposite of everything in the natural order and flies in the face of logic. Oh, I can see you are enjoying yourself. You have my heart, and now you will toy with it She did believe that two souls could come together, so that the one would know if something had happened to the other despite distance or war. The only way to get through life's rough spots is to laugh whenever possible
Mary Lydon Simonsen (The Perfect Bride for Mr. Darcy)
Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love. And before me passed an old man with an emaciated and melancholy face, who sighed and said: "Love is a natural weakness bestowed upon us by the first man." But a virile youth retorted: "Love joins our present with the past and the future." Then a woman with a tragic face sighed and said: "Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death." Then a beautiful, rosy-cheeked damsel smilingly said: "Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars." After her a black-robed, bearded man, frowning, said: "Love is a divine knowledge that enables men to see as much as the gods." Then said a blind man, feeling his way with a cane: "Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys." And a feeble ancient, dragging his feet like two rags, said, in quavering tones: "Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity." And a five-year-old child, after him, said laughing: "Love is my father and mother, and no one knows Love save my father and mother." And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.
Kahlil Gibran
The Desire To Paint" Unhappy perhaps is the man, but happy the artist, who is torn with this desire. I burn to paint a certain woman who has appeared to me so rarely, and so swiftly fled away, like some beautiful, regrettable thing the traveller must leave behind him in the night. It is already long since I saw her. She is beautiful, and more than beautiful: she is overpowering. The colour black preponderates in her; all that she inspires is nocturnal and profound. Her eyes are two caverns where mystery vaguely stirs and gleams; her glance illuminates like a ray of light; it is an explosion in the darkness. I would compare her to a black sun if one could conceive of a dark star overthrowing light and happiness. But it is the moon that she makes one dream of most readily; the moon, who has without doubt touched her with her own influence; not the white moon of the idylls, who resembles a cold bride, but the sinister and intoxicating moon suspended in the depths of a stormy night, among the driven clouds; not the discreet peaceful moon who visits the dreams of pure men, but the moon torn from the sky, conquered and revolted, that the witches of Thessaly hardly constrain to dance upon the terrified grass. Her small brow is the habitation of a tenacious will and the love of prey. And below this inquiet face, whose mobile nostrils breathe in the unknown and the impossible, glitters, with an unspeakable grace, the smile of a large mouth ; white, red, and delicious; a mouth that makes one dream of the miracle of some superb flower unclosing in a volcanic land. There are women who inspire one with the desire to woo them and win them; but she makes one wish to die slowly beneath her steady gaze.
Charles Baudelaire (The Poems and Prose Poems of Charles Baudelaire)
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
One of the reasons there are so many bitter, disenfranchised people who are angry at the church is because of bad theology. It’s really, really important to separate your theology of the kingdom from the church. These are two separate, autonomous entities. Yes, there is overlap and the lines blur and bleed, but they are two different ideas. Jesus’ ultimate goal for the universe is the kingdom, not the church. The kingdom is where the renewal of all things takes place. Where Eden is restored. Where the entire creation is made new.[1] The story of the Bible ends with heaven crashing into earth. The kingdom is a huge, elephantic theology with layers and texture and depth and dimensions. The problem is that most people erase or ignore the theology of the kingdom. In doing so, they pin all their hopes and dreams on the church. These unrealistic expectations are way too much to bear for the frail shoulders of God’s bride. She was never designed to bear the weight of changing the world, much less perfection. I hear people say things like, “The church is God’s plan to save the world.” No, it’s not. Jesus is God’s plan to save the world. He is bringing his kingdom crashing into this present age, and he is saving the world. Yes, the church is part of God’s plan to save the world. That is very true. We are the body of the Messiah. Meaning, we are the arms and legs, the appendages, the extensions of Jesus to the world. We join and partner and work with him for the kingdom; but he is the one saving the universe, not us.
