William Wells Brown Quotes

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A big part of being a well-adjusted person is accepting that you can’t be good at everything.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Brian Wilson went to bed for three years. Jean-Michel Basquiat would spend all day in bed. Monica Ali, Charles Bukowski, Marcel Proust, Elizabeth Barrett Browning, Tracey Emin, Emily Dickinson, Edith Sitwell, Frida Kahlo, William Wordsworth, René Descartes, Mark Twain, Henri Matisse, Kathy Acker, Derek Jarman and Patti Smith all worked or work from bed and they’re productive people. (Am I protesting too much?) Humans take to their beds for all sorts of reasons: because they’re overwhelmed by life, need to rest, think, recover from illness and trauma, because they’re cold, lonely, scared, depressed – sometimes I lie in bed for weeks with a puddle of depression in my sternum – to work, even to protest (Emily Dickinson, John and Yoko). Polar bears spend six months of the year sleeping, dormice too. Half their lives are spent asleep, no one calls them lazy. There’s a region in the South of France, near the Alps, where whole villages used to sleep through the seven months of winter – I might be descended from them. And in 1900, it was recorded that peasants from Pskov in northwest Russia would fall into a deep winter sleep called lotska for half the year: ‘for six whole months out of the twelve to be in the state of Nirvana longed for by Eastern sages, free from the stress of life, from the need to labour, from the multitudinous burdens, anxieties, and vexations of existence’.‡ Even when I’m well I like to lie in bed and think. It’s as if
Viv Albertine (To Throw Away Unopened)
Who dies best, the soldier who falls for your sake, or the fly in my whiskey-glass? The happy agony of the fly is his reward for an adventurous dive in no cause but his own. Gorged and crazed, he touches bottom, knows he's gone as far as he can go, and bravely sticks. I sleep on. In the morning I pour new happiness upon the crust of the old, and only as I raise the glass to my lips descry through that rich brown double inch my flattened hero. I drink around his death, being no angler by any inclination, and leave him in the weird shallows. The glass set down, I idle beneath the fan, while beyond my window-bars a warm drizzle passes silently from clouds to leaves. How to die? How to live? These questions, if we ask the dead fly, are both answered thus: In a drunken state. But drunk on WHAT should we all be? Well, there's love to drink, of course, and death, which is the same thing, and whiskey, better still, and heroin, best of all—except maybe for holiness. Accordingly, let this book, like its characters, be devoted to Addiction, Addicts, Pushers, Prostitutes and Pimps. With upraised needles, Bibles, dildoes and shot glasses, let us now throw our condoms in the fire, unbutton our trousers, and happily commit THIS MULTITUDE OF CRIMES.
William T. Vollmann (The Royal Family)
Though slavery is thought, by some, to be mild in Missouri, when compared with the cotton, sugar and rice growing States, yet no part of our slave-holding country, is more noted for the barbarity of its inhabitants, than St. Louis. It
William Wells Brown (The Narrative of William W. Brown, a Fugitive Slave)
Still, we permit the appearance of our meats, sauces, fruits, and vdgetables to dominate our tongues until it is difficult to divide a twist of lemon or squeeze of lime from the colors of their rinds or separate yellow from its yolk or chocolate from the quenchless brown which seems to be the root, shoot, stalk, and bloom of it. Yet I hardly think the eggplant's taste is as purple as its skin. In fact, there are few flavors at the violet end, odors either, for the acrid smell of blue smoke is deceiving, as is the tooth of the plum, though there may be just a hint of blue in the higher sauces. Perceptions are always profound, associations deceiving. No watermelon tastes red. Apropos: while waiting for a bus once, I saw open down the arm of a midfat, midlife, freckled woman, suitcase tugging at her hand like a small boy needing to pee, a deep blue crack as wide as any in a Roquefort. Split like paper tearing. She said nothing. Stood. Blue bubbled up in the opening like tar. One thing is certain: a cool flute blue tastes like deep well water drunk from a cup.
William H. Gass (On Being Blue)
A big part of being a well-adjusted person is accepting that you can’t be good at everything. Some things will always be hard. Decide what you can do in those arenas, without making yourself crazy or setting unreasonably high expectations, then feel proud when you do it.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Women with babies in hand were in a particularly cruel situation. Babies weren’t worth much money, and they slowed down coffles. William Wells Brown, hired out to a slave trader named Walker, recalled seeing a baby given away on the road: Soon after we left St. Charles, the young child grew very cross, and kept up a noise during the greater part of the day. Mr. Walker complained of its crying several times, and told the mother to stop the child’s d——d noise, or he would. The woman tried to keep the child from crying, but could not. We put
Ned Sublette (The American Slave Coast: A History of the Slave-Breeding Industry)
When you have no agency, nowhere to go, and nothing to do, time moves differently. It oozes and seeps by, becoming an oppressive and thick thing. There is absolutely nothing to be done with or in it. It is instead just something you wade slowly through on your way to . . . well, either leaving or dying, I guess.
