Cartier Love Quotes

We've searched our database for all the quotes and captions related to Cartier Love. Here they are! All 15 of them:

If you were a storm, I would lie down and rest in your rain. If you were a river, I would drink from your currents. If you were a poem, I would never cease to read you. I adore the girl you once were, and I love the woman you have become.
Rebecca Ross (The Queen's Resistance (The Queen’s Rising, #2))
Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course. “Christian, this is beautiful. Thank you. It’s yar.” He grins. My favorite is the heart. It’s a locket. “You can put a picture or whatever in that.” “A picture of you.” I glance at him through my lashes. “Always in my heart.” He smiles his lovely, heartbreakingly shy smile. I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to use his first name. I smile at the thought. And finally, there’s a key. “To my heart and soul,” he whispers.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
You don’t look like a mom,” Isabelle observed. “What does a mom look like to you?” “I don’t know.” She smiled. “Cartier Love bracelet? Lululemon?” I laughed at that, her referencing the staples of private-school carpool lanes. There were so many things I wanted to teach her. That being a mother did not have to mean no longer being a woman. That she could continue to live outside the lines. That forty was not the end. That there was more joy to be had. That there was an Act II, an Act III, an Act IV if she wanted it … But at thirteen, I imagined, she did not care. I imagined she just wanted to feel safe. I could not blame her. We had already shaken her ground. “Am I a mom?” I asked her then, kissing her forehead. She nodded. “Well, then, this is what a mom looks like.
Robinne Lee (The Idea of You)
I love the heart that is within you," Cartier said, smiling as his tears fell. "I love the spirit you are forged from Brienna MacQuinn. If you were a storm, I would lie down and rest in your rain. If you were a river, I would drink from your currents. If you were a poem, I would never cease to read you. I adore the girl you were, and I love the woman you have become. Marry me. Lead my lands and my people, and take me as yours.
Rebecca Ross (The Queen's Resistance (The Queen’s Rising, #2))
I know what courting is!” exclaimed Miss Bingley, outraged. “Are you being courted? How lovely, Miss Bingley, what is the gentleman's name?” asked Georgiana sweetly.
Caroline Cartier (Not Without Affection: A Pride and Prejudice Variation)
Where we love is home, Home that our feet may leave, but not our hearts. Oliver Wendell Holmes, Sr., Homesick in Heaven
Cynthia Lee Cartier (My Way Home)
You truly have no idea that Fitzwilliam is in love with you, do you?” she asked. “I did tell you, Anne,” said Charlotte
Caroline Cartier (Not Without Affection: A Pride and Prejudice Variation)
I love the heart that is within you," Cartier said, smiling as his tears fell. "I love the spirit you are forged from Brienna MacQuinn. If you were a storm, I would lie down and rest in your rain. If you were a river, I would drink from your currents. If you were a poem, I would never cease to read you. I adore the girl you once were, and I love the woman you have become. Marry me. Lead my lands and my people, and take me as yours.
Rebecca Ross (The Queen's Resistance (The Queen’s Rising, #2))
Hallsy is only thirty-nine, and already her face is pulled tight as a pair of Lululemon yoga pants across a plus-size girl’s rear. She’s never been married, which she’ll tell you she never wants to be even though she hangs all over every remotely fuckable guy after a single drink, while they gently untangle her Marshmallow Man arms from around their stiff necks. It’s no wonder the only ring on her finger is the Cartier Trinity, what with the way she’s ruined her face and the fact that she spends more time sunning on the beach than she should running on a treadmill. But it’s not just her sunspot-speckled chest and stocky, lazy frame. Hallsy is the type of person others describe as “whacky” and “kooky,” which is just the civilized way of saying she’s a nasty cunt. Hallsy she loves me.
