War For The Oaks Quotes

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Sometimes, she reflected, she dressed for courage, sometimes for success, and sometimes for the consolation of knowing that whatever else went wrong, at least she liked her clothes.
Emma Bull (War for the Oaks)
From the surrounding oak trees it seemed as if a name was whispered. ‘He is of the trees, his name is Xylon.
Robert Reid (The Empress: (The Emperor, The Son and The Thief, #4))
We're all immortal until we die.
Emma Bull (War for the Oaks)
The oak trees seemed as though they were playing instruments; here a gentle violin, over there two harps in harmony, flutes and other woodwinds joined the tree orchestra.
Robert Reid (The Empress: (The Emperor, The Son and The Thief, #4))
It was like him, too, to love her and admit to it before he knew if she loved him. Maybe only mortals expected to barter their hearts.
Emma Bull (War for the Oaks)
Could I make you believe something that wasn't true?' He studied her through his eyelashes. 'You could make me believe anything at all.
Emma Bull (War for the Oaks)
Sex without love is like a goddamn business transaction. And sometimes both parties feel as if they got a good deal, but that doesn't make it any less so.
Emma Bull (War for the Oaks)
I’ve no surety that it is. I know only parts of what I feel; I may be misnaming the whole. You dwell in my mind like a household spirit. All that I think is followed with, ‘I shall tell that thought to Eddi.’ Whatever I see or hear is colored by what I imagine you will say of it. What is amusing is twice so, if you have laughed at it. There is a way you have of turning your head, quickly with a little tilt, that seems more wonderful to me than the practiced movements of dancers. All this, taken together, I’ve come to think of as love, but it may not be. It is not a comfortable feeling. But I find that, even so, I would wish the same feeling on you. The possibility that I suffer it alone–that frightens me more than all the host of the Unseelie Court.
Emma Bull (War for the Oaks)
To those who see the magical surface of things, you are invisible.' Good grief. Will you still be able to see me?' He met her eyes in a way that made her shiver pleasantly. 'I see you in a great many ways. It would be hard to blind me in all of them.
Emma Bull (War for the Oaks)
She has her own glamour, Willy lad. All poets do, all the bards and artists, all the musicians who truly take the music into their own hearts. They all straddle the border of Faerie, and they see into both worlds. Not dependably into either, perhaps, but that uncertainty keeps them honest and at a distance.
Emma Bull (War for the Oaks)
The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind.
Leo Tolstoy (War and Peace)
Ye elves of hills, brooks, standing lakes and groves, And ye that on the sands with printless foot Do chase the ebbing Neptune and do fly him When he comes back; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites, and you whose pastime Is to make midnight mushrooms, that rejoice To hear the solemn curfew; by whose aid, Weak masters though ye be, I have bedimm’d The noontide sun, call’d forth the mutinous winds, And ‘twixt the green sea and the azured vault Set roaring war: to the dread rattling thunder Have I given fire and rifted Jove’s stout oak With his own bolt; the strong-based promontory Have I made shake and by the spurs pluck’d up The pine and cedar: graves at my command Have waked their sleepers, oped, and let ‘em forth By my so potent art. But this rough magic I here abjure, and, when I have required Some heavenly music, which even now I do, To work mine end upon their senses that This airy charm is for, I’ll break my staff, Bury it certain fathoms in the earth, And deeper than did ever plummet sound I’ll drown my book.
William Shakespeare (The Tempest)
I’ve told you that I’m a tricksy wight, and I am, my sweet. But there are those in the Seelie Court who would make me seem a very perfect knight.
Emma Bull (War for the Oaks)
We cannot resist the lure of that mortal brilliance. It is its own kind of glamour, that dazzles the senses. And once we have found it, we cannot turn away.
Emma Bull (War for the Oaks)
You've run a lot of risks, and gone to a lot of work, and all to turn me into a bullet for your gun. But I'm a bullet that thinks for itself, and I want to know what I'm being shot at.
Emma Bull (War for the Oaks)
If the obligations of friendship are constraints, then I am so constrained.
Emma Bull (War for the Oaks)
You're good, did you know that?' Oh, yes.
Emma Bull (War for the Oaks)
But, Ashley, what are you afraid of?' 'Oh, nameless things. Things which sound very silly when they are put into words. Mostly of having life suddenly become too real, of being brought into personal, too personal, contact with some of the simple facts of life. It isn't that I mind splitting logs here in the mud, but I do mind what it stands for. I do mind, very much, the loss of the beauty of the old life I loved. Scarlett, before the war, life was beautiful. There was a glamor to it, a perfection and a completeness and a symmetry to it like Grecian art. Maybe it wasn't so to everyone. I know that now. But to me, living at Twelve Oaks, there was a real beauty to living. I belonged in that life. I was a part of it. And now it is gone and I am out of place in this new life, and I am afraid. Now, I know that in the old days it was a shadow show I watched. I avoided everything which was not shadowy, people and situations which were too real, too vital. I resented their intrusion.
Margaret Mitchell (Gone with the Wind)
Wars," he reminded her, "are won in the mind, not on the field.
Colleen Oakes (Blood of Wonderland (Queen of Hearts Saga, #2))
After the war, and after he had been thanked by Congress and President George Washington himself, Captain Oakes got the idea of turning his huge warehouse into a school, a permanent contribution to the life of the town and the nation.
Andrew Clements (We the Children (Benjamin Pratt and the Keepers of the School Book 1))
Every motion she made was slow, as if she’d never before put her arms around a man, and didn’t know for certain where everything fit. When at last they were pressed close, she didn’t think she’d know how to let go when the time came. They summarized the course of passion with kisses: a chaste, half-frightened brush of the lips metamorphosed into something fierce and fast-burning, which in its turn became a more patient, more intimate touch, full of inquiry and shared pleasure.
Emma Bull (War for the Oaks)
How old are you?' The question startled him. 'Earth and Air. There are times you are no more comfortable a companion than I am. The answer to that serves no conceivable purpose, and I refuse to give it to you.' When I was a kid I read Black Beauty. There were horse-drawn cabs in that. Are you that old?' Older, older, older. I shall not tell you, so you may as well leave off, my primrose.' She snorted. 'I think that means I should give up. You've started sweet-talking.' I am torn,' the phouka said, grinning, 'between responding, 'Oh, absolutely!' and 'What do you mean, started?'' He grabbed her hand, dropped a kiss on the knuckles, and loped across the street. Eddi felt the touch of his mouth on her hand for an inexplicably long time.
Emma Bull (War for the Oaks)
War is inevitable when the world is fallen. If you stop one, another will start. Redemption is the only path away from war.
