Pathetic Excuses Quotes

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The God excuse, the last refuge of a man with no answers and no argument.
George Carlin
It’s very tempting when you really want to be with someone to settle for much, much less - even a vague pathetic facsimile of less - than you would have ever imagined. Remember always what you set out to get and please don’t settle for less.
Greg Behrendt (He's Just Not That Into You: The No-Excuses Truth to Understanding Guys)
I was keeping Bubba from committing a felony. No offense, but ‘he’s a zombie, Your Honor, don’t electrocute me’ isn’t a viable excuse. Believe me, I know. My dad’s doing three life sentences ‘cause he killed, and I quote, ‘a crap load of demons who were trying to kill me and if I hadn’t killed them, Your Honor, they’d have taken over the city and enslaved all you petty, pathetic humans.’ They wouldn’t even let my dad plead insanity because of it. So trust me, ‘zombies needed killing’ isn’t a legit defense. (Nick)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
Her mother was my wife," the Count roared, loudest of all. "You pathetic excuse for am money-grubbing fool, you disgrace to the face of the world." And with a shriek of disgust he turned and was gone. Guilietta was beside Inigo then, so excited. "Daddy likes you," she said.
William Goldman (The Princess Bride)
I thought you weren’t allowed to have a phone,” he says. “Or was that a really pathetic excuse to avoid giving me your number?” “I’m not allowed. My best friend gave it to me the other day. It can’t do anything but text.” He turns the screen around to face me. “What the hell kind of texts are these?” He turns the phone around and reads one. “Sky, you are beautiful. You are possibly the most exquisite creature in the universe and if anyone tells you otherwise, I’ll cut a bitch.” He arches an eyebrow and looks up at me, then back down to the phone. “Oh, God. They’re all like this. Please tell me you don’t text these to yourself for daily motivation.
Colleen Hoover (Hopeless (Hopeless, #1))
You know what? Let’s have the fucking truth. I’ve heard your pathetic excuses, how about you hear me out now? Let me tell you something, Cathy, I hope you’re happy because Arsen may own your heart, your body, but you’ll always be empty because I own your fucking soul. Your soul is part of mine and it always will be. I will heal, I will learn to love again, but you…I pity you.
Mia Asher (Arsen: A Broken Love Story)
So there we were. A rejected crow with an identity crisis partnering a bloodhound with the IQ of boiled pudding. We were perhaps the most pathetic excuse for an attempted murder on the face of the earth.
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
You're perfect,aren't you?" "I am a werewolf," he says between bites. He bends his head. "That just gives you a totally good excuse for your pathetic temper." He wiggles his eyebrows. "True.
Carrie Jones (Need (Need, #1))
I didn’t want it to look like I was running away. I don’t want him to think he broke me.” “I hear you. But leaving doesn’t always mean you’re running away. Sometimes you have to regroup before you go back and fight another battle.” “There won’t be another battle. I already lost the war.” And my best friend. “Don’t be so sure. You’re a fighter like your mom. Don’t let a pathetic excuse for a boy change that.
Kami Garcia (Broken Beautiful Hearts)
Every second we have with these fine animals is a blessing. No creature, human or otherwise, will love you with such devotion, or trust you so fully. Remember this, Officer James. These dogs will lay their precious hearts bare to you, and hold back no part for themselves. Can anyone else in your pathetic excuse for a life say the same? Such trust is a gift from God Almighty above, so best you be worthy.
Robert Crais (The Promise (Elvis Cole, #16; Joe Pike, #5; Scott James & Maggie, #2))
Shut the fuck up!” Joey roared back at her. “You are the most pathetic excuse for a mother that ever walked the earth.
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
Referring to Bogey's party: A lame excuse for all the idiots in our school to drink beer and rub up against each other in hopes of distracting themselves from the pathetic emptiness of their meaningless, consumer-driven lives.
David Levithan (Ten Things I Hate about You)
I have lived through a fucking world war,” I said, my voice low and venomous. “I have lost a child. I have lost two husbands. I have starved with an army, been beaten and wounded, been patronized, betrayed, imprisoned, and attacked. And I have fucking survived!” My voice was rising, but I was helpless to stop it. “And now should I be shattered because some wretched, pathetic excuses for men stuck their nasty little appendages between my legs and wiggled them?!
