Pack And Send Quotes

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I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
We turned to find Morpheus standing there with enough rage in his black eyes to send the Devil packing for heaven.
A.G. Howard (Splintered (Splintered, #1))
Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone shakes from the ripple of a thousand butterflies inside a single stomach. Somewhere someone is packing their bags to see the world with someone else. Somewhere someone is reaching through the most terrifying few feet of space to hold the hand of someone else. Somewhere someone is watching someone else’s chest rise and fall with the breath of slumber. Somewhere someone is pouring ink like blood onto pages fighting to say the truth that has no words. Somewhere someone is waiting patient but exhausted to just be with someone else. Somewhere someone is opening their eyes to a sunrise in someplace they have never seen. Somewhere someone is pulling out the petals twisting the apple stem picking up the heads up penny rubbing the rabbits foot knocking on wood throwing coins into fountains hunting for the only clover with only 4 leaves skipping over the cracks snapping the wishbone crossing their fingers blowing out the candles sending dandelion seeds into the air ushering eyelashes off their thumbs finding the first star and waiting for 11:11 on their clock to spend their wishes on someone else. Somewhere someone is saying goodbye but somewhere someone else is saying hello. Somewhere someone is sharing their first or their last kiss with their or no longer their someone else. Somewhere someone is wondering if how they feel is how the other they feels about them and if both theys could ever become a they together. Somewhere someone is the decoder ring to all of the great mysteries of life for someone else. Somewhere someone is the treasure map. Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone is wrong.
Tyler Knott Gregson
Abe's face came back into focus. "Greetings, Zmey," I said weakly. Somehow, him being here didn't surprise me. "Nice of you to slither on in." He shook his head, wearing a rueful smile. "I think you've outdone me when it comes to sneaking around dark corners. I thought you were on your way back to Montana." "Next time, make sure you write a few more details into your bargains. Or just pack me up and send me back to the U. S. For real." "Oh," he said, "that's exactly what I intend to do." He kept smiling as he said it, but somehow, I had a feeling he wasn't joking.
Richelle Mead (Blood Promise (Vampire Academy, #4))
If you are sending someone some Styrofoam, what do you pack it in?
Steven Wright
she had received a text message from him: I had the urge to text somebody who’s smart, hot, and sweet…but sending messages to myself is just pathetic, so hi.
Suzanne Wright (Carnal Secrets (The Phoenix Pack, #3))
Be forewarned,' the vamp said, 'if I learn that there's anything romantic happening here, I'm sending him packing...less a few body parts.' Kylie's mouth dropped open. 'Romantic? Oh, please, he's old. He's as old as you.' Burnett's brow creased. 'Which is my point.' His frown deepened. 'Not that I'm *that* old.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
Suit yourself.’ Sadie shouldered her pack, then helped Annabeth up. ‘You say Carter drew a hieroglyph on your boyfriend’s hand. All well and good, but I’d rather stay in touch with you directly.’ Annabeth smirked. ‘You’re right. Can’t trust boys to communicate.’ They exchanged cell-phone numbers. ‘Just don’t call unless it’s urgent,’ Annabeth warned. ‘Cell-phone activity attracts monsters.’ Sadie looked surprised. ‘Really? Never noticed. I suppose I shouldn’t send you any funny-face selfies on Instagram, then.’ ‘Probably not.’ ‘Well, until next time.’ Sadie threw her arms round Annabeth.
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
I'm not really the scented envelope kid of girl, preferring instead to send yellow Jiffy-lite mailers packed with whatever song is on my mind.
Sarah Vowell (Take the Cannoli)
I am progressing along the path of life in my ordinary contentedly fallen and godless condition, absorbed in a merry meeting with my friends for the morrow or a bit of work that tickles my vanity today, a holiday or a new book, when suddenly a stab of abdominal pain that threatens serious disease, or a headline in the newspapers that threatens us all with destruction, sends this whole pack of cards tumbling down. At first I am overwhelmed, and all my little happinesses look like broken toys. Then, slowly and reluctantly, bit by bit, I try to bring myself into the frame of mind that I should be in at all times. I remind myself that all these toys were never intended to possess my heart, that my true good is in another world, and my only real treasure is Christ. And perhaps, by God's grace, I succeed, and for a day or two become a creature consciously dependent on God and drawing its strength from the right sources.
C.S. Lewis
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.
Jorge Luis Borges
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window. It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul "Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!" My soul does not reply. "Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?" My soul remains mute. "Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty." Not a word. -- Is my soul dead? Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!" Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
Charles Baudelaire (Paris Spleen)
Master Meriadoc,’ said Aragorn, ‘if you think that I have passed through the mountains and the realm of Gondor with fire and sword to bring herbs to a careless soldier who throws away his gear, you are mistaken, If your pack has not been found, then you must send for the herb-master of this House, And he will tell you that he did not know the herb you desire had any virtues, but that it is called westmansweed by the vulgar, and galenas by the noble, and other names in other tongues more learned, and after adding a few half-forgotten rhymes that he does not understand, he will regretfully inform you that there is none in the House, and he will leave you to reflect on the history of tongues.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
What about the pact they made with our pack? (Pandora) It’s dissolved. If they pull any more of your kin out of their time period, I’m going to send them a special welcoming committee. (Dante)
Sherrilyn Kenyon (Stroke of Midnight)
If you cannot understand my argument, and declare "It's Greek to me", you are quoting Shakespeare; if you claim to be more sinned against than sinning, you are quoting Shakespeare; if you recall your salad days, you are quoting Shakespeare; if you act more in sorrow than in anger; if your wish is farther to the thought; if your lost property has vanished into thin air, you are quoting Shakespeare; if you have ever refused to budge an inch or suffered from green-eyed jealousy, if you have played fast and loose, if you have been tongue-tied, a tower of strength, hoodwinked or in a pickle, if you have knitted your brows, made a virtue of necessity, insisted on fair play, slept not one wink, stood on ceremony, danced attendance (on your lord and master), laughed yourself into stitches, had short shrift, cold comfort or too much of a good thing, if you have seen better days or lived in a fool's paradise -why, be that as it may, the more fool you , for it is a foregone conclusion that you are (as good luck would have it) quoting Shakespeare; if you think it is early days and clear out bag and baggage, if you think it is high time and that that is the long and short of it, if you believe that the game is up and that truth will out even if it involves your own flesh and blood, if you lie low till the crack of doom because you suspect foul play, if you have your teeth set on edge (at one fell swoop) without rhyme or reason, then - to give the devil his due - if the truth were known (for surely you have a tongue in your head) you are quoting Shakespeare; even if you bid me good riddance and send me packing, if you wish I was dead as a door-nail, if you think I am an eyesore, a laughing stock, the devil incarnate, a stony-hearted villain, bloody-minded or a blinking idiot, then - by Jove! O Lord! Tut tut! For goodness' sake! What the dickens! But me no buts! - it is all one to me, for you are quoting Shakespeare.
Bernard Levin
Scarlett, I'm a bad influence on you and if you have any sense you will send me packing - if you can. I'm very hard to get rid of. But I'm bad for you.
Margaret Mitchell
The Unavailable Available Pattern.” It’s where you convince yourself (and others) that you are available for relationship, but you always find a way to stop short. That stopping short can manifest in many ways: choosing unavailable people, looking for excuses to run, focusing on a lover’s imperfections rather than their appealing qualities, getting lost in the excitement of ecstatic possibility until the first glimpse of real vulnerability sends you packing. It’s the addiction to possibility and the fear of intimacy all rolled into one.
Jeff Brown (An Uncommon Bond)
She didn’t overreact. It may have crossed her mind to march down to the woman responsible for sending this charity shitbox, but she didn’t. She swallowed the glint of anger. She packed it into her prim-and-proper voice, and like her son, moved on.
Markus Zusak (Bridge of Clay)
I had the urge to text somebody who’s smart, hot, and sweet…but sending messages to myself is just pathetic, so hi.
Suzanne Wright (Carnal Secrets (The Phoenix Pack, #3))
They have this idea that they can send astronauts up and the bone loss will level off in a few months, but the evidence that has come back doesn’t support that view. If you look at a two-year mission to Mars, it’s kind of a scary prospect.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
One of the outcomes of attempting to ignore emotional pain is chandeliering. We think we’ve packed the hurt so far down that it can’t possibly resurface, yet all of a sudden, a seemingly innocuous comment sends us into a rage or sparks a crying fit. Or maybe a small mistake at work triggers a huge shame attack. Perhaps a colleague’s constructive feedback hits that exquisitely tender place and we jump out of our skin.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
Boris Johnson delivered an unexpectedly jaunty press conference in which he assured an anxious nation we would ‘turn the tide within the next twelve weeks’ and ‘send coronavirus packing in this country’, as though it were some unwanted door-to-door salesman.
Rachel Clarke (Breathtaking: The story you haven't been told - now a major ITV series)
Define a lot of coffee . . . ,” I said, knowing that my caffeine consumption would probably make Juan Valdez pack up his donkey and run for the hills of Colombia. I was almost embarrassed to admit the amount of coffee I would drink in one day, for fear that he would 5150 me and send me off in a straitjacket to the nearest Caffeine Anonymous meeting. I had recently come to terms with this addiction, realizing that maybe five pots of coffee a day was slightly overdoing it, but I hadn’t accepted the dire consequences until now. Unfortunately, I’m THAT guy. Give me one, I want ten. There is a reason why I still to this day have never done cocaine, because deep down I know that if I did coke the same way I drink coffee, I’d be sucking dicks at the bus stop every morning for an eight ball.
Dave Grohl (The Storyteller: Tales of Life and Music)
NOW this is the Law of the Jungle — as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back — For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack. Wash daily from nose-tip to tail-tip; drink deeply, but never too deep; And remember the night is for hunting, and forget not the day is for sleep. The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown, Remember the Wolf is a Hunter — go forth and get food of thine own. Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear. And trouble not Hathi the Silent, and mock not the Boar in his lair. When Pack meets with Pack in the Jungle, and neither will go from the trail, Lie down till the leaders have spoken — it may be fair words shall prevail. When ye fight with a Wolf of the Pack, ye must fight him alone and afar, Lest others take part in the quarrel, and the Pack be diminished by war. The Lair of the Wolf is his refuge, and where he has made him his home, Not even the Head Wolf may enter, not even the Council may come. The Lair of the Wolf is his refuge, but where he has digged it too plain, The Council shall send him a message, and so he shall change it again. If ye kill before midnight, be silent, and wake not the woods with your bay, Lest ye frighten the deer from the crop, and your brothers go empty away. Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can; But kill not for pleasure of killing, and seven times never kill Man! If ye plunder his Kill from a weaker, devour not all in thy pride; Pack-Right is the right of the meanest; so leave him the head and the hide. The Kill of the Pack is the meat of the Pack. Ye must eat where it lies; And no one may carry away of that meat to his lair, or he dies. The Kill of the Wolf is the meat of the Wolf. He may do what he will; But, till he has given permission, the Pack may not eat of that Kill. Cub-Right is the right of the Yearling. From all of his Pack he may claim Full-gorge when the killer has eaten; and none may refuse him the same. Lair-Right is the right of the Mother. From all of her year she may claim One haunch of each kill for her litter, and none may deny her the same. Cave-Right is the right of the Father — to hunt by himself for his own: He is freed of all calls to the Pack; he is judged by the Council alone. Because of his age and his cunning, because of his gripe and his paw, In all that the Law leaveth open, the word of your Head Wolf is Law. Now these are the Laws of the Jungle, and many and mighty are they; But the head and the hoof of the Law and the haunch and the hump is — Obey!
