Panga Quotes

Fifty percent of Panga’s single continent was designated for human use; the rest was left to nature, and the ocean was barely touched at all. It was a crazy split, if you thought about it: half the land for a single species, half for the hundreds of thousands of others. But then, humans had a knack for throwing things out of balance. Finding a limit they’d stick to was victory enough.

As far as expressing the creative turmoil within my head was concerned, I took to the English language as a duck takes to water. I was therefore a keen accomplice and student in my own mental colonisation . . . For a black writer the language is very racist; you have to have harrowing fights and hair-raising panga duels with the language before you can make it do all that you want it to do . . . This may mean discarding grammar, throwing syntax out, subverting images from within, beating the drum and cymbals of rhythm, developing torture chambers of irony and sarcasm, gas ovens of limitless black resonance.

Three months! I’m not sure he’s even a member. What was Arne thinking? A search committee is no place for a rank newcomer.” Nor, probably—guilt pang—a drifting old-timer.

The reason archaeological evidence from Europe is so rich is that European governments tend to be rich; and that European professional institutions, learned societies and university departments have been pursuing prehistory far longer on their own doorstep than in other parts of the world. With each year that passes, new evidence accumulates for early behavioural complexity elsewhere: not just Africa, but also the Arabian Peninsula, Southeast Asia and the Indian subcontinent.13 Even as we write, a cave site on the coast of Kenya called Panga ya Saidi is yielding evidence of shell beads and worked pigments stretching back 60,000 years;14 and research on the islands of Borneo and Sulawesi is opening vistas on to an unsuspected world of cave art, many thousands of years older than the famous images of Lascaux and Altamira, on the other side of Eurasia.

Galit siya, madiin ang pagkakasara ng kanyang panga, pero pinipigil n'ya iyon. Alam ko naman ang dahilan. Lalaki siya. Ang lalaki hindi umiiyak. Kaya pinili na lang niya'ng manahimik.

Do you remember that time he caught us hiding in the maize field?” Sunshine asks. I smile. “With those boys, what were their names?” “Tinga and Judo. Dad was so, so mad! Remember how he chased them through that field?” “With a panga above his head.” “We weren’t even doing anything!” she exclaims. “We were roasting maize,” we say in unison and burst out laughing.

He thought how easy it would be to write an entire book on Johannesburg violence. The strike leader Pickaxe Mary, after whom Mary Fitzgerald Square was named, who attacked her enemies with a pickaxe handle. The trenches dug into the streets of Fordsburg during the 1922 miners’ strike. The cannons of the government aimed at the poor whites of Vrededorp. The murdered woman in the 1960s whose head was found in the Zoo Lake and whose torso was discovered in a suitcase in Wemmer Pan. Jan Smuts, who wanted to bomb striking workers with aeroplanes. The countless schoolchildren shot during the 1976 uprising. The fifty-three supporters who were shot down in the street outside Shell House, the ANC headquarters. The huge bomb that went off shortly before the first democratic election and made a whole row of shops kneel down on the pavements of Bree Street. The commuters, in the early 1990s, killed by pangas or who jumped to their deaths from moving trains to escape their Portuguese-speaking attackers. The murderess Daisy de Melker, whose third husband survived only because she was caught in time. The violent home invasions, rapes and hijackings he read about in the newspapers every day.

set a pot of water to boil on the camp stove and walked out to the farthest point under the cliffs. I dug a pit and thought of the latrine back at the San Carlos camp – flies in there, flies in the kitchen. I washed my hands, first in the sea, then rigorously with soap and fresh water back at my camp. This is what it takes, I thought, to get some solitude. You travel days and days down a desert coastline and sail off by yourself. I saw not a soul, nor evidence of anybody besides the weirdly placed panga on the cliff top. And for all this effort I felt not free exactly, but at least not put-upon. There was no conversation to make, just an enveloping silence with the crash and roll of small waves to break the feeling of looking at a giant photograph. I was finally outside of the day-to-day, and perhaps outside of myself for a moment as well.