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
You think I like this?” I say defensively. “Trust me, I don’t need this headache in my life.” I swallow a mouthful of beer. “Hey. You know Twilight?” He blinks. “Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you fucking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?” God, I am. This is what Allie has reduced me to. A sad, pathetic loser who goes to a bar and forces his friend to participate in a Twilight book club.
Elle Kennedy (The Score (Off-Campus, #3))
Save your pathetic excuses. I’ll make you pay for your sins.” “The biggest sin here is that you’re missing your brain.
Ryo Shirakome (Arifureta: From Commonplace to World’s Strongest, Volume 10)
Even the most fruitful seeds remain dormant until they are planted in good soil. To give the seeds of our dreams the best chance to come alive, our purposeful actions must speak louder than our pathetic excuses.
Tunde Salami
I want someone to need me, to depend on me. The arsehole, the bastard who’s left a long string of whores broken in his wake without so much as a second thought. The piece-of-shit whose life was almost snuffed out by his father, who wakes every day and looks in the mirror with enough self-loathing to detonate Times Square, if only that shit was combustible. That pathetic excuse for a man wants to be worthy of someone. The question I need to figure out now is: why?
Carmen Jenner (Kick (Savage Saints MC, #1))
I read her file.” Voice strong and steady again, Peabody shifted back. “I know who she was, what she was. Now I know she left you with an animal. It’s good she’s dead.” Stunned, Eve turned her head, stared. “That’s not very Free-Ager.” “Fuck that.” Peabody’s eyes flashed like supernovas. “Fuck tolerance and understanding. Yeah, you’d have put her in a cage for the rest of her pathetic, evil life. But maybe sometime during her rot, she’d have put it together. Maybe she’d have remembered you. She’d have used that on you; she’d have tried. Before you scared the piss out of her, if you could get to her before Roarke. If he could get there before me. And it’s good she was such a selfish, pitiful excuse for a human being so she didn’t remember you, didn’t think about you all those years. She might’ve recognized you, especially after Roarke. She might’ve seen you on screen, and recognized you, caused you more grief and trouble. Dead’s better.
J.D. Robb (Delusion in Death (In Death, #35))
You defiled Nikolas, poisoning the only damn thing I’ve ever cared about besides Mother, because I fucking ignored you?! You’re not a victim, Amir. You’re a vile, worthless, pathetic excuse of a man and everything I despise about our godsforsaken family.
Ariana Nash (Curse of the Dark Prince (Prince's Assassin, #3))
He wanted me to know he thought I was getting away with something wrong. I thought about the time Billy was sick and said he wanted strawberries. How Paul asked him, "Do you want them cold or room temperature? Cooked down or raw? Narrow it down, because whatever you want, I'll get it for you." Anything Billy wanted, Paul got, whatever it took. And this pathetic excuse of a man had no idea what that kind of devotion meant, and he didn't deserve an answer. The denial of real love-- *that* was the perversion.
Ruth Coker Burks (All The Young Men)
I would pick him over anyone. He gave me everything you never could and never will because you are a pathetic excuse for a man. He gave me understanding and he gave me confidence and you know what else he gave me? ORGASMS!” I shout. “Oh, Jesus,” Ariel mutters from next to me. “You couldn’t find my clit with a flashlight and Google Maps!
Tara Sivec (At the Stroke of Midnight (The Naughty Princess Club, #1))
I will reluctantly teach you enough trivia for a passing mark on the Ministry-mandated portions of your first-year finals. Since your exact mark on these sections will make no difference to your future life, anyone who wants more than a passing mark is welcome to waste their own time studying our pathetic excuse for a textbook. The title of this subject is not Defence Against Minor Pests. You are here to learn how to defend yourselves against the Dark Arts. Which means, let us be very clear on this, defending yourselves against Dark Wizards. People with wands who want to hurt you and who will likely succeed in doing so unless you hurt them first! There is no defence without offence! There is no defence without fighting! This reality is deemed too harsh for eleven-year-olds by the fat, overpaid, Auror-guarded politicians who mandated your curriculum. To the abyss with those fools! You are here for the subject that has been taught at Hogwarts for eight hundred years! Welcome to your first year of Battle Magic!
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
Getting old is pathetic if you use it as an excuse for no longer being responsible.
