Paradise Lost Lucifer Quotes

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Awake, arise or be for ever fall’n.
John Milton (Paradise Lost)
Never can true reconcilement grow where wounds of deadly hate have pierced so deep...
John Milton (Paradise Lost)
Sometimes it comes down to a choice," Magnus said. "Between saving one person and saving the whole world. I've seen it happen, and I'm selfish enough to want the person who loves me to choose me. But Nephilim wil always choose the world. I look at Alec and I feel like Lucifer in Paradise Lost. 'Abashed the Devil stood, And felt how awful goodness is.' He meant it in the classical sense. 'Awful' as in inspiring awe. And awe is well and good, but it's poison to love. Love has to be between equals." "He's just a boy," said Luke. "Alec--he's not perfect. And you're not fallen." "We're all fallen," said Magnus, and he wrapped himself up in his chains and was silent.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Thou art my father, thou my author, thou my being gav'st me; whom should I obey but thee, whom follow?
John Milton (Paradise Lost)
Filled with pride, he thought maybe the problem was not him, but God. Out of jealousy for the son, he decided that he and his legions should not worship or obey God.
Joseph Stemberga (A Paraphrase of Paradise Lost for Youngsters: The Tragedy of Lucifer)
O Father,” the Son replied, “I represent you in all things. As my face reflects your greatness, goodness, love, and warmth, so now it shall reflect the terror you inflict upon the disobedient.
Joseph Stemberga (A Paraphrase of Paradise Lost for Youngsters: The Tragedy of Lucifer)
God is the ultimate fantasy of the Superiority Principle. Milton’s Lucifer, the ultimate individual, the most romantic figure in all of literature, is the Superiority Principle made flesh. Lord Byron loved him. Cesare Borgia came close. Caesar or nothing, as he liked to say. Every individual loves the Prince of Darkness! As Milton declared, ‘To reign is worth ambition though in Hell: Better to reign in Hell, than serve in Heav’n.’ That is the philosophy of the individual, the motto of the Superman.
Mark Romel
Vale más reinar en el Infierno que servir en el Cielo.
John Milton (Paradise Lost)
At God’s declaration of war, dark clouds covered all of Heaven and smoke began to roll down the sacred hill. Then the countless hosts of Heaven marched on the enemy, fully armed from head to toe with helmets, spears, and shields.
Joseph Stemberga (A Paraphrase of Paradise Lost for Youngsters: The Tragedy of Lucifer)
Q (Quiller-Couch) was all by himself my college education. I went down to the public library one day when I was seventeen looking for books on the art of writing, and found five books of lectures which Q had delivered to his students of writing at Cambridge. "Just what I need!" I congratulated myself. I hurried home with the first volume and started reading and got to page 3 and hit a snag: Q was lecturing to young men educated at Eton and Harrow. He therefore assumed his students − including me − had read Paradise Lost as a matter of course and would understand his analysis of the "Invocation to Light" in Book 9. So I said, "Wait here," and went down to the library and got Paradise Lost and took it home and started reading it and got to page 3, when I hit a snag: Milton assumed I'd read the Christian version of Isaiah and the New Testament and had learned all about Lucifer and the War in Heaven, and since I'd been reared in Judaism I hadn't. So I said, "Wait here," and borrowed a Christian Bible and read about Lucifer and so forth, and then went back to Milton and read Paradise Lost, and then finally got back to Q, page 3. On page 4 or 5, I discovered that the point of the sentence at the top of the page was in Latin and the long quotation at the bottom of the page was in Greek. So I advertised in the Saturday Review for somebody to teach me Latin and Greek, and went back to Q meanwhile, and discovered he assumed I not only knew all the plays by Shakespeare, and Boswell's Johnson, but also the Second books of Esdras, which is not in the Old Testament and not in the New Testament, it's in the Apocrypha, which is a set of books nobody had ever thought to tell me existed. So what with one thing and another and an average of three "Wait here's" a week, it took me eleven years to get through Q's five books of lectures.
Helene Hanff
The curse of life The story of Man’s10 abrupt expulsion from Eden – be it fiction, metaphor or literal fact – has become etched too deeply on the collective unconscious to ignore, for it has set in stone Judaeo-Christian attitudes to men, women, original sin (and therefore children), the Creator and his opposition, Lucifer/Satan/the Devil. This all-powerful myth has imbued us all at some level of perception with a belief that life is a curse, that death is the end – a collapsing back of the body into its constituent dust, no more – that women are inherently on intimate terms with evil, that men have carte blanche to do as they please with not only all the animals in the world but also their womenfolk, and that God, above all, is to be feared. Snakes come out of it rather badly, too, as the embodiment of evil, the medium through which Satan tempts we pathetic humans. The Devil, on the other hand, is the only being in the tale to show some intelligence, perhaps even humour, in taking the form of a wriggling, presumably charming, phallic symbol through which to tempt a woman. As both Judaism and Christianity depend so intimately on the basic premises of Genesis, this lost paradise of the soul is evoked several times throughout both Old and New Testaments. The crucified Jesus promised the thief hanging on the cross next to him ‘Today you will be with me in Paradise’,11 although it is unclear how those listening may have interpreted this term. Did they see it as synonymous with ‘heaven’, a state of bliss that must remain unknowable to the living (and remain for ever unknown to the wicked)? Or did it somehow encompass the old idea of the luxuriant garden?
Lynn Picknett (The Secret History of Lucifer (New Edition))
was fascinated by Paradise Lost and Dante’s Inferno and Mike Carey’s Lucifer.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))