“
The day my mother died I wrote in my journal, "A serious misfortune of my life has arrived." I suffered for more than one year after the passing away of my mother. But one night, in the highlands of Vietnam, I was sleeping in the hut in my hermitage. I dreamed of my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, her hair flowing down. It was so pleasant to sit there and talk to her as if she had never died. When I woke up it was about two in the morning, and I felt very strongly that I had never lost my mother. The impression that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just an idea. It was obvious in that moment that my mother is always alive in me.
I opened the door and went outside. The entire hillside was bathed in moonlight. It was a hill covered with tea plants, and my hut was set behind the temple halfway up. Walking slowly in the moonlight through the rows of tea plants, I noticed my mother was still with me. She was the moonlight caressing me as she had done so often, very tender, very sweet... wonderful! Each time my feet touched the earth I knew my mother was there with me. I knew this body was not mine but a living continuation of my mother and my father and my grandparents and great-grandparents. Of all my ancestors. Those feet that I saw as "my" feet were actually "our" feet. Together my mother and I were leaving footprints in the damp soil.
From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, feel the breeze on my face or the earth under my feet to remember that my mother is always with me, available at any time.
”
”
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
“
December 27, 11:00 p.m.
My Dear America,
I’ve never written a love letter, so forgive me if I fail now. . . .
The simple thing would be to say that I love you. But, in truth, it’s so much more than that. I want you, America. I need you.
I’ve held back so much from you out of fear. I’m afraid that if I show you everything at once, it will overwhelm you, and you’ll run away. I’m afraid that somewhere in the back of your heart is a love for someone else that will never die. I’m afraid that I will make a mistake again, something so huge that you retreat into that silent world of yours. No scolding from a tutor, no lashing from my father, no isolation in my youth has ever hurt me so much as you separating yourself from me.
I keep thinking that it’s there, waiting to come back and strike me. So I’ve held on to all my options, fearing that the moment I wipe them away, you will be standing there with your arms closed, happy to be my friend but unable to be my equal, my queen, my wife.
And for you to be my wife is all I want in the world. I love you. I was afraid to admit it for a long time, but I know it now.
I would never rejoice in the loss of your father, the sadness you’ve felt since he passed, or the emptiness I’ve experienced since you left. But I’m so grateful that you had to go. I’m not sure how long it would have taken for me to figure this out if I hadn’t had to start trying to imagine a life without you. I know now, with absolute certainty, that is nothing I want.
I wish I was as true an artist as you so that I could find a way to tell you what you’ve become to me. America, my love, you are sunlight falling through trees. You are laughter that breaks through sadness. You are the breeze on a too-warm day. You are clarity in the midst of confusion.
You are not the world, but you are everything that makes the world good. Without you, my life would still exist, but that’s all it would manage to do.
You said that to get things right one of us would have to take a leap of faith. I think I’ve discovered the canyon that must be leaped, and I hope to find you waiting for me on the other side.
I love you, America.
Yours forever,
Maxon
”
”
Kiera Cass (The One (The Selection, #3))
“
Once upon a time, before chimaera and seraphim, there was the sun and the moons. The sun was betrothed to Nitid, the bright sister, but it was demure Ellai, always hiding behind her bold sister, who stirred his lust. He contrived upon her bathing in the sea and he took her. She struggled, but he was the sun, and he thought he should have what he wanted. Ellai stabbed him and escaped, and the blood of the sun flew like sparks to earth, where it became seraphim- misbegotten children of fire. And like their father, they believed it their due to want, and take, and have.
As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimeara, children of regret.
When the sun came again to the sisters, neither would have him. Nitid put Ellai behind her and protected her, though the sun, still bleeding sparks, knew Ellai was not as defenseless as she seemed. He plead with Nitid to forgive him but she refused, and to this day he follows the sisters across the sky, wanting and wanting and never having, and that will be his punishment, forever.
Nitid is the goddess of tears and life, hunts and war, and her temples are too many to count. It is she who fills wombs, slows the hearts of the dying, and leads her children against the serephim. Her light is like a small sun; she chases away shadows.
Ellai is more subtle. She is a trace, a phantom moon, and there are only a handful of nights she alone takes the sky. There are called Ellai nights, and they are dark and star-scattered and good for furtive things. Ellai is the goddes of assassins and secret lovers. Temples to her are few, and hidden, like the one in the requiem grove in the hills above Loramendi.
”
”
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
“
There were people who escaped Hiroshima and rushed to Nagasaki to see that their loved ones were safe. Arriving just in time to be incinerated. He went there after the war with a team of scientists. My father. He said that everything was rusty. Everything looked covered with rust. There were burnt-out shells of trolleycars standing in the streets. The glass melted out of the sashes and pooled on the bricks. Seated on the blackened springs the charred skeletons of the passengers with their clothes and hair gone and their bones hung with blackened strips of flesh. Their eyes boiled from their sockets. Lips and noses burned away. Sitting in their seats laughing. The living walked about but there was no place to go. They waded by the thousands into the river and died there. They were like insects in that no one direction was preferable to another. Burning people crawled among the corpses like some horror in a vast crematorium. They simply thought that the world had ended. It hardly even occurred to them that it had anything to do with the war. They carried their skin bundled up in their arms before them like wash that it not drag in the rubble and ash and they passed one another mindlessly on their mindless journeyings over the smoking afterground, the sighted no better served than the blind. The news of all this did not even leave the city for two days. Those who survived would often remember these horrors with a certain aesthetic to them. In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years. Like an immense bladder, they would say. Like some sea thing. Wobbling slightly on the near horizon. Then the unspeakable noise. They saw birds in the dawn sky ignite and explode soundlessly and fall in long arcs earthward like burning party favors.
p.116
”
”
Cormac McCarthy (The Passenger (The Passenger #1))
“
My job is not to sell the books - my father does that - but to look after them. Every so often I take out a volume and read a page or two. After all, reading is looking after in a manner of speaking. Though they're not old enough to be valuable for their age alone, nor improtant enough to be sought after by collectors, my charges are dear to me, even as often as not, they are as dull on the inside as on the outside. No matter how banal the contents, there is always something that touches me. For someone now dead once thought these words significant enough to write them down.
People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the boooks they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.
As one tends the graves of the dead, so I tend the books. I clean them, do minor repairs, keep them in good order. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head. Do they sense it, these dead writers, when their books are read? Does a pinprick of light appear in their darkness? Is their soul stirred by the feather touch of another mind reading theirs? I do hope so. For it must be very lonely being dead.
”
”
Diane Setterfield (The Thirteenth Tale)
“
They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic.
One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these:
"I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out.
"I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward.
"I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
"I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice.
"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
”
”
Charles Dickens (A Tale of Two Cities)
“
Dear Deborah,
Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say:
When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle.
When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs.
When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her.
When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen.
When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her.
When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away.
Tell her you love her, so that she will know a man can say the words.
If you hurt her, apologize, so that she will know a man can admit that he's wrong.
These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole.
Without it, there are tatters.
It is never too late for a man to learn to stitch, to begin mending.
These are the things I would tell that young father, if I could.
A daughter grown up quickly. There isn't time to waste.
I love you,
Dad
”
”
Lisa Wingate (Dandelion Summer (Blue Sky Hill #4))
“
The rats had crept out of their holes to look on, and they remained looking on for hours; soldiers and police often passing between them and the spectacle, and making a barrier behind which they slunk, and through which they peeped. The father had long ago taken up his bundle and hidden himself away with it, when the women who had tended the bundle while it lay on the base of the fountain, sat there watching the running of the water and the rolling of the Fancy Ball - when the one woman who had stood conspicuous, knitting, still knitted on with the steadfastness of Fate. The water of the fountain ran, the swift river ran, the day ran into evening, so much life ran in the city ran into death according to rule, time and tide waited for no man, the rats were sleeping close together in their dark holes again, the Fancy Ball was lighted up at supper, all things ran their course
”
”
Charles Dickens (A Tale of Two Cities)
“
I found my father asleep in his dining-room armchair, with a blanket over his legs and his favorite book open in his hands--a copy of Voltaire's Candide, which he reread a couple of times a year, the only times I heard him laugh heartily. I observed him: his hair was gray, thinning, and the skin on his face had begun to sag around his cheekbones. I looked at that man whom I had once imagined almost invincible; he now seemed fragile, defeated without knowing it. Perhaps we were both defeated. I leaned over to cover him with the blanket he had been promising to give away to charity for years, and I kissed his forehead, as if by doing so I could protect him from the invisible threads that kept him away from me, from that tiny apartment, and from my memories, as if I believed that with that kiss I could deceive time and convince it to pass us by, to return some other day, some other life.
”
”
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
“
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
”
”
James Joyce (Ulysses)
“
Dear Kai,
The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went.
I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me.
Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make.
After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands.
But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that.
And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle.
Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom.
I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know.
Yours,
Elliot
Dear Elliot,
I know. When will I see you again?
Yours,
Kai
”
”
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
“
The marriage ceremony is sexist beyond parody. The bride appears in a fussy white dress that symbolizes her virtue and virginity, and everyone keeps on remarking on how thin and beautiful she looks. Her father walks her down the aisle to ‘give her away’, and she passes, like property, from one man to another. The minister, who is traditionally a man, gives the man permission to kiss the woman, as if that is in the minister’s authority and the woman has none. The man kisses, the woman is kissed. At the reception, only men are given to speak, while the bride remains seated and silent. Henceforth, the woman will adopt the man’s name, as will their eventual offspring. Despite all this, the wedding day is said to belong to the woman. This, would you believe, is ‘her day’.
”
”
Neel Burton (For Better For Worse: Should I Get Married?)
“
Nature Boy
I was just a boy when I sat down
To watch the news on TV
I saw some ordinary slaughter
I saw some routine atrocity
My father said, don't look away
You got to be strong, you got to be bold, now
He said, that in the end it is beauty
That is going to save the world, now
And she moves among the sparrows
And she floats upon the breeze
She moves among the flowers
She moves something deep inside of me
I was walking around the flower show like a leper
Coming down with some kind of nervous hysteria
When I saw you standing there, green eyes, black hair
Up against the pink and purple wisteria
You said, hey, nature boy, are you looking at me
With some unrighteous intention?
My knees went weak,
I couldn't speak, I was having thoughts
That were not in my best interests to mention
And she moves among the flowers
And she floats upon the smoke
She moves among the shadows
She moves me with just one little look
You took me back to your place
And dressed me up in a deep sea diver's suit
You played the patriot, you raised the flag
And I stood at full salute
Later on we smoked a pipe that struck me dumb
And made it impossible to speak
As you closed in, in slow motion,
Quoting Sappho, in the original Greek
She moves among the shadows
She floats upon the breeze
She moves among the candles
And we moved through the days
and through the years
Years passed by, we were walking by the sea
Half delirious
You smiled at me and said, Babe
I think this thing is getting kind of serious
You pointed at something and said
Have you ever seen such a beautiful thing?
It was then that I broke down
It was then that you lifted me up again
She moves among the sparrows
And she walks across the sea
She moves among the flowers
And she moves something deep inside of me
She moves among the sparrows
And she floats upon the breeze
She moves among the flowers
And she moves right up close to me
”
”
Nick Cave
“
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evils of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward. I see that I hold sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place – then fair to look upon, with not a trace of this day’s disfigurement – and I hear him tell the child my story, with a tender and faltering voice. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
”
”
Charles Dickens (A Tale of Two Cities)
“
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...'
My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning.
A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
”
”
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
“
Anger, resentment, jealousy, desire for revenge, lust, greed, antagonisms, and rivalries are the obvious signs that I have left home. And that happens quite easily. When I pay careful attention to what goes on in my mind from moment to moment, I come to the disconcerting discovery that there are very few moments during the day when I am really free from these dark emotions, passions and feelings.
Constantly falling back into an old trap, before I am even fully aware of it, I find myself wondering why someone hurt me, rejected me, or didn't pay attention to me. Without realizing it, I find myself brooding about someone else's success, my own loneliness, and the way the world abuses me. Despite my conscious intentions, I often catch myself daydreaming about becoming rich, powerful, and very famous. All of these mental games reveal to me the fragility of my faith that I am the Beloved One on whom God's favor rests. I am so afraid of being disliked, blamed, put aside, passed over, ignored, persecuted, and killed, that I am constantly developing strategies to defend myself and thereby assure myself of the love I think I need and deserve. And in so doing I move far away from my father's home and choose to dwell in a "distant country.
”
”
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
“
The Christian church, the Christian form of worship, was not invented by the fathers of the church. It was all taken in a ready-made form from Egypt, only not from the Egypt that we know but from one which we do not know. This Egypt was in the same place as the other but it existed much earlier. Only small bits of it survived in historical times, and these bits have been preserved in secret and so well that we do not even know where they have been preserved.
It will seem strange to many people when I say that this prehistoric Egypt was Christian many thousands of years before the birth of Christ, that is to say, that its religion was composed of the same principles and ideas that constitute true Christianity. Special schools existed in this prehistoric Egypt which were called 'schools of repetition.' In these schools a public repetition was given on definite days, and in some schools perhaps even every day, of the entire course in a condensed form of the sciences that could be learned at these schools. Sometimes this repetition lasted a week or a month. Thanks to these repetitions people who had passed through this course did not lose their connection with the school and retained in their memory all they had learned. Sometimes they came from very far away simply in order to listen to the repetition and went away feeling their connection with the school. There were special days of the year when the repetitions were particularly complete, when they were carried out with particular solemnity—and these days themselves possessed a symbolical meaning.
These 'schools of repetition' were taken as a model for Christian churches—the form of worship in Christian churches almost entirely represents the course of repetition of the science dealing with the universe and man. Individual prayers, hymns, responses, all had their own meaning in this repetition as well as holidays and all religious symbols, though their meaning has been forgotten long ago.
”
”
G.I. Gurdjieff (In Search of the Miraculous: Fragments of an Unknown Teaching)
“
On our particular mission, senior marines met with local school officials while the rest of us provided security or hung out with the schoolkids, playing soccer and passing out candy and school supplies. One very shy boy approached me and held out his hand. When I gave him a small eraser, his face briefly lit up with joy before he ran away to his family, holding his two-cent prize aloft in triumph. I have never seen such excitement on a child’s face. I don’t believe in epiphanies. I don’t believe in transformative moments, as transformation is harder than a moment. I’ve seen far too many people awash in a genuine desire to change only to lose their mettle when they realized just how difficult change actually is. But that moment, with that boy, was pretty close for me. For my entire life, I’d harbored resentment at the world. I was mad at my mother and father, mad that I rode the bus to school while other kids caught rides with friends, mad that my clothes didn’t come from Abercrombie, mad that my grandfather died, mad that we lived in a small house. That resentment didn’t vanish in an instant, but as I stood and surveyed the mass of children of a war-torn nation, their school without running water, and the overjoyed boy, I began to appreciate how lucky I was: born in the greatest country on earth, every modern convenience at my fingertips, supported by two loving hillbillies, and part of a family that, for all its quirks, loved me unconditionally. At that moment, I resolved to be the type of man who would smile when someone gave him an eraser. I haven’t quite made it there, but without that day in Iraq, I wouldn’t be trying. The
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
Have you heard the songs they sing here in Kilanga?” he asked. “They’re very worshipful. It’s a grand way to begin a church service, singing a Congolese hymn to the rainfall on the seed yams. It’s quite easy to move from there to the parable of the mustard seed. Many parts of the Bible make good sense here, if only you change a few words.” He laughed. “And a lot of whole chapters, sure, you just have to throw away.”
“Well, it’s every bit God’s word, isn’t it?” Leah said.
“God’s word, brought to you by a crew of romantic idealists in a harsh desert culture eons ago, followed by a chain of translators two thousand years long."
Leah stared at him.
“Darling, did you think God wrote it all down in the English of King James himself?”
“No, I guess not.”
“Think of all the duties that were perfectly obvious to Paul or Matthew in that old Arabian desert that are pure nonsense to us now. All that foot washing, for example. Was it really for God’s glory, or just to keep the sand out of the house?”
Leah sat narrow-eyed in her chair, for once stumped for the correct answer.
“Oh, and the camel. Was it a camel that could pass through the eye of a needle more easily than a rich man? Or a coarse piece of yarn? The Hebrew words are the same, but which one did they mean? If it’s a camel, the rich man might as well not even try. But if it’s the yarn, he might well succeed with a lot of effort, you see?” He leaned forward toward Leah with his hands on his knees. “Och, I shouldn’t be messing about with your thinking this way, with your father out in the garden. But I’ll tell you a secret. “When I want to take God at his word exactly, I take a peep out the window at His Creation. Because that, darling, He makes fresh for us every day, without a lot of dubious middle managers.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.'
Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.
