Pause Button Quotes

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It’s hard to care about people. Exhausting, in fact, because empathy is a complicated thing. It requires us to accept that everyone else’s lives are also going on the whole time. We have no pause button for when everything gets too much for us to deal with, but then neither does anyone else.
Fredrik Backman (Us Against You (Beartown, #2))
He pauses when he finishes undoing the last button, then closes his eyes. I can see the pain slashed across his face, and the sight tears at me. The Republic's most wanted criminal is just a boy, sitting before me, suddenly vulnerable, laying all his weaknesses out for me to see.
Marie Lu (Prodigy (Legend, #2))
I’ve always thought you should be able to freeze time. This way you could hit the Pause button at a really good point in your life so that nothing changes
Jennifer Niven (Holding Up the Universe)
Sometimes I’ve even wished there was a human pause button, where you could choose some point in your life where you could stay always.
Deb Caletti (The Story of Us)
To use an electronics analogy, closing a book on a bookmark is like pressing the Stop button, whereas when you leave the book facedown, you've only pressed Pause.
Anne Fadiman (Ex Libris: Confessions of a Common Reader)
life would be perfect if girls had a mute button, guys had an delete button, bad times had a fast forward button, and good times had a pause button.
Julie Stone
Once upon a time,” I began. “There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out. “Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didn’t know. Next he asked his father, but his father didn’t know. He asked his grandparents, but they didn’t know either. “That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it. “He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn’t make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it. “He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn’t know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn’t know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer. “Eventually he went to the King of Vint, the richest king in the world. But the king didn’t know. He went to the Emperor of Atur, but even with all his power, the emperor didn’t know. He went to each of the small kingdoms, one by one, but no one could tell him anything. “Finally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy’s belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver. “The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy’s belly button.” I paused to take a long drink of water. I could feel my small audience leaning toward me. “Then the high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy’s ass fell off.” There was a moment of stunned silence. “What?” Hespe asked incredulously. “His ass fell off.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
I will never, ever regret stopping you from walking out of my life a second time, Kyle," she said in an emotional voice. "And I can prove it." She reached for the buttons on her trench coat and undid them, one at a time. Then she opened the coat and let it drop to the floor. And even if she didn't say a single word more, Kyle knew he would never again doubt the way Rylann felt about him. She was wearing his flannel shirt. "You kept it," he said softly. "All this time." She nodded. "For nine years, I've held on to this darn shirt, literally dragging it across the country and back." Kyle touched her cheek, gently brushing away a tear with his thumb. "Why?" She paused hesitantly, and then with a tender smile, finally put it all on the line, too. "I guess I always hoped you'd come back for it someday.
Julie James (About That Night (FBI/US Attorney, #3))
A photograph is the pause button on life.
Various
I pick up the phone and jab the answer button. “Listen, dancing queen, I’m drunk, horny, and in no mood to hear about pretty men who aren’t going to fuck me. So for the love of my poor neglected vagina, order yourself another Cosmo and please fuck off.” There’s a pause and an uncertain cough. “I’m more than happy to fuck off, but if it makes a different, I wasn’t going to talk about dicks. I’m far more interested to hear more about your poor neglected vagina. How’s she been? We haven’t had a face-to-face in a while.
Leisa Rayven (Bad Romeo (Starcrossed, #1))
When you press the pause button on a machine, it stops. But when you press the pause button on human beings they start,” argues my friend and teacher Dov Seidman, CEO of LRN, which advises global businesses on ethics and leadership. “You start to reflect, you start to rethink your assumptions, you start to reimagine what is possible and, most importantly, you start to reconnect with
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
Is there a panic button I can hit? Or better yet, a button that will pause this whole scene while I figure out how I want to play it? But no. That's not how it works in real life.
Catherine McKenzie (Forgotten)
He pauses at my first button and searches my face. Touching him was never a part of the deal, and he must be wondering why I’m doing it willingly. I don’t know if he hates or loves it, but I don’t give him or myself time to think about it. I lift my knee and hit him in the crotch. Hard. As hard as I can. His face contorts and his hands shoot out for me, but I duck and run past him. A huge grin pulls on my face. I just kneed Aiden fucking King in the balls!
Rina Kent (Deviant King (Royal Elite, #1))
We can't rewind the past, nor fast-forward the future, so today, all we can do is play, record, pause and keep moving, until something should press the stop button.
Anthony Liccione
And you haven’t got a ‘pause’ button, have you? You are just uncontrollable!
Olga Goa (Fateful Italian Passion)
I have learned that I must push the pause button occasionally and retreat into that private place in my soul where it is only me and God!
Peggy Toney Horton (Stop the World and Get Off)
As if she sensed me, her eyes opened and when her green ones found mine, I swear, it felt like someone hit the pause button on the universe and she was all I could see.
Ilsa Madden-Mills (Very Bad Things (Briarcrest Academy, #1))
Dialogue is not just quotation. It is grimaces, pauses, adjustments of blouse buttons, doodles on a napkin, and crossings of legs.
Jerome Stern (Making Shapely Fiction)
Wow,” Ryan said, taking the excedo in from his bare feet to his worn jeans and wrinkled T-shirt. “Protesting showers?” “Bite me.” Trance stood aside and let Ryan inside, despite his growled words. Ryan strode to the living room, went straight to Trance's DVD player, and inserted one of his sex discs. Trance stood in the entrance to the living room, arms crossed, leaning against the wall as if it were the only thing holding him up. “I don't remember making a movie date with you.” “Keep your dick in your pants, Romeo.” Ryan pushed Play and stood back. “What do you know about that?” Trance's eyes shot wide, and he yanked himself off the wall. “I know you need an ass-kicking if you came to watch porn with me—oh, fuck me, that's you. Turn it off! I don't need to see that.” Ryan hit the Pause button. “Well?” “Well, what?” Trance shuddered. “Christ. I'm going to have to gouge out my eyes now.
Sydney Croft (Taming the Fire (ACRO, #4))
Life is a journey where we don't want to arrive at our final destination too soon, unfortunately many of us live from day to day and some very rarely explore life's rich tapestry or take time to focus on what they really want out of life. Go explore every aspect of your life, we can't rewind or push the pause button, live life and live it well.
Darren Housley
I, too, like to read. Once a month, I go to the local branch. For myself, I pick a novel and, for Bruno, with his cataracts, a book on tape. At first Bruno was doubtful. “What am I supposed to do with this?” he said, looking at the box set of “Anna Karenina” as if I’d handed him an enema. And yet. A day or two later I was going about my business when a voice from above bellowed, ALL HAPPY FAMILIES RESEMBLE ONE ANOTHER, nearly giving me a conniption. After that, he listened to whatever I’d brought him at top volume and then returned it to me without comment. One afternoon, I came back from the library with Ulysses. For a month straight he listened. He had a habit of pressing the stop button and rewinding when he hadn’t fully grasped something. INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT. Pause, rewind. INELUCTABLE MODALITY OF THE. Pause, rewind. INELUCTABLE MODALITY. Pause. INELUCT.
Nicole Krauss
I got out of the car and slammed its door. How matter-of-fact, how square that slam sounded in the void of the sunless day! Woof, commented the dog perfunctorily. I pressed the bell button, it vibrated through my whole system. Personne. Je resonne. Repersonne. From what depth this re-nonsense? Woof, said the dog. A rush and a shuffle, and woosh-woosh went the door. Couple of inches taller. Pink-rimmed glasses. New, heaped-up hairdo, new ears. How simple! The moment, the death that I had kept conjuring up for three years was as simple as a bit of dry wood. She was frankly and hugely pregnant. Her head looked smaller (only two seconds had passed really, but let me give them as much wooden duration as life can stand), and her pale-freckled cheeks were hollowed, and her bare shins and arms had lost all their tan, so that the little hairs showed. She wore a brown, sleeveless felt dress and sloppy felt slippers. 'We-e-ell!' she exhaled after a pause with all the emphasis of wonder and welcome. 'Husband at home?' I croaked, fist in pocket. I could not kill her, of course, as some have thought. You see I loved her. It was love at first sight, at last sight, at ever and ever sight.
Vladimir Nabokov
Tiff like in Breakfast at Tiffany's,' he says. 'Right?' I couldn't be more shocked. 'Um... yes, that's right - it's an old movie.' 'Is it? Don't watch that much TV. I've only heard of the book - got it at home. I bought it 'cause Truman Capote wrote it. I was stoked by In Cold Blood. He wrote that, too. You read it?' 'No.' 'Aw, you gotta. It rocks.' I look away as if I've been suddenly distracted by something out the window. It's my version of the pause button. There's a lot of information to process. Here's a boy my own age; he shakes my hand, he talks to me - not just to ask directions to the toilet - and he reads books. Heathcliff?
Bill Condon (A Straight Line to My Heart)
Some find that they can keep bereavement at bay by staying busy. This is a perfectly normal way of coping which works well for some – but if you keep bereavement away by constant action, you may pay for it later. The action may turn out to be an avoidance technique, like putting a finger on the pause button on the bereavement video. When you stop doing whatever you were doing – going to parties, helping others, seeing movies – you still return home to a film which hasn’t moved on since you stopped watching it.
