“
Now and then it's good to pause in our pursuit of happiness and just be happy.
”
”
Guillaume Apollinaire
“
To die, - To sleep, - To sleep!
Perchance to dream: - ay, there's the rub;
For in that sleep of death what dreams may come,
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
”
”
William Shakespeare (Hamlet)
“
The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.
”
”
Albert Einstein
“
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.--Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd!
”
”
William Shakespeare (Hamlet)
“
What was it like to love him? Asked Gratitude.
It was like being exhumed, I answered, and brought to life in a flash of brilliance.
What was it like to be loved in return? Asked Joy.
It was like being seen after a perpetual darkness, I replied. To be heard after a lifetime of silence.
What was it like to lose him? Asked Sorrow. There was a long pause before I responded:
It was like hearing every goodbye ever said to me—said all at once.
”
”
Lang Leav (Love & Misadventure)
“
That was a memorable day to me, for it made great changes in me. But it is the same with any life. Imagine one selected day struck out of it, and think how different its course would have been. Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day.
”
”
Charles Dickens (Great Expectations)
“
Bod said, 'I want to see life. I want to hold it in my hands. I want to leave a footprint on the sand of a desert island. I want to play football with people. I want,' he said, and then he paused and he thought. 'I want everything.
”
”
Neil Gaiman (The Graveyard Book)
“
Before I go," he said, and paused -- "I may kiss her?"
It was remembered afterwards that when he bent down and touched her face with his lips, he murmured some words. The child, who was nearest to him, told them afterwards, and told her grandchildren when she was a handsome old lady, that she heard him say, "A life you love.
”
”
Charles Dickens (A Tale of Two Cities)
“
The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom the emotion is a stranger, who can no longer pause to wonder and stand wrapped in awe, is as good as dead —his eyes are closed. The insight into the mystery of life, coupled though it be with fear, has also given rise to religion. To know what is impenetrable to us really exists, manifesting itself as the highest wisdom and the most radiant beauty, which our dull faculties can comprehend only in their most primitive forms—this knowledge, this feeling is at the center of true religiousness.
”
”
Albert Einstein (Living Philosophies)
“
Last month, as Victor drove me home so I could rest, I told him that sometimes I felt like his life would be easier without me. He paused a moment in thought and then said, “It might be easier. But it wouldn’t be better.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
Tatiana: I found my true love on Ulita Saltykov-Schedrin, while I sat on a bench eating ice cream.
Alexander: You didn't find me. You weren't even looking for me. I found you.
Long pause.
Tatiana: Alexander, we're you .... looking for me ?
Alexander: All my life.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
Sooner or later in life everyone discovers that perfect happiness is unrealizable, but there are few who pause to consider the antithesis: that perfect unhappiness is equally unattainable. The obstacles preventing the realization of both these extreme states are of the same nature: they derive from our human condition which is opposed to everything infinite.
”
”
Primo Levi (Survival in Auschwitz)
“
He pauses and takes a deep breath. "I love you Anastasia. I will do everything in my power to protect you. I cannot imagine my life without you.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Tristan was silent for a few moments, looking at the leaves before them. "Life isn't about the past and the future. It's about today." He paused. "It's about five minutes from now and two seconds ago. It's moments, you know? Not years. Years aren't what define us.
”
”
Chelsea Fine (Anew (The Archers of Avalon, #1))
“
No problem," Gale replies. "I wake up ten times a night anyway."
"To make sure Katniss is still here?" asks Peeta.
"Something like that,"...
"That was funny, what Tigris said. About no one knowing what to do with her."
"Well, WE never have,"...
"She loves you, you know," says Peeta. "She as good as told me after they whipped you."
"Don't believe it,"Gale answers. "The way she kissed you in the Quarter Quell...well she never kissed me like that."
"It was just part of the show," Peeta tells him, although there's an edge of doubt in his voice.
"No, you won her over. Gave up everything for her. Maybe that's the only way to convince her you love her." There's a long pause. "I should have volunteered to take your place in the first Games. Protected her then."
"You couldn't," says Peeta. "She'd never have forgiven you. You had to take care of her family. They matter more to her than her life."
...
"I wonder how she'll make up her mind."
"Oh, that I do know." I can just catch Gale's last words through the layer of fur. "Katniss will pick whoever she thinks she can't survive without
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
But instead of taking the cue to leave, Patch crossed to Scott in three steps. He flung him around to face the wall. Scott tried to get his bearings, but Patch slammed him against the wall again, disorienting him further. “Touch her,” he said in Scott’s ear, his voice low and threatening, “and it’ll be the biggest regret of your life.”
Before leaving, Patch flicked his eyes once in my direction. “He’s not worth it.” He paused. “And neither am I.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
He looked as though his life had not only passed him by but paused along the way to spit in his face.
”
”
David Sedaris
“
Nervous states of the worst sort control me without pause. Everything that is not literature bores me and I hate it. I lack all aptitude for family life except, at best, as an observer. I have no family feeling and visitors make me almost feel as though I were maliciously being attacked.
”
”
Franz Kafka (Diaries, 1910-1923)
“
Life won’t stop for your pauses and procrastinations. It won’t stop for your confusion or fear. It will continue right along without you. Whether you play an active part or not, the show will go on.
”
”
Gary John Bishop (Unfu*k Yourself: Get Out of Your Head and Into Your Life)
“
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly.
I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'"
I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'"
He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..."
He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"
I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.
"You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.
"Have I not...just been...saying so?
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
I ask of you your lives,” Elend said, voice echoing, “and your courage. I ask of you your faith, and your honor—your strength, and your compassion. For today, I lead you to die. I will not ask you to welcome this event. I will not insult you by calling it well, or just, or even glorious. But I will say this.
“Each moment you fight is a gift to those in this cavern. Each second we fight is a second longer that thousands of people can draw breath. Each stroke of the sword, each koloss felled, each breath earned is a victory! It is a person protected for a moment longer, a life extended, an enemy frustrated!”
There was a brief pause.
“In the end, they will kill us,” Elend said, voice loud, ringing in the cavern. “But first, they shall fear us!
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer."
"The Answer?" said Deep Thought. "The Answer to what?"
"Life!" urged Fook.
"The Universe!" said Lunkwill.
"Everything!" they said in chorus.
Deep Thought paused for a moment's reflection.
"Tricky," he said finally.
"But can you do it?"
Again, a significant pause.
"Yes," said Deep Thought, "I can do it."
"There is an answer?" said Fook with breathless excitement.
"Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it."
...
Fook glanced impatiently at his watch.
“How long?” he said.
“Seven and a half million years,” said Deep Thought.
Lunkwill and Fook blinked at each other.
“Seven and a half million years...!” they cried in chorus.
“Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?"
[Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started]
"We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!"
"The Universe...!" said Loonquawl.
"And Everything...!"
"Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!"
There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel.
"Good Morning," said Deep Thought at last.
"Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..."
"An Answer for you?" interrupted Deep Thought majestically. "Yes, I have."
The two men shivered with expectancy. Their waiting had not been in vain.
"There really is one?" breathed Phouchg.
"There really is one," confirmed Deep Thought.
"To Everything? To the great Question of Life, the Universe and everything?"
