Pathetic Love Quotes

We've searched our database for all the quotes and captions related to Pathetic Love. Here they are! All 100 of them:

Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
Gillian Flynn (Gone Girl)
It's pathetic, I knew I did from that first moment we met. It was...not love at first sight exactly, but - familiarity. Like: oh, hello, it's you. It's going to be you. Game over." -Ben
Mhairi McFarlane (You Had Me At Hello (You Had Me At Hello, #1))
nothing grieves more deeply or pathetically than one half of a great love that isn’t meant to be.
Gregory David Roberts (Shantaram)
Once you embrace your value, talents and strengths, it neutralizes when others think less of you.
Rob Liano
I was suffering the easily foreseeable consequences. Addiction is the hallmark of every infatuation-based love story. It all begins when the object of your adoration bestows upon you a heady, hallucinogenic dose of something you never dared to admit you wanted-an emotional speedball, perhaps, of thunderous love and roiling excitement. Soon you start craving that intense attention, with a hungry obsession of any junkie. When the drug is witheld, you promptly turn sick, crazy, and depleted (not to mention resentful of the dealer who encouraged this addiction in the first place but now refuses to pony up the good stuff anymore-- despite the fact that you know he has it hidden somewhere, goddamn it, because he used to give it to you for free). Next stage finds you skinny and shaking in a corner, certain only that you would sell your soul or rob your neighbors just to have 'that thing' even one more time. Meanwhile, the object of your adoration has now become repulsed by you. He looks at you like you're someone he's never met before, much less someone he once loved with high passion. The irony is,you can hardly blame him. I mean, check yourself out. You're a pathetic mess,unrecognizable even to your own eyes. So that's it. You have now reached infatuation's final destination-- the complete and merciless devaluation of self." - pg 20-21
Elizabeth Gilbert
I ask the impossible: love me forever. Love me when all desire is gone. Love me with the single mindedness of a monk. When the world in its entirety, and all that you hold sacred advise you against it: love me still more. When rage fills you and has no name: love me. When each step from your door to our job tires you-- love me; and from job to home again, love me, love me. Love me when you're bored-- when every woman you see is more beautiful than the last, or more pathetic, love me as you always have: not as admirer or judge, but with the compassion you save for yourself in your solitude. Love me as you relish your loneliness, the anticipation of your death, mysteries of the flesh, as it tears and mends. Love me as your most treasured childhood memory-- and if there is none to recall-- imagine one, place me there with you. Love me withered as you loved me new. Love me as if I were forever-- and I, will make the impossible a simple act, by loving you, loving you as I do
Ana Castillo (I Ask the Impossible)
I still don't think it's pathetic to cry over someone. It just means you care about them deeply and you're sad.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Chasing a man is not winning. The only thing you win is the loss of your dignity. Confidence is knowing your value, instead of expecting a man’s love to provide you with value.
Shannon L. Alder
And everyone saw me. Tobias saw me. I hear footsteps. Tobias marches toward me and wrenches me to my feet. "What the hell was that, Stiff?" "I..." My breath comes in a hiccup. "I didn't-" "Get yourself together! This is pathetic." Something within me snaps. My tears stop. Heat races through my body, driving the weakness out of me, and I smack him so hard my knuckles burn with the impact. He stares at me, one side of his face bright with blush-blood, and I stare back. "Shut up," I say. I yank my arm from his grasp and walk out of the room.
Veronica Roth (Divergent (Divergent, #1))
He just wasn’t the guy, you know? I want the guy. The everything guy. Not the dumb Prince Charming, nauseatingly-perfect everything guy. That’s pathetic. I want the flaws-and-all everything guy.
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
That’s the most pathetic part of being a human, the emotions you don’t ask for or want, they just rush you anyway.
Tarryn Fisher (F*ck Love)
I’ll take anything you give me. Is that pathetic?
Christina Lauren (Love and Other Words)
What difference does it make?" he says. "People can think whatever they like. I don't desire their validation." "So you don't mind," I ask him, "that people judge you so harshly?" "I have no one to impress," he says. "No one who cares about what happens to me. I'm not in the business of making friends, love. My job is to lead an army, and it's the only thing I'm good at. No one," he says, "would be proud of the things I've accomplished. My mother doesn't even know me anymore. My father thinks I'm weak and pathetic. My soldiers want me dead. The world is going to hell. And the conversations I have with you are the longest I've ever had.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
The thing I was beginning to figure out about Sam and Grace, the thing about Sam not being able to function without her, was that that sort of love only worked when you were sure both people would always be around for each other. If one half of the equation left, or died, or was slightly less perfect in their love, it became the most tragic, pathetic story invented, laughable in its absurdity. Without Grace, Sam was a joke without a punch line.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
...how much needless despair has been caused by a series of biological mismatches, a misalignment of the hormones and pheromones? Resulting in the fact that the one you love so passionately won't or can't love you. As a species we're pathetic that way: imperfectly monogamous.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
I love him. (Artemis) How can you say that? You don’t even understand what love means. Love isn’t being ashamed to be seen with the one you care about. It isn’t about punishment or hurt. Love is what gives you the strength you need to face anything no matter how brutal or frightening. It’s what allowed Ash to be beaten rather than tell his father about you. It’s what allowed him to be gutted on the floor at your feet rather than publicly shame you. And you spat on him for that love and tore him apart. For a goddess, you’re pathetic. (Tory)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
There are moments that cry out to be fulfilled. Like, telling someone you love them. Or giving your money away, all of it. Your heart is beating, isn’t it? You’re not in chains, are you? There is nothing more pathetic than caution when headlong might save a life, even, possibly, your own.
Mary Oliver (Felicity)
And then Tohr said softly, "I'm lucky to have found love, I thank the Scribe Virgin every day that Wellsie is in my life." Wrath's Temper surged, set off by something he couldn't put his finger on. "You're pathetic." Tohr hissed. "And you've been dead for hundreds of years. You're just too mean to find a grave and lie down." Wrath threw the leather jacket on the floor. "At least I'm not pussy whipped." Nice. F*cking. Suit.
J.R. Ward
He takes out a cigarette and offers one to me. "I try not to indulge. It's a filthy habit," I tell him. "I love that word filthy. I love the way you force it out of your mouth like it's some kind of vermin you want to get rid of." "You've had vermin in your mouth?" "You're mean in that way, you know. You don't let anyone get away with pathetic analogies.