Ali Smith (Summer (Seasonal Quartet, #4))
Did you hear what I said, Princess Cheater-Cheater-Whale-Dung-Eater? Show my brother your pathetic Gift." Paca's eyes are full of murder. She looks at Grom. "Do something about your sister. You're going to let her insult me right in front of you? Is this how I can expect to be treated when I'm mated to you?" Rayna laughs. "You bet your sweet-" "Rayna!" Galen says. "Enough!" She rolls her eyes but doesn't say anything else. Galen turns to Paca. Trying to sound apologetic, he says, "Please excuse my sister's lack of..." "Sanity?" Paca offers icily. Galen smiles. Sort of.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Hey. You know Twilight?” He blinks. “Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you fucking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?” God, I am. This is what Allie has reduced me to. A sad, pathetic loser who goes to a bar and forces his friend to participate in a Twilight book club.
Elle Kennedy (The Score (Off-Campus, #3))
How? And why would you care?” I asked and ignored the angry glance Paul was directing at me. “He is a pathetic excuse for a vampire, don't you see? Feasting on animals!” He scoffed. “He thought he could change me, too. To be ‘strong’ like him, but I can tell you that there is no strength in hiding in the shadows drinking animal blood. The blood of humans…” he paused, making a deep and audible sniff with his nose. “…is just too enticing. Too delicious. Strengthening.” “You’re a monster!” I yelled, the realization that Janet had been the temptation he was talking about finally sinking in. “A monster? Now, now…what would Salem think if you called us such names? He and I are no different, you know? I imagine it will be little time at all before he drains you of blood, too.” “You are wrong about him. He’s different!” Why had he said ‘too’? Paul was about to say something to me but Kim shook her head. “This isn't the time or place, Paul,
K.A. Poe (Twin Souls (Nevermore, #1))
I can't believe I fell for it. I can't believe I fooled myself without even trying. That I tricked myself into thinking that I could be happy, that I could be normal, that I could ignore the voice and it would go away, dissipate like smoke in open air. That the voice had gone away, that it ever could go away. And I realize the voice is screaming at me. No longer whispering. More than that, I realize it's been screaming for a while now. I just wasn't paying attention. But now I am. Now I am. "Is it time?" And the voice says, "Yes. Now." It makes perfect sense, suicide does. An end to pain, to misunderstanding. An end to my existence as a walking, talking, living, breathing reminder to my mother of what was taken from her. Why has it taken me so long? What have I let my pathetic excuse for a life drag on this long? I know why. Deep down, I know. I wasn't ready. Not before. Not like I am now. I've been preparing. I haven't been steeling myself for suicide. The suicide is actually the easy part. It's the other thing. The other thing. That's what I've been preparing for.
Barry Lyga (Bang)
I wish I could explain - and armed with that explanation, somehow excuse, - the seemingly unending, ongoing, relentless, inordinately intense, pathetic fixation I have with my feelings. That wilderness lurking somewhere down south in my bi-solar plexus and, simultaneously, right there in back of my eyes, demanding my attention and eternally taking my emotional temperature. How do I feel? No, really how do I feel? How could I feel? Some other way, surely. By the end of this endless archaeological self-examination, the observer part of your mind doesn't know what it's looking at anymore. Because being both archaeologist and pit is, essentially...don't make me say it...oh fuck. Okay...The pits.
Carrie Fisher (Shockaholic)
No one said a word, and I waited a beat, then pushed forward. Screw Kevin. Screw Maggie. Screw whatever happened to them now. I went after Caden. He didn’t have to push his way through the crowd. It automatically opened for him. Not so much for me. I was at a disadvantage, and when I ran to the parking lot, he was already in the car and peeling past me. “HEY!” I yelled, raising my hands in the air. He braked, a little too close for comfort, right next to me. The passenger window rolled down. “What?” I reached for the door. “Let me in.” His eyebrows pinched together. “Why?” “Let me in.” He unlocked the door. I opened it and climbed in. “Okay. I’m with you.” I had no idea what I was doing. “Excuse me?” “I’m with you.” I clapped the dashboard, pointing ahead. “Whatever you’re going to do, I’m in. You seem to need a friend. You’re in luck. I could use one myself. So I’m in.” “I’m going to get drunk and have sex.” “Oh.” He cocked an eyebrow. “You still in?” He was laughing now. He was still mad, but he was laughing. For whatever reason—maybe I did want to go with him, or maybe I heard my own voice calling me boring and pathetic again—I sat back and folded my hands in my lap. “I’m in.” He shook his head. “You have no idea what you’re getting yourself into..” He shifted his Land Rover into drive and started forward. “But that’s your problem, not mine.” He careened out of the parking lot, and I fell against the door. I grabbed the oh shit handle above my head, and I had a feeling that was going to be the theme for the rest of the night: Oh, shit.