"Yes."
Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children.
"And you're ready to give it to us?" urged Loonsuawl.
"I am."
"Now?"
"Now," said Deep Thought.
They both licked their dry lips.
"Though I don't think," added Deep Thought. "that you're going to like it."
"Doesn't matter!" said Phouchg. "We must know it! Now!"
"Now?" inquired Deep Thought.
"Yes! Now..."
"All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable.
"You're really not going to like it," observed Deep Thought.
"Tell us!"
"All right," said Deep Thought. "The Answer to the Great Question..."
"Yes..!"
"Of Life, the Universe and Everything..." said Deep Thought.
"Yes...!"
"Is..." said Deep Thought, and paused.
"Yes...!"
"Is..."
"Yes...!!!...?"
"Forty-two," said Deep Thought, with infinite majesty and calm.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
Mom, how do you know if the guy is the guy?”
You mean if he’ll be a good husband?” She pauses, then says “The ticket is for the man to love the woman more than she loves him.”
Shouldn’t it be equal?”
Mom cackles. “It can never be equal.”
But what if the woman loves the man more?”
A life of hell awaits her. As women, the deck is stacked against us because time is our enemy. We age, while men season. And trust me, there are plenty of women out there looking for a man, and they don’t mind staking a claim on somebody else’s husband, no matter how old, creaky, and deaf they are.
”
”
Adriana Trigiani (Very Valentine (Valentine, #1))
“
One of the things I love about books is being able to define and condense certain portions of a character's life into chapters. It's intriguing, because you can't do this with real life. You can't just end a chapter, then skip the things you don't want to live through, only to open it up to a chapter that better suits your mood. Life can't be divided into chapters... only minutes. The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath.
I need one of those chapter breaks. I just want to catch my breath, but I have no idea how.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
Devoutly to be wish'd. To die, to sleep; To sleep, perchance to dream—For in that sleep of death what dreams may come,When we have shuffled off this mortal coil, Must give us pause, there's the respect, That makes calamity of so long life
”
”
William Shakespeare (Hamlet)
“
How dull it is to pause, to make an end,
To rust unburnish’d, not to shine in use!
As tho’ to breathe were life!
”
”
Alfred Tennyson (Ulysses)
“
Yet all experience is an arch wherethrough
Gleams that untraveled world whose margin fades
Forever and forever when I move.
How dull it is to pause, to make an end,
To rust unburnished, not to shine in use!
As though to breathe were life!
”
”
Alfred Tennyson
“
You are saddened by love's importance in the emir's life?"
He paused. "I am frustrated by its importance in all our lives.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
I’ve always thought you should be able to freeze time. This way you could hit the Pause button at a really good point in your life so that nothing changes
”
”
Jennifer Niven (Holding Up the Universe)
“
Let me tell you what you feel like when you know you are ready to die.
You sleep a lot, and when you wake up the very first thought in your head is that you wish you could go back to bed.
You go entire days without eating, because food is a commodity that keeps you here.
You read the same page a hundred times.
You rewind your life like a videocassette and see the things that make you weep, things that make you pause, but nothing that makes you want to play it forward.
You forget to comb your hair, to shower, to dress.
And then one day, when you make the decision that you have enough energy left in you to do this one, last, monumental thing, there comes a peace. Suddenly you are counting moments as you haven’t for months. Suddenly you have a secret that makes you smile, that makes people say you look wonderful, although you feel like a shell-brittle and capable of cracking into a thousand pieces.
”
”
Jodi Picoult (Keeping Faith)
“
Kishan spoke intently, "Kelsey is all that a man could ask for. She's perfect for you. She loves poetry and sits endlessly content while listening to you sing and play your guitar. She waited months for you to come after her, and she has risked her life repeatedly to save your mangy white hide. She's sweet and loving and warm and beautiful and would make you immeasurably happy."
There was a pause. Then I heard Ren say incredulously, "You love her."
Kishan didn't answer right away, but then said softly, almost so I couldn't hear it, "No man in his right mind wouldn't, which proves you aren't in your right mind.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
As far as where you belong…” He put a hand over his heart. “Right here. Always. In life and death and everything in between.” He paused. “Never question it.
”
”
Chelsea Fine (Avow (The Archers of Avalon, #3))
“
I’m sorry, Olivia, for hurting you,” he said hoarsely and my heart heaved in my
chest. Why was his voice so gentle? Why wasn’t he screaming at me? I was the one
who did the hurting. It was me. My fault. My sin. My mess. “You will never see me again after today.” He paused and his next words struck me so deeply I would never recover from them. “I will love again, Olivia, you will hurt forever. What you’ve done is…You are worthless because you make yourself that way. You will remember me every day for the rest of your life because I was the one and you threw me away.” And then he left.
”
”
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
“
if you find one true friend in your life, you're richer than most. If that one true friend is your husband, you're blessed."
She paused. "And if that one true friend is your sister, don't feel bad. At least, she can't divorce you.
”
”
Mitch Albom (The First Phone Call from Heaven)
“
We'll Go No More A-roving
So, we'll go no more a-roving
So late into the night,
Though the heart still be as loving,
And the moon still be as bright.
For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have rest.
Though the night was made for loving,
And the day returns too soon,
Yet we'll go no more a-roving
By the light of the moon.
”
”
Lord Byron (Byron: Poetical Works)
“
Is there anything, apart from a really good chocolate cream pie and receiving a large unexpected cheque in the post, to beat finding yourself at large in a foreign city on a fair spring evening, loafing along unfamiliar streets in the long shadows of a lazy sunset, pausing to gaze in shop windows or at some church or lovely square or tranquil stretch of quayside, hesitating at street corners to decide whether that cheerful and homy restaurant you will remember fondly for years is likely to lie down this street or that one? I just love it. I could spend my life arriving each evening in a new city.
”
”
Bill Bryson (Neither Here nor There: Travels in Europe)
“
Three Questions What was it like to love him? asked Gratitude. It was like being exhumed, I answered. And brought to life in a flash of brilliance. What was it like to be loved in return? asked Joy. It was like being seen after a perpetual darkness, I replied. To be heard after a lifetime of silence. What was it like to lose him? asked Sorrow. There was a long pause before I responded: It was like hearing every good-bye ever said to me—said all at once.
”
”
Lang Leav (Lullabies)
“
Death paused. YOU HAVE PERHAPS HEARD THE PHRASE, he said, THAT HELL IS OTHER PEOPLE?
‘Yes. Yes, of course.’
Death nodded. IN TIME, he said, YOU WILL LEARN THAT IT IS WRONG.
”
”
Terry Pratchett (Small Gods (Discworld, #13))
“
That is life, isn’t it? Fate. Luck. Chance. A long series of what-if’s that lead from one moment to the next, time never pausing for you to catch your breath, to make sense of the cards that have been handed to you. And all you can do is play your cards and hope for the best, because in the end, it all comes back to those three basics.
Fate. Luck. Chance.
”
”
Kelseyleigh Reber (If I Fall)
“
If you are eager to find the reason I became the Kvothe they tell stories about, you could look there, I suppose."
Chronicler's forehead wrinkled. "What do you mean, exactly?"