John Mark Comer (My Name is Hope: Anxiety, depression, and life after melancholy)
Horse What does the horse give you That I cannot give you? I watch you when you are alone, When you ride into the field behind the dairy, Your hands buried in the mare's Dark mane. Then I know what lies behind your silence: Scorn, hatred of me, of marriage. Still, You want me to touch you; you cry out As brides cry, but when I look at you I see There are no children in your body. Then what is there? Nothing, I think. Only haste To die before I die. In a dream, I watched you ride the horse Over the dry fields and then Dismount: you two walked together; In the dark, you had no shadows. But I felt them coming toward me Since at night they go anywhere, They are their own masters. Look at me. You think I don't understand? What is the animal If not passage out of this life?
Louise Glück (The Triumph of Achilles)
Benjamin chuckled. “Don’t worry none, Arlan don’t like them fancy city women. He likes you.” She blushed, and reached for her fork. “We’d better eat our supper before it gets cold.” “Ben’s right,” Calvin put in. “Arlan ain’t never liked a girl the way he likes you.” “Well of course he likes me,” Samijo said. “He married me didn’t he?” “Ma says you have to like the person you marry, love them, and be in love with them,” Daniel said matter of fact. “That’s a lot,” Samijo giggled. “Why?” The three looked at her as if she’d just laid an egg, then glanced at one another. Daniel set down his fork and explained. “Ma says it’s on account if’n ones missing, you still got two in your pocket.  And if two out of three are missing sometimes, you at least still have one.” Samijo laughed at the logic, then thought about it a moment. What he said made sense, and if so, then where was she in her relationship with Arlan?  She at least had one out of three, as she knew she liked her new husband and was sure he felt the same about her.  But did they love each other yet? That she didn’t know. She’d never been in love, and hadn’t loved anyone in years.
Kit Morgan (The Springtime Mail Order Bride (Holiday Mail Order Brides #5))
Opportunity (from Machiavelli) "But who art thou, with curious beauty graced, O woman, stamped with some bright heavenly seal Why go thy feet on wings, and in such haste?" "I am that maid whose secret few may steal, Called Opportunity. I hasten by Because my feet are treading on a wheel, Being more swift to run than birds to fly. And rightly on my feet my wings I wear, To blind the sight of those who track and spy; Rightly in front I hold my scattered hair To veil my face, and down my breast to fall, Lest men should know my name when I am there; And leave behind my back no wisp at all For eager folk to clutch, what time I glide So near, and turn, and pass beyond recall." "Tell me; who is that Figure at thy side?" "Penitence. Mark this well that by decree Who lets me go must keep her for his bride. And thou hast spent much time in talk with me Busied with thoughts and fancies vainly grand, Nor hast remarked, O fool, neither dost see How lightly I have fled beneath thy hand.
James Elroy Flecker (Forty-Two Poems)
Travis came up behind her, his hat brim bumping her head as he nuzzled her neck. She giggled and danced away, feeling playful yet oddly shy at the same time. Travis gave chase, his husky laughter blending with hers as the two of them darted out of the barn. When they neared the porch, he grabbed her about the waist and lifted her off her feet. Meredith squealed. “You can’t escape me,” Travis murmured in her ear as he gently settled her back on the ground. Meredith turned in his arms to face the man she loved. “I’ve no desire to.” His eyes darkened, and for a moment she thought he would kiss her. But then he scooped her into his arms and carried her up the porch steps. The front door proved more of a challenge to conquer. Travis had to juggle his hold on her a bit before he could get the latch open. Meredith laughed in delight, endeared by his awkward efforts. Once the door was cracked, he kicked it wide with his boot and carried her over the threshold. “Welcome home, Mrs. Archer.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance. The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’ Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
The exhaustion apparent in his slumped shoulders made her heart twist. He looked so tired she wanted to rub his back and stroke his hair, as a mother would for a child. This was natural compassion, she decided, and walked toward him to give him what comfort she could. He finally heard her and lifted his head from his arms. Locks of sandy hair fell over his forehead and he looked up at her with deep indigo eyes. Even in the dim light, she could see pain etched across his features. What horrors stalked his dreams? What could she do to help him sleep peacefully? For a long moment they gazed at one another and then Huiann rested her hand on his shoulder. At the same time, Alan leaned into her body. They came together like two halves of an eggshell carefully broken. He slid a hand around her waist and pulled her closer. His face pressed against her breast. His arms wrapped around her. She held him, cradling his head, rubbing his back. His body was so warm in her embrace. Her heart beat steadily and her stomach flipped in slow, lazy somersaults. The moment she’d sensed coming for so long was here. What would happen next? For a long time, they remained locked in perfect union, contented, safe, no longer alone. As she caressed his hair, soft as she’d imagined, he tilted his face to look up at her. His eyes glittered in the lamplight. He wanted more and Huiann realized she did too.