Melina Marchetta (Saving Francesca)
You're beautiful, every part of you. I love your hair, the way it looks, the way it feels. I love touching it, smelling it. I love the way you wrinkle your nose when you laugh. It makes me laugh, too, every time. And I love watching you eat. Sometimes you can't shovel it in fast enough, but when you get interested in a conversation, you forget there's anything in front of you. God knows, I love making love with you. I can't even talk about that without wanting you. I love your pathetic attachment to those seniors. I love how hard you work.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
Don't tell me that. I've lived in hell for the past thousand years. I spent a thousand years wishing I'd never been born. She's the only thing that's made my life worth living and if that's all I get, a few months with her- a few days, it's more than I've ever hoped for. Do you really think God would forgive me for the blood on my hands, even if my soul was free? I'm going to hell no matter what happens. Let me have my pathetic hopeless love while I can. Just- let me pretend it will turn out alright.
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
...Oh god. I'm one of those girls." "What girls?" he asked, perplexed. "Those girls. The ones in all those books and TV shows. Some dumb high school girl falls in love with some supernatural guy, and he's all, 'Behold, I am five million years old!' and she's all, 'Oh my god, how can you ever love pathetic little me!' and he's like, 'Because of destiny!' or whatever. It's just so...ew. You know?
Lindsay Ribar (The Art of Wishing (The Art of Wishing, #1))
Males always have something pathetic about them, at every age. A fragile arrogance, a frightened audacity. I no longer know, today, if they ever aroused in me love or only an affectionate sympathy for their weaknesses.
Elena Ferrante (The Lost Daughter)
He looks at you like you're someone he's never met before, much less someone he once loved with high passion. The irony is, you can hardly blame him. I mean, check yourself out. You're a pathetic mess, unrecognizable even to your own eyes.
Elizabeth Gilbert (Eat, Pray, Love)
There are moments that cry out to be fulfilled. Like, telling someone you love them. Or giving your money away, all of it. Your heart is beating, isn't it? You're not in chains, are you? There is nothing more pathetic than caution when headlong might save a life, even, possibly, your own.
Mary Oliver (Felicity)
Why do all men have to suck? I knew you all sucked and still I stupidly fell in love with one of you. Why? Why would I be such a masochist? You pour your heart out to a man and what does he do? ‘Could you change the channel, babe?’ You’re all pathetically cold. You don’t care about anyone but yourselves! (Kat)
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
You’re not pathetic. Actually, I envy you a little.” “Because I’m a mess?” Zach asked dryly. “No. Because you’re not afraid to be a mess.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
She's everything I want: the key to my lock, the arrow to my bow - oh, and ten thousand other such pathetic poetic tropes, none of which comes close to describing what she means to me.
Eve Edwards (The Other Countess (The Lacey Chronicles, #1))
So, thanks,” Vivian said. “For what?” I looked up at her, confused. “For being stupid enough to love your crazy, murdering lunatic of a sister and being such a pathetic dork that I couldn’t help but love you, too
Kiersten White (Endlessly (Paranormalcy, #3))
Religion, ideology, resources, land, spite, love or just because… No matter how pathetic the reason, it’s enough to start war. War will never cease to exist… reasons can be thought up after the fact… Human nature pursues strife.
Masashi Kishimoto
I couldn't admit to them how desperately I wanted to be in a romantic relationship. Because I knew it was pathetic. Trust me. I completely understood that women should want to be strong and independent and you don't need to find love to have a successful life. And the fact that I so desperately wanted a boyfriend - or a girlfriend, a partner, whoever, someone - was a sign that I was not strong, or independent, or self-sufficient, or happy alone. I was really quite lonely, and I wanted to be loved.
Alice Oseman (Loveless)
...If you genuinely believe that only the death of a loved one can motivate a human being to take up a cause...then get your pathetic, cynical ass out of my way so I can do my job!
Mark Waid (Daredevil, Volume 3)
A tiny pathetic thought: the warmth of Ayla's touch rivaled the afternoon sun.
Nina Varela (Iron Heart (Crier's War, #2))
I believe I am becoming pathetic. I'll go further, I believe that I am in love with a flower-growing, wood-carving quarryman/carpenter/pig farmer. In fact, I know I am. Perhaps tomorrow I will become entirely miserable at the thought that he doesn't love me back - may, even, care for Remy- but at this precise moment I am succumbing to euphoria. My head and stomach feel quite odd.
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
I'm sorry I'm so pathetic," he thought, and then realized he had also said it. Beth laughed, so lightly and so kindly that Denis felt it in his chest, not his stomach. Can I tell you a secret?" Yes, tell me all your secrets Denis kept to himself. Beth leaned in, whispered: "All boys are pathetic.
Larry Doyle (I Love You, Beth Cooper)
Why do women waste their time trying to convince their insecure family members and girlfriends that they are beautiful? Self esteem is not a beauty cream that you can rub all over them and see instant results. Instead, convince them they are not stupid. Every intelligent woman knows outward beauty is a nip, tuck, chemical peel or diet away. If you don't like it, fix it.
Shannon L. Alder
There’s a writer for you,” he said. “Knows everything and at the same time he knows nothing.” [narrator]It was my first inkling that he was a writer. And while I like writers—because if you ask a writer anything you usually get an answer—still it belittled him in my eyes. Writers aren’t people exactly. Or, if they’re any good, they’re a whole lot of people trying so hard to be one person. It’s like actors, who try so pathetically not to look in mirrors. Who lean backward trying—only to see their faces in the reflecting chandeliers.
F. Scott Fitzgerald (The Love of the Last Tycoon)
There is one thing infinitely more pathetic than to have lost the woman one is in love with, and that is to have won her and found out how shallow she is!
Oscar Wilde
I like to think I am confident and secure and mature enough to know Nick loves me without him constantly proving it. I don’t need pathetic dancing monkey scenarios to repeat to my friends, I am content with letting him be himself. I don’t know why women find that so hard.
Gillian Flynn (Gone Girl)
Looking at you reminds me of the kind of man I should be with." "And what kind of man is that? Drunken, poor, pathetic?" "No. I´ve never met him, but I see him plain as day. He has crinkles around his eyes when he smiles and tanned skin from working outdoors. Honest labor has callused his hands. He and I will hunt together, cook and eat big family meals together. He´ll marry me and love my family, too." Voice gone soft, she said, "He´ll give me a baby boy and a girl.
