Infants Of The Spring Quotes

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I love the stillness of the wood; I love the music of the rill: I love the couch in pensive mood Upon some silent hill. Scarce heard, beneath yon arching trees, The silver-crested ripples pass; and, like a mimic brook, the breeze Whispers among the grass. Here from the world I win release, Nor scorn of men, nor footstep rude, Break into mar the holy peace Of this great solitude. Here may the silent tears I weep Lull the vested spirit into rest, As infants sob themselves to sleep Upon a mothers breast. But when the bitter hour is gone, And the keen throbbing pangs are still, Oh, sweetest then to couch alone Upon some silent hill! To live in joys that once have been, To put the cold world out of sight, And deck life's drear and barren scene With hues of rainbow-light. For what to man the gift of breath, If sorrow be his lot below; If all the day that ends in death Be dark with clouds of woe? Shall the poor transport of an hour Repay long years of sore distress— The fragrance of a lonely flower Make glad the wilderness? Ye golden house of life's young spring, Of innocence, of love and truth! Bright, beyond all imagining, Thou fairy-dream of youth! I'd give all wealth that years have piled, The slow result of Life's decay, To be once more a little child For one bright summer's day.
Lewis Carroll
I cannot bear to associate with the ordinary run of people. I have to surround myself with individuals who for the most part are more than a trifle insane
Wallace Thurman (Infants of the Spring)
Oh yet we trust that somehow good Will be the final goal of ill, To pangs of nature, sins of will, Defects of doubt, and taints of blood; That nothing walks with aimless feet; That not one life shall be destroy'd, Or cast as rubbish to the void, When God hath made the pile complete; That not a worm is cloven in vain; That not a moth with vain desire Is shrivell'd in a fruitless fire, Or but subserves another's gain. Behold, we know not anything; I can but trust that good shall fall At last—far off—at last, to all, And every winter change to spring. So runs my dream: but what am I? An infant crying in the night: An infant crying for the light: And with no language but a cry.
Alfred Tennyson (In Memoriam)
The sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal - every other affliction to forget; but this wound we consider it a duty to keep open - this affliction we cherish and brood over in solitude. Where is the mother who would willingly forget the infant that perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget the most tender of parents, though to remember be but to lament? Who, even in the hour of agony, would forget the friend over whom he mourns? Who, even when the tomb is closing upon the remains of her he most loved, when he feels his heart, as it were, crushed in the closing of its portal, would accept of consolation that must be bought by forgetfulness? No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights; and when the overwhelming burst of grief is calmed into the gentle tear of recollection, when the sudden anguish and the convulsive agony over the present ruins of all that we most loved are softened away in pensive meditation on all that it was in the days of its loveliness - who would root out such a sorrow from the heart? Though it may sometimes throw a passing cloud over the bright hour of gaiety, or spread a deeper sadness over the hour of gloom, yet who would exchange it even for the song of pleasure, or the burst of revelry? No, there is a voice from the tomb sweeter than song. There is a remembrance of the dead to which we turn even from the charms of the living. Oh, the grave! The grave! It buries every error - covers every defect - extinguishes every resentment! From its peaceful bosom spring none but fond regrets and tender recollections.
Washington Irving
along a cobbled street, the stones sheened with a soft, early spring rain. On either side the gutters ran with an infant chuckle and gurgle, baby streams being amused with themselves. The
Sheri S. Tepper (The Gate to Women's Country)
The multitude of men look satisfied and pleased; as if enjoying a full banquet, as if mounted on a tower in spring. I alone seem listless and still, my desires having as yet given no indication of their presence. I am like an infant which has not yet smiled. I look dejected and forlorn, as if I had no home to go to. The multitude of men all have enough and to spare. I alone seem to have lost everything. My mind is that of a stupid man; I am in a state of chaos. Ordinary men look bright and intelligent, while I alone seem to be benighted. They look full of discrimination, while I alone am dull and confused. I seem to be carried about as on the sea, drifting as if I had nowhere to rest. All men have their spheres of action, while I alone seem dull and incapable, like a rude borderer. (Thus) I alone am different from other men, but I value the nursing-mother (the Tao).
