Overhead Crane Quotes

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The fire cackled musically. From it swelled light smoke. Overhead the foliage moved softly. The leaves, with their faces turned toward the blaze, were colored shifting hues of silver, often edged with red. Far off to the right, through a window in the forest could be seen a handful of stars lying, like glittering pebbles, on the black level of the night.
Stephen Crane (The Red Badge of Courage)
Each half of the arch is made from several sections. Enormous jacks, whose only prior job was raising the sunken Kursk submarine in 2001, were used to lift each stage higher and higher until it reached its full height of 110 meters. Inside are remotely-operated heavy-duty overhead cranes, to be used for moving people and equipment.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
Sometimes happiness is like the sound of a plane overhead. You look up to see it but the plane's not there. No matter where you look you can't find it on the sky, although the sound is still there and growing louder. You get a little frantic searching. At the same time you're thinking, this is stupid. But you keep looking and if you do finally see it, you feel absolved. Most of my life I'd been looking for happiness in the wrong parts of the sky.
Jonathan Carroll (The Wooden Sea (Crane's View, #3))
In 7.81 square miles of vaunted black community, the 850 square feet of Dum Dum Donuts was the only place in the "community" where one could experience the Latin root of the word, where a citizen could revel in common togetherness. So one rainy Sunday afternoon, not long after the tanks and media attention had left, my father ordered his usual. He sat at the table nearest the ATM and said aloud, to no one in particular, "Do you know that the average household net worth for whites is $113,149 per year, Hispanics $6,325, and black folks $5,677?" "For real?" "What's your source material, nigger?" "The Pew Research Center." Motherfuckers from Harvard to Harlem respect the Pew Research Center, and hearing this, the concerned patrons turned around in their squeaky plastic seats as best they could, given that donut shop swivel chairs swivel only six degrees in either direction. Pops politely asked the manager to dim the lights. I switched on the overhead projector, slid a transparency over the glass, and together we craned our necks toward the ceiling, where a bar graph titled "Income Disparity as Determined by Race" hovered overhead like some dark, damning, statistical cumulonimbus cloud threatening to rain on our collective parades. "I was wondering what that li'l nigger was doing in a donut shop with a damn overhead projector.
Paul Beatty (The Sellout)
better. Instead, he said, Galbatorix still has two dragon eggs. During our first audience with Hrothgar, you mentioned that you would like to rescue them. If we can— Saphira snorted bitterly. It could take years, and even if we did retrieve the eggs, I have no guarantee that they would hatch, nor that they would be male, nor that we would be fit mates. Fate has abandoned my race to extinction. She lashed her tail with frustration, breaking a sapling in two. She seemed perilously close to tears. What can I say? he asked, disturbed by her distress. You can’t give up hope. You still have a chance to find a mate, but you have to be patient. Even if Galbatorix’s eggs don’t work, dragons must exist elsewhere in the world, just like humans, elves, and Urgals do. The moment we are free of our obligations, I’ll help you search for them. All right? All right, she sniffed. She craned back her head and released a puff of white smoke that dispersed among the branches overhead. I should know better than to let my emotions get the best of me. Nonsense. You would have to be made of stone not to feel this way. It’s perfectly normal.… But promise you won’t dwell on it while you’re alone.
Christopher Paolini (Eldest (Inheritance, #2))
Back to Copper Cliff: on the eastern limit of the town, really not a defined edge, the town ended, and a few feet later the smelter—the the heart of Inco’s operations in the Sudbury area—rose up. Huge buildings humming and whining, acre after acre of industrial devastation, hot metal and slag cars to-ing and fro-ing. Row upon row of blast furnaces, molten metal being carried in giant ladles the size of small submarines by overhead moving cranes, with bits of white-hot crap falling out of them, and the mind-numbing hiss of mighty industrial production, punctuated by warning horns, and all viewed through a smog of sulphur dioxide so potent that it would sting your eyes, nose and throat to the point of tears. Workers wore “gas masks” that were little more than cloth nose and mouth covers, dipped in some solution intended to neutralize the paralyzing acidity of sulphur dioxide. They did not work. My dad worked here, and when he later became a shift boss in the Orford building and I was a summer student at Inco, he showed me through this inferno (not Dante’s; that’s only in fiction). This was the real deal and the guys who worked there pretty much all succumbed to some form of lung disease—emphysema, cancer, COPD, you name it—anything you can get from inhaling eight hours a day, five days a week, concentrated S02 and S03, not to mention the particulate crap that filled the air.