Tijan (Anti-Stepbrother)
The depressed person shared that she could remember, all too clearly, how at her third boarding school, she had once watched her roommate talk to some boy on their room's telephone as she (i.e., the roommate) made faces and gestures of entrapped repulsion and boredom with the call, this popular, attractive, and self-assured roommate finally directing at the depressed person an exaggerated pantomime of someone knocking on a door until the depressed person understood that she was to open their room's door and step outside and knock loudly on it so as to give the roommate an excuse to end the call. The depressed person had shared this traumatic memory with members of her Support System and had tried to articulate how bottomlessly horrible she had felt it would have been to have been that nameless pathetic boy on the phone and how now, as a legacy of that experience, she dreaded, more than almost anything, the thought of ever being someone you had to appeal silently to someone nearby to help you contrive an excuse to get off the phone with. The depressed person would implore each supportive friend to tell her the very moment she (i.e., the friend) was getting bored or frustrated or repelled or felt she (i.e., the friend) had other more urgent or interesting things to attend to, to please for God's sake be utterly candid and frank and not spend one moment longer on the phone than she was absolutely glad to spend. The depressed person knew perfectly well, of course, she assured the therapist;' how such a request could all too possibly be heard not as an invitation to get off the telephone at will but actually as a needy, manipulative plea not to get off-never to get off-the telephone.
David Foster Wallace (The Depressed Person)
Chelsea was something else. Like an unstoppable force of nature. Similar to a hurricane or a tornado. Or a pit bull. Violet admired that about her. And, in this instance, Chelsea had proven to be nothing less than formidable. So when Jay had mentioned earlier in the week that they might be able to go to the movies over the weekend, Chelsea held him to it. A time and a place were chosen. And word spread. And, somehow, Chelsea managed to unravel it all. She still wanted the Saturday night plans; she just didn’t want the crowd that came with them. She’d decided it should be more of a “double date.” With Mike. Except Mike would never see it coming. By the time the bell rang at the end of lunch on Friday, everyone had agreed to meet up for the seven o’clock showing the next night. But when they split up to go to their classes, Chelsea set her own plan into motion. She began to separate the others from the pack and, one by one, they all fell. She started with Andrew Lauthner. Poor Andrew didn’t know what hit him. “Hey, Andy, did you hear?” From the look on his face, he didn’t hear anything other than that Chelsea-his Chelsea-was talking to him. Out of the blue. Violet needed to get to class, but she was dying to see what Chelsea had up her sleeve, so she stuck it out instead. “What?” His huge frozen grin looked like it had been plastered there and dried overnight. Chelsea’s expression was apologetic, something that may have actually been difficult for her to pull off. “The movie’s been canceled. Plans are off.” She stuck out her lower lip in a disappointed pout. “But I thought…” He seemed confused. So was Violet. “…didn’t we just make the plans at lunch?” he asked. “I know.” Chelsea managed to sound as surprised as he did. “But you know how Jay is, always talking out of his ass. He forgot to mention that he has to work tomorrow night and can’t make it.” She looked at Violet and said, again apologetically, “Sorry you had to hear that, Vi.” Violet just stood there gaping and thinking that she should deny what Chelsea was saying, but she wasn’t even sure where to start. She knew Jules would have done it. Where was Jules when she needed her? “What about everyone else?” Andrew asked, still clinging to hope. Chelsea shrugged and placed a sympathetic hand on Andrew’s arm. “Nope. No one else can make it either. Mike’s got family plans. Jules has a date. Claire has to study. And Violet here is grounded.” She draped an arm around Violet’s shoulder. “Right, Vi?” Violet was saved from having to answer, since Andrew didn’t seem to need one. Apparently, if Chelsea said it, it was the gospel truth. But the pathetic look on his face made Violet want to hug him right then and there. "Oh," he finally said. And then, "Well, maybe next time." "Yeah. Sure. Of course," Chelsea called over her shoulder, already dragging Violet away from the painful scene. "Geez, Chels, break his heart, why don't you? Why didn't you just say you have some rare disease or something?" Violet made a face at her friend. "Not cool." Chelsea scoffed. "He'll be fine. Besides, if I said 'disease,' he would have made me some chicken soup and offered to give me a sponge bath or something." She wrinkled her nose. "Eww." The rest of the afternoon went pretty much the same way, with a few escalations: Family obligations. Big tests to study for. House arrests. Chelsea made excuses to nearly everyone who'd planned on going, including Clair. She was relentless. By Saturday night, it was just the four of them...Violet, Jay, Chelsea, and, of course, Mike. It was everything Chelsea had dreamed of, everything she'd worked for.