Lao Tzu
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
Beloved, we join hands here to pray for gin. An aridity defiles us. Our innards thirst for the juice of juniper. Something must be done. The drought threatens to destroy us. Surely, God who let manna fall from the heavens so that the holy children of Israel might eat, will not let the equally holy children of Niggeratti Manor die from the want of a little gin. Children, let us pray.
Wallace Thurman (Infants of the Spring)
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
THE LAKE IN youth's spring it was my lot To haunt of the wide earth a spot The which I could not love the less; So lovely was the loneliness Of a wild lake, with black rock bound, And the tall pines that tower'd around. But when the night had thrown her pall Upon that spot—as upon all, And the wind would pass me by In its stilly melody, My infant spirit would awake To the terror of the lone lake. Yet that terror was not fright— But a tremulous delight, And a feeling undefined, Springing from a darken'd mind. Death was in that poison'd wave And in its gulf a fitting grave For him who thence could solace bring To his dark imagining; Whose wildering thought could even make An Eden of that dim lake.  
Edgar Allan Poe (Tamerlane & Other Poems: A Collection of Poems)
so when asked Who was Prophet's grandson Hussain? I replied : Imbibe in the name of Hussain with his name comes the bliss though his spring lost in deserts of Iraq his treasury has yet vacant threshold raise your hands and ask your wishes in the name of his Baby Doll in her name is Love for Dejected generosity of Hussain extends beyond even a handful of dust from his grave beseech to it in the name of Infant Asghar I love to call it Khaak e Shifa heals the incurable wounds of heart.
Mirza Sharafat Hussain Beigh
If he says, “At least I have it in my own way!”, I answer, you do not know what is your way and what is not. You know nothing of whence your impulses, your desires, your tendencies, your likings come. They may spring now from some chance, as of nerves diseased; now from some roar of a wandering bodiless devil; now from some infant hate in your heart; now from the greed of lawlessness of some ancestor you would be ashamed of if you knew him; or, it may be, now from some far-piercing chord of a heavenly orchestra: the moment comes up into your consciousness, you call it your own way, and glory in it.
George MacDonald (An Anthology: 365 Readings)
Then, if he says he loves you, It fits your wisdom so far to believe it As he in his particular act and place May give his saying deed; which is no further Than the main voice of Denmark goes withal. Then weigh what loss your honour may sustain If with too credent ear you list his songs, Or lose your heart, or your chaste treasure open To his master importunity. Fear it, Ophelia, fear it, my dear sister. And keep you in the rear of your affection, Out of the shot and danger of desire. The chariest maid is prodigal enough If she unmask her beauty to the moon. Virtue itself 'scapes not calumnious strokes. The canker galls the infants of the spring Too oft before their buttons be disclosed; And in the morn and liquid dew of youth Contagious blastments are more imminent. Be wary then. Best safety lies in fear. Youth to itself rebels, though none else near.
William Shakespeare (Hamlet)
so when asked Who was Prophet's grandson Hussain? I replied : Imbibe in the name of Hussain with his name comes the bliss though his spring lost in deserts of Iraq his treasury has yet vacant threshold raise your hands and ask your wishes in the name of his Baby Doll in her name is Love for Dejected generosity of Hussain extends beyond even a handful of dust from his grave beseech to it in the name of Infant Asghar I kove to call it Khaak e Shifa heals the incurable wounds of heart.