Kelly Williams Brown (Easy Crafts for the Insane: A Mostly Funny Memoir of Mental Illness and Making Things)
world full of pacifists,” Dika replied. “But I want to meet a boy someday. Something about that just feels really right, you know? Just, pick one out of the herd, and lure him into chasing me, and… well, I’m not sure about the rest. But I wish there was someone to practice on.” Ah, now I was getting the picture. I grinned. That did sound kind of fun, actually. “And you say you don’t have a hunting instinct. Maybe you’re just built for catching a different kind of prey?” “Shut up!
E. William Brown (Perilous Waif (Alice Long #1))
when I see the same enormities practiced upon beings whose complexion and blood claim kindred with my own, I curse the perpetrators, and weep over the wretched victims of their rapacity. Indeed, truth and justice demand from me the confession that the Christian slaves among the barbarians of Africa are treated with more humanity than the African slaves among the professing Christians of civilized America; and yet here sensibility bleeds at every pore for the wretches whom fate has doomed to slavery." Such testimony would seem to furnish
Ida B. Wells-Barnett (Slave Narrative Six Pack 4 - The History of Mary Prince, William W. Brown, White Slavery, The Freedmen’s Book, Lucretia Mott and Lynch Law (Illustrated) (Slave Narrative Six Pack Boxset))
In the seven weeks that it took for Longwood to be refurbished and extended, Napoleon stayed at a pretty bungalow called The Briars, closer to Jamestown, with the family of the East India Company superintendent William Balcombe, where he had one room and a pavilion in their garden.66 This period was his happiest on St Helena, not least because he struck up an unlikely, charming and innocent friendship with the second of the Balcombes’ four surviving children, Betsy, a spirited fourteen-year-old girl who spoke intelligible if ungrammatical French and to whom Napoleon behaved with avuncular indulgence. She had originally been brought up to view Napoleon, in her words, as ‘a huge ogre or giant, with one large flaming eye in the centre of his forehead, and long teeth protruding from his mouth, with which he tore to pieces and devoured little girls’, but she very soon came to adore him.67 ‘His smile, and the expression of his eye, could not be transmitted to canvas, and these constituted Napoleon’s chief charm,’ she later wrote. ‘His hair was dark brown, and as fine and silky as a child’s, rather too much so indeed for a man as its very softness caused it to look thin.’68 The friendship began when Napoleon tested Betsy on the capitals of Europe. When he asked her the capital of Russia she replied, ‘Petersburg now; Moscow formerly’, upon which ‘He turned abruptly round, and, fixing his piercing eyes full in my face, he demanded sternly, “Who burnt it?” ’ She was dumbstruck, until he laughed and said: ‘Oui, oui. You know very well that it was I who burnt it!’ Upon which the teenager corrected him: ‘I believe, sir, the Russians burnt it to get rid of the French.’69 Whereupon Napoleon laughed and friendship with ‘Mademoiselle Betsee’, ‘lettle monkee’, ‘bambina’ and ‘little scatterbrain’ was born.
Andrew Roberts (Napoleon: A Life)
But, sad to say, Jefferson is not the only American statesman who has spoken high-sounding words in favour of freedom, and then left his own children to die slaves.
William Wells Brown (Clotel: or, The President's Daughter)
The American Union sanctions the deed. The Constitution shields the criminals. American
William Wells Brown (The Narrative of William W. Brown, a Fugitive Slave)
He was a regular Yankee from New England. The Yankees are noted for making the most cruel overseers.
William Wells Brown (The Narrative of William W. Brown, a Fugitive Slave)
A few weeks after, on our downward passage, the boat took on board, at Hannibal, a drove of slaves, bound for the New Orleans market. They numbered from fifty to sixty, consisting of men and women from eighteen to forty years of age. A drove of slaves on a southern steamboat, bound for the cotton or sugar regions, is an occurrence so common, that no one, not even the passengers, appear to notice it, though they clank their chains at every step. There
William Wells Brown (The Narrative of William W. Brown, a Fugitive Slave)
I would think of Victoria's domain, And in a moment I seemed to be there! But the fear of being taken again, Soon hurried me back to despair.