Virginia Ironside ('You'll Get Over It': The Rage of Bereavement)
Ianto Jones was at his station behind the run-down Tourist Information Centre that served at a front to the clandestine goings on in Torchwood. His bare feet were on his desk, his tie slumped like a crestfallen snake next to an open pizza box, the top two buttons of his shirt undone. "Taking it easy, I see?" said Jack, stepping out through the security door that led into the Hub itself. "Well at least someone has the right idea. Whatcha doing there, Sport?" "Sport?" said Ianto. "Not sure I like 'Sport' as a term of endearment. 'Sexy is good, if unimaginative. 'Pumpkin' is a bit much, but 'Sport'? No. You'll have to think of another one. "Okay, Tiger Pants. Whatcha doing?" Ianto laughed. "I..." he said, pausing to swallow a mouthful of pizza, "am having a James Bondathon." "A what?" "A James Bondathon. I'm watching my favourite James Bond films in chronological order." "You're a Bond fan?" "Oh yes. He's the archetypal male fantasy, isn't he? The man all women want to have, and all men want to be." "Are you sure it's not the other way around?
David Llewellyn (Trace Memory (Torchwood, #5))
If we were to press the pause button, repent, and move prayer to a place of priority in our families, schedules, and church lives, everything would be ignited and impacted by it.
Stephen Kendrick (The Battle Plan for Prayer: From Basic Training to Targeted Strategies)
We have no pause button for when everything gets too much for us to deal with, but then neither does anyone else.
Fredrik Backman (Us Against You (Beartown #2))
But by creating tangible barriers between ourselves and our drug of choice, we press the pause button between desire and action.
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
When you feel fear about taking a risk hit the pause button not the stop button.
Ben Hunt-Davis (Will It Make The Boat Go Faster?- Olympic-winning strategies for everyday success)
When you’re on the road, you don’t really have to deal with real life. It’s almost like hitting the pause button.
Taylor Jenkins Reid (Daisy Jones & The Six)
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
He handed the garments to her, and began to unknot his necktie. "Wait- take this too." Cassandra's eyes widened as he began on his shirt cuffs. "How much more clothing do you plan to remove?" she asked uneasily. Tom grinned, not missing the quick, interested flick of her gaze over him. "I'm only rolling up my sleeves." He paused, his hands going to the top button of his collar. "Although if you insist-" "No," she said quickly, blushing at his teasing. "That's quite enough." A warm mist had started to spread through the room, sweating the white tiles. Cassandra's skin was turning luminous from the humid air. Little wisps of hair at her forehead had drawn up into delicate curls he longed to play with.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Grace to me is a little bit of extra help when you're feeling stuck or doomed or, probably, hopefully, out of good ideas on how to save yourself, and how to salvage the situation or the friendship or the whatever it is,” Anne Lamott once told me. “I wish it was accompanied by harp music so you could know that's what was happening, but for me it's that extra pause or that extra breath or that extra minute's patience against all odds.” On that first trip to Ireland, grace—the kick-in-the-pants, clarifying, cosmic-pause-button kind of grace—didn't just have a harp. It had an entire soundtrack...
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
I lifted the remote control, pushed the Play button, and started the video. I guess, in that moment, I also started my new life as Cameron-the-girl-with-no-parents. Ruth was sort of right, I would learn: A relationship with a higher power is often best practiced alone. For me it was practiced in hour-and-half or two-hour increments, and paused when necessary. I don't think it's overstating it to say that my religion of choice became VHS rentals, and that its messages came in Technicolor and musical montages and fades and jump cuts and silver-screen legends and B-movie nobodies and villains to root for and good guys to hate. But Ruth was wrong, too. There was more than just one other world beyond ours; there were hundreds and hundreds of them, and at 99 cents apiece I could rent them all.
Emily M. Danforth (The Miseducation of Cameron Post)
It's hard to care about people. Exhausting, in fact, because empathy is a complicated thing. It requires us to accept that everyone else's lives are also going on the whole time. We have no pause button for when everything gets too much for us to deal with, but then neither does anyone else.
Fredrick Backman, Us Against You
It's hard to care about people. Exhausting, in fact, because empathy is a complicated thing. It requires us to accept that everyone else's lives are also going on the whole time. We have no pause button for when everything gets too much for us to deal with, but then neither does anyone else.
Fredrik Backman (Us Against You (Beartown, #2))
I’ve always thought you should be able to freeze time. This way you could hit the Pause button at a really good point in your life so that nothing changes. Think about it. Loved ones don’t die. You don’t age. You go to bed and wake up the next morning to find everything just as you left it. No surprises.
Jennifer Niven (Holding Up the Universe)
Please do not take life advice from someone who is in the middle of a major crisis. Unless they are gleaning from time-tested, biblical wisdom and pointing you to Christ (not yourself), it would be wise to hit the pause button on that hot mess and just wait and see how it all pans out over the next ten years or so.
Alisa Childers (Live Your Truth and Other Lies: Exposing Popular Deceptions That Make Us Anxious, Exhausted, and Self-Obsessed)
I will always worry,” he says gently. “There is no off switch, no pause button. You are the thing in this world that means the most to me, but we both know that I have come close to breaking you more than once. So get mad at me if you want, but don’t tell me to stop being concerned or second-guessing you. I won’t. I can’t.
J. Kenner (Complete Me (Stark Trilogy, #3))
...all she wanted was a button she could push to pause her age, just for a little while, a few years, while she got used to the idea.
Emma Straub (Laura Lamont's Life in Pictures)
It’s tough. And yet the Bible makes it very clear that we are to make time for rest. More than just physical rest, we need to take a spiritual and emotional rest from going our own way—literally. Once a week, we are to hit the pause button on life and guard a day of rest for our souls. Guard it fiercely and intentionally — even if the demands on our schedules beg us not to.
Lysa TerKeurst (Unglued Devotional: 60 Days of Imperfect Progress)
To give my characters a real, or at least a convincing, life demanded more space. Did giving them a domestic dimension mean pressing the pause button in order to relate the dull routines of mortgages, electric bills, children’s ailments and traffic jams? No, that is not the way to treat your readers unless you just don’t care about them; and in that case you should be writing literary novels.
Len Deighton (Berlin Game (Bernard Samson, #1))
When Gabriel was about Ivo's age," the duchess remarked almost dreamily, staring out at the plum-colored sky, "he found a pair of orphaned fox cubs in the woods, at a country manor we'd leased in Hampshire. Has he told you about that?" Pandora shook her head, her eyes wide. A reminiscent smile curved the duchess's full lips. "It was a pair of females, with big ears, and eyes like shiny black buttons. They made chirping sounds, like small birds. Their mother had been killed in a poacher's trap, so Gabriel wrapped the poor th-things in his coat and brought them home. They were too young to survive on their own. Naturally, he begged to be allowed to keep them. His father agreed to let him raise them under the gamekeeper's supervision, until they were old enough to return the f-forest. Gabriel spent weeks spoon-feeding them with a mixture of meat paste and milk. Later on, he taught them to stalk and catch prey in an outside pen." "How?" Pandora asked, fascinated. The older woman glanced at her with an unexpectedly mischievous grin. "He dragged dead mice through their pen on a string." "That's horrid," Pandora exclaimed, laughing. "It was," the duchess agreed with a chuckle. "Gabriel pretended not to mind, of course, but it was qu-quite disgusting. Still, the cubs had to learn." The duchess paused before continuing more thoughtfully. "I think for Gabriel, the most difficult part of raising them was having to keep his distance, no matter how he loved them. No p-petting or cuddling, or even giving them names. They couldn't lose their fear of humans, or they wouldn't survive. As the gamekeeper told him, he might as well murder them if he made them tame. It tortured Gabriel, he wanted to hold them so badly." "Poor boy." "Yes. But when Gabriel finally let them go, they scampered away and were able to live freely and hunt for themselves. It was a good lesson for him to learn." "What was the lesson?" Pandora asked soberly. "Not to love something he knew he would lose?" The duchess shook her head, her gaze warm and encouraging. "No, Pandora. He learned how to love them without changing them. To let them be what they were meant to be.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
she couldn’t quite see herself in it. When they were done, I read the Shakespeare sonnet that begins “Fear no more the heat o’ the Sun,” partly because it was appropriate to the occasion and one of the most beautiful poems in the language, but also because I hoped it might hide from my loved ones the fact that I myself had nothing to say, that while part of me was here with them on this beloved shore, another part was wandering, as it had been for months, in a barren, uninhabited landscape not unlike the one in my dream. I realized I’d felt like this for a while. Though life had gone on since my mother’s death—Kate had gotten married, I’d finally published another book and gone on tour with it—some sort of internal-pause button had been pushed, allowing another part of me, one I’d specifically kept sequestered to deal with my mother, to fall silent. Since her death, Barbara and I had gone through all her things and settled her affairs, but we’d barely spoken of her.
