Our Love Diary Quotes

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For you and for me the highest moment, the keenest joy, is not when our minds dominate but when we lose our minds, and you and I both lose it in the same way, through love.
Anaïs Nin (Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1934-1937))
Since desire always goes towards that which is our direct opposite, it forces us to love that which will make us suffer.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
You always were selfish. Your one fault. Not willing to share anything, are you?" Suddenly, Damon's lips curved up in a singularly beautiful smile. But fortunately the lovely Elena is more generous. Didn't she tell you about our little liaisons? Why? The first time we met she almost gave herself to me on the spot." "That's a lie!" "Oh, no, dear brother, I never lie about anything important. Or do I mean unimportant? Anyway, your beauteous damsel nearly swooned into my arms. I think she likes men in black." As Stefan stared at him, trying to control his breathing, Damon added, almost gently, "You're wrong about her, you know, You think she's sweet and docile like Katherine. She isn't. She's not your type at all, my saintly brother. She has a spirit and a fire in her that you wouldn't know what to do with." "And you would, I suppose." Damon uncrossed his arms and slowly smiled again. "Oh, yes.
L.J. Smith (The Awakening / The Struggle (The Vampire Diaries, #1-2))
We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we allexisted in space like animals with identical skins, and that they knew everything about us though we couldn'y fathom them at all. We knew finally that the girls were really woman in diquise, that they understood love even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
And sometimes I believe your relentless analysis of June leaves something out, which is your feeling for her beyond knowledge, or in spite of knowledge. I often see how you sob over what you destroy, how you want to stop and just worship; and you do stop, and then a moment later you are at it again with a knife, like a surgeon. What will you do after you have revealed all there is to know about June? Truth. What ferocity in your quest of it. You destroy and you suffer. In some strange way I am not with you, I am against you. We are destined to hold two truths. I love you and I fight you. And you, the same. We will be stronger for it, each of us, stronger with our love and our hate. When you caricature and nail down and tear apart, I hate you. I want to answer you, not with weak or stupid poetry but with a wonder as strong as your reality. I want to fight your surgical knife with all the occult and magical forces of the world.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
Our age has need of violence," he writes. And he is violence.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
The funny thing is that although we place so much energy and importance on our wedding day, it isn't the biggest day of our life. The biggest day of your life is every day thereafter. Because it's not the pledge to love someone that matters, but the act of fulfilling that pledge that is most important. In other words, it's only just begun.
Laura Wolf (Diary of a Mad Bride)
Love me, beloved; Hades and Death Shall vanish away like a frosty breath; These hands, that now are at home in thine, Shall clasp thee again, if thou art still mine; And thou shalt be mine, my spirit's bride, In the ceaseless flow of eternity's tide, If the truest love thy heart can know Meet the truest love that from mine can flow. Pray God, beloved, for thee and me, That our sourls may be wedded eternally.
George MacDonald (The Diary of an Old Soul)
Our love would be death. The embrace of imaginings.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
We efface an hour by passionate love, without twists, without aftertaste. When it is finished, it is not finished, we lie still in each other's arms lulled by our love, by tenderness -- sensuality in which the whole being can participate.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
A stranger can see in an instant something in you that you might spend years learning about yourself. How awful we all are when we look at ourselves under a light, finally seeing our reflections. How little we know about ourselves. How much forgiveness it must take to love a person, to choose not to see their flaws, or to see those flaws and love the person anyway. If you never forgive you’ll always be alone.
Stephen Elliott (The Adderall Diaries)
The poets and philosophers I once loved had it wrong. Death does not come to us all, nor does the passage of time dim our memories and reduce our bodies to dust. Because while I was considered dead, and a headstone had been engraved with my name, in truth my life was just beginning.
L.J. Smith (Bloodlust (The Vampire Diaries: Stefan's Diaries, #2))
Our talks are wonderful, interplays, not duels but swift illuminations of one another. I can make his tentative thoughts click. He enlarges mine. I fire him. He makes me flow. There is always movement between us. And he is grasping. He takes hold of me like a prey.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
Why do I doubt her? Perhaps she is just very sensitive, and hypersensitive people are false when others doubt them; they waver. And one thinks them insincere. Yet I want to believe her. At the same time it does not seem so very important that she should love me. It is not her role. I am so filled with my love of her. And at the same time I feel that I am dying. Our love would be death. The embrace of imaginings.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
There is an Arabic saying that the soul travels at the pace of a camel. While most of us are led by the strict demands of timetables and diaries, our soul, the seat of the heart, trails nostalgically behind, burdened by the weight of memory. If every love affair adds a certain weight to the camel’s load, then we can expect the soul to slow according to the significance of love’s burden.
Alain de Botton (Essays In Love)
At the beginning of human history, as we struggled to light fires and to chisel fallen trees into rudimentary canoes, who could have predicted that long after we had managed to send men to the moon and areoplanes to Australasia, we would still have such trouble knowing how to tolerate ourselves, forgive our loved ones, and apologise for our tantrums?
Alain de Botton (A Week at the Airport: A Heathrow Diary)
Our culture is too obsessed with outward appearance, age, and status. Love is what matters.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
The only genres I saw value in, which still conferred meaning, were diaries and essays, the types of literature that did not deal with narrative, that were not about anything, but just consisted of a voice, the voice of your own personality, a life, a face, a gaze you could meet. What is a work of art if not the gaze of another person? Not directed above us, nor beneath us, but at the same height as our own gaze. Art cannot be experienced collectively, nothing can, art is something you are alone with. You meet its gaze alone.
Karl Ove Knausgård (A Man in Love)
How awful we are all when we look at ourselves under a light, finally seeing our reflections+. How little we know about ourselves. How much forgivennes it must take to love a person , to choose not to see their flaws, or to see those flaws and love the person anyway. If you never forgive you'll always be alone.
Stephen Elliott (The Adderall Diaries: A Memoir of Moods, Masochism, and Murder)
She was truthful, or I was the greatest dupe who ever existed. I can only believe in our ecstasy. I don't want to know, I only want to love her.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
Let us define our terms. A woman who writes her lover four letters a day is not a graphomaniac, she is simply a woman in love. But my friend who xeroxes his love letters so he can publish them someday--my friend is a graphomaniac. Graphomania is not a desire to write letters, diaries, or family chronicles (to write for oneself or one's immediate family); it is a desire to write books (to have a public of unknown readers). In this sense the taxi driver and Goethe share the same passion. What distinguishes Goethe from the taxi driver is the result of the passion, not the passion itself. "Graphomania (an obsession with writing books) takes on the proportions of a mass epidemic whenever a society develops to the point where it can provide three basic conditions: 1. a high degree of general well-being to enable people to devote their energies to useless activities; 2. an advanced state of social atomization and the resultant general feeling of the isolation of the individual; 3. a radical absence of significant social change in the internal development of the nation. (In this connection I find it symptomatic that in France, a country where nothing really happens, the percentage of writers is twenty-one times higher than in Israel. Bibi [character from the book] was absolutely right when she claimed never to have experienced anything from the outside. It is this absence of content, this void, that powers the moter driving her to write). "But the effect transmits a kind of flashback to the cause. If general isolation causes graphomania, mass graphomania itself reinforces and aggravates the feeling of general isolation. The invention of printing originally promoted mutual understanding. In the era of graphomania the writing of books has the opposite effect: everyone surrounds himself with his own writings as with a wall of mirrors cutting off all voices from without.
