Pa Ingalls Quotes

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She thought to herself, "This is now." She was glad that the cozy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
When the fiddle had stopped singing Laura called out softly, "What are days of auld lang syne, Pa?" "They are the days of a long time ago, Laura," Pa said. "Go to sleep, now." But Laura lay awake a little while, listening to Pa's fiddle softly playing and to the lonely sound of the wind in the Big Woods,… She was glad that the cozy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Laura Ingalls Wilder
She heard pa shouting,"Jiminy crickets!It's raining fish-hooks and hammer handles!
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
Ma sighed gently and said, "A whole year gone, Charles." But Pa answered, cheerfully: "What's a year amount to? We have all the time there is.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
If only I had some grease I could fix some kind of a light," Ma considered. "We didn't lack for light when I was a girl before this newfangled kerosene was ever heard of." "That's so," said Pa. "These times are too progressive. Everything has changed too fast. Railroads and telegraph and kerosene and coal stoves--they're good things to have, but the trouble is, folks get to depend on 'em.
Laura Ingalls Wilder (The Long Winter (Little House, #6))
Everything from the little house was in the wagon except the beds and tables and chairs. They did not need to take these, because Pa could always make new ones.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
A long time ago, when all the grandfathers and grandmothers of today were little boys and little girls or very small babies, or perhaps not even born, Pa and Ma and Mary and Laura and Baby Carrie left their little house in the Big Woods of Wisconsin
Laura Ingalls Wilder
It can't beat us!" Pa said. "Can't it, Pa?" Laura asked stupidly. "No," said Pa. "It's got to quit sometime and we don't. It can't lick us. We won't give up." Then Laura felt a warmth inside her. It was very small but it was strong. It was steady, like a tiny light in the dark, and it burned very low but no winds could make it flicker because it would not give up.
Laura Ingalls Wilder (The Long Winter (Little House, #6))
Then Pa looked straight at Laura and said, 'You girls keep away from the camp. When you go walking. don't go near where the men are working, and you be sure you're back here before they come in for the night. There's all kinds of rough men working on the grade and using rough language, and the less you see and hear of them the better. Now remember, Laura. And you too, Carrie.' Pa's face was very serious. 'Yes, Pa' Laura promised, and Carrie almost whispered , 'Yes, Pa.' Carrie's eyes were large and frightened. She did not want to hear rough language, whatever rough language might be. Laura would have liked to hear some, just once, but of course she must obey Pa.
Laura Ingalls Wilder
Pa took her hand and comforted it in his big one. He said, “We must do the best we can, Laura, and not grumble. What must be done is best done cheerfully.
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
When the fiddle had stopped singing Laura called out softly, “What are days of auld lang syne, Pa?” “They are the days of a long time ago, Laura,” Pa said. “Go to sleep, now.” But Laura lay awake a little while, listening to Pa’s fiddle softly playing and to the lonely sound of the wind in the Big Woods. She looked at Pa sitting on the bench by the hearth, the firelight gleaming on his brown hair and beard and glistening on the honey-brown fiddle. She looked at Ma, gently rocking and knitting. She thought to herself, “This is now.” She was glad that the cosy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
Ma had been very fashionable, before she married Pa, and a dressmaker had made her clothes.
Laura Ingalls Wilder
Laura said faintly, 'I thought God takes care of us.' 'He does,' Pa said, 'so far as we do what's right. And He gives us a conscience and brains to know what's right. But He leaves it to us to do as we please. That's the difference between us and everything else in creation.
Laura Ingalls Wilder (The Long Winter (Little House, #6))
She was glad that the cosy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
All day the storm lasted. The windows were white and the wind never stopped howling and screaming. It was pleasant in the warm house. Laura and Mary did their lessons, then Pa played the fiddle while Ma rocked and knitted, and bean soup simmered on the stove. All night the storm lasted, and all the next day. Fire-light danced out of the stove's draught, and Pa told stories and played the fiddle.
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
and she thought: God is America’s king. She thought: Americans won’t obey any king on earth. Americans are free. That means they have to obey their own consciences. No king bosses Pa; he has to boss himself. Why (she thought), when I am a little older, Pa and Ma will stop telling me what to do, and there isn’t anyone else who has a right to give me orders. I will have to make myself be good. Her whole mind seemed to be lighted up by that thought. This is what it means to be free. It means, you have to be good. “Our father’s God, author of liberty—” The laws of Nature and of Nature’s God endow you with a right to life and liberty. Then you have to keep the laws of God, for God’s law is the only thing that gives you a right to be free.