Bonnie Dee (Captive Bride)
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
Hungry?” he asks. “The wager?” I remind him. “I’m getting there—it’s related to my question.” He lifts his chin to the meat locker. “They have good steaks here.” And just like that, I’m interested in whatever he’s suggesting. “They do. What’re you thinking?” “They have a porterhouse for two, three, or four.” I haven’t eaten in nearly twenty-four hours, and the idea of a big juicy steak has me salivating. “Yeah?” “So, I say we split the one for three, and whoever eats more wins.” “I’m going to guess their porterhouse for three could feed us both for a week.” “I’m betting you’re right.” His adorable grin should be accompanied by the sound of a silvery ding. “And your dinner is on me.” For not the first time, it occurs to me to ask him how he makes ends meet, but I can’t—not here, and maybe not when we’re alone, either. “You don’t have to do that.” “I think I can handle treating my wife to dinner on our wedding night.” Our wedding night. My heart thuds heavily. “That’s a lot of meat. No pun intended.” He grins enthusiastically. “I’d sure like to see how you handle it.” “You’re betting Holland can’t finish a steak?” Lulu chimes in from behind me. “Oh, you sweet summer child.” *** As we get up, I groan, clutching my stomach. “Is this what pregnancy feels like? Not interested.” “I could carry you,” Calvin offers sweetly, helping me with my coat. Lulu pushes between us, giddy from wine as she throws her arms around our shoulders. “You’re supposed to carry the bride across the threshold to be romantic, not because she’s broken from eating her weight in beef.” I stifle a belch. “The way to impress a man is to show him how much meat you can handle, don’t you know this, Lu?” Calvin laughs. “It was a close battle.” “Not that close,” Mark says, beside him. We went so far as to have the waiter split the cooked steak into two equal portions, much to the amused fascination of our tablemates. I ate roughly three-quarters of mine. Calvin was two ounces short. “Calvin Bakker has a pretty solid ring to it,” I say. He laugh-groans. “What did I get myself into?” “A marriage to a farm girl,” I say. “It’s best you learn on day one that I take my eating very seriously.
Christina Lauren (Roomies)
[Stice's] parents had met and fallen in love in a Country/Western bar in Partridge KS — just outside Liberal KS on the Oklahoma border — met and fallen in star-crossed love in a bar playing this popular Kansas C/W-bar-game where they put their bare forearms together and laid a lit cigarette in the little valley between the two forearms' flesh and kept it there till one of them finally jerked their arm away and reeled away holding their arm. Mr. and Mrs. Stice each discovered somebody else that wouldn't jerk away and reel away, Stice explained. Their forearms were still to this day covered with little white slugs of burn-scar. They'd toppled like pines for each other from the git-go, Stice explained. They'd been divorced and remarried four or five times, depending on how you defined certain jurisprudential precepts. When they were on good domestic terms they stayed in their bedroom for days of squeaking springs with the door locked except for brief sallies out for Beefeater gin and Chinese take-out in little white cardboard pails with wire handles, with the Stice children wandering ghostlike through the clapboard house in sagging diapers or woolen underwear subsisting on potato chips out of econobags bigger than most of them were, the Stice kids. The kids did somewhat physically better during periods of nuptial strife, when a stony-faced Mr. Stice slammed the kitchen door and went off daily to sell crop insurance while Mrs. Stice —whom both Mr. Stice and The Darkness called 'The Bride' —while The Bride spent all day and evening cooking intricate multicourse meals she'd feed bits of to The Brood (Stice refers to both himself and his six siblings as 'The Brood') and then keep warm in quietly rattling-lidded pots and then hurl at the kitchen walls when Mr. Stice came home smelling of gin and of cigarette-brands and toilet-eau not The Bride's own. Ortho Stice loves his folks to distraction, but not blindly, and every holiday home to Partridge KS he memorizes highlights of their connubial battles so he can regale the E.T.A. upperclass-men with them, mostly at meals, after the initial forkwork and gasping have died down and people have returned to sufficient levels of blood-sugar and awareness of their surroundings to be regaled.