Milan Kundera (The Book of Laughter and Forgetting)
We became acquainted with starry skies the girls had gazed at while camping years before, and the boredom of summers traipsing from back yard to front to back again, and even a certain indefinable smell that arose from toilets on rainy nights, which the girls called "sewery." We knew what it felt like to see a boy with his shirt off, and why it made Lux write the name Kevin in purple Magic Marker all over her three-ring binder and even on her bras and panties, and we understood her rage coming home one day to find that Mrs. Lisbon had soaked her things in Clorox, bleaching all the "Kevins" out. We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn't fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Life is an endless recruiting of witnesses. It seems we need to be observed in our postures of extravagance or shame, we need attention paid to us. Our own memory is altogether too cherishing, which is the kindest thing I can say for it. Other are required, other perspectives, but even so our most important ceremonies – birth, love, and death – are secured by whomever and whatever is available. What chance, what caprice!
Carol Shields (The Stone Diaries)
Love reduces the complexity of living. It amazes me that when Henry walks towards the cafe table where I wait for him, or opens the gate to our house, the sight of him is sufficient to exult me. No letter from anyone, even in praise of my book, can stir me as much as a note from him.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
We are punctual, a stressed, marked characteristic. We need order around us, in the house, in the life, although we live by irresistible impulses, as if the order in the closets, in our papers, in our books, in our photographs, in our souvenirs, in our clothes could preserve us from chaos in our feelings, loves, in our work. Indifference to food, sobriety; but this, we admit, is the part of the war against a threatening fragility.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
The truth is that this is the only way I can live: in two directions. I need two lives. I am two beings. When I return to Hugo in the evening, to the peace and warmth of the house, I return with deep contentment, as if this was the only condition for me. I bring home to Hugo a whole woman, freed of all 'possessed' fevers, cured of the poison of restlessness and curiosity which used to threaten our marriage, cured through action. Our love lives, because I live. I sustain and feed it. I am loyal to it, in my own way, which cannot be his way. If he ever reads these lines, he must believe me. I am writing calmly, lucidly while waiting for him to come home, as one waits for the chosen lover, the eternal one.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
Why can so many of us only express our true feelings onto a blank slate: a diary page, the sky, an unconscious loved one, a tombstone? In
Tig Notaro (I'm Just a Person)
Our culture is too obsessed with outward appearance, age and status. Love is what matters.
Helen Fielding (Bridget Jones's Diary (Bridget Jones, #1))
We knew the pain of winter wind rushing up your skirt, and the ache of keeping your knees together in class, and how drab and infuriating it was to jump rope while the boys played baseball. We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldn’t fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Hugo and I yield entirely to each other. We cannot be without each other, we cannot endure discord, war, estrangement, we cannot take walks alone, we do not like to travel without each other. We have yielded in spite of our individualism, our hatred of intimacy. We have absorbed our egocentric selves into our love. Our love is our ego.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
Our job on earth, as I see it, is to hold on through the hard parts and try and be a good person.
Margaret Sartor (Miss American Pie: A Diary of Love, Secrets and Growing Up in the 1970s)
Unsaid So much of what we live goes on inside- The diaries of grief, the tounge-tied aches Of unacknowledged love are no less real. For having passed unsaid What we conceal Is always more than we dare confide. Think of the letters we write our dead.
Dana Gioia
The line most often quoted from Frank’s diary are her famous words, “I still believe, in spite of everything, that people are truly good at heart.” These words are “inspiring,” by which we mean that they flatter us. They make us feel forgiven for those lapses of our civilization that allow for piles of murdered girls—and if those words came from a murdered girl, well, then, we must be absolved, because they must be true. That gift of grace and absolution from a murdered Jew (exactly the gift that lies at the heart of Christianity) is what millions of people are so eager to find in Frank’s hiding place, in her writings, in her “legacy.” It is far more gratifying to believe that an innocent dead girl has offered us grace than to recognize the obvious: Frank wrote about people being “truly good at heart” before meeting people who weren’t. Three weeks after writing those words, she met people who weren’t.
Dara Horn (People Love Dead Jews: Reports from a Haunted Present)
He asked me, as a friend, to have dinner with him tonight. It’s not a date, and I am the most loyal fake girlfriend you will ever have. I fake love you, Shane. I want to fake marry you and have your fake babies. Okay?” I glare at her. “Uncalled for. I can’t believe you brought our fake children into this.
Elle Kennedy (The Dixon Rule (Campus Diaries, #2))
He said the angels and his little child who had passed over, were in the room. He shouted and praised God until the last breath was gone. His triumphant death convinced some of the hardest sinners of the reality of religion. “Oh, let me die the death of the righteous, that my last end be like his.” Our loving Father is calling his children home one by one. Some of us have more loved ones over on the golden shore than we have here. They are watching and waiting for us. Shall they watch in vain?
Maria Beulah Woodworth-Etter (A Diary of Signs and Wonders)
I crumple onto the lounger and cry again even though I didn’t think I had any tears left. And then Dante is next to me, with his wet arms around me and he’s whispering in my ear. And the huskiness of his voice. The smell of his wet skin. The beating of his heart against my hand. All of it. I don’t want to be without him. Maybe he’s right. Maybe love is all that matters. And we can get through our differences. We can get through anything. And then he’s kissing me. And I’m letting him. And I’m kissing him back. Because I love him and he loves me and Elena Kontou doesn’t matter. Dante’s hands are all over me, warm and strong and I lean into him, into his warmth, his strength. It’s still raining, but we are kissing in the rain and it’s sexy as hell. In fact, I think I’ll kiss in the rain forever. For the rest of my life. Because it’s just that sexy.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
How quickly all the advantages of technological civilisation are wiped out by a domestic squabble. At the beginning of human history, as we struggled to light fires and to chisel fallen trees into rudimentary canoes, who could have predicted that long after we had managed to send men to the moon and aeroplanes to Australasia, we would still have trouble knowing how to tolerate ourselves, forgive our loved ones and apologise for our tantrums?
Alain de Botton (A Week at the Airport: A Heathrow Diary)
Hugo has been infinitely tender with me, but while he talks of June I think of our hands locked together. She does not reach the same sexual center of my being that man reaches; she does not touch that. What, then, has she moved in me? I have wanted to possess her as if I were a man, but I have also wanted her to love me with the eyes, the hands, the senses that only women have. It is a soft and subtle penetration.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
Women love money so much only because we men make it hard for them to get at it. They have to massage us and our egos to get it. Otherwise they wouldn’t even bother with us. Except maybe for the occasional fuck.
Anonymous (Diary of an Oxygen Thief (Oxygen Thief Diaries Book 1))
So,' bellowed Cosmo, pouring me a drink. 'How's your love-life?' Oh no. Why do they do this? Why? Maybe the Smug Marrieds only mix with other Smug Marrieds and don't know how to relate to individuals any more. Maybe they really do want to patronize us and make us feel like failed human beings. Or maybe they are in such a sexual rut they're thinking, 'There's a whole other world out there,' and hoping for vicarious thrills by getting us to tell them the roller-coaster details of our sex lives.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
my days in love are filled with the universe the stars are unified to resemble our union a bond even love cannot undo my days in love reverse time while moving it forward making it slow for a while helping me catch my breath
Prudee M. (The 1st Diary POEMS)
Ode to Algebra Thrust into this dingy classroom we die like lampless moths locked into the desolation of fluorescent lights and metal desks. Ten minutes until the bell rings. What use is the quadratic formula in our daily lives? Can we use it to unlock the secrets in the hearts of those we love? Five minutes until the bell rings. Cruel Algebra teacher, won't you let us go?
