Overdose Love Quotes

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Love is the only drug that's healthy to overdose on.
Katie Kacvinsky (Second Chance (First Comes Love, #2))
Excuse me, I feel interrupted and I think I've overdose from the idea of loving you.
Robert M. Drake
If love is a form of substance abuse, I hope to die high.
Crystal Woods (Write like no one is reading 2)
Most parents try really hard to give their kids the best possible life. They give them the best food and clothes they can afford, take their own kind of take on training kids to be honest and polite. But what they don't realize is no matter how much they try, their kids will get out there. Out to this complicated little world. If they are lucky they will survive, through backstabbers, broken hearts, failures and all the kinds of invisible insane pressures out there. But most kids get lost in them. They will get caught up in all kinds of bubbles. Trouble bubbles. Bubbles that continuously tell them that they are not good enough. Bubbles that get them carried away with what they think is love, give them broken hearts. Bubbles that will blur the rest of the world to them, make them feel like that is it, that they've reached the end. Sometimes, even the really smart kids, make stupid decisions. They lose control. Parents need to realize that the world is getting complicated every second of every day. With new problems, new diseases, new habits. They have to realize the vast probability of their kids being victims of this age, this complicated era. Your kids could be exposed to problems that no kind of therapy can help. Your kids could be brainwashed by themselves to believe in insane theories that drive them crazy. Most kids will go through this stage. The lucky ones will understand. They will grow out of them. The unlucky ones will live in these problems. Grow in them and never move forward. They will cut themselves, overdose on drugs, take up excessive drinking and smoking, for the slightest problems in their lives. You can't blame these kids for not being thankful or satisfied with what they have. Their mentality eludes them from the reality.
Thisuri Wanniarachchi (COLOMBO STREETS)
Grace was my drug of choice, and tonight the dealer was giving out hits for free. I'd stay until I overdosed.
Krystal Sutherland (Our Chemical Hearts)
Vincent Van Gogh used to eat yellow paint because he thought it would get the happiness inside him. Many people thought he was mad and stupid for doing so because the paint was toxic, never mind that it was obvious that eating paint couldn't possibly have any direct correlation to one's happiness, but i never saw that. If you were so unhappy that even the maddest ideas could possibly work, like painting the walls of your internal organs yellow, then you are going to do it. It's really no different than falling in love or taking drugs. There is a greater risk of getting your heart broken or overdosing, but people still do ir everyday because there was always that chance it could make things better. Everyone has their own yellow paint.
Alexandra Timmer
So that's it. That's the big secret. I tried to kill myself on New Year's eve. Just like Sadie did last night. Only she really did it. I don't know all the detatils, just the basics. She took a bunch of pills. I don't know what they were or where she got them. I'd like to think they were Wonder Drug. Then at least she could have gone thinking she was flying.
Michael Thomas Ford (Suicide Notes)
Here is The Boy with the Thorn in His Side, dying in your world. A man made monster with every human emotion, overdosed on worthlessness in a world that could never wrap it’s head around him (so don’t even try). When it’s all over just remember every single word you ever said was always just a bullet to his head. Bury him underground between friends and love - the only things that are gonna make it to the end with him. Look for his body buried beneath where the yellow weeds are growing and know he’s still living in his nightmares.
Pete Wentz (The Boy With The Thorn In His Side)
May you have all the pleasure you've always craved. Nay, may you drown in it!
Ahmed Mostafa
Borderline means you’re one of those girls… …who walk around wearing long sleeves in the summer because you’ve carved up your forearms over your boyfriend. You make pathetic suicidal gestures and write bad poetry about them, listen to Ani DiFranco albums on endless repeat, end up in the emergency room for overdoses, scare off boyfriends by insisting they tell you that they love you five hundred times a day and hacking into their email to make sure they’re not lying, have a police record for shoplifting, and your tooth enamel is eroded from purging. You’ve had five addresses and eight jobs in three years, your friends are avoiding your phone calls, you’re questioning your sexuality, and the credit card companies are after you. It took a lot of years to admit that I was exactly that girl, and that the diagnostic criteria for the disorder were essentially an outline of my life.
Stacy Pershall (Loud in the House of Myself: Memoir of a Strange Girl)
She is in my heart and in my bones; she is in the very depths of my being. She is my overdose, my addiction so deep that it cannot be destroyed without killing the addict too. Her face was my sun and her eyes were my stars and she is in my thoughts every minute of every day. There are a million guys out there who would have given anything for a shot at bringing her happiness, so I hope that for the short time that we had together, I at least made her as happy as she made me. I loved her so much and I'll always love her. Till the end of the world and beyond.
Ronan O'Brien (Confessions of a Fallen Angel)
Love and laughter are two of the most important universal cancer treatments on the planet. Overdose on them.