”
”
Jeanine Cummins (American Dirt)
“
Finally, Elizabeth understood that she had been orphaned not once but twice when her mother passed away. She lost her father as surely as her mother on the day of her birth. All those years, she idealized the earl’s devotion to her mother’s memory and ignored the price she herself paid. She grew up a lonely child, envying a beloved spectral being and wishing someday for an undying, perfect love of her own in compensation. Her next thought stunned her: she would never wish that childhood on any child of hers.
”
”
Miranda Davis (The Baron's Betrothal (Horsemen of the Apocalypse #2))
“
It’s really hard to deny a kid who’s father has passed away. We all just wanted you to be happy so we messed that up. Your career wasn’t about the money. Not at first. It gave you both something big to do so you could stay busy and forget how much you missed your dad.” His heart twisted, and he whispered, “When I think of him...I don’t remember his face, but I do remember how much it hurt to have him simply there one day and gone the next...just gone.” Nan nodded. “Imagine how your mom felt. Your dad was the love of her life.
”
”
Anne Eliot (Unmaking Hunter Kennedy)
“
From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space.
Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.
”
”
Albert Camus
“
Did you ever hear what happened to Oliver Cromwell’s head? It was originally lashed to the roof of Westminster Hall as a potent warning not to mess with the government of the day, but in 1685 a violent storm blew it off its perch and a captain of the guard had it away and hid it up his chimney, where it stayed until he admitted the crime on his death bed.
So can you picture the scene? Cromwell died in 1658. 27 years later this geezer nicks his head and shoves it up his chimney. He’s about to croak it, the whole family’s gathered around his death bed, everybody’s in tears and they’re all wondering if he’ll come out with any famous last words. Perhaps, “Farewell, my children, forever. I go to your father,” or maybe, “Let us pass over the river and rest under the shade of the trees,” or even, “Don’t let it end like this, tell them I said something.”
Not this fucking joker! No! What does he say? He says, “Here Jackie, the sausages tasted a bit off tonight. Did I ever tell you I nicked Oliver Cromwell’s head and shoved it up the chimney? It’s still there,” and he draws back the veil of his earthly life and succumbs to eternal peace.
They all look at each other, “What did he fucking say?”
“He said he nicked Oliver Cromwell’s head.”
“What do you mean; he nicked Oliver Cromwell’s head?”
“That’s what he said, don’t blame me!”
“Fuck’s sake!”
“Well, do you think we should look?”
“Don’t talk bollocks! You honestly want to look up the chimney to see if Oliver Cromwell’s head’s up there?”
“I’m just saying …..”
Anyway, one of them had a look up the chimney, found the head and by 1710 it was appearing in a freak show under the banner, ‘The Monster’s Head.’
True story
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
Your high independence only reveals the immeasurable distance between us. The blessings in which you, this day, rejoice, are not enjoyed in common.—The rich inheritance of justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not by me. The sunlight that brought life and healing to you, has brought stripes and death to me. This Fourth July is yours, not mine. * * * I left Ashton Villa and began my trek to Galveston’s Old Central Cultural Center, about a half mile away from Ashton Villa. The building was formerly part of Central High School, which
”
”
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
“
Hypothetically, then, you may be picking up in someone a certain very strange type of sadness that appears as a kind of disassociation from itself, maybe, Love-o.’
‘I don’t know disassociation.’
‘Well, love, but you know the idiom “not yourself” — “He’s not himself today,” for example,’ crooking and uncrooking fingers to form quotes on either side of what she says, which Mario adores. ‘There are, apparently, persons who are deeply afraid of their own emotions, particularly the painful ones. Grief, regret, sadness. Sadness especially, perhaps. Dolores describes these persons as afraid of obliteration, emotional engulfment. As if something truly and thoroughly felt would have no end or bottom. Would become infinite and engulf them.’
‘Engulf means obliterate.’
‘I am saying that such persons usually have a very fragile sense of themselves as persons. As existing at all. This interpretation is “existential,” Mario, which means vague and slightly flaky. But I think it may hold true in certain cases. My own father told stories of his own father, whose potato farm had been in St. Pamphile and very much larger than my father’s. My grandfather had had a marvelous harvest one season, and he wanted to invest money. This was in the early 1920s, when there was a great deal of money to be made on upstart companies and new American products. He apparently narrowed the field to two choices — Delaware-brand Punch, or an obscure sweet fizzy coffee substitute that sold out of pharmacy soda fountains and was rumored to contain smidgeons of cocaine, which was the subject of much controversy in those days. My father’s father chose Delaware Punch, which apparently tasted like rancid cranberry juice, and the manufacturer of which folded. And then his next two potato harvests were decimated by blight, resulting in the forced sale of his farm. Coca-Cola is now Coca-Cola. My father said his father showed very little emotion or anger or sadness about this, though. That he somehow couldn’t. My father said his father was frozen, and could feel emotion only when he was drunk. He would apparently get drunk four times a year, weep about his life, throw my father through the living room window, and disappear for several days, roaming the countryside of L’Islet Province, drunk and enraged.’
She’s not been looking at Mario this whole time, though Mario’s been looking at her.
She smiled. ‘My father, of course, could himself tell this story only when he was drunk. He never threw anyone through any windows. He simply sat in his chair, drinking ale and reading the newspaper, for hours, until he fell out of the chair. And then one day he fell out of the chair and didn’t get up again, and that was how your maternal grandfather passed away. I’d never have gotten to go to University had he not died when I was a girl. He believed education was a waste for girls. It was a function of his era; it wasn’t his fault. His inheritance to Charles and me paid for university.’
She’s been smiling pleasantly this whole time, emptying the butt from the ashtray into the wastebasket, wiping the bowl’s inside with a Kleenex, straightening straight piles of folders on her desk.
”
”
David Foster Wallace (Infinite Jest)
“
The voice that breathed o’er Eden, That earliest wedding-day The primal marriage blessing, It hath not passed away.
Be present, heavenly Father, To give away this bride, As Eve thou gav’st to Adam Out of his own pierced side.
Be present, gracious Savior, To join their loving hands, As Thou didst bind two natures In Thine eternal bands.
Be present, Holy Spirit, To bless them as they kneel, As Thou for Christ the bridegroom The heavenly spouse dost seal.
O spread Thy pure wings o’er them! Let no ill power find place, When onward through life’s journey The hallowed path they trace,
To cast their crowns before Thee, In perfect sacrifice, Till to the home of gladness With Christ’s own bride they rise.
”
”
Ravi Zacharias (I, Isaac, Take Thee, Rebekah: Moving from Romance to Lasting Love)
“
You can make quite a life for yourself hosting charity dinners and collecting art. You can find a way to be happy with whatever the truth is. Until your daughter dies. Connor was diagnosed with late-stage breast cancer two and a half years ago, when she was thirty-nine. She was given months to live. I knew what it was like to realize that the one you love would leave this earth well before you. But nothing could prepare me for the pain of watching my child suffer. I held her when she puked from the chemo. I wrapped her in blankets when she was so cold she was crying. I kissed her forehead like she was my baby again, because she was forever my baby. I told her every single day that her life had been the world’s greatest gift to me, that I believed I was put on earth not to make movies or wear emerald-green gowns and wave at crowds but to be her mother. I sat next to her hospital bed. “Nothing I have ever done,” I said, “has made me as proud as the day I gave birth to you.” “I know,” she said. “I’ve always known that.” I had made a point of not bullshitting her ever since her father died. We had the sort of relationship where we believed each other, believed in each other. She knew she was loved. She knew that she had changed my life, that she had changed the world. She made it eighteen months before she passed away. And when they put her in the ground next to her father, I broke like I have never broken before. The devastating luxury of panic overtook me. And it has never left.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
The next bit is the fairy tale. There’s a day in April when it’s raining. The river is running fast. The girl whose father had died, whose mother raised her in the crooked house by the river, who grew up with that broken part inside where your father has died and which if you’re a girl and your father was Spencer Tracy you can’t fix or unhurt, that girl who yet found in herself some kind of forbearance and strength and was not bitter, whose name was Mary MacCarroll and who was beautiful without truly knowing it and had her mother and father’s dancing and pride in her, that girl walked the riverbank in the April rain. And standing at that place in Shaughnessy’s called Fisher’s Step, where the ground sort of raises a little and sticks out over the Shannon, right there, the place which in The Salmon in Ireland Abraham Swain says salmon pass daily and though it’s treacherous he calls a blessed little spot, right there, looking like a man who had been away a long time and had come back with what in Absalom, Absalom! (Book 1,666, Penguin Classics, London) William Faulkner calls diffident and tentative amazement, as if he’d been through some solitary furnace experience, and come out the other side, standing right there, suntanned face, pale-blue eyes that look like they are peering through smoke, lips pressed together, aged twenty-nine but looking older, back in Ireland less than two weeks, the ocean-motion still in his legs but strangely the river now lending him a river repose, standing right there, was Virgil Swain.
”
”
Niall Williams (History of the Rain)
“
Mom, what about the story you were going to tell Katie?” “Oh, yes. Queen Elizabeth. When she came to Kenya for a visit in 1952, she and Prince Philip stayed at Treetops. It’s a hotel not far from here. The rooms are at treetop height. She sipped tea on the open veranda while the elephants and other wild animals came to the watering hole below. Her father, King George IV, had been ill but seemed to have recovered, so the trip to Africa didn’t pose a conflict.” “Was he the one who stuttered? I remember seeing a movie about him,” Katie said. “Yes, that was the same king,” Eli answered for his mom. “What happened is that he took a turn for the worse and passed away while Princess Elizabeth was at Treetops. Since communication between England and Africa was so slow, she didn’t know her father had died until after they had left Treetops, and they stopped for lunch at the Aberdare Country Club, where we just ate.” “Really? The queen of England ate at that same restaurant?” “Yes. Only she didn’t yet know she was the queen of England. Word hadn’t reached her. The great statement about Treetops is that Elizabeth went up the stairs to her room that night as a princess, and when she descended those same stairs the next morning, she was the queen of England.” “I love stories like that,” Katie said. “I mean, it’s sad that her father died while she was in Africa, but what a rite of passage that moment was. She was doing what was on the schedule for that day, and by the time she put her head on her pillow that night, everything had changed.” As
”
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Robin Jones Gunn (Finally and Forever (Katie Weldon, #4))
“
Calmly We Walk Through This April Day
Calmly we walk through this April's day,
Metropolitan poetry here and there,
In the park sit pauper and rentier,
The screaming children, the motor-car
Fugitive about us, running away,
Between the worker and the millionaire
Number provides all distances,
It is Nineteen Thirty-Seven now,
Many great dears are taken away,
What will become of you and me
(This is the school in which we learn...)
Besides the photo and the memory?
(...that time is the fire in which we burn.)
(This is the school in which we learn...)
What is the self amid this blaze?
What am I now that I was then
Which I shall suffer and act again,
The theodicy I wrote in my high school days
Restored all life from infancy,
The children shouting are bright as they run
(This is the school in which they learn . . .)
Ravished entirely in their passing play!
(...that time is the fire in which they burn.)
Avid its rush, that reeling blaze!
Where is my father and Eleanor?
Not where are they now, dead seven years,
But what they were then?
No more? No more?
From Nineteen-Fourteen to the present day,
Bert Spira and Rhoda consume, consume
Not where they are now (where are they now?)
But what they were then, both beautiful;
Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.
”
”
Delmore Schwartz
“
There was a moment of stillness before something in him seemed to snap. she pounced on her with a sort of tigerish delight, and clamped his mouth over hers. She squeaked in surprise, wriggling in his hold, but his arms clamped around her easily, his muscles as solid as oak. He kissed her possessively, almost roughly at first, gentling by voluptuous degrees. Her body surrendered without giving her brain a chance to object, applying itself eagerly to every available inch of him. The luxurious male heat and hardness of him satisfied a wrenching hunger she hadn't been aware of until now. It also gave her the close-but-not-close-enough feeling she remembered from before. Oh, how confusing this was, this maddening need to crawl inside his clothes, practically inside his skin.
She let her fingertips wander over his cheeks and jaw, the neat shape of his ears, the taut smoothness of his neck. When he offered no objection, she sank her fingers into his thick, vibrant hair and sighed in satisfaction. He searched for her tongue, teased and stroked intimately until her heart pounded in a tumult of longing, and a sweet, empty ache spread all through her. Dimly aware that she was going to lose control, that she was on the verge of swooning, or assaulting him again, she managed to break the kiss and turn her face away with a gasp.
"Don't," she said weakly.
His lips grazed along her jawline, his breath rushing unsteadily against her skin. "Why? Are you still worried about Australian pox?"
Slowly it registered that they were no longer standing. Gabriel was sitting on the ground with his back against the grass-covered mound, and- heaven help her- she was in his lap. She glanced around them in bewilderment. How had this happened?
"No," she said, bewildered and perturbed, "but I just remembered that you said I kissed like a pirate."
Gabriel looked blank for a moment. "Oh, that. That was a compliment."
Pandora scowled. "It would only be a compliment if I had a beard and a peg leg."
Setting his mouth sternly against a faint quiver, Gabriel smoothed her hair tenderly. "Forgive my poor choice of words. What I meant to convey was that I found your enthusiasm charming."
"Did you?" Pandora turned crimson. Dropping her head to his shoulder, she said in a muffled voice, "Because I've worried for the past three days that I did it wrong."
"No, never, darling." Gabriel sat up a little and cradled her more closely to him. Nuzzling her cheek, he whispered, "Isn't it obvious that everything about you gives me pleasure?"
"Even when I plunder and pillage like a Viking?" she asked darkly.
"Pirate. Yes, especially then." His lips moved softly along the rim of her right ear. "My sweet, there are altogether too many respectable ladies in the world. The supply has far exceeded the demand. But there's an appalling shortage of attractive pirates, and you do seem to have a gift for plundering and ravishing. I think we've found you're true calling."
"You're mocking me," Pandora said in resignation, and jumped a little as she felt his teeth gently nip her earlobe.
Smiling, Gabriel took her head between his hands and looked into her eyes. "Your kiss thrilled me beyond imagining," he whispered. "Every night for the rest of my life, I'll dream of the afternoon in the holloway, when I was waylaid by a dark-haired beauty who devastated me with the heat of a thousand troubled stars, and left my soul in cinders. Even when I'm an old man, and my brain has fallen to wrack and ruin, I'll remember the sweet fire of your lips under mine, and I'll say to myself, 'Now, that was a kiss.'"
Silver-tongued devil, Pandora thought, unable to hold back a crooked grin. Only yesterday, she'd heard Gabriel affectionately mock his father, who was fond of expressing himself with elaborate, almost labyrinthine turns of phrase. Clearly the gift had been passed down to his son.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Although I have afflicted you, . . . I will afflict you no more. (Nahum 1:12) There is a limit to our affliction. God sends it and then removes it. Do you complain, saying, “When will this end?” May we quietly wait and patiently endure the will of the Lord till He comes. Our Father takes away the rod when His purpose in using it is fully accomplished. If the affliction is sent to test us so that our words would glorify God, it will only end once He has caused us to testify to His praise and honor. In fact, we would not want the difficulty to depart until God has removed from us all the honor we can yield to Him. Today things may become “completely calm” (Matt. 8:26). Who knows how soon these raging waves will give way to a sea of glass with seagulls sitting on the gentle swells? After a long ordeal, the threshing tool is on its hook, and the wheat has been gathered into the barn. Before much time has passed, we may be just as happy as we are sorrowful now. It is not difficult for the Lord to turn night into day. He who sends the clouds can just as easily clear the skies. Let us be encouraged—things are better down the road. Let us sing God’s praises in anticipation of things to come. Charles H. Spurgeon “The Lord of the harvest” (Luke 10:2) is not always threshing us. His trials are only for a season, and the showers soon pass. “Weeping may remain for a night, but rejoicing comes in the morning” (Ps. 30:5). “Our light and momentary troubles are achieving for us an eternal glory that far outweighs them all” (2 Cor. 4:17). Trials do serve their purpose. Even the fact that we face a trial proves there is something very precious to our Lord in us, or else He would not spend so much time and energy on us. Christ would not test us if He did not see the precious metal of faith mingled with the rocky core of our nature, and it is to refine us into purity and beauty that He forces us through the fiery ordeal. Be patient, O sufferer! The result of the Refiner’s fire will more than compensate for our trials, once we see the “eternal glory that far outweighs them all.” Just to hear His commendation, “Well done” (Matt. 25:21); to be honored before the holy angels; to be glorified in Christ, so that I may reflect His glory back to Him—ah! that will be more than enough reward for all my trials. from Tried by Fire Just as the weights of a grandfather clock, or the stabilizers in a ship, are necessary for them to work properly, so are troubles to the soul. The sweetest perfumes are obtained only through tremendous pressure, the fairest flowers grow on the most isolated and snowy peaks, the most beautiful gems are those that have suffered the longest at the jeweler’s wheel, and the most magnificent statues have endured the most blows from the chisel. All of these, however, are subject to God’s law. Nothing happens that has not been appointed with consummate care and foresight. from Daily Devotional Commentary
”
”
Jim Reimann (Streams in the Desert: 366 Daily Devotional Readings)
“
In the land of Uz, there lived a man, righteous and God-fearing, and he had great wealth, so many camels, so many sheep and asses, and his children feasted, and he loved them very much and prayed for them. 'It may be that my sons have sinned in their feasting.' Now the devil came before the Lord together with the sons of God, and said to the Lord that he had gone up and down the earth and under the earth. 'And hast thou considered my servant Job?' God asked of him. And God boasted to the devil, pointing to his great and holy servant. And the devil laughed at God's words. 'Give him over to me and Thou wilt see that Thy servant will murmur against Thee and curse Thy name.' And God gave up the just man He loved so, to the devil. And the devil smote his children and his cattle and scattered his wealth, all of a sudden like a thunderbolt from heaven. And Job rent his mantel and fell down upon the ground and cried aloud, 'Naked came I out of my mother's womb, and naked shall I return into the earth; the Lord gave and the Lord has taken away. Blessed be the name of the Lord for ever and ever.'