Richard Russo (Elsewhere)
She paused and unexpectedly stroked her fingers down the feathers of his neck. He froze. She couldn't know how intimate that seemed, or how sensitive he was to her touch even through the sleek covering of eagle feathers. Pleasure at being petted ran down his spine. He should say something or step away. He did neither. Instead, ever so slightly, he leaned into her touch. It was wrong of him, but his wrong button seemed to be broken, and he didn't care.
Thea Harrison (Shadow's End (Elder Races, #9))
He paused in the hallway, sniffing the air. He scowled, sniffed some more. He pressed an intercom button on the wall. "Betty, I distinctly smell sewage. Could you get a plumber out here ASAP?" Several curly hairs fluttered in the air after he was gone. I clutched at the arm of the dentist chair. "This isn't a joke, Tub! I'm in trouble. We're all in trouble, the whole town, the whole world! You have no clue. You have no idea what kind of things we're dealing with here. There's a whole land of --
Guillermo del Toro (Trollhunters)
Of course, the first song is “Come Together.” It starts with that great weird “shoomp” and the bass part. And when John started singing “Here come old flattop…,” what happened, but Mom knew every single word of the song! Not just every word, but every cadence. She knew every “all right!” and “aww!” and “yeaaaah.” And it kept going, song after song. When “Maxwell’s Silver Hammer” started, Mom said, “Yuck, I always thought this was totally sophomoric.” Still, what did she do? She sang every single word of that, too. I hit the pause button. “How do you even know this?” I demanded. “Abbey Road?” Mom shrugged. “I don’t know, you just know it.” She unpaused the CD. When “Here Comes the Sun” started, what happened? No, the sun didn’t come out, but Mom opened up like the sun breaking through the clouds. You know how in the first few notes of that song, there’s something about George’s guitar that’s just so hopeful? It was like when Mom sang, she was full of hope, too. She even got the irregular clapping right during the guitar solo. When the song was over, she paused it. “Oh, Bee,” she said. “This song reminds me of you.” She had tears in her eyes. “Mom!” This is why I didn’t want her to come to the first-grade elephant dance. Because the most random things get her way too full of love.
Maria Semple (Where'd You Go, Bernadette)
Among much else, Einstein’s general theory of relativity suggested that the universe must be either expanding or contracting. But Einstein was not a cosmologist, and he accepted the prevailing wisdom that the universe was fixed and eternal. More or less reflexively, he dropped into his equations something called the cosmological constant, which arbitrarily counterbalanced the effects of gravity, serving as a kind of mathematical pause button. Books on the history of science always forgive Einstein this lapse, but it was actually a fairly appalling piece of science and he knew it. He called it “the biggest blunder of my life.” Coincidentally, at about the time that Einstein was affixing a cosmological constant to his theory, at the Lowell Observatory in Arizona, an astronomer with the cheerily intergalactic name of Vesto Slipher (who was in fact from Indiana) was taking spectrographic readings of distant stars and discovering that they appeared to be moving away from us. The universe wasn’t static. The stars Slipher looked at showed unmistakable signs of a Doppler shift‖—the same mechanism behind that distinctive stretched-out yee-yummm sound cars make as they flash past on a racetrack. The phenomenon also applies to light, and in the case of receding galaxies it is known as a red shift (because
Bill Bryson (A Short History of Nearly Everything)
The day that Levy got his press preview of the iPod, he happened to be meeting Bill Gates at a dinner, and he showed it to him. “Have you seen this yet?” Levy asked. Levy noted, “Gates went into a zone that recalls those science fiction films where a space alien, confronted with a novel object, creates some sort of force tunnel between him and the object, allowing him to suck directly into his brain all possible information about it.” Gates played with the scroll wheel and pushed every button combination, while his eyes stared fixedly at the screen. “It looks like a great product,” he finally said. Then he paused and looked puzzled. “It’s only for Macintosh?” he asked.
Walter Isaacson (Steve Jobs)
Another bottle was brought out and poured into the reservoir. Once more I climbed inside the car and pressed the spurter button. Once more nothing happened--and once more, when we looked inside the reservoir, we found it empty. "Two litres!" I said. "Where has it all gone?" They'd vaporized, evaporated. And do you know what? It felt wonderful. Don't ask me why: it just did. It was as though I'd just witnessed a miracle: matter--these two litres of liquid--becoming un-matter--not surplus matter, mess or clutter, but pure, bodiless blueness. Transubstantiated. I looked up at the sky: it was blue and endless. I looked back at the boy. His overalls and face were covered in smears. He'd taken on these smears so that the miracle could happen, like a Christian martyr being flagellated, crucified, scrawled over with stigmata. I felt elated--elated and inspired. "If only..." I started, but paused. "What?" he asked. "If only everything could..." I trailed off. I knew what I meant. I stood there looking at his grubby face and told him: "Thank you." Then I got into the car and turned the ignition key in its slot. The engine caught--and as it did, a torrent of blue liquid burst out of the dashboard and cascaded down. It gushed from the radio, the heating panel, the hazard-lights switch and the speedometer and mileage counter. It gushed all over me: my shirt, my legs, my groin.
Tom McCarthy (Remainder)
They both fell, Serilda landing on her back on the pile of straw. Gild landed on top of her with a grunt, his chin smacking her shoulder, making his teeth crack loudly near her ear. His knee struck her hip, as he barely managed to keep from crushing her with his weight. Serilda lay in the straw, disoriented and breathless, a dull pain thrumming in her backside. Gild pushed himself up with one hand and rubbed his chin, grimacing. “Still alive,” moaned Serilda, copying Anna’s favorite phrase. “Makes one of us,” Gild said. He met her gaze, laughter in his eyes. “Hello again.” Then he glanced down, to where Serilda’s hands were caught between their bodies. Her hands, entirely of their own mind, were pressed against his chest. Not pushing him away. Color burst across his face. “Sorry,” he said, pulling back. As soon as he did, a sharp pain burned across Serilda’s scalp. She cried out, leaning toward him. “Stop, stop! My hair!” Gild froze. A lock of Serilda’s long hair had caught on the button of his shirt’s collar. “How did that happen?” “Meddlesome elves, no doubt,” said Serilda, trying to shuffle into a better position where she could start untangling the hair, but by bit. “They’re the worst.” Serilda paused in her work to meet his eyes, catching the silent humor glittering in them. This close, in the light, she could see that they were the color of warm amber. “Hello again,” he said quietly.
Marissa Meyer (Gilded (Gilded, #1))
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun. "Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now." "Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne. "Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair." My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?" Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too. But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious." "Cautious?" "Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore." I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?" She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?" And it does.Which I hate. Clickclickclickclick. It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
a man who had fallen among thieves lay by the roadside on his back dressed in fifteenthrate ideas wearing a round jeer for a hat fate per a somewhat more than less emancipated evening had in return for consciousness endowed him with a changeless grin whereon a dozen staunch and leal citizens did graze at pause then fired by hypercivic zeal sought newer pastures or because swaddled with a frozen brook of pinkest vomit out of eyes which noticed nobody he looked as if he did not care to rise one hand did nothing on the vest its wideflung friend clenched weakly dirt while the mute trouserfly confessed a button solemnly inert. Brushing from whom the stiffened puke i put him all into my arms and staggered banged with terror through a million billion trillion stars
E.E. Cummings (100 Selected Poems)
Still dark. The Alpine hush is miles deep. The skylight over Holly’s bed is covered with snow, but now that the blizzard’s stopped I’m guessing the stars are out. I’d like to buy her a telescope. Could I send her one? From where? My body’s aching and floaty but my mind’s flicking through the last night and day, like a record collector flicking through a file of LPs. On the clock radio, a ghostly presenter named Antoine Tanguay is working through Nocturne Hour from three till four A.M. Like all the best DJs, Antoine Tanguay says almost nothing. I kiss Holly’s hair, but to my surprise she’s awake: “When did the wind die down?” “An hour ago. Like someone unplugged it.” “You’ve been awake a whole hour?” “My arm’s dead, but I didn’t want to disturb you.” “Idiot.” She lifts her body to tell me to slide out. I loop a long strand of her hair around my thumb and rub it on my lip. “I spoke out of turn last night. About your brother. Sorry.” “You’re forgiven.” She twangs my boxer shorts’ elastic. “Obviously. Maybe I needed to hear it.” I kiss her wound-up hair bundle, then uncoil it. “You wouldn’t have any ciggies left, perchance?” In the velvet dark, I see her smile: A blade of happiness slips between my ribs. “What?” “Use a word like ‘perchance’ in Gravesend, you’d get crucified on the Ebbsfleet roundabout for being a suspected Conservative voter. No cigarettes left, I’m ’fraid. I went out to buy some yesterday, but found a semiattractive stalker, who’d cleverly made himself homeless forty minutes before a whiteout, so I had to come back without any.” I trace her cheekbones. “Semiattractive? Cheeky moo.” She yawns an octave. “Hope we can dig a way out tomorrow.” “I hope we can’t. I like being snowed in with you.” “Yeah well, some of us have these job things. Günter’s expecting a full house. Flirty-flirty tourists want to party-party-party.” I bury my head in the crook of her bare shoulder. “No.” Her hand explores my shoulder blade. “No what?” “No, you can’t go to Le Croc tomorrow. Sorry. First, because now I’m your man, I forbid it.” Her sss-sss is a sort of laugh. “Second?” “Second, if you went, I’d have to gun down every male between twelve and ninety who dared speak to you, plus any lesbians too. That’s seventy-five percent of Le Croc’s clientele. Tomorrow’s headlines would all be BLOODBATH IN THE ALPS AND LAMB THE SLAUGHTERER, and the a vegetarian-pacifist type, I know you wouldn’t want any role in a massacre so you’d better shack up”—I kiss her nose, forehead, and temple—“with me all day.” She presses her ear to my ribs. “Have you heard your heart? It’s like Keith Moon in there. Seriously. Have I got off with a mutant?” The blanket’s slipped off her shoulder: I pull it back. We say nothing for a while. Antoine whispers in his radio studio, wherever it is, and plays John Cage’s In a Landscape. It unscrolls, meanderingly. “If time had a pause button,” I tell Holly Sykes, “I’d press it. Right”—I press a spot between her eyebrows and up a bit—“there. Now.” “But if you did that, the whole universe’d be frozen, even you, so you couldn’t press play to start time again. We’d be stuck forever.” I kiss her on the mouth and blood’s rushing everywhere. She murmurs, “You only value something if you know it’ll end.