Tanya Masse
Parents need to realize that the world is getting complicated every second. With new problems, new diseases, new habits. They have to realize the vast probability of their kids being victims of this age, this complicated era. Your kids could be exposed to problems that no kind of therapy can help. Your kids could be brainwashed by themselves to believe in insane theories that drive them crazy. Most kids will go through this stage. The lucky ones will understand. They will grow out of them. The most unlucky ones will live in these problems. Grow in them and never move forward. They will cut themselves, overdose on drugs, take up excessive drinking and smoking, for the slightest problems in their lives. You can't blame these kids for not being thankful or satisfied with what they have. Their mentality eludes them from the reality.
Thisuri Wanniarachchi (COLOMBO STREETS)
Of course, all of the coolest icons overdosed and died years ago, which is just as well. How depressing would it be to see a gray-haired Jimi Hendrix wearing a cardigan sweater and reminiscing about the soundtrack of the Summer of Love?
Wally Lamb (We Are Water)
Often on the menu, oysters will be listed as “oysters on the half shell.” As opposed to what? “In a Kleenex?” Even the way you are supposed to eat an oyster indicates something counterintuitive. “Squeeze some lemon on it, a dab of hot sauce, throw the oyster down the back of your throat, take a shot of vodka, and try to forget you just ate snot from a rock.” That is not how you eat something. That is how you overdose on sleeping pills.
Jim Gaffigan (Food: A Love Story)
The smell of cigarette smoke in the air in a tavern that changes names often, a bar cursed because of a girl who died of a drug overdose in the basement, we put a few coins in the jukebox; chose “Angel Band” by Johnny Cash and sat down at the bar, ordered a soda, you wanted a whiskey on the rocks. We saw the coal miner who moved here from West Virginia knocking back liquor like I drink sweet tea. No one asked why he was so solemn today. It was warm. It was relatively quiet. To anyone else, this place could feel sinister. But to us, it was freedom. It was a hiding place. No one was ever here long enough to know us. And we liked it that way.
Taylor Rhodes (Sixteenth Notes: the breaking of the rose-colored glasses)
Hatred is nothing but overdose of LOVE...
Virendra Desai
Love is my favorite drug; I overdose on it regularly.
Matshona Dhliwayo
At 4:00 a.m. on the first day of my senior year, my chemistry teacher overdosed in the parking lot behind United Methodist. He was known by his students as Mr. Tampari, but that summer, to me, he had become something different: Sammy, my first love.
Jake Wolff (The History of Living Forever)
But I also knew that my field of vision was severely limited. I didn’t know people who had died young simply because upper-middle-class white folks in the United States didn’t die very often of opioid overdoses or gun violence or foreign combat. Poor people did. Black and brown people did.
Ady Barkan (Eyes to the Wind: A Memoir of Love and Death, Hope and Resistance)
I tasted danger on his lips and became an addict. A slave to adrenaline and irrational behaviour. We lived recklessly in a dramatic whirl; Clubbing and Cutting, Drinking and Driving, Fighting and Fucking, Smoking and Snorting, Overdoing and Overdosing. I tasted danger on his lips and lost my way.
J.A. ANUM
There’s also the small detail that . . . I haven’t slept in twenty-four hours. Not a blink. And if past is prologue, there are going to be a lot of sleepless nights in my future. I’m a high school senior—I have exams to study for, projects to complete, extracurricular activities to activitize, lifelong memories to make—and now I have a business to run. Who the fuck has time for sleep? I jack up the volume on my phone and scoop a tablespoon of instant coffee grounds into my mouth—washing the bitter, spiky granules down with a gulp of black, cold coffee. We don’t serve instant for the coffee shop. Instant coffee is disgusting. But it serves a purpose. It’s effective—efficient. I love caffeine. Love it. The high, the rush, the feeling that I’m Wonder Woman’s long-lost cousin and there ain’t shit I can’t do. I would mainline it, if that were actually a thing. I would probably become a meth-head if it weren’t for the rotting-teeth, ruined-life, most-likely-dying-by-overdose elements of it all. I’m a high school senior, not an asshole.
Emma Chase (Royally Endowed (Royally, #3))
I knew that Amy couldn’t have died from a drug overdose, as she had been drug-free since 2008. But although she had been so brave and had fought so hard in her recovery from alcoholism, I knew she must have lapsed once again. I thought that Amy hadn’t had a drink for three weeks. But she had actually started drinking at Dionne’s Roundhouse gig the previous Wednesday. I didn’t know that at the time. The following morning Janis, Jane, Richard Collins (Janis’s fiancé), Raye, Reg and I went to St Pancras mortuary to officially identify Amy. Alex couldn’t bring himself to go, which I fully understood. When we arrived there were loads of paps outside the court, but they were all very respectful. We were shown into a room and saw Amy behind a window. She looked very, very peaceful, as if she was just asleep, which in a way made it a lot harder. She looked lovely. There was a slight red blotchiness to her skin, which was why, at the time, I thought she might have had a seizure: she looked as she had done when she had had seizures in the past. Eventually the others left Janis and me to say goodbye to Amy by ourselves. We were with her for about fifteen minutes. We put our hands on the glass partition and spoke to her. We told her that Mummy and Daddy were with her and that we would always love her. I can’t express what it was like. It was the worst feeling in the world.
