Ouroboros Quotes

Life lives on life. This is the sense of the symbol of the Ouroboros, the serpent biting its tail. Everything that lives lives on the death of something else. Your own body will be food for something else. Anyone who denies this, anyone who holds back, is out of order. Death is an act of giving.

It’s the end of the day, but it feels like dawn, and a new beginning. It comes to me that both twilight periods are, in fact, symmetrical events on opposite sides of midnight, a cycle of endless creation and destruction, an Ouroboros.

Trauma is a time traveller, an ouroboros that reaches back and devours everything that came before.

I have no idea where you might hang it," I said, "but I wanted you to have it." To see. For on that painting, I'd shown him what I had not revealed to anyone. What the Ouroboros had revealed to me: the creature inside myself, the creature full of hate and regret and love and sacrifice, the creature that could be cruel and brave, sorrowful and joyous. I gave him me - as no one but him would ever see me. No one but him would ever understand.

Let worthy minds ne'er stagger in distrust To suffer death or shame for what is just

It's a rare person to face who they truly are and not run from it -- not be broken by it. That's what the Ouroboros shows all who look into it: who they are, every despicable and unholy inch. Some gaze upon it and don't even realize that the horror they're seeing is *them* -- even as the terror of it drives them mad. Some swagger in and are shattered by the small, sorry creature they find instead. But you...Yes, rare indeed.

My love is savage and rapacious. It isn’t content to touch. It wants to be inside, crawl into the marrow, caress each vein until the cells are all mixed up and there is no you and me anymore, no secrets or shadows sliding between our skin. Only this endless devouring of each other. The ouroboros we call us.

The harvest of this world is to the resolute, and he that is infirm of purpose is ground betwixt the upper and the nether millstone

with cunning colubrine and malice viperine and sleights serpentine

yielding a world that would turn in on itself like an ouroboros:

The sun stooped to the western waves, entering his bath of blood-red fire. He sank, and all the ways were darkened.

Thunder and blood and night must usurp our parts, to complete and make up the catastrophe of this great piece.

This last best luck of all: that earth should gape for me when my great deeds were ended.

Us, little children of the dust, children of a day, who with so many burdens do burden us with taking thought and with fears and desires and devious schemings of the mind, so that we wax old before our time and fall weary ere the brief day be spent and one reaping-hook gather us home at last for all our pains.

It wasn't just my beast's hunger, but Jean-Claude's blood thirst and Richard's craving for flesh. It was all that and the ardeur running through all of it, so that one hunger fed into the next in an endless chain, a snake eating it's own tail, an Ouroboros of desires.

In which star of the unclimbed sky wilt though begin our search? Or in which of the secret streams of the ocean where the last green rays are quenched in oozy darkness?

Lightning shall be slow to my hasting.

Art thou so deeply read in nature and her large philosophy, and I am yet to teach thee that deadliest hellebore or the vomit of a toad are qualified poison to the malice of a woman?

But because day at her dawning hours hath so bewitched me, must I yet love her when glutted with triumph she settles to garish noon? . . . Who dares call me turncoat, who do but follow now as I have followed this rare wisdom all my days: to love the sunrise and the sundown and the morning and the evening star.

He that feareth is a slave, were he never so rich, were he never so powerful. But he that is without fear is king of all the world. Though hast my sword. Strike. Death shall be a sweet rest to me. Thraldom, not death, should terrify me.

But Gro smiled a sad smile and said, "Why should we by words of ill omen strike yet another blow where the tree tottereth?

Time is like the ancient Ouroboros. Time is fleeting moments, grains of sand passing through an hourglass. Time is the moments and events we so readily try to measure. But the ancient Ouroboros reminds us that in every moment, in every instant, in every event, is hidden the past, the present and the future. Eternity is hidden in every moment. Every departure is at once a return, every farewell is a greeting, every return is a parting. Everything is simultaneously a beginning and an end.

Why don’t you die?.” There was no point in being coy. She wanted to kill him; they both knew it. Blood was still flowing down the hilt of the knife, dripping scarlet across the white marble floor, spattering across the ouroboros mosaic. His lips curved into an insincere smile. “Prior commitments, I’m afraid.

The most common form of sacred space to the witch is the magick circle. The circle is a symbol of the infinite and finite. It is everything and nothing. It is the Ouroboros, the serpent eating its own tail, symbolic of the never-ending cycle of creation and destruction, birth and death, and a symbol of the cosmos without beginning or end.

These things hath Fate brought to pass, and we be but Fate's whipping-tops bandied what way she will.

