Peel Off Mask Quotes

Oh my God, she thought, it's hard to be human sometimes, with the pressure to be civilized lying only very thinly over the brain of a nervous little mammal. Maybe other people's layer of civilization was thicker than hers; hers was like a peel-off face mask after it had been peeled.

There is no need for hyperbole. I did NOT dump you. I peeled your mask off like a banana peel, did not like what was inside, and tossed it in the trash.

Creativity connects me to my truest self and vulnerability. There is nothing more personally liberating, than reaching for my face and peeling off the social mask that hides my; shadow self, pain and weakness. When i produce from this place of truth, the results transform both creator and beholder.

You know at the end of the day, when you close the door and you're all alone... And you strip off your armor and lower your guard and peel away the mask... When there's nobody watching and nothing to hide... And you no longer need to be strong or clever or pretty or brave... There's just you. That's it. That's the soul.

Stuck in masks—for nearly fifty years. I would have gone mad, would have peeled my skin off my face. “You didn’t have a mask as a beast—and neither did your friend.” “The blight is cruel like that.” Either live as a beast, or live with the mask. “What—what sort of sickness is it?

remove them.” Stuck in masks—for nearly fifty years. I would have gone mad, would have peeled my skin off my face. “You didn’t have a mask as a beast—and neither did your friend.” “The blight is cruel like that.” Either live as a beast, or live with the mask. “What—what sort of sickness is it?

AS LONG AS we follow a spiritual approach promising salvation, miracles, liberation, then we are bound by the “golden chain of spirituality.” Such a chain might be beautiful to wear, with its inlaid jewels and intricate carvings, but nevertheless, it imprisons us. People think they can wear the golden chain for decoration without being imprisoned by it, but they are deceiving themselves. As long as one’s approach to spirituality is based upon enriching ego, then it is spiritual materialism, a suicidal process rather than a creative one. All the promises we have heard are pure seduction. We expect the teachings to solve all our problems; we expect to be provided with magical means to deal with our depressions, our aggressions, our sexual hangups. But to our surprise we begin to realize that this is not going to happen. It is very disappointing to realize that we must work on ourselves and our suffering rather than depend upon a savior or the magical power of yogic techniques. It is disappointing to realize that we have to give up our expectations rather than build on the basis of our preconceptions. We must allow ourselves to be disappointed, which means the surrendering of me-ness, my achievement. We would like to watch ourselves attain enlightenment, watch our disciples celebrating, worshiping, throwing flowers at us, with miracles and earthquakes occurring and gods and angels singing and so forth. This never happens. The attainment of enlightenment from ego’s point of view is extreme death, the death of self, the death of me and mine, the death of the watcher. It is the ultimate and final disappointment. Treading the spiritual path is painful. It is a constant unmasking, peeling off of layer after layer of masks. It involves insult after insult.

I peeled the shorts off my sweating skin and stepped into the skirt. It slid up my body, resting on my waist, and I pulled the zipper up towards the lord. It didn't just fit. No, it did more than that. It melded to my body, beautifully, as if it had been cut specifically for me, to mask and smooth and elevate. I would be better in this skirt. The dream was happening! I had the all-knowing smile, my hair was suddenly more luxurious, I felt thinner, more acceptable. Girls who had been mean to me in high school would see me in this skirt and think, "Is that Scaachi?" and I'd say, "YOU BET IT IS, YOU DUMB BITCH" and then punch all their boyfriends in the teeth. (I have not thought this fantasy through; just let me have this.)

Loss that leaves behind depression and melancholy also offers us the great gift of perception. An instant ability to spot the truth. Honesty. Love. You have been this close to losing it all. Your fears and pretensions have been peeled off you. Your mask has fallen off.

Waiting for the world to shed tears for your pain was like waiting for a statue to speak. So you filed the reports, you answered the emails. You carried on as best you could. And if you were like Titus, if you wore a badge on your chest, you promised you’d do all you could to find the Last Wolf and peel off his mask. Show the world the face of the monster.

Why do you want me?” Her gaze narrows off into the distance, her eyes thoughtful as she ponders my question. “You’ve always stood out in a crowd to me. Even on that playground at Mitchum Elementary. I’ve seen you loud and goofy, I’ve seen your surly and damaged. I guess I just always wanted to peel away those masks, see the real Miles underneath. I think I’d really like him.

I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.