William Wells Brown (The Narrative of William W. Brown, a Fugitive Slave)
The most impressive naval career of all the female sailors is that of William Brown, a black woman who spent at least twelve years on British warships, much of this time in the extremely demanding role of captain of the foretop. A good description of her appeared in London’s Annual Register in September 1815: “She is a smart, well-formed figure, about five feet four inches in height, possessed of considerable strength and great activity; her features are rather handsome for a black, and she appears to be about twenty-six years of age.” The article also noted that “in her manner she exhibits all the traits of a British tar and takes her grog with her late messmates with the greatest gaiety.” Brown was a married woman and had joined the navy around 1804 following a quarrel with her husband. For several years she served on the Queen Charlotte, a three-decker with 104 guns and one of the largest ships in the Royal Navy. Brown must have had nerve, strength, and unusual ability to have been made captain of the foretop on such a ship….The captain of the foretop had to lead a team of seamen up the shrouds of the foremast, and then up the shrouds of the fore-topmast and out along the yards a hundred feet or more above the deck…. At some point in 1815, it was discovered that Brown was a woman and her story was published in the papers, but this does not seem to have affected her naval career….What is certain is that Brown returned to the Queen Charlotte and rejoined the crew.
David Cordingly (Seafaring Women: Adventures of Pirate Queens, Female Stowaways & Sailors' Wives)
Later in the day, Holly frowned at her reflection in the mirror. “This can’t be right!” Holly muttered to herself. She looked like a cross between a panda bear and a raccoon. She had tried to apply a more advanced version of makeup than she was used to, and it was not going well. “Smokey eye, my foot! I look like I have two black eyes.” She had not done the proper shading with her eye shadow, and now her large green eyes were encased with a deep black color that spanned her entire eyelid. “Maybe I should try a different one,” Holly mused aloud. She sat in William’s bedroom at his dresser. She already had on her pretty crushed velvet black dress and a small heart-shaped diamond pendant. It had been William’s birthday gift to her last year. “Let me re-read this article again to see if I can make sense of these instructions.” Holly read her magazine article out loud. “Which Greek Goddess are you? Athena, Venus, or Aphrodite? Check out our makeup tips below to turn heads at your next event!” “Hmmmm, that sounds soooooo good, if only I was better at applying makeup.” She had decided to try their Aphrodite look and had been trying to apply the eyeliner to give her a smoky eye effect. Holly had to wash her face four times already and start over because each time was worse than the last. “Concentrate, Holly, or you’ll be late for the gala. This is your last chance; it’s do or die time!” she warned her reflection in the mirror. “So, it says to put the light grey eyeshadow on the inner one-third of my eyelids. Hmmm, maybe that’s the problem. I don’t know where the inner third is.” She got an idea and went to William’s desk. Looking around, she found a ruler. “Ah-ha! Eureka, I got it!” She went back to her position at his dresser and closed her eyes for a quick, small prayer, then held the ruler up to measure her eye. “Ah-ha! Twenty-one millimeters. So, that means the inner one-third of my eye must be from my nose out seven millimeters . . . right about HERE!” Holly expertly applied the light grey eye shadow to the inner third of her eyelids. “What a big improvement already! Wow! I’m not a panda bear anymore! Ok, one-third down, two-thirds to go . . . I can do this!” Reading further, she said, “Ok, now apply the dark grey eye shadow to the next third of your eye, finishing with the dark brown eye shadow on the outer third of your eyelid.” Holly expertly followed the instructions and sat back in her chair, stunned. She looked beautiful! She had achieved the desired effect, and now her green eyes were enhanced to perfection. “Wow, wow, wow!” Holly felt encouraged to keep going. She read the next instructions. “‘Now, apply blush to your face with an emphasis on contouring your cheekbones.’” “‘Contouring my cheekbones? Who do they think I am, Rembrandt?” Holly said with a groan. Holly gingerly picked up her blush container as if it were about to bite her. She decided another quick prayer wouldn’t go amiss. With a deep breath she muttered, “Ok, I’m going in!” She glanced nervously at the picture in the magazine and tried her hardest to follow it along her cheekbones. “That turned out pretty good!” Holly turned her face this way and that, examining it. It may not have been exactly as in the picture, but the blush now accentuated her beautiful high cheekbones. “Whew! Only the lip left, thank goodness! You got this, Holly!” She encouraged her reflection in the mirror.
Kira Seamon (Dead Cereus)
WITH the growing population of slaves in the Southern States of America, there is a fearful increase of half whites, most of whose fathers are slaveowners and their mothers slaves.
William Wells Brown (Clotel: or, The President's Daughter)
In politics she was a radical, with leanings toward the views of people like Bernard Shaw and William Morris. All her ideas and opinions she poured out to Chips during those summer afternoons at Wasdale Head; and he, because he was not very articulate, did not at first think it worth while to contradict them. Her friend went away, but she stayed; what COULD you do with such a person, Chips thought. He used to hobble with sticks along a footpath leading to the tiny church; there was a stone slab on the wall, and it was comfortable to sit down, facing the sunlight and the green-brown majesty of the Gable and listening to the chatter of—well, yes, Chips had to admit it— a very beautiful girl.
James Hilton (Goodbye, Mr. Chips!)