Mitch Winehouse
Writing Saving My Sister was by far the most difficult yet meaningful and rewarding experience of my life,” comments author Nicole Woodruff. “After losing my sister, Amanda, to a fentanyl overdose in June 2019, I was determined to make her story matter and bring meaning to this horrible tragedy. So many families lose loved ones to this disease but often suffer in silence or feel ashamed to speak up due to addiction’s stigma. My goal with this book is to reduce this stigma, bring greater awareness to these stories, and ultimately help people in similar situations to mine know they are not alone,” continues Woodruff.
Nicole Woodruff (Saving My Sister)
A conversation that took place between two American women describes this intimate relationship between physical and immaterial forms of dying. One of these women came to see me soon after her only child, a twenty-year-old son, died from an accidental drug overdose. We spoke of ways to help her live with this tragic loss. About two years later, this woman’s best friend found herself struggling through a very painful divorce. The first woman explained to her friend: My son is never coming back. I entertain no fantasies about this. My relationship to myself and to how I relate to the world has changed forever. But the same is true for you. Your sense of who you are, of who is there for you and who you will travel through life with, has also changed forever. You too need to grieve a death. You are thinking that you have to come to terms with this intolerable situation outside of yourself. But just as I had to allow myself to die after my son’s death, you must die to a marriage that you once had. We grieve for the passing of what we had, but also for ourselves, for our own deaths. The profound misfortune of the death of this woman’s son opened her heart to an exploration of impermanence and death that went far beyond her own personal story.
Yongey Mingyur (In Love with the World: What a Buddhist Monk Can Teach You About Living from Nearly Dying)
I closed up the bar. I was thinking about a short drink before calling it a night. How about you? Wanna come down for a little while?” “For a drink?” He shrugged. “Whatever you want.” He peered past her. “He asleep?” “Out like a light, despite an overdose of cookies.” “Yeah, I probably gave him too many. Sorry.” “Don’t worry—he loves making them. If he makes them, he has to eat them. It’s fun—sometimes that’s more important than nutrition.” “I’ll do whatever you say,” Preacher said. “I could cut him back. He likes ’em though. He especially likes burning his mouth on them. He doesn’t wait so good.” “I know,” she said, smiling.
Robyn Carr (Shelter Mountain (Virgin River, #2))
It’s more complicated, too, knowing that people who call themselves feminists and social-rights activists might turn their backs on the ones who need them: Women who are desperate to be loved, so they sleep with too many men. Men who are snorting pills or shooting up heroin or some mysterious opiate concoction, because being alive hurts so much, it is worth it to risk overdose and disease and losing everything you have, everyone who loves you, to escape the hell inside you, even for just a few hours. Poor people without the wherewithal to stop smoking or stop burning their trash by the creek, who would rather die in a coal mine than get free health care.
Bobi Conn (In the Shadow of the Valley: A Memoir)
Marriage is a paradox second only to life itself. That at the age of twenty or so, with little knowledge of each other and a dangerous overdose of self-confidence, two human beings should undertake to commit themselves for life – and that church and state should receive their vows with a straight face – all this is absurd indeed. And it is tolerable only if it is reveled in as such. A pox on all the neat little explanations as to why it is reasonable that two teenagers should be bound to each other until death. It is not reasonable. It happens to be true to life, but it remains absurd. Down with the books that moralize reasonably on the subject of why divorce is wrong. Divorce is not a wrong; it is a metaphysical impossibility. It is an attempt to do something about life rather than with it - to work out the square root of –I rather than to use it. Up with the absurdity of marriage then. Let the peasant rejoice. He is a very odd ball on a very odd pool table, and his marriage is one of the few things left to him that will roll properly in this game. And up with the marriage service. Let the peasant go back and read it while he rejoices - preferably in the old unbowdlerized version still used by the Church of England. It is full of death and cast iron. And it is one of the great remaining sanity markers. The world is going mad because it has too many reasonable options, and not enough interest or nerve to choose anything for good. In such a world, the marriage service is not reasonable, but it is sane; which is quite another matter. The lunatic lives in a world of reason, and he goes mad without making sense; it is precisely paradox that keeps the rest of us sane. To be born, to love a woman, to cry at music, to catch a cold, to die – these are not excursions on the narrow road of logic; they are blind launchings on a trackless sea. They are not bargains, they are commitments, and for ordinary people, marriage is the very keel of their commitment, the largest piece of ballast in their small and storm-tossed boat. Its unqualified hurling of two people into their deathbead is absurd, but so is the rest of that welter of unqualified hurlings we call life. You cannot contract out of being born, out of crying, out of loving, out of dying; you cannot contract out of marriage. It may be uncomfortable, it certainly is absurd; but it is not abnormal.