Mirza Sharafat Hussain Beigh
A lean heron of a fellow darted ahead of the others, and Lan danced the forms. Time like cool honey. The graylark sang, and the lean man shrieked as Cutting the Clouds removed his right hand at the wrist, and Lan flowed to one side so the rest could not all come at him together, flowed from form to form. Soft Rain at Sunset laid open a fat man’s face, took his left eye, and a ginger-haired young splinter drew a gash across Lan’s ribs with Black Pebbles on Snow. Only in stories did one man face six without injury. The Rose Unfolds sliced down a bald man’s left arm, and ginger-hair nicked the corner of Lan’s eye. Only in stories did one man face six and survive. He had known that from the start. Duty was a mountain, death a feather, and his duty was to Bukama, who had carried an infant on his back. For this moment he lived, though, so he fought, kicking ginger-hair in the head, dancing his way toward death, danced and took wounds, bled and danced the razor’s edge of life. Time like cool honey, flowing from form to form, and there could only be one ending. Thought was distant. Death was a feather. Dandelion in the Wind slashed open the now one-eyed fat man’s throat—he had barely paused when his face was ruined—a fork-bearded fellow with shoulders like a blacksmith gasped in surprise as Kissing the Adder put Lan’s steel through his heart. And suddenly Lan realized that he alone stood, with six men sprawled across the width of the stableyard. The ginger-haired youth thrashed his heels on the ground one last time, and then only Lan of the seven still breathed. He shook blood from his blade, bent to wipe the last drops off on the blacksmith’s too-fine coat, sheathed his sword as formally as if he were in the training yard under Bukama’s eye.
Robert Jordan (New Spring (The Wheel of Time, #0))
We have been waiting for an hour when we see a squad of German soldiers line up on the roadbed alongside the train. Next comes a column of people in civilian clothes. Surely they are Jews. All of them are rather well dressed, with suitcases in their hands as if departing peacefully on vacation. They climb aboard the train while a sergeant major keeps them moving along, “Schnell, schnell.” There are men and women of all ages, even children. Among them I see one of my former students, Jeanine Crémieux. She got married in 1941 and had a baby last spring. She is holding the infant in her left arm and a suitcase in her right hand. The first step is very high above the rocky roadbed. She puts the suitcase on the step and holds on with one hand to the doorjamb, but she can’t quite hoist herself up. The sergeant major comes running, hollers, and kicks her in the rear. Losing her balance, she screams as her baby falls to the ground, a pathetic little white wailing heap. I will never know if it was hurt, because my friends pulled me back and grabbed my hand just as I was about to shoot. Today I know what hate is, real hate, and I swear to myself that these acts will be paid for.
Lucie Aubrac (Outwitting the Gestapo)
During the months of winter and spring King Casmir looked only twice at the infant princess, in each case, standing back in cool disinterest. She had thwarted his royal will by coming female into the world. He could not immediately punish her for the act, no more could he extend the full beneficence of his favor. Sollace grew sulky because Casmir was displeased and, with a set petulant flourishes, banished the child from her sight. Ehirme, a raw-boned peasant girl, and nice to under-gardener, had lost her own infant son to the yellow bloat. With an amplitude of both milk and solitude she be came Suldron's wet-nurse
Jack Vance (Suldrun's Garden (Lyonesse, #1))
For, suspended in those watery vaults, floated the forms of the nursing mothers of the whales, and those that by their enormous girth seemed shortly to become mothers. The lake, as I have hinted, was to a considerable depth exceedingly transparent; and as human infants while suckling will calmly and fixedly gaze away from the breast, as if leading two different lives at the time; and while yet drawing mortal nourishment, be still spiritually feasting upon some unearthly reminiscence;—even so did the young of these whales seem looking up towards us, but not at us, as if we were but a bit of Gulfweed in their new-born sight. Floating on their sides, the mothers also seemed quietly eyeing us. One of these little infants, that from certain queer tokens seemed hardly a day old, might have measured some fourteen feet in length, and some six feet in girth. He was a little frisky; though as yet his body seemed scarce yet recovered from that irksome position it had so lately occupied in the maternal reticule; where, tail to head, and all ready for the final spring, the unborn whale lies bent like a Tartar's bow. The delicate side-fins, and the palms of his flukes, still freshly retained the plaited crumpled appearance of a baby's ears newly arrived from foreign parts.
