Passenger Princess Quotes

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I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
I’m tired of playing the good, calm girl. I rise up on my knees, reach over and hit him across the top of his head. “Fuck,” he curses. “What the hell was that for?” “That’s for being an asshole!” I hit him again… Reed pushes me back, hard, against the passenger door. “Sit the fuck down! You’re gonna make us crash.” “I’m not going to sit down!” I swing at him again. “I’m tired of you and your insults and your awful friends!
Erin Watt (Paper Princess (The Royals, #1))
But as Luca slid into my passenger seat to accept my offer of a ride home, the most pressing question was already weighing heavy on my mind. What does a warrior princess wear for her first day on the throne?
Rachel Vincent (Never to Sleep (Soul Screamers, #5.5))
White noise, impersonal roar. Deadening incandescence of the boarding terminals. But even these soul-free, sealed-off places are drenched with meaning, spangled and thundering with it. Sky Mall. Portable stereo systems. Mirrored isles of Drambuie and Tanqueray and Chanel No. 5. I look at the blanked-out faces of the other passengers—hoisting their briefcases, their backpacks, shuffling to disembark—and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet—for me, anyway—all that’s worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are. Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.
Donna Tartt (The Goldfinch)
Almost there, princess,” Mr. July said from the passenger’s seat. “Princess?” He turned just enough so that I could see his face. “I call it like I see it.” “Great,
Aileen Erin (Bruja (Alpha Girl, #4))
You are the passenger princess, which means you can do whatever you like.
Catherine Walsh (Snowed In (Fitzpatrick Christmas, #2))
You’re driving. I’m much better as a passenger princess, so pick me up at home.
Liz Tomforde (Caught Up (Windy City, #3))
Lie #2. She can still have her freedom while also being my passenger princess. I’m not kidding. If she says the word, I’ll be on-call 24/7 for her chauffeuring needs.
Cora Kent (Dark Obsession (Blackmore University, #2))
I didn’t even mind that he called me a “passenger princess.
Sophia Travers (My Office Rival (Keep Your Enemy Closer, #2))
No, sweetheart. If you were mine, I'd take you everywhere. Anywhere. Show you off any chance I got. A woman like you, you don't tell her what to do, what to wear. You let her do it, then prepare to watch her ass as she moves, stay alert while she lives her life, ensuring no harm comes to her. You make it so she never has to realize there's a world outside of her bubble that isn't sunshine and rainbows.
Morgan Elizabeth (Passenger Princess)
A real passenger princess, aren't you?" "The only real way to travel," I say with a smile.
Morgan Elizabeth (Passenger Princess)
Shoulders back, tits out, bitch. You were born for great things.
Morgan Elizabeth (Passenger Princess)
Looking back, I see now how we're all passengers freeloading on the bus called life.
Min-gyu Park (Pavane for a Dead Princess)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
The Princess of Mars Cruises’ flagship passenger liner Dejah Thoris is even larger than the Beanstalk climber, but a smaller portion of its interior volume is used to house passengers. The rest is the fuel supply, power plant, main engines, and cargo bays. It’s one of the largest civilian spacecraft ever built, and that says a lot about human civilization: we have slipped the surly bonds of Earth, now let’s party hearty.
Curtis C. Chen (Waypoint Kangaroo (Kangaroo #1))
See ya later, big guy,” I say as I teeter on my tall heels in front of him and pat his chest. “You know, you’d be a lot hotter if you were just a smidge.” I hold up my pointer finger and thumb, pinching them so there’s a tiny gap between my fingers. “Less grumpy.” “Noted,” he says, and even though he fights it, I can see it: the tiniest hint of a smile, the whisper of it on the edges of his lips. “Get home safe, princess.
Morgan Elizabeth (Passenger Princess)
When everything is in, I grab my car bag and start to set up the passenger seat for myself, pulling out my fluffy pink blanket. "What are you doing?" he asks, his hand on the top of the car door, watching me as I drape my blanket over the seat just in case I get chilly. "What?" "Get in the car. What are you doing?" "I'm setting up my seat. We've got, like, a four-hour drive.
Morgan Elizabeth (Passenger Princess)
Jesus, you could have died, Ava.” “So you were worried about me?” she asks, a smile on her lips. “It’s my job, Ava.” “Mm-hmm, I guess. Or it’s because you like me,
Morgan Elizabeth (Passenger Princess)
Plus, who doesn’t love the idea of love? Of falling in love and falling in lust. It’s the most beautiful thing in the world. When you read romance, you get to watch it over and over in different ways—what’s there not to love?
Morgan Elizabeth (Passenger Princess)
But you…you don’t have a man?” he asks, seeming confused. “Nope.” “Why not?” I shrug. “Haven’t found anyone I like enough to spend more than a couple weeks with. Life is too short for that. I’ve seen friends date men who are all kinds of wrong for them just because it was comfortable or he checked just enough boxes to make sense. I don’t want someone who makes sense. I want someone I’m crazy for.” I shrug again, feeling much too under the microscope for comfort. “When I find him, I’ll know, and that will be that. Could be next week, could be in forty years. I’m not putting my life on hold just because I’m waiting for some man.
Morgan Elizabeth (Passenger Princess)
Clumsy girls are the best girls. We’re having too much fun to worry about silly things like gravity.
Morgan Elizabeth (Passenger Princess)
bet on themselves, take a chance on themselves, and do one thing that scares them every day. Shoulders back, tits out, bitch. You were born for great things.
Morgan Elizabeth (Passenger Princess)
You said you love the idea of falling in love. I don't, Ava. I love being in love with you, and I love the idea of you getting your happily ever after every damn day. I love the idea of spending forever making sure you're treated like a queen and that you have everything you want in life. That you'll always have someone at your side cheering you on and watching your ass while you do it.
Morgan Elizabeth (Passenger Princess)
And I remember what I’ve been saying for the past three months: inspiring the followers I accidentally accumulated and using it as a platform to encourage women and girls to bet on themselves, take a chance on themselves, and do one thing that scares them every day. Shoulders back, tits out, bitch. You were born for great things.
Morgan Elizabeth (Passenger Princess)
This is how it works, Ava. I kiss you. Every time, I kiss you, and I do it in a way that you can never forget what it's like to be kissed by a man wholly and completely obsessed with you.
Morgan Elizabeth (Passenger Princess)