David Foster Wallace (Infinite Jest)
An old Buddhist parable illustrates the challenge—and the value—of letting go of the past. Two monks were strolling by a stream on their way home to the monastery. They were startled by the sound of a young woman in a bridal gown, sitting by the stream, crying softly. Tears rolled down her cheeks as she gazed across the water. She needed to cross to get to her wedding, but she was fearful that doing so might ruin her beautiful handmade gown. In this particular sect, monks were prohibited from touching women. But one monk was filled with compassion for the bride. Ignoring the sanction, he hoisted the woman on his shoulders and carried her across the stream—assisting her journey and saving her gown. She smiled and bowed with gratitude as the monk splashed his way back across the stream to rejoin his companion. The second monk was livid. ‘How could you do that?’ he scolded. ‘You know we are forbidden to touch a woman, much less pick one up and carry her around!’ The offending monk listened in silence to a stern lecture that lasted all the way back to the monastery. His mind wandered as he felt the warm sunshine and listened to the singing birds. After returning to the monastery, he fell asleep for a few hours. He was jostled and awakened in the middle of the night by his fellow monk. ‘How could you carry that woman?’ his agitated friend cried out. ‘Someone else could have helped her across the stream. You were a bad monk.’ ‘What woman?’ the sleepy monk inquired. ‘Don’t you even remember? That woman you carried across the stream,’ his colleague snapped. ‘Oh, her,’ laughed the sleepy monk. ‘I only carried her across the stream. You carried her all the way back to the monastery.’ The learning point is simple: When it comes to our flawed past, leave it at the stream. I am not suggesting that we should always let go of the past. You need feedback to scour the past and identify room for improvement. But you can’t change the past. To change you need to be sharing ideas for the future.
Marshall Goldsmith (What Got You Here Won't Get You There: How successful people become even more successful)
Tradition now dictated that anyone could try and pull the couple apart. Whoever succeeded in separating them at their ribbons would be able to sit beside the couple as they feasted in celebration. The field became a tumble of laughing mates and contestants as males tried to remove males and females tried to remove females. Jacob grabbed his newly healed bride and floated out of the reach of the would-be renders, a cry of protest rising from below them. Gideon and Legna were left unmolested, Gideon’s imposing reputation having a quelling effect on the nerves of any who might have approached. He was kissing his bride when he felt a tap on his shoulder. He turned and saw Damien arching a challenging brow at him. Legna laughed, delighted as Gideon gave the Prince a dirty look. Her humor lasted about two seconds. That was when Damien’s partner in crime tapped Legna’s shoulder. Siena gave the bride a feline grin. “Oh, you bitch,” Legna choked out, laughing in her shock at the excellent maneuver on the Queen’s part. “Uh-uh,” the Queen scolded, her collar winking in the firelight. “That’s not very diplomatic of you, Ambassador.” “You realize this means war,” Legna said archly. “As if I would settle for anything less,” Siena returned. Legna and Gideon sighed, looking at each other and rolling their eyes. Husband grabbed hold of wife by their joined arms and then they braced their feet. Legna felt slim, strong arms around her waist and shoulders, and Gideon was seized in a similar hold by the determined Damien. “Darling?” Legna said. “Yes, love.” “Yes?” “Definitely yes.” The Vampire and Lycanthrope pulled, and immediately found themselves holding nothing but air. They both fell over hard into the dirt, dazedly watching a pair of ribbons floating down to the ground. “Oh look, they won,” Legna remarked from her and Gideon’s new position a few feet away. “How about that,” Gideon mused. “See you both at dinner. Congratulations on your victory.” The couple popped off to who knows where, leaving indignant but dubiously victorious royalty behind.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.