The economists were talking about their alma maters (Dartmouth, William & Mary, MIT, Princeton), and Peter asked if Gibbs or I ever felt out of place because we didn't go to an Ivy League school. I could feel my face getting hot- remembering that awful day when I got skinny envelopes from Cornell, Brown, and Georgetown saying "Thanks, but no thanks." "Well, we all ended up at the same table, didn't we?" Gibbs - who went to North Carolina State - shot back. "Seems like we got a bargain!" Um, true.
Alyssa Mastromonaco (Who Thought This Was a Good Idea?: And Other Questions You Should Have Answers to When You Work in the White House)
If the Sussexes had any residual misgivings about whether they wanted out, those doubts vanished when they viewed the Queen’s 2019 televised Christmas message. With their own eyes, they saw that they had been kicked to the margins of the monarchy. Her Majesty eloquently made the point in her speech by saying nothing. The subtext was all in the flotilla of carefully arranged family photographs positioned on her writing desk, a grouping that, in case anyone thinks is accidental, has been artfully changed every year since the monarch’s first televised seasonal message in 1957. The previous Christmas, a family portrait of Charles, Camilla, the five Cambridges, and Harry and Meghan was exhibited at Her Majesty’s elbow. But in December 2019, the Sussexes had evaporated, their image excised as skillfully as Stalin would have done to an apparatchik out of favor. According to author Christopher Andersen, the Queen told the director of the broadcast that all the displayed photographs were fine to remain in the shot except for one. Her Majesty pointed at a winsome portrait of Harry, Meghan, and baby Archie. “ That one,” said the Queen. “I suppose we don’t need that one.” And a happy Christmas to you too, Granny! William was said to have been appalled when he saw the Sussexes had been edited out. He knew his brother well enough to predict a Category 5 tantrum brewing.
Tina Brown (The Palace Papers: Inside the House of Windsor - the Truth and the Turmoil)
People who have lots of power, people who care less about others, people are are more interested in what they want than what is just - sadly enough, these people tend to do pretty well for themselves, because they are more concerned with what works than what's right.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
It’s a slightly modified Buddhist meditation I do, and I highly recommend it. First, I think of Eleanor and my Grannybarb, two beings for whom I feel nothing but the purest love, the wake-up-and-thank-God-every-morning gratitude. I hold that feeling in my heart for a moment, to get it nice and settled in, and then I try to transfer it to myself and say, “May I be well, happy, and peaceful.” I extend it to people in my life who have brought me to a new place, introduced a new way of thinking, or just remind me of who I am working to become, saying, “May my teachers be well, happy, and peaceful.” I do and say the same thing for my family and then my friends, all while trying to extend that same deep, uncritical love to each and every one. Then it’s the indifferent people: the sweet people at my local 7-Eleven or any random person I may have seen that day. I also wish for them to be well, happy, and peaceful. Now, here is the very hard part: I try, so hard, to extend that same love and hope for goodness to the unfriendly person, and in this case, I try to think of the people I feel the very least friendly to, who are Trump, Stephen Miller, armed protestors in state capitols, etc.
Kelly Williams Brown (Easy Crafts for the Insane: A Mostly Funny Memoir of Mental Illness and Making Things)
you would do well to remember that history is written by the victor. War is filled with atrocities, and the more competitive pressure the great powers feel the more savage their behavior.
E. William Brown (Perilous Waif (Alice Long #1))
If you can fight, you can dance. We’ll teach you. But first, we need to fab you a gun. What do you think, laser or mass driver? I bet you’re a mass driver kind of girl. Something nice and beefy,
E. William Brown (Perilous Waif (Alice Long #1))
He reached his thumb out and wiped tears from my cheek. “Em, can we please go back to the way things were?” “Yes . . . definitely.” He pulled me into his chest. “I mean, Hunter Stevens? Really? That guy’s such a slimeball.” I wiped my tears and laughed into his shirt. “Come on, Desiree Banks? She’s a slut and everyone knows it . . . and those boobs, my god.” “For the record, I’m not really a boob guy. Well, I mean . . .” “I get it, dork! I can’t believe she was your first kiss.” He pushed my shoulders back to look at me. “Desiree wasn’t my first kiss.” “She wasn’t?” “No. I kissed Katy Brown in the seventh grade. We made out in the reading room in the back of the library.” He scratched his chin. “And then there was Chastity Williams, and then Lizzy Peters, and . . .” “Okay, okay, geez, I guess Desiree’s not the slut here.
Renee Carlino (Swear on This Life)
Well, that's the point, isn't it? We are all sorry for what is inevitable. Piece by piece it is taken away from us. We appear to bargain, but it all comes to the same thing in the end. Death and condolences.
William Browning Spencer (The Return of Count Electric & Other Stories)