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
Laura knew then that she was not a little girl any more. Now she was alone; she must take care of herself. When you must do that, then you do it and you are grown up. Laura was not very big, but she was almost thirteen years old, and no one was there to depend on. Pa and Jack had gone, and Ma needed help to take care of Mary and the little girls, and somehow to get them all safely to the west on a train.
Laura Ingalls Wilder
Please, Pa, can I ask just one more question?” “May I,” said Ma. Laura began again. “Pa, please, may I--” “What is it?” Pa asked. It was not polite for little girls to interrupt, but of course Pa could do it.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
The wagon went down from the bluffs into the wooded creek bottoms, and high in a treetop a mockingbird began to sing. “I never heard a mockingbird sing so early,” said Ma, and Pa answered, softly, “He is telling us good-by.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
She thought to herself, “This is now.” She was glad that the cosy house, and Pa and Ma and the fire-light and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
Oh, Charles!” Ma said. “What will we do?” Pa slumped down on a bench and said, “I don’t know.
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
Pa promised that when they came to the West, Laura should see a papoose.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Ma didn't think puns were funny but couldn't help laughing at the naughty look Pa gave her when he made one.
Laura Ingalls Wilder
Oh, Pa, let’s go on west!” “Mercy, Laura!” Ma said. “Whatever—” She could not go on. “I know, little Half-Pint,” said Pa, and his voice was very kind. “You and I want to fly like the birds.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
This is now.” She was glad that the cosy house, and Pa and Ma and the fire-light and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
56. They all flew away into the west. At this point in the novel Pa delivers this haunting line, 'I would like some one to tell me how they all knew at once that it was time to go, and how they knew which way was west and their ancestral home." Prof. Lockwood commented, 'Locusts were then-- and still are-- mysterious creatures, whose sudden, irruptions are their defining attribute.
Laura Ingalls Wilder (Pioneer Girl: The Annotated Autobiography)
Mr. Edwards admired the well-built, pleasant house and heartily enjoyed the good dinner. But he said he was going on West with the train when it pulled out. Pa could not persuade him to stay longer. "I'm aiming to go far West in the spring," he said. "This here, country, it's too settled up for me. The politicians are a-swarming in already, and ma'am if'n there's any worse pest than grasshoppers it surely is politicians. Why, they'll tax the lining out'n a man's pockets to keep up these here county-seat towns..." "Feller come along and taxed me last summer. Told me I got to put in every last thing I had. So I put in Tom and Jerry, my horses, at fifty dollars apiece, and my oxen yoke, Buck and Bright, I put in at fifty, and my cow at thirty five. 'Is that all you got?' he says. Well I told him I'd put in five children I reckoned was worth a dollar apiece. 'Is that all?' he says. 'How about your wife?' he says. 'By Mighty!' I says to him. 'She says I don't own her and I don't aim to pay no taxes on her,' I says. And I didn't.
