“
Deep in each man is the knowledge that something knows of his existence. Something knows, and cannot be fled nor hid from.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Life is a memory, and then it is nothing.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Nor does God whisper through the trees. His voice is not to be mistaken. When men hear it they fall to their knees and their souls are riven and they cry out to Him and there is no fear but only wildness of heart that springs from such longing...
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
No one can tell you what your life is goin to be, can they?
No.
It's never like what you expected.
Quijada nodded. If people knew the story of their lives how many would then elect to live them?
”
”
Cormac McCarthy (The Crossing)
“
Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Words pale and lose their savor while pain is always new.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
It was the nature of his profession that his experience with death should be greater than for most and he said that while it was true that time heals bereavement it does so only at the cost of the slow extinction of those loved ones from the heart's memory which is the sole place of their abode then or now. Faces fade, voices dim. Seize them back, whispered the sepulturero. Speak with them. Call their names. Do this and do not let sorrow die for it is the sweetening of every gift.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He said that men believe the blood of the slain to be of no consequence but that the wolf knows better. He said that the wolf is a being of great order and that it knows what men do not: that there is no order in this world save that which death has put there.
”
”
Cormac McCarthy (The Crossing)
“
Doomed enterprises divide lives forever into the then and now
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Things separate from their stories have no meaning. They are only shapes.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
The names of the cerros and the sierras and the deserts exist only on maps. We name them that we do not lose our way. Yet it was because the way was lost to us already that we have made those names. The world cannot be lost. We are the ones. And it is because these names and these coordinates are our own naming that they cannot save us. They cannot find for us the way again.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
It had ceased raining in the night and he walked out on the road and called for the dog. He called and called. Standing in that inexplicable darkness. Where there was no sound anywhere save only the wind. After a while he sat in the road. He took off his hat and placed it on the tarmac before him and he bowed his head and held his face in his hands and wept. He sat there for a long time and after a while the east did gray and after a while the right and godmade sun did rise, once again, for all and without distinction.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
The road has its own reasons and no two travelers will have the same understanding of those reasons. If indeed they come to an understanding of them at all.
”
”
Cormac McCarthy (The Crossing)
“
He said that whether a man's life was writ in a book someplace or whether it took its form day by day was one and the same for it had but one reality and that was the living of it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
The wicked know that if the ill they do be of sufficient horror that men will not speak against it. That men have just enough stomach for small evils and only these will they oppose.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Acts have their being in the witness. Without him who can speak of it? In the end one could even say that the act is nothing, the witness all.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
The passing of armies and the passing of sands in the desert are one.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He is where he is supposed to be. And yet the place he has found is also of his own choosing. That is a piece of luck not to be despised.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
The eye turned to the fire gave back no light and he closed it with his thumb and sat by her and put his hand upon her bloodied forehead and closed his own eyes that he could see her running in the mountains, running in the starlight where the grass was wet and the sun's coming as yet had not undone the rich matrix of creatures passed in the night before her. Deer and hare and dove and groundvole all richly empaneled on the air for her delight, all nations of the possible world ordained by God of which she was one among and not separate from. Where she ran the cries of the coyotes clapped shut as if a door had closed upon them and all was fear and marvel. He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
There is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but is a tale. And all in it is a tale and each tale the sum of all lesser tales and yet these are also the selfsame tale and contain as well all else within them. So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall. And those seams that are hid from us are of course in the tale itself and the tale has no abode or place of beind except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. And . . . in whatever . . . place by whatever . . . name or by no name at all . . . all tales are one. Rightly heard all tales are one.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Men do not turn from God so easily. Not so easily. Deep in each man is the knowledge that something knows of his existence. Something knows, and cannot e fled nor hid from. To imagine otherwise is to imagine the unspeakable. It was never that this man ceased to believe in God. No. It was rather that he came to believe terrible things of him.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
They crossed before the sun and vanished one by one and reappeared again and they were black in the sun and they rode out of that vanished sea like burnt phantoms with the legs of the animals kicking up the spume that was not real and they were lost in the sun and lost in the lake and they shimmered and slurred together and separated again and they were augmented by planes in lurid avatars and began to coalesce and there began to appear above them in the dawn-broached sky a hellish likeness of their ranks riding huge and inverted and the horses' legs incredibly elongate trampling down the high thin cirrus and the howling antiwarriors pendant from their mounts immense and chimeric and the high wild cries carrying that flat and barren pan like the cries of souls broke through some misweave in the weft of things into the world below.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
the beast who dreams of man and has so dreamt in running dreams a hundred thousand years and more. Dreams of that malignant lesser god come pale and naked and alien to slaughter all his clan and kin and rout them from their house. A god insatiable whom no ceding could appease nor any measure of blood.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He said that the notion that evil is seldom rewarded was greatly overspoken for if there were no advantage to it then men would shun it and how could virtue then be attached to its repudiation?
