Panama Hat Quotes

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He could wear hats. He could wear an assortment of hats of different shapes and styles. Boater hats, cowboy hats, bowler hats. The list went on. Pork-pie hats, bucket hats, trillbies and panamas. Top hats, straw hats, trapper hats. Wide brim narrow brim, stingy brim. He could wear a fez. Fezzes were cool. Hadn't someone once said that fezzes were cool? He was pretty aur ether had. And they were. They were cool.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
Beside them, little pot-bellied men in light suits and panama hats; clean, pink men with puzzled, worried eyes, with restless eyes. Worried because formulas do not work out; hungry for security and yet sensing its disappearance from the earth. In their lapels the insignia of lodges and service clubs, places where they can go and, by a weight of numbers of little worried men, reassure themselves that business is noble and not the curious ritualized thievery they know it is; that business men are intelligent in spite of the records of their stupidity; that they are kind and charitable in spite of the principles of sound business; that their lives are rich instead of the thin tiresome routines they know; and that a time is coming when they will not be afraid any more.
John Steinbeck (The Grapes of Wrath)
To the majority of those on the job his presence had been magical. Years afterward, the wife of one of the steam-shovel engineers, Mrs. Rose van Hardevald, would recall, "We saw him...on the end of the train. Jan got small flags for the children, and told us about when the train would pass...Mr. Roosevelt flashed us one of his well-known toothy smiles and waved his hat at the children..." In an instant, she said, she understood her husband's faith in the man. "And I was more certain than ever that we ourselves would not leave until it [the canal] was finished." Two years before, they had been living in Wyoming on a lonely stop on the Union Pacific. When her husband heard of the work at Panama, he had immediately wanted to go, because, he told her, "With Teddy Roosevelt, anything is possible." At the time neither of them had known quite where Panama was located.
David McCullough (The Path Between the Seas: The Creation of the Panama Canal, 1870-1914)
In the morning, when she walked to the consulate, carefully watching her sandals on the pavement, she glanced up and saw a Negro wearing a stack of panama hats. Maybe twelve. She never forgot the bandoeon of brims, the perfect stutter of hat.
Craig Raine (Heartbreak)
He was wearing a gleaming cream-coloured linen suit, and a Panama hat. The weirdest thing about this was that he was not the most outlandish-looking person in the room by a long way. Not that Little Miss Dresses-Like-Bogart over here has a right to complain
Alexis Hall (Shadows & Dreams (Kate Kane, Paranormal Investigator, #2))
Perhaps the single most enjoyable part of my researches, which covered a period of about four years, was meeting the artists themselves, the people who provide the luxuries. All of them, from tailors and boot makers to truffle hunters and champagne blenders, were happy in their work, generous with their time, and fascinating about their particular skills. To listen to a knowledgeable enthusiast, whether he's talking about a Panama hat or the delicate business of poaching foie gras in Sauternes, is a revelation, and I often came away wondering why the price wasn't higher for the talent and patience involved.
Peter Mayle
That day in Chartres they had passed through town and watched women kneeling at the edge of the water, pounding clothes against a flat, wooden board. Yves had watched them for a long time. They had wandered up and down the old crooked streets, in the hot sun; Eric remembered a lizard darting across a wall; and everywhere the cathedral pursued them. It is impossible to be in that town and not be in the shadow of those great towers; impossible to find oneself on those plains and not be troubled by that cruel and elegant, dogmatic and pagan presence. The town was full of tourists, with their cameras, their three-quarter coats, bright flowered dresses and shirts, their children, college insignia, Panama hats, sharp, nasal cries, and automobiles crawling like monstrous gleaming bugs over the laming, cobblestoned streets. Tourist buses, from Holland, from Denmark, from Germany, stood in the square before the cathedral. Tow-haired boys and girls, earnest, carrying knapsacks, wearing khaki-colored shorts, with heavy buttocks and thighs, wandered dully through the town. American soldiers, some in uniform, some in civilian clothes, leaned over bridges, entered bistros in strident, uneasy, smiling packs, circled displays of colored post cards, and picked up meretricious mementos, of a sacred character. All of the beauty of the town, all the energy of the plains, and all the power and dignity of the people seemed to have been sucked out of them by the cathedral. It was as though the cathedral demanded, and received, a perpetual, living sacrifice. It towered over the town, more like an affliction than a blessing, and made everything seem, by comparison with itself, wretched and makeshift indeed. The houses in which the people lived did not suggest shelter, or safety. The great shadow which lay over them revealed them as mere doomed bits of wood and mineral, set down in the path of a hurricane which, presently, would blow them into eternity. And this shadow lay heavy on the people, too. They seemed stunted and misshapen; the only color in their faces suggested too much bad wine and too little sun; even the children seemed to have been hatched in a cellar. It was a town like some towns in the American South, frozen in its history as Lot's wife was trapped in salt, and doomed, therefore, as its history, that overwhelming, omnipresent gift of God, could not be questioned, to be the property of the gray, unquestioning mediocre.