Laura Ingalls Wilder (The Long Winter (Little House, #6))
Whatever are you making, Pa?” Laura asked, and he answered, “Wait and see.” He heated the tip of the poker red-hot in the stove, and carefully he burned black every alternate little square. “Curiosity killed a cat, Pa,” Laura said. “You look pretty healthy,” said Pa.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
When the war-cry was over, Laura knew it had not got her yet. She was still in the dark house and she was pressed close against Ma. Ma was trembling all over. Jack’s howling ended in a sobbing growl. Carrie began to scream again, and Pa wiped his forehead and said, “Whew!” “I never heard anything like it,” Pa said. He asked, “How do you suppose they learned to do it?” but nobody answered that. “They don’t need guns. That yell’s enough to scare anybody to death,” he said. “My mouth’s so dry I couldn’t whistle a tune to save my life.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Pa tugged him onto the grass. Pa rolled him over and he flopped where he was rolled. Pa felt his wrist and listened at his chest and then Pa lay down beside him. “He’s breathing,” Pa said. “He’ll be all right, in the air. I’m all right, Caroline. I’m plumb tuckered out, is all.” “Well!” Ma scolded. “I should think you would be! Of an the senseless performances! My goodness gracious! scaring a body to death, all for the want of a little reasonable care! My goodness! I--” She covered her face with her apron and burst out crying. That was a terrible day.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Pa’s strong, sweet voice was softly singing: “Shall auld acquaintance be forgot, And never brought to mind? Shall auld acquaintance be forgot, And the days of auld lang syne? And the days of auld lang syne, my friend, And the days of auld lang syne, Shall auld acquaintance be forgot, And the days of auld lang syne?” When the fiddle had stopped singing Laura called out softly, “What are days of auld lang syne, Pa?” “They are the days of a long time ago, Laura,” Pa said. “Go to sleep, now.” But Laura lay awake a little while, listening to Pa’s fiddle softly playing and to the lonely sound of the wind in the Big Woods. She looked at Pa siting on the bench by the hearth, and the fire-light gleaming on his brown hair and beard and glistening on the honey-brown fiddle. She looked at Ma, gently rocking and knitting. She thought to herself, “This is now.” She was glad that the cosy house, and Pa and Ma and the fire-light and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
Pa straightened up. His dim eyes brightened with a fierce light, not like the twinkle Laura had always seen in them. “But I do know this, Caroline,” he said. “No pesky mess of grasshoppers can beat us! We’ll do something! You’ll see! We’ll get along somehow.” “Yes, Charles,” said Ma. “Why not?” said Pa. “We’re healthy, we’ve got a roof over our heads; we’re better off than lots of folks. You get an early dinner, Caroline. I’m going to town. I’ll find something to do. Don’t you worry!
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
Where did the voice of Alfarata go, Ma?” “Goodness!” Ma said. “Aren’t you asleep yet?” “I’m going to sleep,” Laura said. “But please tell me where the voice of Alfarata went?” “Oh I suppose she went west,” Ma answered. “That’s what the Indians do.” “Why do they do that, Ma?” Laura asked. “Why do they go west?” “They have to,” Ma said. “Why do they have to?” “The government makes them, Laura,” said Pa. “Now go to sleep.” He played the fiddle softly for a while. Then Laura asked, “Please, Pa, can I ask just one more question?” “May I,” said Ma. Laura began again. “Pa, please, may I--” “What is it?” Pa asked. It was not polite for little girls to interrupt, but of course Pa could do it.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
For just one little minute she almost wished that Pa was a railroad man. There was nothing so wonderful as railroads, and railroad men were great men, able to drive the big iron engines and the fast, dangerous trains. But of course not even railroad men were bigger or better than Pa, and she did not really want him to be anything but what he was.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
All the time, of course, Laura or Mary was minding Baby Carrie, except when she had her afternoon nap. Then they sat and soaked in the sunshine and the wind until Laura forgot that the baby was sleeping. She jumped up and ran and shouted till Ma came to the door and said, “Dear me, Laura, must you yell like an Indian? I declare,” Ma said, “if you girls aren’t getting to look like Indians! Can I never teach you to keep your sunbonnets on?” Pa was up on the house wall beginning the roof. He looked down at them and laughed. “One little Indian, two little Indians, three little Indians,” he sang, softly. “No, only two.” “You make three,” Mary said to him. “You’re brown, too.” “But you aren’t little, Pa,” said Laura.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
the cosy house, and Pa and Ma and the fire-light and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago.
Dan L. White (The Real Laura Ingalls: Who was Real, What was Real, on Her Prairie TV Show)
Then Pa looked at Ma and said, "Nobody'd starve to death when you were around, Caroline." "Well, no," Ma said. "No, Charles, not if you were there to provide for us. Pa was pleased.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
She could not think what it would be to teach school twelve miles away from home, along among strangers. The less she thought of it the better, for she must go, and she must meet whatever happened as it came. "Now Mary can have everting she needs, and she can come home this next summer," she said. "Oh, Pa, do you think I - I can teach school?" "I do, Laura," said Pa. "I am sure of it.