Fathers and teachers, forgive my tears now, for all my childhood rises up again before me, and I breathe now as I breathed then, with the breast of a little child of eight, and I feel as I did then, awe and wonder and gladness. The camels at that time caught my imagination, and Satan, who talked like that with God, and God who gave His servant up to destruction, and His servant crying out: 'Blessed be Thy name although Thou dost punish me,' and then the soft and sweet singing in the church: 'Let my prayer rise up before Thee,' and again incense from the priest's censer and the kneeling and the prayer. Ever since then - only yesterday I took it up - I've never been able to read that sacred tale without tears. And how much that is great, mysterious and unfathomable there is in it! Afterwards I heard the words of mockery and blame, proud words, 'How could God give up the most loved of His saints for the diversion of the devil, take from him his children, smite him with sore boils so that he cleansed the corruption from his sores with a pot-sherd - and for no object except to board to the devil! 'See what My saint can suffer for My Sake.' ' But the greatness of it lies just in the fact that it is a mystery - that the passing earthly show and the eternal verity are brought together in it. In the face of the earthly truth, the eternal truth is accomplished. The Creator, just as on the first days of creation He ended each day with praise: 'That is good that I have created,' looks upon Job and again praises His creation. And Job, praising the Lord, serves not only Him but all His creation for generations and generations, and for ever and ever, since for that he was ordained. Good heavens, what a book it is, and what lessons there are in it! What a book the Bible is, what a miracle, what strength is given with it to man! It is like a mold cast of the world and man and human nature, everything is there, and a law for everything for all the ages. And what mysteries are solved and revealed! God raises Job again, gives him wealth again. Many years pass by, and he has other children and loves them. But how could he love those new ones when those first children are no more, when he has lost them? Remembering them, how could he be fully happy with those new ones, however dear the new ones might be? But he could, he could. It's the great mystery of human life that old grief passes gradually into quiet, tender joy. The mild serenity of age takes the place of the riotous blood of youth. I bless the rising such each day, and, as before, my heart sings to meet it, but now I love even more its setting, its long slanting rays and the soft, tender, gentle memories that come with them, the dear images from the whole of my long, happy life - and over all the Divine Truth, softening, reconciling, forgiving!
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out.
"I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward.
"I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
"I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice.
"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
”
”
Charles Dickens (A Tale of Two Cities)
“
Dear—Prince,” she started haltingly. She’d never prayed to a Fate, and she didn’t want to get it wrong. “I’m here because my parents are dead.”
Evangeline cringed. That was not how she was supposed to start.
“What I meant to say was, my parents have both passed away. I lost my mother a couple of years ago. Then I lost my father last season. Now I’m about to lose the boy that I love.
“Luc Navarro—” Her throat closed as she said the name and pictured his crooked smile. Maybe if he’d been plainer, or poorer, or crueler, none of this would have happened. “We’ve been seeing each other in secret. I was supposed to be in mourning for my father. Then, a little over two weeks ago, on the day that Luc and I were going to tell our families we were in love, my stepsister, Marisol, announced that she and Luc were getting married.”
Evangeline paused to close her eyes. This part still made her head spin. Quick engagements weren’t uncommon. Marisol was pretty, and although she was reserved, she was also kind—so much kinder than Evangeline’s stepmother, Agnes. But Evangeline had never even seen Luc in the same room as Marisol.
“I know how this sounds, but Luc loves me. I believe he’s been cursed. He hasn’t spoken to me since the engagement was announced—he won’t even see me. I don’t know how she did it, but I’m certain this is all my stepmother’s doing.” Evangeline didn’t actually have any proof that Agnes was a witch and she’d cast a curse on Luc. But Evangeline was certain her stepmother had learned of Evangeline’s relationship with Luc and she’d wanted Luc, and the title he’d someday inherit, for her daughter instead.
“Agnes has resented me ever since my father died. I’ve tried talking to Marisol about Luc. Unlike my stepmother, I don’t think Marisol would ever intentionally hurt me. But every time I try to open my mouth, the words won’t come out, as if they’re also cursed or I’m cursed. So I’m here, begging for your help. The wedding is today, and I need you to stop it.”
Evangeline opened her eyes.
The lifeless statue hadn’t changed. She knew statues didn’t generally move. Yet she couldn’t help but think that it should have done something—shifted or spoken or moved its marble eyes. “Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
out. This was the turning point: “From this illness, my father never quite recovered.”26 Had there been any possibility of Eleanor’s experiencing the joys or even routine of childhood, that time was now passing. In August, she was sent away to Grandmother Hall’s, and at Tivoli learned that her brother Elliott Roosevelt, Jr., had been born on September 29. She wrote a letter to her father, in which she wished her parents well, offered advice to the baby’s nurse should the newborn cry, then came straight to the crucial question about any child of Anna Roosevelt’s: “How does he look? Some people tell me he looks like an elephant and some say he is like a bunny.”27 Except for one pitiable moment at Half-Way Nirvana when Eleanor identified an Angora kitten as an “Angostura,”28 those aromatic bitters that flavored her father’s liquor, she showed few signs of registering the impact of addiction on their lives. “Little Eleanor is as happy as the day is long,” Elliott convinced himself during the heavy self-medicated month following his accident: “Plays with her kitten, the puppy & the chickens all the time & is very dirty as a general rule. I am the only ‘off’ member of the family.”29
”
”
David Michaelis (Eleanor: A Life)
“
I pull into the driveway outside of my father's house and shut off the engine. I sit behind the wheel for a moment, studying the house. He'd called me last night and demanded that I come over for dinner tonight. Didn't request. He demanded. What struck me though, was that he sounded a lot more stressed out and harried than he did when he interrupted my brunch with Gabby to demand my presence at a “family”dinner. Yeah, that had been a fun night filled with my father and Ian badgering me about my job. For whatever reason, they'd felt compelled to make a concerted effort to belittle what I do –more so than they usually do anyway -- try to undermine my confidence in my ability to teach, and all but demand that I quit and come to work for my father's company. That had been annoying, and although they were more insistent than normal, it's pretty par for the course with those two. They always think they know what's best for me and have no qualms about telling me how to live my life. When he'd called me last night though, and told me to come to dinner tonight, there was something in my father's voice that had rattled me. It took me a while to put a finger on what it was I heard in his voice, but when I figured it out, it really shook me. I heard fear. Outright fear. My father isn't a man who fears much or is easily intimidated. In fact, he's usually the one doing the intimidating. But, something has him really spooked and even though we don't always see eye-to-eye or get along, hearing that fear in his voice scared me. In all my years, I've never known him to sound so downright terrified. With a sigh and a deep sense of foreboding, I climb out of my car and head to the door, trying to steel myself more with each step. Call me psychic, but I have a feeling that this is going to be a long, miserable night. “Good evening, Miss Holly,”Gloria says as she opens the door before I even have a chance to knock. “Nice to see you again.”“It's nice to see you too, Gloria,”I say and smile with genuine affection. Gloria has been with our family for as far back as I can remember. Honestly, after my mother passed away from ovarian cancer, Gloria took a large role in raising me. My father had plunged himself into his work –and had taken Ian under his wing to help groom him to take over the empire one day –leaving me to more or less fend for myself. It was like I was a secondary consideration to them. Because I'm a girl and not part of the testosterone-rich world of construction, neither my father nor Ian took much interest in me or my life. Unless they needed something from me, of course. The only time they really paid any attention to me was when they needed me to pose for family pictures for company literature.
”
”
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
“
Otto felt a profound emptiness as he considered the constant disappearances in his life, as if people simply vanished without reason or explanation. The words echoed in his head, "Where are you going? Please stop dying. Please stop passing away. Please stop disappearing with no explanation." He desperately wanted to feel some sense of security and permanence from those he loved. His father, acknowledging the strain between them, attempted to offer reassurance. "Otto, I know I've been hard but just know I'm not mad at you." Dad said gently. However, even with these words, Otto didn't feel any relief, and his yearning for genuine warmth continued.
Utterly disheartened, Otto curled up on the carpet – the blue blanket symbolizing a distant past when days were simpler and happier – only to cry himself to sleep. Chilled to the core by an unshakable feeling of abandonment, he added blanket after blanket in a futile attempt to find comfort. He came to realize that no number of blankets could replace the warmth provided by genuine human connection. What he desperately craved was not mere physical warmth but the emotional warmth that comes from being held, hugged, and truly loved. A simple "I love you," whether heartfelt or forced, would have at least offered him a momentary sense of solace. In the end, all he desired was the gentle embrace of those who cared for him – even if it lasted merely a few seconds.
”
”
﹁ Aʟʟᴍɪɢʜᴛ ﹂ Oꜰꜰɪᴄɪᴀʟ
“
A Girl's Garden"
A neighbor of mine in the village
Likes to tell how one spring
When she was a girl on the farm, she did
A childlike thing.
One day she asked her father
To give her a garden plot
To plant and tend and reap herself,
And he said, 'Why not?'
In casting about for a corner
He thought of an idle bit
Of walled-off ground where a shop had stood,
And he said, 'Just it.'
And he said, 'That ought to make you
An ideal one-girl farm,
And give you a chance to put some strength
On your slim-jim arm.'
It was not enough of a garden
Her father said, to plow;
So she had to work it all by hand,
But she don't mind now.
She wheeled the dung in a wheelbarrow
Along a stretch of road;
But she always ran away and left
Her not-nice load,
And hid from anyone passing.
And then she begged the seed.
She says she thinks she planted one
Of all things but weed.
A hill each of potatoes,
Radishes, lettuce, peas,
Tomatoes, beets, beans, pumpkins, corn,
And even fruit trees.
And yes, she has long mistrusted
That a cider-apple
In bearing there today is hers,
Or at least may be.
Her crop was a miscellany
When all was said and done,
A little bit of everything,
A great deal of none.
Now when she sees in the village
How village things go,
Just when it seems to come in right,
She says, 'I know!
'It's as when I was a farmer...'
Oh never by way of advice!
And she never sins by telling the tale
To the same person twice.
”
”
Robert Frost
“
I will not love what I cannot respect! Come to me a loyal man, and see what answer I shall give you.' "Then she went away. It was the wisest thing she could have done, for absence did more to change me than an ocean of tears, a year of exhortations. Lying there, I missed her every hour of the day, recalled every gentle act, kind word, and fair example she had given me. I contrasted my own belief with hers, and found a new significance in the words honesty and honor, and, remembering her fidelity to principle, was ashamed of my own treason to God and to herself. Education, prejudice, and interest, are difficult things to overcome, and that was the hottest fight I ever passed through, for as I tell you, I was a coward. But love and loyalty won the day, and, asking no quarter, the Rebel surrendered." "Phil Beaufort, you're a brick!" cried Dick, with a sounding slap on his comrade's shoulder. "A brand snatched from the burnin'. Hallelujah!" chanted Flint, seesawing with excitement. "Then you went to find your wife? How? Where?" asked Thorn, forgetting vigilance in interest. "Friend Bent hated war so heartily that he would have nothing to do with paroles, exchanges, or any martial process whatever, but bade me go when and where I liked, remembering to do by others as I had been done by. Before I was well enough to go, however, I managed, by means of Copperhead influence and returned prisoners, to send a letter to my father and receive an
”
”
Louisa May Alcott (Kitty's Class Day and Other Stories)
“
More than anything, we have lost the cultural customs and traditions that bring extended families together, linking adults and children in caring relationships, that give the adult friends of parents a place in their children's lives. It is the role of culture to cultivate connections between the dependent and the dependable and to prevent attachment voids from occurring. Among the many reasons that culture is failing us, two bear mentioning. The first is the jarringly rapid rate of change in twentieth-century industrial societies. It requires time to develop customs and traditions that serve attachment needs, hundreds of years to create a working culture that serves a particular social and geographical environment. Our society has been changing much too rapidly for culture to evolve accordingly.
There is now more change in a decade than previously in a century. When circumstances change more quickly than our culture can adapt to, customs and traditions disintegrate. It is not surprising that today's culture is failing its traditional function of supporting adult-child attachments. Part of the rapid change has been the electronic transmission of culture, allowing commercially blended and packaged culture to be broadcast into our homes and into the very minds of our children. Instant culture has replaced what used to be passed down through custom and tradition and from one generation to another.
“Almost every day I find myself fighting the bubble-gum culture my children are exposed to,” said a frustrated father interviewed for this book. Not only is the content often alien to the culture of the parents but the process of transmission has taken grandparents out of the loop and made them seem sadly out of touch. Games, too, have become electronic. They have always been an instrument of culture to connect people to people, especially children to adults. Now games have become a solitary activity, watched in parallel on television sports-casts or engaged in in isolation on the computer.
The most significant change in recent times has been the technology of communication — first the phone and then the Internet through e-mail and instant messaging. We are enamored of communication technology without being aware that one of its primary functions is to facilitate attachments. We have unwittingly put it into the hands of children who, of course, are using it to connect with their peers. Because of their strong attachment needs, the contact is highly addictive, often becoming a major preoccupation. Our culture has not been able to evolve the customs and traditions to contain this development, and so again we are all left to our own devices.
This wonderful new technology would be a powerfully positive instrument if used to facilitate child-adult connections — as it does, for example, when it enables easy communication between students living away from home, and their parents. Left unchecked, it promotes peer orientation.
”
”
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
“
When you are fully owned by your disbelief, then there is no further discussion that needs to be had between you and the God you once trusted. In fact, your very senses are numb to His presence, your eyes shut, your ears closed, and your body turned away. In this instance you have come to grips with the fact that, if need be, you would stand up in front of the world and say, “I deny Jesus is Lord,” and you would be content with that denial. But before you jump to your feet, first consider that this verbal rejection of Jesus comes with an effect, and that is that as you deny Him, so He denies you. As He said in the book of Matthew, “Whoever denies me before men, I also will deny before my Father who is in heaven” (Matt. 10:33 esv). So is it any wonder that in your denial of the One who was sent to save you, you have found more and more animosity toward God and His people? That your heart has hardened more with each passing day? This is the result of Jesus denying you more than it is of you denying Him. The truth is that you own your faith when and only when Christ owns you. William Barley, in The Letters of James and Peter, spoke this better than we ever could when he said, It frequently happens that the value of a thing lies in the fact that someone has possessed it. A very ordinary thing acquires a new value if it has been possessed by some famous person. In any museum we will find quite ordinary things—clothes, a walking-stick, a pen, pieces of furniture—which are only of value because they were possessed and used by some great person. It is the ownership which gives them worth. It is so with the Christian. The Christian may be a very ordinary person, but he acquires a new value and dignity and greatness because he belongs to God. The greatness of the Christian lies in the fact that he is God’s.
”
”
Hayley DiMarco (Own It: Leaving Behind a Borrowed Faith)
“
The Negro had never really been patient in the pure sense of the word. The posture of silent waiting was forced upon him psychologically because he was shackled physically.
In the days of slavery, this suppression was openly, scientifically and consistently applied. Sheer physical force kept the Negro captive at every point. He was prevented from learning to read and write, prevented by laws actually inscribed in the statute books. He was forbidden to associate with other Negroes living on the same plantation, except when weddings or funerals took place. Punishment for any form of resistance or complaint about his condition could range from mutilation to death. Families were torn apart, friends separated, cooperation to improve their condition carefully thwarted. Fathers and mothers were sold from their children and children were bargained away from their parents. Young girls were, in many cases, sold to become the breeders of fresh generations of slaves. The slaveholders of America had devised with almost scientific precision their systems for keeping the Negro defenseless, emotionally and physically.
With the ending of physical slavery after the Civil War, new devices were found to "keep the Negro in his place." It would take volumes to describe these methods, extending from birth in jim-crow hospitals through burial in jim-crow sections of cemeteries. They are too well known to require a catalogue here. Yet one of the revelations during the past few years is the fact that the straitjackets of race prejudice and discrimination do not wear only southern labels. The subtle, psychological technique of the North has approached in its ugliness and victimization of the Negro the outright terror and open brutality of the South. The result has been a demeanor that passed for patience in the eyes of the white man, but covered a powerful impatience in the heart of the Negro.