Kvothe paused for a long moment, looking down at his hands. "Do you know how many times I've been beaten over the course of my life?"
Chronicler shook his head.
Looking up, Kvothe grinned and tossed his shoulders in a nonchalant shrug. "Neither do I. You'd think that sort of thing would stick in a person's mind. You'd think I would remember how many bones I've had broken. You'd think I'd remember the stitches and bandages." He shook his head. "I don't. I remember that young boy sobbing in the dark. Clear as a bell after all these years."
Chronicler frowned. "You said yourself that there was nothing you could have done."
"I could have," Kvothe said seriously, "and I didn't. I made my choice and I regret it to this day. Bones mend. Regret stays with you forever.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Sometimes I think a man could wander across the disc all his life and not see everything there is to see,' said Twoflower. 'And now it seems there are lots of other worlds as well. When I think I might die without seeing a hundredth of all there is to see it makes me feel,' he paused, then added, 'well, humble, I suppose. And very angry, of course.
”
”
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
“
Having solved all the major mathematical, physical, chemical, biological, sociological, philosophical, etymological, meteorological and psychological problems of the Universe except for his own, three times over, [Marvin] was severely stuck for something to do, and had taken up composing short dolorous ditties of no tone, or indeed tune. The latest one was a lullaby.
Marvin droned,
Now the world has gone to bed,
Darkness won't engulf my head,
I can see in infrared,
How I hate the night.
He paused to gather the artistic and emotional strength to tackle the next verse.
Now I lay me down to sleep,
Try to count electric sheep,
Sweet dream wishes you can keep,
How I hate the night.
”
”
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
“
No matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
There was a pause, then more words appeared—words I hadn’t known I needed to hear, but once I saw them, I realized I’d been searching my whole life for them. You were my child. I should have protected you. I lived a lifetime in the moment I read those lines, a life that was not the one I had actually lived. I became a different person, who remembered a different childhood. I didn’t understand the magic of those words then, and I don’t understand it now. I know only this: that when my mother told me she had not been the mother to me that she wished she’d been, she became that mother for the first time.
”
”
Tara Westover (Educated)
“
I don't want anything to happen to you. You being hurt...that thought fills me with dread. I can't promise not to interfere, not if I think you'll come to harm." He pauses and takes a deep breath. "I love you, Anastasia. I will do everything in my power to protect you. I cann't imagine my life without you.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Rather than wandering around in problem-solving mode all day, thinking mainly of what you want to fix about yourself or your life, you can pause for a few moments throughout the day to marvel at what’s not broken.
”
”
Kristin Neff (Self-Compassion: The Proven Power of Being Kind to Yourself)
“
One nice thing about heaven is that you can relive all your favorite moments and memories pretty much as many times as you want—sort of like a DVD of your whole life. Pause, rewind, fast-forward, slowwww motion, all day, every day.
”
”
Jess Rothenberg (The Catastrophic History of You and Me)
“
I got back in my car, starting the engine, then drove off. It wasn't until I pulled onto the highway that it all really sunk it, how temporary our friendship had been. We'd been on our breaks, after all, but it wasn't our relationships that were on pause: it was us. Now we were both in motion again, moving ahead. So what if there were questions left unanswered. Life went on. We knew that better than anyone.
”
”
Sarah Dessen (The Truth About Forever)
“
A proper kiss, Miss Eversea, should turn you inside out. It should . . . touch places in you that you didn’t know existed, set them ablaze, until your entire being is hungry and wild...It should slice right down through you like a cutlass with a pleasure so devastating it’s very nearly pain … It should make you want to do things you’d never dreamed you’d want to do, and in that moment all of those things will make perfect sense. And it should herald, or at least promise, the most intense physical pleasure you’ve ever known, regardless of whether that promise is ever, ever fulfilled. It should, in fact . . . ” he paused for effect “ . . . haunt you for the rest of your life.
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
The first time I was ever called ugly, I was thirteen. It was a rich friend of my brother Carlton's over to shoot guns in the field.
'Why you crying, girl?' Constantine asked me in the kitchen.
I told her what the boy had called me, tears streaming down my face.
'Well? Is you?'
I blinked, paused my crying. 'Is I what?'
'Now you look a here, Egenia'-because constantien was the only one who'd occasionally follow Mama's rule. 'Ugly live up on the inside. Ugly be a hurtful, mean person. Is you one a them peoples?'
'I don't know. I don't think so,' I sobbed.
Constantine sat down next to me, at the kitchen table. I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, somthing we both knew meant Listen. Listen to me.
'Ever morning, until you dead in the ground, you gone have to make this decision.' Constantine was so close, I could see the blackness of her gums. 'You gone have to ask yourself, Am I gone believe what them fools say about me today?'
She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
”
”
Kathryn Stockett (The Help)
“
All of life is a battle against fear. We fight it on one front, and it sneaks around to our flank.” He paused, looked kindly at her. “Yes, Father. I understand.” “I regret many things I’ve done,” he said, “but most of all I regret those moments when I said to Fear, ‘You are my master.
”
”
S.D. Smith (The Green Ember (The Green Ember #1))
“
You had your heart broken much?”
He paused. “Of course. Everyone does. Part of life.”
“Tell me her name. I’ll kick her ass. I don’t want anyone hurting you.”
He rested his face against my hair, his tone even and gentle when he spoke. “You’re wondrous and powerful and gifted, but even you can’t save me from hurting. No one can do that for anyone. I can make things perfect in the fictions I create, but the real world isn’t so kind. That’s just how it is. And anyway, for every bad thing in life, there are more good things to tip the balance.”
“Like what?”
“Like little blonde nieces. And royalty checks. And you.
”
”
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
“
I lay down across her with my face in her breasts and my hand on her. We lay there without moving. But under us all moved, and moved us, gently, up and down, and from side to side.
(Pause. Krapp's lips move. No sound.)
Past midnight. Never knew such silence. The earth might be uninhabited.
”
”
Samuel Beckett (Krapp's Last Tape & Embers)
“
After a pause, he asked, 'What do you think of Nasuada's plans?'
'Mmm...she's doomed! You're doomed! They're all doomed!'She cackled, doubling over, then straightened abruptly. 'notice I didn't specify what kind of doom, so no matter what happens, I predicted it. How very wise of me.' She lifted the basket again, setting it on one hip. 'I supposed I won't see you for a while, so farewell, best of luck, avoid roasted cabbage, don't eat earwax, and look on the bright side of life!' And with a cheery wink, she strolled off, leaving Eragon blinking and nonplussed.
”
”
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
“
Walter Issacson biographer of Steve Jobs:
I remember sitting in his backyard in his garden, one day, and he started talking about God. He [Jobs] said, “ Sometimes I believe in God, sometimes I don’t. I think it’s 50/50, maybe. But ever since I’ve had cancer, I’ve been thinking about it more, and I find myself believing a bit more, maybe it’s because I want to believe in an afterlife, that when you die, it doesn’t just all disappear. The wisdom you’ve accumulated, somehow it lives on.”
Then he paused for a second and said, “Yea, but sometimes, I think it’s just like an On-Off switch. Click. And you’re gone.” And then he paused again and said, “ And that’s why I don’t like putting On-Off switches on Apple devices.”
