Partition Wall Quotes

We've searched our database for all the quotes and captions related to Partition Wall. Here they are! All 48 of them:

Reyes. Alexander. Farrow," I said. Seconds after I spoke his name, Reyes walked into his bedroom, and I looked across the open space directly from my room into his. He waited for me to continue. "I feel like there's something missing from my bedroom." A dimple appeared at the corner of his mouth. "You don't say." "Any idea what that might be?" He glanced around my room as well, then shrugged. "I can't imagine." "Oh, wait," I said, stepping from my room into his, "wasn't there something here? Like, I don't know, a wall or something?" He looked up. "You could be right. I do seem to remember a barrier of some kind here." "Yep," I said, stepping closer, "I definitely remember a partition separating our apartments." When his only response was a mischievous tilt of his full mouth, I asked, "Where did you put my wall?" He crossed his arms over his chest and leaned against his doorframe. "What makes you think I took it?" "It was there this morning." "And that means I took it? Maybe you just misplaced it. Where exactly did you see it last?" I pressed my lips together. "You tore down my wall." The smile he wore could've charmed the panties off a nun. Completely unrepentant, he admitted, "I tore down your wall.
Darynda Jones (Sixth Grave on the Edge (Charley Davidson, #6))
Featherweight by Suzy Kassem One evening, I sat by the ocean and questioned the moon about my destiny. I revealed to it that I was beginning to feel smaller compared to others, Because the more secrets of the universe I would unlock, The smaller in size I became. I didn't understand why I wasn't feeling larger instead of smaller. I thought that seeking Truth was what was required of us all – To show us the way, not to make us feel lost, Up against the odds, In a devilish game partitioned by An invisible wall. Then the next morning, A bird appeared at my window, just as the sun began Spreading its yolk over the horizon. It remained perched for a long time, Gazing at me intently, to make sure I knew I wasn’t dreaming. Then its words gently echoed throughout my mind, Telling me: 'The world you are in – Is the true hell. The journey to Truth itself Is what quickens the heart to become lighter. The lighter the heart, the purer it is. The purer the heart, the closer to light it becomes. And the heavier the heart, The more chained to this hell It will remain.' And just like that, it flew off towards the sun, Leaving behind a tiny feather. So I picked it up, And fastened it to a toothpick, To dip into ink And write my name.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
How little we knew each other, though for centuries our homes had shared walls. How little we will learn, now that all we share is a border.
Amit Majmudar (Partitions)
Aaron’s mouth dropped open when he entered the “room;” it was more like a huge open loft … no walls, huge floor to ceiling windows, shiny hardwood floors … perfect for a studio. He had no idea how Jake had acquired such a huge space in Manhattan. As if reading his mind, Alyson leaned over and whispered, “He bought the place next door and tore down the walls.” “Perfect,” replied Aaron, “and did he happen to find a treasure chest hidden in one of the walls as well?” “What do you mean?” “I mean, how the holy hell does he afford this place? He looks like he’s twelve.” “He’s twenty-​two, and he happens to be quite successful.” “At twenty-​fucking-​two?” “He was born with talent?” Alyson said questioningly. “He’s a lucky wanker who blew the right people?” suggested Aaron. Alyson tried to scowl but grinned instead, “A child prodigy?” “A deal with the devil?” “Naturally gifted?” “An indulgent sugar daddy?” “How about ‘c) All of the above’?” asked a third voice from behind the partition at the far corner of the studio.
Giselle Ellis (Take My Picture)
She broke down my steel walls like they were nothing but a glass partition. Easy to shatter, impossible to fix.
Clara Elroy (Kiss of War (City of Stars, #1))
She came home from work to the noise of fellow youngsters having fun through the partition walls Exacerbating her aloneness Yet she knew this was exactly what she needed Solititude To register what she was feeling Forcing herself to become deaf to all sound except her own
Bernardine Evaristo (Girl, Woman, Other)
...she felt, with her hand on the nursery door, that community of feeling with other people which emotion gives as if the walls of partition had become so thin that practically (the feeling was one of relief and happiness) it was all one stream...
Virginia Woolf (To the Lighthouse)
These changes, I believe, can be the basis of a true Islamic Reformation, one that progresses to the twenty-first century rather than regresses to the seventh. Some of these changes may strike readers as too fundamental to Islamic belief to be feasible. But like the partition walls or superfluous stairways that a successful renovation removes, they can in fact be modified without causing the entire structure to collapse. Indeed, I believe these modifications will actually strengthen Islam by making it easier for Muslims to live in harmony with the modern world. It is those hell-bent on restoring it to its original state who are much more likely to lead Islam to destruction. Here again are my five theses, nailed to a virtual door: 1. Ensure that Muhammad and the Qur’an are open to interpretation and criticism. 2. Give priority to this life, not the afterlife. 3. Shackle sharia and end its supremacy over secular law. 4. End the practice of “commanding right, forbidding wrong.” 5. Abandon the call to jihad. In the chapters that follow, I will explore the source of the ideas and doctrines in question and evaluate the prospects for reforming them. For now, we may simply note that they are closely interrelated.
