Parcel Of Happiness Quotes

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You've got to be responsible for your own happiness - you can't expect it to come flopping through the door like a parcel.
Julian Barnes (Talking It Over)
See, mine is a profession in which you orchestrate happiness....You can't control more than a single day. But you can control one of them. Twenty four hours can be curated. A wedding day is a neat little parcel of time in which I can create something whole and perfect to be cherished for a lifetime, a pearl from a broken necklace.
Lucy Foley (The Guest List)
As Maia turned to go, hardly believing that there could be such happiness, she heard a loud splash. Miss Minton was leaning over the side, watching the parcel she had held on her knees floating away downriver. “What was that?” asked Maia. Miss Minton straightened herself. If you must know,” she said, “it was my corset.
Eva Ibbotson (Journey to the River Sea)
An eagle soaring above a sheer cliff, where I suppose its nest is, makes another striking show of life, and helps to bring to mind the other people of the so-called solitude—deer in the forest caring for their young; the strong, well-clad, well-fed bears; the lively throng of squirrels; the blessed birds, great and small, stirring and sweetening the groves; and the clouds of happy insects filling the sky with joyous hum as part and parcel of the down-pouring sunshine.
John Muir (My First Summer in the Sierra (Illustrated))
The lonesome dark. That's what Jack called a night like this. When you were distanced from everything and everybody. Out on your own and there was nobody to care if you were happy or sad. If you lived or died. The lonesome dark hadn't existed in the old days. That was something people invented. Like time. Parcel up the days, parcel up the seasons. Add a minute here, a day there when it doesn't quite fit. Trim the square peg so that you could slide it into the round hole. In the old days the night was as open as the day. It wasn't a better place to hide because there was nothing to hide from. You weren't outside because there was no in.
Charles de Lint (Someplace to Be Flying (Newford, #5))
The eldest ones said that the laughter and tears are sewn right into the quilt, part and parcel, stitch by stitch. Emotions, experiences, heartbreak, mourning, pain and regret, stitched into the cloth, along with happiness, satisfaction, cheer, comfort, and love. The finished quilts were a living thing, a reflection of the spirits of its creators.
Arlene Stafford-Wilson (Lanark County Connections - Memories Among the Maples)
That went well," Christina murmured to him. "Pffaww," he agreed. "They're a pair! They don't like anything. They don't even like the dachshund. Who doesn't like dachshunds? They're little parcels of dog-shaped goodness. I've known Jalabite Hegemon ships give up conquest and start little farmsteads just so they can have happy dachshunds. Everyone likes dachshunds, everywhere in the universe. Well, except on Bithomorency. People there got into a war with a refugee column of evolutionarily advanced dachshund supersoldiers fleeing the destruction of their homeworld. The wire-haired marines took out an entire town - two hundred thousand dead. And it was a tragic misunderstanding. The dachshunds only stopped to ask for some biscuits, automated defence systems fired on them. There's a lesson: never give control of your space weapons to an unsupervised machine." He shrugged, and she found herself nodding: schoolboy error.
Nick Harkaway (Doctor Who: Keeping Up with the Joneses (Time Trips))
You are quite clever. Damien needs someone who is clever and will stand up to him, not a simpering miss who will drive him to an early grave by agreeing with his every thought. If I have to suffer a parcel of plain-faced great-grandchildren to see Damien properly settled with a woman who won’t let him descend into full-blown tyranny, then I am happy to do so.
Lynn Messina (A Nefarious Engagement (Beatrice Hyde-Clare Mysteries, #4))
The happy life is not recalled as past, pure and simple, without further relevance for the present. Insofar as the happy life is remembered, it is part and parcel of the present and inspires our desires and expectations for the future. The point about remembering joy when we are sad is that we hope for its eventual return, just as in remembering it while in a state of joy we actually fear that sadness may come back.
Hannah Arendt (Love and Saint Augustine)
Unless one is in love, or satisfied, or ambition-driven, or without curiosity, or reconciled ( which appears to be the modern synonym for happiness ), the city is like a monumental machine restlessly devised for wasting time, devouring illusions. Like most artists, certainly all old beauties, she is sufficiently self-centered to enjoy herself as conversational subject. One does not travel in a plane; one is merely sent, like a parcel.
