Outlandish Quotes

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I'm checking my pockets for spare words and sentences but I'm finding none, not an adverb, not a preposition or even a dangling participle because there doesn't exist a single response to such an outlandish request.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth. Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself. It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.
Carson McCullers (The Ballad of the Sad Café and Other Stories)
When ideas evaporate, when shapes fade and forms lose their integrity, our imagination can create an outlandish setting and convert everything into a hazy, misty Turner landscape. ("Back garden of a dream")
Erik Pevernagie
For outlandish creatures like us, on our way to a heart, a brain, and courage, Bethlehem is not the end of our journey but only the beginning - not home but the place through which we must pass if ever we are to reach home at last.
Frederick Buechner (The Magnificent Defeat)
Art makes the familiar strange so that it can be freshly perceived. To do this it presents its material in unexpected, even outlandish ways: the shock of the new.
Victor Shklovsky
The truly gifted negotiator, then, is one whose initial position is exaggerated enough to allow for a series of concessions that will yield a desirable final offer from the opponent, yet is not so outlandish as to be seen as illegitimate from the start.
Robert B. Cialdini (Influence)
I didn't want to tell the story of what makes two people come together, although that's a theme of great power and universality. I wanted to find out what it takes for two people to stay together for fifty years -- or more. I wanted to tell not the story of courtship, but the story of marriage.
Diana Gabaldon (The Outlandish Companion)
Sooner or later, all conspiracy theories, no matter how outlandish, must eventually rest a certain set of facts. And facts can be checked.
Vincent Bugliosi (Reclaiming History – The Assassination of John F Kennedy)
Remember, it’s easier to believe an outlandish lie confirming what you suspect than the most obvious truth that denies it,
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
It's easier to believe the most outlandish lie that confirms what you suspect than the most obvious truth that denies it.
Michael J. Sullivan (Age of Swords (The Legends of the First Empire, #2))
I'll always have and be nothing." Andrew reached up and forcibly uncurled Neil's fingers from his mouth. He pushed Neil's hand out of the way and stared Neil down with nothing between them. Neil didn't understand the look on his face. There was no censure over Neil's crooked parents or pity for their deaths, no triumph over having backed Neil into admitting so much, and no obvious skepticism for such an outlandish story. Whatever this look was, it was dark and intense enough to swallow Neil whole.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
We wish to learn all the curious, outlandish ways of all the different countries, so that we can "show off" and astonish people when we get home. We wish to excite the envy of our untraveled friends with our strange foreign fashions which we can't shake off.
Mark Twain (The Innocents Abroad, Or, the New Pilgrims' Progress)
For all its rooted loveliness, the world has no continuing city here; it is an outlandish place, a foreign home, a session in via to a better version of itself-and it is our glory to see it so and to thirst until Jerusalem comes home at last. We were given appetites, not to consume the world and forget it, but to taste its goodness and hunger to make it great.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
I'm very much to blame for not seeing it before, but who on earth goes about suspecting an impossible outlandish thing like murder? That's something that happens in books, not among people you know.
Mary Stewart (Nine Coaches Waiting)
The most outlandish people can be the stimulus for love...A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself. It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many.
Carson McCullers
It is, perhaps, a better thing to be valued only as an object of passion than never to be valued at all. I had never been so absolutely the mysterious other. I had become a kind of phoenix, a fabulous beast; I was an outlandish jewel.
Angela Carter (Burning Your Boats: The Collected Short Stories)
The bread and the pastry, the cheeses and wine, and the sugar go into the Supper of the lamb because we do. It is our love that brings the city home. It is I grant you, an incautious and extravagant hope. But only outlandish hopes can make themselves at home.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
...empty women, who strive for no good but exist to adorn themselves...These women of majestic pride, fantastic coiffures, outlandish ornament, and necks bound with gold or pearls bear the glittering symbols of their captivity to men.
Laura Cereta
Stop telling such outlandish tales. Stop turning minnows into whales.
Dr. Seuss (And to Think That I Saw It on Mulberry Street)
When she talked, she could hardly keep herself from telling the most outlandish tales, as though her tongue could not tell the difference between truth and falsehoods. She began to trade in stories and lies herself, and while the other children delighted in her tales—so full of whimsy and enchantment—the elders knew better.
Marissa Meyer (Gilded (Gilded, #1))
This is an outlandish notion only if you don’t know how a person can destroy you by the simple act of disappearing.
Lisa Taddeo (Three Women)
So exiled have even basic questions of freedom become from the political vocabulary that they sound musty and ridiculous, and vulnerable to the ultimate badge of shame-'That's so 60's!'-the entire decade having been mocked so effectively that social protest seems outlandish and 'so last century,' just another style excess like love beads and Nehru jackets. No, rebellion won't pose a problem for this social order.
Laura Kipnis (Against Love: A Polemic)
It was Gideon who finally broke the silence, which gave me a certain satisfaction. “What’s the matter? Cat got your tongue?” The way he asked, he sounded almost embarrassed. “What?” “It’s what my mother always used to when I was little. If I was looking straight ahead and saying nothing, like you right at this moment.” “You have a mother?” Only when I’d said it did I realize what a silly question it was! Oh, for heaven’s sake! Gideon raised one eyebrow. “What did you expect?” he asked, amused. “You thought I was an android put together by Uncle Falk and Mr. George?” “Well, it’s not such an outlandish idea. Do you have photos of yourself as a baby?” Trying to imagine a baby Gideon with a round, soft plump-cheeked face and a bald head made me grin.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
The truly gifted negotiator, then, is one whose initial position is exaggerated enough to allow for a series of reciprocal concessions that will yield a desirable final offer from the opponent, yet is not so outlandish as to be seen as illegitimate from the start.
Robert B. Cialdini (Influence: The Psychology of Persuasion (Collins Business Essentials))
We have held the peculiar notion that a person or society that is a little different from us, whoever we are, is somehow strange or bizarre, to be distrusted or loathed. Think of the negative connotations of words like alien or outlandish. And yet the monuments and cultures of each of our civilizations merely represent different ways of being human. An extraterrestrial visitor, looking at the differences among human beings and their societies, would find those differences trivial compared to the similarities.
Carl Sagan (Cosmos)
We need heroes, however outlandish, because although we might not be slaying real dragons, we all have our quests.