Meg Cabot (The Princess Diaries (The Princess Diaries, #1))
The point of our Earthly journey is to create and express our loving spirit.
Sonia Choquette (Diary of a Psychic: Shattering the Myths)
Thrust into this dingy classroom we die like lampless moths locked into the desolation of fluorescent lights and metal desks. Ten minutes until the bell rings. What use is the quadratic formula in our daily lives? Can we use it to unlock the secrets in the hearts of those we love? Five minutes until the bell rings. Cruel Algebra teacher, won’t you let us go?
Meg Cabot (The Princess Diaries (The Princess Diaries, #1))
We have talked about Suzy and about her last days, but it's as if our lives stopped then and there. If I say anything to him about feeling lonesome, he goes outside and does some little chore. I can't tell if he is secretly blaming me, or himself, or just too full of pain to talk. That was the one thing we could always do together. I wish for the old days. I wish for the struggling days and the days of Geronimo, and the days of birthing Charlie with no one but Jack to help me. How happy and in love we were then. I want to be in love again, but all I feel is darkness and shadows. Everything is changed and different
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
Listen carefully. Listen and you'll hear everything you need to know. a nightmare is a different case entirely, it's a box of black shadows and vicious red stars, something to keep carefully closed, lest the ground below be broken in two now it's a time like any other, long minutes, tedious seconds, nothing more than flat time moving forward, like it or not it is impossible to stop some things, rainfall, for instance, and love at first sight, and the slow and steady path of sorrow the cruel and desperate variety that always accompanies yearning for someone you're bound to lose when you lose somebody you think you've lost the whole world as well, but that's not the way things turn out in the end. eventually, you pick yourself up and look out the window, and once you do you see everything that was there before the world ended is out there still. there are the same apple trees and the same songbirds, and over our heads, the very same sky that shine like heaven, so far above us qw can never hope to reach such heights sometimes those who love you best are the ones who leave you behind hearts were made for being broken. there's really no way around it if you want to be a human being. ...consider what people are capable of going through in this world and how much courage it's possible to have when someone kisses you with everything they feel, you don't stop thinking about it for a very long time. you didn't think you were going to get married and live happily ever after did you? you're not that stupid... a book of hope that has never been finished, a list of dreams left undone.
Alice Hoffman (Blue Diary)
To-day all our novels and newspapers will be found to be swarming with numberless allusions to the popular character called a Cave-Man. He seems to be quite familiar to us, not only as a public character but as a private character. His psychology is seriously taken into account in psychological fiction and psychological medicine. So far as I can understand, his chief occupation in life was knocking his wife about, or treating women in general with what is, I believe, known in the world of the film as 'rough stuff.' I have never happeend to come upon the evidence for this idea; and I do not know on what primitive diaries or prehistoric divorce-reports it is founded. Nor, as I have explained elsewhere, have I ever been able to see the probability of it, even considered a priori. We are always told without any explanation or authority that primitive man waved a club and knocked the woman down before he carried her off. But on every animal analogy, it would seem an almost morbid modesty and reluctance, on the part of the lady, always to insist on being knocked down before consenting to be carried off. And I repeat that I can never comprehend why, when the male was so very rude, the female should have been so very refined. The cave-man may have been a brute, but there is no reason why he should have been more brutal than the brutes. And the loves of the giraffes and the river romances of the hippopotami are affected without any of this preliminary fracas or shindy.
G.K. Chesterton (The Everlasting Man)
And it is in New York I have those strangest things of all: human friendships. Not many friendships and not of spent familiarities: for I don't like actual human beings too much around me. But yet friendships made of the edges of thoughts and vivid pathos and pregnant odds and ends of nervous human flesh and fire. It is in New York I go to the apartment of a Friend at the end of an afternoon. In the apartment are some persons having tea, men and women. The Friend greets me at the door. She wears maybe a dress of thin dark and light silk, shaped in the quaint outlandish fashion of the hour. And she has shrewd kindly eyes like a Rembrandt portrait, and a worn New-York-ish Latin-ish brain and heart both of which are made of steel, sparkle and the very plain red meat of living. She says, 'Hello-Mary-Mac-Lane,' and clasps my hand, and we exchange a glance of no real understanding at all but suggesting warmed challenge of personality, and an oblique sweet call of depth to depth, and of friendship which by mere force of preference and of our separate quality and calibre is true rather than false. So close and no closer may friendship be. And friendship with-all, is closer than any love. It is the closest human beings ever come to meeting.
Mary MacLane (I, Mary MacLane: A Diary of Human Days)
Same day, 11 o'clock p. m..—Oh, but I am tired! If it were not that I had made my diary a duty I should not open it tonight. We had a lovely walk. Lucy, after a while, was in gay spirits, owing, I think, to some dear cows who came nosing towards us in a field close to the lighthouse, and frightened the wits out of us. I believe we forgot everything, except of course, personal fear, and it seemed to wipe the slate clean and give us a fresh start. We had a capital `severe tea' at Robin Hood's Bay in a sweet little oldfashioned inn, with a bow window right over the seaweedcovered rocks of the strand. I believe we should have shocked the `New Woman' with our appetites. Men are more tolerant, bless them! Then we walked home with some, or rather many, stoppages to rest, and with our hearts full of a constant dread of wild bulls.
Bram Stoker (Dracula)
Language as a Prison The Philippines did have a written language before the Spanish colonists arrived, contrary to what many of those colonists subsequently claimed. However, it was a language that some theorists believe was mainly used as a mnemonic device for epic poems. There was simply no need for a European-style written language in a decentralized land of small seaside fishing villages that were largely self-sufficient. One theory regarding language is that it is primarily a useful tool born out of a need for control. In this theory written language was needed once top-down administration of small towns and villages came into being. Once there were bosses there arose a need for written language. The rise of the great metropolises of Ur and Babylon made a common written language an absolute necessity—but it was only a tool for the administrators. Administrators and rulers needed to keep records and know names— who had rented which plot of land, how many crops did they sell, how many fish did they catch, how many children do they have, how many water buffalo? More important, how much then do they owe me? In this account of the rise of written language, naming and accounting seem to be language's primary "civilizing" function. Language and number are also handy for keeping track of the movement of heavenly bodies, crop yields, and flood cycles. Naturally, a version of local oral languages was eventually translated into symbols as well, and nonadministrative words, the words of epic oral poets, sort of went along for the ride, according to this version. What's amazing to me is that if we accept this idea, then what may have begun as an instrument of social and economic control has now been internalized by us as a mark of being civilized. As if being controlled were, by inference, seen as a good thing, and to proudly wear the badge of this agent of control—to be able to read and write—makes us better, superior, more advanced. We have turned an object of our own oppression into something we now think of as virtuous. Perfect! We accept written language as something so essential to how we live and get along in the world that we feel and recognize its presence as an exclusively positive thing, a sign of enlightenment. We've come to love the chains that bind us, that control us, for we believe that they are us (161-2).
David Byrne (Bicycle Diaries)
Our love, it cannot be, and still and the star of every diary.
Brandon Holmquest (The Sorrows of Young Worthless)
One Our Father or one Hail Mary prayed in the midst of spiritual dryness is much more fruitful than exuberant prayers of someone who abounds in spiritual favors.
Elizabeth Kindelmann (The Flame of Love of the Immaculate Heart of Mary: The Spiritual Diary)
il nous change, il modifie la marche de notre vie." / "it changes us, it alters the course of our lives.
André Gide (Journals 1889-1949)
So life is a rectangle then. The length is the years we live and the breadth is the love we get from the people that matter in our lives.