Jane Smiley (Pie in the Sky (Horses of Oak Valley Ranch, #4))
The line of betrayal was so fine in war, it was practically made of sand.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
The deadline is at midnight in America; dawn, 5 A.M., in England, and 8:00 A.M., early morning, in Iraq. The Americans tie yellow ribbons around oak trees, hoping for their sons' safe return home. The Iraqis tie green ribbons around the Shrine of the Imam al-Hussain, praying for God's protection. In the coldest month, the coldest war of the modern age is declared.
Betool Khedairi (A Sky So Close)
Fairy tales. That was all she could remember about fairies, and as she tried desperately to recall the ones she'd heard or read, she realized she knew of few with fairies in them. And the two before her were nothing like Rumpelstiltskin or Cinderella's fairy godmother. Elegant Oberon and Titiana, silly Puck--Shakespeare was no help, either. These two, with their changing shapes and their offhand cruelties, had their roots in horror movies.
Emma Bull (War for the Oaks)
The love of God is so universal that His perfect plan bestows many gifts on all of His children, even those who disobey His laws. Mortality is one such gift, bestowed on all who qualified in the War in Heaven (see Revelation 12:7–8). Another unconditional gift is the universal resurrection: 'For as in Adam all die, even so in Christ shall all be made alive' (1 Corinthians 15:22). Many other mortal gifts are not tied to our personal obedience to law. As Jesus taught, our Heavenly Father 'maketh his sun to rise on the evil and on the good, and sendeth rain on the just and on the unjust' (Matthew 5:45).
Dallin H. Oaks
Melanie is the gentlest of dreams and a part of my dreaming. And if the war had not come I would have lived out my life, happily buried at Twelve Oaks, contentedly watching life go by and never being a part of it. But when the war came, life as it really is thrust itself against me. The first time I went into action—it was at Bull Run, you remember—I saw my boyhood friends blown to bits and heard dying horses scream and learned the sickeningly horrible feeling of seeing men crumple up and spit blood when I shot them. But those weren't the worst things about the war, Scarlett. The worst thing about the war was the people I had to live with. I had sheltered myself from people all my life, I had carefully selected my few friends. But the war taught me I had created a world of my own with dream people in it. It taught me what people really are, but it didn't teach me how to live with them. And I'm afraid I'll never learn. Now, I know that in order to support my wife and child, I will have to make my way among a world of people with whom I have nothing in common.
Margaret Mitchell (Gone with the Wind)
I'm afraid I'll die silently and quietly, like the flame blown from a match, and I'll be nothing more than a child who played at war.
Colleen Oakes (Blood of Wonderland (Queen of Hearts Saga, #2))
Those the brownies will not help, must learn to help themselves
Emma Bull (War for the Oaks)
I love you like my own sister. Which is why I won't hesitate to tell you that I don't believe it.
Emma Bull (War for the Oaks)
She felt … new, just-made. She felt as if everything she had ever done out of weakness or fear had been undone, and all of her past washed clean.
Emma Bull (War for the Oaks)
And now, a year has passed since I undertook to go to war, and I wake every day, sweating, in the solitude of the seed store at Oak Landing, to a condition of uncertainty. More than months, more than miles, now stand between me and that passionate orator perched on his tree-stump puplit. One day, I hope to go back. To my wife, to my girls, but also to the man of moral certainty that I was that day; that innocent man, who knew with such clear confidence exactly what it was that he was meant to do.
Geraldine Brooks (March)
On occasion, people who tried to write family members living at Site X by addressing the letters to “Oak Ridge” got those letters returned to sender with a note reading simply: “There is no such place as Oak Ridge, Tennessee.
Denise Kiernan (The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II)
Queen of Hearts, the daughter of two fathers, heed my words. You will pierce the heart of one man and cut out the heart of the one you love most. Follow the crumbs to find your throne and only then shall your head rest in the grass.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
The British Army and Navy sang a rousing song called "Heart of Oak"; the rebels had writ one to counter it called "The Liberty Song." Both songs blustered of freedom; but both were sung to the same tune. And we, to avoid offense, played the tune without words.
M.T. Anderson (The Kingdom on the Waves (The Astonishing Life of Octavian Nothing, Traitor to the Nation, #2))
Pump seals therefore had to be devised that were both gastight and greaseless, a puzzle no one had ever solved before that required the development of new kinds of plastics. (The seal material that eventually served at Oak Ridge came into its own after the war under the brand name Teflon.)
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
You hear it most when politicians who live in places like Hyannis Port and Beacon Hill and Wellesley make decisions that affect people who live in Dorchester and Roxbury and Jamaica Plain, and then step back and say there isn’t a war going on. There is a war going on. It’s happening in playgrounds, not health clubs. It’s fought on cement, not lawns. It’s fought with pipes and bottles, and lately, automatic weapons. And as long as it doesn’t push through the heavy oak doors where they fight with prep school educations and filibusters and two-martini lunches, it will never actually exist.
Dennis Lehane (A Drink Before the War (Kenzie & Gennaro, #1))
I think she’s with Emil.” He arched a brow as he led me down the walkway. “Something’s going on between them, isn’t there?” “You’re just now realizing that?” He snorted. “Better question is, has Kieran figured that out?” “I think he was just beginning to when we left Oak Ambler.” His grin kicked up a notch. “Thoughts and prayers for Emil.” “More like thoughts and prayers for Kieran if he tries to intervene. Vonetta likes Emil. I don’t think she’ll take all that kindly to Kieran not minding his business.” “True.
Jennifer L. Armentrout (The War of Two Queens (Blood And Ash, #4))
You must remember also that He would never make any mistake in creating you. No matter what harsh and hateful words have been said to you, no matter the wrong actions against you, those opinions are not valid. The only valid opinion in which we can place true merit is that of God, and ultimately, your own.--Olivia Worthington of River Oaks Plantation
Lisa M. Prysock (Protecting Miss Jenna (Dream Wildly Unafraid; The Lydia Collection, #2))
45,000 sections of reinforced concrete—three tons each. Nearly 300 watchtowers. Over 250 dog runs. Twenty bunkers. Sixty five miles of anti-vehicle trenches—signal wire, barbed wire, beds of nails. Over 11,000 armed guards. A death strip of sand, well-raked to reveal footprints. 200 ordinary people shot dead following attempts to escape the communist regime. 96 miles of concrete wall. Not your typical holiday destination. JF Kennedy said the Berlin Wall was a better option than a war. In TDTL, the Anglo-German Bishop family from the pebbledashed English suburb of Oaking argue about this—among other—notions while driving to Cold War Berlin, through all the border checks, with a plan to visit both sides of it.
Joanna Campbell (Tying Down the Lion)
Grief is a kind of war, I think now. Loss is like a bullet. A person can only take so much.
