Palette Inspiring Quotes

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I wish I had the talent to paint the way I feel about you, for my words always feel inadequate. I imagine using red for your passion and pale blue for your kindness; forest green to reflect the depth of your empathy and bright yellow for your unflagging optimism. And still I wonder: can even an artist’s palette capture the full range of what you mean to me?
Nicholas Sparks (The Longest Ride)
Many people have the confused idea that peace will happen when all the colors in the palette are the same. The actuality of peace is accepting each color’s differences and seeing the beauty each possesses.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
Failure is a great teacher; but never insist on hiring one for yourself. Learn vicariously from others' teachers.
Ashok Kallarakkal
She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.
Virginia Woolf (To the Lighthouse)
Whenever an art form loses its fire, when it gets weakened by intellectual inbreeding and first principles fade into stale tradition, a radical fringe eventually appears to blow it up and rebuild from the rubble. Young Gun ultrarunners were like Lost Generation writers in the ’20s, Beat poets in the ’50s, and rock musicians in the ’60s: they were poor and ignored and free from all expectations and inhibitions. They were body artists, playing with the palette of human endurance.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
Mother Nature knows how to wield an artists palette.
Virginia Alison
We all have a grain of god in us. We do get opportunities to realize it, when moments in life demand selfless deeds of compassion from us. But we often squander them.
Ashok Kallarakkal
Science uses the Red Shift to measure deep cosmic distances. But how to measure deep historic time? How about—the Saffron Shift. If history itself had a color, it is . . . like wood or bark, or living forest floor. Assigning hues to time periods, the sum total of history is saffron-brown—but the chromatic arc starts from blinding white (prehistory) to sun-yellow (Ancient Greece), then deepening to pale wood tones (Dark Ages) and finally exploding like an infinite chord into a full brown palette that includes mahoganies, siennas (Middle Ages), oak, sandalwood (the Renaissance), cherry, maple (Age of Reason), and near-black old woods (Industrial Revolution) for which there may not be names. As time approaches our own, the wood-brown palette fades to a weird glassy colorlessness, goes black-and-white for a brief span as you think of photographs of your grandparents, and then again fades until we get a clear medium that is the color of the world. And the present moment is perfectly transparent. It's only as you start looking into the future, that the colors start returning. The glass is turning silvery with a murky haze, and there is blue somewhere in the distance . . .
Vera Nazarian (The Perpetual Calendar of Inspiration)
Letters blend to give rise to words  Like colors pave way for the birth of million shades! Evanescence reminisces sepia! Memory takes back to black and white! Music pops hot pink! Dance rocks wine red! Marvelous is miraculous as the indigo! Magnificent is magnanimous like Russian red! Splendid is classy like arctic blue! Resplendent inspires like  strawberry pink! Flamboyance is flowery like fuchsia! Flawless is perfect like flamingo! Extraordinary stands out like lime yellow! Peculiar is unique like cyan! Pleasant pleases like periwinkle! Soothing soothes like lemonade! Opulent glitters gold! Spectacular shimmers silver! Nice is as mild as dulce de leche! Attractive dazzles onyx! Powerful is headstrong like tangerine! Puissance stupefies like scarlet red! Mellifluence is dissolving, like lavender! Sonorous sounds magenta! Lovely cutely blushes! Sweet is peachy! Richness is wealthy like lush green! Poverty is brown as in flower wilt! Candid is frank as candy red! Altruism is selfless like parmesan! But, BEAUTY IS IRIDESCENT! Which
Sivaranjini Senthilvel (Poesy passel!: Painted by an 18 year old's word palette...)
But if this biography suggests a varied and sympathetic apprehension of the world, it was with a far darker palette that Céline came to paint his word-pictures when he began writing in the late 1920’s. Straightforward fear adumbrates his invective, which — despite the reputation he would later earn as a rabid anti-Semite — is aimed against all classes and races of people with indiscriminate abandon. Indeed, if “Ulysses” is the great modernist novel most inspired by a desire for humanistic inclusion, then “Journey” is its antithesis: a stream of misanthropic consciousness, almost unrelieved by any warmth or fellow-feeling.