The fairy tale is accused of giving children a false impression of the world they live in. But I think no literature that children could read gives them less of a false impression. I think what profess to be realistic stories for children are far more likely to deceive them. I never expected the real world to be like the fairy tales. I think that I did expect school to be like the school stories. The fantasies did not deceive me: the school stories did. All stories in which children have adventures and successes which are possible, in the sense that they do not break the laws of nature, but almost infinitely improbable, are in more danger than the fairy tales of raising false expectations… This distinction holds for adult reading too. The dangerous fantasy is always superficially realistic. The real victim of wishful reverie does not batten on the Odyssey, The Tempest, or The Worm Ouroboros: he (or she) prefers stories about millionaires, irresistible beauties, posh hotels, palm beaches and bedroom scenes—things that really might happen, that ought to happen, that would have happened if the reader had had a fair chance. For, as I say, there are two kinds of longing. The one is an askesis, a spiritual exercise, and the other is a disease.

When the alchemist speaks of Mercurius, on the face of it he means quicksilver (mercury), but inwardly he means the world-creating spirit concealed or imprisoned in matter. The dragon is probably the oldest pictoral symbol in alchemy of which we have documentary evidence. It appears as the Ouroboros, the tail-eater, in the Codex Marcianus, which dates from the tenth or eleventh century, together with the legend ‘the One, the All’. Time and again the alchemists reiterate that the opus proceeds from the one and leads back to the one, that it is a sort of circle like a dragon biting its own tail. For this reason the opus was often called circulare (circular) or else rota (the wheel). Mercurius stands at the beginning and end of the work: he is the prima materia, the caput corvi, the nigredo; as dragon he devours himself and as dragon he dies, to rise again in the lapis. He is the play of colours in the cauda pavonis and the division into the four elements. He is the hermaphrodite that was in the beginning, that splits into the classical brother-sister duality and is reunited in the coniunctio, to appear once again at the end in the radiant form of the lumen novum, the stone. He is metallic yet liquid, matter yet spirit, cold yet fiery, poison and yet healing draught - a symbol uniting all the opposites.

Are ye ta'en with the swindle or the turn-sickness? Or are ye out of your wits?

A great king should rather be a dog that killeth clean, than a cat that patteth and sporteth with his prey.

O’ serpentine Ouroboros, semper salvus! Semper tutis! The end shall never consume us.

For when we fail to see that our life is change, we set ourselves against ourselves and become like Ouroboros, the misguided snake, who tries to eat his own tail. Ouroboros is the perennial symbol of all vicious circles, of every attempt to split our being asunder and make one part conquer the other.

At its heart shamanism is an ouroboros that, regardless of cultural or religious trappings that have crowded its path, what remains its critically profound gift to the present lies in its simplistic roots of the past.

Abase thee and serve me, worm of the pit. Else will I by and by summon out of ancient night intelligences and dominations mightier far than thou, and they shall serve my ends, and thee shall they chain with chains of quenchless fire and drag thee from torment to torment through the deep.

Forth into the quiet evening, where above the smooth downs the wind was lulled to sleep in the vast silent spaces of the sky.

Oaths be of the heart, and he that breaketh them in open fact is oft, as now, no breaker in truth, for already were they scorned and trampled on by his opposites.

With that, the horror shut down upon Juss's soul like madness.

Om is said to be a four-syllable word in Sanskrit, originally as AUM. A, the waking state. U, the dream state. M, the unconscious state. And the fourth, the silence that surrounds it—wherefrom everything arises and whereto everything inevitably returns. It is the silence that surrounds om that contains everything. It is the silence in your own life that contains and gives birth to everything you have, and everything you will ever need. It is this same silence we avoid, overlook, and disregard as nothing. The white space of life we abhor. We fill our lives with noise, drama, screens, people, and “stuff” to avoid the void that reminds us of our truth—that beyond flesh that once was not, and will inescapably become not, we are eternal.

Kings and governors that do exult in strength and beauty and lustihood and rich apparel, showing themselves for awhile upon the stage of the world and open dominion of high heaven, what are they but the gilded summer fly that decayeth with the dying day?

Thou art a dear companion to me. Thy melancholy is to me as some shady wood in summer, where I may dance if I will, and that is often, or be sad if I will, and that is in these days oftener than I would.

Puffed up beyond measure is he in his own conceit, and folk say it is a grief to him that none hath been found this long while that durst wrastle with him, and wofully he pineth for the hundredth. He shall wrastle a fall with me!