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)
Finally, some people tell me that they avoid science fiction because it’s depressing. This is quite understandable if they happened to hit a streak of post-holocaust cautionary tales or a bunch of trendies trying to outwhine each other, or overdosed on sleaze-metal-punk-virtual-noir Capitalist Realism. But the accusation often, I think, reflects some timidity or gloom in the reader’s own mind: a distrust of change, a distrust of the imagination. A lot of people really do get scared and depressed if they have to think about anything they’re not perfectly familiar with; they’re afraid of losing control. If it isn’t about things they know all about already they won’t read it, if it’s a different color they hate it, if it isn’t McDonald’s they won’t eat at it. They don’t want to know that the world existed before they were, is bigger than they are, and will go on without them. They do not like history. They do not like science fiction. May they eat at McDonald’s and be happy in Heaven." Pro: "But what I like in and about science fiction includes these particular virtues: vitality, largeness, and exactness of imagination; playfulness, variety, and strength of metaphor; freedom from conventional literary expectations and mannerism; moral seriousness; wit; pizzazz; and beauty. Let me ride a moment on that last word. The beauty of a story may be intellectual, like the beauty of a mathematical proof or a crystalline structure; it may be aesthetic, the beauty of a well-made work; it may be human, emotional, moral; it is likely to be all three. Yet science fiction critics and reviewers still often treat the story as if it were a mere exposition of ideas, as if the intellectual “message” were all. This reductionism does a serious disservice to the sophisticated and powerful techniques and experiments of much contemporary science fiction. The writers are using language as postmodernists; the critics are decades behind, not even discussing the language, deaf to the implications of sounds, rhythms, recurrences, patterns—as if text were a mere vehicle for ideas, a kind of gelatin coating for the medicine. This is naive. And it totally misses what I love best in the best science fiction, its beauty." "I am certainly not going to talk about the beauty of my own stories. How about if I leave that to the critics and reviewers, and I talk about the ideas? Not the messages, though. There are no messages in these stories. They are not fortune cookies. They are stories.
Ursula K. Le Guin (A Fisherman of the Inland Sea)
The story we are told of women is not this one. The story of women is the story of love, of foundering into another. A slight deviation: longing to founder and being unable to. Being left alone in the foundering, and taking things into one's own hands: rat poison, the wheels of a Russian train. Even the smoother and gentler story is still just a modified version of the above. In the demotic, in the key of bougie, it's the promise of love in old age for all the good girls of the world. Hilarious ancient bodies at bath time, husband's palsied hands soaping wife's withered dugs, erection popping out of the bubbles like a pink periscope. I see you! There would be long, hobbledy walks under the plane trees, stories told by a single sideways glance, one word sufficing. Anthill, he'd say; Martini! she'd say; and the thick swim of the old joke would return to them. The laughter, the beautiful reverberations. Then the bleary toddling on to an early-bird dinner, snoozing through a movie hand in hand. Their bodies like knobby sticks wrapped in vellum. One laying the other on the deathbed, feeding the overdose, dying the day after, all heart gone out of the world with the beloved breath. Oh, companionship. Oh, romance. Oh, completion. Forgive her if she believed this would be the way it would go. She had been led to this conclusion by forces greater than she. Conquers all! All you need is! Is a many-splendored thing! Surrender to! Like corn rammed down goose necks, this shit they'd swallowed since they were barely old enough to dress themselves in tulle. The way the old story goes, woman needs an other to complete her circuits, to flick her to fullest blazing.