”
”
Martin Luther King Jr. (Why We Can't Wait)
“
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out
“I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward.
“I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both.
I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place—then fair to look upon, with not a trace of this day’s disfigurement—and I hear him tell the child my story, with a tender and a faltering voice
”
”
Charles Dickens (A Tale of Two Cities)
“
I had always been a very physically active person. And I loved my job. I got into the military because of September 11, but I stumbled into a career that I absolutely loved. I was meant to be an infantry soldier. I thought, I will never be physical again and my career in the military is over. One tiny trip wire had taken everything away from me in one explosive moment.
I sank into a very dark place. I wallowed in both my physical pain and my mental anguish. One day my parents were sitting by my side in the hospital room--as they did every day--and I turned to my mom and blurted out, “How am I ever gonna be able to tie my shoes again?”
Mom rebutted my pity party with, “Well, your father can tie his shoes with one hand. Andy! Show Noah how you can tie your shoes with one hand.” And as I started to protest, Dad cut my whining off at the pass. “Oh my gosh, Noah, I can tie my shoes with one hand.” And he did, as I had seen him do so many times growing up. “I just need a little sympathy,” I said. To which Mom replied, “Well, you’re not getting it today.”
A few days after I’d had my shoelace meltdown, after many tears, I found myself drained of emotion, a hollowed-out shell. My mother saw the blank expression on my face and she saw an opportunity to drag me out of the fog. She took it. She came up to my bed, leaned in close--but not so close that the other people in the room couldn’t hear her, and said, “You just had to outdo your dad and lose your arm and your leg.” She smiled, waiting for my reply, but all I could do was laugh. It was funny but it was also at that moment that I think I felt a little spark of excitement and anticipation again. It would take a while to fully ignite the flame but what she said definitely tapped into some important part of me. I have a very competitive side and Mom knew that. She knew just what to say to shake me up, so I could realize, Okay, life will go on from here. I thought to myself, My dad could do a whole lot with just one hand. Imagine how much more impressive it’ll look with two missing limbs. And I smiled the best I could through a wired jaw.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
Only then did Shukhov catch on to what was up. He glanced at Kilgas. He'd understood, too. The roofing felt. Der had spotted it on the windows. Shukhov feared nothing for himself. His squad leader would never give him away. He was afraid for Tiurin. To the squad Tiurin was a father, for them he was a pawn. Up in the North they readily gave squad, leaders a second term for a thing like this. Ugh, what a face Tiurin made. He threw down his trowel and took a step toward Der. Der looked around. Pavlo lifted his spade. He hadn't grabbed it for nothing. And Senka, for all his deafness, had understood. He came up, hands on hips. And Senka was built solid. Der blinked, gave a sort of twitch, and looked around for a way of escape. Tiurin leaned up against him and said quite softly, though distinctly enough for everyone to hear: "Your time for giving terms has passed, you bastard. If you say one word, you blood-sucker, it'll be your last day on earth. Remember that." Tiurin shook, shook uncontrollably. Hatchet-faced Pavlo looked Der straight in the eyes. A look as sharp as a razor. "Now, men, take it easy." Der turned pale and edged away from the ramp. Without another word Tiurin straightened his hat, picked up his trowel, and walked back to his wall. Pavlo, very slowly, went down the ramp with his spade. Slo-o-owly. Der was as scared to stay as to leave. He took shelter behind Kilgas and stood there. Kilgas went on laying blocks, the way they count out pills at a drugstore--like a doctor, measuring everything so carefully--his back to Der, as if he didn't even know he was there. Der stole up to Tiurin. Where was all his arrogance? "But what shall I tell the superintendent, Tiurin?". Tiurin went on working. He said, without turning his head: "You will tell him it was like that when we arnved. We came and that's how it was." Der waited a little longer. They weren't going to bump him off now, he saw. He took a few steps
and puthis hands in his pockets. "Hey, S 854," he muttered. "Why are you using such a thin layer of mortar?" He had to get back at someone. He couldn't find fault with Shukhov for his joints or for the straightness of his line, so he decided he was laying the mortar too thin.
”
”
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
“
He took a step closer to me, the laughter still dancing on his face. 'Feeling better today?'
I mumbled some noncommittal response.
'Good,' he said, either ignoring or hiding his amusement. 'But just in case, I wanted to give you this,' he added, pulling some papers from his tunic and extending them to me.
I bit the inside of my cheek as I stared down at the three pieces of paper. It was a series of five-lined... poems. There were five of them altogether, and I began sweating at words I didn't recognise. It would take me an entire day just to figure out what these words meant.
'Before you bolt or start yelling...' he said, coming around to peer over my shoulder. If I'd dared, I could have leaned back into his chest. His breath warmed my neck, the shell of my ear.
He cleared his throat and read the first poem.
There once was a lady most beautiful
Spirited, if a little unusual
Her friends were few
But how the men did queue
But to all she gave a refusal.
My brows rose so high I thought they'd touch my hairline, and I turned, blinking at him, our breath mingling as he finished the poem with a smile.
Without waiting for my response, Tamlin took the papers and stepped a pace away to read the second poem, which wasn't nearly as polite as the first. By the time he read the third poem, my face was burning. Tamlin paused before he read the fourth, then handed me back the papers.
'Final word in the second and fourth line of each poem,' he said, jerking his chin toward the papers in my hands.
Unusual. Queue. I looked at the second poem. Slaying. Conflagration.
'These are-' I stared.
'Your list of words was too interesting to pass up. And not good for love poems at all.' When I lifted my brow in silent inquiry, he said, 'We had contests to see who could write the dirtiest limericks while I was living with my father's war-band by the border. I don't particularly enjoy losing, so I took it upon myself to become good at them.'
I didn't know how he'd remembered that long list I'd compiled- I didn't want to. Sensing I wasn't about to draw an arrow and shoot him, Tamlin took the papers and read the fifth poem, the dirtiest and foulest of them all.
When he finished, I tipped back my head and howled, my laughter like sunshine shattering age-hardened ice.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror.
Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name.
But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu?
She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband-
Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things.
Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all.
She'd taken the freedom of her childhood for granted.
When she turned fourteen, everything changed.
I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan.
Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden.
Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her.
Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family.
How much she had wanted them to be proud of her.
”
”
Elizabeth Lim (Reflection)
“
All beauty calls you to me, and you seem,
Past twice a thousand miles of shifting sea,
To reach me. You are as the wind I breathe
Here on the ship's sun-smitten topmost deck,
With only light between the heavens and me.
I feel your spirit and I close my eyes,
Knowing the bright hair blowing in the sun,
The eager whisper and the searching eyes.
Listen, I love you. Do not turn your face
Nor touch me. Only stand and watch awhile
The blue unbroken circle of sea.
Look far away and let me ease my heart
Of words that beat in it with broken wing.
Look far away, and if I say too much,
Forget that I am speaking. Only watch,
How like a gull that sparking sinks to rest,
The foam-crest drifts along a happy wave
Toward the bright verge, the boundary of the world.
I am so weak a thing, praise me for this,
That in some strange way I was strong enough
To keep my love unuttered and to stand
Altho' I longed to kneel to you that night
You looked at me with ever-calling eyes.
Was I not calm? And if you guessed my love
You thought it something delicate and free,
Soft as the sound of fir-trees in the wind,
Fleeting as phosphorescent stars in foam.
Yet in my heart there was a beating storm
Bending my thoughts before it, and I strove
To say too little lest I say too much,
And from my eyes to drive love’s happy shame.
Yet when I heard your name the first far time
It seemed like other names to me, and I
Was all unconscious, as a dreaming river
That nears at last its long predestined sea;
And when you spoke to me, I did not know
That to my life’s high altar came its priest.
But now I know between my God and me
You stand forever, nearer God than I,
And in your hands with faith and utter joy
I would that I could lay my woman’s soul.
Oh, my love
To whom I cannot come with any gift
Of body or of soul, I pass and go.
But sometimes when you hear blown back to you
My wistful, far-off singing touched with tears,
Know that I sang for you alone to hear,
And that I wondered if the wind would bring
To him who tuned my heart its distant song.
So might a woman who in loneliness
Had borne a child, dreaming of days to come,
Wonder if it would please its father’s eyes.
But long before I ever heard your name,
Always the undertone’s unchanging note
In all my singing had prefigured you,
Foretold you as a spark foretells a flame.
Yet I was free as an untethered cloud
In the great space between the sky and sea,
And might have blown before the wind of joy
Like a bright banner woven by the sun.
I did not know the longing in the night–
You who have waked me cannot give me sleep.
All things in all the world can rest, but I,
Even the smooth brief respite of a wave
When it gives up its broken crown of foam,
Even that little rest I may not have.
And yet all quiet loves of friends, all joy
In all the piercing beauty of the world
I would give up– go blind forevermore,
Rather than have God blot from out my soul
Remembrance of your voice that said my name.
For us no starlight stilled the April fields,
No birds awoke in darking trees for us,
Yet where we walked the city’s street that night
Felt in our feet the singing fire of spring,
And in our path we left a trail of light
Soft as the phosphorescence of the sea
When night submerges in the vessel’s wake
A heaven of unborn evanescent stars.
”
”
Sara Teasdale (The Collected Poems)
“
All beauty calls you to me, and you seem”
All beauty calls you to me, and you seem,
Past twice a thousand miles of shifting sea,
To reach me. You are as the wind I breathe
Here on the ship's sun-smitten topmost deck,
With only light between the heavens and me.
I feel your spirit and I close my eyes,
Knowing the bright hair blowing in the sun,
The eager whisper and the searching eyes.
Listen, I love you. Do not turn your face
Nor touch me. Only stand and watch awhile
The blue unbroken circle of the sea.
Look far away and let me ease my heart
Of words that beat in it with broken wing.
Look far away, and if I say too much,
Forget that I am speaking. Only watch,
How like a gull that sparkling sinks to rest,
The foam-crest drifts along a happy wave
Toward the bright verge, the boundary of the world.
I am so weak a thing, praise me for this,
That in some strange way I was strong enough
To keep my love unuttered and to stand
Altho' I longed to kneel to you that night
You looked at me with ever-calling eyes.
Was I not calm? And if you guessed my love
You thought it something delicate and free,
Soft as the sound of fir-trees in the wind,
Fleeting as phosphorescent stars in foam.
Yet in my heart there was a beating storm
Bending my thoughts before it, and I strove
To say too little lest I say too much,
And from my eyes to drive love's happy shame.
Yet when I heard your name the first far time
It seemed like other names to me, and I
Was all unconscious, as a dreaming river
That nears at last its long predestined sea;
And when you spoke to me, I did not know
That to my life's high altar came its priest.
But now I know between my God and me
You stand forever, nearer God than I,
And in your hands with faith and utter joy
I would that I could lay my woman's soul.
Oh, my love
To whom I cannot come with any gift
Of body or of soul, I pass and go.
But sometimes when you hear blown back to you
My wistful, far-off singing touched with tears,
Know that I sang for you alone to hear,
And that I wondered if the wind would bring
To him who tuned my heart its distant song.
So might a woman who in loneliness
Had borne a child, dreaming of days to come,
Wonder if it would please its father's eyes.
But long before I ever heard your name,
Always the undertone's unchanging note
In all my singing had prefigured you,
Foretold you as a spark foretells a flame.
Yet I was free as an untethered cloud
In the great space between the sky and sea,
And might have blown before the wind of joy
Like a bright banner woven by the sun.
I did not know the longing in the night--
You who have waked me cannot give me sleep.
All things in all the world can rest, but I,
Even the smooth brief respite of a wave
When it gives up its broken crown of foam,
Even that little rest I may not have.
And yet all quiet loves of friends, all joy
In all the piercing beauty of the world
I would give up--go blind forevermore,
Rather than have God blot from out my soul
Remembrance of your voice that said my name.
For us no starlight stilled the April fields,
No birds awoke in darkling trees for us,
Yet where we walked the city's street that night
Felt in our feet the singing fire of spring,
And in our path we left a trail of light
Soft as the phosphorescence of the sea
When night submerges in the vessel's wake
A heaven of unborn evanescent stars.
”
”
Sara Teasdale (Rivers to the Sea)
“
The reason why Jane’s spirit was not broken was that she had a secret. It was her own special secret and she had told no one else except Peggy. She locked it in her heart and hugged it to herself. It was this glorious secret that filled her with such irrepressible joy and exhilaration. But it was also to be the cause of her greatest disaster, and her life-long grief.
The rumour that her father was a high-born gentleman in Parliament must have reached Jane’s ears when she was a little girl. Perhaps she had heard the officers talking about it, or perhaps another child had heard the adults talking and told her. Perhaps Jane’s mother had told another workhouse inmate, who had passed it on. One can never tell how rumours start.
To Jane, it was not a rumour. It was an absolute fact. Her daddy was a high-born gentleman, who one day would come and take her away. She fantasised endlessly about her daddy. She talked to him, and he talked to her.
”
”
Jennifer Worth (Shadows of the Workhouse)
“
Retirement’s for young people, because they have other things they can do.’ At 70 years of age, with idleness, the system breaks down quickly. You have to have something in place when you retire. Right away, the next day, not after a three-month holiday. When you’re young, the 14-hour days are necessary, because you have to establish yourself, and the only way to do that is by working your balls off. By those means, you establish a work ethic for yourself. If you have family, it’s passed on to them. My mother and father conveyed the fruits of their labour to me and I have done so with my own children and beyond. With youth you have the capacity to establish all the stability of later life. With age you have to manage your energy. Keep fit. People should keep fit. Eat the right foods. I was never a great sleeper, but I could get my five to six hours, which was adequate for me. Some people wake up and lie in bed. I could never do that. I wake and jump up. I’m ready to go somewhere. I don’t lie there whiling my time away. You’ve had your sleep – that’s why you woke up.
”
”
Anonymous
“
The next day was Sunday. In Australia we celebrate Father’s Day in September, so it was natural for us to try and get in touch with Steve. I knew he was filming somewhere off the Queensland coast.
On board Croc One, along with Steve and Philippe Cousteau, was a toxicologist named Jamie Seymour. They planned to study several species of dangerous sea creatures, with the double goal of understanding their place in the environment and teaching people how to frequent Australia’s waters more safely.
We tried to get through to Steve on the phone, but of course he was out filming. I spoke via satellite phone to another Kate, Kate Coulter, a longtime zoo employee, with her husband, Brian. We all took turns talking to her.
“Steve captured a huge sea snake,” Kate said. “He said it was the biggest he had ever seen. He said, ‘Thick as my arm, no, thick as my leg.’”
Kate knew Steve well, and she conveyed his enthusiasm perfectly. She told us she would pass along our messages.
“Tell Daddy how much I love him and miss him,” Bindi said, and Kate told her she would. Robert wanted immediately to go see the big sea snake his father had caught. He didn’t quite grasp that the Cape was thousands of miles away.
”
”
Terri Irwin (Steve & Me)
“
Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student.
The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day.
She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what.
The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter.
“Wow. Thanks! This is the coolest!”
“I didn’t think anyone even noticed me!”
“Someone thinks I’m beautiful?”
Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful.
About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them.
Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes.
Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.”
Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home.
”
”
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
“
Helen, a junior high math teacher in Minnesota, spent most of the school week teaching a difficult “new math” lesson. She could tell her students were frustrated and restless by week’s end. They were becoming rowdy so she told them to put their books away. She then instructed the class to take out clean sheets of paper. She gave each of them this assignment: Write down every one of your classmates’ names on the left, and then, on the right, put down one thing you like about that student.
The tense and rowdy mood subsided and the room quieted when the students went to work. Their moods lifted as they dug into the assignment. There was frequent laughter and giggling. They looked around the room, sharing quips about one another. Helen’s class was a much happier group when the bell signaled the end of the school day.
She took their lists home over the weekend and spent both days off recording what was said about each student on separate sheets of paper so she could pass on all the nice things said about each person without giving away who said what.
The next Monday she handed out the lists she’d made for each student. The room buzzed with excitement and laughter.
“Wow. Thanks! This is the coolest!”
“I didn’t think anyone even noticed me!”
“Someone thinks I’m beautiful?”
Helen had come up with the exercise just to settle down her class, but it ended up giving them a big boost. They grew closer as classmates and more confident as individuals. She could tell they all seemed more relaxed and joyful.
About ten years later, Helen learned that one of her favorite students in that class, a charming boy named Mark, had been killed while serving in Vietnam. She received an invitation to the funeral from Mark’s parents, who included a note saying they wanted to be sure she came to their farmhouse after the services to speak with them.
Helen arrived and the grieving parents took her aside. The father showed her Mark’s billfold and then from it he removed two worn pieces of lined paper that had been taped, folded, and refolded many times over the years. Helen recognized her handwriting on the paper and tears came to her eyes.
Mark’s parents said he’d always carried the list of nice things written by his classmates. “Thank you so much for doing that,” his mother said. “He treasured it, as you can see.”