Stephanie Oakes (The Arsonist)
Q: How many people are working in Oak Ridge? A: About half of them.
Denise Kiernan (The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II)
These are dark times for the court of Wonderland. Our lives were once full of dancing, tea and tarts, fashion and feasting. Now, life is a hardship we can hardly bear.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
They came across more ragged men resting in the shade of an oak tree. These soldiers all wore blue uniforms. Again,
Mary Pope Osborne (Civil War on Sunday)
The more she thought about it, the more she realized: Oak Ridgers had kept the most amazing secret ever.
Denise Kiernan (The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II)
I am the queen,” she breathed quietly, before wrapping her fingers tightly around his crown.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
War was, at its most basic level, the great reassigning of positions - a king who could become a prisoner, a princess who could become a casualty of war.
Colleen Oakes (Blood of Wonderland (Queen of Hearts Saga, #2))
In Newry town I was bred and born, In Steven’s Green now I die in scorn. I served my time to the saddling trade. But I turned out to be I turned out to be a roving blade.
Emma Bull (War for the Oaks)
That’s bad art, you know. Copying reality without interpreting it.” “Mmm. But illusion is not art. It can be a tool for art, but there is nothing of genuine creation in it.
Emma Bull (War for the Oaks)
You’d be surprised at how clearly you can hear something in your head and not be able to reproduce it.
Emma Bull (War for the Oaks)
Lives are beyond price, and to treat them as if they have some kind of barter value is obscene.
Emma Bull (War for the Oaks)
And Eddi heard her hang up.
Emma Bull (War for the Oaks)
I’m the family oddball, you see. Not a black sheep, I haven’t done anything dreadful. They just don’t know what to do with me, exactly.
Emma Bull (War for the Oaks)
Which means what?” “That the Queen of Faerie recognizes you as a power, and has spoken to you with respect. Others will follow her lead.” “Huh. That and a quarter will buy me a gumball.
Emma Bull (War for the Oaks)
If one considers oneself ideal celibate or Sanyasi, let the quality be seen by others through one’s behavior and actions rather than through the color of the robe, or via the number of followers.
Nilesh Nilkanth Oak (When Did The Mahabharata War Happen? : The Mystery of Arundhati)
Oh, lord, are we going to have to get a van? Carla’s junkyard dog can’t transport the whole band.” “And we need a PA,” Willy reminded her. “Shit. And a PA. Why do you have to be rich to get rich?
Emma Bull (War for the Oaks)
In two days, we will march on the palace, and there will be no mercy for any of us. Remind yourself why you lead this army and steel your dark heart. There is more blood ahead than you could imagine.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
Had the Battle of Franklin ever really ended? Carrie walked her cemetery, and around her the wounds closed up and scarred over, but only in that way that an oak struck by lightning heals itself by twisting and bending around the wound: it is still recognizably a tree, it still lives as a tree, it still puts out its leaves and acorns, but its center, hidden deep within the curtain of green, remains empty and splintered where it hasn't been grotesquely scarred over. We are happy the tree hasn't died, and from the proper angle we can look on it and suppose that it is the same tree as it ever was, but it is not and never will be.
Robert Hicks (The Widow of the South)
The weather turned to damp heat, the kind that settled on the shoulders and made people walk as if they were twenty pounds too heavy. It pointed tempers and blunted energy, and gave despair a great seductive power.
Emma Bull (War for the Oaks)
I’m lying on the ground looking up at the branches of an oak tree. Dappled light is shining through the canopy, the leaves whisper ancient incantations. This tree, in its living stage, rooted in sights and sounds that I’ll never know, has witnessed extinctions and wars, loves and losses. I wish we could translate the language of trees – hear their voices, know their stories. They host such an astonishing amount of life – there are thousands of species harbouring in and on and under this mighty giant. And I believe trees are like us, or they inspire the better parts of human nature. If only we could be connected in the way this oak tree is connected with its ecosystem.
Dara McAnulty (Diary of a Young Naturalist)
Wardley started walking away, the soft whisper of his voice dancing on the wind. "I wish you had died on the battlefield. It's what I wish every day, when I wake up." Dinah let his words cut into her, a swift blade to the heart.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
She smelled them, that pungent smell of fear and bloodlust that she, the Queen of Hearts, was causing. With a wicked smile, she opened up her heart and mind, letting the black rage that she constantly suppressed climb up her chest and flood her body.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
The moon rises. The red cubs rolling In the ferns by the rotten oak Stare over a marsh and a meadow To the farm's white wisp of smoke. A spark burns, high in heaven. Deer thread the blossoming rows Of the old orchard, rabbits Hop by the well-curb. The cock crows From the tree by the widow's walk; Two stars in the trees to the west, Are snared, and an owl's soft cry Runs like a breath through the forest. Here too, though death is hushed, though joy Obscures, like night, their wars, The beings of this world are swept By the Strife that moves the stars.
Randall Jarrell
torpedo, too, either missed the target or failed to explode. Undaunted, Prien then headed southward, away from the Royal Oak, to reload his bow tubes. An hour later, just past 1:00 a.m., with the crew of the battleship still no wiser about his presence, he returned to fire three more torpedoes.
Craig L. Symonds (World War II at Sea: A Global History)
I knew it was my duty to my own legend to survive this trial. But I was still crippled by my own devices. Imagine me as a great fully-rigged man-of-war. Four masts, great bulwarks of oak and five score cannon. All my life I have sailed smooth seas and waters that parted for me by virtue of my own splendor. Never tested. Never riled. A tragic existence, if ever there was one. “But at long last: a storm! And when I met it I found my hull . . . rotten. My planks leaking brine, my cannon brittle, powder wet. I foundered upon the storm. Upon you, Darrow of Lykos.” He sighs. “And it was my own fault.” I war between wanting to punch him in the mouth and surrendering into my curiosity by letting him continue. He’s a strange man with a seductive presence. Even as an enemy, his flamboyance fascinated me. Purple capes in battle. A horned Minotaur helmet. Trumpets blaring to signal his advance, as if welcoming all challengers. He even broadcast opera as his men bombarded cities. After so much isolation, he’s delighting in imposing his narrative upon us. “My peril is thus: I am, and always have been, a man of great tastes. In a world replete with temptation, I found my spirit wayward and easy to distract. The idea of prison, that naked, metal world, crushed me. The first year, I was tormented. But then I remembered the voice of a fallen angel. ‘The mind is its own place, and in itself can make a heaven of hell, or a hell of heaven.’ I sought to make the deep not just my heaven, but my womb of rebirth. “I dissected the underlying mistakes which led to my incarceration and set upon an internal odyssey to remake myself. But—and you would know this, Reaper—long is the road up out of hell! I made arrangements for supplies. I toiled twenty hours a day. I reread the books of youth with the gravity of age. I perfected my body. My mind. Planks were replaced; new banks of cannon wrought in the fires of solitude. All for the next storm. “Now I see it is upon me and I sail before you the paragon of Apollonius au Valii-Rath. And I ask one question: for what purpose have you pulled me from the deep?” “Bloodyhell, did you memorize that?” Sevro mutters.