Lauren Groff (Fates and Furies)
Then one night he brought home a beautiful red-haired woman and took her into our bed with me. She was a high-class call girl employed by the well-known Madame Claude. It never occurred to me to object. I took my cues from him and threw myself into the threesome with the skill and enthusiasm of the actress that I am. If this was what he wanted, this was what I would give him—in spades. As feminist poet Robin Morgan wrote in Saturday’s Child on the subject of threesomes, “If I was facing the avant-garde version of keeping up with the Joneses, by god I’d show ’em.” Sometimes there were three of us, sometimes more. Sometimes it was even I who did the soliciting. So adept was I at burying my real feelings and compartmentalizing myself that I eventually had myself convinced I enjoyed it. I’ll tell you what I did enjoy: the mornings after, when Vadim was gone and the woman and I would linger over our coffee and talk. For me it was a way to bring some humanity to the relationship, an antidote to objectification. I would ask her about herself, trying to understand her history and why she had agreed to share our bed (questions I never asked myself!) and, in the case of the call girls, what had brought her to make those choices. I was shocked by the cruelty and abuse many had suffered, saw how abuse had made them feel that sex was the only commodity they had to offer. But many were smart and could have succeeded in other careers. The hours spent with those women informed my later Oscar-winning performance of the call girl Bree Daniel in Klute. Many of those women have since died from drug overdose or suicide. A few went on to marry high-level corporate leaders; some married into nobility. One, who remains a friend, recently told me that Vadim was jealous of her friendship with me, that he had said to her once, “You think Jane’s smart, but she’s not, she’s dumb.” Vadim often felt a need to denigrate my intelligence, as if it would take up his space. I would think that a man would want people to know he was married to a smart woman—unless he was insecure about his own intelligence. Or unless he didn’t really love her.
Jane Fonda (My Life So Far)
In my generation we did a lot of pleasure chasing—we, the generation responsible for today’s twenty-year-olds and thirty-year-olds and forty-year-olds. Before they came into our lives, we were on a pleasure binge, and the need for immediate gratification passed through us to our children. When I got out of the Army in 1944, the guys who were being discharged with me were mostly between the ages of eighteen and thirty. We came home to a country that was in great shape in terms of industrial capacity. As the victors, we decided to spread the good fortune around, and we did all kinds of wonderful things—but it wasn’t out of selfless idealism, let me assure you. Take the Marshall Plan, which we implemented at that time. It rebuilt Europe, yes, but it also enabled those war ruined countries to buy from us. The incredible, explosive economic prosperity that resulted just went wild. It was during that period that the pleasure principle started feeding on itself. One generation later it was the sixties, and those twenty-eight-year-old guys from World War II were forty-eight. They had kids twenty years old, kids who had been so indulged for two decades that it caused a huge, first-time-in-history distortion in the curve of values. And, boy, did that curve bend and bend and bend. These postwar parents thought they were in nirvana if they had a color TV and two cars and could buy a Winnebago and a house on the lake. But the children they had raised on that pleasure principle of material goods were by then bored to death. They had overdosed on all that stuff. So that was the generation who decided, “Hey, guess where the real action is? Forget the Winnebago. Give me sex, drugs, and rock ‘n’ roll.” Incredible mind-blowing experiences, head-banging, screw-your-brains-out experiences in service to immediate and transitory pleasures. But the one kind of gratification is simply an outgrowth of the other, a more extreme form of the same hedonism, the same need to indulge and consume. Some of those same sixties kids are now themselves forty-eight. Whatever genuine idealism they carried through those love-in days got swept up in the great yuppie gold rush of the eighties and the stock market nirvana of the nineties—and I’m afraid we are still miles away from the higher ground we seek.
Sidney Poitier (The Measure of a Man: A Spiritual Autobiography)
Other than James. I knew if I could win him, I would have everything I ever wanted. A husband, kids.” Her voice broke and she lifted a hand to wipe tears from her eyes. “I told him that your mother had moved on. Said she’d never really cared for him.” Ouch. It wasn’t merely that he’d chosen her Ginny over her mother; Ginny really had stolen him. “I take it Mom had done no such thing?” “She was planning to look for a job in Jacksonville when she got out of college. It’s a long drive, but within driving distance of here. She wanted to marry him.” “But you married him first.” Andie didn’t have to ask; she knew. Ginny had married James the spring that her mother had been a junior in college. “She didn’t come for the wedding, of course. Only Mama. Athena had passed away from an overdose a couple months before, and Grandmother wasn’t healthy enough to make the drive.” They’d originally been from a small town in northeast Georgia. Andie’s grandmother hadn’t passed away until Andie was seven, and she and Cassie had never visited her. She seemed to remember Cassie going to the funeral, though. Alone. “Mama couldn’t forgive Cassie for not coming down for the wedding, especially after losing Athena earlier in the year. She didn’t know what had transpired between us.” That made sense. So Cassie had lost the love of her life, her sister, and her mother all at the same time. Not to mention her other sister dying that same year and her father the year before. No wonder she was
Kim Law (Ex on the Beach (Turtle Island, #1))
Women f**k up your head worse than a bottle of tequila [...] they are your drug of choice, your battle with addiction and an overdose waiting to happen.
E.S. Carter (Twenty One (Love by Numbers, #2))
But too many stone rollers still divide themselves between tough love, 12-step models, and the harm reduction model of meeting people where they are with medicine, compassion, and tiny packs of triple antibiotic ointment. Too many still universalize their own personal experience instead of embracing the pluralistic approach that one size never fits all when it comes to addiction. This moment is an historic opportunity to radically rethink addiction care, to do more than give lip service to the throwaway line 'addiction is a disease,' and to treat it like one.