Rudyard Kipling (The Jungle Book)
We're both so into it, neither of us hears the footsteps until a snarl breaks us apart. We turn to find Morpheus standing there with enough rage in his black eyes to send the Devil packing for heaven. Jeb tugs his fingers from the rings in my belt but keeps a hand at my lower back. I touch my lips; they're throbbing and gluttonous, hungry for more. "Wel, now, isn't that cozy?" Morpheus's voice isn't liquid this time. It grates like rusted nails along my eardrums. He peels off his gloves and slaps them against his palm, wings droopy and trailing the floor like a cape. "perhaps you might give Alyssa her lipstick back. We haven't time to find more before dinner."
A.G. Howard (Splintered (Splintered, #1))
This homicide proves only the beginning of his murderous spree. In just the first year of his existence Batman will send some twenty-four men, two vampires, a pack of werewolves, and several giant mutants to their ultimate ends, occasionally at the business end of a gun.
Glen Weldon (The Caped Crusade: Batman and the Rise of Nerd Culture)
I picked up all your things and I put them in a box. I was going to send them back to you, all those things you gave me when you promised I was the only thing you needed. And then I realized I can’t put every kiss in the box or return every “I love you.” I can’t return every time I held you or unwrite every love letter I wrote you. I can’t undo every time I touched you or unhear the way you said my name. I can’t send back every “You’re beautiful” because things will never be the same. What am I going to do with all these things if I can never pack them away?
Courtney Peppernell (Pillow Thoughts)
I fulfilled all the requirements for Clara Barcelo to send me packing, but I preferred to think that her blindness afforded me a margin for error and that my crime - my complete and pathetic devotion to a woman twice my age, my intelligence, and my height - would remain in the dark.
Carlos Ruiz Zafón
The Lord speaks to each one of us in different ways. He may use your mother, your sister, your child, or even your boss. He might even use an unbeliever. God never said his messages would come in nicely wrapped packages from your pastor," the pastor could be heard saying from inside the packed church. "God doesn't do things the way WE want them done. He does things the way we NEED them done, so he can get out of us what holds us back, what keeps us from him. He wants to help us reach the next level. He sends us what we need, when we need it, in HIS time. We are on his schedule, not the other way around.
Kiexiza Rodriquez (Beautiful)
Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!
Rudyard Kipling
Just as the light chases the dark away, active faith sends doubt packing!
Evinda Lepins
I've been scraping little shavings off my ration of light And I've formed it into a ball, and each time I pack a bit more onto it I make a bowl of my hands and I scoop it from its secret cache Under a loose board in the floor And I blow across it and I send it to you Against those moments when The darkness blows under your door Isn't that what friends are for?
Bruce Cockburn
He wondered how Vilania was doing. He’d have to send her and her partner, Opal, a Christmas card. Thank the gods that Opal had been walking by when the ceremony started or he’d be married to a lesbian right now.
Vicktor Alexander (A Very Tate Christmas (Tate Pack, #3))
Jim Bob looked at his watch. "I got time to get there and shower up, put on some smell-good, buy a couple packs of rubbers, and meet my barrel racer." "Couple packs of rubbers," Brett said. "Very romantic." "Ah, honey, I'm taking her to dinner first, and I always let the woman put the rubber on, and I think two packs is enough. And don't worry. I need an extra pack, I can send her to the drugstore. I got a bicycle in the garage.
Joe R. Lansdale (Honky Tonk Samurai (Hap and Leonard #9))
Nice to have you back, girl,” he said softly. Then he turned to Alyss. “Ready to go?” She held up a hand. “One thing I have to take care of,” she said. She looked around the camp and spotted Petulengo, lurking guiltily by the goat pen. “Petulengo!” she called. Her voice was high and penetrating and he started, realizing he had been spotted. He looked around, seeking an escape route. But as he did so, Will unslung the massive longbow from his shoulder and casually plucked an arrow from his quiver. Suddenly, escaping didn’t seem like such a good idea. Then Alyss favored Petulengo with her most winning smile. “Don’t be frightened, dear,” she said soothingly. “I just want to say good-bye.” She beckoned to him, smiling encouragingly, and he stepped forward, gradually gaining in confidence as he realized that, somehow, he had won the favor of this young woman. Some of his old swagger returned as he approached and stood before her, urged a little closer by that smile. Underneath the ash and the dirt, he thought, she was definitely a looker. He gave her a smile in return. Petulengo, it has to be said, fancied himself with the ladies. Treat ’em rough and they’ll eat out of your hand, he thought. Then the smile disappeared like a candle being blown out. He felt a sudden jolt of agony in his right foot. Alyss’s heavy boot, part of Hilde’s wardrobe, had stamped down on his instep, just below the ankle. He doubled over instinctively, gasping with pain. Then Alyss pivoted and drove the heel of her open left hand hard into his nose, snapping his head back and sending him reeling. His arms windmilled and he crashed over onto the hard-packed dirt of the compound. He lay groggily, propped up on his elbows, coughing as blood coursed down the back of his throat. “Next time you throw firewood at an old lady,” Alyss told him, all traces of the winning smile gone, “make sure she can’t do that.” She turned to Will and dusted her hands together in a satisfied gesture. “Now I’m ready to go,” she said.
John Flanagan (The Lost Stories (Ranger's Apprentice, #11))
We seek compensation, true, but we also seek to prevent future abhorrent conduct by this or any other priest. We seek to punish a vicious predator of children and the religious institution that stands idly by and watches while a whole generation of God’s precious children are physically and psychologically raped of their childhood, their faith, and their trust in role models. This is about a hierarchy whose solution to the problem is to send the offending priest packing, quietly pay off victims, and actively cover up crimes. The cover-up is responsible for a vicious cycle of crime upon crime. This lawsuit says we will not go quietly like those who came before us. The vicious cycle stops here and now.
Mark M. Bello (Betrayal of Faith (Zachary Blake Legal Thriller, #1))
A ferry was leaving the immigrant station, a murmur rustled through the crowd that packed the edges of the wharf. “Deportees. . . . It’s the communists the Department of Justice is having deported . . . deportees . . . Reds. . . . It’s the Reds they are deporting.” The ferry was out of the slip. In the stern a group of men stood still tiny like tin soldiers. “They are sending the Reds back to Russia.” A handkerchief waved on the ferry, a red handkerchief. People tiptoed gently to the edge of the walk, tiptoeing, quiet like in a sickroom.
John Dos Passos (Manhattan Transfer: A Novel)
Are they nice?” “Dominic’s pretty fleek”—“fleek” meaning “cool” to Zac—“he keeps sending me jokes.” Something about Zac’s tone made her ask, “Dirty jokes?” “I’m not going to answer that. I’m pleading the seventh.” “You mean the fifth.” “Whatever. I’m pleading.” She laughed.
Suzanne Wright (Savage Urges (The Phoenix Pack, #5))
Nixon watched it, the usual mixture of feelings stirred in him. He could never quite make up his mind about the man. Reagan had been too smart to let Ford lure him into the cabinet; you had to give him that. But he’d always had it too easy, especially with the goddamned Republican Party in California. Usually so lazy, they’d gone all out for him in ’66 and made it possible for him to do what Richard Nixon, an ex–vice president, hadn’t been able to four years earlier: send Pat Brown packing from Sacramento. (Christ, Brown’s kid Jerry had moved awfully fast! Now the governor at thirty-eight.
Thomas Mallon (Finale: A Novel of the Reagan Years)
Oh, she had been some kind of fine-looking, all right, with that dynamite body and that gorgeous fall of red wavy hair. But she was weak . . . weak somehow. It was as if she was sending out radio signals which only he could receive. You could point to certain things—how much she smoked (but he had almost cured her of that), the restless way her eyes moved, never quite meeting the eyes of whoever was talking to her, only touching them from time to time and then leaping nimbly away; her habit of lightly rubbing her elbows when she was nervous; the look of her fingernails, which were kept neat but brutally short. Tom noticed this latter the first time he met her. She picked up her glass of white wine, he saw her nails, and thought: She keeps them short like that because she bites them. Lions may not think, at least not the way people think . . . but they see. And when antelopes start away from a waterhole, alerted by that dusty-rug scent of approaching death, the cats can observe which one falls to the rear of the pack, maybe because it has a lame leg, maybe because it is just naturally slower . . . or maybe because its sense of danger is less developed. And it might even be possible that
Stephen King (It)
I grab my phone off the desk and unlock it. With the selfie cam, I shoot a picture of my abs, the shirt parted to reveal my six-pack, my hand over my crotch. It took me a while to figure out that Jamie has a thing for my hands. I swear he likes them more than my dick. I send the picture. No commentary needed.
Sarina Bowen (Us (Him, #2))
I was in full digression! far from the subject!...my colonel was losing track...rapidly, of my story! my story!...my own story!...the gifts that I had personally received from Heaven!...yet I had insisted, every time! truly extraordinary gifts!...I'd made him repeat them a hundred times!...enough so he'd remember! that I was the only true genius! the century's only writer! the proof: that no one ever spoke of me!...everyone was jealous! Nobel! no Nobel! they had all joined forces to have me executed!...they could just go fuck off!...drop dead! since it was a question of death between me and them! I'll send their readers packing! all their readers! I'll make the public grow sick of their books! cabal! no cabal! since there was no room for two styles!...it was mine or theirs!...crawl or breastroke!...you understand!...the only inventor of the century! is me! me! me right here! the only genius, you might say! damned or not!...
Louis-Ferdinand Céline (Conversations with Professor Y (French Literature Series))
I grab the gifts I’ve been meaning to send Max and Emmy—a copy each of the newest Monstrous Sea graphic novel compilation and a pack of Twizzlers for Max and Starburst for Emmy—and pack them up. Max lives in Canada; Emmy goes to school in California. Max’s shipping is usually a killer, but whatever, I can write it off as business expense.