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Rich dreams now which he was loathe to wake from. Things no longer known in the world. The cold drove him forth to mend the fire. Memory of her crossing the lawn toward the house in the early morning in a thin rose gown that clung to her breasts. He thought each memory recalled must do some violence to its origins. As in a party game. Say the words and pass it on. So be sparing. What you alter in the remembering has yet a reality, known or not.
”
”
Cormac McCarthy (The Road)
“
Finally he said that if men drink the blood of God yet they do not understand the seriousness of what they do. He said that men wish to be serious but they do not understand how to be so. Between their acts and their ceremonies lies the world and in this world the storms blow and the trees twist in the wind and all the animals that God has made go to and fro yet this world men do not see. They see the acts of their own hands or they see that which they name and call out to one another but the world between is invisible to them
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He said that journeys involving the company of the dead were notorious for their difficulty but that in truth every journey was so accompanied.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He said that the world was sentient to its core and secret and black beyond men's imagining and that its nature did not reside in what could be seen or not seen.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
If a dream can tell the future it can also thwart that future. For God will not permit that we shall know what is to come. He is bound to no one that the world unfold just so upon its course and those who by some sorcery or by some dream might come to pierce the veil that lies so darkly over all that is before them may serve by just that vision to cause that God should wrench the world from its heading and set it upon another course altogether and then where stands the sorcerer? Where the dreamer and his dream?
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
She said that these were things all women knew yet seldom spoke of. Lastly she said that if women were drawn to rash men it was only that in their secret hearts they knew that a man who would not kill for them was of no use at all.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He said that most men were in their lives like the carpenter whose work went so slowly for the dullness of his tools that he had not time to sharpen them. Y
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
But once you cross the Shannon - even though geographically you have only come a short distance - different rules of time apply, and most people still understand the crucial secret of human happiness: that it's better to do a few things slowly, than a lot of things fast.
”
”
Pete McCarthy (McCarthy's Bar: A Journey of Discovery In Ireland)
“
He told the boy that although he was huérfano still he must cease his wanderings and make for himself some place in the world because to wander in this way would become for him a passion and by this passion he would become estranged from men and so ultimately from himself. He said that the world could only be known as it existed in men's hearts. For while it seemed a place which contained men it was in reality a place contained within them and therefore to know it one must look there and come to know those hearts and to do this one must live with men and not simply pass among them. He said that while the huérfano might feel that he no longer belonged among men he must set this feeling aside for he contained within him a largeness of spirit which men could see and that men would wish to know him and that the world would need him even as he needed the world for they were one. Lastly he said that while this itself was a good thing like all good things it was also a danger. Then he removed his hands from the boy's saddle and stepped away and stood. The boy thanked him for his words but he said that he was in fact not an orphan and then he thanked the women standing there and turned the horse and rode out. They stood watching him go. As he passed the last of the brush wickiups he turned and looked back and as he did so the old man called out to him. Eres, he said. Eres huérfano.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
It took two days to cross that ashen scabland. The road beyond fell away on every side. It's snowing, the boy said. He looked at the sky. A single gray flake sifting down. He caught it in his hand and watched it expire there like the last host of christendom.
”
”
Cormac McCarthy (The Road)
“
All my life, he said, I been witness to people showin up where they was supposed to be at various times after they'd said they'd be there. I never heard one yet that didnt have a reason for it.
Yessir.
But there aint but one reason.
Yessir.
You know what it is?
No sir.