? We’ll bounce back. We always bounce back. I believed that.” The watchman is nodding, staring at the night sky, at the cold, blazing stars. Eyes high, voice low. “Then people got sick. Antibiotics. Quarantines. Disinfectants. We put on masks and washed our hands until our skin peeled off. Most of us died anyway.” And the man with the rifle watches the stars as if waiting for them to shake loose from the black and tumble to the Earth. Why shouldn’t they? “My neighbors. My friends. My wife and kids. I knew that all of them wouldn’t die. How could all of them die? Some people will get sick, but most people won’t, and the rest will

He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  

Carrot pudding?” Kitty turned to the biscuits, her words spilling out in a hurried stream. “We had so many carrots, I needed to do something with them ere they turn rotten.”  “Indeed.” Eliza stepped closer. The sisterly teasing in her dark eyes grew more potent until Kitty could hardly stand the weight of it. Eliza smiled. “I must say I find that quite remarkable.” “Remarkable?” Kitty swallowed. “Thomas and I do not care for carrot pudding. And neither do you.” The hint of accusation in Eliza’s tone met its mark. “If you’re implying I’ve made it for Nathaniel then you’re wrong.” Her cheeks grew hot. Mercy, why must she always be so transparent? She dipped her fingers in a bowl of water and wiped off the dough, praying the meager acting skill she employed would mask at least a portion of her emotions. “I’ve developed a taste for it, despite what you might think.” With a shrug and a smile that made Kitty’s embarrassment bleed into her cheeks, Eliza snatched a slice of apple peel and took a small bite.  “I don’t know if that’s true about the pudding, but I do think you have grown to like a certain someone quite particularly over the past few weeks.

Stuck in masks—for nearly fifty years. I would have gone mad, would have peeled my skin off my face. “You didn’t have a mask as a beast—and neither did your friend.

Touch me like that again and I’ll peel your face off to use as my next Halloween mask. Capiche?

Bryce finally peeled the Mask off

He grabbed his suit. “One of them hit me right in the heart. I thought I was dead, but the arrow clattered right out. It didn’t even touch my skin.” He peeled open the gash in the front of his suit, and a glimmer of iridescence sparkled. “Spidersilk,” he murmured, his eyes wide. Celaena smiled grimly and pulled off the mask from her face. “No wonder this damned suit was so expensive,” Sam said, letting out a breathy laugh.

He steps further into the room and reaches up to the underside of his mask, peeling it up and off until I see the face beneath. I don’t recognize him, but he still smiles at me. There's only one reason he could be so comfortable revealing his identity to me—he doesn't expect me to live through this.

Baxter snatched up the automatic typewriter and plumped it into Pinemont’s broad lap, slapping the mike into the big writer’s fat hands. “The sun is pasted to the burning sky like a scarlet cookie,” dictated the bearded man. “A scarlet sugar cookie. Buzzards circle far off. We slowly, ever so slowly, truck across the heat crazed sands of Old California. The birds swoop and we, with stunning impact, zoom in. Zoom with dazzling speed and lock in on a tight shot of… of… horse cock.” “Don Diego,” supplied Baxter. “The hero’s name is Don Diego.” “Don Diego. His hand reaches up and slowly, ever so slowly, he peels the scarlet mask from his grim face. The mask is limp, like a scarlet pancake. He puts the mask in his saddle bag and from it, from the intricately carved leather saddlebag, he withdraws the deed to the hacienda.” Pinemont lifted the typing machine off himself and reached for a beer.

The team hesitated at first and then slowly began ascending the pass. There wasn’t a trail and I knew there were some deep crevasses ahead. But I trusted Bear. The wind was increasing in velocity, and to make matters worse, it was getting dark. We were bucking hurricane force gusts that seemed to tear right through me. Several long hours went by and the ground started to level. We were almost on the summit. When I dragged my watch out of my pocket, I was stunned. We had been struggling for six hours. Finally, the wind died a little as we crested the pass and I stopped the team. I quickly limped up to Bear. His face was covered with snow and ice and his eyes were completely closed. I peeled his ice mask off and his eyes opened. He seemed to smile. He had led us up that mountain pass and through the blizzard with his eyes closed.

There is... a sickness in these lands. Across Prythian. There has been for almost fifty years now. It is why this house and these lands are so empty: most have left. The blight spreads slowly, but it has made magic act... strangely. My own powers are diminished due to it. These masks'- he tapped on his- 'are the result of a surge of it that occurred during a masquerade forty-nine years ago. Even now, we can't remove them.' Stuck in masks- for nearly fifty years. I would have gone made, would have peeled my skin off my face. 'You didn't have a mask on as a beast- and neither did your friend.' 'The blight is cruel like that.' Either live as a beast, or live with the mask.

Beneath every person is a thousand layers, each one a clear, thin film almost impossible to pull back. They walk around seemingly see-through, giving off an air that they are an open book if you ever did have questions. Then you start to peel back that film, layer by layer you remove the clear skin. And once you got several sheets in, you realize that the film was a cover, a mask to hide a secret person you never knew existed.