James Baldwin (Another Country)
It would take me all night to tell about Old Bull Lee; let's just say now, he was a teacher, and it may be said that he had every right to teach because he spent all his time learning; and the things he learned were what he considered to be and called "the facts of life," which he learned, not only out of necessity but because he wanted to. He dragged his long, thin body around the entire United States and most of Europe and North Africa in his time, only to see what was going on.... there are pictures of him with the international cocaine set of the thirties — gangs with wild hair, leaning on one another, there are other pictures of him in a Panama hat, surveying the streets of Algiers.... He was an exterminator in Chicago, a bartender in New York, a summons-server in Newark. In Paris he sat at cafe tables, watching the sullen French faces go by. In Athens he looked up from his ouzo at what he called the ugliest people in the world. In Istanbul he threaded his way through crowds of opium addicts and rug-sellers, looking for the facts. In Chicago he planned to hold up a Turkish bath, hesitated just for two minutes too long for a drink, and, wound up with two dollars and had to make a run for it. He did all these things merely for the experience....
Jack Kerouac
Beside him Mr. Harris folded his morning newspaper and held it out to Claude. "Seen this yet?" "No." "Don't read it," Mr. Harris said, folding the paper once more and sliding it under his rear. "It will only upset you, son." "It's a wicked paper... " Claude agreed, but Mr. Harris was overspeaking him. "It's the big black words that do it. The little grey ones don't matter very much, they're just fill-ins they take everyday from the wires. They concentrate their poison in the big black words, where it will radiate. Of course if you read the little stories too you've got sure proof that every word they wrote above, themselves, was a fat black lie, but by then you've absorbed a thousand greyer ones, and where and how to check on those? This way the mind deteriorates. The best way you can save yourself is not to read it, son." "No, I... " "That's right, if you're not careful," Mr. Harris went on, blue-eyed, red-faced, "you find yourself pretty soon hating everyone but God, the Babe, and a few dead senators. That's no fun. Men aren't so bad as that." "No." "That's right, you begin to worry about anyone who opens his mouth except to say ho it looks like rain, let's bowl. Otherwise you wonder what the hell he's trying to prove, or undermine. If he asks what time it is, you wonder what terrible thing is scheduled to happen, where it will happen, when. You can't even stand to be asked how you feel today - he's probably looking at the bumps on you, they may have grown more noticeable overnight. Soon you feel you should apologize for standing there where he can watch you dying in front of him, he'd rather for you to carry your head around in a little plaid bag, like your bowling ball. There's no joy in that. Men aren't so very bad." Mr. Harris paused to remove his Panama hat. Water seeped from his knobby forehead, which he mopped with a damp handkerchief. "I've offended you, son," he said. "Not at all, I entirely agree with you." Mr. Harris replaced his hat, folded his handkerchief. "I shouldn't shoot off this way," he said. "I read too much." "No, no. You're right...
Douglas Woolf (Wall to Wall (American Literature))
He dragged his long, thin body around the entire United States and most of Europe and North Africa in his time, only to see what was going on; he married a White Russian countess in Yugoslavia to get her away from the Nazis in the thirties; there are pictures of him with the international cocaine set of the thirties—gangs with wild hair, leaning on one another; there are other pictures of him in a Panama hat, surveying the streets of Algiers; he never saw the White Russian countess again. He was an exterminator in Chicago, a bartender in New York, a summons-server in Newark. In Paris he sat at café tables, watching the sullen French faces go by. In Athens he looked up from his ouzo at what he called the ugliest people in the world. In Istanbul he threaded his way through crowds of opium addicts and rug-sellers, looking for the facts. In English hotels he read Spengler and the Marquis de Sade. In Chicago he planned to hold up a Turkish bath, hesitated just for two minutes too long for a drink, and wound up with two dollars and had to make a run for it. He did all these things merely for the experience.
Jack Kerouac (On the Road)
The food is awful,” Jan wrote, “and cooked in such a way that no civilized white man can stand it for more than a week or two … Almost all the food is fried. They feed us fried green bananas, boiled rice, and foul-smelling salt fish. It rains so much that honest to goodness my hat is getting mouldy on my head… I haven't had on a pair of dry shoes in weeks.
Matthew Parker (Panama Fever: The Epic Story of the Building of the Panama Canal)
He wore a Panama hat, dark glasses with smoky round lenses and a gray suit that must have been tailored. I don’t know much about high fashion, I just know a good fit. The look reminded me of old Hollywood. Most men look silly to me in hats, but the effortless elegance of the tilt—the way it angled and contrasted with the level line of his shoulders—seemed totally organic. Like he could walk into a hurricane and come out the other side with his hat exactly the same angle.
Solace Ames (The Companion Contract (LA Doms, #3))
Panama hats originated in Ecuador.