It's that their word's no good. That's the only reason there ever was or ever will be.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
There ain’t no law in Mexico. It’s just a pack of rogues.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
She watched him with her yellow eyes and in them was no despair but only that same reckonless deep of loneliness that cored the world to its heart.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Things separate from their stories have no meaning.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Do you think horses understand what people say? I aint sure most people do.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
The last thin paring of the old moon hung over the distant mountains to the west. Venus had moved away. With dark a gauzy swarm of stars. He could not guess what they were for so many.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
When the flames came up her eyes burned out there like gatelamps to another world. A world burning on the shore of an unknowable void. A world construed out of blood and blood's alcahest and blood in its core and in its integument because it was nothing save blood had power to resonate against that void which threatened hourly to devour it. He wrapped himself in the blanket and watched her. When those eyes and the nation to which they stood witness were gone at last with their dignity back into their origins there would perhaps be other fires and other witnesses and other worlds otherwise beheld. But they would not be this one.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He said that like every man who comes to the end of something there was nothing to be done but to begin again. No puedo recordar el mundo de luz, he said. Hace muchos años. Ese mundo es un mundo fragil. Ultimamente lo que vine a ver era mas durable. Mas verdadero.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
It would take a hell of a wife to beat no wife at all.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
She said that her grandmother was skeptical of many things in this world and of none more than men. She said that in every trade save war men of talent and vigor prosper. In war they die. Her grandmother spoke to her often of men and she spoke with great earnestness and she said that rash men were a great temptation to women and this was simply a misfortune like others and there was little that could be done to remedy it. She said that to be a woman was to live a life of difficulty and heartbreak and those who said otherwise simply had no wish to face the facts. And she said that since this was so nor could it be altered one was better to follow one’s heart in joy and in misery than simply to seek comfort for there was none. To seek it was only to welcome in the misery and to know little else. She said that these were things all women knew yet seldom spoke of. Lastly she said that if women were drawn to rash men it was only that in their secret hearts they knew that a man who would not kill for them was of no use at all.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
For this world also which seems to us a thing of stone and flower and blood is not a thing at all but a tale. And all in it is a tale and each tale the sum of all lesser tales and yet these are the selfsame tale and contain as well all within them. So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
The stars burned with a lidless fixity and they drew nearer in the night until toward dawn he was stumbling among the whinstones of the uttermost ridge to heaven, a barren range of rock so enfolded in that gaudy house that stars lay awash at his feet and migratory spalls of burning matter crossed constantly about him on their chartless reckonings.
”
”
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
“
Easy to see that naught save sorrow could bring a man to such a view of things. And yet a sorrow for which there can be no help is no sorrow. It is some dark sister traveling in sorrow's clothing. Men do not turn from God so easily you see. Not so easily. Deep in each man is the knowledge that something knows of his existence. Something knows, and cannot be fled nor hid from. To imagine otherwise is to imagine the unspeakable. It was never that this man ceased to believe in God. No. It was rather that he came to believe terrible things of Him.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He said that that what men do not understand is that what the dead have quit is itself no world but is only the picture of the world in men's hearts. He said that the world cannot be quit for it is eternal in whatever form as are all things within it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He looked up. His pale hair looked white. He looked fourteen going on some age that never was. He looked as if he’d been sitting there and God had made the trees and rocks around him. He looked like his own reincarnation and then his own again. Above all else he looked to be filled with a terrible sadness. As if he harbored news of some horrendous loss that no one else had heard of yet. Some vast tragedy not of fact or incident or event but of the way the world was.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
When he reached the fence he stopped for a moment to look back at the road and then he went on, crossing into a field of rank weeds that heeled with harsh dip and clash under the wind as if fled through by something unseen.
”
”
Cormac McCarthy (Outer Dark)
“
He rode out in the dark long before daylight and he rode the sun up and he rode it down again. In the oncoming years a terrible drought struck west Texas. He moved on. There was no work in that country anywhere. Pasture gates stood open and sand drifted in the roads and after a few years it was rare to see stock of any kind and he rode on. Days of the world. Years of the world. Till he was old.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He said that while one would like to say that God will punish those who do such things and that people often speak in just this way it was his experience that God could not be spoken for and that men with wicked histories often enjoyed lives of comfort and that they died in peace and were buried with honor. He said is was a mistake to expect too much of justice in this world. He said that the notion that evil is seldom rewarded was greatly overspoken for if there were no advantage to it then men would shun it and how could virtue then be attached to its repudiation.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He imagined that in his estate of eternal night he might somehow have already halved the distance to death. That the transition for him could not be so great for the world was already at some certain distance and if it were not death's terrain he encroached upon in his darkness then whose?