Laura Ingalls Wilder (Little Town on the Prairie (Little House, #7))
Pa was on top of the walls, stretching the canvas wagon-top over the skeleton roof of saplings. The canvas billowed in the wind, Pa’s beard blew wildly and his hair stood up from his head as if it were trying to pull itself out. He held on to the canvas and fought it. Once it jerked so hard that Laura thought he must let go or sail into the air like a bird. But he held tight to the wall with his legs, and tight to the canvas with his hands, and he tied it down. “There!” he said to it. “Stay where you are, and be--” “Charles!” Ma said. She stood with her arms full of quilts and looked up at him reprovingly. “--and be good,” Pa said to the canvas. “Why, Caroline, what did you think I was going to say?” “Oh, Charles!” Ma said. “You scalawag!” Pa came right down the corner of the house. The ends of the logs stuck out, and he used them for a ladder. He ran his hand through his hair so that it stood up even more wildly, and Ma burst out laughing. Then he hugged her, quilts and all.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Laura wanted Pa and Ma in the house. They seemed so far away outside. Mary and Laura were good and lay still, but Carrie sat up and played by herself in the dark. In the dark Pa’s arm came from behind the quilt in the doorway and quietly took away his gun. Out by the camp fire the tin plates rattled. Then a knife scraped the spider. Ma and Pa were talking together and Laura smelled tobacco smoke. The house was safe, but it did not feel safe because Pa’s gun was not over the door and there was no door; there was only the quilt.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
One day when he was digging, a loud shout came echoing up. Ma ran out of the house and Laura ran to the well. “Pull, Scott! Pull!” Pa yelled. A swishing, gurgling sound echoed down there. Mr. Scott turned the windlass as fast as he could, and Pa came up climbing hand over hand up the rope. “I’m blamed if that’s not quicksand!” Pa gasped, as he stepped onto the ground, muddy and dripping. “I was pushing down hard on the spade, when all of a sudden it went down, the whole length of the handle. And water came pouring up all around me.” “A good six feet of this rope’s wet,” Mr. Scott said, winding it up. The bucket was full of water. “You showed sense in getting out of that hand over hand, Ingalls. That water came up faster than I could pull you out.” Then Mr. Scott slapped his thigh and shouted, “I’m blasted if you didn’t bring up the spade!” Sure enough, Pa had saved his spade.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
You are right, Laura; human hands didn’t make that place,” Pa said. “But your fairies were big, ugly brutes, with horns on their heads and humps on their backs. That place is an old buffalo wallow. You know buffaloes are wild cattle. They paw up the ground and wallow in the dust, just as cattle do. “For ages the buffalo herds had these wallowing places. They pawed up the ground and the wind blew the dust away. Then another herd came along and pawed up more dust in the same place. They went always to the same places, and—” “Why did they, Pa?” Laura asked. “I don’t know,” Pa said. “Maybe because the ground was mellowed there. Now the buffalo are gone, and grass grows over their wallows. Grass and violets.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
Do you know, Caroline,” Pa stopped singing to say, “I’ve been thinking what fun the rabbits will have, eating that garden we planted.” “Don’t, Charles,” Ma said. “Never mind, Caroline!” Pa told her. “We’ll make a better garden. Anyway, we’re taking more out of Indian Territory than we took in.” “I don’t know what,” Ma said, and Pa answered, “Why, there’s the mule!
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Pa always stopped telling the story here, and waited until Laura said: “Go on, Pa! Please go on.” “Well,” Pa said, “then your Grandpa went out into the yard and cut a stout switch. And he came back into the house and gave me a good thrashing, so that I would remember to mind him after that. “‘A big boy nine years old is old enough to remember to mind,’ he said. ‘There’s a good reason for what I tell you to do,’ he said, ‘and if you’ll do as you’re told, no harm will come to you.’” “Yes, yes, Pa!” Laura would say, bouncing up and down on Pa’s knee. “And then what did he say?” “He said, ‘If you’d obeyed me, as you should, you wouldn’t have been out in the Big Woods after dark, and you wouldn’t have been scared by a screech-owl.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
that path. He said he had seen it yesterday. “It’s some old trail,” he said. That night by the fire Laura asked again when she would see a papoose, but Pa didn’t know. He said you never saw Indians unless they wanted you to see them. He had seen Indians when he was a boy in New York State, but Laura never had. She knew they were wild men with red skins, and their hatchets were called tomahawks. Pa
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
When Pa went into the Big Woods, he always made sure that the bullet pouch was full of bullets, and that the tin patch box and the box of caps were with it in his pockets. The powder horn and a small sharp hatchet hung at his belt and he carried the gun ready loaded on his shoulder. He always reloaded the gun as soon as he had fired it, for, he said, he did not want to meet trouble with an empty gun.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
Look, Pa, look!” Laura said. “A wolf!” Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him. “It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass. “A lynx?” said Ma. “Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move. “Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed. The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again. “Well, I’m beat!” Pa said. “So am I,” said Ma. “But did you have to wake the baby?