Kresley Cole (Lothaire (Immortals After Dark, #11))
Glaring at the Gasman, ter Borcht said, “Your time is coming to an end, you pathetic failure of an experiment. Vhat you say now is how you vill be remembered.” Gazzy’s blue eyes flashed. “Then you can remember me telling you to kiss my-” “Enough!” ter Borcht said.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Delight in smooth sounding platitudes, refusal to face unpleasant facts ... genuine love of peace and pathetic belief that love can be its sole foundation ... the utter devotion of the Liberals to sentiment apart from reality ...though free from wickedness or evil design, played a definite part in the unleashing upon the world of horrors and miseries [WWII]
Winston S. Churchill (The Gathering Storm (The Second World War, #1))
The most important thing for any con artist is never to think like a mark. Marks think they can get something for nothing. Marks think they can get what they don’t deserve and could never deserve. Marks are stupid and pathetic and sad. Marks think they’re going to go home one night and have the girl they’ve loved since they were a kid suddenly love them back. Marks forget that whenever something’s too good to be true, that’s because it’s a con.
Holly Black (White Cat (Curse Workers, #1))
What a waste Sandys' last days had been, thought Gaunt. Pathetically attempting to overcome a grief that would never have time to heal.
Alice Winn (In Memoriam)
And I ask myself what it is about me that makes this wonderful, beautiful woman return. Is it because I'm pathetic, helpless in my current state, completely dependent on her? Or is it my sense of humour, my willingness to tease her, to joke my way into painful, secret places? Do I help her understand herself? Do I make her happy? Do I do something for her that her husband and son can't do? Has she fallen in love with me? As the days pass and I continue to heal, my body knitting itself back together, I begin to allow myself to think that she has.
Mohsin Hamid (Moth Smoke)
...but that’s the thing about best friends—you’re allowed to sound pathetic because they love you unconditionally.
Ted Michael (Crash Test Love)
Charlie Kaufman: There was this time in high school. I was watching you out the library window. You were talking to Sarah Marsh. Donald Kaufman: Oh, God. I was so in love with her. Charlie Kaufman: I know. And you were flirting with her. And she was being really sweet to you. Donald Kaufman: I remember that. Charlie Kaufman: Then, when you walked away, she started making fun of you with Kim Canetti. And it was like they were laughing at *me*. You didn't know at all. You seemed so happy. Donald Kaufman: I knew. I heard them. Charlie Kaufman: How come you looked so happy? Donald Kaufman: I loved Sarah, Charles. It was mine, that love. I owned it. Even Sarah didn't have the right to take it away. I can love whoever I want. Charlie Kaufman: But she thought you were pathetic. Donald Kaufman: That was her business, not mine. You are what you love, not what loves you. That's what I decided a long time ago. Donald Kaufman: What's up? Charlie Kaufman: Thank you. Donald Kaufman: For what?
Charlie Kaufman
We cannot see the universe. We are in the darkness of a trench, a deep cut, dark water heavier than earth, presences lit by our own blood, little biolumes, heroic and pathetic Promethei too afraid or weak to steal fire but able still to love. Gods are among us and they care nothing and are nothing like us. This is how we are brave: we worship them anyway.
China Miéville (Kraken)
Do I have an original thought in my head? My bald head. Maybe if I were happier, my hair wouldn't be falling out. Life is short. I need to make the most of it. Today is the first day of the rest of my life. I'm a walking cliché. I really need to go to the doctor and have my leg checked. There's something wrong. A bump. The dentist called again. I'm way overdue. If I stop putting things off, I would be happier. All I do is sit on my fat ass. If my ass wasn't fat I would be happier. I wouldn't have to wear these shirts with the tails out all the time. Like that's fooling anyone. Fat ass. I should start jogging again. Five miles a day. Really do it this time. Maybe rock climbing. I need to turn my life around. What do I need to do? I need to fall in love. I need to have a girlfriend. I need to read more, improve myself. What if I learned Russian or something? Or took up an instrument? I could speak Chinese. I'd be the screenwriter who speaks Chinese and plays the oboe. That would be cool. I should get my hair cut short. Stop trying to fool myself and everyone else into thinking I have a full head of hair. How pathetic is that? Just be real. Confident. Isn't that what women are attracted to? Men don't have to be attractive. But that's not true. Especially these days. Almost as much pressure on men as there is on women these days. Why should I be made to feel I have to apologize for my existence? Maybe it's my brain chemistry. Maybe that's what's wrong with me. Bad chemistry. All my problems and anxiety can be reduced to a chemical imbalance or some kind of misfiring synapses. I need to get help for that. But I'll still be ugly though. Nothing's gonna change that.
Charlie Kaufman
It’s not a good feeling, knowing someone has convinced themselves they’re more in love with you than they are simply because you’re dependent on them. I’d rather feel melancholic than pathetic.
Colleen Hoover (Maybe Now (Maybe, #2))
You know what? Let’s have the fucking truth. I’ve heard your pathetic excuses, how about you hear me out now? Let me tell you something, Cathy, I hope you’re happy because Arsen may own your heart, your body, but you’ll always be empty because I own your fucking soul. Your soul is part of mine and it always will be. I will heal, I will learn to love again, but you…I pity you.
Mia Asher (Arsen: A Broken Love Story)
Never did I see such an affecting Scene as was the meeting of Edward and Augustus. 'My Life! my Soul!' (exclaimed the former). 'My Adorable Angel!' (replied the latter) as they flew into each other's arms. It was too pathetic for the feelings of Sophia and myself -- We fainted alternately on a sofa.
Jane Austen (Love and Friendship (and Other Early Works))
Pathetically in love with you.” As soon as he says this, I become someone somebody else is in love with, and not just some dumb boy my own age but a man who has already lived an entire life, who has done and seen so much and still thinks I’m worthy of his love. I feel forced over a threshold, thrust out of my ordinary life into a place where it’s possible for grown men to be so pathetically in love with me they fall at my feet.
Kate Elizabeth Russell (My Dark Vanessa)
I could probably write a book on the complexities of our relationship, on my constantly shifting emotions, my ever-changing mind, but let's just say that nothing is ever as black and white as it seems, that love is not only blind but pathetic too. It can make us into victims and fools, reduce us to the kind of people who infuriate us on soap operas, the kind you want to scream at for allowing the creep or bitch to walk all over them.
J.M. Morris (Fiddleback: A Novel)
Love is not all about loving everything perfect, it is when someones corrosive nature is the only thing that glues you to them which you wished it were never there.