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Sophie put us to rights,” Westhaven said, “and my guess is we’ve never thanked her. We’ve gone off and gotten married, started our families, and neglected to thank someone who contributed so generously to our happiness. We’re thanking Sophie now by not calling you out. If she wants you, Charpentier, then we’ll truss you up with a Christmas ribbon and leave you staked out under the nearest kissing bough.” “And if she doesn’t want me?” “She wanted you for something,” Lord Val said dryly. “I’d hazard it isn’t just because you’re a dab hand at a dirty nappy, either.” Vim didn’t want to lie to these men, but neither was he about to admit he suspected Sophie Windham, for reasons he could not fathom, had gifted him with her virginity then sent him on his way. “She lent you that great hulking beast of hers,” St. Just pointed out. “She’s very protective of those she cares for, and yet she let you go larking off with her darling precious—never to be seen again? I would not be so sure.” Vim had wondered about the same thing, except if a woman as practical as Sophie were determined to be shut of a man, she might just lend the sorry bastard a horse, mightn’t she? “I proposed to my wife, what was it, six times?” Westhaven said. “At least seven,” Lord Val supplied. St. Just sent Westhaven a wry smile. “I lost count after the second hangover, but Westhaven is the determined sort. He proposed a lot. It was pathetic.” “Quite.” Westhaven’s ears might have turned just a bit red. “I had to say some magic words, cry on Papa’s shoulder, come bearing gifts, and I don’t know what all before Anna took pity on me, but I do know this: Sophie has been out for almost ten years, and she has never, not once, given a man a second look. You come along with that dratted baby, and she looks at you like a woman smitten.” “He’s a wonderful baby.” “He’s a baby,” Westhaven said, loading three words with worlds of meaning. “Sophie is attached to the infant, but it’s you she’s smitten with.” All three of Sophie’s brothers speared him with a look, a look that expected him to do something. “If you gentleman will excuse me, I’m going to offer to take the baby tonight for Sophie. She’s been the one to get up and down with him all night for better than a week, and that is wearing on a woman.” He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
You already know he's a pathetic excuse for a man and you deserve better.
Jill Mansell (Three Amazing Things About You)
Emma ripped the sticky note off the bathroom mirror and threw it in the trash. Sean didn’t have to worry about her rubbing the back of his neck again anytime soon. And he certainly didn’t have to worry about her wanting to get naked. Not with him. If they were a real couple, she’d throw his pillow onto the couch and let his feet dangle over the edge for a change. It was pathetic how fast he’d come up with a lame excuse to run away just because he’d kissed her. It was just a kiss. A great kiss, yes, but still just a kiss. She hadn’t asked him to marry her—to really marry her, of course—or told him she wanted to have his baby. A hot, steamy, toe-curling, bone-melting kiss between two single adults was nothing to run from. But now he’d made a big deal out of it and everything was going to be even more awkward than it had been for the past few days. She’d been curled up on the couch, fuming, for almost an hour when she heard Sean’s truck pull in to the driveway. It was another ten minutes before he crept into the bedroom and closed the door behind him. Since she was facing the back of the couch, she didn’t have to make much of an effort to ignore him. He was in the shower so long she must have fallen asleep to the drone of running water, because the next thing Emma knew, her alarm was going off and it was time to face another day in the hell she’d created. But first she had to face Sean. She got first crack at the bathroom, and when she came out, he was sitting on the side of