I wanted to swallow myself by opening my mouth inordinately and turning it around over my head so that it would take in my whole body, and then the Universe, until all that would remain of me would be a ball of eaten thing which little by little would be annihilated: that is my way of seeing the end of the world.

As women we're raised to take tepid two-steps, to doubt, to let the other make the move. And when you are caught with another girl in that dance... How many times have I stepped the same steps, trodden the same tired grooves of my mind, an ouroboros of extreme elation and suffocating uncertainty? How does one get out of this labyrinth? Burn all your romantic novels, cough on the fumes till you spit out the sediment? Bury your pink lingerie in a bed of rock, quell those femme yearnings, become stone?

Surely time past is gone by like a shadow.

There is a huge new frontier awaiting our exploration, and it is not the macrocosm of the universe but the microcosm of the mind.

I have this theory that every queer kid goes through either an intense anime or Greek Mythology phase. Personally I identified with Icarus to the point of deep concern.

Surely,” he said, “the great mountains of the world are a present remedy if men did but know it against our modern discontent and ambitions. In the hills is wisdom’s fount. They are deep in time. They know the ways of the sun and the wind, the lightning’s fiery feet, the frost that shattereth, the rain that shroudeth, the snow that putteth about their nakedness a softer coverlet than fine lawn.

For on that painting, I’d shown him what I had not revealed to anyone. What the Ouroboros had revealed to me: the creature inside myself, the creature full of hate and regret and love and sacrifice, the creature that could be cruel and brave, sorrowful and joyous. I gave him me—as no one but him would ever see me. No one but him would ever understand. “It’s beautiful,” he said, voice still hoarse. I blinked away the tears that threatened at those words and leaned into the kiss he pressed to my mouth. You are beautiful, he whispered down the bond.

What is it like to disregard the body? How do we get around ourselves when we are always in the way? I wonder how badly the serpent wants the loop to end, to consume himself until the flesh is gone. Is that possible? What would that look like, that nothing-space? To complete the autocannibalism of revisiting one’s own trauma, for it to be over?

Shall they make rhymes upon us that we of Demonland, whom men repute and hold the mightiest lords in all the world, hung sheepishly back from this high needful enterprise lest, our greatest captains being abroad, our enemies might haply take us at home at disadvantage? It shall not be said of the women of Demonland that they upheld such counsels.

Hungry dogs will eat dirty puddings.

False friends! O, I could eat their hearts with garlic.

Where were all heroical parts but in Helteranius? and a man might make a garment for the moon sooner than fit the o'erleaping actions of great Jalcanaius, who now leaveth but his body to bedung that earth that was lately shaken at his terror. I have waded in red blood to the knee; and in this hour, in my old years, the world is become for me a vision only and a mock-show.

This wasn’t the only mistake they made. They also botched the cleanup operation on the servers they could access. They had created a script called LogWiper.sh to erase activity logs on the servers to prevent anyone from seeing the actions they had taken on the systems. Once the script finished its job, it was also supposed to erase itself, like an Ouroboros serpent consuming its own tail. But the attackers bungled the delete command inside the script by identifying the script file by the wrong name. Instead of commanding the script to delete LogWiper.sh, they commanded it to delete logging.sh. As a result, the LogWiper script couldn’t find itself and got left behind on servers for Kaspersky to find. Also left behind by the attackers were the names or nicknames of the programmers who had written the scripts and developed the encryption algorithms and other infrastructure used by Flame. The names appeared in the source code for some of the tools they developed. It was the kind of mistake inexperienced hackers would make, so the researchers were surprised to see it in a nation-state operation. One, named Hikaru, appeared to be the team leader who created a lot of the server code,

Deeply exciting, though, cliché was, as a concept. It was truth misted by overexpression, wasn't it, like a structure seen in a fog, something waiting to be re-felt, re-seen. Something dainty fumbled at through thick gloves. Cliché was true, obviously, which was why it had become cliché in the first place; so true that cliché actually protected you from its own truth by being what it was, nothing but cliché.

Surely... the great mountains of the world are a present remedy if men did but know it against our modern discontent and ambitions. In the hills is wisdom's fount. They are deep in time. They know the ways of the sun and the wind, the lightning's fiery feet, the frost that shattereth, the rain that shroudeth, the snow that putteth about their nakedness a softer coverlet than fine lawn: which if their large philosophy question not if it be a bridal sheet or a shroud, hath not this unpolicied calm his justification ever in the returning year, and is it not an instance to laugh our carefulness out of fashion? Of us, little children of the dust, children of a day, who with so many burdens do burden us with taking thought and with fears and desires and devious schemings of the mind, so that we wax old before our time and fall weary ere the brief day be spent and one reaping-hook gather us home at last for all our pains.