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
a bad map is worse than no map at all for it engendered in the traveler a false confidence and might easily cause him to set aside these instincts which would otherwise guide him if he would but place himself in their care. He said that to follow a false map was to invite disaster. He gestured at the sketching in the dirt. As if to invite them to behold its futility. The second man on the bench nodded his agreement in this and said that the map in question was a folly and that the dogs in the street would piss upon it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Nadie sabe para quien trabaja.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
In their images they had thought to find some small immortality but oblivion cannot be appeased.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He’d half meant to speak but those eyes had altered the world forever in the space of a heartbeat.
”
”
Cormac McCarthy (The Border Trilogy: All the Pretty Horses / The Crossing / Cities of the Plain)
“
You got good eyes, she said. Yes mam, he said. I always did. Well I guess so, she said. You dont normally start out with bad ones and they get better.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He said that like every man who comes to the end of something there was nothing to be done but to begin again.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
I dont know how it would of turned out if I hadnt worried.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
the sun rose and the river ran as before but nothing was the same nor did he think it ever would be.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
She said also that while the rain fell by the will of God evil chose its own hour and that those whom it sought out were perhaps not entirely lacking of some certain darkness in themselves. She said that the heart betrayed itself and hte wicked often had eyes to see that which was hidden from the good.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
They rode for days through the rain and they rode through rain and hail and rain again. In that gray storm light they crossed a flooded plain with the footed shapes of the horses reflected in the water among clouds and mountains and the riders slumped forward and rightly skeptic of the shimmering cities on the distant shore of that sea whereon they trod miraculous. They climbed up through rolling grasslands where small birds shied away chittering down the wind and a buzzard labored up from among bones with wings that went whoop whoop whoop like a child's toy swung on a string and in the long red sunset the sheets of water on the plain below them lay like tidepools of primal blood.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Snowflake. You catch the snowflake but when you look in your hand you don’t have it no more. Maybe you see this dechado. But before you see it it is gone. If you want to see it you have to see it on its own ground. If you catch it you lose it. And where it goes there is no coming back from. Not even God can bring it back.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Long voyages often lose themselves.
Mam?
You will see. It is difficult even for brothers to travel together on such a voyage. The road has its own reasons and no two travelers will have the same understanding of those reasons. If indeed they come to an understanding of them at all. Listen to the corridos of the country. They will tell you. Then you will see in your own life what is the cost of things. Perhaps it is true that nothing is hidden. Yet many do not wish to see what lies before them in plain sight. You will see. The shape of the road is the road. There is not some other road that wears the shape but only the one. And every voyage begun upon it will be completed. Whether horses are found or not.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He understood what the priest could not. That what we seek is the worthy adversary. For we strike out to fall flailing through demons of wire and crepe and we long for something of substance to oppose us. Something to contain us or to stay our hand. Otherwise there were no boundaries to our own being and we too must extend our claims until we lose all definition. Until we must be swallowed up at last by the very void to which we wished to stand opposed.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He took up her stiff head out of the leaves and held it or he reached to hold what cannot be held, what already ran among the mountains at once terrible and of a great beauty, like flowers that feed on flesh. What blood and bone are made of but can themselves not make on any altar nor by any wound of war. What we may well believe has power to cut and shape and hollow out the dark form of the world surely if wind can, if rain can. But which cannot be held never be held and is no flower but is swift and a huntress and the wind itself is in terror of it and the world cannot lose it.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Crouched in the broken shadow with the sun at his back and holding the trap at eyelevel against the morning sky he looked to be truing some older, some subtler instrument. Astrolabe or sextant. Like a man bent at fixing himself someway in the world. Bent on trying by arc or chord the space between his being and the world that was. If there be such space. If it be knowable.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Before he reached the door the old man called to him again. The boy turned and stood. The matrix will not help you, the old man said. He said to catch the wolf the boy should find that place where the acts of God and those of man are of one piece. Where they cannot be distinguished... The old man said that it was not a question of finding such a place but rather of knowing it when it presented itself. He said that it was at such places that God sits and conspires in the destruction of that which he has been at such pains to create.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
The world has no name, he said. The names of the cerros and the sierras and the deserts exist only on maps. We name them that we do not lose our way. Yet it was because the way was lost to us already that we have made those names. The world cannot be lost. We are the ones. And it is because these names and these coordinaes are our own naming that they cannot save us. That they cannot find for us the way again. Your brother is in that place which the world has chosen for him. He is where he is supposed to be. And yet the place he has found is also of his own choosing. That is a piece of luck not to be despised.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
I thought that I would go to Romania and that when I got there I would go to some small town and buy secondhand clothes in the market. Shoes. A blanket. I’d burn everything I owned. My passport. Maybe I’d just put my clothes in the trash. Change money in the street. Then I’d hike into the mountains. Stay off the road. Take no chances. Crossing the ancestral lands by foot. Maybe by night. There are bears and wolves up there. I looked it up. You could have a small fire at night. Maybe find a cave. A mountain stream. I’d have a canteen for water for when the time came that I was too weak to move about. After a while the water would taste extraordinary. It would taste like music. I’d wrap myself in the blanket at night against the cold and watch the bones take shape beneath my skin and I would pray that I might see the truth of the world before I died. Sometimes at night the animals would come to the edge of the fire and move about and their shadows would move among the trees and I would understand that when the last fire was ashes they would come and carry me away and I would be their eucharist. And that would be my life. And I would be happy.