Pierce Brown (Iron Gold)
The old oak, quite transfigured, spreading out a canopy of sappy dark-green foliage, stood rapt and slightly trembling in the rays of the evening sun. Neither gnarled fingers nor old scars nor old doubts and sorrows were any of them in evidence now. Through the hard century-old bark, even where there were no twigs, leaves had sprouted such as one could hardly believe the old veteran could have produced. ‘Yes, it is the same oak,’ thought Prince Andrei, and all at once he was seized by an unreasoning spring-time feeling of joy and renewal. All the best moments of his life suddenly rose to his memory. Austerlitz with the lofty heavens, his wife’s dead reproachful face, Pierre at the ferry, that girl thrilled by the beauty of the night, and that night itself and the moon, and … all this rushed suddenly to his mind. ‘No, life is not over at thirty-one!’ Prince Andrei suddenly decided finally and decisively. ‘It is not enough for me to know what I have in me—everyone must know it: Pierre, and that young girl who wanted to fly away into the sky, everyone must know me, so that my life may not be lived for myself alone while others live so apart from it, but so that it may be reflected in them all, and they and I may live in harmony.
Leo Tolstoy (War and Peace)
Six miles below town a fat and battered brick chimney, sticking above the magnolias and live-oaks, was pointed out as the monument erected by an appreciative nation to celebrate the battle of New Orleans--Jackson's victory over the British, January 8, 1815. The war had ended, the two nations were at peace, but the news had not yet reached New Orleans. If we had had the cable telegraph in those days, this blood would not have been spilt, those lives would not have been wasted; and better still, Jackson would probably never have been president. We have gotten over the harms done us by the war of 1812, but not over some of those done us by Jackson's presidency.
Mark Twain (Life on the Mississippi)
As for the Cherokees, they faced a set of laws passed by Georgia: their lands were taken, their government abolished, all meetings prohibited. Cherokees advising others not to migrate were to be imprisoned. Cherokees could not testify in court against any white. Cherokees could not dig for the gold recently discovered on their land. A delegation of them, protesting to the federal government, received this reply from Jackson’s new Secretary of War, Eaton: “If you will go to the setting sun there you will be happy; there you can remain in peace and quietness; so long as the waters run and the oaks grow that country shall be guaranteed to you and no white man shall be permitted to settle near you.
Howard Zinn (A People's History of the United States: 1492 to Present)
I don’t have to answer to you. For anything.” Willy’s eyes narrowed. “Okay,” Eddi said. “I should be patient. But all three of us just spent the last—however long it was—with people trying to kill us. It frays your temper. So if you want to discuss the night’s events, do it. But if you’d rather play B-movie gestapo officer, you can play somewhere else.
Emma Bull (War for the Oaks)
He pulled out stiff starched sheets, yellowed at the creases, each sheet embroidered with an elaborate medallion in which the letters D.F. twined above a garland of roses; some woman's trousseau from a hundred- two hundred- years back. There were other treasures too: sandalwood boxes of handkerchiefs, copper saucepans dulled with verdigris, an old radio from before the war, he guessed, its casing cracked to reveal tubes as big as doorknobs. Best of all was a huge old spice chest of rough black oak, some of its drawers still labeled in faded brown ink: Cannelle, Poivre Rouge, Lavande, Menthe Verte. The long-empty compartments were still fragrant with the scents of those spices, some dusted with a residue which colored his fingertips with cinnamon and ginger and paprika and turmeric.
Joanne Harris (Blackberry Wine)
The old refrain is that there are no atheists in foxholes. That's nonsense. They are there by the millions. There is little in combat that will lead one to look upon the Creator with favor. What can't be there, instead, is the individualist, the selfish, the self-consumed, the self-centered, the aloof loner. Such a man cannot long survive. The terror of combat cannot be described by fear of death. There are worse things. The world can suddenly become a very cold place...He needs warmth, a fire, to survive: His discipline, his training, his duty, honor and country, his family, and ultimately the very oak of his manhood are thrown into the blaze, but they are not enough to save him. At the end, he needs the warmth of his comrades. Otherwise, all he will have with which to face the cold dark will be his own spent soul.
Frank Boccia (The Crouching Beast: A United States Army Lieutenant's Account of the Battle for Hamburger Hill, May 1969)
From atop his back, she could see the dazzling spires of Wonderland Palace and the red glow that the palace cast on the land around it. From here she could imagine the small lives taking place; Harris, asleep in the library, glasses sliding off the end of his nose; Sir Gorrann, tossing back some ale as he chuckled among fellow Spades; and Wardley, staring out across the land with a burdened heart, wondering how much he would give for his kingdom.
Colleen Oakes (War of the Cards (Queen of Hearts Saga, #3))
Our room swallowed light whole. Even in summer when sunlight glared through the windows, it was somehow dim inside. Now it was only Easter morning, and the muted sky of early spring offered scant relief to our tenebrous room. On our side of the house a gnarled and ancient oak tree spread its reach across the back facade of the house as if to shade and protect us. One of the massive branches of its principal fork reached invitingly right up to our window to offer to take us wherever we wanted to go. This great limb, with circumference grander than both of us together, was our stairway to heaven and our secret exit to the ground; it was our biplane in the Great War of our imaginations and a magic carpet to Araby; it was our lookout post and the clubhouse of our most secret fraternal order; it was our secret passageway through the imaginary castle we made of our house. It was our escape from the darkness into the light.
Mason West
Norbert Wiener,” Tillingford said. “You recall his work in cybernetics. And, even more important, Enrico Destini’s work in the field of theophonics.” “What’s that?” Tillingford raised an eyebrow. “You are a specialist, my boy. Communication between man and God, of course. Using Wiener’s work, and using the invaluable material of Shannon and Weaver, Destini was able to set up the first really adequate system of communication between Earth and Heaven in 1946. Of course, he had the use of all that equipment from the War Against the Pagan Hordes, those damned Wotan-Worshiping, Oak-Tree-Praising Huns.” “You mean the—Nazis?” “I’m familiar with that term. That’s sociologist jargon, isn’t it? And that Denier of the Prophet, that Anti-Bab. They say he’s still alive down in Argentina. Found the elixir of eternal youth or something. He made that pact with the devil in 1939, you remember. Or was that before your time? But you know about it—it’s history.” “I
Philip K. Dick (Eye In The Sky)
What should she do now? What could she do? It sounded fine to tell Carla that she wanted to be normal for once, but Eddi had never been suited to a normal life. Once she had taken a job as a security guard, patrolling an abandoned factory from four until midnight. Each night her imagination had tenanted the shadows with burglars and arsonists. At the end of the week the shadows were full, and she quit. She typed too slowly— did everything with her hands too slowly, in fact, except play the guitar.