Herman Melville (Moby Dick: or, the White Whale)
But far beneath this wondrous world upon the surface, another and still stranger world met our eyes as we gazed over the side. For, suspended in those watery vaults, floated the forms of the nursing mothers of the whales, and those that by their enormous girth seemed shortly to become mothers. The lake, as I have hinted, was to a considerable depth exceedingly transparent; and as human infants while suckling will calmly and fixedly gaze away from the breast, as if leading two different lives at the time; and while yet drawing mortal nourishment, be still spiritually feasting upon some unearthly reminiscence;- even so did the young of these whales seem looking up towards us, but not at us, as if we were but a bit of Gulfweed in their new-born sight. Floating on their sides, the mothers also seemed quietly eyeing us. One of these little infants, that from certain queer tokens seemed hardly a day old, might have measured some fourteen feet in length, and some six feet in girth. He was a little frisky; though as yet his body seemed scarce yet recovered from that irksome position it had so lately occupied in the maternal reticule; where, tail to head, and all ready for the final spring, the unborn whale lies bent like a Tartar’s bow. The delicate side-fins, and the palms of his flukes, still freshly retained the plaited crumpled appearance of a baby’s ears newly arrived from foreign parts.
Herman Melville
The infant, Isabelle, had been born to Annabelle and Simon Hunt approximately ten months earlier. Surely no baby had ever been doted on more, by every one in the household including her father. Contrary to all expectations the virile and masculine Mr. Hunt had not been at all disappointed that his firstborn was a girl. He adored the child, showing no compunction about holding her in public, cooing to her in a way that fathers seldom dared. Hunt had even instructed Annabelle to produce more daughters in the future, claiming roguishly that it had always been his ambition to be loved by many women. As might have been expected, the baby was exceptionally beautiful- it would be a physical impossibility for Annabelle to produce a less than spectacular offspring.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
An account by a Dominican Inquisitor, Bernard Gui, is more forthcoming. The exterminations were provoked by the discovery of a lepers’ plot to overthrow the French Crown. “You see how the healthy Christians despise us sick people,” a coup leader is alleged to have said when the plotters met secretly in Toulon to elect a new king of France and appoint a new set of barons and counts. It is not entirely clear how the plot first came to light, but by Holy Week 1321 nearly everywhere in southern France one heard the same story; the lepers, “diseased in mind and body,” were poisoning local wells and springs. Alarmed, Philip V, “the Long One,” ordered mass arrests. Lepers who confessed complicity in the plot were to be burned at the stake immediately; those who professed innocence, tortured until they confessed, then burned at the stake. Pregnant lepers were allowed to come to term before being burned, but no such stays were offered to lepers with children. In Limoges a chronicler saw leprous women tearing newborns from their cribs and marching into a fire, infants in arm. Almost immediately, the populace concluded that the Jews were also involved in the plot. This popular verdict was based on guilt by association. Like the lepers, who wore a gray or black cloak and carried a wooden rattle, Jews were required to dress distinctively. Additionally, both groups were considered deceitful.
John Kelly (The Great Mortality: An Intimate History of the Black Death, the Most Devastating Plague of All Time)
Annabelle met her at the door, looking strained and weary but wearing a brilliant smile. And there was a tiny bundle of linen and clean toweling in her arms. Daisy put her fingers over her mouth and shook her head slightly, laughing even as her eyes prickled with tears. “Oh my,” she said, staring at the red-faced baby, the bright dark eyes, the wealth of black hair. “Say hello to your niece,” Annabelle said, gently handing the infant to her. Daisy took the baby carefully, astonished by how light she was. “My sister—” “Lillian’s fine,” Annabelle replied at once. “She did splendidly.” Cooing to the baby, Daisy entered the room. Lillian was resting against a stack of pillows, her eyes closed. She looked very small in the large bed, her hair braided in two plaits like a young girl’s. Westcliff was at her side, looking like he had just fought Waterloo singlehandedly. The veterinarian was at the washstand, soaping his hands. He threw Daisy a friendly smile, and she grinned back at him. “Congratulations, Mr. Merritt,” she said. “It seems you’ve added a new species to your repertoire.” Lillian stirred at the sound of her voice. “Daisy?” Daisy approached with the baby in her arms. “Oh, Lillian, she’s the most beautiful thing I’ve ever seen.” Her sister grinned sleepily. “I think so too. Would you—” she broke off to yawn. “Show her to Mother and Father?” “Yes, of course. What is her name?” “Merritt.” “You’re naming her after the veterinarian?” “He proved to be quite helpful,” Lillian replied. “And Westcliff said I could.” The earl tucked the bedclothes more snugly around his wife’s body and kissed her forehead. “Still no heir,” Lillian whispered to him, her grin lingering. “I suppose we’ll have to have another one.” “No, we won’t,” Westcliff replied hoarsely. “I’m never going through this again.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
the canker galls the infants of the spring, too oft before their buttons be disclosed’? What does he mean by infants?