Joy to the WORLD! There IS an after-life!
”
”
Walter Isaacson (Steve Jobs)
“
I know that to you everything has changed for the worse over the last weeks. But for me..." Elias pauses. rests his forehead into the curve of my neck. "Before you my life was nothing but wandering and solitude and death. Now with you there's possibility." He pulls back until we're looking into each other's eyes. "I'm falling inn love with you, Gabrielle. Not with the person you used to be, but you.
”
”
Carrie Ryan (The Dead-Tossed Waves (The Forest of Hands and Teeth, #2))
“
Really, Sage? A date?"
I sighed. "Yes, Adrian. A date."
A real date. Not, like, doing homework together," he added. "I mean like where you go out to a movie or something. And a movie that's not part of a school assignment. Or about something boring."
"A real date." I figured I wouldn't give him the specifics on the Shakespheare play.
"What's the lucky guy's name?"
"Brayden."
There was a pause. "Brayden? That his real name?"
"Why are you asking if everything's real? You think I'd make any of this up?"
"No, no," Adrian assured me. "That what's so ynbelievable about it. Is he cute?"
I glanced at the clock. It was time for me to meet my study group. "Gee, maybe I should just send you a picture to review?"
"Yes, please. And a full background check and life history."
"I have to go. Why do you care so much anyway?" I finally asked in exasperation.
His answer took a long time, which was uncharacteristic.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
It is a kiss that, once begun, never really ends. Interrupted, yes. Paused, certainly. But from that very moment onward, Vera sees the whole of her life as only a breath away from kissing him again. On that night in the park, they begin the delicate task of binding their souls together, creating a whole comprising their separate halves.
”
”
Kristin Hannah (Winter Garden)
“
I don't know what happens to our consciousness when we're unwound," says Connor. "I don't even know when that consciousness starts. But I do know this." He pauses to make sure all of them are listening. "We have a right to our lives!"
The kids go wild.
"We have a right to choose what happens to our bodies!"
The cheers reach fever pitch.
"We deserve a world where both those things are possible— and it's our job to help make that world.
”
”
Neal Shusterman (Unwind (Unwind, #1))
“
When I was a student at Cambridge I remember an anthropology professor holding up a picture of a bone with 28 incisions carved in it. 'This is often considered to be man’s first attempt at a calendar' she explained. She paused as we dutifully wrote this down. ‘My question to you is this – what man needs to mark 28 days? I would suggest to you that this is woman’s first attempt at a calendar.’ It was a moment that changed my life. In that second I stopped to question almost everything I had been taught about the past. How often had I overlooked women’s contributions?
”
”
Sandi Toksvig
“
As we go through the day we pause, when agitated or doubtful, and ask for the right thought or action. We constantly remind ourselves we are no longer running the show, humbly saying to ourselves many times each day “Thy will be done.” We are then in much less danger of excitement, fear, anger, worry, self-pity, or foolish decisions. We become much more efficient. We do not tire so easily, for we are not burning up energy foolishly as we did when we were trying to arrange life to suit ourselves.
”
”
Alcoholics Anonymous (Alcoholics Anonymous)
“
Yet, the work was not complete. Next, citing Bond’s veranda and our subsequent construction of it as an example, Sanjit elaborated on the thought which he had previously teased, but not fully explained: that when a reader reads, the reader constructs a setting and world and is able to view themselves through this world. However, he also added that when we read, we are not only able to see our constructed world, but to evaluate our constructed world. This is how, Sanjit would argue, we influence and better ourselves, even if unintentionally; for by pausing and analyzing our constructions we may be able to identify our assumptions about people, places, or things. And it is in this way that books may be an expressed form of art, not just for the writer, but also for the reader.
”
”
Colin Phelan (The Local School)
“
Wake up now, look alive, for here is a day off work just to praise Creation: the turkey, the squash, and the corn, these things that ate and drank sunshine, grass, mud, and rain, and then in the shortening days laid down their lives for our welfare and onward resolve. There's the miracle for you, the absolute sacrifice that still holds back seed: a germ of promise to do the whole thing again, another time. . . Thanksgiving is Creation's birthday party. Praise harvest, a pause and sigh on the breath of immortality.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
While the introvert is reflecting on the question (thinking first), the extrovert takes this as an invitation to fill the void (talking first). As long as the introvert doesn’t interrupt, the extrovert continues to fill the interpersonal space with talk. But as long as the extrovert talks, the introvert can’t think and stays mute. Mute means the invitation is still open, and continued talk assures that the introvert remains mute. By the time the extrovert pauses to ask, the introvert’s head is pounding and he or she just wants to get out so she can think. The extrovert just assumes the introvert had nothing to say, and moves on.
”
”
Laurie A. Helgoe (Introvert Power: Why Your Inner Life Is Your Hidden Strength)
“
Death isn't empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living chained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here." Her face is easier to see as the night fades through the clear roof. It is alive, on fire. "If you led the others to freedom. The things you could do, Darrow. The things you could make happen." She pauses and I see her eyes are glistening. "It chills me. You have been given so, so much, but you set your sights so low."
"You repeat the same damn points," I say bitterly. "You think a dream is worth dying for. I say it isn't. You say it's better to die on your feet. I say it's better to live on our knees."
"You're not even listening!" she snaps. "We are machine men with machine minds, machine lives …"
"And machine hearts?" I ask. "That's what I am?"
"Darrow …"
"What do you live for?" I ask her suddenly. "Is it for me? Is it for family and love? Or is it just for some dream?"
"It's not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them."
"I live for you," I say sadly.
She kisses my cheek. "Then you must live for more.
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
I will never, ever regret stopping you from walking out of my life a second time, Kyle," she said in an emotional voice. "And I can prove it."
She reached for the buttons on her trench coat and undid them, one at a time. Then she opened the coat and let it drop to the floor.
And even if she didn't say a single word more, Kyle knew he would never again doubt the way Rylann felt about him.
She was wearing his flannel shirt.
"You kept it," he said softly. "All this time."
She nodded. "For nine years, I've held on to this darn shirt, literally dragging it across the country and back."
Kyle touched her cheek, gently brushing away a tear with his thumb. "Why?"
She paused hesitantly, and then with a tender smile, finally put it all on the line, too. "I guess I always hoped you'd come back for it someday.
”
”
Julie James (About That Night (FBI/US Attorney, #3))
“
Do not bend," Nina snapped. "Do not leap. Do not move abruptly. If you don't promise to take it easy, I'll slow your heart and keep you in a coma until I can be sure you've recovered fully."
"Nina Zenik, as soon as I figure out where you've put my knifes, we're going to have words."
"The first ones had better be 'Thank you, oh great Nina, for dedicating every waking moment of this miserable journey to saving my sorry life'"
Jasper expected Inej to laugh and was startled when she took Nina's face between her hands and said, "Thank you for keeping me in this world when fate seemed determined to drag me to the next. I owe you a life debt."
Nina blushed deeply. "I was teasing, Inej." She paused. "I think we've both had enough of debts."
"This is one I'm glad to bear.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Why can't people love one another and still remain free?" Althea demanded suddenly.