Emma Bull (War for the Oaks)
And so it’s done,” said the phouka softly. No one seemed to hear but Eddi. “Is it really? What about all the things you wanted to see changed, all the things in the Seelie Court?” He smiled down at the grass. “I’d intended to plant a seed or two, and wait to see what grew there. Things grow slowly in Faerie, my beloved.” “So you’re just going to see what happens?” “I don’t know. I’d thought in terms of seeds, you see, and never dreamed that what I had loosed on the Court was a madwoman with a crowbar.” “What, me? I’m flattered.
Emma Bull (War for the Oaks)
Oh, I suppose they’re not exactly gone, those green boys. It’s rather like a sapling turning into a tree. Can’t scrape off the bark, and whittle it down until you find that sapling again, now can you? No, of course not. The sapling becomes an oak. Forever changed. The realities of that war will remain inside us through heaven or hell. Best try and face it, Ty. Running from it won’t help. You’ll never turn back into the innocent sapling you once were.” Robert lifted his glass and grinned. “My friend, we’ve become a pair of gnarled old trees.
Kathleen Baldwin (Lady Fiasco (My Notorious Aunt, #1))
We were running on borrowed time, but we didn't know just how borrowed it was, those free and wild days. The whole blessed country came to be paved over, and how I wish we were short on concrete instead of oil. There's shopping malls in the pinewoods, houses in the tomato fields, and our lonesome two-lane blacktops are all six lanes plugged tight with traffic. Hurricanes, earthquakes, wars, plagues, and pirates for three hundred years, but it always came back. And then in thirty years it was gone, paved over and gone. But we did not know all that when we were sitting there in the shade of those courthouse oaks, trying to wish up money.
Roger Pinckney (The Mullet Manifesto)
I don’t want a new band. I want to be a normal person.” Carla’s dark eyes were very wide. “Oh,” she said. “Hey,” Eddie smiled limply, “it’s not like you to miss a straight line.” “Too easy,” Carla said with a shrug. Then she shook her head and made her black hair fly, and seemed to shake off her sorrow as well. “Give it time. You don’t remember how awful it is being normal.” “Not as awful as being in InKline Plain.” “Oh worse,” said Carla solemnly. “They make you sit at a desk all day and eat vending machine donuts, and your butt gets humongous.” “Now that,” Eddie said, “is a job I can handle.” “If you work hard, you get promoted to brownies.
Emma Bull (War for the Oaks)
These long millennia may well have witnessed wars and revolutions, ecstatic religious movements, profound philosophical theories, incomparable artistic masterpieces. The foragers may have had their all-conquering Napoleons, who ruled empires half the size of Luxembourg; gifted Beethovens who lacked symphony orchestras but brought people to tears with the sound of their bamboo flutes; and charismatic prophets who revealed the words of a local oak tree rather than those of a universal creator god. But these are all mere guesses. The curtain of silence is so thick that we cannot even be sure such things occurred – let alone describe them in detail.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Ava’s Mum: – We are not like them, Ava. […] We have to be ready to fight, and when the enemy gets you, one day, you show them what I taught you. When they lock you in the darkness, become an arsonist. When they put you under house arrest, or defile your name in public, or make you live beneath the rules that will suffocate you, become an arsonist. When they put a pistol in your hand and make you shoot your best friend, and when they throw you in a death camp, when you see everyone around you get sick from the poison they’re feeding them, light a fire that will destroy them. A fire they won’t forget the next time they try to do it to someone else.
Stephanie Oakes (The Arsonist)
You want coffee?” she asked Carla. The phouka turned to Eddi. “You make coffee?” His voice was full of longing. “Oh, I love coffee.” “Oh God, just what we need.” Carla sighed. “A mad dog with coffee nerves.” Eddi ignored that. “Why didn’t you say something this morning? We could have had it at breakfast.” He looked embarrassed. “Yes, well, that was my treat, you see. And I don’t know how to make coffee.” “You can make pancakes, and not coffee?” “Pancakes, my inquisitive flower, are a profoundly primitive and practically universal item, in one form or another.” “So’s coffee,” said Carla. “Not,” the phouka said disdainfully, “where I come from.
Emma Bull (War for the Oaks)
What is that statue?" I asked. "A Civil War general--probably Lee's," Amzie said. "What else is on the courthouse lawn?" The statue stood on one side of the entrance and a beautiful tree on the other. "What kind of tree is that?" I asked. "I don't know for sure," Amzie replied, "but I think it's an oak. Big, ain't it? Strong, too. Been there a long time." For a moment he sat still and full of thoughts. "Let's look around town," I said. "Wait," he replied. "You just gave me a thought. There's a picture of the South if I ever saw one. That Southern general and that tree. One is the dead past and the other the living present. This South is sure caught in between--between life and death.
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
He had panicked. Tessier cursed his own stupidity. He should have remained in the column where he would have been protected. Instead, he saw an enemy coming for him like a revenant rising from a dark tomb, and had run first instead of thinking. Except this was no longer a French stronghold. The forts had all been captured and surrendered and the glorious revolutionary soldiers had been defeated. If the supply ships had made it through the blockade, Vaubois might still have been able to defend the city, but with no food, limited ammunition and disease rampant, defeat was inevitable. Tessier remembered the gut-wrenching escape from Fort Dominance where villagers spat at him and threw rocks. One man had brought out a pistol and the ball had slapped the air as it passed his face. Another man had chased him with an ancient boar spear and Tessier, exhausted from the fight, had jumped into the water. He had nearly drowned in that cold grey sea, only just managing to cling to a rock whilst the enemy searched the shoreline. The British warship was anchored outside the village, and although Tessier could see men on-board, no one had spotted him. Hours passed by. Then, when he considered it was clear, he swam ashore to hide in the malodorous marshland outside Mġarr. His body shivered violently and his skin was blue and wrinkled like withered fruit, but in the night-dark light he lived. He had crept to a fishing boat, donned a salt-stained boat cloak and rowed out to Malta's monochrome coastline. He had somehow managed to escape capture by abandoning the boat to swim into the harbour. From there it had been easy to climb the city walls and to safety. He had written his account of the marines ambush, the fort’s surrender and his opinion of Chasse, to Vaubois. Tessier wanted Gamble cashiered and Vaubois promised to take his complaint to the senior British officer when he was in a position to. Weeks went past. Months. A burning hunger for revenge changed to a desire for provisions. And until today, Tessier reflected that he would never see Gamble again. Sunlight twinkled on the water, dazzling like a million diamonds scattered across its surface. Tessier loaded his pistol in the shadows where the air was still and cool. He had two of them, a knife and a sword, and, although starving and crippled with stomach cramps, he would fight as he had always done so: with everything he had.