Will Self
Have you ever just laid down on the grass and watch as the day slowly transitions to evening? The sky flows through hues of orange and slowly fades to greys, the incredible palette of dusk. This is where the magic begins to happen. First the planets reveal themselves as bright pinpoints of light against the bleak canvas, and for a few moments they are the only thing you can focus on - they’re so bright that they draw away from anything else. When you stare at only one, when there is so much distance between it and anything else, it almost seems to be dancing back and forth in space, playing mind tricks on you. However, as you emerge from its hypnotic trance, you begin to see the less significant stars awaken from what seems like nowhere. They too earn your attention, but in a different way. You can’t look at them directly because otherwise you won’t see their beauty. You have to glance at them from the side, from the corner of your eye to really see them in their fullness. The sky is not yet completely in darkness and the universe is already showing off. Distant stars even further light years away and planets orbiting from afar being to emerge and before you know it you almost don’t know where to look, there are little grains of sand lighting up the sky from everywhere. This happens every night - a spectacular natural light show but so many people miss it. It’s sad to think that, but it makes viewing it that much more special when you get to experience it. Just you and the universe, watching itself through your own very eyes.
Madeleine Jane Hall
It's evident that with Beethoven the Romantic Revolution had already begun, bringing with it the new Artist, the artist as Priest and Prophet. This new creator had a new self-image: he felt himself possessed of divine rights, of almost Napoleonic powers and liberties — especially the liberty to break rules and make new ones, to invent new forms and concepts, all in the name of greater expressivity. His mission was to lead the way to a new aesthetic world, confident that history would follow his inspirational leadership. And so there exploded onto the scene Byron, Jean Paul, Delacroix, Victor Hugo, E. T. A. Hoffmann, Schumann, Chopin, Berlioz — all proclaiming new freedoms. Where music was concerned, the new freedoms affected formal structures, harmonic procedures, instrumental color, melody, rhythm — all of these were part of a new expanding universe, at the center of which lay the artist's personal passions. From the purely phonological point of view, the most striking of these freedoms was the new chromaticism, now employing a vastly enriched palette, and bringing with it the concomitant enrichment of ambiguity. The air was now filled with volcanic, chromatic sparks. More and more the upper partials of the harmonic series were taking on an independence of their own, playing hide-and-seek with their sober diatonic elders, like defiant youngsters in the heyday of revolt.
Leonard Bernstein (The Unanswered Question: Six Talks at Harvard)
Even more threatening to Christian assumptions than the Qur’an’s flat denial that Jesus had been crucified, however, was the imperious, not to say terrifying, tone of authority with which it did so. Very little in either the Old or the New Testament could compare. For all the reverence with which Christians regarded their scripture, and for all that they believed it illumined by the flame of the Holy Spirit, they perfectly accepted that most of it, including the Gospels themselves, had been authored by mortals. Only the covenant on the tablets of stone, given to Moses amid fire and smoke on the summit of Sinai, ‘and written with the finger of God’,13 owed nothing to human mediation. Perhaps it was no surprise, then, that Moses, of all the figures in the Old and New Testaments, should have featured most prominently in the Qur’an. He was mentioned 137 times in all. Many of the words attributed to him had served as a direct inspiration to Muhammad’s own followers. ‘My people! Enter the Holy Land which God has prescribed for you!’14 The Arab conquerors, in the first decades of their empire, had pointedly referred to themselves as muhajirun: ‘those who have undertaken an exodus’. A hundred years on from Muhammad’s death, when the first attempts were made by Muslim scholars to write his biography, the model that they instinctively reached for was that of Moses. The age at which the Prophet had received his first revelation from God; the flight of his followers from a land of idols; the way in which—directly contradicting the news brought to Carthage in 634—he was said to have died before entering the Holy Land: all these elements echoed the life of the Jews’ most God-favoured prophet.15 So brilliantly, indeed, did Muslim biographers paint from the palette of traditions told about Moses that the fading outlines of the historical Muhammad were quite lost beneath their brushstrokes. Last and most blessed of the prophets sent by God to set humanity on the straight path, there was only the one predecessor to whom he could properly be compared. ‘There has come to him the greatest Law that came to Moses; surely he is the prophet of this people.’16
Tom Holland (Dominion: How the Christian Revolution Remade the World)
Our fleshly eyes are already much more than receptors for light rays, colors, and lines. They are computers of the world, which have the gift of the visible as it was once said that the inspired man had the gift of tongues. Of course this gift is earned by exercise; it is not in a few months, or in solitude, that a painter comes into full possession of his vision... The eye sees the world, sees what inadequacies keep the world from being a painting, sees what keeps a painting from being itself, sees—on the palette—the colors awaited by the painting, and sees, once it is done, the painting that answers to all these inadequacies just as it sees the paintings of others as other answers to other inadequacies...The eye is an instrument that moves itself, a means which invents its own ends; it is that which has been moved by some impact of the world, which it then restores to the visible through the offices of an agile hand.