”
”
Cormac McCarthy (Stella Maris (The Passenger #2))
“
The events of the world can have no separate life from the world. And yet the world itself can have no temporal view of things. It can have no cause to favor certain enterprises over others. The passing of armies and the passing of sands in the desert are one. There is no favoring, you see. How could there be? At whose behest? This man did not cease to believe in God. Nor did he come to have some modern view of God. There was God and there was the world. He knew that the world would forget him but that God could not. And yet that was the very thing he wished for.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
At the farther edge of the town they came upon a solitary house in a field and they crossed and entered and walked through the rooms. They came upon themselves in a mirror and he almost raised the pistol. It's us, Papa, the boy whispered. It's us.
”
”
Cormac McCarthy (The Road)
“
Me I was always lucky. My whole life. I wouldnt be here otherwise. Scrapes I been in. But the day I seen her come out of Kerr’s Mercantile and cross the street and she passed me and I tipped my hat to her and got just almost a smile back, that was the luckiest.
”
”
Cormac McCarthy (No Country for Old Men)
“
Such a man is like a dreamer who wakes from a dream of grief to a greater sorrow yet. All that he loves is now become a torment to him. The pin has been pulled from the axis of the universe. Whatever one takes one's eye from threatens to flee away. Such a man is lost to us. He moves and speaks. But he is himself less than the merest shadow among all that he beholds. There is no picture of him possible. The smallest mark upon the page exaggerates his presence.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Forty minutes later he saw her and stopped and sat the horse and watched. She was riding along a red dirt ridge to the south sitting with her hands crossed on the pommel, looking toward the last of the sun, the horse slogging slowly through the loose sandy dirt, the red stain of it following them in the still air. That’s my heart yonder, he told the horse. It always was.
”
”
Cormac McCarthy (No Country for Old Men)
“
The wicked know that if the ill they do be of sufficient horror that men will not speak against it. That men have just enough stomach for small evils and only these will they oppose. He said that true evil has power to sober the smalldoer against his own deeds and in the contemplation of that evil he may even find the path of righteousness which has been foreign to his feet and may have no power but to go upon it. Even this man may be appalled at what is revealed to him and seek some order to stand against it. Yet in all of this there are two things which perhaps he will not know. He will not know that while the order which the righteous seek is never righteousness itself but is only order, the disorder of evil is in fact the thing itself. Nor will he know that while the righteous are hampered at every turn by their ignorance of evil to the evil all is plain, light and dark alike. This man of which we speak will seek to impose order and lineage upon things which rightly have none. He will call upon the world itself to testify as to the truth of what are in fact but his desires. In his final incarnation he may seek to indemnify his words with blood for by now he will have discovered that words pale and lose their savor while pain is always new.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
It took two days to cross that ashen scabland. The road beyond ran along the crest of a ridge where the barren woodland fell away on every side. It’s snowing, the boy said. He looked at the sky. A single gray flake sifting down. He caught it in his hand and watched it expire there like the last host of christendom.
”
”
Cormac McCarthy (The Road)
“
The winter that Boyd turned fourteen the trees inhabiting the dry river bed were bare from early on and the sky was gray day after day and the trees were pale against it. A cold wind had come down from the north with the earth running under bare poles toward a reckoning whose ledgers would be drawn up and dated only long after all due claims had passed, such is this history.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He had no faith in the power of men to act wisely in their own behalf. It was his view rather that every act soon eluded the grasp of its propagator to be swept away in a clamorous tide of unforeseen consequence. He believed that in the world was another agenda, another order, and with this power lay whatever brief he may have held. In the meantime he waited to be called to he knew not what.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
I am here because of a certain man. I came to retrace his steps. Perhaps to see if there were not some alternate course. What was here to be found was not a thing. Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place. And that is what was to be found here. The corrido. That tale. And like all corridos it ultimately told one story only, for there is only one to tell.