James McBride (Deacon King Kong)
Morfyd pulled out the only other chair and sat across from Annwyl. “I have heard much about your brother. It amazes me you still live.” Annwyl began to eat the hearty stew, desperately trying not to think too hard about what kind of meat it contained. “It amazes me as well. Daily.” “But you saved many people. Released many from his dungeons.” Annwyl shrugged silently as she wondered whether that was gristle she currently chewed on. “No one else would challenge him. No man would step forward to face him,” Morfyd pushed. “Well, he’s my brother. He used to set fire to my hair and throw knives at my head. Facing him in combat was inevitable.” “But you lived under his roof until two years ago. We’ve all heard the stories about life on Garbhán Isle.” “My brother had other concerns after my father died. He wanted to make sure everyone feared him. He didn’t have time to worry about his bastard sister.” “Why didn’t he marry you off? He could have forged an alliance with one of the bigger kingdoms.” Annwyl briefly thought of Lord Hamish of Madron Province and how close she came to being his bride. The thought chilled her. “He tried. But the nobles kept changing their minds.” “And did you help them with that?” She held up her thumb and forefinger, a little bit apart. “Just a little.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
The things about you I appreciate May seem indelicate: I'd like to find you in the shower And chase the soap for half an hour. I'd like to have you in my power And see your eyes dilate. I'd like to have your back to scour And other parts to lubricate. Sometimes I feel it is my fate To chase you screaming up a tower Or make you cower By asking you to differentiate Nietzsche from Schopenhauer. I'd like successfully to guess your weight And win you at a fête. I'd like to offer you a flower. I like the hair upon your shoulders, Falling like water over boulders. I like the shoulders too: they are essential. Your collar-bones have great potential (I'd like your particulars in folders Marked Confidential). I like your cheeks, I like your nose, I like the way your lips disclose The neat arrangement of your teeth (Half above and half beneath) In rows. I like your eyes, I like their fringes. The way they focus on me gives me twinges. Your upper arms drive me berserk. I like the way your elbows work. On hinges … I like your wrists, I like your glands, I like the fingers on your hands. I'd like to teach them how to count, And certain things we might exchange, Something familiar for something strange. I'd like to give you just the right amount And get some change. I like it when you tilt your cheek up. I like the way you not and hold a teacup. I like your legs when you unwind them. Even in trousers I don't mind them. I like each softly-moulded kneecap. I like the little crease behind them. I'd always know, without a recap, Where to find them. I like the sculpture of your ears. I like the way your profile disappears Whenever you decide to turn and face me. I'd like to cross two hemispheres And have you chase me. I'd like to smuggle you across frontiers Or sail with you at night into Tangiers. I'd like you to embrace me. I'd like to see you ironing your skirt And cancelling other dates. I'd like to button up your shirt. I like the way your chest inflates. I'd like to soothe you when you're hurt Or frightened senseless by invertebrates. I'd like you even if you were malign And had a yen for sudden homicide. I'd let you put insecticide Into my wine. I'd even like you if you were Bride Of Frankenstein Or something ghoulish out of Mamoulian's Jekyll and Hyde. I'd even like you as my Julian Or Norwich or Cathleen ni Houlihan. How melodramatic If you were something muttering in attics Like Mrs Rochester or a student of Boolean Mathematics. You are the end of self-abuse. You are the eternal feminine. I'd like to find a good excuse To call on you and find you in. I'd like to put my hand beneath your chin, And see you grin. I'd like to taste your Charlotte Russe, I'd like to feel my lips upon your skin I'd like to make you reproduce. I'd like you in my confidence. I'd like to be your second look. I'd like to let you try the French Defence And mate you with my rook. I'd like to be your preference And hence I'd like to be around when you unhook. I'd like to be your only audience, The final name in your appointment book, Your future tense.