Ronald Gan (Unfinished Diary: The Story of Lucy Rosalinda)
Rose, we are here today. Tomorrow we don’t know where life will take us to. So, as long as we have today in our hands, let’s not slip it from our hands. Let’s live it!
Farzana Zahid (The Prince and The Fairy)
And as things bloom and grow and live here, we are constantly reminded what a gift it is to put our hands in the dirt and connect with the land and each other through Mischief Farm.
Hilarie Burton Morgan (The Rural Diaries: Love, Livestock, and Big Life Lessons Down on Mischief Farm)
Before our vacation, the idea of keeping a diary and scribbling my thoughts on paper seemed silly and stuck-up. And besides it was usually something I thought only unhappy girls did.
Henry H. Roth (Boundaries of Love: And Other Stories)
I focus on my favorite daydream, the one where I return from London at the end of the summer and am all glamorous and drop-dead gorgeous and every girl in my school is completely jealous when Quinn McKeyan asks me to Fall Homecoming because he can’t resist my charm. Hey, it’s my daydream. I can dream what I want to. The thing is, Quinn’s face keeps getting replaced in my head by Dante’s. Since I’ve had a mad crush on Quinn from the time we started kindergarten all the way through our junior year last year, that’s saying something. Every daydream I’ve had for eleven years has been of him. I’m a very loyal daydreamer. And I suddenly feel like I’m cheating on my imaginary boyfriend, a boy who happens to be real, but who has been dating my best friend Becca for the past two years. And no. Becca has no idea that I’m secretly in love with her boyfriend. It’s the one secret that I’ve kept from her.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
Joshie had always told Post-Human Services staff to keep a diary, to remember who we were, because every moment our brains and synapses are being rebuilt and rewired with maddening disregard for our personalities, so that each year, each month, each day we transform into a different person, an utterly unfaithful iteration of our original selves, of the drooling kid in the sandbox.
Gary Shteyngart (Super Sad True Love Story)
Joshie has always told Post Human Services Staff to keep a diary, to remember who we were because every moment, our brains and synapses are being rebuilt and rewired with maddening disregard for our personalities, so that each year, each month, each day, we transfer into a different person, an utterly unfaithful iteration of our original selves, of the drooling kid in the sandbox. But not me. I am still a facsimile of my early childhood. I am still looking for a loving dad to lift me up and brush the sand off my ass and to hear English, calm and hurtless, fall off his lips.
Gary Shteyngart
Perhaps behind our occasional hostility toward the artist and writer there may be a slight tinge of jealousy. The man or woman who for the sake of family life, children, takes up work he does not like, disciplines himself, sacrifices some fantasy he had once, to travel or to paint, or even possibly to write, may feel toward the artist and writer a jealousy of his adventurous life. The artist and the writer have generally paid the full price for their independence and for the privilege of doing work they love, or for their artistic rebellions against standardized living or values.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 5: 1947-1955)
Of course she loved the komita more -- he must have been her sweetheart, her first big love. Most likely, they made plans together, imagined a little house, a pair of children. She wouldn't keep his diary for so many years otherwise. And then, with their love peaking, he was killed. I know that much without yet having read the end. At first she felt betrayed. He'd put some strange ideals, brotherhood and freedom, before his love for her. She hated him for that. But then one morning, almost a year after his death, the postman brought a package with foreign stamps. She read the diary, still hating him. She read it every day. She learned each letter by heart, and with the months her hatred thinned, and in the end his death turned their love ideal, doomed not to die. Yes, that's what I've come to think now. Their love was foolish, childish, sugar-sweet, the kind of love that, if you are lucky to lose it, flares up like a thatched roof but burns as long as you live. While our love...I am her husband, she is my wife.
Miroslav Penkov (East of the West: A Country in Stories)
I care with the brightened curiosity of one who loves a subject for no rational reason, but who loves it nonetheless and prodigally. This is the ardor of the academic Austenologist who believes that if she looks beneath the floorboards of the right dusty attic, she will find the diary entry explaining why Jane Austen rejected her one marriage proposal the day after she'd accepted it; of the birder in Costa Rica tiptoeing through tails of biting ants and fer-de-lance serpents in hopes of glimpsing a rare hummingbird that no one has seen for fifteen years. I could list such loves forever, the sort that visit our imaginations on the cusp of the impossible but that we cannot erase from our minds. We follow the trail with whatever breadcrumbs we can gather, with hope, with love, with an almost magical combination of urgency and patience...
Lyanda Lynn Haupt (Mozart's Starling)
The paradox of being a professional artist. How we spend our lives trying to express ourselves well, but we have nothing to tell. We want creativity to be a system of cause and effect. Results. Marketable product. We want dedication and discipline to equal recognition and reward. We get on our art school treadmill, our graduate program for a master's in fine arts, and practice, practice, practice. With all our excellent skills, we have nothing special to document. .... Nothing pisses us off more than when some strung-out drug addict, a lazy bum, or a slobbering pervert creates a masterpiece. As if by accident. Some idiot who's not afraid to say what they really love.
Chuck Palahniuk (Diary)
A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater. "No, mama." "Excuse me?" "No, I don't want to wear that sweater, it makes me look fat." "What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater." She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less. The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides. Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt. Grace and Bella, will you have any idea how lovely you are when you try? Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean." My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.
Kristin Armstrong
No. I’m not a memory. I’m not a goal. I’m not out of reach. I’m not the same girl who threw that diary out your car window. And I’m not going anywhere.” I point at the silver glinting between our feet. “That was us then.” I tug at his belt.
Elsie Silver (Wild Love (Rose Hill, #1))
Tonight I will sleep in my bed Knowing she has landed Somewhere far from here But in my mind We are still sitting in that small cocktail booth My hand holding hers Our hearts connected And me Whispering In her ear: Wherever You Go, Go With all Your heart
Hanna Abi Akl (Diary in Poems)
One of the strongest motivations for rereading is purely selfish: it helps you remember what you used to be like. Open an old paperback, spangled with marginalia in a handwriting you outgrew long ago, and memories will jump out with as much vigor as if you’d opened your old diary. These book-memories, says Hazlitt, are ‘pegs and loops on which we can hang up, or from which we can take down, at pleasure, the wardrobe of a moral imagination, the relics of our best affections, the tokens and records of our happiest hours.’ Or our unhappiest. Rereading forces you to spend time, at claustrophobically close range, with your earnest, anxious, pretentious, embarrassing former self, a person you thought you had left behind but who turns out to have been living inside you all along.
Anne Fadiman (Rereadings: Seventeen Writers Revisit Books They Love)
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
We, too, shall have to move on again with our little bundles, and leave this beautiful country, which offered us such warm welcome and which now turns it back on us. I love Holland, I who, having no native country, had hoped that it might become my fatherland, and I still hope it will!
Anne Frank (The Diary of a Young Girl)
Why can't we know those we love are about to die, so as to give them the words of love they need, the last praise or reassurance? We could not bear to know, but that is not true, for it is in the not knowing that is prepared all the sources of our suffering later. We are still like animals; we do not tell our thoughts or our feelings.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 5: 1947-1955)
I'm surrounded by five or six fly agaric mushrooms. Like them, I have burst open. I feel more resilient, more powerful. [...] I can't just love the natural world. I have to raise my voice even louder to help it. It is my duty, the duty of all of us, to support and protect nature. Our life support system, our interconnectedness, our interdependence.