Ayaan Hirsi Ali (Heretic: Why Islam Needs a Reformation Now)
So as not to see anything any more, I turned towards the wall, but alas, what was now facing me was that partition which used to serve us as a morning messenger, that partition which, as responsive as a violin in rendering every nuance of a feeling, reported so exactly to my grandmother my fear at once of waking her and, if she were already awake, of not being heard by her and so of her not coming, then immediately, like a second instrument taking up the melody, informing me of her coming and bidding me be calm. I dared not put out my hand to that wall, any more than to a piano on which my grandmother had been playing and which still vibrated from her touch. I knew that I might knock now, even louder, that nothing would wake her any more, that I should hear no response, that my grandmother would never come again. And I asked nothing more of God, if a paradise exists, than to be able, there, to knock on that wall with the three little raps which my grandmother would recognize among a thousand, and to which she would give those answering knocks which meant: "Don't fuss, little mouse, I know you're impatient, but I'm coming," and that he would let me stay with her throughout eternity, which would not be too long for the two of us.
Marcel Proust (Sodom and Gomorrah)
Were you snubbed?” asked his son tranquilly. “But we have spoilt the pleasure of I don’t know how many people. They won’t come back.” “. . . full of innate sympathy . . . quickness to perceive good in others . . . vision of the brotherhood of man . . .” Scraps of the lecture on St. Francis came floating round the partition wall.
E.M. Forster (A Room with a View)
The lucky ones hit partitions and went straight through. The unlucky ones collided with solid cinderblock walls. Things broke. Not the cinderblocks
Eoin Colfer (The Eternity Code (Artemis Fowl, #3))
See human beings as though they were in an underground cave-like dwelling with its entrance, a long one, open to the light across the whole width of the cave. They are in it from childhood with their legs and necks in bonds so that they are fixed, seeing only in front of them, unable because of the bond to turn their heads all the way around. Their light is from a fire burning far above and behind them. Between the fire and the prisoners there is a road above, along which see a wall, built like the partitions puppet-handlers set in front of the human beings and over which they show the puppets.
Plato (The Republic of Plato)
Lightning’s echo comes as thunder. And the city waits for thunder’s echo, for a wall of heat that burns Lahore with the energy of a thousand summers, a million partitions, a billion atomic souls split in half.
Mohsin Hamid (Moth Smoke)
I want to write a thinkpiece about what you did to me. I want to write a critical analysis about the way you put your hands to my throat, the way you threw me against the partition wall. I want to extract a dose of worldly wisdom for all women to sap the power from that pain and into abstraction so we can all live again; I want what you did to be a statistic, I want you to be a memory, I don’t want you to be those hands on my throat.
Alice Minium
The Mass is the re-enactment of the cross’s mighty onslaught upon human differences: the breaking down of the wall of partition. We participate in common, as in one family, in the holy Eucharistic offering. We are united with one another through our union with Jesus Christ in Communion.
John LaFarge (The Catholic Viewpoint on Race Relations (The Catholic Viewpoint Series, #1))
When today Oskar, lying or sitting in his hospital bed but in either case drumming, revisits Arsenal Passage and the Stockturm with the scribbles on its dungeon walls and its well-oiled instruments of torture, when once again he looks down on those three windows outside the lobby of the Stadt-Theater and thereafter returns to Arsenal Passage and Sigismund Markus' store, searching for the particulars of a day in September, he cannot help looking for Poland at the same time. How does he look for it? With his drumsticks. Does he also look for Poland with his soul? He looks for it with every organ of his being, but the soul is not an organ. I look for the land of the Poles that is lost to the Germans, for the moment at least. Nowadays the Germans have started searching for Poland with credits, Leicas, and compasses, with radar, divining rods, delegations, and moth-eaten provincial students' associations in costume. Some carry Chopin in their hearts, others thoughts of revenge. Condemning the first four partitions of Poland, they are busily planning a fifth; in the meantime flying to Warsaw via Air France in order to deposit, with appropriate remorse, a wreath on the spot that was once the ghetto. One of these days they will go searching for Poland with rockets. I, meanwhile, conjure up Poland on my drum. And this is what I drum: Poland's lost, but not forever, all's lost, but not forever, Poland's not lost forever.
Günter Grass (The Tin Drum)
There was still room enough left for a visitor - maybe two, but not without straining the walls. But the walls could stand it- at least the partitions could, for they consisted simply of one thickness of white "cotton domestic" stretched from corner to corner of the room. This was the rule in Carson - any other kind of partition the rare exception. And if you stood in a dark room and your neighbors in the next had lights, the shadows on your canvas told queer secrets sometimes.