John Fuller
Brastias, general of the Dark Plains rebellion and Annwyl’s second in command, leaned back into the hard wood chair and rubbed his tired eyes. She must be dead. She had to be dead. Annwyl would never disappear this long without word sent. He’d already sent trackers out to find her, but they came back empty-handed, losing her trail somewhere near Dark Glen, a haunted place most men dare not enter. Of course, Annwyl was not most men. She often dared where others fled. She remained the bravest warrior Brastias knew and he’d met many men over the years who he considered brave. But Annwyl could be foolhardy and her anger . . . formidable. And yet every day for two years Brastias thanked the gods for his good fortune. On a whim they had attacked a heavily armed caravan coming from Garbhán Isle. Its cargo had been Annwyl. Dressed in white bridal clothes and chained to the horse she rode, her destiny to be the unwilling bride for some noble in Madron. And based on how heavily armed her procession was, dangerously unhappy about it as well. Once the attack began, one of his men released Annwyl and told her to escape. She didn’t. Instead she took up a sword and fought. Fought, in fact, like a demon sent from the gods of hate and revenge. Her rage a mighty sight to behold. By the time the girl finished, she stood among the headless remains of those she killed. Her white gown completely covered in blood. On that day the men had given her the name Annwyl the Bloody and, as much as she hated it, the name stuck.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
Dotcom believes one of the reasons he was targeted was his support for Wikileaks founder Julian Assange. He says he was compelled to reach out to the site after US soldier Bradley Manning leaked documents to it. The infamous video recording of the Apache gunship gunning down a group of Iraqis (some of whom, despite widespread belief to the contrary, were later revealed to have been armed), including two Reuters journalists, was the trigger. “Wow, this is really crazy,” Dotcom recalls thinking, watching the black-and-white footage and hearing the operators of the helicopter chat about firing on the group. He made a €20,000 donation to Wikileaks through Megaupload’s UK account. “That was one of the largest donations they got,” he says. According to Dotcom, the US, at the time, was monitoring Wikileaks and trying better to understand its support base. “My name must have popped right up.” The combination of a leaking culture and a website dedicated to producing leaked material would horrify the US government, he says. A willing leaker and a platform on which to do it was “their biggest enemy and their biggest fear . . . If you are in a corrupt government and you know how much fishy stuff is going on in the background, to you, that is the biggest threat — to have a site where people can anonymously submit documents.” Neil MacBride was appointed to the Wikileaks case, meaning Dotcom shares prosecutors with Assange. “I think the Wikileaks connection got me on the radar.” Dotcom believes the US was most scared of the threat of inspiration Wikileaks posed. He also believes it shows just how many secrets the US has hidden from the public and the rest of the world. “That’s why they are going after that so hard. Only a full transparent government will have no corruption and no back door deals or secret organisations or secret agreements. The US is the complete opposite of that. It is really difficult to get any information in the US, so whistleblowing is the one way you can get to information and provide information to the public.