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Look, Pa, look!” Laura said. “A wolf!” Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him. “It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass. “A lynx?” said Ma. “Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move. “Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed. The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again. “Well, I’m beat!” Pa said. “So am I,” said Ma. “But did you have to wake the baby?” She rocked Carrie in her arms, hushing her. Jack was perfectly well. But soon he lay down close to Laura and sighed a long sigh. His eyes were red with tiredness, and all the under part of him was caked with mud. Ma gave him a cornmeal cake and he licked it and wagged politely, but he could not eat. He was too tired. “No telling how long he kept swimming,” Pa said. “Nor how far he was carried downstream before he landed.” And when at last he reached them, Laura called him a wolf, and Pa threatened to shoot him. But Jack knew they didn’t mean it. Laura asked him, “You knew we didn’t mean it, didn’t you, Jack?” Jack wagged his stump of a tail; he knew.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Pa tugged him onto the grass. Pa rolled him over and he flopped where he was rolled. Pa felt his wrist and listened at his chest and then Pa lay down beside him. “He’s breathing,” Pa said. “He’ll be all right, in the air. I’m all right, Caroline. I’m plumb tuckered out, is all.” “Well!” Ma scolded. “I should think you would be! Of an the senseless performances! My goodness gracious! scaring a body to death, all for the want of a little reasonable care! My goodness! I--” She covered her face with her apron and burst out crying. That was a terrible day. “I don’t want a well,” Ma sobbed. “It isn’t worth it. I won’t have you running such risks!” Mr. Scott had breathed a kind of gas that stays deep in the ground. It stays at the bottom of wells because it is heaver than the air. It cannot be seen or smelled, but no one can breathe it very long and live. Pa had gone down into that gas to tie Mr. Scott to the rope, so that he could be pulled up out of the gas. When Mr. Scott was able, he went home. Before he went he said to Pa: “You were right about that candle business, Ingalls. I thought it was all foolishness and I would not bother with it, but I’ve found out my mistake.” “Well,” said Pa, “where a light can’t live, I know I can’t. And I like to be safe when I can be. But all’s well that ends well.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Pa watched and listened all the time. The plow was in the field where he had left it; Pet and Patty and the colt and the cow and calf stayed in the barn. Mary and Laura could not go out of the house. And Pa never stopped looking at the prairie all around, and turning his head quickly toward the smallest noise. He ate hardly any dinner; he kept getting up and going outdoors to look all around at the prairie. One day his head nodded down to the table and he slept there. Ma and Mary and Laura were still to let him sleep. He was so tired. But in a minute he woke up with a jump and said, sharply, to Ma, “Don’t let me do that again!” “Jack was on guard,” Ma said gently.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Let me in! Quick, Caroline!” Ma opened the door and Pa slammed it quickly behind him. He was out of breath. He pushed back his cap and said: “Whew! I’m scared yet.” “What was it, Charles?” said Ma. “A panther,” Pa said. He had hurried as fast as he could go to Mr. Scott’s. When he got there, the house was dark and everything was quiet. Pa went all around the house, listening, and looking with the lantern. He could not find a sign of anything wrong. So he felt like a fool, to think he had got up and dressed in the middle of the night and walked two miles, all because he heard the wind howl. He did not want Mr. and Mrs. Scott to know about it. So he did not wake them up. He came home as fast as he could because the wind was bitter cold. And he was hurrying along the path, where it went on the edge of the bluff, when all of a sudden he heard that scream right under his feet. “I tell you my hair stood up till it lifted my cap,” he told Laura. “I lit out for home like a scared rabbit.” “Where was the panther, Pa?” she asked him. “In a tree-top,” said Pa. “In the top of that big cottonwood that grows against the bluffs there.” “Pa, did it come after you?” Laura asked, and he said, “I don’t know, Laura.” “Well, you’re safe now, Charles,” said Ma. “Yes, and I’m glad of it. This is too dark a night to be out with panthers,” Pa said.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