Russ Thorne
She smiled and sipped from her glass. There was altogether too much of her sitting there, the broad expanse of thigh cradled in the insubstantial stocking and the garters with the pale flesh pursed and her full breasts and the sootblack piping of her eyelids, a gaudish rake of metaldust in prussian blue where cerulean moths fluttered her awake from some outlandish dream. Suttree gradually going awash in the sheer outrageous sentience of her. Their glasses clicked on the tabletop. Her hot spiced tongue fat in his mouth and her hands all over him like the very witch of fuck.
Cormac McCarthy (Suttree)
We are *all* we are, and all in a sense we care to dream we are. And for that matter, anything outlandish, bizarre, is a godsend in this rather stodgy life. It is after all just what the old boy said – it's only the impossible that's credible; whatever credible may mean...
Walter de la Mare (The Return)
Judging by his outlandish attire, he's some sort of free-thinking anarchist.
Matt Groening
I mean, it’s ridiculous,” Dhuey says. “It’s outlandish that our arbitrary choice of cutoff dates is causing these long-lasting effects, and no one seems to care about them.
Malcolm Gladwell (Outliers: The Story of Success)
Surely among the many outlandish successes of AMRV is that it has eradicated from human beings our original sin: hope. But I don’t have AMRV, which means I still suffer from the cruelest disease of our species, terminal aspiration.
John Green (Zombicorns)
Always so deliberate, hardly surprised by the most outlandish advents. A creation perfectly evolved to meet its own end. They sat at the window and ate in their robes by candlelight a midnight supper and watched distant cities burn.
Cormac McCarthy (The Road)
Children in the future were going to insist my adventures were too outlandish—and therefore I wasn’t an actual historical person, but one that was obviously made up, like Gilgamesh or David Bowie.
Brandon Sanderson (Cytonic (Skyward, #3))
Where I'm going, anything may happen. Nothing may happen. Maybe I will marry a middle-aged widower, or a longshoreman, or a cattle-hoof-trimmer, or a barrister or a thief. And have my children in time. Or maybe not. Most of the chances are against it. But not, I think, quite all. What will happen? What will happen. It may be that my children will always be temporary, never to be held. But so are everyone's. I may become, in time, slightly more eccentric all the time. I may begin to wear outlandish hats, feathered and sequinned and rosetted, and dangling necklaces made from coy and tiny seashells which I've gathered myself along the beach and painted coral-pink with nail polish. And all the kids will laugh, and I'll laugh, too, in time. I will be light and straight as any feather. The wind will bear me, and I will drift and settle, and drift and settle. Anything may happen, where I'm going.
Margaret Laurence (A Jest of God)
Do What?' 'Lie,' he said. 'Why do you fabricate these outlandish stories?' 'Well,' I wanted to say, 'there are those of us who create because all around us, things visible and invisible are crumbling. We are like the stonemasons of Babylon, forever working, as it says in Jeremiah, to shore up the city of walls.' I didn't say that, of course. What I did say was: 'I don't know.
Alan Bradley (I Am Half-Sick of Shadows (Flavia de Luce, #4))
We lack - we need - a term for those places where one experiences a 'transition' from a known landscape... into 'another world': somewhere we feel and think significantly differently. They exist even in familiar landscapes: there when you cross a certain watershed, recline or snowline, or enter rain, storm or mist. Such moments are rites of passage that reconfigure local geographics, leaving known places outlandish or quickened, revealing continents within counties.
Robert Macfarlane (The Old Ways: A Journey on Foot)
I myself was to experience how easily one is taken in by a lying and censored press and radio in a totalitarian state. Though unlike most Germans I had daily access to foreign newspapers, especially those of London, Paris and Zurich, which arrived the day after publication, and though I listened regularly to the BBC and other foreign broadcasts, my job necessitated the spending of many hours a day in combing the German press, checking the German radio, conferring with Nazi officials and going to party meetings. It was surprising and sometimes consternating to find that notwithstanding the opportunities I had to learn the facts and despite one’s inherent distrust of what one learned from Nazi sources, a steady diet over the years of falsifications and distortions made a certain impression on one’s mind and often misled it. No one who has not lived for years in a totalitarian land can possibly conceive how difficult it is to escape the dread consequences of a regime’s calculated and incessant propaganda. Often in a German home or office or sometimes in a casual conversation with a stranger in a restaurant, a beer hall, a café, I would meet with the most outlandish assertions from seemingly educated and intelligent persons. It was obvious that they were parroting some piece of nonsense they had heard on the radio or read in the newspapers. Sometimes one was tempted to say as much, but on such occasions one was met with such a stare of incredulity, such a shock of silence, as if one had blasphemed the Almighty, that one realized how useless it was even to try to make contact with a mind which had become warped and for whom the facts of life had become what Hitler and Goebbels, with their cynical disregard for truth, said they were.
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
It is no sign of benediction to have been obsessed with the lives of saints, for it is an obsession intertwined with a taste for maladies and hunger for depravities. One only troubles oneself with saints because one has been disappointed by the paradoxes of earthly life; one therefore searches out other paradoxes, more outlandish in guise, redolent of unknown truths, unknown perfumes...
Emil M. Cioran
To all those who struggle in the darkness, who persevere in perception, waiting for the ice to thaw in their outlandish territories. May inspiration breathe upon your souls. Keep Fighting. - Dedication in Hot Pink Peach
Henry Virgin (Hot Pink Peach)
As the instinctual nature of the bird dictates the building of a nest, so the instinctual nature of the in-love experience pushes us to do outlandish and unnatural things for each other.
Gary Chapman (The Five Love Languages: How to Express Heartfelt Commitment to Your Mate)
And if this seems strange to you—that, under these difficult, frightening, and outlandish circumstances, children might be happy...well, then you don't know all that much about children.
Adam Gidwitz (The Grimm Conclusion (A Tale Dark & Grimm, #3))
....or drive up to his parents' house, one of you plugging into the car's stereo an outlandish playlist, with which you would both sing along, loudly, being extravagantly silly as adults the way you never were as children. As you got older, you realize that really, there were very few people you truly wanted to be around for more than a few days at a time, and yet here you were with someone you wanted to be around for years, even when he was at his most opaque and confusing.