Dara McAnulty (Diary of a Young Naturalist)
I have hated you in every hour that has gone by, I hate you so that I would happily give my life for your death, and happily go to my own doom if only I could witness yours, take you with me into the depths. When I let this hate free, I am almost overcome by it, but I cannot change this and do not really know how it could be otherwise. Let no one deprecate this, nor fool himself about the power of such hatred. Hate drives to reality. Hate is the father of the action. The way out of our defiled and desecrated house is through the command to hate Satan. Only so will be earn the right to search in the darkness for the way of love. In our hatred, we are like bees who must pay with their lives for the use of their stingers.
Friedrich Reck-Malleczewen
We go too far in fearing for our unhappy bodies, but our forgotten spirit shrivels up in some corner. Our lives are going wrong, we conduct ourselves without dignity. We lack historical sense, forget that even those about to perish are part of history. I hate nobody. I am not embittered. And once the love of mankind has germinated in you, it will grow without measure.
Etty Hillesum (An Interrupted Life: The Diaries, 1941-1943; and Letters from Westerbork)
We all love in four ways; one from our heart, where we like someone's nature or actions; one from the mind where we like someone's thoughts; one from the body, where we are physically attracted to someone, and lastly from the soul, one that is our soul mate. Sometimes all the four loves are found in one person, which is very rare and sometimes we find four people for each of these loves.
Namrata (Metro Diaries)
Again and again, I ask myself, would it not have been better for us all if we had not gone into hiding, and if we were dead now and not going through all this misery, especially as we shouldn't be running our protectors into danger anymore. But we all recoil from these thoughts too, for we still love life, we haven't yet forgotten the voice of nature, we still hope, hope about everything.
Anne Frank (The Diary of Anne Frank)
A villager named Avery moved into town and started up a fashion clothing store. She said that fashion was her passion, and that she wanted to brighten up our town with dazzling colors and the latest trends. After moving in and starting up her business, Avery suggested to the mayor that we should put our guard force in uniform, so that we could distinguish them easily from regular villagers. The mayor loved the idea, so he commissioned
Steve the Noob (Diary of Steve the Noob 22 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Many of us humans have a hard time with understanding one simple truth: the surest way to get love is to start giving love to others. Often, when we desperately need some companionship, understanding and warmth from those who are around us, we chose to blame, shout, criticize, accuse, insult and set ultimatums. But in reply, we only encounter with cold walls of estrangement which was diligently built by our own efforts, farcical walls and fences.
Sahara Sanders (INDIGO DIARIES: A Series of Novels)
For the person who wants to capture everything that passes before his eyes, [...] the only coherent way to act is to snap at least one picture a minute, from the instant he opens his yes in the morning to when he goes to sleep. This is the only way that he rolls of exposed film will represent a faithful diary of our days, with nothing left out. If I were to start taking pictures, I'd see this thing through, even if it meant losing my mind. But the rest of you still insist on making a choice. What sort of choice? A choice in the idyllic sense, apologetic, consolatory, at peace with nature, the fatherland, the family. Your choice isn't only photographic; it is a choice of life, which leads you to exclude dramatic conflicts, the knots of contradiction, the great tensions of will, passion, aversion. So you think you are saving yourselves from madness, but you are falling into mediocrity, into hebetude." - from "The Adventure of a Photographer
Italo Calvino (Difficult Loves)
We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or to tell each other how pretty we were...we knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
Jeffrey Eugenides (The Virgin Suicides)
Oh, Michael, soon we’ll be parkin’ in front of Grand Moff Tarkin Enjoying veggie moo shu to the beeps of R2-D2 And maybe even holding hands while gazing upon the Tatooine sands And knowing that our love by far has more fire power than the Death Star And though they may blow up our planet and kill every creature living on it Like Leia and Han, in the stars above, they can never destroy our love— Like the Millennium Falcon in hyperdrive our love will continue to thrive and thrive.
Meg Cabot (Princess in Waiting (The Princess Diaries, #4))
Even if our loved ones have assured us that they will be busy at work, even if they told us they hated us for going traveling in the first place, even if they left us last June or died twelve and a half years ago, it is impossible not to experience a shiver of a sense that they may have come along anyway, just to surprise us and make us feel special (as someone must have done for us when we were small, if only occasionally, or we would never had the strength to make it this far).
Alain de Botton (A Week at the Airport: A Heathrow Diary)
Then came that July Sunday afternoon when our house suddenly emptied, and we were the only ones there, and fire tore through my guts—because “fire” was the first and easiest word that came to me later that same evening when I tried to make sense of it in my diary. I’d waited and waited in my room pinioned to my bed in a trancelike state of terror and anticipation. Not a fire of passion, not a ravaging fire, but something paralyzing, like the fire of cluster bombs that suck up the oxygen around them and leave you panting because you’ve been kicked in the gut and a vacuum has ripped up every living lung tissue and dried your mouth, and you hope nobody speaks, because you can’t talk, and you pray no one asks you to move, because your heart is clogged and beats so fast it would sooner spit out shards of glass than let anything else flow through its narrowed chambers. Fire like fear, like panic, like one more minute of this and I’ll die if he doesn’t knock at my door, but I’d sooner he never knock than knock now.
André Aciman (Call Me by Your Name)
In 2003, Meryl Streep won a career achievement César Award, the French equivalent of an Oscar. Streep’s words (my translation) acknowledged the enduring interest of French audiences in women’s lives and women’s stories: "I have always wanted to present stories of women who are rather difficult. Difficult to love, difficult to understand, difficult to look at sometimes. I am very cognizant that the French public is receptive to these complex and contradictory women. As an actress I have understood for a long time that lies are simple, seductive and often easy to pass off. But the truth—the truth is always very very very complicated, often unpleasant, nuanced or difficult to accept." In France, an actress can work steadily from her teens through old age—she can start out in stories of youthful rebellion and end up, fifty years later, a screen matriarch. And in the process, her career will end up telling the story of a life—her own life, in a sense, with the films serving, as Valeria Bruni Tedeschi puts it, as a “journal intime,” or diary, of one woman’s emotions and growth. No wonder so many French actresses are beautiful. They’re radiant with living in a cinematic culture that values them, and values them as women. And they are radiant with living in a culture—albeit one with flaws of its own—in which women are half of who decides what gets valued in the first place. Their films transcend national and language barriers and are the best vehicles for conveying the depth and range of women’s experience in our era. The gift they give us, so absent in our own movies, is a vision of life that values emotional truth, personal freedom and dignity above all and that favors complexity over simplicity, the human over the machine, maturity over callowness, true mysteries over false explanations and an awareness of mortality over a life lived in denial. In the luminous humanity of their faces and in the illuminated humanity of their characters, we discover in these actresses something much more inspiring than the blank perfection and perfect blankness of the Hollywood starlet. We discover the beauty of the real.