Paul Anthony Jones (Word Drops: A Sprinkling of Linguistic Curiosities)
Looks like we found it." John said. "Where are we?" As far as Link could tell, there was nothing to find. John pointed up at the white signs at the intersection that read 61 and 49, and Liv checked her selonometer as if they weren't standing in the middle of nowhere. "Are those numbers supposed to mean something to us?" Floyd asked. "We're at the intersection of Highways 61 and 49 in Clarksdale, Mississippi," John said. Sampson shook his head. " I feel like an idiot. Any guitar player worth his strings knows about this place. It's where Robert Johnson made a deal with the Devil." Floyd's eyes widened. "Seriously? We're at the crossroads?" John nodded. "The one and only." Liv glanced at John. "I'm assuming this is an American thing?" He put his arm around her. "Yeah, sorry. It's an old rock and roll myth- at least as far as mortals are concerned. In the 1930s, a blues musician named Robert Johnson disappeared for a couple of weeks. According to the story, he brought his guitar right here to this crossroads-" Link jumped in. "Then he traded his soul to become the most famous blues guitarist in history." Sampson tugged on his leather pants, which weren't the best choice in the Mississippi heat. "Totally a fair trade, as far as I'm concerned." "Thought the same thing myself," a man's voice called out from behind them. Link wheeled around. A young man wearing a wrinkled white shirt, a black jacket, and a Panama hat stood on the side of the road with a three-legged black Labrador. There was a weariness in the man's eyes of someone much older. A battered guitar hung from a strap slung around his back.
Kami Garcia
He spoke as if he held marbles in his mouth. 'Más o menos'--more or less--came out as 'maomay.' He was on a low-consonant diet, feasting on vowels
Tom Miller (The Panama Hat Trail: A Journey from South America)
THEY CALLED HIM “Ponce de León” because he acted as though he could conquer anything and anyone. He enchanted every young woman that came his way with piropos (pick-up lines) and clever sweet talk. “Has spring started? I just saw the first flower!” Antonio whispered as he walked by a group of blushing young ladies, tipping off his white Panama hat as a silent ‘How do you do?’ He was never at a loss for words. “What are you doing out this morning? Don’t you know that stars only come out at night?” was one of his favorite lines. And he had many. On a good day.
Yasmin Tirado-Chiodini (Antonio's Will)
Good afternoon,” Pendergast said, bowing and touching his Panama hat with one finger. “Do you really think so?” the man replied. “No,” Pendergast said. “But one must maintain the pleasantry of manners, even in the face of the grotesque.
Douglas Preston
He spent that September refining a pitch for a Panama hat-like temporal lobe stimulation device and tried to raise some venture capital, but he was met with nothing but rejection. They laughed at him, and not because he wanted them to.
Arthur Trope (TROPE 3: Alphas)
This man was a middle-aged, pleasant-looking civilian dressed in a neat white Panama suit, straw hat, and black tie. Surrounded by sailors in blue denim and ship’s officers in khaki, he looked like a fictional character out of some long-forgotten era.
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
Phobie de l’avion?’ said the man in the next seat. Marc shook his head, raising his voice to be heard over the sound of the helicopter’s rotors. ‘No. It’s more like I have a professional sense of concern . . .’ Beneath them, cerulean-blue waters flashed past as the red-and-white EC130 followed the French coastline north toward the Ligurian Sea. The journey from the airport in Nice was a short one, but flying over the water was always enough to dredge up some of Marc’s more unpleasant memories. He had hoped it wouldn’t show on his face, but that clearly wasn’t the case. ‘I used to fly these things myself,’ he added, feeling compelled to explain away his reaction. ‘I don’t like it when someone else is the pilot.’ For a giddy second, he feared the sea was rising up to reach for them – it could be deceptive that way, easy to gauge your height wrongly if you weren’t paying attention – and he closed his eyes to banish the thought. It didn’t work. He remembered a stretch of ocean half a world away, and the heart-stopping impact of a Royal Navy Lynx’s canopy hitting the water. He took a deep breath before the recall could take hold and pull him under. ‘Backseat driver?’ Somewhere in his late fifties, deeply bronzed beneath a panama hat and an expensive safari suit, the man next to him studied Marc’s face. Marc gave a wry nod. ‘Yeah, you could say that.
James Swallow (Exile (Marc Dane, #2))
As Michael spoke, a flourish of horns and maracas blasted over the speakers. The music made Veronica think of Havana in the fifties, before Fidel Castro. Men in Panama hats and women in slinky dresses enjoying decadent lives before Communism's proverbial hammer swung down. Just like tsarist Russia. For a moment, Veronica was back in the Russian dream world of ornate palaces and complicated love affairs.
Jennifer Laam (Secret Daughter of the Tsar)
The ladies’ mauve-dyed hair interspersed with the bald patches of the gentlemen, who had taken off their panama hats—they must have broken out of an old-age home, I thought, but I didn’t say it.
Max Frisch (Homo Faber)