Hanya Yanagihara (A Little Life)
Once you have rid yourself of the affliction there, though, every change of scene will become a pleasure. You may be banished to the ends of the earth, and yet in whatever outlandish corner of the world you may find yourself stationed, you will find that place, whatever it may be like, a hospitable home. Where you arrive does not matter so much as what sort of person you are when you arrive there.
Seneca (Letters from a Stoic)
This is a story that could only have taken place in the tropics, where the climate draws sea rovers, pirates, and desperadoes from all corners of the world. They come and go, these adventurers, bedazzled and dazzling, and they leave women behind, lovers, who repeat outlandish tales, murmuring to themselves unheard, and if heard, not believed ...
Margaret Cezair-Thompson (The Pirate's Daughter)
When we give ourselves permission to go wherever our outlandish thoughts take us, we feel that rush of creativity and excitement.
Teresa R. Funke, Bursts of Brilliance for a Creative Life blog
Hatter was dressed in his outlandish clothes again and her heart beamed with pride. “You know,” she said, “you’re all sorts of perfect.” He smiled, but she saw pleasure in his eyes.
Marie Hall (Her Mad Hatter (Kingdom, #1))
In the age of social media, cyber trolls, and fake news, it is a national and global crisis that people so readily follow their feelings to embrace outlandish stories about their enemies. A community in which members hold one another accountable for using evidence to substantiate their assertions is a community that can, collectively, pursue truth in the age of outrage.
Jonathan Haidt (The Coddling of the American Mind: How Good Intentions and Bad Ideas Are Setting up a Generation for Failure)
The Eye-Mote Blameless as daylight I stood looking At a field of horses, necks bent, manes blown, Tails streaming against the green Backdrop of sycamores. Sun was striking White chapel pinnacles over the roofs, Holding the horses, the clouds, the leaves Steadily rooted though they were all flowing Away to the left like reeds in a sea When the splinter flew in and stuck my eye, Needling it dark. Then I was seeing A melding of shapes in a hot rain: Horses warped on the altering green, Outlandish as double-humped camels or unicorns, Grazing at the margins of a bad monochrome, Beasts of oasis, a better time. Abrading my lid, the small grain burns: Red cinder around which I myself, Horses, planets and spires revolve. Neither tears nor the easing flush Of eyebaths can unseat the speck: It sticks, and it has stuck a week. I wear the present itch for flesh, Blind to what will be and what was. I dream that I am Oedipus. What I want back is what I was Before the bed, before the knife, Before the brooch-pin and the salve Fixed me in this parenthesis; Horses fluent in the wind, A place, a time gone out of mind. --written 1959
Sylvia Plath (The Colossus and Other Poems)
Drest had made a careful study of the Discordian philosophy and realized it was the kind of outlandish nonsense that would appeal to the kind of people who made all the trouble in history-brilliant, intellectual, slightly deranged dope fiends and oddball math-and-technology buffs.
Robert Anton Wilson (Schrödinger's Cat Trilogy)
Thy life's journey lies along its own path, Ian," she said, "and I cannot share thy journey - but I can walk beside thee. And I will." The woman standing behind them in the line heaved a deep, contented sigh. "Now, that's a very pretty and right thing to say, sweetheart," she said to Rachel, in approving tones. And, switching her gaze to Ian, looked him skeptically up and down. He was dressed in buckskins, clout, and calico shirt, and, bar the feathers in his hair and the tattoos, didn't look too outlandish, he thought. "You probably don't deserve her," the woman said, shaking her head doubtfully. "But try, there's a good lad.
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
But the future reaches out to us, as does the past, and all times are the present.
Diana Gabaldon (The Outlandish Companion)
A woman once of some height, she is bent small, and the lingering strands of black look dirty in her white hair. She carries a cane, but in forgetfulness, perhaps, hangs it over her forearm and totters along with it dangling loose like an outlandish bracelet. Her method of gripping her gardener is this: he crooks his right arm, pointing his elbow toward her shoulder, and she shakily brings her left forearm up within his and bears down heavily on his wrist with her lumpish freckled fingers. Her hold is like that of a vine to a wall; one good pull will destroy it, but otherwise it will survive all weathers.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
Jamie was a much a sponge as his grandson, I reflected, watching him rootle about, completely naked and totally unconcerned about it. He took in everything, and seemed able to deal with whatever came his way, no matter how familiar or foreign to his experience. Anything he could not defeat, outwit, or alter, he simply accepted-rather like the sponge and its embedded shell. Pursuing the analogy further, I supposed I was the shell. Snatched out of my own small niche by an unexpected strong current, taken in and surrounded by Jamie and his life. Caught forever among the strange currents that pulsed through this outlandish environment.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
Spending $100 million on a fancy gym is completely unremarkable in contemporary American higher education. Yet $10 million for a really good online biology course that could serve millions of students is seen as an outlandish, unaffordable expense.
Kevin Carey (The End of College: Creating the Future of Learning and the University of Everywhere)
It was not a very prepossessing accessory for all it's serviceability, being both outlandish in design and indifferent in shape. It was a drab slate gray color, with cream ruffle trim, and it had a shaft in the new ancient-Egyptian style that looked rather like an elongated pineapple. Despite it's many advanced attributes, Lady Maccon's most common application of the parasol was through brute force enacted directly upon the cranium of an opponent. It was a crude and perhaps undignified modus operandi to be certain but it had worked so well for her in the past that she was loathe to rely too heavily on any of the newfangled aspects of her parasol's character. 
Gail Carriger (Blameless (Parasol Protectorate, #3))
Addicts are good at lying, but never as good as their children. It's their sons and daughters who have to come up with excuses, never too outlandish or incredible, always mundane enough for no one to want to check them. An addict's child's homework never gets eaten by the dog, they just forgot their backpack at home. Their mom didn't miss parents' evening because she was kidnapped by ninjas, but because she had to work overtime. The child doesn't remember the name of the place she's working, it's only a temporary job. She does her best, Mom does, to support us now that Dad's gone, you know. You soon learn how to phrase things in such a way as to preclude any follow-up questions. You learn that the women in the welfare office can take you away from her if they find out she managed to set fire to your last apartment when she fell asleep with a cigarette in her hand, or if they find out she stole the Christmas ham from the supermarket. So you lie when the security guard comes, you take the ham off her, and confess: 'It was me who took it.' No one calls the police for a child, not when it's Christmas. So they let you go home with your mom, hungry but not alone.