Francesca Zappia (Eliza and Her Monsters)
Audrey closed her eyes. "You are all insane." "They are." Gaston said. "I'm good." "You are holding a decapitated head in your lap!" "What are you going to do with it?" Kaldar asked. Gaston shrugged. "I thought I'd pack it into some preservatives and take it with us." "Why?" Audrey asked. "I'm going to send it to my parents as a present.
Andrews Ilona
I wasn't sure if i was embarrassed or just irritated. Cursing, I held the packet to my chest and stomped off. I turned around to send him one last seething glare and ran smack dab into a tree. Or at least it felt like a tree. But trees weren't warm. And they didn't have 1, 2, 3, 4, 6 Good Lord, 8? Eight pack? And dear God i was counting. I had touched each muscle. And great my hand was firmly places against the guys stomach. I jerked my hand back and closed my eyes. "Were tyou just counting my abs?" His voice sounded amused. It also sounded like a movie star voice, the type that makes you want to jump into the TV screen. It was deep, strong and had a slight accent I couldn't place. British? Scottish?
Rachel Van Dyken (Ruin (Ruin, #1))
But the wind shifts, blowing their scents straight into my lungs. My blood turns to liquid fire. I choke on the scents clawing inside me. Leather. Smoke. Oranges. Cedar. The little mouse I’ve spent my life beating down perks up from her long hibernation. Wide awake, she sends my body into a fever, ready to claim what’s ours. Four alphas. Mine. My alphas.
Lola Rock (Pack Darling: Part One (Pack Darling, #1))
The cellar was straight off the set of a horror film. The floor was packed dirt and littered with the droppings of mice and rats. The worn stone walls were damp with a slick layer of mold. Even the air was heavy and filled with a dark sense of menace. It combined to create an atmosphere that would send most people fleeing in terror. But Edra was made of sterner stuff.
Alexandra Ivy (When Darkness Comes (Guardians of Eternity, #1))
of the worst kinds of verbal abuse are quiet; silence in answer to a question asked or a comment made can pack a mightier wallop than a loud rant. Silence effectively ridicules and shames. The child subjected to quiet abuse often experiences more emotional confusion than one who’s being yelled at or insulted, precisely because the absence of rage sends mixed signals, and the motivation behind willful silence or a refusal to answer is impossible for a child to read. There’s a special kind of hurt in being treated as though you’re invisible or that you are so unimportant in the scheme of things that you’re not even worth answering. Is there anything more chilling and hurtful than seeing your mother act as though she can’t see you, her face calm?
Peg Streep (Daughter Detox: Recovering From An Unloving Mother and Reclaiming Your Life)
I’d seen what evil could do. Evil never gave itself for anyone. It takes what it doesn’t own. Holds your head under the water. Rips your head off your neck and dangles it from the city wall. Evil dominates. Controls. Eradicates. Evil is a sniveling punk, and if you let it inside you then you spew hatred, which is just another name for the poison we drink hoping it’ll hurt someone else.” I glanced around the courtroom at Allie, Catalina, Gabby, Suzy, and finally at the cameras. “But not love. Love rushes in where others won’t. Where the bullets are flying. It stands between. Pours out. Empties itself. It scours the wasteland, returns the pieces that were lost, and it never counts the cost.” Despite a packed house, the room was silent. After a minute, I continued, “Love walks into hell, where I sit in chains, where the verdict is guilty, grabs you by the heart, and says to the warden, ‘Me for him.’” I turned and glanced at my brother. “Sir, we live in an angry, evil world. Where stuff doesn’t always make sense. Where hope seems like something we did when we were kids and the love we cling to slips through our fingers like cold water, but”—I tapped my chest—“nothing that happens here today changes the fact that love heals the shattered places.” I shook my head once. “It’s the only thing that can—” The faces in the courtroom held steady on mine. “It’s the only thing worth fighting for,” I finished, then turned to Bobby. I’d like to think my eyes smiled. “So, no, sir, I don’t hate my brother.
Charles Martin (Send Down the Rain)
How long before the eaves gave way to the sky, or the bathroom floor was jack-hammered to bone, while the trees outside were left to redirect the wind? How quickly the den must have become more kitchen and bedrooms lost their privacy. I see the books we’d packed up and moved years ago under a pile of fresh rubble, still sending off dust— titles stunned to a babble in gold leaf.
Kristen Henderson (Drum Machine)
But I wouldn’t be alive. Not really. I would be wasting oxygen, space, and resources, going back to not-so-secretly wishing I’d die. The realization dawned on me like a cold shower. I didn’t want to die when I was with Grace. I wanted to live. To laugh. To love. To date her and nibble on her neck and listen to her talking about plays and nineties movies and defending fanny packs vehemently. I’d been relishing life—actively enjoying it, even—for months, and I didn’t even realize it. I didn’t want to die anymore. Somewhere along the road, the idea of veering my bike off the road when I picked up speed stopped appealing to me. I no longer imagined what it would feel like to hurl myself off a cliff. I stopped walking into the ring wanting the asshole in front of me to throw a punch that would send me into cardiac arrest. And it was all because of Grace ‘Texas’ Shaw.
L.J. Shen (Playing with Fire)
There are other tricks: the use of generalities like "the man in the street" and the editorial "we" to establish a rapport of disapproval with the reader and at the same time to create a mental lacuna under cover of an insubstantial and unspecified "we." And the technique of the misunderstood word: pack a review with obscure words that send the reader to a dictionary. Soon the reader will feel a vague, slightly queasy revulsion for whatever is under discussion.
William S. Burroughs (The Western Lands (The Red Night Trilogy,. #3))
But I did. I knew her. I’d seen her with Deirdre, which should have marked her for death, but how could any lover of art mark a woman like this for death? She was beautiful. She was gothic. She was a muse in the flesh. Titian would have switched from redheads to brunettes for her. Aela O’Neill. Walking salvation and the promise of hell. I should ignore her, should send her packing, but instead, I rumbled, “Hello, Aela,” and took my first steps, without even a blink, into the abyss.
Serena Akeroyd (Filthy Dark (The Five Points' Mob Collection, #3))
I'll give the girl a few minutes of my time and then send her packing. We don't have a position for anyone with a college degree in music. Even if we did, I wouldn't hire Lauren Danner. I've never met a more irritating, outrageous, ill-mannered, homely child in my life.She was about nine years old, chubby, with freckles and a mop of reddish hair that looked as if it was never properly combed. She wore hideous horn-rimmed eyeglasses, and so help me God,that child looked down her nose at us...
Judith McNaught (Double Standards)
Your mother gives birth to you only once and only once do you die,' the witcher said calmly. 'An appropriate philosophy for a louse, don't you agree? And your longevity? I pity you, Filavandrel.' The elf raised his eyebrows. 'Why?' 'You're pathetic, with your little stolen sacks of seeds on pack horses, with your handful of grain, that tiny crumb thanks to which you plan to survive. And with that mission of yours which is supposed to turn your thoughts from imminent annihilation. Because you know this is the end. Nothing will sprout or yield crops on the plateaux, nothing will save you now. But you live long, and you will live very long in arrogant isolation, fewer and fewer of you, growing weaker and weaker, more and more bitter. And you know what'll happen then, Filavandrel. You know that desperate young men with the eyes of hundred-year-old men and withered, barren and sick girls like Toruviel will lead those who can still hold a sword and bow in their hands, down into the valleys. You'll come down into the blossoming valleys to meet death, wanting to die honourably, in battle, and not in sick beds of misery, where anaemia, tuberculosis and scurvy will send you. Then, long-living Aen Seidhe, you'll remember me. You'll remember that I pitied you. And you'll understand that I was right.' 'Time will tell who was right,' said the elf quietly. 'And herein lies the advantage of longevity. I've got a chance of finding out, if only because of that stolen handful of grain. You won't have a chance like that. You'll die shortly.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Unfortunately, distraction is contagious. When smokers get together, the first one to take out a pack sends a cue, and when others notice, they do the same. In a similar way, digital devices can prompt others’ behaviors. When one person takes out a phone at dinner, it acts as an external trigger. Soon, others are lost in their screens, at the expense of the conversation. Psychologists call this phenomenon “social contagion,” and researchers have found that it influences our behaviors, from drug use to overeating.
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
Calvin and Hobbes are chatting. HOBBES: Aren't you supposed to be doing homework now? CALVIN: I quit doing homework. Homework is bad for my self-esteem. HOBBES: It is? CALVIN: Sure! It sends the message that I don't know enough. All that emphasis on right answers makes me feel bad when I get them wrong. CALVIN: So instead of trying to learn, I'm just concentrating on liking myself the way I am. HOBBES: Your self-esteem is enhanced by remaining an ignoramus? CALVIN: Please! Let's call it 'informationally impaired.
Bill Watterson (The Days Are Just Packed (Calvin and Hobbes, #8))
I gasp when I realize that her small suitcase is gone. The big, beat-up one is still shoved to the back of the closet, but the little one is nowhere to be found. It’s hard to swallow. Did she pack a suitcase after sending us out? Where was she going? Why didn’t she say anything? “I’ll be out late, kiddo. Take care of supper.” I replay her words, trying to remember exactly how she spoke, the expression on her face. I was so startled by her generosity of giving me money for the mall that I didn’t think about what else seemed off two days ago.