Still teary-eyed, Helen walked into the kitchen where many of Mark’s former junior high classmates were assembled. They saw that Mark’s parents had his list from that class. One by one, they either produced their own copies from wallets and purses or they confessed to keeping theirs in an album, drawer, diary, or file at home.
Helen the teacher was a “people builder.” She instinctively found ways to build up her students. Being a people builder means you consistently find ways to invest in and bring out the best in others. You give without asking for anything in return. You offer advice, speak faith into them, build their confidence, and challenge them to go higher.
I’ve found that all most people need is a boost. All they need is a little push, a little encouragement, to become what God has created them to be. The fact is, none of us will reach our highest potential by ourselves. We need one another. You can be the one to tip the scales for someone else. You can be the one to stir up their seeds of greatness.
”
”
Joel Osteen (Every Day a Friday: How to Be Happier 7 Days a Week)
“
I was watching the news when I was about eight, and they were debating whether the wealthy in America contributed enough in taxes. One side argued that the rich, as a class, contributed more than ninety percent of total taxes collected. That about half of the country paid nothing in taxes, or received money in food stamps and welfare. Whereas the top earners, after all was said and done, had about half of their income confiscated by the government. “The counterargument to this was that it wasn’t fair that these high earners made so much. They could afford to give up even more of their income. And that they couldn’t have possibly made their fortunes working hard and taking risks, like Steve Jobs. They could only have done so by cheating and stealing from others, or exploiting them.” Craft paused. “So I asked my father where he came out on the debate.” “And?” “He told me to imagine I had a test in school and I studied for an entire week, night and day. My friend spent the entire week playing video games and having fun at the beach. I ended up getting an A, and my friend got an F. So what if the teacher said, ‘it’s not fair that Bren got an A and his friend got an F. So we’re going to give you both C’s. Still passing, right? So it’s no big deal. Still plenty of cushion away from an F. The A earners shouldn’t be greedy.’ “My father let me think about this and then asked me what I’d do the next time a test came around. How would I prepare for it? It occurred to me that if I knew I really couldn’t earn an A, what was the point of killing myself? I told my father, and he agreed. In fact, he told me that soon the entire class would be getting Cs, and then Ds. And eventually Fs. Socialism at work.
”
”
Douglas E. Richards (Quantum Lens)
“
In today’s world it’s easy to lose track of time
& otherwise get caught up in what’s going on.
So many families split up, so many loved ones
Lose track of who they are. Why they came
together.
Divorcing a memory they can never truly run
away from.
In today’s world it’s a blessing to know you. To
get facial recognition & assurance with your
every smile.
Not every moment can be as perfect as we
expect it,
Yet we are appreciative and try not to take the
moment
For granted. Just as the saying goes, “Not
everyone knows what
They have.” It’s those refreshing moments that
remind us
Of God’s praise. Not at all excusing us for the
times we become
Absentees when we’re needed most, or simply
lose track
Of time, there are so many things that factor into
who we are,Our upbringing, things we experience, The
shapeless void
Of a missing father.
While that effect is monumental, we respond
without responding.
Silence sometimes the most powerful form of
toxicity
In response to communication.
In today’s world it’s not that uncommon, placing
something else
Instead as priority, forgetting the bigger if not
biggest issue.
For better or worse, the most memorable part of
any union.
We take it at face value forgetting that we’re all
kids at some point
Or another. It’s not impossible to revert back as
we’re all human
At the end of the day.
That doesn’t at all excuse us for the times we
aren’t present,
not just for ourselves. But for our partners, our
friends, our families
the priority of accepting love as a walking and
breathing testimony.
Our hands the door of faith, as we journey to the
alter our lips
Have formed.In today’s world it’s a blessing to know you & to
get facial recognition
As well as reassurance every time I look at you.
No matter how much we mumble or grumble. I
am forever grateful
to have met the love of my life.
Everything I’ll ever need no matter how much
time passes.
You’re all I’ll ever need
”
”
Kewayne Wadley (Late Nights On Venus)
“
I saw Dinocrates going out from a gloomy place, where also there were several others, and he was parched and very thirsty, with a filthy countenance and pallid color, and the wound on his face which he had when he died. This Dinocrates had been my brother after the flesh, seven years of age, who died miserably with disease — his face being so eaten out with cancer, that his death caused repugnance to all men. For him I had made my prayer, and between him and me there was a large interval, so that neither of us could approach to the other. And moreover, in the same place where Dinocrates was, there was a pool full of water, having its brink higher than was the stature of the boy; and Dinocrates raised himself up as if to drink. And I was grieved that, although that pool held water, still, on account of the height to its brink, he could not drink. And I was upset, and knew that my brother was in suffering. But I trusted that my prayer would bring help to his suffering; and I prayed for him every day until we passed over into the prison of the camp, for we were to fight in the camp-show. Then was the birthday of Geta Cæsar, and I made my prayer for my brother day and night, groaning and weeping that he might be granted to me. 4. Then, on the day on which we remained in fetters, this was shown to me. I saw that that place which I had formerly observed to be in gloom was now bright; and Dinocrates, with a clean body well clad, was finding refreshment. And where there had been a wound, I saw a scar; and that pool which I had before seen, I saw now with its margin lowered even to the boy's navel. And one drew water from the pool incessantly, and upon its brink was a goblet filled with water; and Dinocrates drew near and began to drink from it, and the goblet did not fail. And when he was satisfied, he went away from the water to play joyously, after the manner of children, and I awoke. Then I understood that he was translated from the place of punishment. Perpetua is Again Tempted by Her Father.
”
”
Tertullian (The Passion of the Holy Martyrs Perpetua and Felicity)
“
He told me to imagine I had a test in school and I studied for an entire week, night and day. My friend spent the entire week playing video games and having fun at the beach. I ended up getting an A, and my friend got an F. So what if the teacher said, ‘it’s not fair that Bren got an A and his friend got an F. So we’re going to give you both C’s. Still passing, right? So it’s no big deal. Still plenty of cushion away from an F. The A earners shouldn’t be greedy.’ “My father let me think about this and then asked me what I’d do the next time a test came around. How would I prepare for it? It occurred to me that if I knew I really couldn’t earn an A, what was the point of killing myself? I told my father, and he agreed. In fact, he told me that soon the entire class would be getting Cs, and then Ds. And eventually Fs. Socialism at work.
”
”
Douglas E. Richards (Quantum Lens)
“
Not everything that the world offers—physical gratification, greed, and extravagant lifestyles—comes from the Father. It comes from the world, and the world and its evil desires are passing away. 1 John 2:16–17
”
”
Dianne Neal Matthews (Designed for Devotion: A 365-Day Journey from Genesis to Revelation)
“
A shadow passed over me, then Saadi lay down beside me.
“You won,” he said.
“You let me.”
There was a silence--he hadn’t expected me to know. Then I heard the grass rustle as he shrugged. “You’re right. I did.”
Laughing at his candor, I sat up and looked at him. He was relaxing with his arms behind his head, his bronze hair damp and sticking to his forehead.
“Why did you let me win? You know that means I don’t have to spend any more time with you.”
He propped himself up on his elbows, perusing my face. “That doesn’t bother me.”
I frowned. Did he no longer desire my company?
“I never wanted to force you to spend time with me, Shaselle. I wanted you to want to spend time with me.”
“You’re a poet,” I joked, amused by his graceless word choice, and he grinned.
“Besides, a victory is a victory. You won and now have the best of everything--you get your father’s horse, and you can be rid of me if you want.”
With a mischievous glint in my eye, I put my hands on the ground on either side of his waist. “I would have won, anyway.”
He chuckled, once more lying down flat. “You’re shameless.”
I rolled back to my original position, and we both quieted, but there was an aspect of my victory that still bothered me.
“Tell me, why did it matter to you who won? I mean, even if you’d won, you still could have released me from the bargain. You could have said I didn’t have to spend those two days with you.”
“I could have,” he acknowledged. “But after…after you told me about your father, I wanted you to have his horse back. Rava should have had more respect for his memory. She shouldn’t have taken him--them--away.”
Tears stung my eyes, and I swallowed several times to loosen my throat. What a stupid reaction.
“Thank you,” I murmured, and I felt his hand close around mine, giving it a squeeze. I sighed contentedly, letting myself enjoy the moment.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
Mosiah 20:14 14 But Limhi said unto them: Ye shall not slay him, but bring him hither that I may see him. And they brought him. And Limhi said unto him: What cause have ye to come up to war against my people? Behold, my people have not broken the oath that I made unto you; therefore, why should ye break the oath which ye made unto my people? Mosiah 20:15 15 And now the king said: I have broken the oath because thy people did carry away the daughters of my people; therefore, in my anger I did cause my people to come up to war against thy people. Mosiah 20:16 16 And now Limhi had heard nothing concerning this matter; therefore he said: I will search among my people and whosoever has done this thing shall perish. Therefore he caused a search to be made among his people. Mosiah 20:17 17 Now when Gideon had heard these things, he being the king's captain, he went forth and said unto the king: I pray thee forbear, and do not search this people, and lay not this thing to their charge. Mosiah 20:18 18 For do ye not remember the priests of thy father, whom this people sought to destroy? And are they not in the wilderness? And are not they the ones who have stolen the daughters of the Lamanites? Mosiah 20:19 19 And now, behold, and tell the king of these things, that he may tell his people that they may be pacified towards us; for behold they are already preparing to come against us; and behold also there are but few of us. Mosiah 20:20 20 And behold, they come with their numerous hosts; and except the king doth pacify them towards us we must perish. Mosiah 20:21 21 For are not the words of Abinadi fulfilled, which he prophesied against us—and all this because we would not hearken unto the words of the Lord, and turn from our iniquities? Mosiah 20:22 22 And now let us pacify the king, and we fulfil the oath which we have made unto him; for it is better that we should be in bondage than that we should lose our lives; therefore, let us put a stop to the shedding of so much blood. Mosiah 20:23 23 And now Limhi told the king all the things concerning his father, and the priests that had fled into the wilderness, and attributed the carrying away of their daughters to them. Mosiah 20:24 24 And it came to pass that the king was pacified towards his people; and he said unto them: Let us go forth to meet my people, without arms; and I swear unto you with an oath that my people shall not slay thy people. Mosiah 20:25 25 And it came to pass that they followed the king, and went forth without arms to meet the Lamanites. And it came to pass that they did meet the Lamanites; and the king of the Lamanites did bow himself down before them, and did plead in behalf of the people of Limhi. Mosiah 20:26 26 And when the Lamanites saw the people of Limhi, that they were without arms, they had compassion on them and were pacified towards them, and returned with their king in peace to their own land.
”
”
The Church of Jesus Christ of Latter-day Saints (LDS Scriptures - LDS eLibrary with over 350,000 Links, Standard Works, Commentary, Manuals, History, Reference, Music and more (Illustrated, over 100))
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32Now learn a parable of the fig tree; When his branch is yet tender, and putteth forth leaves, ye know that summer is nigh: 33So likewise ye, when ye shall see all these things, know that it is near, even at the doors. 34Verily I say unto you, This generation shall not pass, till all these things be fulfilled. 35Heaven and earth shall pass away, but my words shall not pass away. 36But of that day and hour knoweth no man, no, not the angels of heaven, but my Father only. 37But as the days of Noah were, so shall also the coming of the Son of man be. 38For as in the days that were before the flood they were eating and drinking, marrying and giving in marriage, until the day that Noah entered into the ark, 39And knew not until the flood came, and took them all away; so shall also the coming of the Son of man be. 40Then shall two be in the field; the one shall be taken, and the other left. 41Two women shall be grinding at the mill; the one shall be taken, and the other left. 42Watch therefore: for ye know not what hour your Lord doth come. 43But know this, that if the goodman of the house had known in what watch the thief would come, he would have watched, and would not have suffered his house to be broken up. 44Therefore be ye also ready: for in such an hour as ye think not the Son of man cometh.
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Cliff Ball (Times of Trouble: Christian End Times Novel (The End Times Saga Book 2))
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My Dad used to tell me not to wish my life away by praying it was Friday, or wishing for a day that was a ways off. Soon days will pass so fast you will pray for them to slow down. Nothing in life is promised. Each day is a valuable opportunity to play an important role in this world. Treat each moment like it's the performance of a lifetime; approach every show like it's your first, respect it as if you've invested years, appreciate it like it's your last.
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Carlos Wallace
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Then there was the bhaiyyani next door, who Santosh started fucking two days after she got her first period and has been fucking steadily for five years, with the threat: “If you don’t allow me to fuck you I’ll kill you.” He climbs into her window when her drunk father is away, or passed out, and rapes her. There is nothing gentle about sexuality in the slum; it is furtive and feral. Once, a group of boys was spying on a couple asleep near the door of their room; the man had a hand on one of his wife’s breasts. Santosh reached in through the opening for the letterbox and started squeezing the wife’s other breast; she slept on, thinking that her husband was squeezing both. When she felt the extra pressure on one, she woke up and screamed but was too afraid to tell her husband what had happened. Much of what a woman in the slum puts up with she endures silently, because, as Sunil points out, “How can she tell the world what has been done to her?” They go after women who are vulnerable: the very young, the children or wives of drunkards, or women not right in the head. When their men discover what’s being done to them, they too most often keep it quiet. Who would want the world to know? What does it say about their manliness, that they were unable to protect their women? I
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Suketu Mehta (Maximum City: Bombay Lost and Found)
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Holly Berries
A Confederate Christmas Story
by Refugitta
There was, first, behind the clear crystal pane, a mammoth turkey, so fat that it must have submitted to be killed from sheer inability to eat and move, hung all around with sausage balls and embowered in crisp white celery with its feathered tops. Many a belated housekeeper or father of a family, passing by, cast loving glances at the monster bird, and turned away with their hands on depleted purses and arms full of brown paper parcels. Then there were straw baskets of eggs, white and shining with the delightful prospect of translation into future eggnogs; pale yellow butter stamped with ears of corn, bee hives, and statuesque cows with their tails in an attitude. But these were all substantials, and the principal attraction was the opposition window, where great pyramids of golden oranges, scaly brown pineapples, festoons of bananas, boxes of figs and raisins with their covers thrown temptingly aside, foreign sauces and pickles, cheeses, and gilded walnuts were arranged in picturesque regularity, jut, as it seemed, almost within reach of one’s olfactories and mouth, until a closer proximity realized the fact of that thick plate glass between. Inside it was just the same: there were barrels and boxes in a perfect wilderness; curious old foreign packages and chests, savory of rare teas and rarer jellies; cinnamon odors like gales from Araby meeting you at every turn; but yet everything, from the shining mahogany counter under the brilliant gaslight, up to the broad, clean, round face of the jolly grocer Pin, was so neat and orderly and inviting that you felt inclined to believe yourself requested to come in and take off things by the pocketful, without paying a solitary cent.
I acknowledge that it was an unreasonable distribution of favors for Mr. Pin to own, all to himself, this abundance of good things. Now, in my opinion, little children ought to be the shop keepers when there are apples and oranges to be sold, and I know they will all agree with me, for I well remember my earliest ambition was that my papa would turn confectioner, and then I could eat my way right through the store. But our friend John Pin was an appreciative person, and not by any means forgetful of his benefits. All day long and throughout the short afternoon, his domain had been thronged with busy buyers, old and young, and himself and his assistant (a meager-looking young man of about the dimensions of a knitting needle) constantly employed in supplying their demands.
From the Southern Illustrated News.