Jessica Knoll (Luckiest Girl Alive)
I don’t want to be on the partner track, and I definitely don’t want Lindsey’s Cartier jewelry. It’s the success, the stability, the happiness that comes from making a good living doing something I love. I
Jessica Peterson (Southern Hotshot (North Carolina Highlands, #2))
You've got that thing, you've got that thing That thing that makes birds forget to sing Yes, you've got that thing, that certain thing You've got that charm, that subtle charm That makes young farmers desert the farm 'Cause you've got that thing, that certain thing You've got what Adam craved when he With love for Eve was tortured She only had an apple tree But you, you've got an orchard You've got those ways, those taking ways That make me rush off to Cartier's For a wedding ring, you've got that thing
Cole Porter (The Complete Lyrics of Cole Porter)
This is my cat, Juju," the woman says, noting my obvious confusion, maybe even my fear. "He's my good luck charm." "Uh, yeah," I say, backing away ever so slightly. That's some collar. I love the rhinestones. Trés chic." "Rhinestones? Don't be silly. I buy all his accessories from a jeweler. His collar is from Catier. As they say, diamonds are a cat's best friend." My upper lip twitches. Nobody has ever said that. And I'm pretty sure she means Cartier. She blows the cat a kiss, and I swear, if cats could smile, this one does, his giant face twisting with love or hunger. "He's huge," I say, watching his tail flick a bit menacingly. "He's a rare French breed, a Chartreux. He's just, how do you say? Big-boned?" She chortles out a laugh. "I really should put him on a regime like the vétérinaire said. He weighs nine kilos. Can you believe it? I strain my back when I try to pick him up. But he truly doesn't like les haricots verts or les courgettes. He's quite the gourmand." My head spins with confusion. I wonder, What cat would like green beans and zucchini? as I convert the math in my head. Her cat weighs around twenty pounds. And, apparently, he hates vegetables but adores his bling.
Samantha Verant (The Spice Master at Bistro Exotique)
And she said it in her essay “On Keeping a Notebook”—which has obvious appeal as a how-to primer for any aspiring writer who likes to eavesdrop but which also delivers an unexpected meditation on identity and place. I was in the right place until it was the wrong place, she says of herself. Or to me: There is nothing wrong with you; you are just in the wrong place. This idea that there is a right place and time for each of us, and you can vacate it by mistake and return to it only at great expense, fills much of her work with a kind of anticipatory nostalgia—looking backward even as she projects into the future. It’s an example of what Shakespeare called the “preposterous,” which as his scholars love to point out literally describes a condition where “before” follows “after” or “pre” follows “post”—a state of chronological, and often psychological, confusion. Remember the scene in “On Keeping a Notebook” when Didion sees a blonde in a Pucci bathing suit at the Beverly Hills Hotel surrounded by fat men? The blonde does the one thing that a blonde in a Pucci bathing suit was born to do: she “arches one foot and dips it into the pool.”2 There, she’s in her element. Right time, right place. It has a cinematic or photographic quality, like Henri Cartier-Bresson’s decisive moment.
Steffie Nelson (Slouching Towards Los Angeles: Living and Writing by Joan Didion’s Light)
We establish a calm abiding center, not to fortify ourselves against the chaos of life, but to help us become resilient, tolerant, and accepting of the inevitable, perplexing, and often agonizing losses we all go through. A calm abiding center and a fully engaged life, therefore, go hand in hand. This inner tempering through the fire of practice allows us to live at higher and higher levels of charge: to feel intensely, love intensely, and work intensely without fracturing in the process. We make firm this abiding center of equanimity, but not to sequester ourselves from life or to make life less “lively.” Rather, as the photographer Henri Cartier-Bresson once said about capturing life through the lens of his camera, we “discipline reality.” Cartier-Bresson did not lessen the poignancy of his subject matter through being attentive to it. In the same way, when we practice Yoga we do not dampen the fiery nature of life: if anything, we place ourselves right in the fierce heat of the center.
Donna Farhi (Bringing Yoga to Life: The Everyday Practice of Enlightened Living)
I will lie down and fall asleep in peace because you alone, Lord, let me live in safety.” Cartier’s body swayed after I recited Psalm 4:8 to her. “Can I pray for you?
B. Love (Mister Concierge (The Mister Series Book 4))