Amber paused to rub her eyes, then tug thoughtfully at her earring. "One can love that way," she conceded regretfully. "But the price on that kind of love may be the highest of all." She strung her words together as carefully as she strung her beads. "To love another person like that, you have to admit that his life is as important as yours. Harder still, you have to admit to yourself that perhaps he has needs you cannot fill, and that you have tasks that will take you far away from him. It costs loneliness and longing and doubt and...
”
”
Robin Hobb (The Mad Ship (Liveship Traders, #2))
“
Costin regained his serious tone but his eyes softened.
"I won't force you into anything Sally. I know this is all different to you. I've known all my life that I had one perfect mate out there for me. And when I look at you, I'm in awe of what I've been given." Sally blushed as he paused. "I won't leave you unprotected, and allowing other males around you is something that neither I, nor my wolf, will be able to handle. Besides," he said, his eyes twinkling with mischief, "how could you not want to be around all this?"
Sally let out a snort. "You've been around Jen way too much."
"I don't know, she's quite educational."
"Yeah, I don’t think I really want you to be educated by her.
”
”
Quinn Loftis
“
In the whole vast dome of living nature there reigns an open violence. A kind of prescriptive fury which arms all the creatures to their common doom: as soon as you leave the inanimate kingdom you find the decree of violent death inscribed on the very frontiers of life. You feel it already in the vegetable kingdom: from the great catalpa to the humblest herb, how many plants die and how many are killed; but, from the moment you enter the animal kingdom, this law is suddenly in the most dreadful evidence. A Power, a violence, at once hidden and palpable. . . has in each species appointed a certain number of animals to devour the others. . . And who [in this general carnage] exterminates him who will exterminate all others? Himself. It is man who is charged with the slaughter of man. . . The whole earth, perpetually steeped in blood, is nothing but a vast altar upon which all that is living must be sacrificed without end, without measure, without pause, until the consummation of things, until evil is extinct, until the death of death.
”
”
Joseph de Maistre (St Petersburg Dialogues: Or Conversations on the Temporal Government of Providence)
“
You might want to do something about your neck.”
I was totally lost. “My neck?”
She reached into her purse and handed me a compact mirror. I opened it and surveyed my neck, still trying to figure out what she could be talking about. Then I saw it. A small, brownish purple bruise on the side of my neck.
“What on earth is that?” I exclaimed.
Ms. Terwilliger snorted. “Although it’s been a while for me, I believe the technical term is a hickey” She paused and arched an eyebrow. “You do know what that is, don’t you?”
“Of course I know!” I lowered the mirror. “But there’s no way—I mean, we barely—that is—”
She held up a hand to silence me. “You don’t have to justify your private life to me. But you might want to consider how you can actually keep it private in the next fifteen minutes.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
The eyes of the future are looking back at us and they are praying for us to see beyond our own time. They are kneeling with hands clasped that we might act with restraint, that we might leave room for the life that is destined to come. To protect what is wild is to protect what is gentle. Perhaps the wilderness we fear is the pause between our own heartbeats, the silent space that says we live only by grace. Wilderness lives by this same grace. Wild mercy is in our hands.
”
”
Terry Tempest Williams (Refuge: An Unnatural History of Family and Place)
“
You scared the shit out of me last night, so forgive me if I don't want to hear fine as an answer."
I rubbed my eyes, hoping it would keep the burning tears away. The warm water of the shower had finally calmed the tears, but the thought of Noah walking away brought them back.
"What do you want to hear? That I'm exhausted? Terrified? Confused? That all I want to do is rest my head on your chest and sleep for hours, but that's not going to happen because you're leaving me?"
"Yes," he said quickly, then just as quick said, "No. Everything but the last part." He paused. "Echo, how could you think I would leave you? How can you doubt how I feel?"
"Because," I said as I felt the familiar twisting in my stomach.
"You saw me lose it. You saw me almost go insane."
The muscles in his shoulders visibly tensed.
"I watched you battle against the worst memory of your life and I watched you win. Make no mistake, Echo. I battled right beside you. You need to find some trust in me ... in us."
Noah inhaled and slowly let the air out. His stance softened and so did his voice.
"If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death:
"Thru Time I'll save my love!" he said. . . yet Beauty vanished with his breath, and, with her lovers, she was dead. . .
-Ever his wit and not her eyes, ever his art and not her hair:
"Who'd learn a trick in rhyme, be wise and pause before his sonnet there". . . So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
In bullfighting there is an interesting parallel to the pause as a place of refuge and renewal. It is believed that in the midst of a fight, a bull can find his own particular area of safety in the arena. There he can reclaim his strength and power. This place and inner state are called his querencia. As long as the bull remains enraged and reactive, the matador is in charge. Yet when he finds his querencia, he gathers his strength and loses his fear. From the matador's perspective, at this point the bull is truly dangerous, for he has tapped into his power.
”
”
Tara Brach (Radical Acceptance: Embracing Your Life With the Heart of a Buddha)
“
Nina Zenik, as soon as I figure out where you’ve put my knives, we’re going to have words.”
“The first ones had better be Thank you, oh great Nina, for dedicating every waking moment of this miserable journey to saving my sorry life.”
Jesper expected Inej to laugh and was startled when she took Nina’s face between her hands and said, “Thank you for keeping me in this world when fate seemed determined to drag me to the next. I owe you a life debt.”
Nina blushed deeply. “I was teasing, Inej.” She paused. “I think we’ve both had enough of debts.”
“This is one I’m glad to bear.”
“Okay, okay. When we’re back in Ketterdam, take me out for waffles.”
Now Inej did laugh. She dropped her hands and appeared to speculate. “Dessert for a life? I’m not sure that seems equitable.”
“I expect really good waffles.”
“I know just the place,” said Jesper. “They have this apple syrup—”
“You’re not invited
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
When somebody asks you to “check your privilege” they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing and may in fact be contributing to those struggles. It is a big ask, to check your privilege. It is hard and often painful, but it’s not nearly as painful as living with the pain caused by the unexamined privilege of others. You may right now be saying “but it’s not my privilege that is hurting someone, it’s their lack of privilege. Don’t blame me, blame the people telling them that what they have isn’t as good as what I have.” And in a way, that is true, but know this, a privilege has to come with somebody else’s disadvantage—otherwise, it’s not a privilege.
”
”
Ijeoma Oluo (So You Want to Talk About Race)
“
I said that I am in love with you. I've tried not to be, I really have, but it's just useless. I know you don't feel the same way about me, but I had to tell you because... well, you're all I think about. All the time. I miss you every second that you're not with me... and I know you won't want to be around me anymore, but, Camilla... you're one of the best friends I've ever had. You're smart and amazing and weird and probably the most beautiful person I've ever seen... and before I met you, all I wanted was just to fast-forward through everything. But, really, I think my life was just paused, or something. You... made me press play. You made everything move. And no matter where you go, or whatever you feel about me... I will love you forever for that.