Fredrik Backman (Anxious People)
Making mistakes means you’re learning, growing, pushing… that you yearn for something and aren’t afraid to chase after it. You’re being creative and contributing to this world, even if it doesn’t work out as you hoped. Go ahead and make mistakes. For once in your life, quit playing it safe and make some spectacular mistakes… Make glorious mistakes that will echo through the ages. Make mistakes that no one has ever thought of! Don’t limit yourself, no matter how outlandish. Reach out and strive for something beyond all dreams.
Elizabeth Camden (Beyond All Dreams)
Mrs. Vice turned to the weddings page. She liked to look at the smiling brides and imagine how miserable they would soon be.
Kelly Easton (The Outlandish Adventures of Liberty Aimes)
Gulls, aeroplaning above the chimney pots, were calling that he must talk to Laura about his plans. He needed no telling, for once in tune to their outlandish cries.
Alan Sillitoe (The German Numbers Woman)
That word love... it was scary and outlandish to him. But what was life if not a long series of scary and outlandish things you did and said and asked of your heart, so you could carry the wild and unreasonable hope that someday someone would hold your face and say, You are perfect. You can rest now. You were always perfect to me. Not because you were even remotely close to perfect, or brave, or strong, or even very good, but because you had been very dear friends for a very long time.
Rebecca Kauffman (The Gunners)
We have held the peculiar notion that a person or society that is a little different from us, whoever we are, is somehow strange or bizarre, to be distrusted or loathed. Think of the negative connotations of words like alien or outlandish. And yet the monuments and cultures of each of our civilizations merely represent different ways of being human. An extraterrestrial visitor, looking at the differences among human beings and their societies, would find those differences trivial compared to the similarities. The Cosmos may be densely populated with intelligent beings. But the Darwinian lesson is clear: There will be no humans elsewhere. Only here. Only on this small planet. We are a rare as well as an endangered species. Every one of us is, in the cosmic perspective, precious. If a human disagrees with you, let him live. In a hundred billion galaxies, you will not find another.
Carl Sagan (Cosmos)
Men make horror films about fantastic creatures and outlandish villains and beautiful victims. Women make horror films about what happens when the wrong guy gets into your car. You ever wonder why that is?” Another flick of his fingers. “That’s a grotesque mischaracterization.” I silently agreed with him. Sometimes women also make horror films about what happens when the wrong guy gets into your house.
Elizabeth Little (Pretty as a Picture)
I looked at him, tipping down the coarse wine like a man who expects to put up with worse. I felt I was looking my last at the lad I still remembered. I was right. When I saw him again, it was five years later, and not in Athens. He was tanned like the thong of a javelin, and as tough as the shaft, a soldier who looked to have been cradled in a shield; but the oddest change, I think, was to see in one always so mindful of convention that careless outlandishness you find in irregular troops of great renown; men who seem to say, "Take it or leave it, you who never went where we have been. We are the only judges of one another.
Mary Renault (The Last of the Wine)
Moshup made this island He dragged his toe through the water and cut this land from the mainland." He went on then, with much animation, to relate a fabulous tale of giants and whales and shape-shifting spirits. I let hi speak, because I did not want to vex him, but also because I liked to listen to the story as he told it, with expression and vivid gesture. Of course, I thought it all outlandish. But... it came to me that our story of a burning bush and a parted sea might also seem fabulous, to one not raised up knowing it was true.
Geraldine Brooks (Caleb's Crossing)
The most outlandish people can be the stimulus for love. . . . A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself. It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many.  
Carson McCullers
Liberty clutched him tightly. 'You played a part in my destiny. And maybe I played a part in yours.' That was how things worked, she was beginning to realize. Destiny wasn't something you accomplished by yourself.
Kelly Easton (The Outlandish Adventures of Liberty Aimes)
Einstein's theory, experimentally corroborated for the last hundred years, regardless of how outlandish and opposed to our prejudices (disguised as they are with the 'common sense' costume), is rational, consistent, and intelligible to the layperson - if s/he has the audacity of accepting the unfounded nature of those prejudices.
Felix Alba-Juez (Galloping with Light - The Special Theory of Relativity (Relativity free of Folklore #6))
And so went the rest of our conversation, with me having to constantly stop and explain what I’d just said. Each time, Dorian had some gentry equivalent for whatever I described. Some were more far-fetched than others, like when he said he was certain gorging on cake all day would achieve the same results as a blood-sugar test. He also had a very complicated explanation about how balancing a chicken in a tree was a well-established gentry method of determining gender. I was almost certain he knew there was no real equivalent to half the things I told him about and that he was making most of this up on the spot. He was simply trying to entertain me with the outlandish.
Richelle Mead (Shadow Heir (Dark Swan, #4))
At any time in history, gazillions of lives are being lived simultaneously. In Zimbabwe, Thailand, Tasmania, and Borneo, in the poorest hovel and the richest palace, in the sky and on the moon, the lives of ants, plants, gorillas, and people are going on. But we are generally fixated on that infinitesimal thing in the scope of the universe, ourselves.
Kelly Easton (The Outlandish Adventures of Liberty Aimes)
The Trump campaign had, perhaps less than inadvertently, replicated the scheme from Mel Brooks’s The Producers. In that classic, Brooks’s larcenous and dopey heroes, Max Bialystock and Leo Bloom, set out to sell more than 100 percent of the ownership stakes in the Broadway show they are producing. Since they will be found out only if the show is a hit, everything about the show is premised on its being a flop. Accordingly, they create a show so outlandish that it actually succeeds, thus dooming our heroes.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Positively, the delinquent behavior seems to speak clearly enough. It asks for what we can’t give, but it is in this direction we must go. It asks for manly opportunities to work, make a little money, and have self-esteem; to have some space to bang around in, that is not always somebody’s property; to have better schools to open for them horizons of interest; to have more and better sex without fear or shame; to share somehow in the symbolic goods (like the cars) that are made so much of; to have a community and a country to be loyal to; to claim attention and have a voice. These are not outlandish demands. Certainly they cannot be satisfied directly in our present system; they are baffling. That is why the problem is baffling, and the final recourse is to a curfew, to ordinances against carrying knives, to threatening the parents, to reformatories with newfangled names, and to 1,100 more police on the street.