Diane Winger (The Abandoned Girl)
Without warning, a smooth voice spoke next to her ear- a woman's voice with an American accent. "You're nothing but a skinny, awkward child, just as he described. He's visited me since the wedding, you know. He and I have laughed together over your juvenile infatuation with him. You bore him senseless." Pandora turned and found herself confronted by Mrs. Nola Black. The woman was breathtaking, her features creamy-skinned and flawless, her eyes deep and dark under brows so perfectly groomed and delineated, they looked like thin strips of velvet. Although Mrs. Black was approximately the same height as Pandora, her figure was a remarkable hourglass shape, with a waist so small one could have buckled a cat's collar around it. "That's nothing but bitchful thinking," Pandora said calmly. "He hasn't visited you, or he would have told me." Mrs. Black was clearly "picking for a fight," as Winterborne would have put it. "He'll never be faithful to you. Everyone knows you're a peculiar girl who tricked him into marriage. He appreciates novelty, to be sure, but it will wear off, and then he'll send you packing to some remote country house." Pandora was filled with a confusing mixture of feelings. Jealousy, because this woman had known Gabriel intimately, and had meant something to him... and antagonism, but also a stirring of pity, because there was something wounded in the biting darkness of her eyes. Behind the stunning façade, she was a savagely unhappy woman. "I'm sure you think that's what I should fear," Pandora said, "but I actually don't worry about that at all. I didn't trick him, by the way." She paused before adding, "I'll admit to being peculiar. But he seems to like that.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
It won't work. You see, he is a liar and a thief. And he's been one for too long. He can't retire now. In addition to which. He has become, I'm afraid, a hack.' 'He may be all those things but she knows he's not.' 'What gives her that curious idea?' 'She's been with him constantly for the last few days. She's seen him shaking with terror, exhausted, ready to quit. She's watched him pull himself together again and she's also seen him be warm and tender. And funny. Not famous-international-wit funny but really funny.' 'Do you think she's an idiot? Do you think she doesn't know what kind of man he is? Or what he needs?' 'And what he needs is L-O-V-E? Uh-uh it's too late. He is 43 years old. Or will be this October. He's been married twice, both times disastrously and there have been too many years of... too much dough, too much bad writing and too much whiskey. He's got nothing left inside to give. Even if he could, which he can't.' 'But that's not true. You can, you have. I just know it.' 'No, you don't. It's lousy. In any case, the problem is you're not in love with the script. You're in love with me. And why shouldn't you be? When suddenly, waltzing into your life comes this charming and relatively handsome stranger. Me. Smooth as silk, with a highly practised line of chatter, specifically designed to knock relatively unsophisticated chicks like you Miss Simpson, right on their ears. Which I'm terribly afraid I've done. Well if it's the last decent thing I do in this world, and it very well may be, I'm going to fix that. I'm going to send you packing Miss Simpson before I cause you serious and irrevocable harm. You want the truth? Of course you don't. I'll give it to you anyway. I do not give one damn about anything.
Julien Duvivier
This is Winston, our footman and cook,” she told Ian, guessing his thoughts. Straight-faced, she added, “Winston taught me everything I knew about cooking.” Ian’s emotions veered from horror to hilarity, and the footman saw it. “Miss Elizabeth,” the footman pointedly informed Ian, “does not know how to cook. She has always been much too busy to learn.” Ian endured that reprimand without retort because he was thoroughly enjoying Elizabeth’s relaxed mood, and because she had actually been teasing him. As the huffy footman departed, however, Ian glanced at Jordan and saw his narrowed gaze on the man’s back, then he looked at Elizabeth, who was obviously embarrassed. “They think they’re acting out of loyalty to me,” she explained. “They-well, they recognize your name from before. I’ll speak to them.” “I’d appreciate that,” Ian said with amused irritation. To Jordan he added, “Elizabeth’s butler always tries to send me packing.” “Can he hear?” Jordan asked unsympathetically. “Hear?” Ian repeated. “Of course he can.” “Then count yourself lucky,” Jordan replied irritably, and the girls dissolved into gales of laughter. “The Townsende’s butler, Penrose, is quite deaf, you see,” Elizabeth explained.
Judith McNaught (Almost Heaven (Sequels, #3))
In a sense, we can’t even claim to be growing “less religious” when social media’s job is explicitly to generate ideological sects, to pack people’s feeds with suggested content that only exaggerates what they already believe. As each of us posts, curating our individual online identities, the apps capture those personas via metadata and reinforce them through irresistible targeted ads and custom feeds. No “cult leader” takes advantage of our psychological drives quite like The Algorithm, which thrives on sending us down rabbit holes, so we never even come across rhetoric we don’t agree with unless we actively search for it.
Amanda Montell (Cultish: The Language of Fanaticism)
The city overwhelmed me. Every day I’d walk by hundreds of strangers, compete for space in crowded coffee shops, and stand shoulder to shoulder on packed subway cars. I’d scan profiles, learning that the woman waiting for the N enjoyed thrash-hop, and the barista at my local coffee shop loved salted caramel. I’d had a couple fleeting relationships, but mostly I’d spend weekends going to bars and sleeping with people who knew little more than my username. It all made me want to turn off my layers, go back to the old days, and stay disconnected. But you do that and you become another old guy buried in an e-reader, complaining about how no one sends emails anymore.
Alexander Weinstein (Children of the New World)
Many people have a moment, after they have kids, when they begin to understand and empathize with their own parents, when suddenly all the difficult moments make sense. The discipline was all about keeping you safe, about teaching you life lessons. I saw those terrible years that had culminated in my packing up the blue and maroon Samsonite and leaving my parents’ house as newly galling. An aberration. How could they send me out into the world? How could they have done what they did? I had spent years apologizing for my behavior to my parents. I lamented the trouble I had caused, the revolt I stirred. I had been a terrible child, I admitted. The drugs, the rebellion, the sneaking out, the violence. Over and over I had apologized and taken what I believed to be my share of the blame. But when I became a parent myself, I understood, finally, the source of my anger. They themselves had never apologized. Not really. On the few occasions over the years when I suggested that they had kicked us out, they always maintained that we had moved out of our own accord after refusing to follow the rules. I didn’t challenge this framing until I gave birth to my own daughter. There, in my hospital bed at Samitivej, holding my newborn baby with her giant blue eyes and her punk-rock hair, I thought, “No. You were the adults. I was the child. Fuck you.
Rachel Louise Snyder (Women We Buried, Women We Burned: A Memoir)
I didn’t pack very much. Some clothes, some weapons. I threw out the perishable food, and stripped my bed of its sheets and blankets. Akos helped in silence, his arm still wrapped in a bandage. His bag of possessions was already on the table. I had watched him pack some clothes and some of the books I had given him, his favorite pages folded over. Though I had already read all those books, I wanted to open them again just to search out the parts he most treasured; I wanted to read them as if immersed in his mind. “You’re acting weird,” he said once we were finished, and all there was left to do was wait. “I don’t like going home,” I said. It was true, at least. Akos looked around, and shrugged. “Seems like this is your home. There’s more of you in here than anywhere in Voa.” He was right, of course. I was happy that he knew what “more of me” really was--that he might know as much about me, from observation, as I knew about him. And I did know him. I could pick him out in a crowd from his gait alone. I knew the shade of the veins that showed on the backs of his hands. And his favorite knife for chopping iceflowers. And the way his breath always smelled spiced, like hushflower and sendes leaf mixed together. “Maybe next time I’ll do more to my room,” he said. You won’t be back next time, I thought. “Yeah.” I forced a smile. “You should.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Do I get to come in?” he asked. She shrugged and stood aside. “I’m just packing.” “Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.” “Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!” “It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.” “I didn’t need watching!” “You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile. She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked. “To your stepfather?” he drawled. That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?” He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.” “Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.” “And you don’t know why?” he asked curtly, letting her go. She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.” He chuckled. “How do you see through me so easily? Even my mother can’t do that.” If he thought about it, he’d know, she thought miserably.
Diana Palmer (Paper Rose (Hutton & Co. #2))
pack under the floor of the car. They engineered it so that the pack became an element of the car’s structure. It was an example of Musk’s policy that the designers sketching the shape of the car should work hand in glove with the engineers who were determining how the car would be built. “At other places I worked,” von Holzhausen says, “there was this throw-it-over-the-fence mentality, where a designer would have an idea and then send it to an engineer, who sat in a different building or in a different country.” Musk put the engineers and designers in the same room. “The vision was that we would create designers who thought like engineers and engineers who thought like designers,” von Holzhausen says.
Walter Isaacson (Elon Musk)
The Law of the Jungle NOW this is the Law of the Jungle — as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back — For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack. Wash daily from nose-tip to tail-tip; drink deeply, but never too deep; And remember the night is for hunting, and forget not the day is for sleep. The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown, Remember the Wolf is a Hunter — go forth and get food of thine own. Keep peace withe Lords of the Jungle — the Tiger, the Panther, and Bear. And trouble not Hathi the Silent, and mock not the Boar in his lair. When Pack meets with Pack in the Jungle, and neither will go from the trail, Lie down till the leaders have spoken — it may be fair words shall prevail. When ye fight with a Wolf of the Pack, ye must fight him alone and afar, Lest others take part in the quarrel, and the Pack be diminished by war. The Lair of the Wolf is his refuge, and where he has made him his home, Not even the Head Wolf may enter, not even the Council may come. The Lair of the Wolf is his refuge, but where he has digged it too plain, The Council shall send him a message, and so he shall change it again. If ye kill before midnight, be silent, and wake not the woods with your bay, Lest ye frighten the deer from the crop, and your brothers go empty away. Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can; But kill not for pleasure of killing, and seven times never kill Man! If ye plunder his Kill from a weaker, devour not all in thy pride; Pack-Right is the right of the meanest; so leave him the head and the hide. The Kill of the Pack is the meat of the Pack. Ye must eat where it lies; And no one may carry away of that meat to his lair, or he dies. The Kill of the Wolf is the meat of the Wolf. He may do what he will; But, till he has given permission, the Pack may not eat of that Kill. Cub-Right is the right of the Yearling. From all of his Pack he may claim Full-gorge when the killer has eaten; and none may refuse him the same. Lair-Right is the right of the Mother. From all of her year she may claim One haunch of each kill for her litter, and none may deny her the same. Cave-Right is the right of the Father — to hunt by himself for his own: He is freed of all calls to the Pack; he is judged by the Council alone. Because of his age and his cunning, because of his gripe and his paw, In all that the Law leaveth open, the word of your Head Wolf is Law. Now these are the Laws of the Jungle, and many and mighty are they; But the head and the hoof of the Law and the haunch and the hump is — Obey!
Rudyard Kipling
My mother had been baking more often in general, but she took plates of desserts to the carpentry studio, where her boss, thank God, had a sweet tooth. He just loved the cheesecake, she'd tell me, shining. He ate all of my oatmeal cookies. Some charmed combination of the woodwork, and the studio people, and the splinter excising time with her son kept her going back to Silver Lake even when she hit her usual limits, and every night, tucked into bed, I would send out a thank-you prayer to the carpentry boss for taking in what I could not. But this morning I was the only one, and it was the weekend, and carpentry rested, and the whole kitchen smelled of hometown America, of Atlanta's orchards and Oregon's berry bushes, of England's pie legacy, packed with the Puritans over the Mayflower.
Aimee Bender (The Particular Sadness of Lemon Cake)
We'll all be jokers, in the pack, Just go harder, in attack. Dealing's fun, so hurry back, Enjoy the game, avoid the flak." But one by one the card players at their fateful table were taken away. The cards were last used when the platoon was down to just four soldiers. [...] They were spooked by their cards, not at all liking how the hands fell as they played the game called 'Advance. "Slow down a bit" kien suggested. "If we leave this game unfinished heaven will grant favours, keeping us alive to return and finish the game. So slow down and we'll survive this battle and continue the game later. " "You're cunning" said Thanh grinning. "But heaven is not stupid. You can't cheat him. If you play only half the game the old chap up there will send for all four of us and we'll torment each other.