”
”
Melissa Keil (Life in Outer Space)
“
The hardest part of letting go is the "uncertainty"--when you are afraid that the moment you let go of someone you will hate yourself when you find out how close you were to winning their affection. Every time you give yourself hope you steal away a part of your time, happiness and future. However, once in a while you wake up to this realization and you have to hold on tightly to this truth because your heart will tear away the foundation of your logic, by making excuses for why this person doesn't try as much as you. The truth is this: Real love is simple. We are the ones that make it complicated. A part of disconnecting is recognizing the difference between being desired and being valued. When someone loves you they will never keep you waiting, give their attention and affection away to others, allow you to continue hurting, or ignore what you have gone through for them. On the other hand, a person that desires you can't see your pain, only what they can get from you with minimal effort in return. They let you risk everything, while they guard their heart and reap the benefits of your feelings. We make so many excuses for the people we fall in love with and they make up even more to remain one foot in the door. However, the truth is God didn't create you to be treated as an option or to be disrespected repeatedly. He wants you to close the door. If someone loves you and wants to be in your life no obstacle will keep them from you. Remember, you are royalty, not a beggar.
”
”
Shannon L. Alder
“
One feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air. Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment in June.
”
”
Virginia Woolf (Mrs. Dalloway)
“
-What's so funny?"
"-Sorry," David said, reddening again. "You just taste so sweet."
"-What do you mean, sweet?"
He licked his bottom lip one more time.
"-You taste like honey."
"-Honey?"
"-Yeah, I thought I was going nuts the day...well, you know, that one day. But it was the same today. Your mouth is really sweet."
He paused for a second, then grinned.
"-Hot like honey-like nectar. That makes more sense."
"-Great. Now I'm going to have to explain that to everyone I kiss for the rest of my life unless it's you or another faerie."
She'd almost said Tamani's name. Her fingers flew to the ring around her neck.
David shrugged.
"-Then don't kiss anyone except me."
"-David..."
"-I'm just offering up the obvious solution," he said, hands up in protest.
”
”
Aprilynne Pike (Wings (Wings, #1))
“
SONIA: What can we do? We must live our lives. [A pause] Yes, we shall live, Uncle Vanya. We shall live through the long procession of days before us, and through the long evenings; we shall patiently bear the trials that fate imposes on us; we shall work for others without rest, both now and when we are old; and when our last hour comes we shall meet it humbly, and there, beyond the grave, we shall say that we have suffered and wept, that our life was bitter, and God will have pity on us. Ah, then dear, dear Uncle, we shall see that bright and beautiful life; we shall rejoice and look back upon our sorrow here; a tender smile—and—we shall rest. I have faith, Uncle, fervent, passionate faith. [SONIA kneels down before her uncle and lays her head on his hands. She speaks in a weary voice] We shall rest. [TELEGIN plays softly on the guitar] We shall rest. We shall hear the angels. We shall see heaven shining like a jewel. We shall see all evil and all our pain sink away in the great compassion that shall enfold the world. Our life will be as peaceful and tender and sweet as a caress. I have faith; I have faith. [She wipes away her tears] My poor, poor Uncle Vanya, you are crying! [Weeping] You have never known what happiness was, but wait, Uncle Vanya, wait! We shall rest. [She embraces him] We shall rest. [The WATCHMAN’S rattle is heard in the garden; TELEGIN plays softly; MME. VOITSKAYA writes something on the margin of her pamphlet; MARINA knits her stocking] We shall rest.
”
”
Anton Chekhov (Uncle Vanya)
“
An introverted woman spends hours contemplating a thought or observing a pattern in her life. She turns it over in her mind until it becomes a companion to her and then decides to share it in the context of a small group. When she musters up the courage to voice it, trembling as she puts words to this precious inner stirring, someone in the group cuts her off when she pauses in the middle, her thought still building steam. This person quickly tells her she shouldn't feel the way she does or else counters with a story of her own, which only tangentially relates to what the introvert was saying. Nouwen's words perfectly capture the sense of personal violation and emptiness: "Often we come home from a sharing session with a feeling that something precious has been taken away from us or that holy ground has been trodden upon.
”
”
Adam McHugh
“
In that moment, the moon and the sun shared the sky. For all of eternity, the moon and sun have chased each other around the world. Long into the future, they will continue this chase, merging the days into months into years into centuries, until the day the sun cannot take the separation any longer and she shatters, engulfing the moon and everything else in a burst of light. Most will call it the day of final judgment. The end. To the sun and the moon, it will only be the beginning.
For the smallest of instants each day, they pause in this chase. They pause and look back at one another, smiling as if sharing a secret. Two lovers that can never exist as one, except in that single, brief instant. Lying there, Persephone smiled too. And as quickly as a smile parts two lips, the two sky wanderers parted ways. The chase was on again. Night gave way to day.
That is true love, she had always thought. No force but love can impel one to step willingly into the shadows so that the other may shine.
”
”
Kelseyleigh Reber (If I Resist (Circle and Cross, #2))
“
Close your eyes,” Marcus said, his hand moving to her bottom in a circling caress. He brushed his mouth over her forehead and her fragile eyelids. “Rest. You’ll need to regain your strength… because once we’re married, I won’t be able to leave you alone. I’ll want to love you every hour, every minute of the day.” He nestled her more closely against him. “There is nothing on earth more beautiful to me than your smile… no sound sweeter than your laughter… no pleasure greater than holding you in my arms. I realized today that I could never live without you, stubborn little hellion that you are. In this life and the next, you’re my only hope of happiness. Tell me, Lillian, dearest love… how can you have reached so far inside my heart?” He paused to kiss her damp silken skin… and smiled as the wisp of a feminine snore broke the peaceful silence.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
The grass is full of ghosts tonight.' 'The whole campus is alive with them.' They paused by Little and watched the moon rise, to make silver of the slate roof of Dodd and blue the rustling trees. 'You know,' whispered Tom, 'what we feel now is the sense of all the gorgeous youth that has rioted through here in two hundred years.' ...
And what we leave here is more than class; it's the whole heritage of youth. We're just one generation-- we're breaking all the links that seemed to bind us her to top-booted and high-stocked generations. We've walked arm and arm with Burr and Light-Horse Harry Lee through half these deep-blue nights.' 'That's what they are,' Tom tangented off, 'deep-blue-- a bit of color would spoil them, make them exotic.' Spries, against a sky that's a promise of dawn, and blue light on the slate roofs-- it hurts... rather--' 'Good-by, Aaron Burr,' Amory called toward deserted Nassau Hall, 'you and I knew strange corners of life.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
You’re right,” Jacks said. “You’re not part of my world. You’re not one of those girls. And maybe that’s why.”
“Why what?”
“Why I can’t stop thinking about you.”
Maddy rolled her eyes. “Guys like you don’t say that to girls like me.”
“I’ve never said that to anyone, actually,” Jacks corrected. “In fact, I’ve never done anything like this before.” He let out a little laugh. “How am I doing?”
He swallowed hard, trying to push down his nervousness. He was astonished to realize he was nervous. Somehow being around Maddy just put him in a different space. Jacks felt so present.
Maddy stared at him, letting the anger and frustration surge through her.
“Why are you doing this to me?” she asked finally.
He paused, considering.
“I’m being honest. I know you may not believe me. But I haven’t been able to not think about you. When we were in the back at the restaurant, and . . .” Jacks’s voice trailed off, his face coloring. “I still feel terrible about what I did. I lied to you and, even though I had good reasons for it, it was wrong of me.”