Aurora Reed (Spearcrest Prince (Spearcrest Kings #2))
Daniel observed her from afar, and tried in vain to conceal the hunger in his eyes. She showed none of the disdain against the Indians that he had encountered from whites back east. Aimee was genuinely warm and friendly with these people who were like family to him. She obviously loved children. She played games with the younger ones, and each time she held Elk Runner’s infant in her arms, a new wave of desire spread through him. He tried not to think about what it would be like to see her holding a child, their child, in her arms. That could never happen. His white mother had died in this wilderness, giving birth to him. No matter how she dressed, or her abilities on the trail, Aimee was still a white woman. Like a beautiful spring flower, she would wither and die in these mountains. Neither lasted long in this harsh environment.
Peggy L. Henderson (Yellowstone Heart Song (Yellowstone Romance, #1))
As Emma's final days drew near, she reported a vision in which Joseph came to her. In the dream she put on her bonnet and shawl and went with him: "I did not think that it was anything unusual. I went with him into a [beautiful] mansion, and he showed me through the different apartments." One room was a nursery, and there she saw with joy an infant in the cradle. Emma continued, "I knew my babe, my Don Carlos that was taken from me." Emma sprang forward, caught the child up in her arms, held him to her exultant heart, and wept with joy. Recovered from the overwhelming emotion of once again holding her little one, she turned to Joseph and asked, "Joseph, where are the rest of my children?" He responded, "Emma, be patient and you shall have all of your children." As her vision closed, Emma saw standing by Joseph's side a personage of light, even the Lord Jesus Christ. That vision must have been a final seal of peace upon Emma's heart, writing upon it her precious sealing to Joseph on that beautiful spring day in 1843. A few days later, Emma trembled at the threshold of eternity, surrounded by her loved ones. Suddenly she raised herself up, stretched out her hand, and called, "Joseph! Joseph!" Then, sinking back into her son's arm, she clasped her hands on her chest and was gone. At last they were together once more--Joseph and Emma, hearts twined as one, never to be separated again.
Angela Eschler (Love Letters Of Joseph And Emma)
He glanced at Sweet Water and thought how short their time together had been . . . not even the turn of a single season. And he wished with all his heart that he and Sweet Water could have seen the wild strawberries blossom in spring and the does lead their young, wobbly legged fawns to the river to drink. He wished they could have lain in each other’s arms and watched the sun go down on a warm summer’s night. He wanted to show her the morning mist on the Ohio, and the first flight of a young eaglet. He wanted to make a child with her . . . a child of their love . . . and see that infant nurse at her warm breast and grow strong and wise. Sweet Water and I could sit by a fire in the autumn of our lives, while shared memories of love and laughter drifted around us like bright fall leaves, he mused . . . while grandchildren tumbled around our feet.
Judith E. French (This Fierce Loving)
If she had been mortal, she might have felt her body shoring against itself, straining under the pressure of producing infant after infant. But she was a Titan, the wet nurse of the earth. And so, she gave birth to the rivers, which roared with vitality, and the streams, which moved more softly; the clouds that grew heavy with rainwater; and the springs that bubbled up from the center of the world. Such was the fertility of Tethys.
Eilish Quin (Medea)
Running would end Edeyn’s schemes of marriage. If he avoided her long enough, she would find another husband for Iselle. Running would end Edeyn’s dream of reclaiming Malkier; her support would fade like mist under a noon sun once people learned he was gone. Running would end many dreams. The man who had carried an infant tied to his back had a right to dreams, though. Duty was a mountain, but it had to be carried.