Bảo Ninh (The Sorrow of War)
Fresh in modern memory, for hamburger eaters anyway: Toxin gene transfer to E. coli bacteria in cattle,” Turner began. “Modern factory farming and slaughterhouse technique puts severe stress on the cattle, who send hormonal signals to their multiple tummies, their rumen. E. coli react to these signals by taking up phages—viruses for bacteria—that carry genes from another common gut bacteria, Shigella. Those genes just happen to code for Shiga toxin. The exchange does not hurt the cow, fascinating, no? But when a predator kills a cow-like critter in nature, and bites into the gut—which most do, eating half-digested grass and such, wild salad it’s called—it swallows a load of E. coli packed with Shiga toxin. That can make the predators—and us—very sick. Sick or dead predators reduce the stress on cows. It’s a clever relief valve. Now we sterilize our beef with radiation. All the beef.
Greg Bear (Darwin's Children (Darwin's Radio #2))
I also worried about her morale. During Linda’s first season working for Amazon, she had seen up close the vast volume of crap Americans were buying and felt disgusted. That experience had planted a seed of disenchantment. After she left the warehouse, it continued to grow. When she had downsized from a large RV to a minuscule trailer, Linda had also been reading about minimalism and the tiny house movement. She had done a lot of thinking about consumer culture and about how much garbage people cram into their short lives. I wondered where all those thoughts would lead. Linda was still grappling with them. Weeks later, after starting work in Kentucky, she would post the following message on Facebook and also text it directly to me: Someone asked why do you want a homestead? To be independent, get out of the rat race, support local businesses, buy only American made. Stop buying stuff I don’t need to impress people I don’t like. Right now I am working in a big warehouse, for a major online supplier. The stuff is crap all made somewhere else in the world where they don’t have child labor laws, where the workers labor fourteen- to sixteen-hour days without meals or bathroom breaks. There is one million square feet in this warehouse packed with stuff that won’t last a month. It is all going to a landfill. This company has hundreds of warehouses. Our economy is built on the backs of slaves we keep in other countries, like China, India, Mexico, any third world country with a cheap labor force where we don’t have to see them but where we can enjoy the fruits of their labor. This American Corp. is probably the biggest slave owner in the world. After sending that, she continued: Radical I know, but this is what goes through my head when I’m at work. There is nothing in that warehouse of substance. It enslaved the buyers who use their credit to purchase that shit. Keeps them in jobs they hate to pay their debts. It’s really depressing to be there. Linda added that she was coping
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
Since Jonathan, I had not slept with anyone. I know. Aren’t you disappointed? There was kissing; there were bodies pressed up against the various walls of Cork city night clubs; there were hands in my knickers. There were boys—cute ones, nice ones—who had walked me home after the club kicked out, their jackets draped around my shoulders, their hands laced through mine. But whenever they would imply that they had walked me home for sex, had understood that I wanted to have sex also, I acted all disgraced. “You think I’m that easy, huh?” I said to them, feigning shock that a twenty-one-year-old boy standing without a jacket in February at two in the morning might have an ulterior motive. I would send them packing, triumphant, then I would go inside and feel depressed, stupid and horny. I don’t know who I was trying to impress. I did not want a boyfriend; I did want romance. I wanted passion; I did not want to be someone who was known as easy. I was desperate to be touched; I was terrified of being ruined.
Caroline O'Donoghue (The Rachel Incident)
pack under the floor of the car. They engineered it so that the pack became an element of the car’s structure. It was an example of Musk’s policy that the designers sketching the shape of the car should work hand in glove with the engineers who were determining how the car would be built. “At other places I worked,” von Holzhausen says, “there was this throw-it-over-the-fence mentality, where a designer would have an idea and then send it to an engineer, who sat in a different building or in a different country.” Musk put the engineers and designers in the same room. “The vision was that we would create designers who thought like engineers and engineers who thought like designers,” von Holzhausen says. This followed the principle that Steve Jobs and Jony Ive had instilled at Apple: design is not just about aesthetics; true industrial design must connect the looks of a product to its engineering. “In most people’s vocabularies, design means veneer,” Jobs once explained. “Nothing could be further from the meaning of design. Design is the fundamental soul of a man-made creation that ends up expressing itself in successive outer layers.
Walter Isaacson (Elon Musk)
mailbox decorated with both an eagle and a lily, to signify that the youngest scouts risked their lives delivering its letters. When news of the Uprising reached Hitler, he ordered Himmler to send in his harshest troops, kill every Pole, and pulverize the whole city block by block, bomb, torch, and bulldoze it beyond repair as a warning to the rest of occupied Europe. For the job, Himmler chose the most savage units in the SS, composed of criminals, policemen, and former prisoners of war. On the Uprising’s fifth day, which came to be known as “Black Saturday,” Himmler’s battle-hardened SS and Wehrmacht soldiers stormed in, slaughtering 30,000 men, women, and children. The following day, while packs of Stukas dive-bombed the city—in archival films, one hears them whining like megaton mosquitoes—ill-equipped and mainly untrained Poles fought fiercely, radioed London to air-drop food and supplies, and begged the Russians to launch an immediate attack. Antonina wrote in her diary that two SS men opened the door, guns drawn, yelling: “Alles rrraus!!” Terrified, she and the others left the house and waited in the garden, not knowing what to expect but fearing the worst. “Hands
Diane Ackerman (The Zookeeper's Wife: An unforgettable true story, now a major film)
And, in treating of the social relations with the middle classes which the Prince had at Doncières, it may be as well to add these few words. The lieutenant-colonel played the piano beautifully; the senior medical officer’s wife sang like a Conservatoire medallist. This latter couple, as well as the lieutenant-colonel and his wife, used to dine every week with M. de Borodino. They were flattered, unquestionably, knowing that when the Prince went to Paris on leave he dined with Mme. de Pourtalès, and the Murats, and people like that. “But,” they said to themselves, “he’s just a captain, after all; he’s only too glad to get us to come. Still, he’s a real friend, you know.” But when M. de Borodino, who had long been pulling every possible wire to secure an appointment for himself nearer Paris, was posted to Beauvais, he packed up and went, and forgot as completely the two musical couples as he forgot the Doncières theatre and the little restaurant to which he used often to send out for his luncheon, and, to their great indignation, neither the lieutenant-colonel nor the senior medical officer, who had so often sat at his table, ever had so much as a single word from him for the rest of their lives
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
One of the things I loved about Chris was his sense of humor, which seemed perfectly matched with mine, even at its most offbeat. April Fools’ Day was always a major highlight. A month before our daughter was due, I woke him up in the middle of the night. “Don’t panic,” I told him, “but I think I’m going into labor.” “Do we have a bag?” he asked, jumping up immediately. “No, no, don’t worry.” I slipped out of bed and went to take a shower. Chris immediately got dressed and, calmly but very quickly, gathered my clothes and packed a suitcase. “I’m ready!” he announced, barging into the bathroom. “Babe, do you know what day it is?” I asked sweetly. It was two A.M., April 1. “Are you kidding me?” he said, disbelieving. I laughed and plunged back into the shower. He quickly got revenge by flushing the toilet, sending a burst of cold water across my body. In retrospect, maybe I’d been a little cruel, but we did love teasing each other. At our wedding, we’d smooshed cake into each other’s faces. That began a tradition that continued at each birthday--whether it was ours or not. The routine never seemed to get old. We’d giggle and laugh, chasing each other as if we were crazy people. Our friends and neighbors got used to it--and learned to stay out of the line of fire.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
then you should consider reducing or eliminating the following foods in addition to eliminating wheat. • Cornstarch and cornmeal—cornmeal products such as tacos, tortillas, corn chips, and corn breads, breakfast cereals, and sauces and gravies thickened with cornstarch • Snack foods—potato chips, rice cakes, popcorn. These foods, like foods made of cornstarch, send blood sugar straight up to the stratosphere. • Desserts—Pies, cakes, cupcakes, ice cream, sherbet, and other sugary desserts all pack too much sugar. • Rice—white or brown; wild rice. Modest servings are relatively benign, but large servings (more than ½ cup) generate adverse blood sugar effects. • Potatoes—White, red, sweet potatoes, and yams cause effects similar to those generated by rice. • Legumes—black beans, butter beans, kidney beans, lima beans; chickpeas; lentils. Like potatoes and rice, there is potential for blood sugar effects, especially if serving size exceeds ½ cup. • Gluten-free foods—Because the cornstarch, rice starch, potato starch, and tapioca starch used in place of wheat gluten causes extravagant blood sugar rises, they should be avoided. • Fruit juices, soft drinks—Even if they are “natural,” fruit juices are not that good for you. While they contain healthy components such as flavonoids and vitamin C, the sugar
William Davis (Wheat Belly: Lose the Wheat, Lose the Weight, and Find Your Path Back to Health)
Everything was silent except for his heavy breathing. Steele tugged the helmet off and heard frantic voices coming closer. He hit the riser release, stripped the 1911 from his chest, and held the pistol at the ready. Outside the voices were getting closer. “He is in here!” someone yelled in Arabic. “Kill him, kill him!” The door flew open, revealing a man with an AK-47 who stood there scanning the interior. Steele waited for him to step inside, then dropped him with a shot to the skull. He scrambled to his feet. There was no time to grab his rifle from his pack—the only thing he could do was press the attack. Moving to the door, he saw three more men running toward him, their chests heaving and fingers on the triggers. The closest man saw him step out. He wasn’t expecting one man to attack and his eyes widened in surprise. “Not today, boys.” Steele fired the first round too fast and it hit his target in the hip. The round spun him like a top, but Steele frowned, knowing he had rushed the shot. He settled automatically into a shooter’s stance and reengaged the first target before shifting fire to the other two. Thwap, thwap, thwap. The suppressed 9mm bounced from chest to chest, sending a hollow point mushrooming into each. All three men were down before the first casing tumbled to the ground. Steele stepped out and finished them off with a single shot to the head.