Truman Capote (Portraits and Observations: The Essays of Truman Capote)
A living entity is happily the part and parcel of the Lord, and thus his natural function is to render immediate service to the Lord. By the spell of illusion one tries to be happy by serving his personal sense gratification in different forms which will never make him happy. Instead of satisfying his own personal material senses, he has to satisfy the senses of the Lord. That is the highest perfection of life. The Lord wants this, and He demands it. One has to understand this central point of Bhagavad-gītā. Our Kṛṣṇa consciousness movement is teaching the whole world this central point,
Krishna-Dwaipayana Vyasa (Bhagavad-gita As It Is)
Well, happy birthday anyway.” “Wow--that’s right, I forgot! I’m seventeen!” Harry seized the wand lying beside his camp bed, pointed it at the cluttered desk where he had left his glasses, and said, “Accio Glasses!” Although they were only around a foot away, there was something immensely satisfying about seeing them zoom toward him, at least until they poked him in the eye. “Slick,” snorted Ron. Reveling in the removal of his Trace, Harry sent Ron’s possessions flying around the room, causing Pigwidgeon to wake up and flutter excitedly around his cage. Harry also tried tying the laces of his trainers by magic (the resultant knot took several minutes to untie by hand) and, purely for the pleasure of it, turned the orange robes on Ron’s Chudley Cannons posters bright blue. “I’d do your fly by hand, though,” Ron advised Harry, sniggering when Harry immediately checked it. “Here’s your present. Unwrap it up here, it’s not for my mother’s eyes.” “A book?” said Harry as he took the rectangular parcel. “Bit of a departure from tradition, isn’t it?” “This isn’t your average book,” said Ron. “It’s pure gold: Twelve Fail-Safe Ways to Charm Witches. Explains everything you need to know about girls. If only I’d had this last year I’d have known exactly how to get rid of Lavender and I would’ve known how to get going with…Well, Fred and George gave me a copy, and I’ve learned a lot. You’d be surprised, it’s not all about wandwork, either.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Once inside the confectioners, she was spellbound by sugared fruits hung in garlands and glass bottles sparkling with morsels of sugar. While Loveday spoke to the shop girl, Biddy trailed the shelves slowly, looking inside the glass jars, mouthing the words on the Bill of Fare. 'Look Mr Loveday, "Macaroons- As Made In Paris"', she sighed, staring at a heap of biscuits made in every color from blue to shiny gold. Carefully he ordered his goods from the jars of herbs behind the counter. First, there was Mr Pars' packet of coltsfoot that he smoked to ease his chest. Then a bag of comfrey tea for his mistress's stomach. Finally, boxes of the usual violet pastilles. Biddy came up behind him while the girl tied the parcel with ribbon. 'Begging your pardon, miss. Is it right you're selling that Royal Ice Cream?' The girl shrugged. 'That's what it says on the board if you can read it.' 'Aye, I've been studying it all right. I've only ever read of ices before. So I'll have a try of it.' When the girl reappeared Biddy sniffed at the glass bowl, and then cautiously licked the ice cream from the tiny spoon. 'Why, it is orange flowers.' She looked happy enough to burst. 'And something else, some fragrant nut- do you put pistachio in it too?
Martine Bailey (An Appetite for Violets)
The children slept late, and washed and dressed almost in silence. Both of them were afraid to speak. Maia packed her belongings in an old canvas bag and stroked the dog. “I’ll come over in a minute to say good-bye,” said Finn. The Carters’ boat was ready to leave, breakfast tidied away, ropes coiled. The professor was sorting out the firebox and feeding in fresh logs. Miss Minton, sitting in the stern, had a parcel wrapped in burlap on her knees. “I’m ready,” said Maia, trying to keep her voice steady. She mustn’t cry. Above all, she mustn’t sulk. “Finn’s coming over to say good-bye.” “No need,” said Miss Minton. “He’d like to.” “All the same, there is no need.” Maia looked at her governess. Miss Minton seemed different…Softer? Rounder? More at peace? “Why?” she asked. “Why is there no need?” “Because we’re coming with you. We’re going on. Get back on the Arabella and tell Finn we’ll follow three lengths behind.” As Maia turned to go, hardly believing that there could be such happiness, she heard a loud splash. Miss Minton was leaning over the side, watching the parcel she had held on her knees floating away downriver. “What was that?” asked Maia. Miss Minton straightened herself. If you must know,” she said, “it was my corset.