Mick LaSalle (The Beauty of the Real: What Hollywood Can Learn from Contemporary French Actresses)
Thursday 8 February [Halifax] Came upstairs at 11 a.m. Spent my time from then till 3, writing to M— very affectionately, more so than I remember to have done for long… Wrote the following crypt, ‘I can live upon hope, forget that we grow older, & love you as warmly as ever. Yes, Mary, you cannot doubt the love of one who has waited for you so long & patiently. You can give me all of happiness I care for &, prest to the heart which I believe my own, caressed & treasured there, I will indeed be constant & never, from that moment, feel a wish or thought for any other than my wife. You shall have every smile & every breath of tenderness. “One shall our union & our interests be” & every wish that love inspires & every kiss & every dear feeling of delight shall only make me more securely & entirely yours.’ Then, after hoping to see her in York next winter & at Steph’s2 before the end of the summer, I further wrote in crypt as follows, ‘I do not like to be too long estranged from you sometimes, for, Mary, there is a nameless tie in that soft intercourse which blends us into one & makes me feel that you are mine. There is no feeling like it. There is no pledge which gives such sweet possession.’ Monday 12 February [Halifax] Letter… from Anne Belcombe (Petergate, York)… nothing but news & concluded, ‘from your ever sincere, affectionate, Anne Belcombe.’ The seal, Cupid in a boat guided by a star. ‘Si je te perds, je suis perdu.’3 Such letters as these will keep up much love on my part. I shall not think much about her but get out of the scrape as well as I can, sorry & remorseful to have been in it at all. Heaven forgive me, & may M— never know it.
Anne Lister (The Secret Diaries of Miss Anne Lister: Volume I)
I be loyal to my friends and generous to my opponents. May I face adversity with courage. May I not ask or expect too much for myself. Yet, Lord, do not let me rest content with an ideal of humanity that is less than what was shown to us in Jesus. Give me the mind of Christ. May I not rest until I am like him in all his fullness. May I listen to Jesus’ question: What are you doing more than others? And so may the three Christian graces of faith, hope, and love be more and more formed within me, until all I do and say brings honor to Jesus and his gospel. O God, you proved your love to us in the passion and death of Jesus Christ our Lord; may the power of his cross be with me today. May I love as he loved. May I be obedient even to death. As I lean on his cross may I not refuse my own; but rather may I bear it by the strength of his. O Lord, you have placed the solitary in families; I ask for your heavenly blessing for all the members of my household, all my neighbors, and all my fellow citizens. May Christ rule in every heart and his law be honored in every home. May every knee bend before him and every tongue confess that he is Lord. Amen.
John Baillie (A Diary of Private Prayer)
Sometimes the most important finding in a scientific study is a simple observation, free of any hypothesis or pitting of theoretical perspectives against one another. And this was true in our daily diary research: people experience awe two to three times a week. That’s once every couple of days. They did so in finding the extraordinary in the ordinary: a friend’s generosity to a homeless person in the streets; the scent of a flower; looking at a leafy tree’s play of light and shadow on a sidewalk; hearing a song that transported them back to a first love; bingeing Game of Thrones with friends. Everyday awe.
Dacher Keltner (Awe: The New Science of Everyday Wonder and How It Can Transform Your Life)
Again and again I ask myself, would it not have been better for us all if we had not going into hiding and if we were dead now and not going through all this misery, especially as we shouldn't be running our protectors into danger any more. But we all recoil from these thoughts too, for we still love life, we haven't yet forgotten the voice of nature, we still hope, hope about everything. I hope something will happen soon now, shooting if need be - nothing can crush us more than this restlessness. Let the end come, even if it is hard, then at least we shall know whether we are finally going to win through or go under.
Anne Frank (Anne Frank: The Diary of a Young Girl)
By the time Jefferson prepared to return to Virginia [from Paris], the lovely girl was 16. Here was a young woman who never could have emasculated him, never could have threatened him, never could have left him. She could not demand marriage from him, and make him break his promise to his late wife. A man could not marry his slave. Legally, she was required to do his bidding as long as she lived. Sally, for Jefferson, was the perfect solution. And what about Sally? How did she feel about him? We know frustratingly little about her as a person. Her thoughts and feelings, her hopes and disappointments. And As an enslaved woman, she leaves us no portraits, no letters, no diaries... We have no idea when the affair began. Did he set out immediately to seduce the 14-year-old? ... Our only source of information is her son...
Eleanor Herman (Sex with Presidents: The Ins and Outs of Love and Lust in the White House)
Sitting out on the canoe tonight, watching the indigo waters of the South China Sea, I noticed the waxing moon calculating that maybe by the time it is full we’ll be back in the U.S. of A. I shed a few tears for Michael again. I was hoping his ghost would materialize just to let me know there actually is a spiritual realm but no such luck. It was just me, alone. It’s so bizarre. He was here and now… he’s gone. That’s the way it is. We are… and then, we are no more. Two or three loved ones keep our memory alive… and then, they are no more. And we all fade into that massive vapor cloud of forgotten souls. Why were we even here in the first place? I began to stand up. That’s when I saw it. It entered the night sky from the west and streaked to the east, forming a brilliant but thin arc of flame. A shooting star. A meteorite. Was that my confirmation? I would like to think so.
Gerald Maclennon (God, Bombs & Viet Nam: Based on the Diary of a 20-Year-Old Navy Enlisted Man in the Vietnam Air War - 1967)
What to Make a Game About? Your dog, your cat, your child, your boyfriend, your girlfriend, your mother, your father, your grandmother, your friends, your imaginary friends, your summer vacation, your winter in the mountains, your childhood home, your current home, your future home, your first job, your worst job, the job you wish you had. Your first date, your first kiss, your first fuck, your first true love, your second true love, your relationship, your kinks, your deepest secrets, your fantasies, your guilty pleasures, your guiltless pleasures, your break-up, your make-up, your undying love, your dying love. Your hopes, your dreams, your fears, your secrets, the dream you had last night, the thing you were afraid of when you were little, the thing you’re afraid of now, the secret you think will come back and bite you, the secret you were planning to take to your grave, your hope for a better world, your hope for a better you, your hope for a better day. The passage of time, the passage of memory, the experience of forgetting, the experience of remembering, the experience of meeting a close friend from long ago on the street and not recognizing her face, the experience of meeting a close friend from long ago and not being recognized, the experience of aging, the experience of becoming more dependent on the people who love you, the experience of becoming less dependent on the people you hate. The experience of opening a business, the experience of opening the garage, the experience of opening your heart, the experience of opening someone else’s heart via risky surgery, the experience of opening the window, the experience of opening for a famous band at a concert when nobody in the audience knows who you are, the experience of opening your mind, the experience of taking drugs, the experience of your worst trip, the experience of meditation, the experience of learning a language, the experience of writing a book. A silent moment at a pond, a noisy moment in the heart of a city, a moment that caught you unprepared, a moment you spent a long time preparing for, a moment of revelation, a moment of realization, a moment when you realized the universe was not out to get you, a moment when you realized the universe was out to get you, a moment when you were totally unaware of what was going on, a moment of action, a moment of inaction, a moment of regret, a moment of victory, a slow moment, a long moment, a moment you spent in the branches of a tree. The cruelty of children, the brashness of youth, the wisdom of age, the stupidity of age, a fairy tale you heard as a child, a fairy tale you heard as an adult, the lifestyle of an imaginary creature, the lifestyle of yourself, the subtle ways in which we admit authority into our lives, the subtle ways in which we overcome authority, the subtle ways in which we become a little stronger or a little weaker each day. A trip on a boat, a trip on a plane, a trip down a vanishing path through a forest, waking up in a darkened room, waking up in a friend’s room and not knowing how you got there, waking up in a friend’s bed and not knowing how you got there, waking up after twenty years of sleep, a sunset, a sunrise, a lingering smile, a heartfelt greeting, a bittersweet goodbye. Your past lives, your future lives, lies that you’ve told, lies you plan to tell, lies, truths, grim visions, prophecy, wishes, wants, loves, hates, premonitions, warnings, fables, adages, myths, legends, stories, diary entries. Jumping over a pit, jumping into a pool, jumping into the sky and never coming down. Anything. Everything.