David Cook (Heart of Oak (The Soldier Chronicles, #2))
How do you feel?” Eddi asked. “Infinitely weary, sweet, but it’s true that a quantity of hot water poured over the head is a sovereign remedy for most ills.” He rubbed the space between his eyebrows and smiled at her. Eddi stood up. At the table, Willy stirred restlessly, and she took pleasure in ignoring him. “Let me look at your head,” she said to the phouka. “It’s right here,” he replied, pointing. “Look all you like.” “Don’t be stupid. Never mind, I suppose that’s too much to ask.” She lifted his wet hair carefully off his forehead. At her touch, the phouka closed his eyes and drew a long, irregular breath. The gash on his temple still seeped blood. “What did they hit you with, anyway?” “A big rock,” he enunciated carefully. “Nothing but the most sophisticated weaponry can prevail against me.
Emma Bull (War for the Oaks)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent.
Virgil (The Eclogues)
You think you did so badly, then?” His look was full of contained smugness. “I’d say otherwise, myself.” “Yeah? We’re you here when I came close to calling him a warmonger?” The phouka tried not to smile. “You came nowhere near it. Surely a warmonger is one who sells war, as a fishmonger sells fish?” “Get stuffed. You know what I mean. You heard that, then? And you still don’t think he’s pissed?” The phouka nodded. “Then either I’m luckier than I deserve, or you’re dumber than you look.” He was delighted with that. “You’re good for my self-esteem.” “The way aspirin’s good for a headache?” Eddi said, and realized he was making her smile. “Precisely. Do you want to dance, make music, or sample a new amusement?” She could tell from his tone what he hoped. “What new amusement?” “Oh there’s a competition just begun, ‘round the other side of the hill, that you might enjoy watching.” “I love when you use that full-of-yourself voice. Lead on, son.
Emma Bull (War for the Oaks)
Unwashed and undernourished, having spent over four days on five different trains and four military jeeps, Alexander got off at Molotov on Friday, June 19, 1942. He arrived at noon and then sat on a wooden bench near the station. Alexander couldn’t bring himself to walk to Lazarevo. He could not bear the thought of her dying in Kobona, getting out of the collapsed city and then dying so close to salvation. He could not face it. And worse—he knew that he could not face himself if he found out that she did not make it. He could not face returning—returning to what? Alexander actually thought of getting on the next train and going back immediately. The courage to move forward was much more than the courage he needed to stand behind a Katyusha rocket launcher or a Zenith antiaircraft gun on Lake Ladoga and know that any of the Luftwaffe planes flying overhead could instantly bring about his death. He was not afraid of his own death. He was afraid of hers. The specter of her death took away his courage. If Tatiana was dead, it meant God was dead, and Alexander knew he could not survive an instant during war in a universe governed by chaos, not purpose. He would not live any longer than poor, hapless Grinkov, who had been cut down by a stray bullet as he headed back to the rear. War was the ultimate chaos, a pounding, soul-destroying snarl, ending in blown-apart men lying unburied on the cold earth. There was nothing more cosmically chaotic than war. But Tatiana was order. She was finite matter in infinite space. Tatiana was the standard-bearer for the flag of grace and valor that she carried forward with bounty and perfection in herself, the flag Alexander had followed sixteen hundred kilometers east to the Kama River, to the Ural Mountains, to Lazarevo. For two hours Alexander sat on the bench in unpaved, provincial, oak-lined Molotov. To go back was impossible. To go forward was unthinkable. Yet he had nowhere else to go. He crossed himself and stood up, gathering his belongings. When Alexander finally walked in the direction of Lazarevo, not knowing whether Tatiana was alive or dead, he felt he was a man walking to his own execution.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine. While clothed in natural scarlet graze the lambs.
Virgil (The Eclogues)
demonstrating that the first of these, the integral fast reactor, was safe even under the circumstances that destroyed Three Mile Island 2 and would prove disastrous at Chernobyl and Fukushima. The liquid fluoride thorium reactor (LFTR), an even more advanced concept developed at Tennessee’s Oak Ridge National Laboratory, is fueled by thorium. More plentiful and far harder to process into bomb-making material than uranium, thorium also burns more efficiently in a reactor and could produce less hazardous radioactive waste with half-lives of hundreds, not tens of thousands, of years. Running at atmospheric pressure, and without ever reaching a criticality, the LFTR doesn’t require a massive containment building to guard against loss-of-coolant accidents or explosions and can be constructed on such a compact scale that every steel mill or small town could have its own microreactor tucked away underground. In 2015 Microsoft founder Bill Gates had begun funding research projects similar to these fourth-generation reactors in a quest to create a carbon-neutral power source for the future. By then, the Chinese government had already set seven hundred scientists on a crash program to build the world’s first industrial thorium reactor as part of a war on pollution. “The problem of coal has become clear,” the engineering director of the project said. “Nuclear power provides the only solution.
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
The Story of the Moon Once, night, unchallenged, extended its dark grace across the sky. To the credit of the town, the stars at night had been enough, though sometimes the townspeople went about bumping their heads in sleep. Eventually, three brothers, traveling through a foreign town, found an evening that did not disappear behind the mountains, for a shining globe sat in an oak tree. The brothers stopped. That one is the moon, said a man from the foreign town. The brothers conferred. They could make a certain use of it. The brothers stole the moon down and put it in their wagon. Seized it. Thieved its silver. Altogether greedy. The wagon shining brights. At home: the moon delivered. Then, celebration: dancing in red coats on the meadow. Number four brother smiling wide. The moon installed--it extended its silver calculations. Time and more time. The brothers aged, took sick, petitioned the town that each quarter of the moon, as it was their property, be portioned out to share their graves. Done, and the light of the moon diminished in fractions. They had extinguished it, part for part, and night, unimpeded, fell. Altogether lanternless. The people were silent. The dark rang loud. Underground: cold blazing. The dead woke, shivering in the light. Some went out to play and dance, others hastened to the taverns to drink, quarrel, and brawl. Noise and more noise. Noise up to heaven. Saint Peter took his red horse through the gates and came down. The moon, for the third time, taken. The dead bidden back into their graves. One wonders why a story like this exists.