Paul Goodman (Growing Up Absurd: Problems of Youth in the Organized System)
I will own I was somewhat afraid of them although they were not, as you may imagine, wild Comanches with painted faces and outlandish garb but rather civilized Creeks and Cherokees and Choctaws from Mississippi and Alabama who had owned slaves and fought for the Confederacy and wore store clothes. Neither were they sullen and grave. I thought them on the cheerful side as they nodded and spoke greetings.
Charles Portis (True Grit)
And it is in New York I have those strangest things of all: human friendships. Not many friendships and not of spent familiarities: for I don't like actual human beings too much around me. But yet friendships made of the edges of thoughts and vivid pathos and pregnant odds and ends of nervous human flesh and fire. It is in New York I go to the apartment of a Friend at the end of an afternoon. In the apartment are some persons having tea, men and women. The Friend greets me at the door. She wears maybe a dress of thin dark and light silk, shaped in the quaint outlandish fashion of the hour. And she has shrewd kindly eyes like a Rembrandt portrait, and a worn New-York-ish Latin-ish brain and heart both of which are made of steel, sparkle and the very plain red meat of living. She says, 'Hello-Mary-Mac-Lane,' and clasps my hand, and we exchange a glance of no real understanding at all but suggesting warmed challenge of personality, and an oblique sweet call of depth to depth, and of friendship which by mere force of preference and of our separate quality and calibre is true rather than false. So close and no closer may friendship be. And friendship with-all, is closer than any love. It is the closest human beings ever come to meeting.
Mary MacLane (I, Mary MacLane: A Diary of Human Days)
What in Bursin’s holy name is that?” he snarled. If it were possible to die of embarrassment, Martise was sure she wouldn’t survive the next few minutes.  “I was singing.” His eyebrows rose almost to his hairline.  “Singing.  Is that what you call it?  It sounded like someone was torturing a cat.” “I thought I might work faster if I sang.”  She wiped the perspiration from her forehead with a gloved hand and regretted the action.  The swipe of citrus oil she’d left on her skin burned.  Cael continued to howl, and a door shut with a bang. "That will be Gurn coming to rescue us from whatever demon he thinks is attacking."  The branch supporting Silhara creaked as he adjusted his stance and leaned closer to her.  “Tell me something, Martise.”  A leaf slapped him in the eye, and he ripped it off its twig with an irritated snap.  “How is it that a woman, blessed with a voice that could make a man come, sings badly enough to frighten the dead?” She was saved from having to answer the outlandish question by the quick thud of running footsteps.  Silhara disappeared briefly from view when he bent to greet their visitor.  Unfortunately, his answers to Gurn’s unspoken questions were loud and clear. “That was Martise you heard.  She was…singing. “Trust me, I’m not jesting.  You can unload your bow.” His next indignant response made her smile.  “No, I wasn’t beating her!  She’s the one tormenting me with that hideous wailing!” Martise hid her smile when he reappeared before her.  His scowl was ferocious.  “Don’t sing.”  He pointed a finger at her for emphasis.  “You’ve scared my dog, my birds and my servant with your yowling.”  He paused.  “You’ve even managed to scare me.
Grace Draven (Master of Crows (Master of Crows, #1))
We wish to learn all the curious, outlandish ways of all the different countries, so that we can "show off" and astonish people when we get home. We wish to excite the envy of our untraveled friends with our strange foreign fashions which we can't shake off. All our passengers are paying strict attention to this thing, with the end in view which I have mentioned. The gentle reader will never, never know what a consummate ass he can become, until he goes abroad.
Mark Twain (The Innocents Abroad, Or, the New Pilgrims' Progress)
dyer. (Looking at him scornfully) So that is why Wits swarm like Egypt's Frogs. If I were a Writer now, I would wish to thicken the water of my Discourse so that it was no longer easy or familiar. I would chuse a huge lushious Style! vannbrugghe. (Interrupting) Ah the music of Erudition, it is unimaginable to weaker Wits. dyer. (Ignoring him) I would imploy outlandish Phrases and fantasti-call Terms, thus to restore Terrour, Reverence and Desire like wild Lightning.
Peter Ackroyd (Hawksmoor)
Japhy and I were kind of outlandish-looking on the campus in our old clothes in fact Japhy was considered an eccentric around the campus, which is the usual thing for campuses and college people to think whenever a real man appears on the scene ― colleges being nothing but grooming schools for the middle-class non-identity which usually finds its perfect expression on the outskirts of the campus in rows of well-to-do houses with lawns and television sets in each living room with everybody looking at the same thing at the same time while the Japhies of the world go prowling in the wilderness to hear the voice crying in the dark mysterious secret of the origin of faceless wonderless crapulous civilization. 'All these people,' said Japhy, 'they all got white-tiled toilets and take big dirty craps like bears in the mountains, but it's all washed away to convenient supervised sewers and nobody thinks of crap any more or realizes their origin is shit and civet and scum of the sea. They spend all day washing their hands with creamy soaps they secretly wanta eat in the bathroom.' He had a million ideas, he had 'em all.
Jack Kerouac (The Dharma Bums)
It is quite wrong to assume that poor people are generally unwilling to change; but the proposed change must stand in some organic relationship to what they are doing already, and they are rightly suspicious of, and resistant to, radical changes proposed by town-based and office-bound innovators who approach them in the spirit of: "You just get out of my way and I shall show you how useless you are and how splendidly the job can be done with a lot of foreign money and outlandish equipment.
Ernst F. Schumacher (Small Is Beautiful: Economics as if People Mattered)
It's the people who have a problem with porn—even a simple aesthetic revulsion at the shaved and implanted phoniness of it all—who are suspect now, and who have to prove their normality by insisting that they 'like sex', as if sex were all one thing, like oatmeal. Imagine if you said, Yes, I like sex, with the right person, in the right place, in the right mood, preferably after a lovely meal cooked by someone else; otherwise, frankly, I'd rather get on with Daniel Deronda. You'd sound like a fetishist, someone who needs outlandish props and sets to feel excited—food! wit! clean sheets! affection!— because excited is the way porn tells us people feel all the time.