Beth Macy (Raising Lazarus: Hope, Justice, and the Future of America's Overdose Crisis)
Writing Saving My Sister was by far the most difficult yet meaningful and rewarding experience of my life. After losing my sister, Amanda, to a fentanyl overdose in June 2019, I was determined to make her story matter and bring meaning to this horrible tragedy. So many families lose loved ones to this disease, but often suffer in silence or feel ashamed to speak up due to the stigma that surrounds addiction. My goal with this book is to reduce this stigma, bring greater awareness to these types of stories, and ultimately help people in similar situations to mine know they are not alone.
Nicole Woodruff
Music is the only medicine I know of in which overdose is allowed. Its one sound has the power to mend millions of souls and refresh the hopeless at the same time.
Bruce Mbanzabugabo
Poem - Freedom XCIII From the divine orgy The suicidal came But what gods would Be? If not ashes From a forgotten Fenix “I believed in the love Of a fallen angel And as an ashen maggot Which crawls on Christ’s Dirty wounds He stabbed me But the Devil laughed And danced by my side He showed me his helping hand So I could live another day Depression probed me On the house’s dark corners And every time The Devil slept She would come to torment me I screamed and cried in despair But no god could hear me (…) The anxiety would proclaim curses That not even Judas would dare; Bent in my knees With antidepressants in my hands I threw myself at an abysm of a Insanity overdose I crossed the same path as Christ Where he carried the human’s cross And I found him hanged In a tree of lies With a note at his feet- Dance with me And I’ll give you the strength to keep going- Believe in the beast which lives Inside the men And light in you the morning star’s light I got up Drowning in my own blood And proclaimed My scream of freedom- of love! I only want orgies! – From gods I only want the human corruption The deaf depression Which crawled in my disgusting dreams As I proclaimed In front of the mirror of life My desire to live And without noticing She put a rope around my neck… I feel my body struggling In a deep despair Today I die! But I’ll tell Christ That his sons did not honored his suicide Today! I die for myself When the pigs grunt And the wolves howl I’ll be free from life! Which I was condemned to live - Gerson De Rodrigues
Gerson De Rodrigues (Poesias & Maldições Vol.1)
One thing leads to another in this world, Flamen, and we human beings get dragged along like—like dead leaves spinning in the wake of a skimmer. Diablo was saying a while back how you fine down your principles so that a machine can handle them, and pretty soon the person using the machine comes to imagine that this is how it’s always been— there never was a subtler way of thinking. That’s some of where it’s at, but it’s not all by any means. Take the fine expensive home you live in, with its automatic defenses and its mines sown under the lawn like daffodil-bulbs. You shut yourself up behind armor-plate, you shut your mind too. You advertise Guardian traps on your show, don’t you—those steel bands spiked like an Iron Maiden? What’s the mentality of someone who’s prepared to come home from visiting neighbors and find a corpse hung up in the doorway? I say he’s already insane when he commits himself to that course of action, and you don’t have to wait for him to lose his marbles under an overdose of Ladromide before he stops thinking as a responsible mature person ought to! And what’s the reason that’s advanced for acting this way?” He rounded on Reedeth. “You know! You probably have it dinned into you a dozen times a day at your work! ‘Be an individual!’” Conroy contrived to make the slogan sound obscene. “And what’s this been twisted into? The biggest Big Lie in history! It’s no use making your life so private you refuse to learn from other people’s experience—you just get stuck in a groove of mistakes you need never have made. We have more knowledge available at the turn of a switch than ever before, we can bring any part of the world into our own homes, and what do we do with it? Half the time we advertise goods people can’t afford, and anyhow they’ve got the color and hold controls adrift because the pretty patterns are fun to look at when you’ve bolted and barred your mind with drugs. Split! Divide! Separate! Shut your eyes and maybe it’ll go away! “We mine our gardens, we close our frontiers, we barricade our cities with Macnamara lines to shut off black from white, we divide, divide, divide!” A stamp emphasized each repetition of the word. “It gets into our families, goddamn it, it gets into our very love-making! Christ, do you know I had a girl student last year who thought she was having an affair with a boy back home and all they’d ever done was sit in front of the comweb and masturbate at each other? Twenty miles apart! They’d never even kissed! We’re going insane, our whole blasted species—we’re heading for screaming ochlophobia! Another couple of generations and husbands will be afraid to be alone in the same room with their wives, mothers will be afraid of their babies, if there are any babies!