the bed, fully clothed. Thank goodness. He scrubbed his hands over his face. “We should talk about last night.” “How’s Kevin?” “He’s good. And I meant before that.” “You should have stayed for the end of the movie. It was good.” “Dammit, Emma, you know that’s not what I’m talking about.” “Oh, you mean the practice kiss?” She clipped her cell phone onto her front pocket. “We’re getting better at it. That was almost convincing.” “Practice kiss?” He stood, probably so he could look down at her, but she was tall enough it didn’t make much of an impact. “Almost convincing?” “Yeah,” she said, though she turned her back on him, heading toward the door to avoid eye contact, because that was no practice kiss and it could have convinced even the CIA’s finest. He was muttering when she left the room, but she shut the door on him and went downstairs. She didn’t want to talk about it. And she didn’t want to think about the fact he wasn’t happy she called it a practice kiss. That meant he considered it a real kiss. And not only a real kiss, but one that had shaken him up. The only reason kissing a woman should bother a man like him was if he was trying to fight being attracted to her. Hopefully, he’d win, she thought as she headed toward the kitchen, because she was waging that battle herself and didn’t appear to be headed for a victory. Maybe he had enough willpower and self-control for both of them.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Whether they were watching a film with hot guys in it, or happened to be around a man Zach felt Corey might be attracted to, he did this—suddenly reaching for Corey’s groin to test whether he was aroused or not. He used the excuse that he was trying to get frisky, but Corey knew what he was really doing—using Corey’s cock as a barometer to test his sexual fidelity. And it was pathetic. Zach
Darien Cox (Guys on the Side (Guys, #2))
I put the water on scalding, and climbed inside. Then and only then did I finally, finally let it out. There was the pain at first, just the raw, brutal sensation of love lost, of a future I had been planning on disintegrating, leaving me to have to rebuild a new one. After that, oh yeah, that was when the bitter set in. Five years. Five freaking years and he dumped me because Mommy and Daddy didn't approve? What a pathetic, weak-willed, co-dependent excuse for a man. Any real man would have flipped them off, told them to take their money and shove it, and went home to the woman they loved and made plans. And it was an awful, ugly thing to realize that I had been all-consumingly in love with a man who loved money more than he loved me. On that thought and knowing to my soul that I was not going to be the type of woman who broke herself into pieces over a man who didn't deserve it, I wiped the tears away, I got redressed, I ate half my body weight in sweets... and I decided to move on with my life.
Jessica Gadziala (Peace, Love, & Macarons)
Even the most fruitful seeds remain dormant until planted in good soil. To give our dreams the best chance to blossom, our purposeful actions must speak louder than our pathetic excuses.
Tunde Salami
On the pathetic excuse for a front lawn, a cluster of green-haired river nymphs and fauns both male and female played cornhole.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The prophecy isn’t broken. People are such soft-brained idiots.” Taishi spat out in disgust. “Our fates are in the hands of heaven.” Sanu put a reassuring hand on her shoulder. “Put your trust in the Tiandi. Let the divine work in its own ways. The River of Fate will guide us to where we need to go.” “Don’t touch me!” The abbot was just trying to help, but his attempts to soothe Taishi only enraged her. Everyone, from the abbots to the dukes to those pathetic masters to even that blasted emperor five hundred years ago, was just looking for the easiest, most convenient excuse to do nothing. “Better to hand the problem off than make the hard choices. Let future generations deal with it instead of getting it right at the source,” she lamented through clenched teeth.
Wesley Chu (The Art of Prophecy (War Arts, #1))
It has become increasingly common for people, for a variety of reasons, to use "they/them" as their personal pronouns rather than using gendered pronouns. Unfortunately, people who object to using or respecting the use of they/them pronouns often point to "grammar" as the reason they cannot use someone's correct pronouns. These people are both disrespectful and incorrect: the singular "they" is the English language dates back to the 1300s. Regardless, grammar is a pathetic excuse to deny someone their humanity and not use their correct pronouns.