Michael Bassey Johnson
I might be falling in love with you," I whisper, finding it hard to focus on his face. "Kate," he says, almost sadly. "what? You might be falling in love with me too?" My voice is hopeful, pathetically hopeful. He shakes his head. "You aren't falling in love with me?" He doesn't respond. I touch his face carefully with the tips of my fingers. His skin is incredibly soft above the line of hard jawbone. I touch his silky black hair. His eyes close and i want to kiss his eyes, but I'm afraid. Afraid of all this. This could destroy me. He opens his eyes. "Kate, I'm already in love with you.
Cindy Martinusen Coloma (Caleb + Kate)
You have no idea how much I love you. It's almost pathetic. Never saw it coming, Dixon. But you're everything to me. I don't know when it happened, but it's true. You're the heartbeat of my days. You're the reason I look forward to tomorrow. I honestly never thought I’d find someone who understands me so completely.
Elle Kennedy (The Dixon Rule (Campus Diaries, #2))
Light the Christmas candles for your children! Let them sing carols! But don't delude yourselves, don't content yourselves year after year with the shabby, pathetic, sentimental feeling you have when you celebrate your holidays! Demand more of yourselves! Love and joy and the mysterious thing we call "happiness" are not over here or over there, they are only "within yourselves.
Hermann Hesse (If the War Goes on: Reflections on War and Politics)
It's a good thing to read a lot. It's a good thing to write a lot. The best thing to do is to live a lot. Fall in love. Fall out of love. Make a fool of yourself. Watch other people make fools of themselves. Believe something stupid and then realize you've been tricked. Feel embarrassed. Be brave and bold. Then be cowardly and pathetic. Give a damn about the world outside yourself. Have some very dark nights. It's all good. You'll use all of it.
Michael Grant
She's the only thing that's make my life worth living and if that's all I get, a few months, a few days, it's more than I've ever hoped for. Do you really think God would forgive me for the blood on my hands, even if my soul was free? I'm going to hell no matter what happens. Let me have my pathetic hopeless love while I can. Just-- let me pretend it will turn out all right.
Maggie Stiefvater
How is your love life, Minz?” she would ask hungrily, hoping to be entertained by raunchy details. I had none. “Um, you know. So hard to meet guys,” I answered vaguely, hoping my lack of a sex life would seem mysterious and not pathetic.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
But still, you know how it is when you’re missing a loved one. You try to turn every stranger into the person you were hoping for. You hear a certain piece of music and right away you tell yourself that he could have changed his clothing style, could have gained a ton of weight, could have acquired a car and then parked that car in front of another family’s house. “It’s him!” you say. “He came! We knew he would; we always …” But then you hear how pathetic you sound, and your words trail off into silence, and your heart breaks.
Anne Tyler (A Spool of Blue Thread)
Borderline means you’re one of those girls… …who walk around wearing long sleeves in the summer because you’ve carved up your forearms over your boyfriend. You make pathetic suicidal gestures and write bad poetry about them, listen to Ani DiFranco albums on endless repeat, end up in the emergency room for overdoses, scare off boyfriends by insisting they tell you that they love you five hundred times a day and hacking into their email to make sure they’re not lying, have a police record for shoplifting, and your tooth enamel is eroded from purging. You’ve had five addresses and eight jobs in three years, your friends are avoiding your phone calls, you’re questioning your sexuality, and the credit card companies are after you. It took a lot of years to admit that I was exactly that girl, and that the diagnostic criteria for the disorder were essentially an outline of my life.
Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
Religious despair is often a defense against boredom and the daily grind of existence. Lacking intensity in our lives, we say that we are distant from God and then seek to make that distance into an intense experience. It is among the most difficult spiritual ailments to heal, because it is usually wholly illusory. There are definitely times when we must suffer God’s absence, when we are called to enter the dark night of the soul in order to pass into some new understanding of God, some deeper communion with him and with all creation. But this is very rare, and for the most part our dark nights of the soul are, in a way this is more pathetic than tragic, wishful thinking. God is not absent. He is everywhere in the world we are too dispirited to love. To feel him — to find him — does not usually require that we renounce all worldly possessions and enter a monastery, or give our lives over to some cause of social justice, or create some sort of sacred art, or begin spontaneously speaking in tongues. All to often the task to which we are called is simply to show a kindness to the irritating person in the cubicle next to us, say, or to touch the face of a spouse from whom we ourselves have been long absent, letting grace wake love from our intense, self-enclosed sleep.
Christian Wiman (My Bright Abyss: Meditation of a Modern Believer)
The young women in all the YA books I loved were high-school age. By eighteen, the majority of them had saved the world, not to mention: kissed people, traveled, been in a relationship, had sex. At twenty I felt like a pathetic, unaccomplished, uncultured, virgin grandma. It sounds like a joke now, but at the time, around all these people my age casually discussing all of the above, I felt so small.
Christine Riccio (Again, But Better)
A professionally trained actress should be a better liar, wouldn't you think? But no. I am pathetically underachieved in that area. I can think of a great lie. I'm plenty imaginative. But before the words are even out of my mouth, there's a weird tickle of unease in my armpits, a horsefly of guilt lands on the back of my neck, and before I can stop myself, that gassy little bubble of truth belches out.
Kristin Chenoweth (A Little Bit Wicked: Life, Love, and Faith in Stages)
How much misery…how much needless despair has been caused by a series of biological mismatches, a misalignment of the hormones and pheromones? Resulting in the fact that the one you love so passionately won’t or can’t love you. As a species we’re pathetic in that way: imperfectly monogamous. If only we could pair-bond for life, like gibbons, or else opt for total-guilt free promiscuity, there’d be no more sexual torment. You’d never want someone you couldn’t have’ ‘…But think what we’d be giving up…we’d be human robots…there’d be no free choice.’ ‘…we’re human robots anyway, only we’re faulty ones.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
Altruism, compassion, empathy, love, conscience, the sense of justice—all of these things, the things that hold society together, the things that allow our species to think so highly of itself, can now confidently be said to have a firm genetic basis. That’s the good news. The bad news is that, although these things are in some ways blessings for humanity as a whole, they didn’t evolve for the “good of the species” and aren’t reliably employed to that end. Quite the contrary: it is now clearer than ever how (and precisely why) the moral sentiments are used with brutal flexibility, switched on and off in keeping with self-interest; and how naturally oblivious we often are to this switching. In the new view, human beings are a species splendid in their array of moral equipment, tragic in their propensity to misuse it, and pathetic in their constitutional ignorance of the misuse. The title of this book is not wholly without irony.