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Philip van Doren Stern (The Civil War Christmas Album)
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Oh, for God’s sake,” she spat out. “Just say it. You’re involved with someone and it doesn’t work into your plans to spend time in Virgin River!” “That’s not it,” he said nervously. “You know everything about me! Yet you couldn’t even casually mention you were seeing someone at home?” “It’s not like that. Listen, I just need some time on this. Some patience. Because I really intend to do better by you than I have. I know I haven’t been here for you like I meant to be and—” “Stop!” she said. “I haven’t asked you for anything except to stay in touch! Stop whimpering!” He scowled. His neck got red. “I’m not whimpering!” “Well, you sure as hell aren’t talking! Man up!” “I’m trying! But you’re doing all the talking for me!” She had a few more hot retorts, but bit her tongue against them. She pursed her lips. He had been in Virgin River for months, but he went back to Grants Pass almost every week for a day or two. He had said it was to check on the construction company he’d left in the hands of his father and brothers. And to check on her? It must’ve been pretty hard on her to be asked to understand he had to be away so much, tending to his best friend’s widow. Imagine now, being told he’d have to make frequent trips to Virgin River to make sure the widow and baby were doing all right. Talk about complicated. Well, she wasn’t interested in that kind of relationship. “I think you’re trying to tell me there’s a woman back in Grants Pass who’s counting on you. You have obligations there.” “Yeah,” he said weakly. “But, Vanni, I have obligations here, as well. You and Mattie, you’re awful important to me…” Being referred to as an obligation should have made her want to cry, but instead it made her furious. “Well, don’t worry your little head. We’re getting along just fine—better every day. You have a life in Grants Pass. I wouldn’t want to get in the way of that.” “You’re not listening,” he said, his voice raising to match hers. “I want to be here with you, as often as possible,” he said. “I’m doing my damn best!” “It sounds like you have other things, other people you’d better pay attention to.” “Listen, things can happen that you don’t plan, don’t expect!” “Oh really?” she asked sarcastically. “Tell me about it,” she said. She hadn’t expected her husband to die, or to fall in love with Paul. If there was one thing she knew about the men in her life—her father, her late husband, Paul and all the guys who seemed to gather around him—they didn’t make commitments lightly, and once a promise was made, they never broke an oath. “I’m sure you’ll get everything straightened out,” she said. She tried to keep the angry edge out of her voice, but she was thoroughly unsuccessful. “Please, you have no obligations here. We’ll be fine. I don’t know why you didn’t just tell me—a long time ago! Did you think I wouldn’t understand you had to get home because there was someone there? Someone who was counting on you?” “It isn’t like that!” “You could have just told me!” “Vanessa! For God’s sake—” Paul attempted. Walt walked into the room. He looked stricken, startled. “Are you having an argument about something?” “No!” they both said. “Oh,” Walt said. “Poetry, I guess. Some new kind of poetry?” Vanessa hissed and Paul just shook his head. “I hear the baby,” she said, whirling out of the room. “I hear something, too,” Paul said, leaving in the opposite direction, charging out the front door and letting it slam behind him. Walt was left alone in the great room in front of a blazing hearth. “Well,” he said to himself. “Glad to know that wasn’t an argument.” *
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Robyn Carr (Second Chance Pass)
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She stirred. “Go back to sleep, little love,” he murmured. “Everything will be all right.” He patted her leg and hummed her a song he had sung to her most nights since she was born. Her eyes began to droop closed again. He watched the curve of her nose and her long eyelashes, and thought about not being able to watch her grow up—of sunrises and sunsets, and how many other fathers would still have what he would lose by the end of this day. A lump welled up in his throat. He wanted to take her in his arms and run away.
Hyougen turned his head and saw Aliahe looking at him from the doorway. She knew what he was thinking—she always did. He felt helpless, and a moment passed where he thought he would just march down to that shore and beg the Dageians to spare his family, at least. He would do anything to hold on that moment in that room, basking in the warm breeze and orange glow of the sunlight, with the three of them alive and a touch away from each other—anything. A coward’s thought, and he killed it as soon as it passed, but it left his knees shaking all the same.
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K.S. Villoso (Aina's Breath (The Agartes Epilogues, #2))
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Mid June 2012 …Young, as time passed, I missed you more than ever. My exasperation with Toby festered with each passing day. When I finally could not tolerate our tempestuous relationship, I confronted the young man. After a heated emotional argument, Toby left our unfinished discussion in a state of vexation. I did not realize he was using the age-old psychological threat of overdosing himself to obtain my attention. I found him unconscious, foaming at the corner of his mouth from consuming an entire bottle of sleeping pills. He was rushed to hospital. I would not have been able to live with my guilt if Toby had died. He recovered from this ordeal, but my respect for him had plummeted. Instead of loving him, I felt sorry and pitied him. This was a malignant sign of what was to come. To appease him, we often kissed and made up after impassioned disputes. I made false promises that I had no intention of keeping. These desolate pledges soon dissolved into self-abhorrence. I had allowed myself to be trapped into a situation, and I could not figure out a solution. Throughout this ordeal, I threw myself into my engineering studies, channeling my unhappiness into what I enjoyed best. I could not give myself fully to the boy, and had little respect for him. When we made love, I shut him out. Instead, I saw you in our sexual liaisons. Toby was merely a vehicle to satisfy my sexual desires to be with you. Throughout the years we were together, it was you I made love to, not Toby or anyone else. I could not and would not release you from my mind. The pain of losing you was too oppressive, until the fateful day I suffered a nervous breakdown. I ended up in a hospital, in the psychiatric ward. Aria and Ari came to nurse me back to health. Aria stayed for two weeks until I could commence classes again. I knew I had to get away from this toxic relationship. The day I graduated I enrolled in a postgraduate program in Alberta, Canada. I desired to be as far away from New Zealand as possible; I needed to be away from Toby and to find myself again. I finally had a solid and legitimate excuse to separate from the boy. I was glad when Toby’s parents demanded their son’s return to the Philippines after his graduation so that he could take over his father’s business. Toby did not wish to return to Manila, but had no choice. His father threatened to cut off his financial support if he did not return. Thanks to universal intervention, my freedom was restored. I began a new life in Canada. That, my dearest Young, was the beginning of a new chapter in my life. The rest will be revealed to you in our next correspondence. For now, be happy, be well, and most importantly, be you at all times: the Young whom I love and cherish. Andy, Xoxoxo
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Young (Unbridled (A Harem Boy's Saga, #2))
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Some years later, during a heart-to-heart chat, a friend of mine remarked that I have the propensity to disappear, when faced with hindrances. He advised me to face problems head-on, instead of avoiding confrontations and running away like a coward, much as I had with my dad, with you, and with Tony. This is a liability I’m learning to confront. And, it isn’t easy. Thanks to my sister, Aria, I was able to make peace with my father, before he passed. For years, I had resented the way he treated us, during our Christmas vacation at Vaduz. I couldn’t bring myself to forgive the insults he flung at us. Although my mother did her best to assuage the damage, I fled as quickly and as far as I could. I had refused to meet with my dad unless he apologized; he refused to budge. During his final days, Aria and Ari begged me to return home, to pay my respects. It was then and there that we made peace. Before he took his final breath, he apologized and asked my forgiveness. When he finally accepted me for who I am, an immense relief flooded me. I came to the realization that our time on earth is short, and if either one of us had been less difficult, our years of estrangement could have been resolved long before. Relief followed apprehension, for I knew he had died in peace; for this, I am eternally grateful. What about you? How did you get on with your father? When we parted ways, you had unresolved issues with him, as I did with mine. Now that the ball is in your court, send me your chronicles.☺
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Young (Turpitude (A Harem Boy's Saga Book 4))
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Yeah I see,” Syn said quietly. Ro’s phone rang and he picked it up, giving Syn a couple of private minutes, which were needed because his heart was beating a mile a minute. The fates can’t be that cruel. To make the only man, no forget that; the only person that Syn had been interested in in over ten years a suspect in a murder case he was overseeing. On top of everything else, the man is married. This isn’t good. Ro disconnected his call and Syn asked him, “How soon before this one arrives?”
“He’s already here in room five. You coming?” Ro asked, taking Furious’ file from his hands.
“I’ll watch.” Syn walked beside Ro to the interrogation rooms. Then he thought better of it, and decided he needed to be honest with his men. They worked effectively together, but most of all they had each other's backs. Ro was a good man and Syn felt he could trust him. “Ro wait.”
“What’s up?”
Syn blew out a breath and scratched at the hair on top of his head, which was grown out enough that it was already starting to curl.
“Syn what’s going on?” Ro looked genuinely concerned, his vibrant blue eyes staring intently at him.
Syn looked back and forth as uniforms brushed passed them in the hall. Ro clasped a firm grip on Syn’s shoulder and ushered him into one of the vacant offices. “Talk to me man. You’re my Sarge but I consider you a friend first. That’s the way we operate. If you have a problem, then I have a fuckin’ problem, and so do twenty-one other men. But between you and me right now, what’s up?”
Syn rubbed the back of his neck and tried to ease some of the tension there. “This guy Furious.”
Ro shook his head indicating he was listening.
“I’m kind of, um … we uh … he’s my,” Syn stuttered not quite finding the right words.
“You know him and you like him,” Ro finished for him.
Syn looked Ro in the eye. “Yeah, I like him.” Syn took a deep breath. “He’s the first him that I’ve liked in a very long time.”
“I see.” Ro rubbed his hand over his cheek again. Syn knew the gesture meant Ro was thinking.
“Shit’s all fucked up now. I can’t date a goddamn suspect, a married goddamn suspect.”
“Hey whoa. We don’t know the situation with the marriage yet. The reasons I thought he could be a suspect? They might be easily explained away.”
“You’re the one said you think he’s hiding something,” Syn argued.
“Yes, I did. This guy is married, right? He leaves his husband in a way that makes the man file a missing persons on him, and then Furious changes his name, and not back to his birth name. It looks like he’s hiding from him, I just need to find out why.” Ro pulled a paper from the file. “This shows him making regular deposits to an account in a bank located in Los Angeles. The account is under a different name and has over ninety thousand dollars in it.”
“So he stole his husband’s money and hauled ass in the middle of the night. Fuckin’ great.” Syn yanked the door open, ready to charge into interrogation room five and tell Furious he could go to hell.
“Geez, hold on a minute, Sarge.” Ro grabbed his arm and pulled him back inside, slamming the door closed. “No wonder Day likes you so much. Both of you go off half-cocked all the fucking time. That money wasn’t stolen. It was life insurance proceeds from when his father died. He might’ve been hiding it from the husband. The contributions he’s been making since then have been small but frequent.”
“He’s a porn star, Ronowski! I can’t date a damn porn star! Fucking other women and probably men. What the fuck?” Syn was yelling and pacing now. He knew it wasn’t fair to yell at Ro, but he was the only one there now.
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A.E. Via
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Someday Tatiana must tell Alexander how glad she is that her sister Dasha did not die without once feeling what it was like to love. Alexander. Here he is, before he was Tatiana’s, at the age of twenty, getting his medal of valor for bringing back Yuri Stepanov during the 1940 Winter War. Alexander is in his dress Soviet uniform, snug against his body, his stance at-ease and his hand up to his temple in teasing salute. There is a gleaming smile on his face, his eyes are carefree, his whole man-self full of breathtaking, aching youth. And yet, the war was on, and his men had already died and frozen and starved... and his mother and father were gone... and he was far away from home, and getting farther and farther, and every day was his last—one way or another, every day was his last. And yet, he smiles, he shines, he is happy. Anthony is gone so long that his daughters say something must have happened to him. But then he appears. Like his father, he has learned well the poker face and outwardly remains imperturbable. Just as a man should be, thinks Tatiana. A man doesn’t get to be on the President’s National Security Council without steeling himself to some of life’s little adversities. A man doesn’t go through what Anthony went through without steeling himself to some of life’s little adversities. In this hand Anthony carries two faded photographs, flattened by the pages of the book, grayed by the passing years. The kitchen falls quiet, even Rachel and Rebecca are breathless in anticipation. “Let’s see...” they murmur, gingerly picking up the fragile, sepia pictures with their long fingers. Tatiana is far away from them. “Do you want to see them with us, Grammy? Grandpa?” “We know them well,” Tatiana says, her voice catching on something. “You kids go ahead.” The grandchildren, the daughter, the son, the guests circle their heads, gaping. “Washington, look! Just look at them! What did we tell you?” Shura and Tania, 23 and 18, just married. In full bloom, on the steps of the church near Lazarevo, he in his Red Army dress uniform, she in her white dress with red roses, roses that are black in the monochrome photo. She is standing next to him, holding his arm. He is looking into the camera, a wide grin on his face. She is gazing up at him, her small body pressed into him, her light hair at her shoulders, her arms bare, her mouth slightly parted. “Grammy!” Rebecca exclaims. “I’m positively blushing. Look at the way you’re coming the spoon on Grandpa!” She turns to Alexander from the island. “Grandpa, did you catch the way she is looking at you?” “Once or twice,” replies Alexander. The other colorless photo. Tania and Shura, 18 and 23. He lifts her in the air, his arms wrapped around her body, her arms wrapped around his neck, their fresh faces tilted, their enraptured lips in a breathless open kiss. Her feet are off the ground. “Wow, Grammy,” murmurs Rebecca. “Wow, Grandpa.” Tatiana is busily wiping the granite island. “You want to know what my Washington said about you two?” Rebecca says, not looking away from the photograph. “He called you an adjacent Fibonacci pair!” She giggles. “Isn’t that sexy?” Tatiana shakes her head, despite herself glancing at Washington with reluctant affection. “Just what we need, another math expert. I don’t know what you all think math will give you.” And Janie comes over to her father who is sitting at the kitchen table, holding her baby son, bends over Alexander, leans over him, kisses him, her arm around him, and murmurs into his ear, “Daddy, I’ve figured out what I’m going to call my baby. It’s so simple.” “Fibonacci?” She laughs. “Why, Shannon, of course. Shannon.” The
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Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
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My sinful nature and instinctive learned behaviors make it so easy to be, act, and think the way I have in times past, but more challenging to take on my new identity in Christ, so I need You to help me, Father (2 Corinthians 5:17 Therefore if any man be in Christ, he is a new creature: old things are passed away; behold, all things are become new;
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Tina Campbell (I Need A Day to Pray)
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Eventually, in an attempt to avoid his nightmares, he began to read, late at night, which was when his motionless body felt most restless, his mind agile and clear. Yet he refused to read the Russians his grandfather had brought to his bedside, or any novels, for that matter. Those books, set in countries he had never seen, reminded him only of his confinement. Instead he read his engineering books, trying his best to keep up with his courses, solving equations by flashlight. In those silent hours, he thought often of Ghosh. “Pack a pillow and a blanket,” he heard Ghosh say. He remembered the address Ghosh had written on a page of his diary, somewhere behind the tram depot in Tollygunge. Now it was the home of a widow, a fatherless son. Each day, to bolster his spirits, his family reminded him of the future, the day he would stand unassisted, walk across the room. It was for this, each day, that his father and mother prayed. For this that his mother gave up meat on Wednesdays. But as the months passed, Ashoke began to envision another sort of future. He imagined not only walking, but walking away, as far as he could from the place in which he was born and in which he had nearly died. The following year, with the aid of a cane, he returned to college and graduated, and without telling his parents he applied to continue his engineering studies abroad.
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Anonymous
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It’s really hard to deny a kid who’s father has passed away. We all just wanted you to be happy so we messed that up. Your career wasn’t about the money. Not at first. It gave you both something big to do so you could stay busy and forget how much you missed your dad.”
His heart twisted, and he whispered, “When I think of him...I don’t remember his face, but I do remember how much it hurt to have him simply there one day and gone the next...just gone.”
Nan nodded. “Imagine how your mom felt. Your dad was the love of her life.
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Anne Eliot (Unmaking Hunter Kennedy)
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This was going to be me. I would flee Father only to fall under another master. And even if I were to bear him a healthy son and earn my status in this household, even if Master Zhu were to pass away, that son would one day grow up to be a man, and then he too would command me.
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K.X. Song (The Night Ends with Fire (The Night Ends with Fire, #1))
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Grace is also for strength: “Be strong in the grace that is in Christ Jesus” (2 Tim. 2:1). I was about twelve years old when my father passed away. I’ll never forget riding home that day on my little Schwinn bike with the banana seat and sissy bar. As I came down the street, I saw cars in our driveway, and I knew that my dad had passed away. I had seen him in the hospital the day before, and he had pulled me to his bedside and said, “Clark, I want you to take care of your mom.” I sat down on the little rock wall that my dad and I had built, and my next-door neighbor came over to me and put his arm around me. “It’s going to be okay, Clark,” he told me. “You’re young; you’re strong. You’ll get through this.” For years I thought that because I was young and strong, I would get through it. But that was a lie from the pit of hell. It’s God’s grace that strengthens us to get through the calamities and difficulties of life.
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Clark Van Wick (The Good News of Grace: A Commentary on the Book of Romans)
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What if one day the kids ask about the trees and want to grow them on their father’s behalf? What if they ask for artifacts of their father’s dying and death and I have to tell them I threw them all away? What if, instead of the closure they never received through their father’s passing, they find it in his copy of Rear Window or The Birds? That would have been me, I think. Collaging together all the clues. Who was my dad if not for the tangible items he left behind? Why else would he have purchased so many seemingly random items only to leave them unopened? Unwrapped? Perhaps these were his last words to his children.