David Mitchell (The Bone Clocks)
There are these open spaces in life called "pauses" and it is most unfortunate how the majority of people do not bother themselves with the pauses of life in pursuit of their desire to fill every moment they experience WITH THEMSELVES. You need to take a few steps back and not feel the constant need to pour yourself into every space that life offers. The pauses are equally--if not more-- important as the active participations that you make. When we kiss, we remove a part of ourselves from the experience by closing our eyes; this removes the sense of sight, it allows for an open space for a pause to let life flow through it. When we make love, there are the pauses, the nothings, the gazing into the eyes; the removal of oneself from the experience. Why? Because we instinctively know that the best parts of life are not fully had in the absence of nothingness. Nothingness is vital, nothingness is essential.
C. JoyBell C.
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night. “Because my cave’s better than their cave.” “You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.” “I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance. When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.” He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?” “Mine has bats.” She breathed, “If I stick with you, I’ll have nothing but the best.” “Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side. Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts. She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.” “Or I could help you.” “I’ve had a bit of practice bathing myself and think I can stumble my way through this.” “But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.” “You give me privacy or I go without.” “Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
I got back to the vehicles and spotted Ashley Voss right away. She was standing there waiting with her rucksack, ready to go. I walked up to her, smiled, and said, “Hey, what’s up? I’m Noah.” “Hi. I’m Ashley,” she said without much emotion. “Cool. Are you excited to come to our area?” I flashed her a grin. After a brief pause she said, “Yeah, the medics can use a female.” She was acting like a professional and I was acting more like someone standing at a bar trying to buy her a drink. As if that couldn’t be more awkward, right at that moment my radio squawked loudly, “Hey, can somebody get me that female medic’s roster number? I need it before we head out.” It was Jerry, ruining my game. I leaned over and hit the button and said a little too proudly, “I’ve got the female medic with me now. I will get that for you.” And before I could ask her what it was, Jerry came back over the radio, “Galloway. You’re with the female. Why am I not surprised?” Ashley gave me her roster number, and I sent it back to Jerry. I turned to Ashley and said, “I’m not a player, just wanted to know more about you.” She didn’t look that convinced. We got in the trucks and drove back. At the potato plant all the guys started sniffing this girl out like a bunch of hound dogs. One of the guys ran and grabbed her rucksack for her and carried it into the medic station, like he was a bellhop.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
Mr. Quincy told me that he will be working for you in London. I am glad, for both your sakes, that you’ve given him such an opportunity. He will be an excellent valet.” “For what I’m paying him,” Winterborne said, “he’d better be the best in England.” Helen was briefly nonplussed. “I have no doubt he will be,” she ventured. Meticulously Winterborne neatened the stack of paper. “He wants to start by disposing of my shirts.” “Your shirts,” Helen repeated, perplexed. “One of my managers brought some of my clothes from London. Quincy could tell that the shirts were ready-made.” He glanced at her warily, assessing her reaction. “To be accurate,” he continued, “they’re sold half finished, so they can be tailored to the customer’s preference. The quality of the fabric is as high as any bespoke shirt, but Quincy still turns up his nose.” Helen considered her reply carefully. “A man of Quincy’s profession has an exacting eye when it comes to details.” She probably should have left it at that. The discussion of a man’s clothing was entirely improper, but she felt that she should help him to understand Quincy’s concerns. “It’s more than just the fabric. The stitching is different in a bespoke shirt: The seams are perfectly straight and flat-felled, and the buttonholes are often hand-worked with a keyhole shape at one side to reduce the stress of the button’s shank.” She paused with a smile. “I would elaborate about plackets and cuffs, but I fear you would fall asleep in the chair.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered. Still kissing her, he jerked both sets of curtains closed. Then he tugged her onto his lap and began to tear at the fastenings of her pelisse-dress. He wanted to touch her, taste her…be inside her. He could think of naught else. “I take it that you mean to seduce me,” she murmured between kisses. “Yes.” Seduce her and marry her. And then seduce her again, as often as he could. “Well then, carry on.” So he did. He unfastened her clothes just enough to bare her breasts, then seized one in his mouth. God, she was perfect. His perfect jewel. She buried her hands in his hair to pull her into him, sighing and moaning as if she would die if he didn’t make love to her. Which was exactly how he felt. Working his hand up beneath her skirts and into the slit in her drawers, he found her so wet and hot that he nearly came right there. He slipped a finger inside her silky sweetness, and she gasped, then began to tug at his trouser buttons. “You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
I sink down into my body as into a swamp, fenland, where only I know the footing. Treacherous ground, my own territory. I become the earth I set my ear against, for rumors of the future. Each twinge, each murmur of slight pain, ripples of sloughed-off matter, swellings and diminishings of tissue, the droolings of the flesh, these are signs, these are the things I need to know about. Each month I watch for blood, fearfully, for when it comes it means failure. I have failed once again to fulfill the expectations of others, which have become my own. I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will. I could use it to run, push buttons of one sort or another, make things happen. There were limits, but my body was nevertheless lithe, single, solid, one with me. Now the flesh arranges itself differently. I’m a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping. Inside it is a space, huge as the sky at night and dark and curved like that, though black-red rather than black. Pinpoints of light swell, sparkle, burst and shrivel within it, countless as stars. Every month there is a moon, gigantic, round, heavy, an omen. It transits, pauses, continues on and passes out of sight, and I see despair coming towards me like famine. To feel that empty, again, again. I listen to my heart, wave upon wave, salty and red, continuing on and on, marking time.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Well,that was fun," she said lightly as he maneuvered out of the lot. "I'm really glad you talked me into going out. My day was a blank page until seven." That long, quiet moment lingered in his mind even as it lingered in Shelby's. Alan shifted, hoping to ease the thudding in the pit of his stomach. "Always happy to help someone fill in a few empty spaces." Alan controlled the speed of the car through force of will. Holding her hadn't soothed him but rather had only served to remind him how much time had passed since he had last held her. "Actually you're an easy man to be with, Alan, for a politician." Easy? Shelby repeated to herself as she pressed the button to lower her window. Her blood was still throbbing from a meeting of eyes that had lasted less than ten seconds. If he was any easier, she'd be head over heels in love with him and headed for disaster. "I mean,you're not really pompous." He shot her a look, long and cool, that boosted her confidence. "No?" he murmured after a humming silence. "Hardly at all." Shelby sent him a smile. "Why,I'd probably vote for you myself." Alan paused at a red light, studying it thoughtfully before he turned to her. "Your insults aren't as subtle today, Shelby." "Insults?" Shelby gave him a bland stare. "Odd,I thought it was more flattery.Isn't a vote what it all comes down to? Votes, and that all-encompassing need to win." The light stayed green for five full seconds before he cruised through it. "Be careful." A nerve,she thought,hating herself more than a little. "You're a little touchy. That's all right." She brushed at the thigh of her jeans. "I don't mind a little oversensitivity." "The subject of my sensitivity isn't the issue,but you're succeeding in being obnoxious." "My,my,aren't we all Capitol Hill all of a sudden.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Did you eat?” he asked as he backed out of the parking lot. “No.” “Do you want to stop somewhere?” “Like Burger King?” “I was thinking something a little nicer.” “I’m wearing sweaty clothes and sneakers.” Briefly taking his eyes off the road, he glanced at her. “I think you look nice.” “Says the man in a dress shirt and tie.” “Trust me, you could wear a sack and I’d still be the inappropriate factor in the equation. Let’s stop and have dinner. We’ll go someplace small and quiet.” She sighed. “Fine. But you have to take off your tie and un-tuck your shirt.” “What?” “Either that or I’m not going. I look like a slob.” His fingers noticeably tightened on the wheel. “Fine.” When they arrived at the restaurant, a little corner place with outdoor seating and Italian cuisine, Elliot stood at the car door and loosened his tie. After unclasping the top button of his shirt, he frowned at his hips. “My shirttails will be wrinkled. Can’t this be enough?” She laughed at how uncomfortable the idea of wrinkles made him. “Fine.” Untwisting the clip in her hair, she flipped her head over and shook out her waves, hoping to hide the fact that she was in an old tank top with a bleach stain on the side. Flipping back, she paused as she caught him staring. “What?” His eyes were wide behind his glasses. “Nothing.” He shook his head and looked away. He took her hand and escorted her into the restaurant. The smell of delicious pasta cranked up her hunger. The hostess greeted them, and before Nadia could manage a word, Elliot asked for a private table in the back. They were escorted to the rear of the restaurant, far away from all other patrons. “Do they know you here?” He seemed to have some pull. “No, but if you make a direct request people don’t often tell you no.” She raised a brow. “I’ll have to remember that trick.” For as gentle as he was, he had a knack for being equally commanding. His clout was subtle but undeniable. She wondered if he even realized the influence he held over others. He wore authority very well.