John Brunner (The Jagged Orbit)
I still don't know to this day how she managed to climb the 94 stairs; she was dying from an overdose. The gate at the bottom of the stairwell did not make a sound when she entered the building, being so ill and alone. It was odd. Where could she have been? Almost as if she had been dropped off at my doorstep like a package silently by a (Polish) giant. She was pale and could barely open the door with her keys. When she entered, she fell into my arms; she was drunk and high, her legs buckling so that she couldn't stand. I tried to figure out what she had taken and what she had drunk, but she could barely talk; her eyes were rolling back in her skull. She was crying with her head in the toilet bowl, unable to stop the cramps running through her insides and her entire body shaking. - What did you drink? - Two … beers. - I am not your father. What did you take? Where have you been? - Beers and tequila - she mumbled, saliva drooling out of her mouth and her head hanging down like she was dead already. Then I asked her what else she had taken. She still wouldn't answer, so I repeated. - Answer me Martina, who gave it to you?! - I shouted. - Where have you been?! But she didn't answer, and her condition was critical, so I had to rush her to the hospital in my arms as she was about to lose consciousness. I had to grab her and take her to the closest hospital across Parallel, two blocks away. This was the first time I had taken her to the hospital since she'd split her chin by falling off my bicycle allegedly before, although it wasn't the last. Interestingly, whenever she got involved with a new group of criminals, she wound up in the hospital both times, and both times I took her there. She had no energy to lift her head out of the toilet bowl. As soon as I entered the hospital with her, the staff and I had to put her in a wheelchair. They took her inside and 20 minutes later when I was sitting by her bed, she already felt better with an IV dripping slowly into her vein, but she was unable to move; she was lying in her hospital bed, barely able to open her eyes to look at me. She was between life and death, or between real life and just a dream. I remembered less than a year earlier she was so full of life and happy and healthy when I put her up on that set of chairs that night when we took off the 'for sale' sign. The doctors told me after she fell asleep that they wanted to rinse her stomach, but she didn't authorize that. I was not fully aware that she was on drugs time to time or all the time and with what kind of people she was associated with. She almost only showed up at home in September 2014 when she overdosed. I was in love and worried for her so much, so I filled out the forms while they treated her in the hospital. I prayed to God to save her, asking for Him to show her the Truth. All I had was a prayer—50/50 if it worked. And I remembered that two years before, I had prayed for the life of our kitten Sabrina was playing with, making friends. This time, however, I had to rush to the hospital, not the vet, with my 20-year-old girlfriend who would soon be 21 in October 2014. And I felt like Sabrina, trying to make friends again but by the wrong people was the reason why I, an atheist, was praying for a puppy or a kitten or a bunny's life this time again. I didn't know that lies and secrets were eating away at her from deep inside once in a while as well, it wasn't just the drugs that were killing her insides like cancer. Just like her brother's intestines silently began to consume him and her, unbeknownst to them, but I could almost sense it like a dog if I could not see it, smell it inside them like X-ray. They were unaware of what my eyes had seen, as I watched their vibrations and faces silently change.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Some people talk about their PTSD as if it's a badge of honor, and I roll my fucking eyes. I'm not trying to be the PDST-esy of them all. I ignored it for a really long time. I overdosed at seventeen. I had no home for a little while. Every night I have nightmares. It's gonna end my marriage, too. I want it to end. He can't stomach my suffering and hates that he can't help me and doesn't want to do what will actually end this era. I think he loves me too much to see me in pain, and the pain he does see reminds him of his own, which is just as fucked as mine. Why can't just fucking let me cry? When the men came over, they would drug me, and I still crave those drugs to this day. Every man I look at either reminds me if those men or they don't. All men are mirrors. Whether they want to be or not. I think about those men all the time. (117)
Kyle Dillon Hertz (The Lookback Window)
Love was an addiction and overdosing on it left bad toxicology reports, destruction, and fatalities.
Shain Rose (Inevitable (Stonewood Brothers, #1))
Love, if it is in harmony with two people, is the only overdose people don’t look forward to being cured from
Kenan Hudaverdi
Love, if it is in harmony with two people, it is the only overdose people who love, loves to overdose on
Kenan Hudaverdi
Love, if it is in harmony with two people, is the only overdose people love to overdose on
Kenan Hudaverdi
CHAPTER THIRTY-FOUR Based on the evidence found at the crime scene and the toxicology report, we can confidently conclude the victim overdosed from being poisoned by two love potions. We’ve identified Baldwin Tillery as one of the culprits. However, the other is unknown. —Ifrah Yousuf, chief of the Witcher Crime Task Force Audio excerpt from press debriefing
Bethany Baptiste (The Poisons We Drink)
An overdose of love is logically consistent curative.
Kristian Goldmund Aumann (Love Poems: Love Conquers All)
It is my belief that we're currently in the middle of a cultural overdose on authenticity - but without the necessary companion of vulnerability. I love that we're all being so authentic and genuine. But to me, the best connections come when we pair that authenticity of thoughts, feelings, and beliefs with the vulnerability of why we believe them.