Bill Livingstone (Preposterous - Tales to Follow: A Memoir by Bill Livingstone)
Tegner's Drapa I heard a voice that faintly said “Balder the beautiful lies dead, lies dead . . .” a voice like the flight of white cranes overhead— ghostly, haunting the sun, life-abetting, but a sun now irretrievably setting. Then I saw the sun’s carcass, blackened with flies, fall into night's darkness, to nevermore rise, borne grotesquely to Hel through disconsolate skies as blasts from the Nifel-heim rang out with dread, “Balder lies dead, gentle Balder lies dead! . . .” Lost, lost forever—the runes of his tongue; the blithe warmth of his smile; his bright face, cherished, young; the lithe grace of his figure, all the girls’ hearts undone O, what god could have dreamed such strange words might be said as “Balder lies dead, our fair Balder lies dead!
Esaias Tegnér
doubled over and an old bobble-hat was hanging down between his knees.  Jamie took another look to see if he was okay, and spotted an empty vodka bottle between his heels against the curb.  She sighed and dragged her eyes back to the man and woman sitting by the fence. They looked up at Roper and Jamie and stopped talking.  As they drew closer the pair got up and walked away quickly without another word, keen to avoid any questions that might have been directed at them. Jamie and Roper didn’t bother calling out, and neither were prepared to chase them down.  They were both in their forties, and neither of them were Grace.  Roper paused at the fence and put his foot on it, craning his neck to see under the bridge beyond.  Long green tendrils looped their way down the bank, the jagged bramble leaves twisting gently in the autumn air.  The sky overhead had turned turbulent and grey, bruised raw by the incoming winter.  Jamie shivered and stepped past Roper, who didn’t seem inclined to make his way onto the loose bank in his old slick-bottom Chelsea boots. Jamie didn’t have that trepidation. She looked back as she stepped over the stained blanket, her deeply-teased heel crunching in the loose stone.  Roper was grimacing, staring down at the bridge and the tents under it.  Jamie could see by the look on his face that he was hoping she’d not ask him to follow. Sounds of conversation were echoing up and a thin blanket of smoke was clinging to the girders above. Someone was warming themselves. Some faces had already appeared in the openings to the little makeshift huts and shelters, peering out at the two newcomers — at the two outsiders.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Yet another reason Jamie was willing to pay out for expensive, hard-capped boots. You never knew where you’d be stepping. Right in the centre of the settlement a side-path led down a narrow little alley between the backs of two squats made out of shipping pallets, and opened into a little square where three tents all opened towards each other. Two of them looked ancient, propped up by sticks and other rigid objects, tied off and hanging from the bridge overhead with their support strings.  But the third tent looked pretty new.  It was a modest green and orange striped thing — big enough to fit no more than two people. But it matched the description that Reggie had given. He said that it looked too nice to be there, and this one did.  ‘Grace?’ Jamie called softly. Roper was right at her shoulder. She could smell the cigarettes on his breath. There was no answer. She stepped forward a little. ‘Grace? Are you in there? Can you hear me?’ There was an equal chance that the tent was empty, or that Grace was strung out and unresponsive. Either way, she needed to take a look. Jamie glanced at Roper, whose face she couldn’t read. His nose was wrinkled in disgust, but his flushed cheeks told her that he was as nervous as she was.  As much as she hated to generalise — confronting homeless people was never an easy thing to do. They could be unpredictable at best, and it was always smart to tread lightly. She steadied her heart, took a breath and then clenched her hand to stop it from shaking. The zipper toggle hung at the top of the entrance, shimmering gently in the half-light. Jamie couldn’t tell if it was from movement inside, or from vibrations coming through the other squats around them.  She swallowed and reached for it, taking it lightly between her fingers, not wanting to startle whoever was inside. Roper’s breath was short and sharp in her ear. ‘Grace?’ she tried again, but there was no response. She tugged left and the zipper began to unfurl, grinding its way along the teeth. Roper exhaled behind her, filling the already ripe gap with hot air.  Jamie craned her neck to look through the widening gap as the flap began to fold down, but inside was shaded and dark. The smell of urine wafted out and stung her nostrils. She was aware of her boots in the mud, aware of the sounds around her, of the closeness of Roper as he looked over her head.  Everything was still, the zipper not seeming to move at all.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Despite the hour, the Kremlin shimmered with electric light from every window, as if its newest denizens were still too drunk with power to sleep. But if the lights of the Kremlin shimmered brightly, like all earthly lights before them they were diminished in their beauty by the majesty of the constellations overhead. Craning his neck, the Count tried to identify the few that he had learned in his youth: Perseus, Orion, the Great Bear, each flawless and eternal. To what end, he wondered, had the Divine created the stars in heaven to fill a man with feelings of inspiration one day and insignificance the next?
Amor Towles (A Gentleman in Moscow)