Lydia Michaels (Untied (Mastermind, #2))
Hey, can I help you—whoa!” As he wheeled around and settled into his attack stance, the black human salesperson jumped back and put his palms up. “Forgive me,” Xcor muttered. At least he hadn’t outed one of his weapons. “No problem.” The handsome, well-dressed man smiled. “You looking for something specific?” Xcor glanced around, and nearly walked back to that fancy stairwell. “I require a new shirt.” “Oh, cool, you got a hot date?” “And pants. And socks.” Come to think of it, he never wore underwear. “And undergarments. And a jacket.” The salesman smiled and raised a hand as if he were going to clap his customer on the shoulder—but then caught himself as he clearly rethought the contact. “What kind of look are you going for?” he asked instead. “Clothed.” The guy paused like he wasn’t sure whether that was a joke. “Ah . . . okay, I can work with non-naked. Plus it’s legal. Come on with me.” Xcor followed, because he didn’t know what else to do—he’d gotten this ball rolling; there was no reason not to follow through. The man stopped in front of a display of shirts. “So I’m going to go with the it’s-a-date thing, unless you tell me otherwise. Casual? You didn’t mention a suit.” “Casual. Yes. But I want to look. . . .” Well, not like himself, at any rate. “Presentable.” “Then I think what you’re going to want is a button-down.” “A button-down.” The guy regarded him steadily. “You’re not from here, are you.” “No, I’m not.” “I can tell by the accent.” The salesman passed a hand over the dizzying array of folded-up squares with collars. “These are our traditional cuts. I can tell without measuring you that the European stuff isn’t going to do you right—you’re too muscled in the shoulders. Even if we could get the neck and arm size right, you’d bust out of them. Do you like any of these colors?” “I don’t know what to like.” “Here.” The man picked up a blue one that reminded Xcor of the backdrop on his phone. “This is good with your eyes. Not that I go that way—but you gotta work with what you got. Do you have any idea of your size?” “XXXL.” “We need to be a little more exact.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Her hands found the button of his jeans, and then glided his zipper down. She wasted no time in seizing his cock with her hand, stroking him up and down as he pulled down his pants, then his boxers. He stopped her only so he could sheathe himself. And when he looked back up, she'd removed her robe, which fell around her in waves like drizzled icing. As he did, she began to guide his cock to her entrance, stroking her clit with the tip of him. He was already so fucking hard, and he hadn't even sunk into her yet. "Ready?" she breathed into his ear. He nodded, and his hands found her hips. His fingertips dug into her as he eased himself inside her, so slowly he could barely breathe, and they both moaned as she cradled him with her pussy. She braced her hands against the table as he slid further, burying himself deep inside her. Fuck. How did Nina feel so good? They both paused, him filling her. She stretched and tightened against him. He hadn't even begun to fuck her the way he planned to, but she already felt better than anything he could've imagined. He rocked into her, hitting her core deeper, and her head rolled back as a moan escaped. She fit around him in such a silky way that he already knew he'd want every waking moment to be inside her. She moved back and forth on his dick, his hands steadying her hips. He wanted to make sure that every time he pumped into her, she felt all of him. He was going to delve into her so deeply that she'd have no other choice but to come all over him. He needed to feel her heat pulsing against him. Her breathing quickened, and she said, "I need you." All he wanted was to hear this woman moan so loudly that he'd be able to hear it whenever he closed his eyes. So when he slid his cock back inside her, he made sure to push until he was all the way in. She arched her back in response, and he slowly pulled out, then pumped back in. Their moans, their thighs meeting and the slap of his balls against her ass were the only sounds in the room. He reached toward her heavy breasts and pinched one nipple tightly as he continued to fill her. "I'm..." She couldn't get the words out, but he knew what she was trying to say. She was going to come. He moved the hand that pinched her nipple down to her clit and gently rubbed. "I'm almost there," she said. He grunted in approval and pushed into her slower, bringing his length almost fully out, then plunging back in. She tightened around him. As her groans reached a crescendo, he knew he was going to erupt as well. He thrust hard and deep until his aching cock came.
Erin La Rosa (For Butter or Worse)
(I scream) 'Do you see my teardrops, that splash out of my blue eyes? Do you see everything I do? Do you see my brown hair that covers them and hides my true emotions in class? Do you even care? Do you feel what I felt right now? Can you feel my hurting insides? Nope, no one can feel that unless they exist!' 'Have you ever had to feel just like I do? Can you see my makeup mixing with my teardrops, as it all falls to the ground like my emotions, passions, and caring? If not you're just as heartless as them!' 'No one is born condemning another soul because of the sensuality of or skin or their background or their faith, it just seems that everything in my life is like trickling down my body, and away from me in every way imaginable.' 'As a result, the only thing I can do is get up and raise my hands to the heavens in the rain. While shouting the question- 'Why did you let this happen to me?' 'I hear that small voice in my head again it's a small whisper saying: 'End it! End it! As I was looking into the glow of the light of the envisioned angel of death.'' 'I have nothing but my split thoughts rushing in my head. Like a screaming bolt of lightning cracking in the sky above me.' ''Hum, should I just end it all?' I mean I'm only fourteen years old. Though there is not one person around here for me. Not one which is going to miss me at all.' 'I proceeded to that gloomy conclusion a long time ago. I would not be remembered. Would anyone remember me? Would anyone care? I should end it all right now?' 'I reminisce about me clutching my uniform, and how I would achieve my departure. The same awful uniform that I tugged, unsnapped, and ripped off myself, an hour ago, I see it over there like it's staring me down with a glint of evil.' 'Calling out as it's lying in the mud. I crawl over on my hands and knees, grabbing my minor skirt away from the button-down top, pulling the tie out of the collar. To do what must be fulfilled obeyed.' 'Holding the tie in my small hands. I pause and glance at my fingernails, which are painted lime green with pink straps, knowing this would be the last time I will.' ''Curse them all!' I say, will make the undone dark blue tie into a noose, looping, twisting, and coiling it through itself making it snugger around my neck.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?” His cock was a rod of iron. “Jane…” He covered her hand to stay it, but she ignored his attempt. “I love it when you can’t control yourself,” she whispered. “I love having you at my mercy. You have no idea…how much I enjoy seeing Dom the Almighty brought low.” He barely registered her words. What she was doing felt so good. So bloody damned good. If she stroked him much more… “I want to be inside you.” He gripped her wrist. “Please, Jane…” Her sensuous smile faltered. “You’ve never said ‘please’ to me before. Not in your whole life.” “Really?” Had he only ever issued orders? If so, no wonder she’d refused him last night. Perhaps it was time to show her she didn’t have to seduce him to gain control. That he could give up his control freely…to her, at least. “Then let me say it now. Please, Jane, make love to me. If you don’t mind.” She stared at him. “I…I don’t know what you mean.” He nodded to his cock, which looked downright ecstatic over the idea. “Get up on your knees and fit me inside you.” Realizing he’d just issued yet another order, he added, “Please. If you want.” Jane got that sultry look on her face again. Like the little seductress she was rapidly showing herself to be, she rose up and then came down on him. By degrees. Very slow degrees. He had trouble breathing. “Am I hurting you?” Her smile broadened as she shimmied down another inch. “Not really.” Stifling a curse, he clutched her arms. “You just…enjoy torturing me.” “Absolutely,” she said and moved his hands to cover her breasts. He was more than happy to oblige her unspoken request, happy to thumb her nipples and watch as her lovely mouth fell open and a moan of pure pleasure escaped her. His cock swelled, and he thrust up involuntarily. “Please…” he said hoarsely. “Please, Jane…” With a choked laugh, she sheathed herself on him. Then her eyes went wide. “Oh, that feels amazing.” “It would feel more amazing if you…would move,” he rasped, though the mere sensation of being buried inside her was making him insane. When she arched an eyebrow, he added, “Please.” “I could get to like this,” she said teasingly. “The begging.