Mark Twain (On the Wild West)
For here is the philosophy which sharpeneth the senses, satisfieth the soul, enlargeth the intellect and leadeth man to that true bliss to which he may attain, which consisteth in a certain balance, for it liberateth him alike from the eager quest of pleasure and from the blind feeling of grief; it causeth him to rejoice in the present and neither to fear nor to hope for the future. For that Providence or Fate or Lot which determineth the vicissitudes of our individual life doth neither desire nor permit our knowledge of the one to exceed our ignorance of the other, so that at first sight we are dubious and perplexed. But when we consider more profoundly the being and substance of that universe in which we are immutably set, we shall discover that neither we ourselves nor any substance doth suffer death; for nothing is in fact diminished in its substance, but all things wandering through infinite space undergo change of aspect. And since we are all subject to a perfect Power, we should not believe, suppose or hope otherwise, than that even as all issueth from good, so too all is good, through good, toward good; from good, by good means, toward a good end. For a contrary view can be held only by one who considereth merely the present moment, even as the beauty of a building is not manifest to one who seeth but one small detail, as a stone, a cement affixed to it or half a partition wall, but is revealed to him who can view the whole and hath understanding to appraise the proportions. We do not fear that by the violence of some erring spirit or by the wrath of a thundering Jove, that which is accumulated in our world could become dispersed beyond this hollow sepulchre or cupola of the heavens, be shaken or scattered as dust beyond this starry mantle. In no other way could the nature of things be brought to naught as to its substance save in appearance, as when the air which was compressed within the concavity of a bubble seemeth to one's own eyes to go forth into the void. For in the world as known to us, object succeedeth ever to object, nor is there an ultimate depth from which as from the artificer's hand things flow to an inevitable nullity. There are no ends, boundaries, limits or walls which can defraud or deprive us of the infinite multitude of things. Therefore the earth and the ocean thereof are fecund; therefore the sun's blaze is everlasting, so that eternally fuel is provided for the voracious fires, and moisture replenisheth the attenuated seas. For from infinity is born an ever fresh abundance of matter.
Giordano Bruno (On the Infinite, the Universe and the Worlds: Five Cosmological Dialogues (Collected Works of Giordano Bruno Book 2))
There were young people everywhere and their bags, jackets, oblongs were all over the floor and surfaces. What was more, the room’s space had become divided into twenty-four boxes – arranged in two tiers – all the way to the rear wall. Because of this partitioning, it was hard to gain an overall view of what was before me, but I gradually made sense of things. Josie was near the middle of the room talking with three guest girls. Their heads were almost touching, and because of how they were standing, the upper parts of their faces, including all their eyes, had been placed in a box on the higher tier, while all their mouths and chins had been squeezed into a lower box.
Kazuo Ishiguro (Klara and the Sun)
The Terminal I pace the Greyhound waiting room, that famished void on the outskirts of Reno between the Atavans and Ambiens, filled with the stench of the homeless and the suicide ticking of attoseconds. It is a zombie casino with no clocks partitioned with great walls of glass. On the other side of the glass I see people take tokens from Big Gulp sized cups and feed them into the mute ears of bandits. They are the gamblers whose tokens are redeemed into winnings. They breathe without conscious effort and board their buses. On my side of the glass there are no gamblers, no buses, no exits. There are just Dixie cups of meds to transport me through REMless dreams to awaken another day in the same terminal waiting and breathing, breathing and waiting for the glass to shatter so I may redeem my fist full of tokens.
Beryl Dov
She has opened the door of the square cave where the cake of ice sits; and there it is, inches from Harry’s eyes, lopsided from melting but still big, holding within its metal-black bulk the white partition that the cakes have when they come bumping down the chute at the ice plant. He leans closer into the cold breath of the ice, a tin-smelling coldness he associates with the metal that makes up the walls of the cave and the ribs of its floor, delicate rhinoceros gray, mottled with the same disease the linoleum has. Having leaned closer he sees that under the watery skin are hundreds of clear white veins like the capillaries on a leaf, as if ice too were built up of living cells. And further inside, so ghostly it comes to him last, hangs a jagged cloud, the star of an explosion, whose center is uncertain in refraction but whose arms fly from the core of pallor as straight as long eraser-marks diagonally into all planes of the cube. The rusted ribs the cake rests on wobble through to his eyes like the teeth of a grin. Fear probes him; the cold lump is alive.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
I’ll go myself,” the sergeant said tersely. He was getting annoyed. The stairway went down underneath the ground floor to a depth of about eight feet. A short paved corridor ran in front of the boiler room at right angles to the stairs, where each end was closed off by unpainted panelled doors. Both the stairs and the corridor felt like loose gravel underfoot, but otherwise they were clean. Splotches of blood were more in evidence in the corridor and a bloody hand mark showed clearly on the unpainted door to the rear. “Let’s not touch anything,” the sergeant cautioned, taking out a clean white handkerchief to handle the doorknob. “I better call the fingerprint crew,” the photographer said. “No, Joe will call them; I’ll need you. And you local fellows better wait outside, we’re so crowded in here we’ll destroy the evidence.” “Ed and I won’t move,” Grave Digger said. Coffin Ed grunted. Taking no further notice of them, the sergeant pushed open the door. It was black and dark inside. First he shone his light over the wall alongside the door and all over the corridor looking for electric light switches. One was located to the right of each door. Taking care to avoid stepping in any of the blood splotches, the sergeant moved from one switch to another, but none worked. “Blown fuse,” he muttered, picking his way back to the open room. Without having to move, Grave Digger and Coffin Ed could see all they wanted through the open door. Originally made to accommodate a part-time janitor or any type of laborer who would fire the boiler for a place to sleep, the room had been converted into a pad. All that remained of the original was a partitioned-off toilet in one corner and a washbasin in the other. An opening enclosed by heavy wire mesh opened into the boiler room, serving for both ventilation and heat. Otherwise the room was furnished like a boudoir. There was a dressing-table with a triple mirror, three-quarter bed with chenille spread, numerous foam-rubber pillows in a variety of shapes, three round yellow scatter rugs. On the whitewashed walls an obscene mural had been painted in watercolors depicting black and white silhouettes in a variety of perverted sex acts, some of which could only be performed by male contortionists. And everything was splattered with blood, the walls, the bed, the rugs. The furnishings were not so much disarrayed, as though a violent struggle had taken place, but just bloodied. “Mother-raper stood still and let his throat be cut,” Grave Digger observed. “Wasn’t that,” Coffin Ed corrected. “He just didn’t believe it is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
Jacob, Jesus paid the price for all our sins, both Jew and Gentile.’ Then she would quote the words of the apostle Paul in Ephesians 2:13–14: ‘But now in Yeshua our Messiah ye who sometimes were far off are made nigh by the blood of the Messiah. For he is our peace, who hath made both one, and hath broken down the middle wall of partition between us.