Eva Ibbotson (Journey to the River Sea)
Eat, woman,” he bellowed, leaning over her, prepared to force the remainder of her meal into her opened mouth. “I would,” she said in a strained voice, “But there is a giant attached to my chin. Perhaps if he would be so gracious as to remove the cured pork from my pack, I would share it with him.” Rautu’s eyes blazed in senseless joy. He released his companion and hastened toward her effects, rummaging through them with great anticipation. He found a small brown parchment parcel and assumed that this was the source of his happiness. He sniffed the outside of the paper and hummed in delight for the exquisite scent. He tore open the barrier between him and his prize and he was compelled to smile when remarking the numerous slices of meat in his hands. He began eating them immediately, leaving no time between one slice and the next to savour that which he had longed to again taste. The superior fare of Frewyn had been the chief of his consolation during the war, and if he was to remain on the islands with all its splendor, all its comforting familiarity, all its temperate climate, and all its horrendous food, he would relish this last ember of bliss before being made to suffer a diet of steamed grains again. “I did say share,” the commander called out. “I am responsible for securing your life,” he replied with a full mouth and without turning around. “And I thanked you accordingly.” The commander’s remonstrations were unanswered, and she scoffed in aversion as she watched the voracious beast consume nearly all the provisions she had been saving for the return journey. “I know you shall not be satisfied until you have all the tribute in the world, but that pork does belong to me, Rau.” “You are not permitted to have meat while taking our medicines,” he said, dismissively. She peered at him in circumspection. “I don’t recall you mentioning that stipulation before. I find it convenient that you should care to do so now.” The giant paused, his cheeks filled with pork. “And?” he said, shoving another slice into his mouth. “And,” she laughed, “You’re going to allow me to starve on your inedible bread while you skulk off with something that was meant for both of us?” “Perhaps.” “Savior, indeed,” the commander fleered. “You have saved me from one means of death only to plunge me into another.
Michelle Franklin (The Commander And The Den Asaan Rautu (Haanta #1))
BACK AT THE railway station, Ivan Grigoryevich began to feel that there was no point in wandering about Leningrad any longer. He stood inside the cold, high building and pondered. And it is possible that one or two of the people who passed the gloomy old man looking up at the black departures board may have thought, ‘There – a Russian from the camps, a man at a crossroads, contemplating, choosing which path to follow.’ But he was not choosing a path; he was thinking. During the course of his life dozens of interrogators had understood that he was neither a monarchist, nor a Social Revolutionary, nor a Social Democrat; that he had never been part of either the Trotskyist or the Bukharinist opposition. He had never been an Orthodox Christian or an Old Believer; nor was he a Seventh Day Adventist. There in the station, thinking about the painful days he had just spent in Moscow and Leningrad, he remembered a conversation with a tsarist artillery general who had at one time slept next to him on the bed boards of a camp barrack. The old man had said, ‘I’m not leaving the camp to go anywhere else. It’s warm in here. There are people I know. Now and again someone gives me a lump of sugar, or a bit of pie from a food parcel.’ He had met such old men more than once. They had lost all desire to leave the camp. It was their home. They were fed at regular hours. Kind comrades sometimes gave them little scraps. There was the warmth of the stove. Where indeed were they to go? In the calcified depths of their hearts some of them stored memories of the brilliance of the chandeliers in the palaces of Tsarskoye Selo,37 or of the winter sun in Nice. Others remembered their neighbour, Mendeleyev, coming round to drink tea with them; or they remembered Scriabin, Repin or the young Blok. Others preserved, beneath ash that was still warm, the memories of Plekhanov, Gershuni and Trigoni, of friends of the great Zhelyabov. There had been instances of old men being released from a camp and asking to be readmitted. The whirl of life outside had knocked them off their feet. Their legs were weak and trembling, and they had been terrified by the cold and the solitude of the vast cities. Now Ivan Grigoryevich felt like going back again behind the barbed wire himself. He wanted to seek out those who had grown so accustomed to their barrack stoves, so at home with their warm rags and their bowls of thin gruel. He wanted to say to them, ‘Yes, freedom really is terrifying.’ And he would have told these frail old men how he had visited a close relative, how he had stood outside the home of the woman he loved, how he had bumped into a comrade from his student days who had offered to help him. And then he would have gone on to say to these old men of the camps that there is no higher happiness than to leave the camp, even blind and legless, to creep out of the camp on one’s stomach and die – even only ten yards from that accursed barbed w
Vasily Grossman (Everything Flows)
He turned as she entered, barely visible in the dusky room. “Am I to wish you happy?” Jane stopped short. After all these weeks together, everything they had shared. “That’s all? That’s all you have to say?” Jack pushed away from the window. “What am I meant to do? Duel for you?” He jerked a thumb back in the direction of the armory. “He would win.” “I never asked you to duel for me!” She would do her own dueling, thank you very much. Jack of all people should know that. Jane’s nails dug into her palms. “I’m not a prize to be won or a parcel to be handed back and forth.” Jack held up a hand. “I never said—” No, he didn’t, did he? Tight-lipped, Jane advanced on the man she had foolishly allowed herself to grow to love. “You never say anything. Because if you did, you might have to admit that you care. It’s easier just to turn around and walk away. Just like you’ve walked away from everything.” She could tell she had hit home by the way Jack stiffened. “I didn’t precisely see you saying no to him, did I?” It was cold in the small room, icy cold, but Jane didn’t feel it. “Because you didn’t stay to see it!