Maddy studied him. Was he telling the truth?
Jacks smiled. “I mean this in the best possible way: I’m not going to leave you alone until you let me make it up to you. I’m serious. I’ll be here every night. You might as well get me some pajamas and a toothbrush.”
Despite her best efforts not to, Maddy laughed. She looked at Jacks and could see the faintest twinkle of light in his eyes.
“So what you’re saying is that I should just give in and let you make it up to me. Otherwise you’ll be tormenting me like this for the rest of my life?”
“Pretty much. Yeah.”
“Well.” She sighed. “What do you have in mind?”
“Come fly with me.
”
”
Scott Speer (Immortal City (Immortal City, #1))
“
Satisfied, Sundae trotted to a bush near the lake, dug vigorously for some seconds and pulled out a bone deliciously covered in mud and bits of vegetation. She took her prize to a still-sunny patch of grass and began to gnaw at it. Two magpies, their greyish necks identifying them as juveniles, landed on a nearby branch. Sundae paused, eyes flicking up to stare at the birds, then returned to attend to the bone. One of the magpies swooped down and landed on the lawn a couple of metres away from the dog. Sunny’s top lip trembled up in the prelude of a snarl. The magpie approached the dog. Sundae’s body tensed, lip furling up further, eyes focused on the agitator. The magpie inched closer. When it was half a metre away, Sundae launched. The bird flew back to the branch next to its companion. Then both birds threw their heads back and let out a rollicking call; it sounded like laughter. Rumbling a growl, Sundae returned to her bone, casting baleful glares at the birds as she gnawed.
Saskia and Tania chuckled.
“For all of my life, I have watched the magpies and dogs of Woodgrove play this game,” Tania said. “And every time I see it, I have to laugh.
”
”
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Addictive slow-burn mystery international crime thrillers))
“
In the end, it seems to me that forgiveness may be the only realistic antidote we are offered in love, to combat the inescapable disappointments of intimacy."
“Women’s sense of integrity seems to be entwined with an ethic of care, so that to see themselves as women as to see themselves in a relationship of connection…I believe that many modern women, my mother included, carry within them a whole secret New England cemetery, wherein that have quietly buried in many neat rows– the personal dreams they have given up for their families…(Women) have a sort of talent for changing form, enabling them to dissolve and then flow around the needs of their partners, or the needs of their children, or the needs of mere quotidian reality. They adjust, adapt, glide, accept.”
“The cold ugly fact is that marriage does not benefit women as much as it benefits men. From studies, married men perform dazzingly better in life, live longer, accumulate more, excel at careers, report to be happier, less likely to die from a violent death, suffer less from alcoholism, drug abuse, and depression than single man…The reverse is not true. In fact, every fact is reverse, single women fare much better than married women. On average, married women take a 7% pay cut. All of this adds up to what Sociologists called the “Marriage Benefit Imbalance”…It is important to pause here and inspect why so women long for it (marriage) so deeply.
”
”
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
“
She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside. And then there was the ride home, where he did things to her neck and ear that made her forget her own name. They managed to straighten themselves out as they reached the castle gates, and kept a respectable distance as they walked back to her room, though every inch of her felt so alive and burning that it was a miracle she made it back to her door without pulling him into a closet.But then they were inside her rooms, and then at her bedroom door, and he paused as she took his hand to lead him in. “Are you sure?”
She lifted a hand to his face, exploring every curve and freckle that had become so impossibly precious to her. She had waited once before—waited with Sam, and then it had been too late. But now, there was no doubt, no shred of fear or uncertainty, as if every moment between her and Chaol had been a step in a dance that had led to this threshold.
“I’ve never been so sure of anything in my life,” she told him. His eyes blazed with hunger that matched her own, and she kissed him again, tugging him into her bedroom. He let her pull him, not breaking the kiss as he kicked the door shut behind them.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
She was right about something else too,ʺ Dimitri said after a long pause. My back was to him, but there was a strange quality to his voice that made me turn around.
ʺWhatʹs that?ʺ I asked.
ʺThat I do still love you.ʺ With that one sentence, everything in the universe changed. Time slowed to one heartbeat. The world became his eyes, his voice. This wasnʹt happening. It wasnʹt real. None of it could be real. It felt like a spirit dream. I resisted the urge to close my eyes and see if Iʹd wake up moments later. No. No matter how unbelievable it all seemed, this was no dream. This was real. This was life. This was flesh and blood.
ʺSince . . . since when?ʺ I finally managed to ask.
ʺSince . . . forever.ʺ His tone implied the answer was obvious. ʺI denied it when I was restored. I had no room for anything in my heart except guilt. I especially felt guilty about you—what Iʹd done—and I pushed you away. I put up a wall to keep you safe. It worked for a while—until my heart finally started accepting other emotions. And it all came back. Everything I felt for you. It had never left; it was just hidden from me until I was ready. And again . . . that alley was the turning point. I looked at you . . . saw your goodness, your hope, and your faith. Those are what make you beautiful. So, so beautiful.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Graham Chapman, co-author of the "Parrot Sketch", is no more. He has ceased to be. Bereft of life, he rests in peace. He's kicked the bucket, hopped the twig, bit the dust, snuffed it, breathed his last, and gone to meet the great Head of Light Entertainment in the sky. And I guess that we're all thinking how sad it is that a man of such talent, of such capability for kindness, of such unusual intelligence, should now so suddenly be spirited away at the age of only forty-eight, before he'd achieved many of the things of which he was capable, and before he'd had enough fun. Well, I feel that I should say: nonsense. Good riddance to him, the freeloading bastard, I hope he fries. And the reason I feel I should say this is he would never forgive me if I didn't, if I threw away this glorious opportunity to shock you all on his behalf. Anything for him but mindless good taste.
(He paused, then claimed that Chapman had whipered in his ear while he was writing the speech):
All right, Cleese. You say you're very proud of being the very first person ever to say 'shit' on British television. If this service is really for me, just for starters, I want you to become the first person ever at a British memorial service to say 'fuck'.
”
”
John Cleese
“
Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in."
"Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one.
“Hummingbird,” he whispered, “you don’t have to be nervous with me.”
Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.”
“My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base.
“When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle.
“Yes, love?”
"I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
You will not remember much from school.