William Struse (The 13th Enumeration)
That was the Court of the Gentiles there. A wall was built which divided the court from the temple proper. At regular intervals along this wall, inscriptions in both Greek and Hebrew were placed which read, ‘No Gentile is to pass this point on pain of death.’ This is the wall of partition the apostle Paul mentioned in Ephesians 2:13–14. Notice the stairs—in order for anyone to access the temple proper and pass through the wall from that point, they had to climb a set of 14 stairs and enter through one of 13 gates.
William Struse (The 13th Enumeration)
the temple precinct would be in the city’s center, right on the riverbanks. The processional road crossed the river as a bridge and bifurcated the walled temple area. The religious district would contain in the southern partition a series of temples, including one for Marduk, Babylon’s patron deity. In the northern section, Nimrod had planned a mighty ziggurat entitled Etemenanki, which meant “Temple of the Foundation of Heaven and Earth.” This was the most important point for the four high gods in attendance.
Brian Godawa (Abraham Allegiant (Chronicles of the Nephilim Book 4))
palate is a wall or septum that separates the oral cavity from the nasal cavity, forming the roof of the mouth. This important structure makes it possible to chew and breathe at the same time. The hard palate—the anterior portion of the roof of the mouth—is formed by the maxillae and palatine bones and is covered by a mucous membrane; it forms a bony partition between the oral and nasal cavities. The soft palate, which forms the posterior portion of the roof of the mouth, is an arch-shaped muscular partition between the oropharynx and nasopharynx that is lined with mucous membrane. Hanging from the free border of the soft palate is a conical ¯ muscular process called the uvula ( U-vu¯ -la � little grape). During swallowing, the soft palate and uvula are drawn superiorly, closing off the nasopharynx and preventing swallowed • C L I N I C A L C O N N E C T I O N Per i toni t is A common cause of peritonitis, an acute inflammation of the peritoneum, is contamination of the peritoneum by infectious microbes, which can result from accidental or surgical wounds in the abdominal wall, or from perforation or rupture of abdominal organs.If, for example, bacteria gain access to the peritoneal cavity through an intestinal perforation or rupture of the appendix, they can produce an acute, life-threatening form of peritonitis. A less serious (but still painful) form of peritonitis can result from the rubbing together of inflamed peritoneal surfaces. Peritonitis is of particularly grave concern to those who rely on peritoneal dialysis, a procedure in which the peritoneum is used to filter the blood when the kidneys do not function properly (see page 1048). •
Anonymous
But he didn’t answer. He just cried on, this hopeless hard retching as if the tears were shards and each one cut as it came out. He was sitting on the floor up against the door so I couldn’t get in and Mam was gone to take Nan to Murphy’s so I just sank down on the floor on the other side of the door and because of the force of his crying the door and the whole partition wall kind of gave a little, these jagged ebbs and flows, as if the whole upstairs was in a storm, and my brother was in another boat sailing away, and no matter how much I wanted to, no matter what I did or said I would never be able to get to him.