I wanted to see if you were worth helping,' the Carver went on. 'It's a rare person to face who they truly are and not run from it- not be broken by it. That's what the Ouroboros shows all who look into it: who they are, every despicable and unholy inch. Some gaze upon it and don't realise that the horror they're seeing is them- even as the terror of it drives them mad. Some swagger in and are shattered by the small, sorry creature they find instead. But you... Yes, rare indeed. I could risk leaving here for nothing less.' Rage- blistering rage started to fill in the holes left by what I'd beheld in that mirror. 'You wanted to see if I was worthy?' That innocent people were worthy of being helped. A nod. 'I did. And you are. And now I shall help you.' I debated slamming the cell door in his face. But I only said quietly, 'Good.' I walked over to him. And I was not afraid as I grabbed the Bone Carver's cold hand. 'Then let's begin.

An offer indeed," said Lord Brandoch Daha; "if it be not in mockery. Say it loud, that my folk may hear." Corund did so, and the Demons heard it from the walls of the burg. Lord Brandoch Daha stood somewhat apart from Juss and Spitfire and their guard. "Libel it me out," he said. "For good as I now must deem thy word, thine hand and seal must I have to show my followers ere they consent with me in such a thing." "Write thou," said Corund to Gro. "To write my name is all my scholarship." And Gro took forth his ink-born and wrote in a great fair hand this offer on a parchment. "The most fearfullest oaths thou knowest," said Corund; and Gro wrote them, whispering, "He mocketh us only." But Corund said, "No matter: 'tis a chance worth our chancing," and slowly and with labour signed his name to the writing, and gave it to Lord Brandoch Daha. Brandoch Daha read it attentively, and tucked it in his bosom beneath his byrny. "This," he said, "shall be a keepsake for me of thee, my Lord Corund. Reminding me," and here his eyes grew terrible, "so long as there surviveth a soul of you in Witchland, that I am still to teach the world throughly what that man must abide that durst affront me with such an offer.

We are not just gods walking around steering human bodies. We are also humans housing the souls of gods. Okay? And if it really matters that the Mountain is never a colonizer'--I brush my thumb against the tattoos on her chin--'that must mean you couldn't just be colonizing a native body. And if it really matters that we've fallen in love over and over again across lifetimes, that must mean those lifetimes mattered.

I sware unto you my furtherance if I prevailed. But now is mine army passed away as wax wasteth before the fire, and I wait the dark ferryman who tarrieth for no man. Yet, since never have I wrote mine obligations in sandy but in marble memories, and since victory is mine, receive these gifts: and first thou, O Brandoch Daha, my sword, since before thou wast of years eighteen thou wast accounted the mightiest among men-at-arms. Mightily may it avail thee, as me in time gone by. And unto thee, O Spitfire, I give this cloak. Old it is, yet may it stand thee in good stead, since this virtue it hath that he who weareth it shall not fall alive into the hand of his enemies. Wear it for my sake. But unto thee, O Juss, give I no gift, for rich thou art of all good gifts: only my good will give I unto thee, ere earth gape for me." ... So they fared back to the spy-fortalice, and night came down on the hills. A great wind moaning out of the hueless west tore the clouds as a ragged garment, revealing the lonely moon that fled naked betwixt them. As the Demons looked backward in the moonlight to where Zeldornius stood gazing on the dead, a noise as of thunder made the firm land tremble and drowned the howling of the wind. And they beheld how earth gaped for Zeldornius.

Tenderly he drew on his lambswool gloves, and shivered a little; for the breath of that desert blew snell and frore and there seemed a shadow in the air southward, for all it was bright and gentle weather below whence they were come. Yet albeit his frail body quailed, even so were his spirits within him raised with high and noble imaginings as he stood on the lip of that rocky cliff. The cloudless vault of heaven; the unnumbered laughter of the sea; that quiet cove beneath, and those ships of war and that army camping by the ships; the emptiness of the blasted wolds to southward, where every rock seemed like a dead man’s skull and every rank tuft of grass hag-ridden; the bearing of those lords of Demonland who stood beside him, as if nought should be of commoner course to them pursuing their resolve than to turn their backs on living land and enter those regions of the dead; these things with a power as of a mighty music made Gro’s breath catch in his throat and the tear spring in his eye.