The cats shifted and stirred, the fire creaked in the stove. Outside in the abandoned village the profoundest silence.
What is the story? the boy said.
In the town of Caborca on the Altar River there was a man who lived there who was an old man. He was born in Caborca and in Caborca he died. Yet he lived once in this town, in Huisiachepic.
What does Caborca know of Huisiachepic, Huisiachepic of Caborca? They are different worlds, you must agree. Yet even so there is but one world and everything that is imaginable is necessary to it. For this world also which seems to us a thing of stone and flower and blood is not a thing at all but a tale. And all in it is a tale and each tale the sum of all lesser tales and yet they are the selfsame tale and contain as well all else within them. So everything is necessary. Every least thing. This is a hard lesson. Nothing can be dispensed with. Nothing despised. Because the seems are hid from us, you see. The joinery. The way in which the world is made. We have no way to tell what might stand and what might fall. And those seams that are hid from us are of course in the tale itself and the tale had no abode or place of being except in the telling only and there it lives and makes its home and therefore we can never be done with the telling. Of the telling there is no end. And whether in Caborca or Huisiachepic or in whatever other place by whatever other name or by no name at all I say again all tales are one. Rightly heard all tales are one.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
You dont get your black ass away from this fire I’ll kill you graveyard dead. He looked to where Glanton sat. Glanton watched him. He put the pipe in his mouth and rose and took up the apishamore and folded it over his arm. Is that your final say? Final as the judgement of God. The black looked once more across the flames at Glanton and then he moved away in the dark. The white man uncocked the revolver and placed it on the ground before him. Two of the others came back to the fire and stood uneasily. Jackson sat with his legs crossed. One hand lay in his lap and the other was outstretched on his knee holding a slender black cigarillo. The nearest man to him was Tobin and when the black stepped out of the darkness bearing the bowieknife in both hands like some instrument of ceremony Tobin started to rise. The white man looked up drunkenly and the black stepped forward and with a single stroke swapt off his head.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
She went to the window and looked out. The ground fell away to a branch where willows burned lime green in the sunset. Dark little birds kept crossing the fields to the west like heralds of some coming dread. Below the branch stood the frame of an outhouse from which the planks had been stripped for firewood and there hung from the ceiling a hornetnest like a gross paper egg. The tinker returned from the cart with a lantern
”
”
Cormac McCarthy (Outer Dark)
“
Un hombre es así como quien está soñando un sueño de aflicción y despierta a una pena aún mayor. Todo lo que ama se ha convertido en una tortura. Alguien ha estirado la pinza del eje del universo. Todo lo que uno deja de mirar amenaza con desaparecer. Es un hombre perdido para todos nosotros. Se mueve y habla. Pero él mismo no es más que pura sombra en medio de lo que contempla. No hay imagen posible de ese hombre. La menor marca sobre la página exagera su presencia.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Men speak of blind destiny, a thing without scheme or purpose. But what sort of destiny is that? Each act in this world from which there can be no turning back has before it another, and it another yet. In a vast and endless net. Men imagine that the choices before them are theirs to make. But we are free to act only upon what is given. Choice is lost in the maze of generations and each act in that maze is itself an enslavement for it voids every alternative and binds one ever more tightly into the constraints that make a life. If the dead man could have forgiven his enemy for whatever wrong was done to him all would have been otherwise. Did the son set out to avenge his father? Did the dead man sacrifice his son? Our plans are predicated upon a future unknown to us. The world takes its form hourly by a weighing of things at hand, and while we may seek to puzzle out that form we have no way to do so. We have only God's law, and the wisdom to follow it if we will.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
She carried a scabbedover wound on her hip where her mate had bitten her two weeks before somewhere in the mountains of Sonora. He’d bitten her because she would not leave him. Standing with one forefoot in the jaws of a steeltrap and snarling at her to drive her off where she lay just beyond the reach of the chain. She’d flattened her ears and whined and she would not leave. In the morning they came on horses. She watched from a slope a hundred yards away as he stood up to meet them.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Pensamos que somos las víctimas del tiempo. En realidad la vía del mundo no es fijada en ningún lugar. Cómo sería posible? Nosotros mismos somos nuestra propria jornada. Y por eso somos el tiempo también. Somos lo mismo. Fugitivo. Inescrutable. Desapíadado. (Noi credem ca suntem victime ale timpului. In realitate, insa, viata lumii nu se stabileste nicaieri. Cum ar putea? Noi insine suntem propria noastra calatorie. Si deci suntem timpul insusi. Suntem exact ca el. Efemeri. De neinteles. Fara mila.)