Robert Wright (The Moral Animal: Why We Are the Way We Are - The New Science of Evolutionary Psychology)
Because you were foolish enough to love one place, now you are homeless, an orphan in a succession of shelters. You did not prepare yourself sufficiently. Before your eyes, two people were becoming old; I could have told you two deaths were coming. There has never been a parent kept alive by a child’s love. Now, of course, it’s too late – you were trapped in the romance of fidelity. You kept going back, clinging to two people you hardly recognized after what they’d endured. If once you could have saved yourself, now that time’s past: you were obstinate, pathetically blind to change. Now you have nothing: for you, home is a cemetery. I’ve seen you press your face against the granite markers – you are the lichen, trying to grow there. But you will not grow, you will not let yourself obliterate anything.
Louise Glück (The Triumph of Achilles)
Love, the great, the strong, the conquering god --- Love that subdues a world, and rides roughshod over principle, virtue, tradition, over home, kindred, and religion -- what cares he for the easy conquest of the pathetic being, who appeals to his sympathy? Love means equality -- the same height of heroism or of sin. When Love stoops to pity, he has ceased to soar in the boundless space, that rarefied atmosphere wherein man feels himself made at last truly in the image of God.
Emmuska Orczy (I Will Repay)
Roan looked down at the pathetic little fur ball with a pink ribbon clipped to the top of its head and growled at it. It came from deep in his throat, and while it was unintentional, it wasn’t precisely a human noise. He could feel it in his throat, vibrating his vocal chords, and the dog’s ears rotated briefly in as much alarm as a dog could express, and then it whimpered and cringed, pissing on the sidewalk in submission. The woman took a couple steps backward, eyes wide and horrified, and dragged her dog past them as she hurried off, the Pom more than happy to leave. Paris looked at him, an eyebrow raised and the corner of his mouth quirked up in a half smile. “I love it when you get defensive.” “I’m the king of the jungle.I’m not taking any shit from a living dust mop.
Andrea Speed (Prey (Infected, #1))
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
F*ck, Cassie. What do you want to hear? How much I hate myself for getting drunk that night and losing the only girl in my life I've ever trusted and truly loved? How I called Dean fifty times a day for weeks begging him to tell me how I could get you back? Do you want to hear how fucking weak and pathetic I think I am for not being able to tell her no that night, when I knew what was at stake? His eyebrows pinched together and his jaw tensed as his emotions spilled out into the night air. "Do you want to hear how I tried to talk her out of keeping this baby so that it wouldn't fuck everything up? How I begged her not to keep it, told her I'd pay for everything, I'd drive her there and give her money after it was all over, just to please not to this to me. And then how much of an asshole I felt after that too? Who tells someone that?
J. Sterling (The Perfect Game (The Perfect Game, #1))
I couldn’t admit to them how desperately I wanted to be in a romantic relationship. Because I knew it was pathetic. Trust me. I completely understood that women should want to be strong and independent and you don’t need to find love to have a successful life. And the fact that I so desperately wanted a boyfriend – or a girlfriend, a partner, whoever, someone – was a sign that I was not strong, or independent, or self-sufficient, or happy alone. I was really quite lonely, and I wanted to be loved. Was that such a bad thing? To want an intimate connection with another human? I didn’t know.
Alice Oseman (Loveless)
What if sometimes there is no choice about what to love? What if the temple comes to Mohammed? What if you just love? Without deciding? You just do: you see her and in that instant are lost to sober account-keeping and cannot choose but to love? Marath's sniff held disdain: "Then in such a case your temple is self and sentiment. Then in such an instance you are a fanatic of desire, a slave to your individual subjective narrow self's sentiments; a citizen of nothing. You become a citizen of nothing. You are by yourself and alone, kneeling to yourself. In a case such as this you become the slave who believes he is free. The most pathetic of bondage. Not tragic. No songs. You believe you would die twice for another but in truth would die only for your alone self, its sentiment".
David Foster Wallace (Infinite Jest)
Then it was that Jo, living in the darkened room, with that suffering little sister always before her eyes and that pathetic voice sounding in her ears, learned to see the beauty and the sweetness of Beth's nature, to feel how deep and tender a place she filled in all hearts, and to acknowledge the worth of Beth's unselfish ambition to live for others, and make home happy by that exercise of those simple virtues which all may possess, and which all should love and value more than talent, wealth, or beauty.
Louisa May Alcott (Little Women (Little Women, #1))
It's about time you saw how fortunate you are. You have ... the most virile man in the world." He grinned, and in his eyes, black as sin, she saw the devil inside him laughing. But he was her devil, and she loved him madly. "The most conceited, you mean," she said. He bent his head until his great Usignuolo nose loomed as inch from hers, "The most virile, " he repeated firmly. "You are pathetically slow if you haven't learned that by now. Fortunately for you, I am the most patient of tutors. I shall prove it to you." "You patience?" she asked. "My virility. Both. Repeatedly." His black eyes glinted. "I will teach you a lesson you'll never forget. " She tangled her fingers in his hair and brought his mouth to hers. "My wicked darling," she whispered. "I should like to see you try.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
Absolutely pathetic.” I make a Jeopardy! buzzer sound. “Who is Joshua Templeman?” “Lucinda flirting with couriers. Pathetic.” Joshua is hammering away on his keyboard. He certainly is an impressive touch typist. I stroll past his desk and am gratified by his frustrated backspacing. “I’m nice to him.” “You? Nice?” I’m surprised by how hurt I feel. “I’m lovely. Ask anyone.” “Okay. Josh, is she lovely?” he asks himself aloud. “Hmm, let me think.” He picks up his tin of mints, opens the lid, checks them, closes it, and looks at me. I open my mouth and lift my tongue like a mental patient at the medication window. “She’s got a few lovely things about her, I suppose.” I raise a finger and enunciate the words crisply: “Human resources.” He sits up straighter but the corner of his mouth moves. I wish I could use my thumbs to pull his mouth into a huge deranged grin. As the police drag me out in handcuffs I’ll be screeching, Smile, goddamn you. We need to get even, because it’s not fair. He’s gotten one of my smiles, and seen me smile at countless other people. I have never seen him smile, nor have I seen his face look anything but blank, bored, surly, suspicious, watchful, resentful. Occasionally he has another look on his face, after we’ve been arguing. His Serial Killer expression.
Sally Thorne (The Hating Game)
Writers are the most pathetic souls when it comes to expressing their personal feelings. Their personalities are as complex as the characters they have weaved. And in a curious way, without them really knowing it, writers are the sum total of the characters they created in their heads or in their writings. Yes, My Dear Tania; writers are capable of reflecting their characters, even though most of them are determined to be just like your ordinary guy next door.