Robert Jordan (New Spring (The Wheel of Time, #0))
It is better to keep your mouth shut as spring passes. Here is a kong-an: “When the bell is rung, you put on your kesha.” What does this mean? Your eyes, ears, nose, tongue, body, and mind all deceive you. The true you is without the six senses. But the six senses use you, so you ask ten thousand questions. You must return to your true self. Then you will understand. The butterfly alights on the flower and drinks its nectar. Here is a poem for you: What is Buddha? “Three pounds of flax.” “Dry shit on a stick.” I don't understand these words. The infant is sucking on his toes.
Stephen Mitchell (Dropping Ashes on the Buddha: The Teachings of Zen Master Seung Sahn)
And you wouldn't believe what he said then, Tom Berry whispered to his enraptured audience. He said, he and his family saw no value whatsoever in all that gold. He said real treasure was a fresh water spring. He said that the real jewels of the earth were gooseberries that grow on trees. He said a good dig in his world is when you stick a fist down a bubble in the mud and find a long-necked turtle to grab hold of. He said true wealth isn't having your pockets filled with coin but your belly filled with white turtle flesh cooked in its juices, shelled down on a bed of coals. He said that the only use for gold was to glitter, and he said glitter of gold was like the glittering smiles of us white men he'd seen in town, dressed in expensive clothes. He said that gold can't be trusted. He said we've all got the gold disease and it rots our hearts. It poisons us. He said it changes who we are, how we behave. [...] He said the long-neck turtle didn't do that, Tom Berry said. He said that the turtle was a gift from the earth that kept on giving. He said he'd rubbed turtle fat on the chests of sick infants to make them strong again. He said the oil and meat from a single turtle can keep a dying elder alive to see an extra month of sunrises. And then he asked me if I thought a month of sunrises was worth more or less than the box of gold that rested in the hole below us. I said, "It depended on how you spent the gold and how you spent the month of sunrises." And Longcoat Bob smiled at that. And he pointed again at Tom Berry's chest and said, "Good heart, Tom Berry. You speak of good things that can come from gold.
Trent Dalton (All Our Shimmering Skies)
The dormouse was a jolly plump old fellow, clad in a rust-colored jerkin, his white beard curled and trimmed neatly. An infant mole, who could not sleep because of the onset of spring, sat beside him on a mossy beechlog in the orchard. Together they shared an early breakfast of oatcakes, hot from the kitchens, and two of last autumn’s russet apples. Dawn was touching the earth with its rosy paws, promising sunny spring days as a compensation for the long winter Redwall Abbey had endured. Soft white clouds with golden underbellies hung on the still air, dewdrops glistened on new green grass, budding narcissus and snowdrop awaited the coming of the sun-warmed day. The dormouse nodded sagely. “Soon be pickin’ a Nameday for this good season, aye, soon.” The small mole chewed slowly at his oatcake, wrinkling a black button snout as he gazed up at the elder. “You’m said you’m tell oi a story, zurr.
Brian Jacques (Salamandastron (Redwall, #5))
The legends describe Patrick as an extremely pious child. In one, the infant Patrick miraculously provides the holy water for his own baptism! A blind and oddly underprepared priest, realizing that he doesn’t have any water on hand, takes baby Patrick’s hand and makes the sign of the cross over the ground. A spring of water bubbles forth, the baptism goes forward, and the blind priest receives sight when he washes his face with the water. What’s more, the priest discovers that he is literate at his first sight of letters: he reads the words of the baptismal service.
Jonathan Rogers (Saint Patrick (Christian Encounters))
Unfortunately, nightmares came, too. Not of her uncles, or even of Jac Wynn, but of an infant lying in the snow on Dragonmount. Lightning flashed in the pitch-black sky, and his wails were the thunder. Dreams of a faceless young man. There was lightning in those dreams, too, but he called this lightning from the sky, and cities burned. Nations burned. The Dragon was Reborn. She woke weeping.
Robert Jordan (New Spring (The Wheel of Time, #0))
Duty was a mountain, death a feather, and his duty was to Bukama, who had carried an infant on his back.
Robert Jordan (New Spring (The Wheel of Time, #0))
Or lose your heart, or your chaste treasure open to his unmastered importunity... The canker galls the infants of the spring too oft before their buttons be disclosed... Youth to itself rebels, though none else near.
William Shakespeare (Hamlet)