Niall Williams (History of the Rain)
Alexander said as soon as it got cold, they would leave. September came and it was still warm; he liked that. Better still, not only was Tatiana making them a little money, she was drinking some sparkling wine, some Bisol Brut, for which she developed a bit of a taste. After work, she would sit with Anthony, have bread and cheese, and a glass of sparkler. She closed the winery, counted the money, played with the boy, waited for Alexander to finish work, and sipped her drink. By the time they drove to the B&B, had dinner, chocolate cake, more wine, a bath, put Anthony to bed, and she fell down onto the goose down covers, arms flung above her head, Tatiana was so bubbled up, so pliant, so agreeable to all his relentless frenzies, and so ceaselessly and supernally orgasmic that Alexander would not have been a mortal man if he allowed anything to come between his wife and her Bisol Brut. Who would do a crazy thing like quit to go into dry country? This country was flowing with foaming wine, and that is just how they both liked it. He started whispering to her again, night by night, little by little. Tania . . . you want to know what drives me insane? Yes, darling, please tell me. Please whisper to me. When you sit up straight like this with your hands on your lap, and your breasts are pushed together, and your pink nipples are nice and soft. I lose my breath when your nipples are like that. The trouble is, as soon as I see you looking at me, the nipples stop being nice and soft. Yes, they are quite shameful, he whispers, his breath lost, his mouth on them. But your hard nipples also drive me completely insane, so it’s all good, Tatia. It’s all very very good. Anthony was segregated from them by an accordion room partition. A certain privacy was achieved, and after a few nights of the boy not being woken up, they got bolder; Alexander did unbelievable things to Tatiana that made her sparkler-fueled moaning so extravagant that he had to invent and devise whole new ways of sustaining his usually impeccable command over his own release. Tell me what you want. I’ll do anything you want, Tania. Tell me. What can I do—for you? Anything, darling . . . anything you want, you do . . . There was nothing Gulag about their consuming love in that enchanted bed by the window, the bed that was a quilted down island with four posters and a canopy, with pillows so big and covers so thick . . . and afterward he lay drenched and she lay breathless, and she murmured into his chest that she should like a soft big bed like this forever, so comforted was she and so very pleased with him. Once she asked in a breath, Isn’t this better than being on top of the hard stove in Lazarevo? Alexander knew she wanted him to say yes, and he did, but he didn’t mean it, and though she wanted him to say it, he knew she didn’t want him to mean it either. Could anything come close to crimson Lazarevo where, having been nearly dead, without champagne or wine or bread or a bed, without work or food or Anthony or any future other than the wall and the blindfold, they somehow managed for one brief moon to live in thrall sublime? They had been so isolated, and in their memories they still remained near the Ural Mountains, in frozen Leningrad, in the woods of Luga when they had been fused and fevered, utterly doomed, utterly alone. And yet!—look at her tremulous light— as if in a dream—in America—in fragrant wine country, flute full of champagne, in a white quilted bed, her breath, her breasts on him, her lips on his face, her arms in rhapsody around him are so comforting, so true—and so real.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
In Christ the middle wall of partition has been broken down. There is no Jew, no Gentile—no black, white, yellow, or red. We could be one great brotherhood in Jesus Christ. However, until we come to recognize Him as the Prince of Peace and receive His love in our hearts, the racial tensions will increase, racial demands will become more militant, and a great deal of blood will be shed. The race problem could become another flame out of control!
Billy Graham (Billy graham in quotes)
So for Jesus “going to heaven” isn’t a matter of disappearing into the far distance. Jesus is like somebody who has two homes. The homes are right next door to each other, and there is a connecting door. One day the partition wall will be knocked down and there will be one, glorious, heaven-and-earth mixture.
N.T. Wright (Simply Jesus: A New Vision of Who He Was, What He Did, and Why He Matters)
the resurgence of the elder gods breaks down the wall of separation between religion and science that has partitioned Western thought since the Enlightenment. The rise of science has taught us things about the Earth, Sun, and Storm that the ancients would have marveled to know. We are in the enviable, irresistible, position of being able to learn, through science, about the very gods themselves." - Steven Posch, "Lost Gods of the Witches: A User’s Guide to Post-Ragnarok Paganism
John Halstead (Godless Paganism: Voices of Non-Theistic Pagans)
One side of this chamber was partitioned off with some sort of metal wall. The door stood blown open. It felt a little warmer in here and I entered and closed the door.
Milo M. Hastings (City of Endless Night)
Men still build walls of partition and division like the terrible Berlin wall, or erect invisible curtains of iron or bamboo, or construct barriers of race, colour, caste, tribe or class. Divisiveness is a constant characteristic of every community without Christ.
Owen Strachan (Christianity and Wokeness: How the Social Justice Movement Is Hijacking the Gospel - and the Way to Stop It)
The “curvilinear informality” of the Schnelles’ design was formalized into workstations with shelves, cabinets, and dividing panels—what would eventually devolve into the cubicle.12 (The development, like so many in American history, was facilitated by the tax code: The Revenue Act, passed in 1962, allowed for a seven percent tax credit on property with a “useful life” of eight years. You couldn’t deduct the cost of a fixed wall. But a partition? Go for it.)