Katha Pollitt (Learning to Drive: And Other Life Stories)
You were the colors to my monochrome life. My morning light and my midnight dream. Flawed, yet whole. You used to think that you weren’t enough – but you were enough for me. You were my first everything. My fire. My tornado. You were the eye of my storm. The moment I saw you, I knew you were going to destroy my life. But I let it happen. There was just something magical and outlandish about playing with fire that I couldn’t resist. I wanted to be as close as I could to the idea of destroying myself. It didn’t happen out of the blue. Day by day – moment by moment, I started to lose myself. With every kiss, you took away a part of me. Until one day, I woke up and I wasn’t myself anymore. I never thought that a disaster could be so damn beautiful. I don’t regret it. But I regret waking up next to an empty bed and how unceremoniously you left when the damage was done. I saw your picture today, holding someone else’s hand. And it made me realize that some disasters don’t make a sound. Not every destruction stands still. Some of them might walk right past you.
Bhavya Kaushik
I have heard the songs of many gods, child. Silly gods, powerful gods, and capricious gods, and biddable gods, and dull. Long ago, when you first welcomed us to your household, and fed us and gave us shelter, and invited us to stay, I listened to you say that we are all -- Jana'ata and Runa and H'uman -- children of a God so high that our ranks and our differences are as nothing in his far sight." Suukmel looked out over the sweep of the valley, dotted now with small stone houses and filled with the sound of voices high and low, home to Runa and to Jana'ata and to the one single outlandish being whom Ha'anala called brother. "I thought then that this was merely a song sung by a foreigner to a foolish girl who believed nonsense. But Taksayu was dear to me, and Isaac was dear to you. I was willing to hear this song, because I had once yearned for a world in which lives would be governed not by lineage and lust and moribund law, but by love and loyalty. In this one valley, such lives are possible," she said. "If it is a mistake to hope for such a world, then it is a magnificent mistake.
Mary Doria Russell (Children of God (The Sparrow, #2))
Jules lips quivered, and I feared she was about to cry. Then she asked, “He bit off more than he could chew, didn’t he?” She made a motion as if she was biting into a tough piece of steak. Gabriella’s lips sealed shut as she tried to hide her grin, though she failed at it when Andrew asked, “Was he eating?” He turned desperately to Gabriella, confused. Jules wasn’t about to cry, she was trying not to laugh! She giggled then, the sound tinkling and odd in the outlandish setting. Andrew straightened and shook his head at Gabriella. “Did you see him eat?
Laura Kreitzer (Keepers (Timeless, #3.5))
Ablaze with alabaster one must admit as long as there is near music kicking around nowhere more winsome than in the outlandish passage from April to California, Sunday to Jose, March to French and all the wilderness and Septembers in between. Slow ghost thicket, a tempo of someone's own, please please the quintessentially readymade and risen stranger, the tremor in the house, rather than some unfinished crime without dragon or alibi in the drowsy garden. O savage, O brightening Niagara, O briefest, fussy thing in ruffled light, wait, I am a stranger here myself.
Paul Vangelisti
It was not for me, after these last seventy-two hours, to reject as too outlandish the possibility that the situation for him here had driven George crazy. Yet I did reject it. It was just too insipid a conclusion. Not everybody was cray. Resolute is not crazy. Deluded is not crazy. To be thwarted, vengeful, terrified, treacherous--this is not to be crazy. Not even fanatically held illusions are crazy, and deceit certainly isn't crazy--deceit, deviousness, cunning, cynicism, all of that is far from crazy...and there, that, deceit, there was the key to my confusion. Of course!
Philip Roth (Operation Shylock: A Confession)
New Rule: Let the Pope be Pope. An animal-rights group in Italy has asked Pope Benedict to give up his fur-trimmed cape and hat. To which the Pope replied, "Don't be hatin' on my cape, bitch." Sorry, but Popes are the original divas, they invented bling, they've been wearing outlandish outfits for a thousand years--almost as long as Elton John. The clothes, the jewels, the fancy palace...Those aren't just symbols of the Papacy, they are the Papacy. The day the Pope shows up on the balcony in a pair of jeans and polo shirt is the day a billion Catholics go, "What the hell were we thinking?
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I steer clear of telling. I can't come out with it. The outlandish truth of me. How can I reveal this to someone innocent and unsuspecting? With those who know my story I talk freely about us.... But with others I keep it hidden, the truth. I keep it under wraps because I don't want to shock or make anyone distressed. But it's not like me to be cagey in my interactions.... But now I try to keep a distance from those who are innocent of my reality. At best I am vague. I feel deceitful at times. But I can't just drop it on someone, I feel--it's too horrifying, too huge. It's not that I should be honest with everyone, the white lies I tell strangers I don't mind. But there are those I see time and again, have drinks with, share jokes, and even they don't know. They see my cheery side. And I kick myself for being a fraud.... I can see, though, that my secrecy does me no favors. It probably makes worse my sense of being outlandish. It confirms to me that it might be abhorrent, my story, or that few can relate to it.
Sonali Deraniyagala (Wave)
To say that the frozen silence contracted itself into a yet higher globe of ice were to under-rate the exquisite tension and to shroud it in words. The atmosphere had become a physical sensation. As when, before a masterpiece, the acid throat contracts, and words are millstones, so when the supernaturally outlandish happens and a masterpiece is launched through the medium of human gesture, then all human volition is withered at the source and the heart of action stops beating. Such a moment was this. Irma, a stalagmite of crimson stone, knew, for all the riot of her veins that a page had turned over. At chapter forty? O no! At chapter one, for she had never lived before save in a pulseless preface. How long did they remain thus? How many times had the earth moved round the sun? How many times had the great blue whales of the northern waters risen to spurt their fountains at the sky? How many reed-bucks had fallen to the claws of how many leopards, while that sublime unit of two-figure statuary remained motionless? It is fruitless to ask. The clocks of the world stood still or should have done.
Mervyn Peake (Gormenghast (Gormenghast, #2))
For Felix Henriot, with his admixture of foreign blood, was philosopher as well as vagabond, a strong poetic and religious strain sometimes breaking out through fissures in his complex nature. He had seen much life; had read many books. The passionate desire of youth to solve the world's big riddles had given place to a resignation filled to the brim with wonder. Anything might be true. Nothing surprised him. The most outlandish beliefs, for all he knew, might fringe truth somewhere. He had escaped that cheap cynicism with which disappointed men soothe their vanity when they realise that an intelligible explanation of the universe lies beyond their powers. He no longer expected final answers.