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Rebecca Woolf (All of This: A Memoir of Death and Desire)
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His meaning becomes clear if we recall the story recounted by all three Synoptic evangelists, in which children were brought to Jesus “that he might touch them”. Despite the resistance of the disciples, who wanted to protect him from this imposition, Jesus calls the children to himself, lays his hands on them, and blesses them. He explains this gesture with the words: “Let the children come to me; do not hinder them; for to such belongs the kingdom of God. Truly, I say to you, whoever does not receive the kingdom of God like a child shall not enter it” (Mk 10:13-16). The children serve Jesus as an example of the littleness before God that is necessary in order to pass through the “eye of a needle”, the image that he used immediately afterward in the story of the rich young man (Mk 10:17-27). In the previous chapter we find the scene where Jesus responds to the disciples’ dispute over rank by placing a child in their midst, taking it into his arms and saying: “Whoever receives one such child in my name receives me” (Mk 9:33-37). Jesus identifies himself with the child—he himself has become small. As Son he does nothing of himself, but he acts wholly from the Father and for the Father. The passage that follows a few verses later can also be understood on this basis. Here Jesus speaks no longer of children, but of “little ones”, and the term “little ones” designates believers, the company of the disciples of Jesus Christ (cf. Mk 9:42). In the faith they have found this true littleness that leads mankind into its truth. This brings us back to the children’s Hosanna: in the light of Psalm 8, the praise of these children appears as an anticipation of the great outpouring of praise that his “little ones” will sing to him far beyond the present hour. The early Church, then, was right to read this scene as an anticipation of what she does in her liturgy. Even in the earliest post-Easter liturgical text that we possess—the Didachē (ca. 100)—before the distribution of the holy gifts the Hosanna appears, together with the Maranatha: “Let his grace draw near, and let this present world pass away. Hosanna to the God of David. Whoever is holy, let him approach; whoever is not, let him repent. Maranatha. Amen” (10, 6). The Benedictus also entered the liturgy at a very early stage. For the infant Church, “Palm Sunday” was not a thing of the past. Just as the Lord entered the Holy City that day on a donkey, so too the Church saw him coming again and again in the humble form of bread and wine.
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Pope Benedict XVI (Jesus of Nazareth, Part Two: Holy Week: From the Entrance into Jerusalem to the Resurrection)
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My father would work 6 days a week. He lived for his family, got his kids in college retired then passed away before he was able to enjoy it. That had a profound effect on how I viewed time, life and work.
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Tim Storrs (Ripped Pages the unedited Writing of Tim Storrs)
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On November 22nd, 2018, my mother Vernita Lee passed away. I was conflicted about our relationship up until the very end. The truth is, it wasn't until I became successful that my mother started to show more interest in me. I wrestled with the question of how to take care of her - what did I owe the woman who gave me life, The bible says 'honor thy father and mother', but what did that actually mean? I decided one of the ways I could honor her would be to help care for her financially ... but there was never any real connection. I would say that the audience who watched me on television knew me better than my mother did. When her health began to decline a few years ago, I knew I needed to prepare myself for her transition. Just a few days before Thanksgiving my sister Patricia called to tell me she thought it was time. I flew to Milwaukee ... I tried to think of something to say, at one point I even picked up the manual left by the hospice care people. I read their advice thinking the whole time, how sad it was that I, Oprah Winfrey, who had spoken to thousands of people one on one should have to read a hospice manual to figure out what to say to my mother.
When it was finally time to leave, something told me it would be the last time I'd ever see her but as I turned to go, the words I needed to say still wouldn't come. All I could muster was 'bye, I'll be seeing you' and I left for, ironically, a speaking engagement. On the flight home the next morning a little voice in my head whispered what I knew in my heart to be true: "you are going to regret this, you haven't finished the work". ... I turned around and went back to Milwaukee. I spent another day in that hot room and still no words came. That night I prayed for help. In the morning I meditated, and as I prepared to leave the bedroom I picked up my phone and noticed the song that was playing - Mahalia Jackson's 'Precious Lord'. If ever there was a sign, this was it. I had no idea how Mahalia Jackson appeared on my playlist. As I listened to the words,
Precious Lord, take my hand
Lead me on, let me stand.
I am tired, I'm weak, I am worn
Lead me on to the light,
Take my hand, precious Lord
And lead me home.
I suddenly knew what to do. When I walked into my mothers room I asked if she wanted to hear the song. She nodded, and then I had another idea. I called my friend Wintley Phipps, a preacher and gospel artist, and asked him to sing Precious Lord to my dying mother. Over FaceTime from his kitchen table he sang the song a cappella and then prayed that our family would have no fear, just peace. I could see that my mother was moved. The song and the prayer had created a sort of opening for both of us. I began to talk to her about her life, her dreams, and me. Finally the words were there. I said, "It must have been hard for you, not having an education, not having a skill, not knowing what the future held. When you became pregnant, I'm sure a lot of people told you to get rid of that baby." She nodded. "But you didn't", I said. "And I want to thank you for keeping this baby". I paused, "I know that many times you didn't know what to do. You did the best you knew how to do and that's okay with me. That is okay with me. So you can leave now, knowing that it is well. It is well with my soul. It's been well for a long time."
It was a sacred, beautiful moment, one of the proudest of my life. As an adult I'd learned to see my mother through a different lens; not as the mother who didn't care for me, protect me, love me or understand anything about me, but as a young girl still just a child herself; scared, alone, and unequipped to be a loving parent. I had forgiven my mother years earlier for not being the mother I needed, but she didn't know that. And in our last moments together I believe I was able to release her from the shame and the guilt of our past. I came back and I finished the work that needed to be done.
”
”
Oprah Winfrey (What Happened To You?: Conversations on Trauma, Resilience, and Healing)
“
The Tiger King’s Gift Long ago, in the days of the ancient Pandya kings of South India, a father and his two sons lived in a village near Madura. The father was an astrologer, but he had never become famous, and so was very poor. The elder son was called Chellan; the younger Gangan. When the time came for the father to put off his earthly body, he gave his few fields to Chellan, and a palm leaf with some words scratched on it to Gangan. These were the words that Gangan read: ‘From birth, poverty; For ten years, captivity; On the seashore, death. For a little while happiness shall follow.’ ‘This must be my fortune,’ said Gangan to himself, ‘and it doesn’t seem to be much of a fortune. I must have done something terrible in a former birth. But I will go as a pilgrim to Papanasam and do penance. If I can expiate my sin, I may have better luck.’ His only possession was a water jar of hammered copper, which had belonged to his grandfather. He coiled a rope round the jar, in case he needed to draw water from a well. Then he put a little rice into a bundle, said farewell to his brother, and set out. As he journeyed, he had to pass through a great forest. Soon he had eaten all his food and drunk all the water in his jar. In the heat of the day he became very thirsty. At last he came to an old, disused well. As he looked down into it, he could see that a winding stairway had once gone round it down to the water’s edge, and that there had been four landing places at different heights down this stairway, so that those who wanted to fetch water might descend the stairway to the level of the water and fill their water pots with ease, regardless of whether the well was full, or three-quarters full, or half full or only one-quarter full. Now the well was nearly empty. The stairway had fallen away. Gangan could not go down to fill his water jar so he uncoiled his rope, tied his jar to it and slowly let it down. To his amazement, as it was going down past the first landing place, a huge striped paw shot out and caught it, and a growling voice called out: ‘Oh Lord of Charity, have mercy! The stair is fallen. I die unless you save me! Fear me not.
”
”
Ruskin Bond (The Laughing Skull)
“
He spent the last four years of his life there engaged in practice of Zazen (meditation), painting, and joining tea ceremonies and poetry gatherings with the domain’s elite. Many of Musashi’s famous ink paintings were created during this period of intense personal reflection. By this time, Japan had become politically stable and war was now a distant memory. Musashi, being among the last generations who had personally experienced conflict, sensed that samurai were losing their sense of identity. He resolved to make a pilgrimage to Reigandō Cave43 in 1643 and started writing Gorin-no-sho there, hoping to preserve for posterity his Way, and what he believed to be the very essence of warriorship. A year later he fell ill, and the domain elders encouraged him to return to Kumamoto to be cared for. He continued working on his treatise for five or six months. On the twelfth day of the fifth month of 1645, he passed the not quite finished manuscript to his student Magonojō. He gave away all his worldly possessions, and then wrote Dokkōdō, a brief list of twenty-one precepts that summed up his principles shaped over a lifetime of austere training. He died on the nineteenth day of the fifth month of 1645. It is said that he had taken ill with “dysphagia,” which suggests perhaps that he had terminal stomach cancer. Some say he died of lung cancer. In Bukōden, it is recorded that Musashi was laid in his coffin dressed in full armor and with all his weapons. It evokes a powerful image of a man who had dedicated his whole life to understanding the mind of combat and strategy. As testament once again to the conspiracy theories surrounding Musashi’s life, I am reminded of a bizarre book titled Was Musashi Murdered and Other Questions of Japanese History by Fudo Yamato (Zensho Communications, 1987). In it the author postulates that Musashi’s death was actually assassination through poisoning. The author argues that Musashi and many of his contemporaries such as the priest Takuan, Hosokawa Tadaoki (Tadatoshi’s father) who was suspected of “Christian sympathies,” and even Yagyū Munenori were all viewed with suspicion by the shogunate. He goes so far as to hypothesize that the phrase found at the end of Musashi’s Combat Strategy in 35 Articles “Should there be any entries you are unsure of, please allow me to explain in person…” was actually interpreted by the government as a call for those with anti-shogunate sentiments to gather in order to hatch a seditious plot (p. 20). This is why, Fudo Yamato argues, Musashi and these other notable men of his age all died mysteriously at around the same time.
”
”
Alexander Bennett (The Complete Musashi: The Book of Five Rings and Other Works)
“
The Son of a vacuum
Among the tall trees he sat lost, broken, alone again, among a number of illegal immigrants, he raised his head to him without fear, as nothing in this world is worth attention.
-He said: I am not a hero; I am nothing but a child looking for Eid.
The Turkmen of Iraq, are the descendants of Turkish immigrants to Mesopotamia through successive eras of history. Before and after the establishment of the Ottoman Empire, countries crossed from here, and empires that were born and disappeared, and still, preserve their Turkish identity. Although, after the collapse of the Ottoman Empire and the division of the Arab world, they now live in one of its countries.
Kirkuk, one of the heavens of God on earth, is one of the northern governorates of Iraq in which they live. The Kurdish race is shared with them, a race out of many in Iraq.
Two children of two different ethnicities, playing in a village square in Kirkuk province when the news came from Baghdad, of a new military coup.
Without delay, Saddam Hussein took over the reins of power, and faster than that, Iraq was plunged into successive wars that began in 1980 with its neighbor Iran, a war that lasted eight years. Iraq barely rested for two years, and in the third, a new war in Kuwait, which did not end in the best condition as the leader had hoped, as he was expelled from it after the establishment of an international coalition to liberate it, led by the United States of America. Iraq entered a new phase of suffering, a siege that lasted more than ten years, and ended up with the removal of Saddam Hussein from his power followed by the US occupation of it in 2003.
As the father goes, he returns from this road, there is no way back but from it. As the date approaches, the son stands on the back of that hill waiting for him to return. From far away he waved a longing, with a bag of dreams in his hands, a bag of candy in his pocket, and a poem of longing by a Turkmen poet who absorb Arabic, whose words danced on his lips, in his heart.
-When will you come back, dad?
-On the Eid, wait for me on the hill, you will see me coming from the road, waving, carrying your gifts.
The father bid his son farewell to the Arab Shiite city of Basra, on the border with Iran, after the outbreak of the Iran-Iraq war, as the homeland is calling its men, or perhaps the leader is calling his subjects. In Iraq, as in many countries of the Arab world, the homeland is the leader, and the leader is the homeland.
Months passed, the child eagerly anticipating the coming of the feast, but the father hurried to return without an appointment, loaded on the shoulders, the passion reached its extent in the martyr’s chest, with a sheet of paper in his pocket on which he wrote:
Every morning takes me nostalgic for you,
to the jasmine flower,
oh, melody in the heart, oh balm I sip every while,
To you, I extend a hand and a fire that ignites in the soul a buried love,
night shakes me with tears in my eyes,
my longing for you has shaped me into dreams,
stretching footsteps to the left and to the right, gleam,
calling out for me, you scream,
waking me up to the glimpse of the light of life in your face,
a thousand sparkles, in your eyes, a meaning of survival, a smile, and a glace,
Eid comes to you as a companion, without, life yet has no trace,
for roses, necklaces of love, so that you amaze.
-Where is Ruslan?
On the morning of the feast day, at the door of his house, the kids asked his mother,
-with tears in her eyes: He went to meet his father.
A moment of silence fell over the children,
-Raman, with a little gut: Aunt, do you mean he went to the cemetery?
-Mother: He went to meet him at those hills.
”
”
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
“
The legislature insisted the penitentiary be racially segregated, but the lessees had resisted, saying it was impractical and would reduce productivity. So black women were mixed with male prisoners and subsequently some became pregnant. It’s not clear whether their children’s fathers were other inmates or prison officials, but this detail was not important to legislators who, in 1848, passed a new law declaring that all children born in the penitentiary of African Americans serving life sentences would become property of the state. The women would raise the kids until the age of ten, at which point the penitentiary would place an ad in the newspaper. Thirty days later, they would be auctioned on the courthouse steps “cash on delivery.” The proceeds were used to fund schools for white children.
No recorded details remain about what it was like to raise a child in the prison or to have her taken away forever. We don’t know what became of the children or their mothers. The only prison documents left are sparse penitentiary logs showing the particulars of the sales. Sometimes the mother herself isn’t even noted. What was the mixture of the feeling of devastation over losing one’s child along with the twisted hope that life as a slave might be an improvement over life in a prison?
”
”
Shane Bauer (American Prison: A Reporter's Undercover Journey into the Business of Punishment)
“
Yo mama is so ugly… they had to feed her with a Frisbee! Yo mama is so ugly… when she watches TV the channels change themselves! Yo mama is so ugly… she looks like she has been bobbing for apples in hot grease! Yo mama is so ugly… they passed a law saying she could only do online shopping! Yo mama is so ugly… she looked in the mirror and her reflection committed suicide! Yo mama is so ugly… even homeless people won’t take her money! Yo mama is so ugly… she’s the reason blind dates were invented! Yo mama is so ugly… even a pit-bull wouldn’t bite her! Yo mama is so ugly… she scares the paint off the wall! Yo mama is so ugly… she scares roaches away! Yo mama is so ugly… she looked out the window and got arrested! Yo mama is so ugly… she had to get a prescription mirror! Yo mama is so ugly… bullets refuse to kill her! Yo mama is so ugly… for Halloween she trick-or-treats on the phone! Yo mama is so ugly… when she plays Mortal Kombat, Scorpion says, “Stay over there!” Yo mama is so ugly… I told her to take out the trash and we never saw her again! Yo mama is so ugly… even Hello Kitty said goodbye! Yo mama is so ugly… even Rice Krispies won't talk to her! Yo mama is so ugly… that your father takes her to work with him so that he doesn't have to kiss her goodbye. Yo mama is so ugly… she made the Devil go to church! Yo mama is so ugly… she made an onion cry. Yo mama is so ugly… when she walks down the street in September, people say “Wow, is it Halloween already?” Yo mama is so ugly… she is the reason that Sonic the Hedgehog runs! Yo mama is so ugly… The NHL banned her for life. Yo mama is so ugly… she scared the crap out of a toilet! Yo mama is so ugly… she turned Medusa to stone! Yo mama is so ugly… her pillow cries at night! Yo mama is so ugly… she tried to take a bath and the water jumped out! Yo mama is so ugly… she gets 364 extra days to dress up for Halloween. Yo mama is so ugly… people put pictures of her on their car to prevent theft! Yo mama is so ugly… her mother had to be drunk to breast feed her! Yo mama is so ugly… instead of putting the bungee cord around her ankle, they put it around her neck. Yo mama is so ugly… when they took her to the beautician it took 24 hours for a quote! Yo mama is so ugly… they didn't give her a costume when she tried out for Star Wars. Yo mama is so ugly… just after she was born, her mother said, “What a treasure!” And her father said, “Yes, let's go bury it!” Yo mama is so ugly… her mom had to tie a steak around her neck to get the dogs to play with her. Yo mama is so ugly… when she joined an ugly contest, they said, “Sorry, no professionals.” Yo mama is so ugly… they had to feed her with a slingshot! Yo mama is so ugly… that she scares blind people! Yo mama is so ugly… when she walks into a bank they turn off the surveillance cameras. Yo mama is so ugly… she got beat up by her imaginary friends! Yo mama is so ugly… the government moved Halloween to her birthday.
”
”
Johnny B. Laughing (Yo Mama Jokes Bible: 350+ Funny & Hilarious Yo Mama Jokes)
“
My mother had told me when my father had passed away that death was something you managed, not something you ever truly got over, and that some days were easier than others. I was grateful that today was one of those rare easier ones. I’d
”
”
Lily Graham (The Island Villa)
“
Let us turn now to a study of a small Newfoundland fishing village. Fishing is, in England at any rate – more hazardous even than mining. Cat Harbour, a community in Newfoundland, is very complex. Its social relationships occur in terms of a densely elaborate series of interrelated conceptual universes one important consequence of which is that virtually all permanent members of the community are kin, ‘cunny kin’, or economic associates of all other of the 285 permanent members.
The primary activity of the community is cod fishing. Salmon, lobster, and squid provide additional sources of revenue. Woodcutting is necessary in off-seasons. Domestic gardening, and stints in lumber camps when money is needed, are the two other profitable activities. The community's religion is reactionary. Women assume the main roles in the operation though not the government of the churches in the town. A complicated system of ‘jinking’ – curses, magic, and witchcraft – governs and modulates social relationships.