Charlie Warzel (Out of Office: The Big Problem and Bigger Promise of Working from Home)
In an episode that now hits a little too close to home given that the word quarantine has become part of our vocabulary over the last few years, Bernadette has an accident at her lab that causes her to be quarantined at the hospital for preventive measures. At first it throws a wrench in Howard’s anniversary plans (he wrote his wife a special song that he was going to perform—with the rest of the gang doing backup vocals), but then they move it to the hospital where he sings it for her on the opposite side of the glass partition walls.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
To explain how we got to this seemingly intractable place, a little history is required—never a simple proposition in a part of the world where rivaling versions of the past are a dense thicket. The 1930s saw a series of Arab revolts against the influx of Jewish migrants to Palestine, which was then under British control. This wave of Jewish immigration was regarded by many Palestinians as a colonial imposition, a perception that was further cemented when British troops and local police put down the Arab uprising with tremendous force, fueling further resentment. When Palestine was partitioned in 1947, a move with overwhelming Arab opposition, and Israel declared statehood the next year, the first Arab-Israeli war was locked in. These were the years that Palestinians call the Nakba, or catastrophe: roughly 750,000 Palestinians were expelled, hundreds of Palestinian villages were destroyed, and thousands were killed, with many of the horrifying truths about these atrocities finally escaping Israel’s own Shadow Lands in recent years. Of course Palestinians would resist such ethnic cleaning with violence of their own. Yet rather than seeing Arab resistance for what it was—a nationalist, anti-colonial battle over land and self-determination (with some anti-Semitic elements, to be sure)—many influential Zionist leaders portrayed the entire Palestinian cause as nothing but more irrational Jew-hatred, a seamless continuation of the very same anti-Semitism that had resulted in the Holocaust, and that therefore needed to be crushed with the kind of militarized force that Jews had not been able to marshal in Nazi-controlled Europe. Within this imaginary, the Palestinian, as the Jew’s new eternal enemy, was treated as so illegitimate, so irrational, so other, that Israelis believed themselves to be justified in reenacting many of the forms of violence, dehumanizing propaganda, and forced displacement that had targeted and uprooted the Jewish people throughout Europe for centuries, a process that continues to this day with ongoing home demolitions, Israeli settlement expansions, targeted assassinations, settler rampages through Palestinian communities, openly discriminatory laws, and walled ghettos into which Palestinians are corralled.
Naomi Klein (Doppelganger: a Trip into the Mirror World)
When I read Quin I recognise her fidgeting forensic polyvocal style as a powerful and bona fide expression of an unbearably tense and disorienting paradox that underscores everyday life in a working-class environment - on the one hand it's an abrasive and in-your-face world, yet, at the same time, much of it seems extrinsic and is perpetually uninvolving. One is relentlessly overwhelmed and understimulated all at the same time. Is it any wonder then, that such a paradox would engender a heightened aesthetic sensitivity that is as detached as it is perspicacious? Quin mentions somewhere in one of her shorter pieces the 'partition next to my bed', how it 'shook at night from the manoeuvres, snores of my anonymous neighbour.' If your immediate locale doesn't offer you much in terms of dependable boundaries it's not entirely inconceivable is it that you'll end up writing a kaleidoscopic sort of prose that is constantly shuffling the distinction between objects and beings, self and other, and conceives of the world in terms of form and geometry, texture and tone. The walls are paper-thin. You rarely have any privacy. And neither do you have the safety nets, the fenders, the filters, nor the open doors which people from affluent backgrounds enjoy from day one. When you are living with no clear sense of future, day-to-day life is precarious, disjointed, frequently invasive, and beyond your control.
Claire-Louise Bennett (Checkout 19)
I want to show you something,” I say. “But I’m afraid you’re going to be angry at me.” She’s suddenly on guard. “Why? What is it?” I turn my wrist over and point to her tattoo on my inner wrist. It’s a bare spot I’d been saving for something special. She leans toward it, and all of her breath rushes from her body. I can feel it across my hand when she exhales. “That’s my tat,” she says. She takes my hand in hers and lifts it toward her face. “Are you angry?” I ask. She looks up at me briefly and then back down at the tattoo. She’s taking in every facet of it. Her hand trembles as she holds tightly to mine. “You changed it.” “I felt like you needed a way out.” I put it on my wrist because I was intrigued by the secrets inside. It’s art, and I appreciate art in all its forms. She swallows. Hard. Then her eyes start to fill with tears. She blinks them back for as long as she can. And then she gets up and runs toward the bathroom. Shit. Now I fucked up. I made her cry. She runs by the waitress, who startles. The waitress starts in my direction, a sway in her hips, but I get up and follow Kit. I stop outside the door to the ladies’ room and press my hand against it. I don’t know what I’m waiting for. She’s in there crying, and I obviously can’t hear her to be sure she’s all right. Fuck it. I’m not leaving her in there upset. I push through the door, and I don’t see any feet in the stalls when I bend over. Where the fuck did she go? I push doors open, but the last one is locked. I stand up on my tiptoes and look over the top. She’s standing there with her forearms pressed against the wall, her head down between her arms, and her back is shaking. She’s crying. I knock on the stall door and say, “Let me in, Kit.” The door doesn’t open. I step back onto my tiptoes and look over. She’s still crying. “Let me in,” I repeat. She doesn’t move, so I walk into the stall next to hers and stand up on the toilet. I rock the partition between the stalls gently. It might hold my weight. There’s only one way to find out. I hoist myself up and over the wall, bringing my legs over the top slowly and carefully, and then I hop down. Before I can reach for her, she’s in my arms, her hands sliding around my neck. She’s still sobbing, and her body shakes against mine. I tilt her face up because I can’t see her lips to tell if she’s saying anything to me or not. I need to apologize. I didn’t expect her to get so upset. I’ll have it covered up with something else if it bothers her this much. My heart twists inside my chest. I really fucked up. “I’m sorry,” I tell her, looking down into her face. Her cheeks are soaked with tears, and she freezes, looking up at me. I can feel her like a heartbeat in my chest. She steps on the toes of my boots and then rocks onto her tiptoes. She pulls my head down with a hand at the back of my neck. Her brown eyes are smoldering, and black shit is running down her cheeks again, but I don’t care. She’s never looked more beautiful to me. I hold her face in my hands and wipe beneath her eyes with my thumbs. Her breath tickles my lips, and she leans even closer. She’s standing on my fucking boots, and I don’t care. She can do whatever it takes to get closer to me. “Why did you do it?” she asks, moving back enough that I can see her lips. I already told her: I thought she needed a way out. All I added to the tattoo was a keyhole right in the center of the guitar. It’s a simple design really. “I don’t know,” I say. I want to explain it to her, but I can’t. Not right now.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