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
They were running on the plain harrying the antelope and the antelope moved like phantoms in the snow and circled and wheeled and the dry powder blew about them in the cold moonlight and their breath smoked palely in the cold as if they burned with some inner fire and the wolves twisted and turned and leapt in a silence such that they seemed of another world entire. They moved down the valley and turned and moved far out on the plain until they were the smallest of figures in that dim whiteness and then they disappeared.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He said that the light of the world was in men’s eyes only for the world itself moved in eternal darkness and darkness was its true nature and true condition and that in this darkness it turned with perfect cohesion in all its parts but that there was naught there to see. He said that the world was sentient to its core and secret and black beyond men’s imagining and that its nature did not reside in what could be seen or not seen. He said that he could stare down the sun and what use was that?
These words seemed to silence his friend. They sat side by side on the bridge. The sun shone upon them. Finally the man asked him how he had come by such views and he answered that they were things he’d long suspected and that the blind have much to contemplate.
They rose to go. The blind man asked his friend which way he was going. The man hesitated. He asked the blind man which way he. The blind man pointed with his stave.
Al norte, he said.
Al sur, said the other.
He nodded. He offered his hand into the darkness and they said their farewell.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
We think that we are the victims of time. Actually the way of the world is not fixed anywhere. How would it be possible? We ourselves are our own journey. And that's why we are time too. We are the same. Fugitive. Inscrutable. ruthless.
(translated from Spanish)
Original quote:
Pensamos, que somos las victimas del tiempo. En realidad la via del mundo no es fijada en nungun lugar. Como seria posible? Nosotros mismos somos nuestra propia jornada. Y por eso somos el tiempo tambien. Somos lo mismo. Fugitivo. Inescrutable. Desapiadado.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He walked down the street and crossed the railroad tracks. The redness of the evening in the glass of the buildings. Very high a small and trembling flight of geese. Fording the last of the day in the thin air. Following the shape of the river below. He stood above the bank of riprap. Rock and broken paving. The slow coil of the passing water. In the coming night he thought that men would band together in the hills. Feeding their small fires with the deeds and the covenants and the poetry of their fathers. Documents they’d no gift to read in a cold to loot men of their souls.
”
”
Cormac McCarthy (The Passenger (The Passenger #1))
“
He told the boy that although he was huerfano still he must cease his wanderings and make for himself some place in the world because to wander in this way would become for him a passion and by this passion he would become estranged from men and so ultimately from himself. He said that the world could only be known as it existed in men's hearts. For while it seemed a place which contained men it was in reality a place contained within them and therefore to know it one must look there and come to know those hearts and to do this one must live with men and not simply pass among them. He said that while the huerfano might feel that he no longer belonged among men he must set this feeling aside for he contained within him a largeness of spirit which men could see and that men would wish to know him and that the world would need him even as he needed the world for they were one. Lastly he said that while this itself was a good thing like all good things it was also a danger. (p. 134)
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
The road crossed a dried slough where pipes of ice stood out of the frozen mud like formations in a cave. The remains of an old fire by the side of the road. Beyond that a long concrete causeway. A dead swamp. Dead trees standing out of the gray water trailing gray and relic hagmoss. The silky spills of ash against the curbing. He stood leaning on the gritty concrete rail. Perhaps in the world’s destruction it would be possible at last to see how it was made. Oceans, mountains. The ponderous counterspectacle of things ceasing to be. The sweeping waste, hydroptic and coldly secular. The silence.
