Pastel Purple Quotes

Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat's ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they'd not long since been rooted out. There is something subversive about this garden of Serena's, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamor to be heard, though silently.

All of them had been give a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool belt, Ray-Ban sunglasses, and a porkpie hat. “God, Leo.” Piper tried not to laugh. “I think my dad wore that to his last premiere, minus the tool belt.” “Hey, shut up!” “I think he looks good,” said Coach Hedge. “’Course, I look better.” The satyr was a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffed and then ate. “Well,” Jason said, “at least your mom overlooked me.” Piper knew that wasn’t exactly true. Looking at him, her heart did a little tap dance. Jason was dressed simply in jeans and a clean purple T-shirt, like he’d worn at the Grand Canyon. He had new track shoes on, and his hair was newly trimmed. His eyes were the same color as the sky. Aphrodite’s message was clear: This one needs no improvement. And Piper agreed.

Alice came upon treasure after treasure: everlasting daisies in pastel pinks and yellows, trails of grey and white feathers, boughs heavy with blossom buds on the gum trees. She breathed in the warm earth and appreciated the sky, a blend of soldier-crab blue and every shade of purple in a pipi shell. The desert's an old dream of the sea.

The moon, a sliver of white light, rose a hand above the horizon, then, tired, fell back. The purple blackness overhead faded into grey, the grey into pale blue; this was followed quickly by pastel reds and oranges, and finally, yellow rays streamed through the trees as the sun climbed.

I lay down My life for the sheep. —John 10:15 (NAS) Just before Easter, I made special efforts setting the dining room table. I’d purchased a pastel tablecloth with cute rabbits and decorated eggs on it. My ancient, flowered dishes, which had been my mother’s, blended in perfectly. For a centerpiece, I decided on a lavender, velveteen rabbit and purple irises from our yard. Still, I wasn’t quite satisfied with my handiwork. Something seemed to be missing. The back door opened and I heard, “Mom.” My son Jeremy had stopped by after getting off from work. We sat down in the living room. “Anything happen at the restaurant today?” “Yeah, it did. Today I served a fellow. We made small talk. He was alone. When I went to clear off his table, he handed me a bill. I almost just stuck it in my pocket. I don’t usually look at tips. But I did this time.” “And?” “A twenty!” “Wow.” “I ran after him, almost to his car. ‘Sir, you gave me a twenty by mistake.’ He turned to me, smiled, and said, ‘No mistake. I wanted you to have it.’ ‘But it’s way too much. You don’t have to do this.’ “Looking right into my eyes, he said, ‘Jesus didn’t have to go to the Cross either.’” After my son left, I found a small wooden cross and stood it by the purple irises on the dining room table. Jesus, keep me near the Cross—daily. —Marion Bond West Digging Deeper: 1 Cor 1:18; Gal 6:14; Col 2:14

She knew she should help, but the sunset was a streak of pastel orange and purple, the fire was crackling away peacefully, and Leo was practically in the buff—the view was now firmly planted in Fantasies She Never Knew She Had.

We break off into the streets, repairing the cobblestones with our brisk allegro. The townsfolk step aside in awe as my allongés stitch the pastel wood back into cottages and storefronts. Flowers grow from my quick bourrée steps, breathing life back into Luna Island in shades of pink and purple. Rainbows rise from the sea with my grand jeté, summoning the dolphins to leap alongside our dance. Damien catches me in his arms before lifting me into the air as I paint the sky bright blue. We laugh as the beauty of Luna Island blooms once again, running into the forest and turning the ash into lush green trees. Color bursts in the darkness as we chassé through the angels' village and past the glade where our story first began. With my pirouettes, I add extra pink petals to the garden where Damien and I once lay. I break into a series of chaîné turns as we make our way back down to the beach, unleashing the magic Luna bestowed upon me. The townsfolk watch in awe in the midst of the commotion, and I dust them in a veil of starlight that follows my path, healing bruises and stitching wounds until no one bleeds. They gather around me as I finish my dance, thrumming with applause and tossing the freshly spun flowers at my feet.

Noa sleeps with the curtains open, allowing as much moonlight as possible to flood her bedroom, allowing her to see each and every picture on the walls, if only as a pale glimmer. It took Noa weeks to perfect the art display. Reproductions of Monet's gardens at Giverny blanket one wall: thousands of violets- smudges of purples and mauves- and azaleas, poppies, and peonies, tulips and roses, water lilies in pastel pinks floating on serene lakes reflecting weeping willows and shimmers of sunshine. Turner's sunsets adorn another: bright eyes of gold at the center of skies and seas of searing magenta or soft blue. The third wall is splashed with Jackson Pollocks: a hundred different colors streaked and splattered above Noa's bed. The fourth wall is decorated by Rothko: blocks of blue and red and yellow blending and bleeding together. The ceiling is papered with the abstract shapes of Kandinsky: triangles, circles, and lines tumbling over one another in energetic acrobatics.

I was on the verge of dragging his big booty hoe all through TJ Maxx & More by her cheap ass purple weave. Yes, this time it was pastel purple. Why? “So

I was pretty focused and stoic about another week without Bobby until my Glow app sent me the super-helpful pastel-purple alert, “Your fertile window is closing . . .” This led to my sobbing to Maggie Haberman over a chardonnay in the hotel lobby. She looked up from Twitter, over her glasses. “Okay, you need to take that app off your phone immediately,” Mags said.

the yellow of fresh egg yolks, and the warm purple of a healing bruise, fire reds and candy pastels of blue and pink and white rising up only to descend into a chaotic central mass, like a hornet hive, before trailing off in dark marks at the far left of the canvas. Black lines, like primitive boats with crosshatched oars, open into a shimmering sea of white.