Algernon Blackwood (The Collected Works of Algernon Blackwood)
When, in the course of their march, they came upon a friendly population, these would entertain them with exhibitions of fatted children belonging to the wealthy classes, fed up on boiled chestnuts until they were as white as white can be, of skin plump and delicate, and very nearly as broad as they were long, with their backs variegated and their breasts tattooed with patterns of all sorts of flowers. They sought after the women in the Hellenic army, and would fain have laid with them openly in broad daylight, for that was their custom. The whole community, male and female alike, were fair-complexioned and white-skinned. It was agreed that this was the most barbaric and outlandish people that they had passed through on the whole expedition, and the furthest removed from the Hellenic customs, doing in a crowd precisely what other people would prefer to do in solitude, and when alone behaving exactly as others would behave in company, talking to themselves and laughing at their own expense, standing still and then again capering about, wherever they might chance to be, without rhyme or reason, as if their sole business were to show off to the rest of the world.
Xenophon (Anabasis)
My mother took me in her arms, cradled and shushed me. I stopped crying at once, appalled at this disquieting kindness, and embarrassed by it, too. I found she was saying, “You must see the new moon, darling, but not through glass. I’ll put the window wide. And then you must kiss your hand to it seven times and wish.” With her arm round me, I stood at the window, still snuffling back tears, and obediently went through this unfamiliar ritual, as outlandish as the Danish habit of going to bed in the daytime. She had never mentioned the moon before, just as I could not remember her ever calling me “Darling” before. It occurred to me that there must be modes of behavior even in England which were still unknown to me. Rather like those unusual things that were done among the Danes.
John Bayley (Iris and Her Friends: A Memoir of Memory and Desire)
At the same time he could hardly believe what he had been reading. It struck him as verging on madness. This wild confession, this owing to a crime so outlandish, so totally different from the true ones of mating and theft of the negroes, outraged him with its insolence and perversity. In the conflict of these feelings Erasmus was swept by doubt and loneliness. His whole being seemed under threat of dissolution. What became of law, of legitimacy, of established order, if a man could assume such attitudes of private morality, decide for himself where his fault lay? It turned everything upside down. He could think of nothing more damnable. And yet… He remembered suddenly the second, rarer smile his cousin had, the one that came slowly, transforming his face. Briefly, unwillingly, Erasmus glimpsed the possibility of freedom.
Barry Unsworth (Sacred Hunger (Sacred Hunger #1))
There was a time with his wife on this river or a river just like it, it can't be this river, but in his memory it is this one. A time on a wash just like this where he lay shirtless with her shivering in the August night, jeans pasted dark and wet to his knocking legs, his torso white to glowing in the moonlight. Her hair tendriled and framed about her face like an outlandish black tattoo. Her wet dress like a sleeve of molting skin, which of a sort it had been that whole night in their dancing. Her heart in its red and white cage knocking just inches from his own, like two young prisoners tapping out simpleton Morse I am here I am here I am here. Here I am for your pleasure for you forever. On a river like this where he impregnated her. A river promise too, he said I love you I love you. Seventeen years old. A pleasure so total that even then he knew he had mortgaged years to her and he did not care.
Smith Henderson (Fourth of July Creek)
Actually, the Sniper's sense of humor frightened Amy more than anything else. The parody of Carla's poem had been witty, the rudeness of Marvy's critique outlandish, and she was still, for some reason, focused on that "youse" in the Sniper's counterfeit email. "Youse" was like a spectral elbow to Amy's ribs. Dangerous, malevolent people should not be amusing. In order to be humorous, you had to have perspective, to be able to stand outside yourself and your own needs and grudges and fears and see yourself for the puny ludicrous creature you really are. How could somebody do that and still imagine himself entitled to harry, to wound, to kill?
Jincy Willett (The Writing Class)
In fancy I took the simple decision of going on, this time on the mere trail to which our roads had now given way. I played with the idea...To be alone, without possessions, without renown, with none of the advantages of our own culture, to expose oneself among new men and among fresh hazards...Needless to say it was only a dream, and the briefest dream of all. This liberty that I was inventing ceased to exist upon closer view; I should quickly have rebuilt for myself everything that I renounced. Furthermore, wherever I went I should only have been a Roman away from Rome. A kind of umbilical cord attached me to the city. Perhaps at that time, in my rank of tribune, I felt still more closely bound to the empire than later as emperor, for the same reason that the thumb joint is less free than the brain. Nevertheless I did have that outlandish dream, at which our ancestors, soberly confined within their Latian fields, would have shuddered; to have harbored the thought, even for a moment, makes me forever different from them.
Marguerite Yourcenar (Memoirs of Hadrian)
This is the plot up to the moment when the writer leaves the woman still dolefully enmeshed in it, and, suitcase in hand, tiptoeing so as not to disturb her postcoital rest, he himself slips silently out of the plot on the grounds of its general implausibility, a total lack of gravity, reliance at too many key points on unlikely coincidence, an absence of inner coherence, and not even the most tenuous evidence of anything resembling a serious meaning or purpose. The story so far is frivolously plotted, overplotted, for his taste altogether too freakishly plotted, with outlandish events so wildly careening around every corner that there is nowhere for intelligence to establish a foothold and develop a perspective. As if the look-alike at the story's storm center isn't farfetched enough, there is the capricious loss of the Smilesburger check (there is the fortuitous appearance of the Smilesburger check; there is Louis B. Smilesburger himself, Borscht Belt deus ex machina), which sets the action on its unconvincing course and serves to reinforce the writer's sense that the story has been intentionally conceived as a prank, and a nasty prank at that, considering the struggles of Jewish existence that are said to be at issue by his antagonist.