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Okay,let's do it," Robbie said, slapping his hands together as he stood. He stepped towards me with his arms outstreched and I tripped back. " What? No" " What? Yes," he said. He hit the rewind button and the tape zipped backward. He paused it right as the dance began. " You don't really expect me to ask Tama to dance with me without any practice. Even I'm not that stupid." I was suddenly very aware of my heartbeat. " There's no way I'm dancing with you." " You really know how to stroke a guy's ego," Robbie joked. "Come on. I'm not that repulsive." "You're not repulsive at all, it's just-" " Well, that's good to hear," Robbie said with a teasing smile. He was enjoying this. "it's just that I don't dance," I admitted. Never had. Not once. Not with a guy. I was a dance free-zone. " Well, neither do II mean, except on stage. But i've never danced like this, so we're even" he said. He hit "play". The music started and Robbie pulled me toward him by my wrist. he grabbed my hand, which was sweating, and held it, then put his other hand on my waist. My boobs pressed sgsinst his chest and I flinched, but Robbie didn't seem to notice. He was too busy consulting the TV screen. " Here goes nothing," he said. "Okay, it's a waltz, so one, two, three,,, one, two, three. Looks like a big step on one and two little steps on two and three. Got it?" "Sure." I so didn't have it. " Okay, go." He started to step in a circle, pulling me with him.I staggered along, mortified. " One, two, three. One two, three," he counted under his breath. My foot caught on his ankle. " Oops! Sorry." I was sweating like mad now, wishing I'd taken off my sweater, at least. " I got ya," he said, his grip tightiening on my hand. " K eep going." " One, two, three," I counted, staring down at our feet. He slammed one of his hip into one of the set chairs. " Ow. Dammit!" " Are you okay?"I asked."Yeah. Keep going," he said through his teeth. " One, two, three," I counted. I glanced up at the Tv screen, and the second I took my eyes off our feet, they got hopelessly tangled. I felt that instant swoop of gravity and shouted as we went down. The floor was not soft. " Oof?" " Ow. Okay, ow," Robbie said, grabbing his elbow. " That was not a good bone to fall on." He shook his arm out and I brought my knees up under my chin. " Maybe this wasn't the best idea." "No! No. We cannot give up that easily," Robbie said, standing. He took my hands and hoisted my up. " Maybe we just need to simplify it a little. " Actually i think its the twirl and the dip at the end that are really important," I theorized. It seemed like the most romantic part to me. " Okay, good." Robbie was phsyched by this development. "So maybe instead of going in circles, we just step side to side and do the twirl thing a couple of times. " Sounds like a plan," I said. " Let's do it." Robbie rewound the tape and we started from the beginning of the music. He took my hand again and held it up, then placed his other hand on my waist. This time we simply swayed back and forth. I was just getting used to the motion, when I realized that Robbie was staring at me.Big time." What?" i said, my skin prickling. " Trying to make eye contact," he said. " I hear eye contact while dancing is key." " Where would you hear something like that?" I said. " My grandmother. She's a wise woman," he said. His grandmother. How cute was that? His eyes were completely focused on my face. I tried to stare back into them, but I keep cracking up laughing. And he thought I'd make a good actress. " Wow. You suck at eye contact," he said. "Come on. Give me something to work here." I took a deep breath and steeled myself. It's just Robbie Delano, KJ. You can do this. And so I did. I looked right back into his eyes. And we continued to sway at to the music. His hand around mine. His hand on my waist. Our chests pressed together. I stared into his eyes, and soon i found that laughing was the last thing on my mind. " How's this working for you?
Kieran Scott (Geek Magnet)
Luke lay on the floor of my apartment in a baby gym, a floor quilt with two crossed arches featuring rattling beads, spinning birds and butterflies, crinkly leaves, and cheerful electronic music. He loved it nearly as much as I loved watching him. At two months, he laughed, smiled, made noises, and was able to raise his head and chest. Jack lay on the floor beside him, lazily reaching up to flick the toys or to push a button for new music. “I wish I had one of these,” he said. “Strung with beer cans, Cohíbas, and those little black panties you wore Saturday night.” I paused in the midst of putting away dishes in the kitchen. “I didn’t think you noticed them, you took them off me so fast.” “I’d just spent a two-hour dinner looking at you in that low-cut dress. You’re lucky I didn’t jump you in the parking garage again.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Hiking the PCT was merely a pause button. The trail wasn’t a destination. It was no answer. Walking in solitude fixes nothing, but it leads you to the place where you can identify the malady – see the wound’s true form and nature – and then discern the proper medicine.
Aspen Matis
The rioting in Baltimore, of course, was that larger story. And the extensive coverage of such a troubling scene certainly is understandable. But one can’t hit the pause button on the catastrophe in Nepal, and we should not forget about the great need in that small, devastated country.
Anonymous
The doorway was filled with a very big man in a very nice suit. He wore no tie and the top three buttons of his shirt were undone. A diamond pinkie ring glittered on the little finger of his left hand. His hair was wavy and artfully mussed. He looked to be in his forties, and time had not been kind to his nose. A scar ran across his right eyebrow and another down one side of his chin, but the overall impression was not disfigurement so much as decoration. He looked at us all with a cheerful grin and bright, empty blue eyes, pausing in the doorway for a dramatic moment before he looked to the head of the table and said, “Captain Matthews?” The captain was a reasonably large man and masculine in a very well-kept way, but he looked small and even effeminate compared to the man in the doorway, and I believe he felt it. Still, he clenched his manly jaw and said, “That's right.
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
Our culture is always racing through routine, buried in business, tied to our technology. No wonder so many of our lives lack strong relationships. The right “they” hit the pause button to be a breath of fresh air in the lives of others.
Ed B. Young (Fifty Shades of They: Insights That Bring Life to Your Relationships)
vous plaît prendre vos vitamines. Chacun d’entre eux. SIMON & SCHUSTER READING GROUP GUIDE Revenge of the Spellmans by Lisa Lutz The times, they are a-changin’—and Isabel (Izzy) Spellman is trying desperately to hit the pause button.
Lisa Lutz (Revenge of the Spellmans (The Spellmans, #3))
But no matter how many movies we watched, we never learned their deepest lesson: they end. George Bailey finally sees his life as wonderful. Rosebud, we find out, is a sled. Travis shoots Old Yeller. One of the things that distinguishes life from movies is the pause button. We can keep Travis' finger on the trigger, the barrel staring down his Yeller, but there is no pause button for the things that matter.
Greg Letellier (Paper Heart: Love Stories)
There have been periodic attempts to stop the supersizing of the state. In 1944 Friedrich Hayek warned that the state was in danger of crushing the society that gave it life in The Road to Serfdom. This provided an important theme for conservative politicians from then onward. In 1975 California’s current governor, Jerry Brown, in an earlier incarnation, declared an “era of limits.” This worry about “limits” profoundly reshaped thinking about the state for the next decade and a half. In the 1990s people on both the Left and the Right assumed that globalization would trim the state: Bill Clinton professed the age of big government to be over. In fact, Leviathan had merely paused for breath. Government quickly resumed its growth. George W. Bush increased the size of the U.S. government by more than any president since Lyndon Johnson, while globalization only increased people’s desire for a safety net. Even allowing for its recent setbacks, the modern Western state is mightier than any state in history and mightier, by far, than any private company. Walmart may have the world’s most efficient supply chain, but it does not have the power to imprison or tax people—or to listen to their phone calls. The modern state can kill people on the other side of the world at the touch of a button—and watch it in real time.
John Micklethwait (The Fourth Revolution: The Global Race to Reinvent the State)
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Hammer
There are these open spaces in life called "pauses" and it is most unfortunate how the majority of people do not bother themselves with the pauses of life in pursuit of their desire to fill every moment they experience WITH THEMSELVES. You need to take a few steps back and not feel the constant need to pour yourself into every space that life offers. The pauses are equally--if not more-- important as the active participations that you make. When we kiss, we remove a part of ourselves from the experience by closing our eyes; this removes the sense of sight, it allows for an open space for a pause to let life flow through it. When we make love, there are the pauses, the nothings, the gazing into the eyes; the removal of oneself from the experience. Why? Because we instinctively know that the best parts of life are not fully had in the absence of nothingness. Nothingness is vital, nothingness is essential. Have you ever just stopped in the middle of the day, crossed your arms in front of you, closed your eyes and paused? If you have, then you are one to know that when we remove ourselves from the equation sometimes, we will come to realise that there is actually a lot going on that does not require our deliberation or participation. There is laughter coming from somewhere, mixed with the sound of trains or motorcycles; there is a faint breeze moving its way over our skin; there's the way the fabric we wear hugs our body; there are sensations (sounds, smells, feelings and even visions) that are alive, they thrive in the pauses we do not partake in. There is such a rush amongst people to fill up every moment with the essence of themselves, but they forget to allow themselves to be filled with the essence of those moments! Do you see what I am saying here? They are empty, they feel empty; and why? Because in their desperation to fill up everything, they are not allowing themselves to be filled up by anything. They are truly empty. You will meet people obsessed with fulfilling something, or showing something, or doing something. They have no presence about them because their presence lies elsewhere, in other things, anywhere but within themselves. Then you will meet a person who's still and that stillness can be felt throughout every room she walks into. There's that strong presence because this person is filled up; not empty. When have you paused to let life in? When have you stopped scrambling to produce more social media content, stopped scrambling as though in a race to be unforgotten? Where are your pauses? Where are the spaces in your life where you let the light in? Where is your stillness? You are afraid of being forgotten, so, you scramble to impress yourself onto everything, everywhere... but what has been impressed into you? What do you feel like when the lights are off and nothing or nobody is near? What do you feel like when nobody is looking, when you might, for a while, actually be forgotten? What does that feel like? You need to be okay with that; you need to be okay with letting light enter into you, so it glows from within you. That is the kind of glow that reaches everywhere else without trying.