Sean Parnell (Man of War (Eric Steele #1))
Chad made a sour face. He turned to Shadow. “Okay,” said Chad. “Through that door and into the sally port.” “What?” “Out there. Where the car is.” Liz unlocked the doors. “You make sure that orange uniform comes right back here,” she said to the deputy. “The last felon we sent down to Lafayette, we never saw the uniform again. They cost the county money.” They walked Shadow out to the sally port, where a car sat idling. It wasn’t a sheriff’s department car. It was a black town car. Another deputy, a grizzled white guy with a mustache, stood by the car, smoking a cigarette. He crushed it out underfoot as they came close, and opened the back door for Shadow. Shadow sat down, awkwardly, his movements hampered by the cuffs and the hobble. There was no grille between the back and the front of the car. The two deputies climbed into the front of the car. The black deputy started the motor. They waited for the sally port door to open. “Come on, come on,” said the black deputy, his fingers drumming against the steering wheel. Chad Mulligan tapped on the side window. The white deputy glanced at the driver, then he lowered the window. “This is wrong,” said Chad. “I just wanted to say that.” “Your comments have been noted, and will be conveyed to the appropriate authorities,” said the driver. The doors to the outside world opened. The snow was still falling, dizzying into the car’s headlights. The driver put his foot on the gas, and they were heading back down the street and on to Main Street. “You heard about Wednesday?” said the driver. His voice sounded different, now, older, and familiar. “He’s dead.” “Yeah. I know,” said Shadow. “I saw it on TV.” “Those fuckers,” said the white officer. It was the first thing he had said, and his voice was rough and accented and, like the driver’s, it was a voice that Shadow knew. “I tell you, they are fuckers, those fuckers.” “Thanks for coming to get me,” said Shadow. “Don’t mention it,” said the driver. In the light of an oncoming car his face already seemed to look older. He looked smaller, too. The last time Shadow had seen him he had been wearing lemon-yellow gloves and a check jacket. “We were in Milwaukee. Had to drive like demons when Ibis called.” “You think we let them lock you up and send you to the chair, when I’m still waiting to break your head with my hammer?” asked the white deputy gloomily, fumbling in his pocket for a pack of cigarettes. His accent was Eastern European. “The real shit will hit the fan in an hour or less,” said Mr. Nancy, looking more like himself with each moment, “when they really turn up to collect you. We’ll pull over before we get to Highway 53 and get you out of those shackles and back into your own clothes.” Czernobog held up a handcuff key and smiled. “I like the mustache,” said Shadow. “Suits you.” Czernobog stroked it with a yellowed finger. “Thank you.” “Wednesday,” said Shadow. “Is he really dead? This isn’t some kind of trick, is it?” He realized that he had been holding on to some kind of hope, foolish though it was. But the expression on Nancy’s face told him all he needed to know, and the hope was gone.
Neil Gaiman (American Gods (American Gods, #1))
The first thing I want to say about Boyfriend is that he’s an extraordinarily decent human being. He’s kind and generous, funny and smart, and when he’s not making you laugh, he’ll drive to the drugstore at two a.m. to get you that antibiotic you just can’t wait until morning for. If he happens to be at Costco, he’ll text to ask if you need anything, and when you reply that you just need some laundry detergent, he’ll bring home your favorite meatballs and twenty jugs of maple syrup for the waffles he makes you from scratch. He’ll carry those twenty jugs from the garage to your kitchen, pack nineteen of them neatly into the tall cabinet you can’t reach, and place one on the counter, accessible for the morning. He’ll also leave love notes on your desk, hold your hand and open doors, and never complain about being dragged to family events because he genuinely enjoys hanging out with your relatives, even the nosy or elderly ones. For no reason at all, he’ll send you Amazon packages full of books (books being the equivalent of flowers to you), and at night you’ll both curl up and read passages from them aloud to each other, pausing only to make out. While you’re binge-watching Netflix, he’ll rub that spot on your back where you have mild scoliosis, and when he stops, and you nudge him, he’ll continue rubbing for exactly sixty more delicious seconds before he tries to weasel out without your noticing (you’ll pretend not to notice). He’ll let you finish his sandwiches and sentences and sunscreen and listen so attentively to the details of your day that, like your personal biographer, he’ll remember more about your life than you will. If this portrait sounds skewed, it is.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
I am progressing along the path of life in my ordinary contentedly fallen and godless condition, absorbed in a merry meeting with my friends for the morrow or a bit of work that tickles my vanity today, a holiday or a new book, when suddenly a stab of abdominal pain that threatens serious disease, or a headline in the newspapers that threatens us all with destruction, sends this whole pack of cards tumbling down. At first I am overwhelmed, and all my little happinesses look like broken toys. Then, slowly and reluctantly, bit by bit, I try to bring myself into the frame of mind that I should be in at all times. I remind myself that all these toys were never intended to possess my heart, that my true good is in another world and my only real treasure is Christ. And perhaps, by God’s grace, I succeed, and for a day or two become a creature consciously dependent on God and drawing its strength from the right sources. But the moment the threat is withdrawn, my whole nature leaps back to the toys: I am even anxious, God forgive me, to banish from my mind the only thing that supported me under the threat because it is now associated with the misery of those few days. Thus the terrible necessity of tribulation is only too clear. God has had me for but forty-eight hours and then only by dint of taking everything else away from me. Let Him but sheathe that sword for a moment and I behave like a puppy when the hated bath is over—I shake myself as dry as I can and race off to reacquire my comfortable dirtiness, if not in the nearest manure heap, at least in the nearest flower bed. And that is why tribulations cannot cease until God either sees us remade or sees that our remaking is now hopeless.
C.S. Lewis (The Business of Heaven: Daily Readings)
BEST FRIENDS SHOULD BE TOGETHER We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.
Gabe Durham (Fun Camp)
They taught him how to milk cows and now they expected him to tame lions. Perhaps they expected him to behave like all good lion tamers. Use a whip and a chair. But what happens to the best lion tamer when he puts down his whip and his chair. Goddamnit! It was wrong. He felt cheated, he felt almost violated. He felt cheated for himself, and he felt cheated for guys like Joshua Edwards who wanted to teach and who didn’t know how to teach because he’d been pumped full of manure and theoretical hogwash. Why hadn’t anyone told them, in plain, frank English, just what to do? Couldn’t someone, somewhere along the line, have told them? Not one single college instructor? Not someone from the board of Ed, someone to orientate them after they’d passed the emergency exam? Not anyone? Now one sonofabitch somewhere who gave a good goddamn? Not even Stanley? Not even Small? Did they have to figure it out for themselves, sink and swim, kill or be killed? Rick had never been told how to stop in his class. He’d never been told what to do with a second term student who doesn’t even know how to write down his own goddamn name on a sheet of paper. He didn’t know, he’d never been advised on the proper tactics for dealing with a boy whose I.Q. was 66, a big, fat, round, moronic 66. He hadn’t been taught about kids’ yelling out in class, not one kid, not the occasional “difficult child” the ed courses had loftily philosophized about, not him. But a whole goddamn, shouting, screaming class load of them all yelling their sonofbitching heads off. What do you do with a kid who can’t read even though he’s fifteen years old? Recommend him for special reading classes, sure. And what do you do when those special reading classes are loaded to the asshole, packed because there are kids who can’t read in abundance, and you have to take only those who can’t read the worst, dumping them onto a teacher who’s already overloaded and those who doesn’t want to teach a remedial class to begin with? And what do you with that poor ignorant jerk? Do you call him on class, knowing damn well he hasn’t read the assignment because he doesn’t know how to read? Or do you ignore him? Or do you ask him to stop by after school, knowing he would prefer playing stickball to learning how to read. And knowing he considers himself liberated the moment the bell sounds at the end of the eighth period. What do you do when you’ve explained something patiently and fully, explained it just the way you were taught to explain in your education courses, explained in minute detail, and you look out at your class and see that stretching, vacant wall of blank, blank faces and you know nothing has penetrated, not a goddamn thing has sunk in? What do you do then? Give them all board erasers to clean. What do you do when you call on a kid and ask “What did that last passage mean?”and the kid stands there without any idea of what the passage meant , and you know that he’s not alone, you know every other kid in the class hasn’t the faintest idea either? What the hell do you do then? Do you go home and browse through the philosophy of education books the G.I bill generously provided. Do you scratch your ugly head and seek enlightenment from the educational psychology texts? Do you consult Dewey? And who the hell do you condemn, just who? Do you condemn elementary schools for sending a kid on to high school without knowing how to read, without knowing how to write his own name on a piece of paper? Do you condemn the masterminds who plot the education systems of a nation, or a state or a city?
Evan Hunter (The Blackboard Jungle)
So Seals throws down his napkin and pushes back his chair and rises and demands to know who did it. Christ. We’re going to get to the bottom of this, he says. And then he began to point out possible culprits and to demand that they own up. It was you, wasnt it? Jesus. I tried to hiss him down. By now several large and unruly-looking chaps had gotten to their feet. The manager arrived just in the nick and we got Seals seated but he continued to mutter and they rose all over again. Do you know what I find particularly galling, he told them. It’s having to share the women with you lot. To listen to you fuckwits holding forth and to see some lissome young thing leaning forward breathlessly with that barely contained frisson with which we are all familiar the better to inhale without stint an absolute plaguebreath of bilge and bullshit as if it were the word of the prophets. It’s painful but still I suppose one has to extend a certain latitude to the little dears. They’ve so little time in which to parlay that pussy into something of substance. But it nettles. That you knucklewalkers should even be allowed to contemplate the sacred grotto as you drool and grunt and wank. Let alone actually reproduce. Well the hell with it. A pox upon you. You’re a pack of mudheaded bigots who loathe excellence on principle and though one might cordially wish you all in hell still you wont go. You and your nauseating get. Granted, if everyone I wished in hell were actually there they’d have to send to Newcastle for supplementary fuel. I’ve made ten thousand concessions to your ratfuck culture and you’ve yet to make the first to mine. It only remains for you to hold your cups to my gaping throat and toast one another’s health with my heart’s blood. Ah well, Squire, I tell you everything and you
Cormac McCarthy (The Passenger (The Passenger #1))
When I moved to the U.S. at six, I was unrecognizable to my mother. I was angry, chronically dissatisfied, bratty. On my second day in America, she ran out of the room in tears after I angrily demanded that she buy me a pack of colored pencils. You're not you! she sputtered between sobs, which brought me to a standstill. She couldn't recognize me. That's what she told me later, that this was not the daughter she had last seen. Being too young, I didn't know enough to ask: But what did you expect? Who am I supposed to be to you? But if I was unrecognizable to her, she was also unrecognizable to me. In this new country, she was disciplinarian, restrictive, prone to angry outbursts, easily frustrated, so fascist with arbitrary rules that struck me, even as a six-year-old, as unreasonable. For most of my childhood and adolescence, my mother was my antagonist. Whenever she'd get mad, she'd take her index finger and poke me in the forehead. You you you you you, she'd say, as if accusing me of being me. She was quick to blame me for the slightest infractions, a spilled glass, a way of sitting while eating, my future ambitions (farmer or teacher), the way I dressed, what I ate, even the way I practiced English words in the car..She was the one to deny me: the extra dollar added to my allowance; an extra hour to my curfew; the money to buy my friends' birthday presents, so that I was forced to gift them, no matter what the season, leftover Halloween candy. In those early days, we lived so frugally that we even washed, alongside the dishes in the sink, used sheets of cling wrap for reuse. She was the one to punish me, sending me to kneel in the bathtub of the darkened bathroom, carrying my father's Casio watch with an alarm setting to account for when time was up. Yet it was I who would kneel for even longer, going further and further, taking more punishment just to spite her, just to show that it meant nothing. I could take more. The sun moved across the bathroom floor, from the window to the door.