David Fisher (The Secret Life of Kim Dotcom: Spies, Lies and the War for the Internet)
The following is one of the oldest sermon illustrations used in the Christian church. It also tests one’s understanding of the Christian life. There once lived an ugly, hunchback dwarf. No one ever invited him to a party. No one showed him love or even attention. He became disillusioned with life and decided to climb a mountain and throw himself from its peak into the abyss. When he ascended the mountain, he met a beautiful girl. He talked to her and discovered that she was climbing the mountain for the same purpose. Her suffering was at the other extreme. She had everyone’s attention and love, but the one she loved had forsaken her for another girl, one with riches. She felt life had no meaning for her any longer, so they decided to make the ascent together. While they climbed, they met a man who introduced himself as a police officer in search of a very dangerous bandit who had robbed and murdered many people. The king had promised a large reward to the person who captured him. The police officer was very confident: “I will catch him because I know he has a feature by which he can be recognized. He has six fingers on his right hand. The police have been looking for him for years. For the last two or three, nothing has been heard from him, but he must pay for a multitude of past crimes.” The three climbed the mountain. Near its peak was a monastery. Its abbot, although he had become a monk only recently, had quickly attained great renown for saintliness. When they entered the monastery, he came to meet them. You could see the glory of God in his face. As the girl bowed to kiss his right hand, she saw he had six fingers. With this, the story ends. Those who hear this story are perplexed. It can’t finish like this! What happened to the dwarf, the girl, the policeman? Was the criminal caught? The story’s beauty is that it does finish here. Something beautiful has happened: A criminal hunted because of his many robberies and murders has become a great saint, renowned for his godly life. All the rest is of no further interest. The great miracle has been performed. Christ has been born in the heart of a man of very low character.
Richard Wurmbrand (The Midnight Bride)
Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion. In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten. Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage. Where will the family patterns collide? In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now? In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end? But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays. Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all? Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers? Then comes for many couples an even bigger challenge – children of their own! At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.
David W. Jones (The Enlightenment of Jesus: Practical Steps to Life Awake)
The only thing I can’t figure out is why you still eat the food your captors fed you. Why don’t you hate it as much as you hate them?” Fila glanced down at her plate. It contained a strange mixture of Afghan and Mexican dishes. She held up a flatbread. “This isn’t Taliban food—it’s Afghan food. It’s my mother’s food. I grew up eating it before I was ever captured. To me it means love and tenderness, not hate and violence.” “Taliban, Afghan—it’s all the same.” She waved the bread. “No, it’s not. Not one bit. Afghan culture is over two thousand years old. And it’s a conservative culture—it’s had to be—but it’s not a culture of monsters. Afghans are people like you, Holt. They’re born, they grow up, they live and love and they die just like we do. I didn’t study much history before I was taken, but I know this much. America’s story is that of the frontier—of always having room to grow. Afghanistan’s story is that of occupation. By the Russians, the British, the Mongols—even the ancient Greeks. On and on for century after century. Imagine all those wars being fought in Montana. Foreign armies living among us, taking over your ranch, stealing everything you own, killing your wife and children, over and over and over again.” She paused to catch her breath. “Death is right around the corner for them—all the time. Is it any wonder that a movement that turns men into warriors and codes everything else into rigid rules might seem like the answer?” She still wasn’t sure if Holt was following her. What analogy would make sense to him? She wracked her brain. “If a bunch of Californians overran Chance Creek and forced everyone to eat tofu, would you refuse to ever eat steak again?” He made a face. “Of course not!” “Then imagine the Taliban are the Californians, forcing everyone to eat tofu. And everyone does it because they don’t know what else to do. They still love steak, but they will be severely punished if they eat it—so will their families. That’s what it’s like for many Afghans living under Taliban control. It’s not their choice. They still love their country. They still love their heritage. That doesn’t mean they love the group of extremists who have taken over.” “Even if those Taliban people went away, they still wouldn’t be anything like you and me.” Holt crossed his arms. Fila suppressed a smile at his inclusion of her. That was a step in the right direction even if the greater message was lost on him. “They’re more like you than you think. Defensive. Angry. Always on the lookout for trouble.” Holt straightened. “I have four sons. Of course I’m on the lookout for trouble.” “They have sons, too.” She waited to see if he understood. Holt shook his head. “We’re going to see different on this one. But I understand about the food. Everyone likes their mother’s cooking best.” He surveyed her plate. “You got any more of that bread?” She’d take that as a victory.
Cora Seton (The Cowboy Rescues a Bride (The Cowboys of Chance Creek, #7))
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))