He settled into the Chelsea apartment as best he could with everything in his life in turmoil — no permanent abode, no publishing agreements, growing difficulties with the police, and what was to happen now with Marianne? — but when he turned on the TV he saw a great wonder that dwarfed what was happening to him. The Berlin Wall was falling, and young people were dancing on its remains. That year, which began with horrors — on a small scale the fatwa, on a much larger scale Tiananmen — also contained great wonders. The magnificence of the invention of the hypertext transfer protocol, the http:// that would change the world, was not immediately evident. But the fall of Communism was. He had come to England as a teenage boy who had grown up in the aftermath of the bloody partition of India and Pakistan, and the first great political event to take place in Europe after his arrival was the building of the Berlin Wall in August 1961. Oh no, he had thought, are they partitioning Europe now? Years later, when he visited Berlin to take part in a TV discussion with Günter Grass, he had crossed the wall on the S-Bahn and it had looked mighty, forbidding, eternal. The western side of the wall was covered in graffiti but the eastern face was ominously clean. He had been unable to imagine that the gigantic apparatus of repression whose icon it was would ever crumble. And yet the day came when the Soviet terror-state was shown to have rotted from within, and it blew away, almost overnight, like sand. Sic semper tyrannis. He took renewed strength from the dancing youngsters’ joy.
Salman Rushdie (Joseph Anton: A Memoir)
The city waits for thunder's echo, for a wall of heat that burns Lahore with the energy of a thousand summers, a million partitions, a billion atomic souls split in half.
Mohsin Hamid (Moth Smoke)
Under the Gospel Dispensation, however, these peculiarities have no existence. For Christ has not made an external covenant with any people. He is not the king of any particular nation. He dwells not in a palace made with hands. His throne is in the heavenly sanctuary; nor does he afford his visible presence in any place upon earth. The partition wall between Jews and Gentiles has long been demolished and, consequently, our divine Sovereign does not stand related to any people, or to any person, so as to confer a relative sanctity, or to produce an external holiness.
Abraham Booth (An Essay on the Kingdom of Christ)
MURRAY HILL’S FIRST BUILDING—Building 1, as it was eventually known—officially opened in 1942.4 Inside it was a model of sleek and flexible utility. Every office and every lab was divided into six-foot increments so that spaces could be expanded or shrunk depending on needs, thanks to a system of soundproofed steel partition walls that could be moved on short notice. Thus a research team with an eighteen-foot lab might, if space allowed, quickly expand their work into a twenty-four-foot lab. Each six-foot space, in addition, was outfitted with pipes providing all the basic needs of an experimentalist: compressed air, distilled water, steam, gas, vacuum, hydrogen, oxygen, and nitrogen. And there was both DC and AC power. From the outside, the Murray Hill complex appeared vaguely H-shaped. Most of the actual laboratories were located in two long wings, each four stories high, which were built in parallel and were connected by another wing.
Jon Gertner (The Idea Factory: Bell Labs and the Great Age of American Innovation)
complete opposites found themselves attending the same church. In the book of Ephesians, the apostle Paul explains how God brought the Jew and Gentile together through Christ. The same could be said for the Amish and English believers. For he [Christ] is our peace, who hath made both one, and hath broken down the middle wall of partition between us; Having abolished in his flesh the enmity, even the law of commandments
Joe Keim (My People, the Amish: The True Story of an Amish Father and Son)
It could be an important feature to be added to your portrait: your mind has interior walls that allow you to partition different times in which to stop or flow, to concentrate alternately on parallel channels.
Italo Calvino (If on a Winter’s Night a Traveler)
Before either men could commence a deliberation over who knew more of the hotel’s history, Coraline injected, “India was writing the last chapters of its saga of independence when The Imperial opened its doors in the 1930s.” She paused before proceeding, “Pandit Nehru, Mahatama Gandhi, Muhammad Ali Jinnah and Lord Mountbatten met under congenial conditions to discuss the partition of India and the creation of Pakistan on the very ground we stand on. Adding to that, the Nehru family also had a permanent suite within the walls of this ‘Maiden of the East.’” She let out a discreet chuckle that I think only I caught. Both men stared at the female, not knowing how to respond. Before either one of them could opine, she continued, “If only walls could speak. Here indeed is a repository of fascinating anecdotal material for authors of romantic and detective fiction. It was here, at this very site, that one could clink glasses for the Royals to their war efforts, urge Gandhi to quit the India movement, or dance to the strains of Blue Danube, belly dance like a belle from Beirut or be serenaded by an orchestra from London.” The group of us stared at the big sister, wondering how in the world she knew so much about The Imperial. My teacher and Jabril pressed for affirmation. Instead, she vociferated, “Notably, The Imperial has the largest collection on display of land war gallantry awards in India and among its neighbouring countries such as Afghanistan, Burma, Bhutan and China. It also holds a sizeable record of orders and decorations bestowed by the British Royalties to the Emperor of India as an honour to the local Maharajas, Sultans and ruling Princes from the various Indian states.” While Narnia’s chaperone continued her historical spiel, the recruit pulled me aside and whispered amusingly, “Although everything my big sister said is true, she’s having fun with you guys. Her information is from the hotel’s brochure in the guest rooms.” I quipped. “Why didn’t you tell the rest of our group? I thought she was an expert in India’s history!” She gave me a wet kiss and said saucily, “I’m telling you because I like you.” Stunned by her raciness, I was speechless. I couldn’t decide whether to tell her there and then that I was gay – but at that very moment, Andy appeared from around the corner. “Where did you two disappear to?” he inquired. When Narnia was out of earshot, I muttered knowingly to my BB, “I’ll tell you later.”, as we continued the art tour browsing portraitures of India’s Princely Rulers of yore.