Maurice Merleau-Ponty (L'Œil et l'Esprit)
Yes good one- hold on tight- to ideas. At times, since we are talking so much about birds and all things avian, these flighty things do have a tendency to spread their gossamer wings and take flight. So you haven’t even begun to see it and it disappears from your view. At times you don’t even know how many of these frisky things you thought of and they instantly frolicked their way into some wonderland. There they remain latent. Sometimes for mere moments, sometimes days, sometimes months and years. And then in a flash. They come back without warning, at times stealthily, in our most unguarded moments- in bed, polishing shoes, rolling out a roti, driving or pooping and you are not prepared. They settle tentatively on your sleepy eyes for a second and before you know it, fly past you in a flash again, good for you if you hold them then and there, for if you think you will sit yourself down one day with the wrong end of the pen in your mouth, or the laptop loaded with the works, or the dream paints on the palette, to capture what you saw in your mind’s stratosphere- you just blink and find it’s just a blankness you see, no matter how hard you try, a blankness that stares with a baffling obduracy. At times you even forget that you forgot. The thought had yet not entered your conscious mind- it was just hovering between the sleeping world and the awake, and just falls off the edge. Never makes it. Yes they are flighty things.” She rounded it with a peal of laughter, amused with the little story she had concocted.
Sakoon Singh (In The Land of The Lovers)
Find your passion. Paint your self-portrait with the vibrant colors from the palette of life, one magical stroke at a time.
Donald Schaeffer (Sienna & the Magical Christmas)
So in short, how do I view, and cope with all the evil in the world? Well, outside of ethics and morality its morbidly beautiful as its natural. Within ethics and morality, it's a painting palette gifted to those who are uniquely fortunate enough to experience immense pain and suffering, full of colors for you to paint your canvas with, the greater the injustice, the broader the spectrum. After all, most people love the morbid beauty in horror
Lashon Byrd
Perfecting is a journey...There is no destination called perfection.
Ashok Kallarakkal
Everyone in their life has his own particular way of expressing life’s purpose—the lawyer his eloquence, the painter his palette, and the man of letters his pen from which the quick words of his story flow. I have my bicycle.
Aili McConnon (Road to Valor: A True Story of WWII Italy, the Nazis, and the Cyclist Who Inspired a Nation)
Laura's mind was already racing with the creative possibilities presented to her. She whipped out her sketchbook and started to work away with a stump of charcoal, trying to capture the sweep of the hills and the patterns made by the blocks of light and dark. She half closed her eyes, the better to appreciate the variations in tone and depth. She was astonished to find just how brash and vivid and wonderfully discordant colors in nature could be. At this time of year there was no sense that things were attempting to blend or mingle or go unseen. Every tree, bush, and flower seemed to be shouting out its presence, each one louder than the next. On the lower slopes the leaves of the aged oak trees sang out, gleaming in the heat. On every hill bracken screamed in solid swathes of viridian. At Laura's feet the plum purple and dark green leaves of the whinberry bushes competed for attention with their own indigo berries. The kitsch mauve of the heather laughed at all notions of subtlety. She turned to a fresh page and began to make quick notes, ideas for a future palette and thoughts about compositions. She jotted down plans for color mixes and drew the voluptuous curve of the hills and the soft shape of the whinberry leaves.
Paula Brackston (Lamp Black, Wolf Grey)
Failure is success in abeyance; but only for those who persevere.
Ashok Kallarakkal
(p.62) Van Gogh came to realize in Nuenen that color could be a means of expression in its own right. Later, in France, based on his observation and experience of the color theories of Impressionist like Monet and Pissarro and Post-Impressionists like Seurat and Gauguin, he developed a quite radical, very bright palette that had little to do with naturalism. For some time, too, he tried to work from his imagination. Despite all this, he continued to believe that the direct study of nature was a sine qua non for a contemporary artist. Artists could never study nature enough. They constantly had to "grind away at it. And whatever imagination could achieve, to Van Gogh nature remained the ultimate source of inspiration: "The greatest, most powerful imaginations have also made things directly from reality that leave one dumbfounded" [537].