C. JoyBell C.
We have to wait around for a relationship to realize our destiny. It’s time to stop waiting and start living. Yes, two people coming together is a beautiful thing . . . but so is one person standing boldly in their purpose. You don’t have to sit idly by, waiting for the day that a prince comes riding up on his white horse and the two of you gallop off into the sunset of your destiny. Your destiny is in the here and now. God wants to do something powerful with you and for you and through you now. Today. This moment. I don’t know what it is, I can’t possibly tell you what your destiny on this planet is, but I can tell you that had I not made the choice to follow my passion and chase my dreams and pour my heart and soul into making the world around me a better place right where I was . . . you wouldn’t be reading this book right now. I had to get past my singleness and decide that I had things to do with my life, and I didn’t have time to wait around on a man to come along for me to do them. I hope with all my heart that someday someone will come along and join me in my journey, but I’m not going to hit the Pause button on my life until that happens (although I do reserve the right to hit the Pause button on my dating life from time to time). And you shouldn’t either. Do all the things you want to do with your life right now. Stop waiting. Because the truth is, a woman who creates a full, joyful, meaningful life for herself is a lot more appealing (and happy) than a woman who waits around on a man to do it for her.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
Emcee. “Not him! He’s just a kid.” Their attacks slammed against his shield, rocking him. “What are you doing, you idiot?” Jimmy yelled at Dad, his face red with rage. The brief moment was all the time needed for the command block to get a tendril under itself and launch back onto Emcee. Time froze like someone had pressed the pause button. Emcee’s head glowed red again, and he floated into the air. “You’ve made a serious mistake,” he said, but the voice was unlike any time he’d spoken before. Deep and throaty like a frog that grew human vocal chords. “Now you will be punished for that mistake.” Emcee clapped his hands and a ball of light erupted from him in an omnidirectional nova. Everything the light touched — including all the contestants — disintegrated into a haze
Dr. Block (Multiverse Tournament of Champions #2 (Diary of a Surfer Villager))
Joe grabbed the remote, pressed a button to pause the piece and then played it again. No doubt; the bloke who’d refused
Ann Cleeves (The Moth Catcher (Vera Stanhope #7))
[Aza Raskin] designed something that distinctly changed how the web works. It's called 'infinite scroll.' Older readers will remember that it used to be that the internet was divided into pages, and when you got to the bottom of one page, you had to decide to click a button to get to the next page. It was an active choice. It gave you a moment to pause and ask: Do I want to carry on looking at this? Aza designed the code that means you don't have to ask that question any more. ...It downloads a chunk of status updates for your to read through ...when you get to the bottom, it will automatically load another chunk for your to flick through. ...'At the outset, it looks like a really good invention,' he told me. He believed he was making life easier for everyone. He had been taught that increased speed and efficiency of access were always advances. his invention quickly spread all over the internet ...But then Aza watched as the people around him changed. They seemed to be unable to pull themselves away from their devices, flicking through and through and through, thanks in part to the code he had designed. He found himself infinitely scrolling through what he often realised afterwards was crap, and he wondered if he was making good use of his life. ...Aza sat down and did a calculation. At a conservative estimate, infinite scroll makes you spend 50 percent more of your time on sites like Twitter. (For many people, Aza believes, it's vastly more.) Sticking with this low-ball percentage, Aza wanted to know what it meant, in practice, if billions of people were spending 50 percent more time on a string of social media sites. When he was done, he stared at the sums. Every day, as a direct result of his invention, the combined total of 200,000 more total human lifetimes - every moment from birth to death - is now spent scrolling through a screen. These hours would otherwise have been spent on some other activity. When he described this to me, he sounded a little stunned. That time is 'just completely gone. It's like their entire life - poof. That time, which could have been used for solving climate change, for spending time with their family, for strengthening social bonds. For whatever is it that makes their life well-lived. It's just...' He trailed off.
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
My mind is a CD player with a broken Fast-Forward button, thoughts flying by faster than I can hear them, zooming past any restful pause.
Jessica Chiccehitto Hindman (Sounds Like Titanic)
Take the pressure off by looking at dating as a great way to get to know new people and to have new experiences rather than expecting every man you meet to wife you up by the third date. Maintain your own identity, lifestyle, hobbies, and plans, and let dating complement that lifestyle instead of supplement it. You are single, and you know what single also means? Free. Free to travel, free to volunteer for charity organizations you believe in, free to take salsa lessons, free to splurge on that designer bag you found on Poshmark. When you have your own full, busy life, you’re less likely to look for your value in the swipe. Hit the pause button on the frantic search for Mr. Right and just let yourself have some fun with Mr. Right Now! Not every person you date is going to be marriage material. Not every person you date is going to be “the one,” or even in the running to be “the one.” But every person you date is going to make you a little bit better at dating. A little more relaxed. A little more open to love. A little more certain about exactly what you’re looking for. People are sent into our lives to teach us things we need to learn about ourselves . . . so look at dating as setting out a welcome mat for all sorts of little messengers who each have something new to show you about you.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
Chaos is the only thing that makes me stop and stare. It’s a pause button to my brain.
Rina Kent (Ruthless Empire (Royal Elite, #6))
Bernie reached over and pressed the pause button. ‘Is that a South African accent?’ Matt nodded. ‘Sounds like it and I think Du Plessis is an Afrikaans name.
Joy Kluver (Last Seen (Detective Bernadette Noel #1))
I heard his buttons fell on a Theatre in a Red Roof.
Petra Hermans
He cooks from his heart. From his soul." A pause, where I took in his words. "That is, when he is not drawing." That was a surprise. "Drawing?" "He draws little comics," the bartender said. He disappeared down below the bar again. This time when he popped up, he was holding what looked like an old menu. "Look." I took the menu and flipped through. Yes, it listed various dishes and their prices. But the artist---Luke---had doodled all over it, tiny pictures of the food, wavy lines of steam rising over bowls of rice specks and eggs, and slightly larger pictures of the people enjoying them as elaborate anime characters: their eyes enormous, little strings of drool slipping from the corners of mouth slashes, frizzled lines of movement showing their frenzy as they dove through the menu categories looking for more food. "This is adorable," I said with some surprise. I hadn't pictured Luke, with his posh accent that slipped out when he wasn't paying attention and his buttoned-up fancy restaurants, drawing cartoons. "Yes," the bartender said. "Adorable.
Amanda Elliot (Sadie on a Plate)
Sometimes hitting the pause button on a life beginning to spiral out of control by moving to a new house can actually reset the situation and make things better.
Gregg Olsen (If You Tell: A True Story of Murder, Family Secrets, and the Unbreakable Bond of Sisterhood)
Once you hit the Pause button, it gives you time to Think. Thinking is essential if you want to create new awareness, so you can respond thoughtfully to what comes your way.
Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
She transferred the baby and his Tupperware into the playpen for safety, stormed into the well-equipped garage, and searched frantically for a screwdriver. With an exultant cry of victory, she punched the button to the garage door opener and waited impatiently for it to rise. Resolutely, Aggie charged out of the gaping hole left by the door only to return moments later for a ladder. This posed a bigger problem than she’d anticipated. There wasn’t a ladder in sight. She searched corners and behind cabinets. In sheer exasperation, she threw her hands into the air and looked up as if to say, “I can’t take much more, Lord,” but the sight of a ladder hanging horizontally from the rafters halted her internal ranting. Now, she spoke aloud, her voice tinged with disgust. “Who would put a ladder up so high that you need a ladder to get the ladder down in the first place?” After a moment’s pause, she dashed into the kitchen and banged around the room, searching for the step stool. Ian squealed his slobbery encouragement as Aggie dragged the stool through the room, ruffling the few ruddy curls atop his bald little baby head. She teetered on the step stool, barely avoiding a collapse, and finally managed to jerk the ladder from its hooks. Hauling her prize out the garage door, Aggie surveyed the tattered basketball net she had remembered hanging deserted over the garage. The uncooperative ladder fought her at every step. After several frustrating minutes, where every swear word she’d ever heard filled her brain and threatened to overtake her self-control, Aggie realized that the ladder was upside down. Righting it, she climbed to the mounting bracket, the ladder teetering with every step. She eventually managed to unscrew one side of the apparatus and then the other. With a few jerky movements, the backboard lay on the ground beneath the swaying ladder, hardly worse for the fall. Aggie felt like a housekeeping genius as she wobbled through the house carrying her conquest upstairs to the wall above the hamper at the end of the hallway. The backboard was heavy and cumbersome; she found it difficult to hold in place and screw it into the wall at the same time, but several minutes later, she stood back and surveyed the results of her efforts. Though nearly satisfied, the lid on the hamper mocked her brilliant idea. Undaunted, she gave a swift jerk and ripped the cover off the offending hamper. “There. That’ll work,” she muttered as she trudged back downstairs, fighting the compulsion to pick up all the dirty laundry herself.