Philip Roth (Operation Shylock: A Confession)
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face. He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.” She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. “Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.” He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.” She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.” He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?” She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.” Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
That summer, in a small house near the beach, he began to write a book. He knew it would be the last thing he ever did, so he decided to write something advocating a crazy, preposterous idea—one so outlandish that nobody had ever written a book about it before. He was going to propose that gay people should be allowed to get married, just like straight people. He thought this would be the only way to free gay people from the self-hatred and shame that had trapped Andrew himself. It’s too late for me, he thought, but maybe it will help the people who come after me. When the book—Virtually Normal—came out a year later, Patrick died when it had only been in the bookstores for a few days, and Andrew was widely ridiculed for suggesting something so absurd as gay marriage. Andrew was attacked not just by right-wingers, but by many gay left-wingers, who said he was a sellout, a wannabe heterosexual, a freak, for believing in marriage. A group called the Lesbian Avengers turned up to protest at his events with his face in the crosshairs of a gun. Andrew looked out at the crowd and despaired. This mad idea—his last gesture before dying—was clearly going to come to nothing. When I hear people saying that the changes we need to make in order to deal with depression and anxiety can’t happen, I imagine going back in time, to the summer of 1993, to that beach house in Provincetown, and telling Andrew something: Okay, Andrew, you’re not going to believe me, but this is what’s going to happen next. Twenty-five years from now, you’ll be alive. I know; it’s amazing; but wait—that’s not the best part. This book you’ve written—it’s going to spark a movement. And this book—it’s going to be quoted in a key Supreme Court ruling declaring marriage equality for gay people. And I’m going to be with you and your future husband the day after you receive a letter from the president of the United States telling you that this fight for gay marriage that you started has succeeded in part because of you. He’s going to light up the White House like the rainbow flag that day. He’s going to invite you to have dinner there, to thank you for what you’ve done. Oh, and by the way—that president? He’s going to be black.
Johann Hari (Lost Connections: Uncovering the Real Causes of Depression - and the Unexpected Solutions)
A note about me: I do not think stress is a legitimate topic of conversation, in public anyway. No one ever wants to hear how stressed out anyone else is, because most of the time everyone is stressed out. Going on and on in detail about how stressed out I am isn’t conversation. It’ll never lead anywhere. No one is going to say, “Wow, Mindy, you really have it especially bad. I have heard some stories of stress, but this just takes the cake.” This is entirely because my parents are immigrant professionals, and talking about one’s stress level was just totally outlandish to them. When I was three years old my mom was in the middle of her medical residency in Boston. She had been a practicing obstetrician and gynecologist in Nigeria, but in the United States she was required to do her residency all over again. She’d get up at 4:00 a.m. and prepare breakfast, lunch, and dinner for my brother and me, because she knew she wouldn’t be home in time to have dinner with us. Then she’d leave by 5:30 a.m. to start rounds at the hospital. My dad, an architect, had a contract for a building in New Haven, Connecticut, which was two hours and forty-five minutes away. It would’ve been easier for him to move to New Haven for the time of the construction of the building, but then who would have taken care of us when my mom was at the hospital at night? In my parents’ vivid imaginations, lack of at least one parent’s supervision was a gateway to drugs, kidnapping, or at the very minimum, too much television watching. In order to spend time with us and save money for our family, my dad dropped us off at school, commuted the two hours and forty-five minutes every morning, and then returned in time to pick us up from our after-school program. Then he came home and boiled us hot dogs as an after-school snack, even though he was a vegetarian and had never eaten a hot dog before. In my entire life, I never once heard either of my parents say they were stressed. That was just not a phrase I grew up being allowed to say. That, and the concept of “Me time.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
If the weakness of mainstream fiction is its deliberate smallness, the weakness of sf is its puffed-up size, its gauzy immensities. SF often pays so much attention to cosmic ideas that the story's surface is vague. Too much sf suffers from a lack of tangible reality. Muzzy settings, generic characters concocted merely for the sake of the idea, improbable action plots tidily wrapped up at the end. Too much preaching, not enough concrete, credible detail. An sf writer can get published without mastering certain things that most mainstream writers can’t evade: evocative prose style, naturalistic dialogue, attention to detail. Refraining from editorializing, over-explaining, or pat resolutions. To us, the contents of The Best American Short Stories seem paltry and timebound. To them, the contents of Asimov’s are overblown and underrealized. It’s no wonder that sf never makes the Ravenel collection. SF is habitually strong in areas considered unessential to good mainstream fiction, and weak in those areas that are considered essential. It doesn't matter that to the sf reader most contemporary fiction is so interested in "how things really are" in tight focus that it missed "how things really are" in the big picture. SF’s different standards make it invisible to mainstream readers, not in the literal way of H.G. Wells's invisible man, but in the cultural way of Ralph Ellison's. It's not that they can’t see us, it's that they don't know what to make of what they see. What they don't know about sf, and worse still, what they think they do know, make it impossible for them to appreciate our virtues. We are like a Harlem poet attempting to find a seat at the Algonquin round table in 1925. Our clothes are outlandish . Our accent is uncouth. The subjects we are interested in are uninteresting or incomprehensible. Our history and culture are unknown. Our reasons for being there are inadmissible. The result is embarrassment, condescension, or silence.
John Kessel
There," he said, admiring his own handiwork. "Good as new." Violet glanced at the ridiculously huge Band-Aids on her knees and looked at him doubtfully. "You really think so? 'Good as new'?" He smiled. "I think I did pretty good. It's not my fault you can't walk." She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he'd just stayed the same old Jay he'd always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she'd just never imagined that he'd grow up so well. Instead she accused him: "Well, maybe if you hadn't pushed me I wouldn't have fallen." She made the outlandish accusation with a completely straight face. He shook his head. "You'll never be able to prove it. There were no witnesses-it's just your word against mine." She giggled and hopped down. "Yeah, well, who's gonna believe you over me? Weren't you the one who shoplifted a candy bar from the Safeway?" She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. "Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn't it?" He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and she temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubble from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn't even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. "Yeah, well, maybe if you hadn't done it right in front of the cashier, we might have gotten away with it. Instead, you go both of us grounded for stealing." He didn't miss a beat, and he seemed unaware of her temporary lapse. "And some might say that our grounding saved us from a life of crime." She hung the towel over the oven's door handle. "Maybe it saved me, but the jury's still out on you. I always though you were kind of a bad seed." He gave her a questioning look. "Seriously, a 'bad seed,' Vi? When did you turn ninety and start saying things like 'bad seed'?" She pushed him as she walked by, even though he really wasn't in her way. He gave her a playful shove from behind and teased her, "Don't make me trip you again." Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just fiends. Otherwise, this was going to be a long-and painful-year.
Kimberly Derting (The Body Finder (The Body Finder, #1))