Ling Ma (Severance)
You’re still holding my arm.” “I know.” So this was it, she thought, and struggled to keep her voice. “Should I ask you to let go?” “I wouldn’t bother.” She drew a deep, steadying breath. “All right. What do you want, Roman?” “To get this out of the way, for both of us.” He rose. Her step backward was instinctive, and much more surprising to her than to him. “I don’t think that’s a good idea.” “Neither do I.” With his free hand, he gathered up her hair. It was soft, as he’d known it would be. Thick and full and so soft that his fingers dived in and were lost. “But I’d rather regret something I did than something I didn’t do.” “I’d rather not regret at all.” “Too late.” He heard her suck in her breath as he yanked her against him. “One way or the other, we’ll both have plenty to regret.” He was deliberately rough. He knew how to be gentle, though he rarely put the knowledge into practice. With her, he could have been. Perhaps because he knew that, he shoved aside any desire for tenderness. He wanted to frighten her, to make certain that when he let her go she would run, run away from him, because he wanted so badly for her to run to him. Buried deep in his mind was the hope that he could make her afraid enough, repelled enough, to send him packing. If she did, she would be safe from him, and he from her. He thought he could accomplish it quickly. Then, suddenly, it was impossible to think at all. She tasted like heaven. He’d never believed in heaven, but the flavor was on her lips, pure and sweet and promising. Her hand had gone to his chest in an automatic defensive movement. Yet she wasn’t fighting him, as he’d been certain she would. She met his hard, almost brutal kiss with passion laced with trust. His mind emptied. It was a terrifying experience for a man who kept his thoughts under such stringent control. Then it filled with her, her scent, her touch, her taste. He broke away-for his sake now, not for hers. He was and had always been a survivor. His breath came fast and raw. One hand was still tangled in her hair, and his other was clamped tight on her arm. He couldn’t let go. No matter how he chided himself to release her, to step back and walk away, he couldn’t move. Staring at her, he saw his own reflection in her eyes. He cursed her-it was a lack quick denial-before he crushed his mouth to hers again. It wasn’t heaven he was heading for, he told himself. It was hell.
Nora Roberts (Golden Shores: Treasures Lost, Treasures Found / The Welcoming)
I don’t have to be able to see you to feel your disapproval, you know.” Tristan finally broke the silence. The two hour carriage ride had been painfully quiet. Tristan leaned his head against the back of the leather seat. “I have my reasons, and I don’t intend to share them with my valet.” Ellis grunted, but remained quiet. “She is better off without me.” Four beats later, Ellis responded. “There is no reason to share your thoughts with a mere valet, my lord.” “I cannot give her the life she deserves.” “As you say.” “Her ladyship seems to think my blindness makes no difference.” “Please pardon the pun, my lord, but how very insightful of her.” “I shall fire you when we reach London.” “I shiver with anticipation.” How was it he could not seem to even have his own employees agree with him? And“I don’t have to be able to see you to feel your disapproval, you know.” Tristan finally broke the silence. The two hour carriage ride had been painfully quiet. Tristan leaned his head against the back of the leather seat. “I have my reasons, and I don’t intend to share them with my valet.” Ellis grunted, but remained quiet. “She is better off without me.” Four beats later, Ellis responded. “There is no reason to share your thoughts with a mere valet, my lord.” “I cannot give her the life she deserves.” “As you say.” “Her ladyship seems to think my blindness makes no difference.” “Please pardon the pun, my lord, but how very insightful of her.” “I shall fire you when we reach London.” “I shiver with anticipation.” How was it he could not seem to even have his own employees agree with him? And why did he permit such insolence? “May I make a suggestion, my lord?’ “No, you may not.” “I suggest you take a day or two to ponder your actions, and then perhaps send for her ladyship.” “Definitely being fired when we reach London.” “I shall look forward to my new duties.” Tristan tapped his foot, boredom setting in. “Did you pack any books? Perhaps you can read to me to pass the time.” “I noticed an open copy of One Thousand and One Nights in the library this morning, but since I know her ladyship was reading it, I left it there.” “Her ladyship was reading it to me,” he bristled. “Ah,” Ellis said, with no regret in his voice. “If only her ladyship were with us now. With the book…” “Never mind. I could use a nap.” “Yes, my lord. A nap might restore your good humor.” “When I fire you, there will be no reference.” “I have no expectation of one, my lord.” Tristan settled back, knowing full well that
-Callie Hutton, The Baron’s Betrayal
He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]
John Lauricella (2094)
That settles it,” said Mr. Trapwood. “We’re going back to the pension. We’re going to pack. We’re going to be on the Bishop first thing tomorrow. Sir Aubrey will have to send someone else out. Nothing is worth another day in this hellhole.” Mr. Low did not answer. He had caught a fever and was lying in the bottom of a large canoe owned by the Brothers of the São Gabriel Mission, who had arranged for the crows to be taken back to Manaus. His eyes were closed and he was wandering a little in his mind, mumbling about a boy with hair the color of the belly of the golden toad which squatted on the lily leaves of the Mamari River. There had, of course, been no golden-haired boys; there hadn’t been any boys at all. What there had been was a leper colony, run by the Brothers of Saint Patrick, a group of Irish missionaries to whom the crows had been sent. “They’re good men, the Brothers,” a man on the docks had told them as they set off on their last search for Taverner’s son. “They take in all sorts of strays--orphans, boys with no homes. If anyone knows where Taverner’s lad might be, it’ll be them.” Then he had spat cheerfully into the river because he was a crony of the chief of police and liked the idea of Mr. Low and Mr. Trapwood spending time with the Brothers, who were very holy men indeed and slept on the hard ground, and ate porridge made from manioc roots, and got up four times in the night to pray. The Brothers’ mission was on a swampy part of the river and very unhealthy, but the Brothers thought only about God and helping their fellowmen. They welcomed Mr. Trapwood and Mr. Low and said they could look over the leper colony to see if they could find anyone who might turn out to be the boy they were looking for. “They’re a jolly lot, the lepers,” said Father Liam. “People who’ve suffered don’t have time to grumble.” But the crows, turning green, thought there wouldn’t be much point. Even if there was a boy there the right age, Sir Aubrey probably wouldn’t think that a boy who was a leper could manage Westwood. Later a group of pilgrims arrived who had been walking on foot from the Andes and were on their way to a shrine on the Madeira River, and the Brothers knelt and washed their feet. “We know you’ll be proud to share the sleeping hut with our friends here,” they said to Mr. Low and Mr. Trapwood, and the crows spent the night on the floor with twelve snoring, grunting men--and woke to find two large and hungry-looking vultures squatting in the doorway. By the time they returned to Manaus the crows were beaten men. They didn’t care any longer about Taverner’s son or Sir Aubrey, or even the hundred-pound bonus they had lost. All they cared about was getting onto the Bishop and steaming away as fast as it could be done.
Eva Ibbotson (Journey to the River Sea)
Marcus released the countess as if he had been burned. His first reaction was a piercing relief that Lillian was still alive. However, the relief was followed immediately by the awareness that she was far from safe. In light of St. Vincent’s need of a fortune, it made perfect sense for him to abduct Lillian. Marcus turned from his mother, never wanting to look at her again, unable to bring himself to speak to her. His gaze locked with Simon Hunt’s. Predictably, Hunt was already making rapid calculations. “He’ll take her to Gretna Green, of course,” Hunt murmured, “and they’ll have to travel east to the main road in Hertfordshire. He won’t risk traveling the back ways and getting mired in mud, or having the wheels damaged from broken road. From Hertfordshire it will be approximately forty-five hours to Scotland… and at a speed of ten miles per hour, with occasional stops for fresh relay horses…” “You’ll never overtake them,” the countess cried with a cackling laugh. “I told you I would have my way, Westcliff!” “Oh, shut up, you evil hag!” cried Daisy Bowman impatiently from the doorway, her eyes huge in her pale face. “Lord Westcliff, shall I run to the stables and tell them to saddle a horse?” “Two horses,” Simon Hunt said resolutely. “I’m going with him.” “Which ones—” “Ebony and Yasmin,” Marcus replied. They were his best Arabians, bred for speed over long distance. They were not as lightning-fast as thoroughbreds, but they would endure a punishing pace for hours, traveling at least three times as fast as St. Vincent’s coach. Daisy disappeared in a flash, and Marcus turned to his sister. “See that the countess is gone by the time I return,” he said curtly. “Pack whatever she needs, and get her off the estate.” “Where do you wish me to send her?” Livia asked, pale but composed. “I don’t give a damn, so long as she knows not to return.” Realizing that she was being banished, and most likely exiled, the countess rose from her chair. “I will not be disposed of in this manner! I won’t have it, my lord!” “And tell the countess,” Marcus said to Livia, “that if the slightest harm comes to Miss Bowman, she had better pray that I never find her.” Marcus strode from the room, shoving through a small crowd that had gathered in the hallway. Simon Hunt followed, pausing only to murmur briefly to Annabelle and press a kiss to her forehead. She stared after him with an anxious frown, biting her lip to keep from calling after him. After a lengthy pause, the countess was heard to mutter, “It matters not what becomes of me. I am content in the knowledge that I have prevented him from befouling the family lineage.” Livia turned to give her mother a half-pitying, half-contemptuous glance. “Marcus never fails,” she said softly. “Most of his childhood was spent learning to overcome impossible odds. And now that Marcus has finally found someone worth fighting for… do you really think he would let anything stop him?