Janvier Chouteu-Chando
The child inside me wouldn't stop crying. Every time it loses something so important to it. A person or a thing it loves the most, I pretend like nothing happened. But I hear it sobbing helplessly inside me. And the pathetic part of all this is, It neither grows up nor dies. Every time I stand in front of a mirror, it stares at me through my eyes. With its tear-stained face and that intense eyes that rip my ribs apart and the cry of it echoes through every room of my soul.
Akshay Vasu
I end up watching this movie about some girl who's supposed to be so smart and edgy and unpopular. She wears glasses, that's how you know she's so smart. And she's the only one that has dark hair in the school- a place that looks like Planet Blond. Anyway, she somehow ends up going to the prom- hello, gag- and she doesn't wear her glasses, so suddenly she's all beautiful. And she's bashful and shy because she doesn't feel comfortable wearing a dress. But then the guy says something like, "Wow, I never knew you were so pretty," and she feels on top of the world. So, basically, the whole point is she's pretty. Oh, and smart, too. But what's really important here is that she's pretty. For a second I think about Katie. About her thin little Clarissa Le Fey. It must be a pain being fat. There are NO fat people on Planet Blond. I don't get it. I mean, even movies where the actress is smart- like they seem like they'd be smart in real life, they're all gorgeous. And they usually get a boyfriend somewhere in the story. Even if they say they don't want one. They always, always end up falling in love, and you're supposed to be like, "Oh, good." I once said this to my mom, and she laughed. "Honey, Hollywood... reality- two different universes. Don't make yourself crazy." Which made me feel pretty pathetic. Like I didn't know the difference between a movie and the real world. But then when everyone gets on you about your hair and your clothes and your this and your that, and "Are you fat?" and "Are you sexy?" you start thinking, Hey, maybe I'm not the only one who can't tell the difference between movies and reality. Maybe everyone really does think you can look like that. And that you should look like that. Because, you know, otherwise you might not get to go to the prom and fall in love.
Mariah Fredericks (Head Games)
A few minutes after discovering we had a goal but no plan, Brent was laughing heartily at a pathetic joke I had made. It reminded me of the first day on campus when I had thought his laughter sounded like a melody. It did now, even more so. It was music, beautiful, in a manly way, like a sensual, slow jazz. I loved jazz. “Jazz, huh?” Brent asked, his voice suddenly husky. “Uh . . . what?” “My laugh reminds you of jazz? Is there anything about me you don’t find attractive?” He rubbed his hand over his lips trying to cover his smirk. “So tell me, how much do you love jazz?” I’m sure my face was pinker than the inside of a watermelon. “I didn’t say any of that.” “You didn’t have to say it, Yara, I could hear it.” Brent tapped the side of his head. “I can hear your thoughts.” “You’re not serious.” “Oh, but I am,” he said, completely straight-faced.
Lani Woodland (Intrinsical (The Yara Silva Trilogy, #1))
People annoy the crap out of me," he says. "I think people are nervous and loud and rude and selfish and stupid pretty much all the time." [...] "If they're beautiful they know it, so they don't bother having a personality or associating with people that don't fit into their league or can't afford their company. And, somehow these people are the most popular, which makes absolutely no sense. People try so hard to be accepted, they turn into a walking stereotype. They're pathetically easy to predict. They're insecure and try to mask it with whatever product corporate America is currently making and they always let you down. Just give them enough time, and they will." [...] "I think everyone's caught up in these narrow-minded worlds and they think their world exists in the center of the universe. Relationship only happen when it's convenient. You have to walk on eggshells for people because that's how strong they are these days. And you can't confront people, because if you do, that brittle shell of confidence will crack. So we all become passive cowards that carry a fake smile wherever we go because God forbid you let your guard down long enough for people to see your life isn't perfect. That you have a few flaws. Because who wants to see that?
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
I had wanted to call him. There were so many things I wanted to talk to him about. And that I wanted to ask him about. But... I kind of hated myself... for feeling that way. Because... thinking about Nomiya-san... felt like a betrayal of myself, of everything I'd felt for the past six years. It made my feelings for Mayama seem like a lie. Other people might think it's pathetic. That I'm pathetic. But my feelings for Mayama... My love for him... Was the only thing I had. It was my treasure. My cold, bright treasure. Dear God. I never wanted to be saved. I wanted to stay miserably in love with Mayama forever. I wanted to stay in love with him for ten years, twenty years, so he would know just how strong my love was. ...Even though I knew that would be totally meaningless.
Chica Umino (Honey and Clover, Vol. 9)
I wanted her and I couldn’t have her, so I fed the temptation, I flooded the craving, I would’ve fucking nursed the obsession from my own tits if I could’ve. I made sure I got little doses of her here and there. Except something incredibly enlightening happens when you spend enough time in one woman’s company. You start noticing shit about her, little useless crap that actually begins to mean everything, like how she brushes the hair out her face—even if there isn’t any in her eyes—whenever she’s unsettled, or how she chews on the end of a pen during class whenever she’s listening to something that captures her attention. You learn all her different laughs and know what each one means. You learn what pisses her off the most, or what makes her the happiest. You discover how smart and witty and sarcastic she is, and that her mind is almost as dirty as yours. You see how passionate she becomes when she defends those she loves, and you start to fall. Hard. So, this is my Pathetic Loser’s confession: I am Oren Tenning, and I have fallen. Hard.
Linda Kage (A Perfect Ten (Forbidden Men, #5))
She wiped her eye and pressed her lips together. “I sleep in your room. I’m fairly pathetic about it, really. I wear your T-shirts to bed and watch your movies.” She paused. “And you don’t even remember me.” This time I stopped walking. “Do you think it’s easy for me?” She had gotten a few steps ahead and turned to look back at me. “No, I don’t remember you. I don’t remember holding you or talking to you or falling in love with you—but I walk around with a giant hole in my heart all the time. I feel your absence every second of the day. It aches and nothing soothes it. Losing you is bad enough, but I don’t even get the comfort of remembering that I had you once.