The moon had risen higher and the moonlight was bright in the little open place. All around it the shadows were dark among the trees. “After a long while, a doe and her yearling fawn came stepping daintily out of the shadows. They were not afraid at all. They walked over to the place where I had sprinkled the salt, and they both licked up a little of it. “Then they raised their heads and looked at each other. The fawn stepped over and stood beside the doe. They stood there together, looking at the woods and the moonlight. Their large eyes were shining and soft. “I just sat there looking at them, until they walked away among the shadows. Then I climbed down out of the tree and came home.” Laura whispered in his ear, “I’m glad you didn’t shoot them!” Mary said, “We can eat bread and butter.” Pa lifted Mary up out of her chair and hugged them both together. “You’re my good girls,” he said. “And now it’s bedtime. Run along, while I get my fiddle.” When Laura and Mary had said their prayers and were tucked snugly under the trundle bed’s covers, Pa was sitting in the firelight with the fiddle. Ma had blown out the lamp because she did not need its light. On the other side of the hearth she was swaying gently in her rocking chair and her knitting needles flashed in and out above the sock she was knitting. The long winter evenings of fire-light and music had come again.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
Would a panther carry off a little girl, Pa?” “Yes,” said Pa. “And kill her and eat her, too. You and Mary must stay in the house till I shoot that panther. As soon as daylight comes I will take my gun and go after him.” All the next day Pa hunted that panther. And he hunted the next day and the next day. He found the panther’s tracks, and he found the hide and bones of an antelope that the panther had eaten, but he did not find the panther anywhere. The panther went swiftly through tree-tops, where it left no tracks. Pa said he would not stop till he killed that panther. He said, “We can’t have panthers running around in a country where there are little girls.” But he did not kill that panther, and he did stop hunting it. One day in the woods he met an Indian. They stood in the wet, cold woods and looked at each other, and they could not talk because they did not know each other’s words. But the Indian pointed to the panther’s tracks, and he made motions with his gun to show Pa that he had killed that panther. He pointed to the tree-tops and to the ground, to show that he had shot it out of a tree. And he motioned to the sky, and west and east, to say that he had killed it the day before. So that was all right. The panther was dead. Laura asked if a panther would carry off a little papoose and kill and eat her, too, and Pa said yes. Probably that was why the Indian had killed that panther.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Pet raccoons, birth defects, hybrid corn, and a massive typhus outbreak: the first season was padded with distractions. It ended with a log-splitting competition, showing off Landon’s pectoral muscles to advantage. His chest would become a primary visual motif, as the television Charles Ingalls frequently found cause to remove his shirt, baring a clean-shaven and well-oiled expanse. As for Pa’s beard, Landon sloughed that off as well, a publicity release solemnly announcing that he “just did not look good” with facial hair.78 When Landon had starred as Little Joe Cartwright in Bonanza, his hindquarters had been a staple of the teen fan magazine Tiger Beat, so he wore no underwear under Pa’s tight trousers.79
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
Aunt Lotty had gone, and Laura and Mary were tired and cross. They were at the woodpile, gathering a pan of chips to kindle the fire in the morning. They always hated to pick up chips, but every day they had to do it. Tonight they hated it more than ever. Laura grabbed the biggest chip, and Mary said: “I don’t care. Aunt Lotty likes my hair best, anyway. Golden hair is lots prettier than brown.” Laura’s throat swelled tight, and she could not speak. She knew golden hair was prettier than brown. She couldn’t speak, so she reached out quickly and slapped Mary’s face. Then she heard Pa say, “Come here, Laura.” She went slowly, dragging her feet. Pa was sitting just inside the door. He had seen her slap Mary. “You remember,” Pa said, “I told you girls you must never strike each other.” Laura began, “But Mary said--” “That makes no difference,” said Pa. “It is what I say that you must mind.” Then he took down a strap from the wall, and he whipped Laura with the strap. Laura sat on a chair in the corner and sobbed. When she stopped sobbing, she sulked. The only thing in the whole world to be glad about was that Mary had to fill the chip pan all by herself. At last, when it was getting dark, Pa said again, “Come here, Laura.” His voice was kind, and when Laura came he took her on his knee and hugged her close. She sat in the crook of his arm, her head against his shoulder and his long brown whiskers partly covering her eyes, and everything was all right again. She told Pa all about it, and she asked him, “You don’t like golden hair better than brown, do you?” Pa’s blue eyes shone down at her, and he said, “Well, Laura, my hair is brown.” She had not thought of that. Pa’s hair was brown, and his whiskers were brown, and she thought brown was a lovely color. But she was glad that Mary had had to gather all the chips.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