Anna Anthropy (Rise of the Videogame Zinesters)
Truth About Love" I apologize for not being Gandhi or Tom the mailman who is always kind. He makes his way every day no matter the mood of the sky with our words in a sack and Gandhi made the English give India back without taking a gun for a wife. My contribution to the common good is playing with the alphabet in a little room while the world goes foraging for food. I’m a better poet than man and it’s well known how little my verbs are worth. I am my only subject, being the god of my horizons. What saves me is that just beyond my skin the world of yours is where I’d rather live. The AMA says you’ve added seven point six years to my life. In a phrase, love is a transfer of wealth. This is why Adam Smith gave up romantic verse. In trying to say what can’t be said I’ll take the Dragnet approach. Just the facts. I’d be dead sooner without you, you’ll die faster for being a Mrs., raw deal can’t be more clearly defined. To make amends I offer ten percent more kisses each year. Or do I do more harm the closer we become? If yes, leaving would be love and a better man might. But my thrills are selfishly domestic. I like sweeping words into piles and whispering good night.
Bob Hicok (Insomnia Diary (Pitt Poetry Series))
On Sunday, November 10, Kaiser Wilhelm II was dethroned, and he fled to Holland for his life. Britain’s King George V, who was his cousin, told his diary that Wilhelm was “the greatest criminal known for having plunged the world into this ghastly war,” having “utterly ruined his country and himself.” Keeping vigil at the White House, the President and First Lady learned by telephone, at three o’clock that morning, that the Germans had signed an armistice. As Edith later recalled, “We stood mute—unable to grasp the significance of the words.” From Paris, Colonel House, who had bargained for the armistice as Wilson’s envoy, wired the President, “Autocracy is dead. Long live democracy and its immortal leader. In this great hour my heart goes out to you in pride, admiration and love.” At 1:00 p.m., wearing a cutaway and gray trousers, Wilson faced a Joint Session of Congress, where he read out Germany’s surrender terms. He told the members that “this tragical war, whose consuming flames swept from one nation to another until all the world was on fire, is at an end,” and “it was the privilege of our own people to enter it at its most critical juncture.” He added that the war’s object, “upon which all free men had set their hearts,” had been achieved “with a sweeping completeness which even now we do not realize,” and Germany’s “illicit ambitions engulfed in black disaster.” This time, Senator La Follette clapped. Theodore Roosevelt and Senator Lodge complained that Wilson should have held out for unconditional German surrender. Driven down Capitol Hill, Wilson was cheered by joyous crowds on the streets. Eleanor Roosevelt recorded that Washington “went completely mad” as “bells rang, whistles blew, and people went up and down the streets throwing confetti.” Including those who had perished in theaters of conflict from influenza and other diseases, the nation’s nineteen-month intervention in the world war had levied a military death toll of more than 116,000 Americans, out of a total perhaps exceeding 8 million. There were rumors that Wilson planned to sail for France and horse-trade at the peace conference himself. No previous President had left the Americas during his term of office. The Boston Herald called this tradition “unwritten law.” Senator Key Pittman, Democrat from Nevada, told reporters that Wilson should go to Paris “because there is no man who is qualified to represent him.” The Knickerbocker Press of Albany, New York, was disturbed by the “evident desire of the President’s adulators to make this war his personal property.” The Free Press of Burlington, Vermont, said that Wilson’s presence in Paris would “not be seemly,” especially if the talks degenerated into “bitter controversies.” The Chattanooga Times called on Wilson to stay home, “where he could keep his own hand on the pulse of his own people” and “translate their wishes” into action by wireless and cable to his bargainers in Paris.
Michael R. Beschloss (Presidents of War: The Epic Story, from 1807 to Modern Times)
DAVE HEBERT HAS ADDED SHANE LINDLEY TO THE GROUP NEIGHBORS. SHANE: Thanks for the add! SHANE: Like we discussed in the meeting earlier, I think the Valentine’s Day party should DEFINITELY include a secret Valentine exchange. Also, my little sis is pretty crafty, so she can help out with any decorations, cards, etc etc. VERONIKA: I love secrets :D DIANA DIXON HAS REMOVED SHANE LINDLEY FROM THE GROUP NEIGHBORS. BRENDA KOWALSKY HAS ADDED SHANE LINDLEY TO THE GROUP NEIGHBORS. SHANE: Glad to be back in the chat! Thanks, B. DIANA: Sorry, guys. Brenda accidentally added Red Birch resident 2B. She’s asked me to correct the error. DIANA DIXON HAS REMOVED SHANE LINDLEY FROM THE GROUP NEIGHBORS. RALPH ROBARDS HAS ADDED SHANE LINDLEY TO THE GROUP NEIGHBORS. RALPH: Shane, not sure why you got removed before? Diana, not sure what the error was? Anyway, re-adding you. SHANE: Ralph, my man! Appreciate the add. RALPH ROBARDS HAS BEEN REMOVED AS AN ADMIN OF THE GROUP NEIGHBORS. DIANA DIXON HAS REMOVED SHANE LINDLEY FROM THE GROUP NEIGHBORS. DIEGO GOMEZ HAS ADDED SHANE LINDLEY TO THE GROUP NEIGHBORS. SHANE: Regarding the spring barbecue, Gustav says he’s able to offer a deal if we go to him for all our sausage needs. VERONIKA: Yum! You really know how to whet a girl’s appetite :D CELESTE: How tasty! DIANA DIXON HAS REMOVED SHANE LINDLEY FROM THE GROUP NEIGHBORS. NIALL GENTRY HAS ADDED SHANE LINDLEY TO THE GROUP NEIGHBORS. DIANA: Niall, did Shane tell you about the drum set he just bought?? NIALL GENTRY HAS REMOVED SHANE LINDLEY FROM THE GROUP NEIGHBORS. THE END
Elle Kennedy (The Dixon Rule (Campus Diaries, #2))
Dear Kitty, Another birthday has gone by, so now I’m fifteen. I received quite a lot of presents. All five parts of Sprenger’s History of Art, a set of underwear, a handkerchief, two bottles of yoghurt, a pot of jam, a spiced gingerbread cake, and a book on botany from Mummy and Daddy, a double bracelet from Margot, a book from the Van Daans, sweet peas from Dussel, sweets and exercise books from Miep and Elli and, the high spot of all, the book Maria Theresa and three slices of full-cream cheese from Kraler. A lovely bunch of peonies from Peter, the poor boy took a lot of trouble to try and find something, but didn’t have any luck. There’s still excellent news of the invasion, in spite of the wretched weather, countless gales, heavy rains, and high seas. Yesterday Churchill, Smuts, Eisenhower, and Arnold visited French villages which have been conquered and liberated. The torpedo boat that Churchill was in shelled the coast. He appears, like so many men, not to know what fear is—makes me envious! It’s difficult for us to judge from our secret redoubt how people outside have reacted to the news. Undoubtedly people are pleased that the idle (?) English have rolled up their sleeves and are doing something at last. Any Dutch people who still look down on the English, scoff at England and her government of old gentlemen, call the English cowards, and yet hate the Germans deserve a good shaking. Perhaps it would put some sense into their woolly brains. I hadn’t had a period for over two months, but it finally started again on Saturday. Still, in spite of all the unpleasantness and bother, I’m glad it hasn’t failed me any longer. Yours, Anne
Anne Frank (The Diary of a Young Girl)
them.” “Okay, Arceus and Calvin,” I said. “Yes?” they answered. “I need you guys to get horses and track down Team Scorpion. Once you have their location, we will assemble a team and attack their hideout.” Arceus nodded. “It sounds like a good plan.” “But what if they just keep running and they never stop?” asked Calvin. “They have to stop sometime,” said Shadow. “Plus, they have to stash their loot somewhere.” Calvin nodded. “Okay, we’ll head to Thane’s stable. I’ll pick up Rose too, she can help us track them.” “Good idea,” I said. Before leaving, Arceus turned to Cindy and said, “Alas, our time reunited was so short, and now we must part again, my love.” “Uh, why are you calling me that? I’m not your love,” Cindy replied. “Oh, but you are, darling. I love you, so therefore, you are my love.” “You love me…?” Cindy had a shocked expression on her face. “Yes, of course. If not for you, I would have left this town a long time ago.” “Really?” "To be honest, I hate this town. There's always some troubling event going on here. But this is your hometown, and I know you love it so. Therefore, I will gladly fight to my dying breath to defend it if I must.” Cindy blushed. “Um… that’s… very sweet of you…” “Well, we should head out now. Until we meet again, my love.” Arceus hugged Cindy and then he left with Calvin to go to the stable. “What should we do in the meantime?” asked Devlin. “We’ll go home and check up on everyone. We gotta make sure they’re okay.” “And then?” “We’ll prepare for the assault on Team Scorpion’s hideout.” Knight-Captain Devlin nodded. We made our way back to town. When we arrived, we saw a bunch of villagers by town hall. They were drowning the mayor with questions. “Who were those jerks?!” a villager asked. “What did they want?!” asked another. “I thought this place was safe!” yelled a new villager. “How are you going to protect us from them?!” The questions went on and on. The mayor lost the crowd, he had no control over them whatsoever. They were becoming restless.