School is designed to teach you how to respond and listen to authority figures in the event of an emergency. Like if there's a bomb in a mall or a fire in an office. It can, apparently, take you more than a decade to learn this. These are not the best days of your life. They are still ahead of you. You will fall in love and have your heart broken in many different, new and interesting ways in college or university (if you go) and you will actually learn things, as at this point, people will believe you have a good chance of obeying authority and surviving, in the event of an emergency. If, in your chosen career path, there are award shows that give out more than ten awards in one night or you have to pay someone to actually take the award home to put on your mantlepiece, then those awards are more than likely designed to make young people in their 20's work very late, for free, for other people. Those people will do their best to convince you that they have value. They don't. Only the things you do have real, lasting value, not the things you get for the things you do. You will, at some point, realise that no trophy loves you as much as you love it, that it cannot pay your bills (even if it increases your salary slightly) and that it won't hold your hand tightly as you say your last words on your deathbed. Only people who love you can do that. If you make art to feel better, make sure it eventually makes you feel better. If it doesn't, stop making it. You will love someone differently, as time passes. If you always expect to feel the same kind of love you felt when you first met someone, you will always be looking for new people to love. Love doesn't fade. It just changes as it grows. It would be boring if it didn't. There is no truly "right" way of writing, painting, being or thinking, only things which have happened before. People who tell you differently are assholes, petrified of change, who should be violently ignored. No philosophy, mantra or piece of advice will hold true for every conceivable situation. "The early bird catches the worm" does not apply to minefields. Perfection only exists in poetry and movies, everyone fights occasionally and no sane person is ever completely sure of anything. Nothing is wrong with any of this. Wisdom does not come from age, wisdom comes from doing things. Be very, very careful of people who call themselves wise, artists, poets or gurus. If you eat well, exercise often and drink enough water, you have a good chance of living a long and happy life. The only time you can really be happy, is right now. There is no other moment that exists that is more important than this one. Do not sacrifice this moment in the hopes of a better one. It is easy to remember all these things when they are being said, it is much harder to remember them when you are stuck in traffic or lying in bed worrying about the next day. If you want to move people, simply tell them the truth. Today, it is rarer than it's ever been.
(People will write things like this on posters (some of the words will be bigger than others) or speak them softly over music as art (pause for effect). The reason this happens is because as a society, we need to self-medicate against apathy and the slow, gradual death that can happen to anyone, should they confuse life with actually living.)
”
”
pleasefindthis
“
The greatest book in the world, the Mahabharata, tells us we all have to live and die by our karmic cycle. Thus works the perfect reward-and-punishment, cause-and-effect, code of the universe. We live out in our present life what we wrote out in our last. But the great moral thriller also orders us to rage against karma and its despotic dictates. It teaches us to subvert it. To change it. It tells us we also write out our next lives as we live out our present.
The Mahabharata is not a work of religious instruction.
It is much greater. It is a work of art.
It understands men will always fall in the shifting chasm between the tug of the moral and the lure of the immoral.
It is in this shifting space of uncertitude that men become men.
Not animals, not gods.
It understands truth is relative. That it is defined by context and motive. It encourages the noblest of men - Yudhishtra, Arjuna, Lord Krishna himself - to lie, so that a greater truth may be served.
It understands the world is powered by desire. And that desire is an unknowable thing. Desire conjures death, destruction, distress.
But also creates love, beauty, art. It is our greatest undoing. And the only reason for all doing.
And doing is life. Doing is karma.
Thus it forgives even those who desire intemperately. It forgives Duryodhana. The man who desires without pause. The man who precipitates the war to end all wars. It grants him paradise and the admiration of the gods. In the desiring and the doing this most reviled of men fulfils the mandate of man.
You must know the world before you are done with it. You must act on desire before you renounce it. There can be no merit in forgoing the not known.
The greatest book in the world rescues volition from religion and gives it back to man.
Religion is the disciplinarian fantasy of a schoolmaster.
The Mahabharata is the joyous song of life of a maestro.
In its tales within tales it takes religion for a spin and skins it inside out. Leaves it puzzling over its own poisoned follicles.
It gives men the chance to be splendid. Doubt-ridden architects of some small part of their lives. Duryodhanas who can win even as they lose.
”
”
Tarun J. Tejpal (The Alchemy of Desire)
“
Have you ever been to Florence?” asked Dr. Igor.
“No.”
“You should go there; it’s not far, for that is where you will find my second example. In the cathedral in Florence, there’s a beautiful clock designed by Paolo Uccello in 1443. Now, the curious thing about this clock is that, although it keeps time like all other clocks, its hands go in the opposite direction to that of normal clocks.”
“What’s that got to do with my illness?”
“I’m just coming to that. When he made this clock, Paolo Uccello was not trying to be original: The fact is that, at the time, there were clocks like his as well as others with hands that went in the direction we’re familiar with now. For some unknown reason, perhaps because the duke had a clock with hands that went in the direction we now think of as the “right” direction, that became the only direction, and Uccello’s clock then seemed an aberration, a madness.”
Dr. Igor paused, but he knew that Mari was following his reasoning.
“So, let’s turn to your illness: Each human being is unique, each with their own qualities, instincts, forms of pleasure, and desire for adventure. However, society always imposes on us a collective way of behaving, and people never stop to wonder why they should behave like that. They just accept it, the way typists accepted the fact that the QWERTY keyboard was the best possible one. Have you ever met anyone in your entire life who asked why the hands of a clock should go in one particular direction and not in the other?”
“No.”
“If someone were to ask, the response they’d get would probably be: ‘You’re crazy.’ If they persisted, people would try to come up with a reason, but they’d soon change the subject, because there isn’t a reason apart from the one I’ve just given you. So to go back to your question. What was it again?”
“Am I cured?”
“No. You’re someone who is different, but who wants to be the same as everyone else. And that, in my view, is a serious illness.”
“Is wanting to be different a serious illness?”
“It is if you force yourself to be the same as everyone else. It causes neuroses, psychoses, and paranoia. It’s a distortion of nature, it goes against God’s laws, for in all the world’s woods and forests, he did not create a single leaf the same as another. But you think it’s insane to be different, and that’s why you chose to live in Villete, because everyone is different here, and so you appear to be the same as everyone else. Do you understand?”
Mari nodded.
“People go against nature because they lack the courage to be different, and then the organism starts to produce Vitriol, or bitterness, as this poison is more commonly known.
”
”
Paulo Coelho (Veronika Decides to Die)
“
We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God's property. Is it not our happiness thus to view the matter? Is it any happiness or any comfort, to consider that we are our own? It may be thought so by the young and prosperous. These may think it a great thing to have everything, as they suppose, their own way–to depend on no one–to have to think of nothing out of sight, to be without the irksomeness of continual acknowledgment, continual prayer, continual reference of what they do to the will of another. But as time goes on, they, as all men, will find that independence was not made for man–that it is an unnatural state–will do for a while, but will not carry us on safely to the end …'" Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. "Take this, for example," he said, and in his deep voice once more began to read: "'A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us false–a reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.'" Mustapha Mond shut the book and leaned back in his chair. "One of the numerous things in heaven and earth that these philosophers didn't dream about was this" (he waved his hand), "us, the modern world. 'You can only be independent of God while you've got youth and prosperity; independence won't take you safely to the end.' Well, we've now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. 'The religious sentiment will compensate us for all our losses.' But there aren't any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?
”
”
Aldous Huxley (Brave New World)
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in.
"Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?"
I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.”
She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—”
"Wait," I interrupted. "You broke into a classroom?"
"Yeah, but that’s not the problem."
Behind me, I heard a choking laugh from Ms. Terwilliger’s desk.
"Go on," I said wearily.
"Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her."
"We?" I exclaimed.
"Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.”
I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said.
As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.”
"Oh no," she said nobly. "I didn’t want to be an inconvenience."
Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to.
I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me.
"Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy."
I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.”
"Alleged?" He sounded indignant but strolled in anyways.
I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake.
"Oh," he said, seeing Angeline. "Hi."
Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.”
The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.”
That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))