I had to pass that bear, to get home. I thought that if I could scare him, he might get out of the road and let me go by. So I took a deep breath, and suddenly I shouted with all my might and ran at him, waving my arms. “He didn’t move. I did not run very far toward him, I tell you! I stopped and looked at him, and he stood looking at me. Then I shouted again. There he stood. I kept on shouting and waving my arms, but he did not budge. “Well, it would do me no good to run away. There were other bears in the woods. I might meet one any time. I might as well deal with this one as with another. Besides, I was coming home to Ma and you girls. I would never get here, if I ran away from everything in the woods that scared me. “So at last I looked around, and I got a good big club, a solid, heavy branch that had been broken from a tree by the weight of snow in the winter. “I lifted it up in my hands, and I ran straight at that bear. I swung my club as hard as I could and brought it down, bang! on his head. “And there he still stood, for he was nothing but a big, black, burned stump! “I had passed it on my way to town that morning. It wasn’t a bear at all. I only thought it was a bear, because I had been thinking all the time about bears and being afraid I’d meet one.” “It really wasn’t a bear at all?” Mary asked. “No, Mary, it wasn’t a bear at all. There I had been yelling, and dancing, and waving my arms, all by myself in the Big Woods, trying to scare a stump!” Laura said: “Ours was really a bear. But we were not scared, because we thought it was Sukey.” Pa did not say anything, but he hugged her tighter. “Oo-oo! That bear might have eaten Ma and me all up!” Laura said, snuggling closer to him. “But Ma walked right up to him and slapped him, and he didn’t do anything at all. Why didn’t he do anything?” “I guess he was too surprised to do anything, Laura,” Pa said. “I guess he was afraid, when the lantern shone in his eyes. And when Ma walked up to him and slapped him, he knew she wasn’t afraid.” “Well, you were brave, too,” Laura said. “Even if it was only a stump, you thought it was a bear. You’d have hit him on the head with a club, if he had been a bear, wouldn’t you, Pa?” “Yes,” said Pa, “I would. You see, I had to.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
you bet yours on the gray!” Even in songs Ma did not approve of gambling, but her toe could not stop tapping while Pa played such tunes. Then every evening they all sang one round. Mr. Boast’s tenor would begin, “Three blind mice,” and go on while Mrs. Boast’s alto began, “Three blind mice,” then as she went on Pa’s bass would join in, “Three blind mice,” and then Laura’s soprano, and Ma’s contralto, and Mary and Carrie. When Mr. Boast reached the end of the song he began it again without stopping, and they all followed, each behind the other, going round and round with words and music. “Three blind mice! Three blind mice!              They all ran after the farmer’s wife               She cut off their tails with the carving knife, Did you ever hear such a tale in your life Of three blind mice?” They kept on singing until someone laughed and then the song ended ragged and breathless and laughing. And Pa would play some of the old songs, “to go to sleep on,” he said. “Nellie was a lady, last night she died, Oh, toll the bell for lovely Nell, My old—Vir-gin-ia bride.” And, “Oh, do you remember sweet Alice, Ben Bolt?              Sweet Alice with eyes so brown,
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
The first day Ma made cheese, Laura tasted the whey. She tasted it without saying anything to Ma, and when Ma turned around and saw her face, Ma laughed. That night while she was washing the supper dishes and Mary and Laura were wiping them, Ma told Pa that Laura had tasted the whey and didn’t like it. “You wouldn’t starve to death on Ma’s whey, like old Grimes did on his wife’s,” Pa said. Laura begged him to tell her about Old Grimes. So, though Pa was tired, he took his fiddle out of its box and played and sang for Laura: “Old Grimes is dead, that good old man, We ne’er shall see him more, He used to wear an old gray coat, All buttoned down before. “Old Grimes’s wife made skim-milk cheese, Old Grimes, he drank the whey, There came an east wind from the west, And blew Old Grimes away.” “There you have it!” said Pa. “She was a mean, tight-fisted woman. If she hadn’t skimmed all the milk, a little cream would have run off in the whey, and Old Grimes might have staggered along. “But she skimmed off every bit of cream, and poor Old Grimes got so thin the wind blew him away. Plumb starved to death.” Then Pa looked at Ma and said, “Nobody’d starve to death when you were around, Caroline.” “Well, no,” Ma said. “No, Charles, not if you were there to provide for us.” Pa was pleased.