Blair Imani (Read This to Get Smarter: About Race, Class, Gender, Disability, and More)
I’m popping Valiums and waiting for something. To my left was Jeff Bridges. I could still tell time at that point. I looked at my watch, and I thought, This is crazy. They haven’t gotten anywhere near to the Best Actor award. So I turned to Jeff, who I would come to know in the future as one of the most wonderful human beings and such a great actor. But at the time, I didn’t know him at all, and I guess the impending dissipation of my altered state led me to say, “Hi, excuse me,” as he looked at me like he was looking down from ten feet high. I said to him, “The hour is almost up. I guess they’re not going to get to the Best Actor.” He considered me like I was some poor, pathetic wretch. “It’s three hours long, man. Three hours long.” And I said, “Oh. Thank you.” I went numb after that.
Al Pacino (Sonny Boy)
I’m fine.” “You’re not. And you have to stop skipping what pathetic portions we have.” “There isn’t enough.” “Of course there isn’t, but that’s not an excuse. You need to survive too.” “Well, we won’t have to worry about that, will we? Because you’re going to come back with some food.
Raven Kennedy (Goldfinch (The Plated Prisoner, #6))
Often when we connect with our values, we realise that we’ve been neglecting them for a long time and this can be very painful. But remember, this is not an excuse to beat yourself up! (‘What a hypocrite I am! I say I value doing all these different things, yet I’m not doing any of them! I’m pathetic!’) All of us lose touch with our values from time to time. Dwelling on those times is pointless because there’s nothing we can do to change the past. What’s important is to connect with our values here and now and to use them to guide and motivate our current actions. So if your mind does start beating up on you, simply thank it.
Russ Harris (The Happiness Trap: Stop Struggling, Start Living)
Pathetic, Charlotte. You are a pathetic excuse for a woman.
Nalini Singh (Rock Hard (Rock Kiss, #2))
You're a pathetic excuse for a superhero. Why do people even look up to you? You're just a freak in a blue suit.
Emily Bentz (The Knights in Shining Spandex)
If our strength in learning the arts is not turned to weakness, that is, in coming down along side to console and comfort, attending the infirm, the poor, the needy and the elderly, then we have pathetically failed with our true art, the art of humanity–of life. If this is so, all of our studies have been, like a warped, pitiless, cruel pile of cold rusty scrap metal on a gray drizzly day, in vain. If this lesson is too tough for us, we must remember that it is Jesus’ preferred way. He comes along side the sick, the feeble, the downtrodden, even the most wretched, disgusting and perverse. As He hung upon that splintˊry red cross and imparts His Spirit to all who seek Him, no, not even the fiery excelsior angels of the Highest Courts of Heaven have an excuse not to unflinchingly obey the clarion call of Him who beckons us to reach out and help lift from the mud those who cannot get up. (Martial Arts on Noah's Ark)
Douglas M. Laurent
I want to bring something new to the vision of the Native experience as seen on the screen. We haven’t seen the Urban Indian story. What we’ve seen is full of the kind of stereotypes that are the reason no one is interested in the Native story in general, it’s too sad, so sad it can’t even be entertaining, but more importantly because of the way its portrayed it looks pathetic, and we perpetuate that, but no, fuck that, excuse my language, but it makes me mad, because the whole picture is not pathetic, and the individual people and stories you come across are not pathetic or weak or in need of pity, and there is real passion there and rage, and that's part of what I'm bringing to the project...
Tommy Orange (There There)
Sure thing, Dad." But also, I hope you choke on a chicken bone and fucking die, you pathetic excuse for a human.
Tate James (Kate (Madison Kate, #4))
Everything was an excuse. The felt so concrete, so real at the time. Now they are wispy, pathetic. I was terrified. If I participated in the world I moved closer to, then I would have to stomach the chance that I might fail at every task I tackled. I didn't want to fail at being Native. Being Native to me then meant not only having the experience of all of these cultural things, but also being decent at them. I wanted to feel a peace in myself that cultural things brought me, but I had never felt so out of my depth. Failure felt imminent. But I couldn't fail at something I never had the chance to try. So the excuses continued to pour from me, sweetly apologetic to hide the stench of the rotting fear that created them.
