Peanut And Snoopy Quotes

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My mind reels with sarcastic replies!
Charles M. Schulz (The Complete Peanuts, Vol. 7: 1963-1964)
I love those dark moments in Peanuts. I love that they're in there, that Charles Schulz put the sad lonely bits of himself into the comic. I love the silliness too, the dancing Snoopy strips. The little boy Rerun drawing "basement" comics about Tarzan fighting Daffy Duck in a helicopter. Those are the bits that keep me reading. The funny parts! The fun parts. The silly bits that don't make any sense. And when I get to the sad lonely Peppermint Patty standing in a field wondering why nobody shook hands and said "good game," well, it works because that's not all she was. I try to think that way about everything. That's the kind of person I want to be.
Joey Comeau (We all got it coming)
as Schulz himself has pointed out, Snoopy is capable of being 'one of the meanest' members of the entire Peanuts cast ... he is lazy, he is a 'chow-hound' without parallel, he is bitingly sarcastic, he is frequently a coward, and he often becomes quite weary of being what he is basically -- a dog. He is, in other words, a fairly drawn caricature for what is probably the typical Christian.
Robert L. Short (The Gospel According to Peanuts)
I want people to have more to say about me after I'm gone than, 'He was a nice guy...he chased sticks!' —Snoopy
Charles M. Schulz (The Complete Peanuts, Vol. 7: 1963-1964)
As Snoopy, that great contemporary philosopher, once said, “There’s nothing like a little physical pain to keep your mind off your emotional problems.” Charles M. Schulz, the creator of Peanuts, is clearly a perceptive man.
John E. Sarno (Healing Back Pain: The Mind-Body Connection)
Marcie mi sta facendo un costume, Snoopy. Adesso è solo questione che io e te ci occupiamo del mio pattinaggio in modo che possa far bene nella gara... Come sono le mie figure? BLEAH!! Non sei un grande addolcitore di pillole, vero?
Charles M. Schulz
I've been keeping an eye out for the Charlie Brown Valentine's Day special. I know it will be on soon, and I never miss a Charlie Brown special. The best one is the Halloween show about the Great Pumpkin - which I've only missed one year in my life, due to the local ABC station having technical difficulties - but all the Peanuts shows make me feel like I'm one step closer to Halloween. The thing I like about the shows isn't the characters - it's the background. The colors are so amazing it almost takes my breath away. Every time I watch The Great Pumpkin I feel like I'm going to have a seizure during the scenes where Snoopy is in a dogfight. Just look at the background in those scenes. It really is too much to take. I can barely keep from holding my head in my hands and involuntarily groaning like I have a mouthful of the best chocolate cake ever made. I look at them and can literally smell the crisp autumn air - even in this cell. No horror movie in the world makes me feel the magick of Halloween as strongly as The Great Pumpkin.
Damien Echols (Life After Death)
Charles Schulz once said that his Peanuts characters represented different aspects of himself. Philosophical Linus, crabby Lucy, insouciant Snoopy…and melancholic Charlie Brown, who was the heart of it all, the center of the strip, yet the one we could never admit to being. “I didn’t realize how many Charlie Browns there were in the world,” Schulz said. “I thought I was the only one.
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
Fans of the Peanuts comic strip may also remember Snoopy beginning his novel again and again, always starting with the line 'It was a dark and stormy night' ... In fact, since 1982, San Jose State University has run a writing contest inspired by 'It was a dark and stormy night' ... Charles Dickens opens stave one of A Christmas Carol with 'Once upon a time' ... Similarly, James Joyce's A Portrait of the Artist As a Young Man begins: 'Once upon a time' ... and Madeleine L'Engle begins A Wrinkle in Time with the very words 'It was a dark and stormy night.' (From Intro by Francine Prose)
Christopher R. Beha (The Writer's Notebook II: Craft Essays from Tin House)
Con questo non voglio dire che il depresso e insicuro Charlie Brown, l’egoista e sadica Lucy, l’eccentrico filosofo Linus e l’ossessivo Schroeder (che soddisfa le sue ambizioni beethoveniane con un pianoforte giocattolo e una sola ottava) non siano tutti avatar di Schultz. Ma il suo vero alter ego è chiaramente Snoopy: l’imbroglione proteiforme che fonda la propria libertà sulla certezza di essere in fondo adorabile, il trasformista che, per puro divertimento, può diventare un elicottero, un giocatore di hokey o il Grande Brachetto, e poi di nuovo, in un lampo, prima che il suo virtuosismo possa annoiarvi o sminuirvi, tornare a essere il cagnolino vivace che aspetta solo la cena.
Jonathan Franzen
This world is full of new things to try. Not all of them will bring you joy, but those that don't will at least bring you education- as you'll learn to never do them again.
Nat Gertler (Peanuts Be More Snoopy)
The various health disciplines interested in the back have succeeded in creating an army of the partially disabled in this country with their medieval concepts of structural damage and injury as the basis of back pain. Though it is often difficult, every patient has to work through his or her fear and return to full normal physical activity. One must do this not simply for the sake of becoming a normal human being again (though that is a good enough reason physically and psychologically by itself) but to liberate oneself from the fear of physical activity, which is often more effective than pain in keeping one’s mind focused on the body. That is the purpose of TMS, to keep the mind from attending to emotional things. As Snoopy, that great contemporary philosopher, once said, “There’s nothing like a little physical pain to keep your mind off your emotional problems.” Charles M. Schulz, the creator of Peanuts, is clearly a perceptive man.
John E. Sarno (Healing Back Pain: The Mind-Body Connection)
I had a private, intense relationship with Snoopy, the cartoon beagle. He was a solitary not-animal animal who lived among larger creatures of a different species, which was more or less my feeling in my own house.
Jonathan Franzen (The Discomfort Zone: A Personal History)
This theme—cash before all—is also a hoary one. George Gershwin relied on it in his song “Freud and Jung and Adler” for the 1933 musical Pardon My English. In a repeated refrain, the doctors sing that they practice psychoanalysis because it “pays twice as well” as specialties that deal with bodily ailments. Therapists are inherently comical Luftmenschen, impractical, except on this one front. They like their fees. Lucy’s perky insistence about billing gives the five-cents-please strips their final kick.
Andrew Blauner (The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life: A Library of America Special Publication)