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
Then she remembered the water pail in her hand. She filled it from the well as quickly as she could, and ran back; slopping water on her bare legs in her hurry. “I just had—to watch the—teams coming into camp,” she panted. “So many of them, Pa! And all the men were singing!” “Now, Flutterbudget, catch your breath!” Pa laughed at her. “Fifty teams and seventy-five or eighty men are only a small camp. You ought to see Stebbins’ camp west of here; two hundred men and teams according.” “Charles,” Ma said. Usually everyone knew what Ma meant when she said in her gentle way, “Charles.” But this time Laura and Carrie and Pa all looked at her wondering. Ma shook her head just the least bit at Pa. Then Pa looked straight at Laura and said, “You girls keep away from the camp. When you go walking, don’t go near where the men are working, and you be sure you’re back here before they come in for the night. There’s all kinds of rough men working on the grade and using rough language, and the less you see and hear of them the better. Now remember, Laura. And you too, Carrie.” Pa’s face was very serious. “Yes, Pa,” Laura promised, and Carrie almost whispered, “Yes, Pa.” Carrie’s eyes were large and frightened. She did not want to hear rough language, whatever rough language might be. Laura would have liked to hear some, just once, but of course she must obey Pa.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
In the bitter cold weather Pa could not be sure of finding any wild game to shoot for meat. The
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
When the fiddle had stopped singing Laura called out softly, “What are days of auld lang syne, Pa?” “They are the days of a long time ago, Laura,” Pa said. “Go to sleep, now.” But Laura lay awake a little while, listening to Pa’s fiddle softly playing and to the lovely sound of the wind in the Big Woods. She looked at Pa sitting on the bench by the hearth, the firelight gleaming on his brown hair and beard and glistening on the honey-brown fiddle. She looked at Ma, gently rocking and knitting. She thought to herself, “This is now.” She was glad that the cozy house, and Pa and Ma and the firelight and the music, were now. They could not be forgotten, she thought, because now is now. It can never be a long time ago. -Little House in the Big Woods, Laura Ingalls Wilder But now is now and now is already a long time ago. How breathtaking, how fleeting, how precious is my ordinary day. Now is now. Here is my treasure.
Gretchen Rubin (Happier at Home: Kiss More, Jump More, Abandon a Project, Read Samuel Johnson, and My Other Experiments in the Practice of Everyday Life)
They did not gather thickly any more on Silver Lake. Only a few very tired flocks settled late after sunset in the sloughs and rose to the sky again before the sun rose. Wild birds did not like the town full of people, and neither did Laura. She thought, “I would rather be out on the prairie with the grass and the birds and Pa’s fiddle. Yes, even with wolves! I would rather be anywhere than in this muddy, cluttered, noisy town, crowded by strange people.” And she said,
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
In the moonlight Laura saw the behind of a little black Indian pony, and an Indian on its back. She saw a huddle of blanket and a naked head and a flutter of feathers above it, and moonlight on a gun barrel and then it was all gone. Nothing was there but empty prairie. Pa said he was durned if he knew what to make of it. He said that was the Osage who had tried to talk French to him. He asked, “What’s he doing, out at this hour riding hell bent for leather?” Nobody answered because nobody knew.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
they could always decide what to do. They would not have to obey Pa and Ma any more.
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
Grace sat up, too frightened to make a sound, and even Laura was horrified, for the stool lay in two pieces. Then Pa laughed. “Never mind, Grace,” he said. “You only unscrewed it all the way. But,” he said sternly, “you stay off this stool, after this.
Laura Ingalls Wilder (These Happy Golden Years (Little House, #8))