Knox McKoy
Mid June 2012 …Young, as time passed, I missed you more than ever. My exasperation with Toby festered with each passing day. When I finally could not tolerate our tempestuous relationship, I confronted the young man. After a heated emotional argument, Toby left our unfinished discussion in a state of vexation. I did not realize he was using the age-old psychological threat of overdosing himself to obtain my attention. I found him unconscious, foaming at the corner of his mouth from consuming an entire bottle of sleeping pills. He was rushed to hospital. I would not have been able to live with my guilt if Toby had died. He recovered from this ordeal, but my respect for him had plummeted. Instead of loving him, I felt sorry and pitied him. This was a malignant sign of what was to come. To appease him, we often kissed and made up after impassioned disputes. I made false promises that I had no intention of keeping. These desolate pledges soon dissolved into self-abhorrence. I had allowed myself to be trapped into a situation, and I could not figure out a solution. Throughout this ordeal, I threw myself into my engineering studies, channeling my unhappiness into what I enjoyed best. I could not give myself fully to the boy, and had little respect for him. When we made love, I shut him out. Instead, I saw you in our sexual liaisons. Toby was merely a vehicle to satisfy my sexual desires to be with you. Throughout the years we were together, it was you I made love to, not Toby or anyone else. I could not and would not release you from my mind. The pain of losing you was too oppressive, until the fateful day I suffered a nervous breakdown. I ended up in a hospital, in the psychiatric ward. Aria and Ari came to nurse me back to health. Aria stayed for two weeks until I could commence classes again. I knew I had to get away from this toxic relationship. The day I graduated I enrolled in a postgraduate program in Alberta, Canada. I desired to be as far away from New Zealand as possible; I needed to be away from Toby and to find myself again. I finally had a solid and legitimate excuse to separate from the boy. I was glad when Toby’s parents demanded their son’s return to the Philippines after his graduation so that he could take over his father’s business. Toby did not wish to return to Manila, but had no choice. His father threatened to cut off his financial support if he did not return. Thanks to universal intervention, my freedom was restored. I began a new life in Canada. That, my dearest Young, was the beginning of a new chapter in my life. The rest will be revealed to you in our next correspondence. For now, be happy, be well, and most importantly, be you at all times: the Young whom I love and cherish. Andy, Xoxoxo
Young (Unbridled (A Harem Boy's Saga, #2))
The best advice I got came from a colleague I didn’t know very well—or at least, not well enough to know that she once had a boyfriend who had a drug problem. When she told me about her ex, I instantly recognized the relationship she described, the intensity of his affection eventually trumped by the upheaval of his constant drama. The way she put it seemed so simple: “I realized I had to choose his life or mine.” I understood that decision—it was exactly how I felt after I bailed Graham out of Rikers. But there was one question that still troubled me, more as a moral dilemma most of us don’t want to face: What happens to these addicts after the sober, sane people in their lives leave them? We all know the answer: Many of them don’t get better. We lock them up, or they overdose and die.
Susan Stellin (Chancers: Addiction, Prison, Recovery, Love: One Couple's Memoir)
I was in the living situation that I was in because eleven years ago my mother died due to a cocaine overdose. When I was living with my mom, the situation wasn’t any better.
Diamond D. Johnson (Little Miami Girl: Antonia and Jahiem's Love Story)
Scores of people killed themselves, or tried to, rather than face that journey into the unknown. There were a reported 430 suicides and 252 suicide attempts in Terezín between 1941 and 1943 – most of them during the transports. Those who couldn’t face leaving their loved ones jumped from windows, slashed their wrists, hanged themselves, or took overdoses of barbiturates stolen or bought from the infirmary.
Wendy Holden (Born Survivors: Three Young Mothers and Their Extraordinary Story of Courage, Defiance, and Hope)
more people die from prescription drug overdoses than from heroin, cocaine, and methamphetamine drug use combined.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
It came back even worse when Imelda was pregnant with Cass. Now he had something to lose. He couldn’t just climb out the window and run. He couldn’t take an overdose or put a plastic bag over his head, couldn’t simply let himself be annihilated. He would have to fight, he would have to try to protect them, even though he knew it was impossible to win. You couldn’t protect the people you loved – that was the lesson of history, and it struck him therefore that to love someone meant to be opened up to a radically heightened level of suffering. He said I love you to his wife and it felt like a curse, an invitation to Fate to swerve a fuel truck head-on into her, to send a stray spark shooting from the fireplace to her dressing gown. He saw her screaming, her poor terrified face beneath his, as she writhed in flames on the living-room carpet. And the child too! Though she hadn’t yet been born, she was there too. All night he listened to her scream in his head – he couldn’t sleep from it, he just lay there and sobbed, because he knew he couldn’t protect her, couldn’t protect her enough –
Paul Murray (The Bee Sting)