Successful cod fishing in the area depends upon highly developed skills of navigation, knowledge of fish movements, and familiarity with local nautical conditions. Lore is passed down by word of mouth, and literacy among older fishermen is not universal by any means. ‘Stranger’ males cannot easily assume dominant positions in the fishing systems and may only hire on for salary or percentage. Because women in the community are not paid for their labour, there has been a pattern of female migration out of the area. Significantly, two thirds of the wives in the community are from outside the area. This has a predictable effect on the community's concept of ‘the feminine’. An elaborate anti-female symbolism is woven into the fabric of male communal life, e.g. strong boats are male and older leaky ones are female.
Women ‘are regarded as polluting “on the water” and the more traditional men would not consider going out if a woman had set foot in the boat that day – they are “jinker” (i.e., a jinx), even unwittingly'. (It is not only relatively unsophisticated workers such as those fishermen who insist on sexual purity. The very skilled technicians drilling for natural gas in the North Sea affirm the same taboo: women are not permitted on their drilling platform rigs.)
It would be, however, a rare Cat Harbour woman who would consider such an act, for they are aware of their structural position in the outport society and the cognition surrounding their sex….Cat Harbour is a male-dominated society….Only men can normally inherit property, or smoke or drink, and the increasingly frequent breach of this by women is the source of much gossip (and not a negligible amount of conflict and resentment). Men are seated first at meals and eat together – women and children eating afterwards. Men are given the choicest and largest portions, and sit at the same table with a ‘stranger’ or guest.
Women work extremely demanding and long hours, ‘especially during the fishing season, for not only do they have to fix up to 5 to 6 meals each day for the fishermen, but do all their household chores, mind the children and help “put away fish”. They seldom have time to visit extensively, usually only a few minutes to and from the shop or Post Office….Men on the other hand, spend each evening arguing, gossiping, and “telling cuffers”, in the shop, and have numerous “blows” (i.e., breaks) during the day.’
Pre-adolescents are separated on sexual lines. Boys play exclusively male games and identify strongly with fathers or older brothers. Girls perform light women's work, though Faris indicates '. . . often openly aspire to be male and do male things. By this time they can clearly see the privileged position of the Cat Harbour male….’. Girls are advised not to marry a fisherman, and are encouraged to leave the community if they wish to avoid a hard life. Boys are told it is better to leave Cat Harbour than become fishermen....
”
”
Lionel Tiger (Men in Groups)
“
because Your loving-kindness is better than life, " behold, my life is but a distraction, and Your right hand upheld me in my Lord, the Son of man, the Mediator between You, [ 1 Timothy 2: 5 ] The One, and us the many—in many distractions amid many things—that through Him I may apprehend in whom I have been apprehended, and may be recollected from my old days, following The One, forgetting the things that are past; and not distracted, but drawn on, not to those things which shall be and shall pass away, but to those things which are before, [ Philippians 3: 13 ] not distractedly, but intently, I follow on for the prize of my heavenly calling, where I may hear the voice of Your praise, and contemplate Your delights, neither coming nor passing away. But now are my years spent in mourning. And You, O Lord, art my comfort, my Father everlasting. But I have been divided amid times, the order of which I know not; and my thoughts, even the inmost bowels of my soul, are mangled with tumultuous varieties, until I flow together unto You, purged and molten in the fire of Your love.
”
”
Church Fathers (The Complete Works of the Church Fathers: A total of 64 authors, and over 2,500 works of the Early Christian Church)
“
We said goodbye. ‘Remember this day, Ruskin,’ said my father. He patted me gently on the head and walked away. I never saw him again. Three months later I heard that he had passed away in the military hospital in Calcutta. I dream of him sometimes, and in my dream he is always the same, caring for me and leading me by the hand along old familiar roads.
”
”
Ruskin Bond (A Gathering of Friends: My Favourite Stories)
“
Eventually, she held up the page, satisfied. It depicted Yalb and the porter in detail, with hints of the busy city behind. She’d gotten their eyes right. That was the most important. Each of the Ten Essences had an analogous part of the human body—blood for liquid, hair for wood, and so forth. The eyes were associated with crystal and glass. The windows into a person’s mind and spirit.
She set the page aside. Some men collected trophies. Others collected weapons or shields. Many collected spheres.
Shallan collected people. People, and interesting creatures. Perhaps it was because she’d spent so much of her youth in a virtual prison. She’d developed the habit of memorizing faces, then drawing them later, after her father had discovered her sketching the gardeners. His daughter? Drawing pictures of darkeyes? He’d been furious with her—one of the infrequent times he’d directed his infamous temper at his daughter.
After that, she’d done drawings of people only when in private, instead using her open drawing times to sketch the insects, crustaceans, and plants of the manor gardens. Her father hadn’t minded this—zoology and botany were proper feminine pursuits—and had encouraged her to choose natural history as her Calling.
She took out a third blank sheet. It seemed to beg her to fill it. A blank page was nothing but potential, pointless until it was used. Like a fully infused sphere cloistered inside a pouch, prevented from making its light useful.
Fill me.
The creationspren gathered around the page. They were still, as if curious, anticipatory. Shallan closed her eyes and imagined Jasnah Kholin, standing before the blocked door, the Soulcaster glowing on her hand. The hallway hushed, save for a child’s sniffles. Attendants holding their breath. An anxious king. A still reverence.
Shallan opened her eyes and began to draw with vigor, intentionally losing herself. The less she was in the now and the more she was in the then, the better the sketch would be. The other two pictures had been warm-ups; this was the day’s masterpiece. With the paper bound onto the board—safehand holding that—her freehand flew across the page, occasionally switching to other pencils. Soft charcoal for deep, thick blackness, like Jasnah’s beautiful hair. Hard charcoal for light greys, like the powerful waves of light coming from the Soulcaster’s gems.
For a few extended moments, Shallan was back in that hallway again, watching something that should not be: a heretic wielding one of the most sacred powers in all the world. The power of change itself, the power by which the Almighty had created Roshar. He had another name, allowed to pass only the lips of ardents. Elithanathile. He Who Transforms.
Shallan could smell the musty hallway. She could hear the child whimpering. She could feel her own heart beating in anticipation. The boulder would soon change. Sucking away the Stormlight in Jasnah’s gemstone, it would give up its essence, becoming something new. Shallan’s breath caught in her throat.
And then the memory faded, returning her to the quiet, dim alcove. The page now held a perfect rendition of the scene, worked in blacks and greys. The princess’s proud figure regarded the fallen stone, demanding that it give way before her will. It was her. Shallan knew, with the intuitive certainty of an artist, that this was one of the finest pieces she had ever done. In a very small way, she had captured Jasnah Kholin, something the devotaries had never managed. That gave her a euphoric thrill. Even if this woman rejected Shallan again, one fact would not change. Jasnah Kholin had joined Shallan’s collection.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
Your mother will die some day, and you and I will have to die some day, too. Yet My God has never died. Perhaps you haven’t heard clearly the story that tells how He goes on living for ever and ever. In appearance only did He die. But three days after He had died He came to life again and with great pomp He rose up to heaven.”
“How often?” the chief asked in a dry tone.
Astonished at this unexpected question, the monk answered, “Why . . . why . . . eh . . . once only, quite naturally once only.”
“Once only? And has he, your great god, ever returned to earth?”
“No, of course not,” Padre Balmojado answered, his voice burdened with irritation. “He has not returned yet, but He has promised mankind that He will return to earth in His own good time, so as to judge and to . . .”
“. . . and to condemn poor mankind,” the chief finished the sentence.
“Yes, and to condemn!” the monk said in a loud and threatening tone. Confronted with such inhuman stubbornness he lost control of himself. Louder still he continued: “Yes, to judge and to condemn all those who deny Him and refuse to believe in Him, and who criticize His sacred words, and who ignore Him, and who maliciously refuse to accept the true and only God even if He is brought to them with brotherly love
and a heart overflowing with compassion for the poor ignorant brethren living in sin and utter darkness, and who can obtain salvation for nothing more than having belief in Him and having the true faith.”
Not in the least was the chieftain affected by this sudden outburst of the monk, who had been thrown off routine by these true sons of America who had learned to think long and carefully before speaking.
The chieftain remained very calm and serene. With a quiet, soft voice he said: “Here, my holy white father, is what our god had put into our hearts and souls, and it will be the last word I have to say to you before we return to our beautiful and tranquil tierra: Our god dies every evening for us who are his children. He dies every evening to bring us cool winds and freshness of nature, to bring us peace and quiet for the night so that we may rest well, man and animal. Our god dies every evening in a deep golden glory, not insulted, not spat upon, not spattered with stinking mud. He dies beautifully and glori¬ously, as every real god will die. Yet he does not die forever. In the morning he returns to life, refreshed and more beautiful than ever, his body still trailing the veils and wrappings of the dead. But soon his golden spears dart across the blue firmament as a sign that he is ready to fight the gods of darkness who threaten the peoples on earth. And before you have time to realize what happens, there he stands before wondering human eyes, and there he stays, great, mighty, powerful, golden, and in ever-growing beauty, dominating the universe.
“He, our god, is a spendthrift in light, warmth, beauty, and fertility, enriching the flowers with perfumes and colors, teaching the birds to sing, filling the corn with strength and health, playing with the clouds in an ocean of gold and blue. As my beloved mother does, so does he give and give and never cease giving; never does he ask for prayers, not expect¬ing adoration or worship, not commanding obedience or faith, and never, never condemning anybody or thing on earth. And when evening comes, again he passes away in beauty and glory, a smile all over his face, and with his last glimmer blesses his Indian children. Again the next morning he is the eternal giver; he is the eternally young, the eternally beautiful, the eternally new-born, the ever and ever returning great and golden god of the Indians.
“And this is what our god has put into our hearts and souls and what I am bound to tell you, holy white father: ‘Do not, not ever, beloved Indian sons of these your beautiful lands, give away your own great god for any other god.’ ” ("Conversion Of Some Indians")
”
”
B. Traven (The Night Visitor and Other Stories)
“
Cloud Nine
Childhood part of my life
Wasn't very pretty, see
(Boom, boom-boom, boom)
I was born and raised
In the slums of the city
(Boom, boom-boom, boom)
It was a one-room shack
That slept ten other children beside me
(Boom, boom-boom, boom)
We hardly had enough food
Or room to sleep
(Boom, boom-boom, boom)
It was hard times
I needed somethin' to ease my troubled mind
Ooh listen
My father didn't know the meaning of work
(Boom, boom-boom, boom)
He disrespected mama
And treated us like dirt
(Boom, boom-boom, boom)
I left home seeking a job
That I never did find
(Boom, boom-boom, boom)
Depressed and down-hearted
And I took to cloud nine
(Boom, boom-boom, boom)
I'm doing fine
Up here on cloud nine
Listen, one more time
I'm doing fine
Up here on cloud nine
Folks down there tell me
They say "Give yourself a chance, son
Don't let life pass you by"
(Woo, woo, woo-oo)
But the world, around you's a rat race
Where only the strongest survive
It's a dog-eat-dog world
And that ain't no lie
(Ain't no lie)
Listen, it ain't even safe no more
To walk the streets at night
I'm doing fine
On cloud nine
Let me tell you 'bout cloud nine
Cloud nine
You can be what you want to be
Cloud Nine
You ain't got no responsibility
Cloud nine
And every man, every man is free
Cloud nine
And you're a million miles from reality
Reality
I wanna' stay up
Higher
Up, up, up and away
Cloud nine
I wanna' say I love the life I live
And I'm gonna live the life I love
Or be on cloud nine
I, I, I, I, I, I'm ridin' high
On cloud nine
You're as free as a bird in flight
Cloud nine
There's no difference between day and night
Cloud nine
It's a world of love and harmony
Cloud nine
You're a million miles from reality
Reality
I wanna' stay up
Higher
Up, up, up and away
Cloud nine
You can be what you want to be
Cloud nine
You ain't got no responsibility
Cloud nine
Every man in his mind is free
Cloud nine
You're a million miles from reality
Cloud nine
You can be what you want to be
”
”
The Temptations
“
Otto felt a profound emptiness as he considered the constant disappearances in his life, as if people simply vanished without reason or explanation. The words echoed in his head, "Where are you going? Please stop dying. Please stop passing away. Please stop disappearing with no explanation." He desperately wanted to feel some sense of security and permanence from those he loved. His father, acknowledging the strain between them, attempted to offer reassurance. "Otto, I know I've been hard but just know I'm not mad at you." Dad said gently. However, even with these words, Otto didn't feel any relief, and his yearning for genuine warmth continued.
Utterly disheartened, Otto curled up on the carpet – the blue blanket symbolizing a distant past when days were simpler and happier – only to cry himself to sleep. Chilled to the core by an unshakable feeling of abandonment, he added blanket after blanket in a futile attempt to find comfort. He came to realize that no number of blankets could replace the warmth provided by genuine human connection. What he desperately craved was not mere physical warmth but the emotional warmth that comes from being held, hugged, and truly loved. A simple "I love you," whether heartfelt or forced, would have at least offered him a momentary sense of solace. In the end, all he desired was the gentle embrace of those who cared for him – even if it lasted merely a few seconds.
”
”
﹁ Aʟʟᴍɪɢʜᴛ ﹂ Oꜰꜰɪᴄɪᴀʟ
“
Some in Church history have felt the deep agony of the lostness of men around them and shared the heart of God the Father in sending His only Son at such a great cost. Hudson Taylor speaks of the burden of God that came upon him for souls: 'The feeling of bloodguiltiness became more and more intense. Simply because I refused to ask for them, the laborers did not come forward— did not go out to China— and every day tens of thousands were passing away into Christless graves! Perishing China so filled my heart and mind that there was no rest by day, and little sleep by night, till health broke down.
”
”
St. Thomas Church (An Ancient Worship Movement)
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For us, who are seeking to learn lessons of practical value from all this, one thing stands out as a solemn warning: the people of the Jews had largely lost that godly separation and dependence which should have been their sanctification. In their distresses, in place of implicit reliance on the God of their fathers, they turned to alliances with the heathen, depending on an arm of flesh that often failed them, and was to be their ruin in the end. Who that is even ordinarily familiar with the history of the Church, can fail to see that the same snare has ever been the bane of every movement which in its early beginnings was marked by devotedness to Christ and reliance upon the living God, but which as the freshness of early days passed away, and numbers were added who had obtained the truth at little cost (often coming into it almost by natural birth), lost this peculiar link with the Divine, and depended more and more on what was merely human? This is the weakness of practically every religious society, and no company of Christians can afford to be indifferent to the danger of such a course. Power and blessing, victory and spiritual freshness are the portion of those who cleave to the Lord alone. Weakness and barrenness as surely follow upon amalgamation with the world, as in the case of the Jews in the days upon which we have been dwelling.
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H.A. Ironside (The 400 Silent Years: from Malachi to Matthew (Illustrated))
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going to Palestine. Lots of Jews were going there, Hans said, to escape from Herr Hitler and to build a new Jewish homeland. Hans had sworn Jacob to secrecy. Even to utter such things could get a Jew arrested these days, Hans had reminded him. But Hans need not have worried. Jacob was as silent as the mountains, and his word was his bond. Jacob would take Hans’s secrets to the grave if need be. Yet somewhere deep in his heart, Jacob actually contemplated the idea of running away with the Meyers, be it to Palestine or anywhere else. To stay in Germany was becoming more foolish with each and every passing day, Jacob could see. Why could his father not see it too?
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Joel C. Rosenberg (The Auschwitz Escape)
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The Rich Man and Lazarus 19“There was a rich man who was dressed in purple and fine linen and who feasted sumptuously every day. 20And at his gate lay a poor man named Lazarus, covered with sores, 21who longed to satisfy his hunger with what fell from the rich man’s table; even the dogs would come and lick his sores. 22The poor man died and was carried away by the angels to be with Abraham.d The rich man also died and was buried. 23In Hades, where he was being tormented, he lifted up his eyes and saw Abraham far away with Lazarus by his side.e 24He called out, ‘Father Abraham, have mercy on me, and send Lazarus to dip the tip of his finger in water and cool my tongue, for I am in agony in these flames.’ 25But Abraham said, ‘Child, remember that during your lifetime you received your good things and Lazarus in like manner evil things, but now he is comforted here, and you are in agony. 26Besides all this, between you and us a great chasm has been fixed, so that those who might want to pass from here to you cannot do so, and no one can cross from there to us.’ 27He said, ‘Then I beg you, father, to send him to my father’s house—28for I have five brothers—that he may warn them, so that they will not also come into this place of torment.’ 29Abraham replied, ‘They have Moses and the prophets; they should listen to them.’ 30He said, ‘No, father Abraham, but if someone from the dead goes to them, they will repent.’ 31He said to him, ‘If they do not listen to Moses and the prophets, neither will they be convinced even if someone rises from the dead.’
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Zondervan (NRSVue, Holy Bible with Apocrypha)