Young (Turpitude (A Harem Boy's Saga Book 4))
Meridith stepped down from the chair and scooted it a few feet. “Let me.” Jake took the string and looped it over the hooks one at a time. It took him two minutes to finish the porch. “Show-off,” she said. “Being tall has its benefits.” And being strong. Words of gratitude formed in her mind, but it took a moment to order them. “I never thanked you last night.” He scratched behind Piper’s ears. “No need.” He plugged the lights in the wall outlet, and they glowed dimly. “Hopefully there’s a wall switch inside.” “I mean it, Jake. I don’t know what I would’ve done.” Heat worked into her cheeks. She pulled a cornflower blue pail from the box and set it on one of the tables. “Your arms . . .” She looked down, noticing the bruises. Brownish-gray blotches, Sean’s fingerprints on her skin. She rubbed the spots, wishing she could wipe them away. Seeing them there, she could almost feel Sean’s grip on her, feel the helplessness welling up. “I should’ve beat the kid to a pulp.” Jake’s fists clenched. “He’s long gone. That’s all that matters.” “He should’ve been arrested.” “I don’t think he meant to—to attack me that way. We stumbled, and he fell on me.” “You’re wearing evidence that says otherwise.” He had a point. And the night before, sand grinding into her back, she’d been convinced she was in danger. “Don’t like the idea of you and the kids here alone.” “Aren’t you the one who thought the partitions were silly?” “Never said that.” “Didn’t have to.” She gave a wry smile. She was pretty good at reading people. Like just now, he was thinking she was right. “Maybe I did.” He leaned a shoulder on the shingled wall, looking every bit as cocky as he had that first day he’d turned up on her doorstep. It didn’t bother her just this minute. “I know I said I was done with the repairs, but what would you think of finishing the ones that aren’t too costly?” His gaze intensified. “Really?” Meridith collected a basket and began filling it with shells. “You mentioned the fireplace. I’d like to get it working again. We have tree branches hitting the house, a couple trees that a stiff wind would blow over—if you do that kind of work. Not to mention the other things on the list.” Jake walked to the railing, staring out to sea. When Piper joined him, Jake ruffled her fur. Maybe he didn’t want to stay now. Maybe having the kids underfoot all week had been a pain. Maybe he’d been offended at the way she’d confronted him about being alone with Noelle—a notion that now seemed ludicrous in light of the way he’d come to her rescue. “I mean, if you can’t, that’s all right. You probably have other work lined up.” It was only a couple months. They’d be safe that long, right? She saw Sean’s hardened face, heard the bitter slur of his words, and shuddered. “I’ll stay.” “Are you sure?” Her words rushed out. “Glad to.” She smiled. “All right then.” He straightened, winked, and she felt it down to her bones. “Back
Denise Hunter (Driftwood Lane (Nantucket, #4))
Gospel time is our spiritual harvest, and it is notorious folly to sleep or loiter in harvest. The time of the gospel is a time indeed--namely, a time of light, a time of love, a time of life, a time of liberty (Matt. 4:16; 2 Tim. 1:10; Ezek. 16:8; Rom. 5:8; Isa. 61:6; John 8:36). Now, the trumpet of jubilee sounds, and all debts and mortgages may be taken up and released. Here is liberty for the poor captives and the opening of the prison to them that are bound. 'Tis now an "accepted time," a "day of salvation" (2 Cor. 6:2), a time to accept or a time to be accepted, a golden and glorious time indeed. Behold, now there is a broad and clear way to His mercy seat. The flaming sword is gone; the partition wall is down; all bars and gates are removed; an act of indemnity is proclaimed; and there is a free admission for all to come and be saved. Pardons are ready (Isa. 55:6-7).
John Fox (Time and the End of Time: Discourses on Redeeming the Time and Considering Our Latter End)
Brotherly Love Christ recognized no distinction of nationality or rank or creed. The scribes and Pharisees desired to make a local and a national benefit of the gifts of heaven and to exclude the rest of God's family in the world. But Christ came to break down every wall of partition. He came to show that His gift of mercy and love is as unconfined as the air, the light, or the showers of rain that refresh the earth.
Ellen Gould White (The Ministry of Healing)