Leah Myers (Thinning Blood: A Memoir of Family, Myth, and Identity)
I can't believe I fell for it. I can't believe I fooled myself without even trying. That I tricked myself into thinking that I could be happy, that I could be normal, that I could ignore the voice and it would go away, dissipate like smoke in open air. That the voice had gone away, that it ever could go away. And I realize the voice is screaming at me. No longer whispering. More than that, I realize it's been screaming for a while now. I just wasn't paying attention. But now I am. Now I am. "Is it time?" And the voice says, "Yes. Now." It makes perfect sense, suicide does. An end to pain, to misunderstanding. An end to my existence as a walking, talking, living, breathing reminder to my mother of what was taken from her. Why has it taken me so long? Why have I let my pathetic excuse for a life drag on this long? I know why. Deep down, I know. I wasn't ready. Not before. Not like I am now. I've been preparing. I haven't been steeling myself for suicide. The suicide is actually the easy part. It's the other thing. The other thing. That's what I've been preparing for.
Barry Lyga (Bang)
Know this, Wildcat. I will never hurt you. I’d rather you run than to ever see that terrified look on your face again, especially when it’s aimed at me. So, this is me promising you with all I have to my name, that I will never lay a hand on you. That I will protect you with this pathetic excuse for a life…until you no longer want or need me.
A.K. Rose (Traded (Blood Ties, #5))
Now,” said Roadie, taking a deep breath and leaning over his desk, “perhaps you two irradiated, dopey, inbred, defective, bowlegged, ugly, clusterfucked, soup-sandwich, mutated, kitten-shitting, half-baked, slack-jawed, pathetic, muppet-faced worthless hunks of weak-minded, indiscreet, shit-dicked, nut-sucking, dimwitted, completely ass-backward, messed-up, sister-kissing, defective, similac-chugging, piddlyshit, senseless, ass-dragging, malformed, penguin-fucking, subnormal, numbskulled, imbecilic excuses for utterly useless space garbage will be so kind as to explain to me what the fuck got into those tiny hunks of gristle you call brains, or should I just shoot myself in the dick because the pain of hearing you speak will be less painful than trying to magic up the brainpower to comprehend whatever fuck-fuck game you shitbreathers were trying to play with our Chinese friends?
Peter Bostrom (The Last War (The Last War, #1))
They lean into each other, entwine arms and legs, innocently, affectionately, and I look at them, their identical eyes and smiles, and try to imagine the divergence of their lives. Mitra marrying at fourteen, while her cousin begins life in England. Mitra leaving school to have children while Farah studies, learns English, grows up in London, maybe goes on to university. I stare into the soft faces of those girls and try to imagine them meeting again, ten years from now. Farah will return for a visit. She will wear fashionable clothes and will wear a chaador with disdain. She will speak a refined English and will fit awkwardly into her mother tongue; it will no longer hold her. She will have developed a taste for philosophy over coffee, will have grown used to speaking her mind, will have had many friendships and a heartbreak that will have left her unsettled but independent, will have become successful, enviable. She and Mitra will gasp when they see each other after all these years. They will hug and separate and hug and separate and kiss each other on the cheek again and again. Then they will sit across from each other staring, wondering how the other one got so old. Mitra will have four children; no, five; and will wear this, them, in her face. Her arms will be thick, strong, her hands calloused, and she will cry easily, not because she is sad, but because her emotions will not live behind her mind. Farah will be shocked to see her old friend and will think it pathetic, her life, all these children, this cooking and praying and serving; this waste. The visit will be pleasant but awkward, forced in a way neither of them expected. Farah will find an excuse to spend the rest of her holiday in Tehran and will return to England without seeing Mitra again. They will be cousins always but never friends, because each will have a wisdom the other cannot understand. The girls stare at me, waiting for an answer. "Yes," I say, "You will both be happy.
Alison Wearing (Honeymoon in Purdah: An Iranian Journey)
Fuck this,’ says Rachel to Elliot. ‘Let’s go. Let’s get out of this pathetic, windowless, dirty, small-town excuse for a gym, full of people who are extremely up themselves given that they are basically just cleaners with clipboards and absolutely no future.’ She has the lungs for this kind of sentence now, because she is not a fucking beginner. She looks at Jordon. ‘You think you’re so fucking important, because your arms are bigger than some other guy’s? But you don’t actually have a brain, so why would you matter to anybody? Have you ever read a book? No. All you are is flesh and muscle, like a farm animal. You’re basically livestock. You’ve devoted your life to being artificially bulked up, like a fucking cow, like a sodding battery hen. And you know what’s really sad? You could have chosen anything, and you chose that, to be like all the rest of the pathetic cattle.
Scarlett Thomas (Oligarchy)