Chautona Havig (Ready or Not (Aggie's Inheritance, #1))
I bet some of you are thinking, Who has time to Pause? There’s too much to do! Have you seen my to-do list? I have—and I know it well. I’m a recovering multitasker and overachiever. And I also know how hard it can be to even think about hitting that Pause button.
Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
When you learn to ride a bike, ice skate, or downhill ski, the first thing you’re taught is how to stop. It’s an essential skill because if things start heading the wrong direction, you can stop and limit the damage. This same skill is necessary with conversations that have the potential to go off the rails and create lasting damage. When someone blindsides you and says something that triggers you, find the brakes, so you can hit that Pause button. This can be tricky because, by nature, we often aren’t patient communicators. We expect responses right away and feel compelled to offer the same. I’m inviting you to challenge that and request a little time to gather your thoughts. It can happen faster than you think, so I advise my clients to make simple requests that allow them to Pause. Some examples include: • Let me catch my breath here. • Can we find a place to sit down to talk about this? • Give me a moment to close my door. • Let me go to the bathroom/let the dog out/fill my coffee, and then I will give you my undivided attention. The truth is, your brain needs time to overcome some of your initial reactions and access other choices.
Darcy Luoma (Thoughtfully Fit: Your Training Plan for Life and Business Success)
Principle 4: Uncertainty Change often involves uncertainty. Will a new product, service, or idea be as good as the old one? It’s hard to know for sure, and this uncertainty makes people hit the pause button, halting action.
Jonah Berger (The Catalyst: How to Change Anyone's Mind)
WONDER IS THE SINGULAR experience that, for a fleeting moment, disrupts our awareness and dissolves our biases so we may see again what is real and true, beautiful and possible. Wonder is essential for us to advance our best ideas for a better world. It also is our biological and neurological pause-and-reset button that makes us feel, like that hooting chimp, wildly alive again and ready to approach any challenge. Survival of the wondrous.
Jeffrey Davis (Tracking Wonder: Reclaiming a Life of Meaning and Possibility in a World Obsessed with Productivity)
Mrs. Embry flips through the book, pausing to read a few paragraphs. “What’s a boy button?” Loud laughter comes from behind me, but when I turn to glare at my boss, it’s hard not to laugh with him. He’s trying to contain it, which only makes his face look strained, and his cheeks turn pink. He waves his hand and abandons his spot where he’s putting the new stock out on shelves, no doubt retreating to the back room to compose himself. “Uh …” I have no idea what to tell Mrs. Embry. “Whatever it is, this man sure likes it being pegged. I’m sold.” She hands me the book to ring it up at the cash register, and it takes a second for me to process what just happened. “Are you sure you want this one?” “This is good.
Eden Finley (Headstrong (Vino & Veritas, #3))
Quinn pauses his sit-ups on his punching bag. “What…like her…?” He gestures to his crotch. I roll my eyes and unravel my black hand-wraps. Donnelly tosses his towel over his shoulder. “Her clit? It’s not a big bad word.” Oscar butts in, “Everyone lay off Quinn—alright, my little bro is young, impressionable, and still has his innocence and virtue; whereas the rest of us have lost our ever-loving minds.” Quinn chucks his green boxing glove at his older brother, ten years apart in age. “Bro, I can say clit every day easily. Clit, clit, clit, clit—” “We get it,” I say, dropping my hand-wraps on the mats. Quinn scratches his unshaven jaw, sweat built on his golden-brown skin, and a tiny scar sits beneath his eye. Likewise, his nose is a little crooked from a short stint and bad blow in a pro-boxing circuit. Oscar has similar lasting marks. Security jokes that no matter how many punches Oscar and Quinn have taken as pro-boxers in the past, they’ll always be handsome motherfuckers. “I purposefully censored myself,” Quinn clarifies. “I wasn’t about to mention a teenage girl’s…you know.” “Clit,” Donnelly says. “Jelly bean,” Oscar adds. “Magic button.” Donnelly smirks. Quinn shakes his head like we’re all the fucked-up ones. My brows spike. “You’re the one who assumed ‘clitoris piercing’ at the word ‘unmentionable’.” I tilt my head at him. “And weren’t you like a teenager like one year ago?” Oscar and Donnelly laugh loudly, and Quinn gives me a faint death-glare. He needs to work on his “intimidation” a bit—he’s very green: brand new to security detail, and at twenty, he’s the youngest bodyguard in the whole team. If he screws up, that
Krista Ritchie (Damaged Like Us (Like Us, #1))
Raucous laughter drew my attention and I looked into the far corner, spotting Roxy Vega clambering up onto the table while two of her powerless little friends watched excitedly. She still had her uniform on and I wondered how long they’d been here, hiding themselves with that spell. It was a pretty clever way to avoid the Hell Week chaos going on back at the House even if they were being stupid by staying out after curfew. But then I could hardly talk on that front “Far be it for you to not go through with the... for me to not to go through to do the daring...” Roxy was slurring and she stumbled, almost falling from the table even though she was only wearing flat pumps. The guy leapt up and caught her waist to steady her and my gut lurched irritably as his hand skimmed her ass. I bit my tongue, turning away from them as I crossed the room in search of my drinks. I didn’t think I’d seen her that wasted before and a Tuesday evening in The Orb seemed like an odd venue to choose for a bender. But that was her business. “I only came up with that dare because I didn’t think you’d actually lose!” the girl protested. “I am not usually one for losing, Sofia,” Roxy agreed. “But I will never back out of a dare and you ordered a strip show.” I paused a few meters from the ice chiller, fighting against the urge to look back over to them again. Roxy Vega might have been the most irritatingly rude and stubborn girl I’d ever met but she was fucking hot. And with the stupid games we played together while I was tutoring her in her fire magic I had to admit that I’d imagined her stripping for me more than once. The guy muttered something in Spanish and the tone of it made me think she’d started to pull her clothes off. I fought the urge to turn with clenched teeth then continued my mission for beer, deciding to skip the food in favour of sleep. I snagged a six pack from the chiller and turned back, meaning to head for the exit. Of course my goddamn dick wasn’t going to let me leave without looking over at Roxy again, it didn’t care that I had to get rid of her or that she irritated me more than any woman ever born. Her blazer already lay in a heap on the floor and she was fumbling with the buttons on her shirt, her inebriation obviously slowing her down. But the way she was swaying her hips and tossing her long, black hair still made her look sexy as hell. Her pleated skirt fell to her mid thigh, giving me a look at several inches of bare flesh between it and the top of her knee length socks, but the elevated angle of looking up at her on the table made it seem like her bronzed legs went on forever. “Why don’t you do another dare?” the boy protested. “Go for a run in The Wailing Wood?” “Don’t be crazy,” Sofia objected. “There could be a Nymph out there!” (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
I can take your blood and power from you,” I agreed as I let my gaze wander down her tempting body. This wasn't some game or anything to do with me being an Heir and her being a Princess. I just wanted her. Simple as that and I really wanted her to want me too. “But I desire more than that. And I’m a Taurus; when we set our minds on something it’s not easy to turn us from it.” She scoffed, still giving me that suspicious look, though I was hoping I could convince her to trust me, at least for long enough to let me make her pant my name the way I ached to hear. “You didn’t seem so against the idea the other night,” I urged while she stayed quiet. “That was drunk Tory,” she said firmly. “She’s notorious for making bad decisions so I wouldn’t get too excited about anything you think she might have done with you. You shouldn’t presume anything that happens when I’m wasted will have any bearing on sober Tory.” “And you think I’d be a bad decision?” I teased because she might have been right about that, but I still wanted to be one she made. My lips twitched and I was almost certain I had her convinced. “I’ve been with enough bad decisions to recognise one when I see them,” she said. “How many, exactly?” I asked, leaning in to kiss her neck, my stubble grazing against her skin as I fought against the urge to take a bite. “Enough to let me know that it’s a terrible idea.” Her breath caught as I reached the corner of her lips with my kisses and I paused to hear her decision, though if the way she was pulling me closer again was anything to go by, I was pretty sure I was about to get my wish. “Probably not enough to put me off entirely.” I chuckled darkly, leaning back to gaze into her deep green eyes. I wanted her to say it, beg for it. Though that may have been a little ambitious with this particular princess. The words didn't escape her full lips, but as her gaze darkened with desire, she reached out and unhooked the top button of my shirt, making her decision clear. I held myself still as she worked her way down every single button until she pushed her hands inside my shirt and dragged her hands across the hard lines of my muscles. A shiver raced through my skin and my dick was working really hard to bust right through my fucking fly, so I stopped beating around the damn bush and claimed her mouth with mine once more. (Caleb POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
Lead acetate is very soluble, and its toxicity was obviously not known to the Romans. This should give us pause to think, if we long for the good old days when food and drink were uncontaminated with additives.
Penny Le Couteur (Napoleon's Buttons)