Richard Siken (War of the Foxes)
It is the story of God.” God’s real name is Charlie, he told us. He was born in York, Pennsylvania, in 1776, in the summer of the signing, when temperatures were high as rockets and humid as seas. Charlie was the son of a poor miller, a mean man with a gammy leg and a spray of powder burns over his right temple from the war. When Charlie was just becoming something more than a boy, he went out into the creaking, old-growth forest to collect firewood. He came upon a stream that fell away, suddenly, into the earth. Charlie wanted to see where the water went. He leaned down and peered in. A spark. An alien pulse of light. He stared, transfixed, as every star, every galaxy in the universe flicked across his vision. The rings of Jupiter. The broken, sunburned back of Mars. Sights no human had ever captured with their eyes. And, just as suddenly, the feeling of every cell of every living organism hovering just beneath his fingertips, like piano keys. He could touch each one, if he wanted. He could control them. There are some who insist Charlie was simply lucky. That anyone who happened to walk by that stream on that morning, curious enough to lean over the odd water gushing into the ground, would be made God. They are wrong. Charlie was God before he was even born. It was only a matter of him finding out. Charlie lives in every generation. When he dies, he is reborn nine months later, a baby God. At any moment, you might meet him. He has been a Confederate soldier. He has been a bank teller. He has sat behind an oak desk in wire-rimmed glasses and a day’s growth of beard graying his cheeks. He has cooked dinner for his mother. He has driven to the ocean. He has fallen in love.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Inly do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent.
Virgil (The Eclogues)
The defenders retreated, but in good order. A musket flamed and a ball shattered a marine’s collar bone, spinning him around. The soldiers screamed terrible battle-cries as they began their grim job of clearing the defenders off the parapet with quick professional close-quarter work. Gamble trod on a fallen ramrod and his boots crunched on burnt wadding. The French reached steps and began descending into the bastion. 'Bayonets!' Powell bellowed. 'I want bayonets!' 'Charge the bastards!' Gamble screamed, blinking another man's blood from his eyes. There was no drum to beat the order, but the marines and seamen surged forward. 'Tirez!' The French had been waiting, and their muskets jerked a handful of attackers backwards. Their officer, dressed in a patched brown coat, was horrified to see the savage looking men advance unperturbed by the musketry. His men were mostly conscripts and they had fired too high. Now they had only steel bayonets with which to defend themselves. 'Get in close, boys!' Powell ordered. 'A Shawnee Indian named Blue Jacket once told me that a naked woman stirs a man's blood, but a naked blade stirs his soul. So go in with the steel. Lunge! Recover! Stance!' 'Charge!' Gamble turned the order into a long, guttural yell of defiance. Those redcoats and seamen, with loaded weapons discharged them at the press of the defenders, and a man in the front rank went down with a dark hole in his forehead. Gamble saw the officer aim a pistol at him. A wounded Frenchman, half-crawling, tried to stab with his sabre-briquet, but Gamble kicked him in the head. He dashed forward, sword held low. The officer pulled the trigger, the weapon tugged the man's arm to his right, and the ball buzzed past Gamble's mangled ear as he jumped down into the gap made by the marines charge. A French corporal wearing a straw hat drove his bayonet at Gamble's belly, but he dodged to one side and rammed his bar-hilt into the man's dark eyes. 'Lunge! Recover! Stance!
David Cook (Heart of Oak (The Soldier Chronicles, #2))
DICAEOPOLIS Why, what has happened? AMPHITHEUS I was hurrying to bring your treaty of truce, but some old dotards from Acharnae(1) got scent of the thing; they are veterans of Marathon, tough as oak or maple, of which they are made for sure—rough and ruthless. They all started a-crying: "Wretch! you are the bearer of a treaty, and the enemy has only just cut our vines!" Meanwhile they were gathering stones in their cloaks, so I fled and they ran after me shouting. f(1) The deme of Acharnae was largely inhabited by charcoal-burners, who supplied the city with fuel. DICAEOPOLIS Let 'em shout as much as they please! But HAVE you brought me a treaty? AMPHITHEUS Most certainly, here are three samples to select from,(1) this one is five years old; take it and taste. f(1) He presents them in the form of wines contained in three separate skins. DICAEOPOLIS Faugh! AMPHITHEUS Well? DICAEOPOLIS It does not please me; it smells of pitch and of the ships they are fitting out.(1) f(1) Meaning, preparations for war. AMPHITHEUS Here is another, ten years old; taste it. DICAEOPOLIS It smells strongly of the delegates, who go around the towns to chide the allies for their slowness.(1) f(1) Meaning, securing allies for the continuance of the war. AMPHITHEUS This last is a truce of thirty years, both on sea and land. DICAEOPOLIS Oh! by Bacchus! what a bouquet! It has the aroma of nectar and ambrosia; this does not say to us, "Provision yourselves for three days." But it lisps the gentle numbers, "Go whither you will."(1) I accept it, ratify it, drink it at one draught and consign the Acharnians to limbo. Freed from the war and its ills, I shall keep the Dionysia(2) in the country. f(1) When Athens sent forth an army, the soldiers were usually ordered to assemble at some particular spot with provisions for three days. f(2) These feasts were also called the Anthesteria or Lenaea; the Lenaem was a temple to Bacchus, erected outside the city. They took place during the month Anthesterion (February).
Aristophanes (The Acharnians)
Why should I side with you? Why should I care if you win?” The phouka raked fingers through his hair. “You have seen one of them, one of their forms. That is what seeks domination over every natural thing in this place. We of the Seelie Court are capricious, and not always well-disposed toward humankind. But would you hand this city over to the likes of what you saw tonight? That is the Unseelie Court. If we fall, every park, every boulevard tree, every grassy lawn would be their dwelling place.” Eddi sighed. “It’s not just for you, it’s for the entire seven-country metro area. Couldn’t we just let them have St. Paul?” The phouka made a disgusted noise. “All right. What if they did take over? Would we all be eaten in our beds?” He shook his head. “There are places,” he began slowly, “that belong to them. Have you ever passed through some small town, surrounded by fertile country and fed by commerce, that seemed to be rotting away even as you watched? Where the houses and the people were faded, and all the storefronts stood empty?” Eddi remembered a few. “Or a city whose new buildings looked tawdry, whose old ones were ramshackle, where the streets were grimy and the wind was never fresh, where money passed from hand to hand yet benefited no one?” His words were quicker now. “This city is alive with the best magic of mortal folk. The very light off the skyscrapers and the lakes vibrate with it. If the Unseelie Court takes up residence here, this will be a place where people fear their neighbors, where life drains the living until art and wit are luxuries, where any pleasant thing must be imported and soon loses its savor.” He fell silent, as if embarrassed by his own eloquence. Eddi rubbed her hands over her face, trying to rub away her confusion, her anger, her fear. Finally she asked the only question she had left. “Can’t you get somebody else?” The phouka began to laugh weakly. “Oh, go to bed, Eddi McCandry. You could befuddle a stone. Go to bed, and sleep soundly, and tempt me not into some foolish flap of the tongue.