Moments ago she was on her stomach distractedly rubbing herself against the mattress. When she masturbates the face she usually conjures up first is her own. In her fantasies she is beautiful, more beautiful than what youth naturally lends her. But not only is she beautiful, in her fantasies she is beautiful through another’s eyes. Her fantasies are of being witnessed, of being watched. By HIM, the one she must banish from her thoughts but that she allows to star in these fairytales. She can feel his gaze upon her. But today she tries not to think about HIM, she thinks about Olly, with HIS face, or maybe the reverse, trying not to think about HIM so making HIM look like Olly….It wasn’t working. The only way she could get off, could ride herself to ecstasy dry humping herself on her bed was to resurrect the past starring HIM her episodic Lazarus, peeling off the Olly mask, yes it was HIM, HIM, HIM, gazing at her face like it was composed of stained glass, she allowed herself to remember his face, just one last time, but she was having trouble recalling it exactly. And if she remembered his face, if she could only remember his face…

Then social mores had intervened. A distinct scene from junior high flushes vividly back. Girls sitting out of rotation volleyball in gym class stared at me all gap-mouthed when—of a rainy spring day—I spouted e. e. cummings. Through open green gym doors, sheets of rain erased the parking lot we normally stood staring at as if it were a refrigerator about to manifest food. The poem started: in Just-: spring when the world is mud- luscious… As I went on, Kitty Stanley sat cross-legged in black gym shorts and white blouse, peeling fuchsia polish off her thumbnail with a watchmaker’s precision. She was a mouth breather, Kitty, whose blond bouffant hairdo featured above her bangs a yarn bow the color of a kumquat. That it? Beverly said. Her black-lined gaze looked like an old-timey bandit mask. Indeed, I said. (This was my assholish T. S. Eliot stage circa ninth grade, when I peppered my speech with words I thought sounded British like indeed.) Is that a word, muddy delicious? Kitty said. Mud-luscious, I said. Not no real word, Beverly said, leaning back on both hands, legs crossed. I studied a volleyball arcing white across the gym ceiling and willed it to smash into Beverly’s freakishly round head. It’s squashing together luscious and lush and delicious, and all of it applied to spring mud. It’s poetic license, I said. I think it’s real smart how you learn every word so they come out any time you please, Kitty said. Beverly snorted. I get mud all over Bobby’s truck flaps, and believe you me, delicious don’t figure in. As insults go, it was weak, but Beverly’s facial expression—like she was smelling something—told me to put poetry right back where I’d drug it out from.

Yeah, but how did you do it?” I broke in. Dahmer, again composed, lit another cigarette before he answered. “It did take a long time, about two hours. I used a small, very sharp paring knife. I think I saw it in one of the Polaroids. Anyway, I started by making an incision from the top of his head down the back of his neck. Then I carefully cut along the skull. It was a little tricky around the ears and nose.” I picked up the photo. It was shocking and compelling at the same time. “Yeah, Jeff, but how did you get the skin to come off so completely?” He shrugged his shoulders. “It was really no big deal. The skin is detachable, just like pulling the skin off a chicken you are about to cook.” Dahmer explained that human skin peeled off easily if he made the correct incision. He was very careful to detach the victim’s facial skin in one piece. “I wrapped it around my own face and looked through his eye holes. It was like wearing a mask.

The storm relented on the morning of the eleventh. The winds dropped to about thirty knots. Stuart Hutchison and three Sherpas went in search of Yasuko and me. They found us lying next to each other, largely buried in snow and ice. First to Yasuko. Hutchison reached down and pulled her up by her coat. She had a three-inch-thick layer of ice across her face, a mask that he peeled back. Her skin was porcelain. Her eyes were dilated. But she was still breathing. He moved to me, pulled me up, and cleaned the ice out of my eyes and off my beard so he could look into my face. I, like Yasuko, was barely clinging to life. Hutchison would later say he had never seen a human being so close to death and still breathing. Coming from a cardiologist, I’ll accept that at face value. What do you do? The superstitious Sherpas, uneasy around the dead and dying, were hesitant to approach us. But Hutchison didn’t really need a second opinion here. The answer was, you leave them. Every mountaineer knows that once you go into hypothermic coma in the high mountains, you never, ever wake up. Yasuko and I were going to die anyway. It would only endanger more lives to bring us back. I don’t begrudge that decision for my own sake. But how much strain would be entailed in carrying Yasuko back? She was so tiny. At least she could have died in the tent, surrounded by people, and not alone on that ice. Hutchison and the Sherpas got back to camp and told everyone that we were dead. They called down to Base Camp, which notified Rob’s office in Christchurch, which relayed the news to Dallas. On a warm, sunny Saturday morning the phone rang in our house. Peach answered and was told by Madeleine David, office manager for Hall’s company, Adventure Consultants, that I had been killed descending from the summit ridge. “Is there any hope?” Peach asked. “No,” David replied. “There’s been a positive body identification. I’m sorry.