Gwen Hayes (Falling Under (Falling Under, #1))
You could have ruled the world with your power,' he said carefully. 'I don't want to rule the world.' Her eyes were unguarded in a way he had never seen. Mate, she had called him. 'What do you want?' Cassian managed to ask, voice rasping. She smiled, and damn if it wasn't the loveliest thing he'd ever seen. 'You.' 'You've had me from the moment you met me.' She tucked a strand of hair behind an arched ear. 'I know.' He brushed a kiss over her mouth. But Nesta said, 'I want a disgustingly ornate mating ceremony. He laughed, pulling away. 'Really?' 'Why not?' 'Because I'll never hear the end of it from Azriel and Mor.' Or the Illyrians. Nesta considered. Then pulled something out of her pocket. A small biscuit, swiped from a tray in the birthing room. 'Then here. Food. From me to you, my mate. That's the official ritual, isn't it? The sharing of food from one mate to the other?' He choked. 'These are my two options? A frilly mating ceremony or a stale biscuit?' Her face filled with such true light, it nearly stole the breath from him. 'Yes.' So Cassian laughed again, and folded her fingers around the pathetic biscuit, leaning to whisper in her ear, 'We'll make a coronation of it, Nes.' 'I already have a crown,' she said. 'I just want you.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
You don’t fucking get it, do you, Sparks?” Out of sheer frustration, Ben thwacked the wall with his hand. Hard. So hard his palm stung. “I love you. I am so goddamned, madly in love with you, I can’t see straight.” Ben’s voice resonated through the offices, echoed in his own ears. “You’re the first thing I think about in the morning and the last thing I imagine before I fall asleep. I dream about you. Every single night. I live to see you, at the office, at home, anywhere. I just need to see your face. Hold your body. Touch your skin. I need you, Mel. More than I need air. You can’t walk away from me. You can’t love someone else.” He gulped in a breath and almost choked on the emotion clogging his throat, so when he spoke again his voice was scratchy, and much, much softer. “I screwed up. I made you choose. And I’m sorry. So desperately, pathetically sorry for that. But I can’t let you go. I can’t let him have you, because you’re mine. You were made for me, like I was made for you. We’re two peas in a pod, sweetness. We’re the same, you and I. We’re meant to be together.
Jess Dee (Office Affair)
Stop that Stuart," Patty said as Stuart struggled with the suitcases, which were too heavy for him, she thought. (Almost everything was way too heavy for Stuart.)" Just put those down. Besides," Patty said, "where will you go? You don't have anyplace to go." But Stuart took her hand and held it for a moment against his closed eyes, and despite the many occasions when Patty had wanted him to go, and the several occasions when she had tried to make him go, despite the fact that he was at his most enragingly pathetic, for once she could think of nothing, nothing at all that he could be trying to shame her into or shame her out of, and so it occurred to her that this he would really leave---that he was simply saying good-bye. All along, Patty had been unaware that time is as adhesive as love, and that the more time you spend with someone the greater the likelihood of finding yourself with a permanent sort of thing to deal with that people casually refer to as "friendship," as if that were the end of the matter,when the truth is that even if "your friend" does something annoying, or if you and "your friend" decided that you hate each other, or if "your friend" moves away and you lose each other's address, you still have a friendship, and although it can change shape, look different in different lights, become an embarrassment or an encumbrance or a sorrow, it can't simply cease to have existed, no matter how far into the past it sinks, so attempts to disavow or destroy it will not merely constitute betrayals of friendship but, more practically, are bound to be fruitless, causing damage only to the humans involved rather than to that gummy jungle(friendship)in which those humans have entrapped themselves, so if sometime in the future you're not going to want to have been a particular person's friend, or if you're not going to want to have had that particular friendship you and that person can make with one another, then don't be friends with that person at all, don't talk to that person, don't go anywhere near that person, because as soon as you start to see something from that person's point of view (which, inevitably, will be as soon as you stand next to that person) common ground is sure to slide under your feet.
Deborah Eisenberg (The Stories (So Far))
Things, events, that occupy space yet come to an end when someone dies make us stop in wonder - and yet one thing, or an infinite number of things, dies with every man's or woman's death, unless the universe itself has a memory, as theosophists have suggested. In the course of time there was one day that closed the last eyes that had looked on Christ; the battle of Junín and the love of Helen died with the death of one man. What will die with me the day I die? What pathetic or frail image will be lost to the world? The voice of Macedonio Fernández, the image of a bay horse in a vacant lot on the corner of Sarrano and Charcas, a bar of sulfur in the drawer of a mahogany desk?
Jorge Luis Borges (Collected Fictions)
I walk in the sprinkling rain like a lion. Pretty soon there won't be lions anymore. If I have to die to be a lion I'll die. I'm roaring, but in the language of rain and sand: I am invisible, I blend in, and I'm not hungry so everyone is safe. I can just observe them, join them, I can admire them, I can pity them and love them. They're so pathetically beautiful I could cry. How could I ever forget that this world is gorgeous and interesting? Every little detail is a gateway to huge canyons of knowledge and understanding. And it's all so sexy. Nothing is restrained, everything is perfectly, ripely, ravishingly itself, and swollen with signs and information that link it in the web.
Richard Hell (Go Now)
In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there now… In our ”“special place.” Waiting for you… Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you... Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is... The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance... I think you know what I mean... Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm    afraid you don't really want me to come home. Whenever you come see me, I can tell how hard it is on you... I don't know if you hate me or pity me... Or maybe I just disgust you.... I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James. That's why I understand if you do hate me. But I want you to know this, James. I'll always love you. Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together. Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead. I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us... You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James. James... You made me happy. “I love you, Mary.”  As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.
Sadamu Yamashita (Silent Hill 2: The Novel)
You look so beautiful No one but me knows you're insane I feel so damn pathetic My friends just don't get it Cause you've got me under oath Before you I was in a fucking rut One day you are in the past That night I ask you back It started out just harmless fun Now you've got me thinking you are the one Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing You've got me feeling strange Cause I love to hate you so damn much But I can't think of leaving Cause you're what keeps me breathing It started out just harmless fun Now you've got me thinking you are the one Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause if you wanna take me home You know I'm ready to leave You've got me under your spell Please don't set me free Cause I've been having all these nightmares Seeing you is my only way up Feeling so defenseless But I'm telling you I wouldn't change a thing
Calum Hood
Good is to be found neither in the sermons of religious teachers and prophets, nor in the teachings of sociologists and popular leaders, nor in the ethical systems of philosophers... And yet ordinary people bear love in their hearts, are naturally full of love and pity for any living thing. At the end of the day's work they prefer the warmth of the hearth to a bonfire in the public square. Yes, as well as this terrible Good with a capital 'G', there is everyday human kindness. The kindness of an old woman carrying a piece of bread to a prisoner, the kindness of a soldier allowing a wounded enemy to drink from his water-flask, the kindness of youth towards age, the kindness of a peasant hiding an old Jew in his loft. The kindness of a prison guard who risks his own liberty to pass on letters written by a prisoner not to his ideological comrades, but to his wife and mother. The private kindness of one individual towards another; a petty, thoughtless kindness; an unwitnessed kindness. Something we could call senseless kindness. A kindness outside any system of social or religious good. But if we think about it, we realize that this private, senseless, incidental kindness is in fact eternal. It is extended to everything living, even to a mouse, even to a bent branch that a man straightens as he walks by. Even at the most terrible times, through all the mad acts carried out in the name of Universal Good and the glory of States, times when people were tossed about like branches in the wind, filling ditches and gullies like stones in an avalanche – even then this senseless, pathetic kindness remained scattered throughout life like atoms of radium.