Richard Kendall (Van Gogh and Nature)
Deux mille agriculteurs qui cassent tout, c'est plus payant que dix mille manifestants qui défilent dans le calme', résumera Alexis Gourvennec. Six décennies plus tard, on ne compte plus les tonnes de pneus et de palettes brûlés sur la voie publique, les hectolitres de lisier répandus devant les préfectures, les kilomètres de routes bloquées, auxquels s'ajoutent des installations ferroviaires sabotées, du mobilier urbain saccagé, des véhicules de police détériorés à coups de barre de fer, des motos de gendarmes incendiées, des voitures de pompiers endommagées, des porcelets pendus devant les grilles de bâtiments officiels, des glissières de sécurité arrachées, des portiques écotaxe 'démontés', des sous-préfectures et des hôtels des impôts mis à sac, des bureaux d'élus 'visités', des gendarmes séquestrés, des militaires et des sapeurs-pompiers malmenés, des carcasses d'animaux calcinées devant une préfecture, un camion espagnol transportant de la viande étrangère brûlé, un mouton mort déposé dans la propriété d'un député-maire, une voiture de gendarme jetée dans un canal, une prison attaquée (c'était à Quimper en 1983) ainsi qu'un centre des impôts et un bâtiment de la MSA incendié (à Morlaix, en 2014).
Nicolas LEGENDRE (Silence dans les champs)
Sometimes from the sea of sadness... arises an aura of light...that closes the door to the melancholy in eyes....it shuts all that is burnt in the battles...and reveals the unburnt and alive.....sometimes from the sea of black and white....arises a painting that portrays the colors....only to carry you to a door of beauty.....for it washes out the dull rain and brings the vivid inside.....and your soul becomes the palette....for your forgotten dreams come to life..... A world of possibilities open for your finger holds the brush....as your eyes envision the beauty beyond despair.....for an imagination arises from the sea of hopelessness.... What once waned as the long lost dreams....forsaken like the dust on the quaint trunk.....is now touched by your soul of colors....for you have engaged in an art.....from the hearth of emotions.....Shaken is the dust,, for the dullness is washed... and the gray is there no more....for there comes the spring rain on your soul....
Jayita Bhattacharjee
those gifts the way he wants us to use them. We will find the artist God intends us to be when we empty ourselves of self and become open to his plan and to the inspiration of his Holy Spirit.
Janice Elsheimer (The Creative Call: An Artist's Response to the Way of the Spirit (Writers' Palette Book))
Winter brings a colder palette with more heavy blue and violet, Fall has substantial more reddish and brown, Summer brings a variation of pastel colours and Spring fresh green and tangerine.
Siren Waroe
You have your own palette to color your own canvas.
Irfa Rahat
Your life is an empty page waiting to be written, an untouched canvas, so go paint your masterpiece, with a palette of kindness
Spencer Sekyer (Saving Manno: What a Baby Chimp Taught Me About Making the World a Better Place)
God gives us a fresh canvas and a palette of colors each day. Paint with bright colors and bold strokes, you're always on display!
Danny L Deaubé
It had a color palette that was as inspiring as the dried gum on my shoe.