Emma Bull (War for the Oaks)
For, Melanie, these things I have named are but the symbols of the thing for which I risk my life, symbols of the kind of life I love. for I am fighting for the old days, the old ways I love so much but which, I fear, are now gone forever, no matter how the die may fall. For, win or lose, we lose just the same. If we win this war and have the Cotton Kingdom of our dreams, we still have lost, for we will become a different people and the old quiet ways will go. The world will be at our doors clamoring for cotton and we can command our own price. Then, I fear, we will become like the Yankees, at whose money-making activities, acquisitiveness, and commercialism we now sneer. And if we lose, Melanie, if we lose! I am not afraid of danger or capture or wounds or even death, if death must come, but I do fear that once this war is over, we will never get back to the old times. And I belong in those old times. I do not belong in this mad present of killing and I fear I will not fit into any future, try though I may. Nor will you, my dear, for you and I are of the same blood. I do not know what the future will bring, but it cannot be as beautiful or as satisfying as the past. I lie and look at the boys sleeping near me and I wonder if the twins or Alex or cade think these same thoughts. I wonder if they know they are fighting for a Cause that was lost the minute the first shot was fired, for our Cause is really our own way of living and that is gone already. But I do not think they think these things and they are lucky. I had not thought of this for us when I asked you to marry me. I had thought of life going on at Twelve Oaks as it had always done, peacefully, easily, unchanging. we are alike, Melanie, loving the same quiet things, and I saw before us a long stretch of uneventful years in which to read, hear music and dream. But not this! Never this! That this could happen to us all, this wrecking of old ways, this bloody slaughter and hate! Melanie, nothing is worth it-States' Rights, nor slaves, nor cotton. Nothing is worth what is happening to us now and what may happen, for if the Yankees whip us the future will be one of incredible horror. And, my dear, they may yet whip us.
Margaret Mitchell (Gone with the Wind)
Now the last age by Cumae's Sibyl sung has come and gone, and the majestic roll of circling centuries begins anew: justice returns, returns old Saturn's reign, with a new breed of men sent down from heaven. Only do thou, at the boy's birth in whom the iron shall cease, the golden race arise, befriend him, chaste Lucina; 'tis thine own apollo reigns. And in thy consulate, this glorious age, O Pollio, shall begin, and the months enter on their mighty march. Under thy guidance, whatso tracks remain of our old wickedness, once done away, shall free the earth from never-ceasing fear. He shall receive the life of gods, and see heroes with gods commingling, and himself be seen of them, and with his father's worth reign o'er a world at peace. For thee, O boy, first shall the earth, untilled, pour freely forth her childish gifts, the gadding ivy-spray with foxglove and Egyptian bean-flower mixed, and laughing-eyed acanthus. Of themselves, untended, will the she-goats then bring home their udders swollen with milk, while flocks afield shall of the monstrous lion have no fear. Thy very cradle shall pour forth for thee caressing flowers. The serpent too shall die, die shall the treacherous poison-plant, and far and wide Assyrian spices spring. But soon as thou hast skill to read of heroes' fame, and of thy father's deeds, and inly learn what virtue is, the plain by slow degrees with waving corn-crops shall to golden grow, fom the wild briar shall hang the blushing grape, and stubborn oaks sweat honey-dew. Nathless yet shall there lurk within of ancient wrong some traces, bidding tempt the deep with ships, gird towns with walls, with furrows cleave the earth. Therewith a second Tiphys shall there be, her hero-freight a second Argo bear; new wars too shall arise, and once again some great Achilles to some Troy be sent. Then, when the mellowing years have made thee man, no more shall mariner sail, nor pine-tree bark ply traffic on the sea, but every land shall all things bear alike: the glebe no more shall feel the harrow's grip, nor vine the hook; the sturdy ploughman shall loose yoke from steer, nor wool with varying colours learn to lie; but in the meadows shall the ram himself, now with soft flush of purple, now with tint of yellow saffron, teach his fleece to shine.
Virgil (The Eclogues)
But it’s true that I have faced the Dark Court and lived. I suppose I could survive this peril as well, if need be.” “What? Oh—no. I mean…” Eddi faltered and shook her head. “I’m not good at saying this kind of thing. I always sound stupid or too casual or…” “My poet, betrayed by words?” He smiled crookedly. “I never said I was a poet. Besides, it’s not the same thing. This is public speaking.” She smiled weakly and looked at his ruffles. He set his hands on her shoulders, but they were motionless and weightless. “You’ve kept me alive for the last three months,” Eddie began, groping furiously for the words. “You’ve made me coffee. You’ve carried my amplifier.” A nervous chuckled escaped her. “And you’ve been pretty good company. Even when you were being a jerk, you were pretty good company, now that I look back on it.” “But,” he said without inflection. Eddi looked up at him, alarmed. “But? Oh, hell, I told you I was bad at this! No, no buts. You’re a wonderful person. Even if you are a supernatural being. Damn it, Phouka, how am I going to tell my mother that I’m in love with a guy who turns into a dog?” She blushed; she could feel it. A silence of unreasonable proportions followed; the phouka’s only response was a quick spasm of his fingers on her shoulders. “Are you in love with him, then?” “I said so, didn’t I?” “Not quite.” There was a smile twitching in the corner of his mouth. “All right, Al right.” Eddi took a long breath. “I love you.” “There. Now why should that be so hard to say?” “Because it sounds like something out of a soap opera,” Eddi grumbled. “Does it? Not to me. The best line from a favorite song, perhaps.” His smile softened his whole face in a way she hadn’t seen before. “That’s because you’re a damned romantic.” He reached up and tucked her hair behind her ear on one side. “Then you’re a doubly damned romantic, my heart, since you won’t even admit it. But perhaps with my excellent example before you…” Eddi caught at his disconcerting fingers, which were now tracing the edge of her ear, and kissed his knuckles. “You’re a jerk,” she said fondly. “Where were we going, when we got distracted?” “Earth and Air, I’d forgotten! It’s your fault, you know. The color of your hair in the moonlight, the curve of your waist, the—” “You’re going to forget again.” “You’re quite right. But I’ll try not to do so for at least a few minutes. You will enjoy this, I think.” He flashed her a grin and folded his fingers around hers. “Come along, then.
Emma Bull (War for the Oaks)