Lauren Willig (The Lure of the Moonflower (Pink Carnation, #12))
The occupying troops left the village on 28th June. “They had been downhearted for 24 hours, now they are gay, especially when they are together. The little darling said sadly that ‘the happy times are over.’ They are sending their parcels home. They are overexcited, that’s obvious. Admirable discipline and, I think, deep down no rebelliousness. I make an oath here and now never to heap my grudges, however justified they may be, on to a body of men, whatever their race, religion, conviction, prejudices, wrongs. I feel sorry for these poor children. But I cannot forgive individuals, those who reject me, those who coldly drop us, those who are ready to play dirty tricks on you. Those people … if I could get my hands on them one day …
Olivier Philipponnat (The Life of Irene Nemirovsky: 1903-1942)
Would I have elected to live a life on earth in the firm knowledge that I’d suddenly be torn away from it, and perhaps in the middle of intoxicating happiness? Or would I, even at that early stage, graciously have declined that reckless game of 'pass the parcel'? We come to this world only once. We are let into the great fairytale, only for the story to reach its end!
Jostein Gaarder (The Orange Girl)
Eve was beside herself. Whatever this is, Deene had best appreciate—why are you staring at me like that?” He closed the door and stepped closer. The room was unusual, built with a small balcony overlooking a conservatory that might have been added as an afterthought, hence its relative warmth and humidity, and the lush scent of foliage blending with all the other fragrances wafting through the house. “Looking at you like what?” “Like… you just lost your best friend? Won’t it be wonderful to go home to Flint Hall, Elijah?” Elijah was better than my lord, and because she seemed to need it, he lied for her. “Wonderful, indeed. Have you told your parents yet that you’re going to Paris?” He had the sense she was waiting for him to leave Morelands first, unwilling to have his support even tacitly. “Not… not yet.” She set the perfect little gift down. “Louisa says I must, and she grasps tactics with an intuition I can only admire. I wish…” Her gaze went to the elegant little parcel. “I wish…” While Elijah watched, Jenny lost some of that distant, preoccupied quality that had characterized her since they’d finished their paintings. She gazed on that parcel as if it held secrets and treats and even a happy ending or two. Once they completed the twenty-minute walk back to Morelands, they’d have no more private moments ever. He’d leave for London at first light; she’d sail for Paris, probably before the New Year. “What do you wish, Genevieve?” Because whatever it was, he’d give it to her. His heart, his soul, his hands, passage to Paris—passage home from Paris. How he wished she’d ask him for that, but passage home was something she could only give herself. “Will you make love with me, Elijah? You’re leaving tomorrow, I know that, and I shouldn’t ask it. I shouldn’t want it, but I do. I want you, so much. Please?
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
See, mine is a profession in which you orchestrate happiness. It is why I became a wedding planner. Life is messy. We all know this. Terrible things happen, I learned that while I was still a child. But no matter what happens, life is only a series of days. You can’t control more than a single day. But you can control one of them. Twenty-four hours can be curated. A wedding day is a neat little parcel of time in which I can create something whole and perfect to be cherished for a lifetime, a pearl from a broken necklace.