”
”
Cormac McCarthy (The Road)
“
Podle jeho názoru by bylo neopatrné se domnívat, že mrtví nemohou nijak ovlivňovat svět, protože mají velkou moc a jejich vliv se nejvíc projevuje na těch, kteří to nejméně tuší. Prohlásil, že lidé nechápou, že to, co mrtví opustili, není sám o sobě žádný svět, ale jen obraz světa v lidském srdci. Zdůraznil, že svět nelze opustit, neboť je věčný bez ohledu na to, v jakém stavu se nacházejí věcí v něm obsažené.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
In the night as he slept Boyd came to him and squatted by the deep embers of the fire as he'd done times by the hundreds and smiled his soft smile that was not quite cynical and he took off his hate and held it before him and looked down into it. In the dream he knew that Boyd was dead and that the subject of his being so must be approached with a certain caution for that which was circumspect in life must be doubly so in death and he'd no way to know what word or gesture might subtract him back again into that nothingness out of which he'd come. When finally he did ask him what it was like to be dead Boyd only smiled and looked away and would not answer. They spoke of other things and he tried not to wake from the dream but the ghost dimmed and faded and he woke and lay looking up at the stars through the bramblework of the treelimbs and he tried to think of what that place could be where Boyd was but Boyd was dead and wasted in his bones wrapped in the soogan upriver in the trees and he turned his face to the ground and wept.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Pero con todo existe un solo mundo y todo cuanto uno pueda imaginar le es necesario. Pues también este mundo que a nosotros nos parece hecho de piedras y flores y sangre no es en absoluto una cosa sino una historia. Un cuento. Y en él todo es cuento y cada cuento la suma de otros cuentos menores, y aun así estos son también el susodicho cuento y contienen asimismo todos los demás. Así, todo es necesario. Hasta lo más insignificante. Esta es la lección que debemos aprender. No podemos prescindir de nada. Nada es desdeñable. Porque las junturas nos son ocultadas, ¿comprendes? La ebanistería del mundo. La forma en que está hecho. No tenemos modo de saber qué podría quitarse. Omitir. No tenemos modo de decir qué cosa quedaría en pie y qué otra caería. Y esas junturas que nos son ocultadas están, como no, en el cuento mismo, y el cuento no tiene una morada donde existir salvo en el hecho mismo de la narración, y ahí vive y tiene su casa, y es por eso que nunca terminamos de contar. El contar no tiene fin.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
He stood hat in hand over the unmarked earth. This woman who had worked for his family fifty years. She had cared for his mother as a baby and she had worked for his family long before his mother was born and she had known and cared for the wild Grady boys who were his mother's uncles and who had all died so long ago and he stood holding his hat and he called her his abuela and he said goodbye to her in Spanish and then turned and put on his hat and turned his wet face to the wind and for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead.
In four days' riding he crossed the Pecos at Iraan Texas and rode up out of the river breaks where the pumpjacks in the Yates Field ranged against the skyline rose and dipped like mechanical birds. Like great primitive birds welded up out of iron by hearsay in a land perhaps where such birds once had been…..The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country because it was barren country indeed yet he came at evening upon a solitary bull rolling in the dust against the bloodred sunset like an animal in sacrificial torment.
The bloodred dust blew down out of the sun. He touched the horse with his heels and rode on. He rode with the sun coppering his face and the red wind blowing out of the west across the evening land and the small desert birds flew chittering among the dry bracken and horse and rider and horse passed on and their long shadows passed in tandem like the shadow of a single being. Passed and paled into the darkening land, the world to come.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
He was dressed in odd and garish fashion and his clothes were embroidered with signs that had about them the geometric look of instructions, perhaps a game. He wore jewelry of jade and silver and his hair was long and blacker than his age would seem to warrant. He told the boy that although he was a huérfano still he must cease his wanderings and make for himself some place in the world because to wander in this way would become for him a passion and by this passion he would become estranged from men and so ultimately from himself. He said that the world could only be known as it existed in men's hearts. For while it seemed a place that contained men it was in reality a place contained within them and therefor to know it one must look there and come to know those hearts and to do this one must live with men and not simply pass among them. He said that while the huérfano might feel that he no longer belonged among men he must set this feeling aside for he contained within him a largeness of spirit which men could see and that men would wish to know him and that the world would need him even as he needed the world for they were one. Lastly he said that while this itself was a good thing like all good things it was also a danger.
”
”
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
“
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about.
They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three.
There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters.
They'll stop you at the river, he says.
The second corporal looks past his comrades. Are you talking to me?
At the river. Be told. They'll jail you to a man.
Who will?
The United States Army. General Worth.
They hell they will.
Pray that they will.
He looks at his comrades. He leans toward the Mennonite. What does that mean, old man?
Do ye cross that river with yon filibuster armed ye'll not cross it back.
Don't aim to cross it back. We goin to Sonora.
What's it to you, old man?
The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs.
But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be?
How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call.
There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)