Priya Guns (Your Driver Is Waiting)
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Dubai is home to some of the world’s most innovative dining experiences, where every restaurant competes not just with its menu but also with its ambiance. The city’s restaurant interiors are becoming expressions of culture, creativity, and comfort — and Pinnacle Interiors is leading this transformation. As one of the most reputed restaurant interior design companies in Dubai, Pinnacle Interiors has redefined the art of designing dining spaces that are immersive, elegant, and unforgettable. In today’s hospitality landscape, the interior design of a restaurant plays a vital role in shaping customer experience and brand identity. Pinnacle Interiors understands that the right atmosphere can influence how guests perceive the food, service, and overall experience. Their design philosophy combines visual appeal with functionality, ensuring that every space they create is not only beautiful but also efficient and inviting. This balance of creativity and practicality makes Pinnacle Interiors one of the most sought-after restaurant interior design companies in Dubai and across the UAE. Pinnacle Interiors approaches each restaurant project with a deep understanding of the client’s vision, culinary theme, and audience. Whether it’s a luxurious fine dining concept, a lively casual eatery, or a contemporary café, the team curates every element — from furniture design and lighting to color palettes and textures — to create an atmosphere that reflects the restaurant’s unique character. What sets Pinnacle Interiors apart from other restaurant interior design companies is their commitment to innovation and sustainability. Located in the Dubai Design District, the firm draws inspiration from global design trends and implements eco-conscious solutions in every project. Their focus on sustainable materials, energy-efficient lighting, and smart space utilization reflects their identity as a responsible and forward-thinking design company. Every detail in their restaurant designs is planned to enhance both aesthetics and functionality. Pinnacle Interiors ensures optimal seating layouts, smooth customer flow, and efficient service areas, helping restaurant owners maximize space and improve operational efficiency. At the same time, they create visually striking interiors that evoke emotion and leave a lasting impression on guests. Pinnacle Interiors’ portfolio showcases a diverse range of successful projects across Dubai’s vibrant dining scene. Their designs seamlessly combine luxury with comfort, innovation with tradition, and style with substance. From high-end international restaurants to boutique cafés, their work embodies the essence of modern dining culture in Dubai. Pinnacle Interiors stands among the leading restaurant interior design companies in Dubai, renowned for creating extraordinary dining spaces that captivate and inspire. Their design approach merges functionality, aesthetics, and sustainability to deliver interiors that not only attract customers but also enhance their dining experience. With a talented team and an innovative design vision rooted in Dubai Design District, Pinnacle Interiors continues to elevate restaurant interiors to new heights of creativity and excellence.
Ann
The Philosophy of Space: How Intentional Design Shapes Our Inner Lives We spend our lives navigating spaces—offices, homes, cafes, and walkways. These environments, often seen merely as backdrops to our existence, are in fact active participants in our narrative. The truth is, the architecture, arrangement, light, and color of our surroundings are not passive; they are constantly communicating with us, subtly dictating our moods, fueling our productivity, and framing our most intimate thoughts. Understanding this profound relationship between our physical environment and our inner life is the foundation of intentional design. The philosophy of space recognizes that a poorly designed room isn't just an aesthetic failing; it can be an emotional drain and a barrier to achieving our goals. Conversely, a space crafted with mindfulness becomes a powerful tool—a silent partner that supports and inspires. The Subtle Psychology of the Built World The field of environmental psychology has long explored how our surroundings impact cognitive function and well-being. Clutter, for instance, is not just a visual nuisance; studies show it can directly increase stress hormone (cortisol) levels, distract the working memory, and reduce our ability to focus. Conversely, a minimalist, organized space promotes calm and clarity, providing an external representation of the mental order we seek. Consider the role of light and color: Light: Natural light is critical, regulating our circadian rhythms and boosting vitamin D production. Spaces lacking adequate daylight often contribute to lethargy and mood disorders. Even artificial light sources—from warm, amber tones that promote relaxation to crisp, cool lights that enhance concentration—can be intentionally deployed to support specific activities. Color: The emotional resonance of color is undeniable. Blues and greens are often used in bedrooms and offices to inspire tranquility and focus, while vibrant reds and yellows can stimulate appetite and energy, making them staples in kitchens or social areas. Intentional design leverages this psychological palette to engineer desired emotional states. Bridging the Gap: From Concept to Concrete Reality The process of intentional design begins with a vision—the ideal workspace for innovation, or the perfect sanctuary for rest. However, this is where the philosophical challenge meets the logistical reality. Translating a conceptual dream into a concrete, functional structure is a monumental task fraught with complexity. A beautifully rendered 3D model is just the blueprint. The actual execution—the fit-out—involves dozens of critical, intertwined stages: managing multi-disciplinary teams (plumbers, electricians, carpenters), ensuring materials procurement aligns with specifications, adhering to tight timelines, and navigating the inevitable challenges and variations that arise during construction. This execution phase requires a synthesis of design sensibility and rigorous, boots-on-the-ground project management. For businesses and individuals seeking to bridge this complex gap and manage the entire interior lifecycle with confidence, connecting with a full ecosystem of vetted professionals is essential. Platforms exist that are dedicated to streamlining the entire fit-out process, from securing reliable quotes to managing project turnover. For example, systems like Super Fitout are specifically designed to bring structure and transparency to this critical phase, ensuring that the integrity of the original design vision is maintained through expert execution. The Power of Deliberate Creation Intentional design is the act of being an author, not just an occupant, of our surrounding
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