Lucy Foley (The Guest List)
For so long I believed that I should only feel pleasure when I no longer feel all the other things: the sadness, the loss, the fear. But emotions don't come parcelled neatly. They're shaken together and messy. Happiness laced with sadness. Hope tangled with fear. Love shadowed by loss. It isn't about waiting until I'm in a better place. Striving for a happy life. It's about feeling life.
Lucy Clarke (The Castaways)
Yet it seems possible that one can make too much of the hardships of the soldiers at Gallipoli, or rather there is a danger of seeing these hardships out of their right context. With the mere cataloguing of the Army’s miseries a sense of dreariness is transmitted, and this is a false impression; at this stage life on the peninsula was anything but dreary. It was ghastly but it was not yet petty or monotonous. There can be no fair comparison with the relatively comfortable lives of the soldiers in the second world war, or even with the lives of these men themselves before they enlisted. Gallipoli swallowed them up and made conditions of its own. With marvellous rapidity the men removed themselves to another plane of existence, the past receded, the future barely existed, and they lived as never before upon the moment, released from the normal weight of human ambitions and regrets. ‘It was in some ways,’ Herbert says, ‘a curiously happy time.’ It is a strange remark, but one feels one understands it very well. The men had no cinemas, no music, no radios, no ‘entertainment’ of any kind, and they never met women or children as the soldiers did behind the lines in France. Yet the very absence of these pleasures created another scale of values. They had a sharp and enormous appetite for the smallest things. Bathing in the sea became an inexpressible joy. To get away from the flies, to wash the dust from one’s eyes and mouth, to feel cool again: this was a heightening of sensation which, for the moment, went beyond their dreams of home. The brewing of tea in the evening, the sharing out of a parcel, a cake or a bar of chocolate, the long talks in the starlight talking of what they would do ‘when it was all over’—all these things took on an almost mystical emphasis of a kind that became familiar enough in the western desert of Egypt in the second world war, or indeed on any distant front in any war. There were no pin-up girls; no erotic magazines reached them—they were lucky if they even saw a newspaper from home that was under a month old—and there were no nurses or Ensa troupes. Perhaps because of this the sexual instinct seems to have been held in abeyance for the time, or rather it was absorbed in the minutiae of their intensely friendly life, the generous feelings created by the danger all around them. There was very little vice; ordinary crimes became lost in the innocence of the crime of war itself. Certainly there was no possibility of drunkenness,22 and gambling was not much more than an anaemic pastime in a world where money was the least of things. They craved not soft beds and hot baths but mosquito nets and salt water soap.
Alan Moorehead (Gallipoli)
He smoked. The sun parcelled us in dazzlement. Licensed – I use that word too often, but can think of no better – by the light, Eastertime, and perhaps the word April, the river ran like a child-river, free, and for a time talk vanished into the place where all the world’s conversations have gone.
Niall Williams (This Is Happiness)
For so long, I’ve believed that I should only feel pleasure when I no longer feel all the other things: the sadness, the loss, the fear. But emotions don’t come parcelled neatly. They’re shaken together and messy. Happiness laced with sadness. Hope tangled with fear. Love shadowed by loss. It isn’t about waiting until I’m in a better place. Striving for a happy life. It’s about having a feeling life.
Lucy Clarke (The Castaways)
At the bottom of the food chain, cockroaches do not fear being stepped on. Being crushed is part of their DNA, it is part and parcel of their existence. Then at the top, fierce humans, they are accustomed to fighting and battling, they live and breathe it constantly. But then you get those in the middle, the house cats, which sneakily live off of the higher species, never having to venture out into the wild for their next meal, chasing mice as they see fit and then returning to the lap of their master for treats and neck rubs.
Michael James Payne (Scales of Happiness)
Prudence is a great virtue, of course,’ said James. ‘Well. And promotion means a great deal to you, so?’ ‘Of course it does. There never was an officer worth a farthing that did not long to succeed and hoist his flag at last. But I can see in your eye that you think me inconsistent. Understand my position: I want no republic – I stand by settled, established institutions, and by authority so long as it is not tyranny. All I ask is an independent parliament that represents the responsible men of the kingdom and not merely a squalid parcel of place-men and place-seekers. Given that, I am perfectly happy with the English connexion, perfectly happy with the two kingdoms: I can drink the loyal toast without choking, I do assure you.
Patrick O'Brian (Master and Commander (Aubrey & Maturin, #1))