Vasily Grossman (Life and Fate)
On differing perspectives: "At birth, we're yanked from a warm, safe place and thrust into a world we have no way of comprehending. Childhood is a constant routine of punishment and confusion. Hell we're depressed and misunderstood as teenagers, then frightened and unprepared as we become adults. In midlife, we watch as our youth slowly slips away; our dreams for greatness becoming pathetic memories. Old age brings loneliness, infirmity, and the constant fear of death." "At birth, we're rescued from a dark, silent place and ushered into a world full of wonder. Childhood is a magical time, free from responsibility. We're curious and filled with energy as teenagers, and then challenged to reach our full potential as we become adults. In mid-life, we watch as our pretensions slowly slip away, our dreams for happiness finally becoming realized. Old age brings wisdom, wonderful memories, and a passionate love of life.
Rick Reynolds
Whenever I run up against what's called "instinct," I feel like I want to cry. As I begin to realize from various experiences in my life just how enormous our instincts are and how powerless we are against the force that drives us, sometimes I think I might lose my mind. I become distracted, wondering what I should to do. There is no way to resist or accept the force; it simply feels as if some huge thing has blanketed me whole, from the top of my head, so that it can now drag me around freely. There is a certain satisfaction in being dragged around, as well as a separate sad feeling as I watch it happen. Why is it that we cannot be happy with ourself or love only ourself throughout our life? It is pathetic to watch whatever emotions or sense of reason I have acquired up to that point be devoured by instinct. Whenever I let the slightest thing make me forget myself, I can't help but be disappointed. The clear confirmation that that self—me, that is—is also ruled by instinct makes me think I could cry. It makes me want to call out for Mother and Father. But even more pathetic is that—to my surprise—the truth could be found in aspects of myself that I don't like.
Osamu Dazai (Schoolgirl)
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
Robert G. Ingersoll (Some Mistakes of Moses)
In the novel Fight Club, the character Jack’s apartment is blown up. All of his possessions—“every stick of furniture,” which he pathetically loved—were lost. Later it turns out that Jack blew it up himself. He had multiple personalities, and “Tyler Durden” orchestrated the explosion to shock Jack from the sad stupor he was afraid to do anything about. The result was a journey into an entirely different and rather dark part of his life. In Greek mythology, characters often experience katabasis—or “a going down.” They’re forced to retreat, they experience a depression, or in some cases literally descend into the underworld. When they emerge, it’s with heightened knowledge and understanding. Today, we’d call that hell—and on occasion we all spend some time there. We surround ourselves with bullshit. With distractions. With lies about what makes us happy and what’s important. We become people we shouldn’t become and engage in destructive, awful behaviors. This unhealthy and ego-derived state hardens and becomes almost permanent. Until katabasis forces us to face it. Duris dura franguntur. Hard things are broken by hard things. The bigger the ego the harder the fall. It would be nice if it didn’t have to be that way. If we could nicely be nudged to correct our ways, if a quiet admonishment was what it took to shoo away illusions, if we could manage to circumvent ego on our own. But it is just not so. The Reverend William A. Sutton observed some 120 years ago that “we cannot be humble except by enduring humiliations.” How much better it would be to spare ourselves these experiences, but sometimes it’s the only way the blind can be made to see.
Ryan Holiday (Ego Is the Enemy)
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
Thanks to suffering and madness, I have had a finer, richer life than any of you, and I wish to go to my death with dignity, as befits the great moment after which all dignity and majesty cease. Let my body be my ark and my death a long floating on the waves of eternity. A nothing amid nothingness. What defense have I against nothingness but this ark in which I have tried to gather everything that was dear to me, people, birds, animals, and plants, everything that I carry in my eye and in my heart, in the triple-decked ark of my body and soul. Like the pharaohs in the majestic peace of their tombs, I wanted to have all those things with me in death, I wanted everything to be as it was before; I wanted the birds to sing for me forever, I wanted to exchange Charon's bark for another, less desolate and less empty; I wanted to ennoble eternity's unconscionable void with the bitter herbs that spring from the heart of man, to ennoble the soundless emptiness of eternity with the cry of the cuckoo and the song of the lark. All I have done is to develop that bitter poetic metaphor, carry it with passionate logic to its ultimate consequence, which transforms sleep into waking (and the converse); lucidity into madness (and the converse); life into death, as though there were no borderline, and the converse; death into eternity, as if they were not one and the same thing. Thus my egoism is only the egoism of human existence, the egoism of life, counterweight to the egoism of death, and, appearances to the contrary, my consciousness resists nothingness with an egoism that has no equal, resists the outrage of death with the passionate metaphor of the wish to reunite the few people and the bit of love that made up my life. I have wanted and still want to depart this life with specimens of people, flora and fauna, to lodge them all in my heart as in an ark, to shut them up behind my eyelids when they close for the last time. I wanted to smuggle this pure abstraction into nothingness, to sneak it across the threshold of that other abstraction, so crushing in its immensity: the threshold of nothingness. I have therefore tried to condense this abstraction, to condense it by force of will, faith, intelligence, madness, and love (self-love), to condense it so drastically that its specific weight will be such as to life it like a balloon and carry it beyond the reach of darkness and oblivion. If nothing else survives, perhaps my material herbarium or my notes or my letters will live on, and what are they but condensed, materialized idea; materialized life: a paltry, pathetic human victory over immense, eternal, divine nothingness. Or perhaps--if all else is drowned in the great flood--my madness and my dream will remain like a northern light and a distant echo. Perhaps someone will see that light or hear that distant echo, the shadow of a sound that was once, and will grasp the meaning of that light, that echo. Perhaps it will be my son who will someday publish my notes and my herbarium of Pannonian plants (unfinished and incomplete, like all things human). But anything that survives death is a paltry, pathetic victory over the eternity of nothingness--a proof of man's greatness and Yahweh's mercy. Non omnis moriar.
Danilo Kiš (Hourglass)