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
It is the last evening at home. Everyone is silent. I go to bed early, I seize the pillow, press it against myself and bury my head in it. Who knows if I will ever lie in a feather bed again? Late in the night my mother comes into my room. She thinks I am asleep, and I pretend to be so. To talk, to stay awake with one another, it is too hard. She sits long into the night although she is in pain and often writhes. At last I can bear it no longer, and pretend I have just wakened up. ”Go and sleep, Mother, you will catch cold here.” ”I can sleep enough later,” she says. I sit up. ”I don’t go straight back to the front, mother. I have to do four weeks at the training camp. I may come over from there one Sunday, perhaps.” She is silent. Then she asks gently: ”Are you very much afraid?” ”No Mother.” ”I would like to tell you to be on your guard against the women out in France. They are no good.” Ah! Mother, Mother! You still think I am a child–why can I not put my head in your lap and weep? Why have I always to be strong and self-controlled? I would like to weep and be comforted too, indeed I am little more than a child; in the wardrobe still hang short, boy’s trousers–it is such a little time ago, why is it over? ”Where we are there aren’t any women, Mother,” I say as calmly as I can. ”And be very careful at the front, Paul.” Ah, Mother, Mother! Why do I not take you in my arms and die with you. What poor wretches we are! ”Yes Mother, I will.” ”I will pray for you every day, Paul.” Ah! Mother, Mother! Let us rise up and go out, back through the years, where the burden of all this misery lies on us no more, back to you and me alone, mother! ”Perhaps you can get a job that is not so dangerous.” ”Yes, Mother, perhaps I can get into the cookhouse, that can easily be done.” ”You do it then, and if the others say anything–” ”That won’t worry me, mother–” She sighs. Her face is a white gleam in the darkness. ”Now you must go to sleep, Mother.” She does not reply. I get up and wrap my cover round her shoulders. She supports herself on my arm, she is in pain. And so I take her to her room. I stay with her a little while. ”And you must get well again, Mother, before I come back.” ”Yes, yes, my child.” ”You ought not to send your things to me, Mother. We have plenty to eat out there. You can make much better use of them here.” How destitute she lies there in her bed, she that loves me more than all the world. As I am about to leave, she says hastily: ”I have two pairs of under-pants for you. They are all wool. They will keep you warm. You must not forget to put them in your pack.” Ah! Mother! I know what these under-pants have cost you in waiting, and walking, and begging! Ah! Mother, Mother! how can it be that I must part from you? Who else is there that has any claim on me but you. Here I sit and there you are lying; we have so much to say, and we shall never say it. ”Good-night, Mother.” ”Good-night, my child.” The room is dark. I hear my mother’s breathing, and the ticking of the clock. Outside the window the wind blows and the chestnut trees rustle. On the landing I stumble over my pack, which lies there already made up because I have to leave early in the morning. I bite into my pillow. I grasp the iron rods of my bed with my fists. I ought never to have come here. Out there I was indifferent and often hopeless;–I will never be able to be so again. I was a soldier, and now I am nothing but an agony for myself, for my mother, for everything that is so comfortless and without end. I ought never to have come on leave.
Erich Maria Remarque (All Quiet on the Western Front)
WATERMELON COOKIES Preheat oven to 325 degrees F., rack in the middle position. 1 package (.16-ounce) watermelon (or any other flavor) Kool-Aid powder (Don’t get the kind with sugar or sugar substitute added.) 1 and ⅔ cup white (granulated) sugar 1 and ½ cups softened butter (2 and ½ sticks, 10 ounces) 2 large eggs, beaten (just whip them up in a glass with a fork) ½ teaspoon salt 1 teaspoon baking soda 3 cups all-purpose flour (pack it down in the cup when you measure it) ½ cup white (granulated) sugar in a bowl Hannah’s 1st Note: When Brandi makes these cookies, she rolls them out on a floured board and uses cookie cutters. Rolled cookies take more time than other types of cookies, so Lisa and I modified Brandi’s recipe for use at The Cookie Jar. Mix the watermelon Kool-Aid with the granulated sugar. Add the softened butter and mix until it’s nice and fluffy. Add the eggs and mix well. Mix in the salt and the baking soda. Make sure they’re well incorporated. Add the flour in half-cup increments, mixing after each addition. Spray cookie sheets with Pam or another nonstick cooking spray. You can also use parchment paper if you prefer. Roll dough balls one inch in diameter with your hands. (We use a 2-teaspoon cookie scooper at The Cookie Jar.) Roll the cookie balls in the bowl of white sugar and place them on the cookie sheet, 12 to a standard-size sheet. Bake the Watermelon Cookies at 325 degrees F. for 10 to 12 minutes (mine took 11 minutes) or until they’re just beginning to turn golden around the edges. Don’t overbake. Let the cookies cool on the cookie sheets for no more than a minute, and then remove them to a wire rack to cool completely. Yield: Approximately 6 dozen pretty and unusual cookies that kids will adore, especially if you tell them that they’re made with Kool-Aid. Hannah’s 2nd Note: Brandi’s mother baked these cookies to send to school on birthdays. She
Joanne Fluke (Apple Turnover Murder (Hannah Swensen, #13))
Cornstarch and cornmeal—cornmeal products such as tacos, tortillas, corn chips, and corn breads, breakfast cereals, and sauces and gravies thickened with cornstarch • Snack foods—potato chips, rice cakes, popcorn. These foods, like foods made of cornstarch, send blood sugar straight up to the stratosphere. • Desserts—Pies, cakes, cupcakes, ice cream, sherbet, and other sugary desserts all pack too much sugar. • Rice—white or brown; wild rice. Modest servings are relatively benign, but large servings (more than ½ cup) generate adverse blood sugar effects. • Potatoes—White, red, sweet potatoes, and yams cause effects similar to
William Davis (Wheat Belly: Lose the Wheat, Lose the Weight, and Find Your Path Back to Health)
se "in-between times" to get things done. For example, it takes 15 minutes or less to change the sheets on a bed. So when you're waiting for dinner to finish cooking, to go somewhere, or for something to finish up, make a bed. Planning saves you time. Know what you have to do-and set your priorities. ere's a fun idea! Why not lighten a gathering together load a little by hosting a tea "potluck." It's a great way to widen your circle of friends and expand your recipe files. You provide the beautiful setting-and, of course, the tea. Invite each guest to bring a wonderful tea-time treat to share, along with the recipe. Have fun sampling all the goodies. You can also invite someone to play the piano, the guitar, or even do a dramatic reading of some sort. After the gathering, create a package of recipes and send them to each participant, along with a "thank you for coming" note. Friends are the continuous threads that help hold our lives together. f you have a fireplace, make it the focus of the room. Add plants, a teddy bear collection, or whatever you like to catch the eye. Add homey touches with a favorite stuffed toy, a framed picture of yourself with your grandmother. Photos and vacation souvenirs are great to liven up a room. Slipcovers help you make incredible changes in your decor simply. In winter months, toss an afghan over a sofa or chair. When you're not using afghans or blankets, stack them neatly under a shelf or a table to add texture to a room. Instead of a lamp table, stack wooden trunks or packing boxes together. These make great tables and provide storage.
Emilie Barnes (365 Things Every Woman Should Know)
If he had a particle of sense he would send her packing right here and now. His mother always had said that girls would be the death of him.
Jean Ure (Come Lucky April (Plague 99, #2))
Fearing someone is to do the person's will Proverbs 9:10King James Version (KJV) 10 The fear of the Lord is the beginning of wisdom: and the knowledge of the holy is understanding. I remember when we were children, when dad was stepping to the house, everybody was packing what he or she was doing in order to behave normal. Because there was a fear that if dad comes and meet us playing instead of studying, he will just beat us up. Today The world doesn't care about fearing God. Who is also a father to us, even more than a father : our creator. People will send devotional message without even doing what they send, people will dress anyhow, women with trousers when the bible is against it(Deut22,5), women being preachers when the word refuses it, men putting on short on the road side like gays, having strange hair cut and calling it SWAGG, people obeying the church instead of the Word, putting artificial and removing the natural. Why? Because there aren't having fear of anything. But the the true children of God will stay with The Word and only The Word. You who read this message, take heed before it is too late, for Jesus-Christ isn't coming for people who conformed themselves with the world but will rather take those that will be transformed by The Word. Shalom
Jean Faustin Louembe
All the Jews of Polish origin were being sent back to the land of their forefathers, and so the two gentle sisters kissed us and packed and left. We sent them packages in care of the Jewish community in Warsaw, but of course the packages were returned because it was illegal to send anything to Jews. So we took the advice of a wily neighbor, wrote the address in Polish, and like magic the packages arrived.
Edith Hahn Beer (The Nazi Officer's Wife: How One Jewish Woman Survived the Holocaust)
What the fuck is going on out there?” he asked Spike, his beta and best friend. “It sounds like someone is giving something away for free.” Spike grinned and shook his head. “Your mother is what happened. She decided to send a notification to all eligible females in the pack that you’re seeking a mate.” “She what?
Milly Taiden (All Kitten Aside (Paranormal Dating Agency, #11))
firmly by the shoulders. Jon says, ‘How the hell did you ever get keys for this place?’ I chuckle, though there is really nothing to laugh about. It is the irony, I suppose. ‘The first summer I was here, I landed one day to find that the Lighthouse Board had sent in decorators to paint the place. Everything was opened up. The guys were okay with me taking a look around and we got chatting. The forecast was good, and they expected to be here for a few days. So I spun them the story about writing a book and said I would probably be back tomorrow. And I was. Only this time with a pack of Blu-tack. When they were having their lunch, I took the keys from the inner and outer doors and made impressions. Dead simple. Had keys cut, and access to the place whenever I wanted thereafter.’ The final panel falls away in my hands, and I reach in to retrieve a black plastic bag. I hand it up to Jon, and he peels back the plastic to look inside. As I stand up, I lift one of the wooden panels. I know that this is the one chance I will get, while he is distracted, and I swing the panel at his head as hard as I can. The force with which it hits him sends a judder back up my arms to my shoulders, and I actually hear it snap. He falls to his knees, dropping the hard drive, and his gun skids away across the floor. Sally is so startled, she barely has time to move before I punch her hard in the face. I feel teeth breaking beneath the force of my knuckles, behind lips I once kissed with tenderness and lust. Blood bubbles at her mouth. I grab Karen by the arm and hustle her fast down the corridor, kicking open the door and dragging her out into the night. The storm hits us with a force that assails all the senses. The wind is deafening, driving stinging rain horizontally into our faces. The cold wraps icy fingers around us, instantly numbing. Beyond the protection of the walls, it is worse, and I find it nearly impossible to keep my feet as I pull my daughter off into the dark. Only the relentless turning of the lamp in the light room above us provides any illumination. We turn right, and I know that almost immediately the island drops away into a chasm that must be two or three hundred feet deep. I can hear the ocean rushing into it. Snarling, snapping at the rocks below and sending an amplified roar almost straight up into the air. I guide Karen away from it, half-dragging her, until we reach a small cluster of rocks and I push her flat into the ground behind them. I tear away the tape that binds her wrists, then roll her on to her back to peel away the strip of it over her mouth. She gasps, almost choking, and I feel her body next to mine, racked by sobs, as she
Peter May (Coffin Road)