Steve the Noob (Diary of Steve the Noob 23 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Friday, March 24, 1944 ...Have my parents forgotten that they were young once? Apparently they have. At any rate, they laugh at us when we're serious, and they're serious when we're joking. Saturday, March 25, 1944 I don't have much in the way of money or worldly possessions, I'm not beautiful, intelligent or clever, but I'm happy, and I intend to stay that way! I was born happy, I love people, I have a trusting nature, and I'd like everyone else to be happy too. Friday, March 31, 1944 My life here has gotten better, much better. God has not forsaken me, and He never will. Wednesday, April 5, 1944 ...I can't imagine having to live like Mother, Mrs. van Daan and all the women who go about their work and are then forgotten. I need to have something besides a husband and children to devote myself to! I don't want to have lived in vain like most people. I want to be useful or bring enjoyment to all people, even those I've never met. I want to go on living even after my death! And that's why I'm so grateful to God for having given me this gift, which I can use to develop myself and to express all that's inside me! When I write I can shake off all my cares. My sorrow disappears, my spirits are revived! But, and that's a big question, will I ever be able to write something great, will I ever become a journalist or a writer? Tuesday, April 11, 1944 We've been strongly reminded of the fact that we're Jews in chains, chained to one spot, without any rights, but with a thousand obligations. We must put our feelings aside; we must be brave and strong, bear discomfort without complaint, do whatever is in our power and trust in God. One day this terrible war will be over. The time will come when we'll be people again and not just Jews! ...It's God who has made us the way we are, but it's also God who will lift us up again... ... I know what I want, I have a goal, I have opinions, a religion and love. If only I can be myself, I'll be satisfied. I know that I'm a woman, a woman with inner strength and a great deal of courage! If God lets me live, I'll achieve more than Mother ever did, I'll make my voice heard, I'll go out into the world and work for mankind! I know now that courage and happiness are needed first! Monday, April 17, 1944 Oh yes, I still have so much I want to discuss with him, since I don't see the point of just cuddling. Sharing our thoughts with each other requires a great deal of trust, but we'll both be stronger because of it!
Anne Frank (The Diary Of a Young Girl)
And you know what else they probably pray for every night?” I paused for a moment before saying, “Someone to save them. We could be that someone. We could end this plague. We could save the world. But I can’t do it alone. I’m gonna need your help, specifically the help of our tier 1s and tier 2s.” The crowd started murmuring to each other. “So, that’s what this speech is about—I’m asking for volunteers for this final mission. Now, I know what I’m asking, and I know it’s a lot. I’m basically asking you to risk your lives to help me fight the hardest battle ever. And I can’t guarantee your safety, nor can I guarantee our success… but still, we have to try. For the greater good, we have to try. Because we’ve come too far to give up now. That’s why we’re gonna give this one last mission our best effort. We’re gonna all come together and push hard through the finish line. And with our newly crafted dragon equipment and all the new class upgrades, I believe our chance of success is higher than ever before. So, with that in mind, what say you, my friends? Who’s with me? Who’s gonna help me put an end to the nightly plagues?” There was a brief moment of silence as my final words echoed through the night. But then Devlin spoke up. “I’m with you, Steve! Always.” “Me, too!” yelled Bob. “An epic fight between good and evil?! Can’t miss out on that!” shouted Arthur. “I got your back, bro!” yelled Obsidian Fist. Dozens of more tier 1s and 2s volunteered and made themselves heard. As I watched their hands shot up into the air, I smiled and let out a breath of relief. “Were you worried that there wouldn’t be enough volunteers?” the mayor whispered to me. “Yeah, kinda…” I whispered back. Then he smiled at me. “You’re their general, Steve. They’re not going to let you go off into battle alone… and neither would I.” He shook my hand. “Great speech, by the way. I’ll take it from here.” “Thank you, sir,” I said as I handed him the microphone. The mayor’s voice boomed over the speakers. “Alright, well said. Let’s give it up for General Steve!” Everyone clapped and cheered. “For those of you that volunteered, we’ll be heading out in a day or two. We still need to make preparations for the trip, and Cole still needs to fit the new armor to the golem suits, so all that is going to take some time. I’d suggest you use this time wisely—spend it with family, friends and loved ones. Eat with them, relax with them, be merry and carefree. Because when it is time to go, we’ll be in it to fight the battle of our lives.” The tier 1s and 2s in the crowd nodded.
Steve the Noob (Diary of Steve the Noob 45 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
Sunday, May 7, 1944 I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character! Monday, May 22, 1944 ...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews? Thursday, May 25, 1944 The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next. ...We're going to be hungry, but nothing's worse than being caught. Friday, May 26, 1944 ...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces. ...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us? ... ...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror. ... I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything. Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished. Tuesday, June 13, 1944 Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike. It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage! ...Nature is the one thing for which there is no substitute.
Anne Frank (The Diary Of a Young Girl)
8:00am The sun is shining, the cows are mooing, and I am ready for the mines. I hope I find something awesome today. Steve has told me about some pretty crazy things I had no idea existed. According to him, I must find empty tombs in the desert. That’s where the real treasures are. For today, I will stick to regular mining. Who knows, maybe I will come across an abandoned mine shaft; could be my lucky day.   12:30pm I was forced to come home for lunch today because I had too much stuff to carry. I was getting low on my iron ore, gold, and lapis lazuli stocks before this mine trip. It’s amazing how quick lapis goes when you are busy enchanting everything but the kitchen sink. I’d enchant that too if I had one. I wonder what an enchanted kitchen sink would do. Would it do my dishes for me? That would be so cool.   I have plenty of both now. I can make some new armor and enchant it! I love mining.   Steve decided to join me for lunch and we ate a couple of pork chops and some cake. I love cake! We ate until no more food could fill us up. Then, Steve had the guts to brag about how, when he mines, he takes a horse with extra storage so he can stay down there all day long. Well fancy you, Steve.   He also went on to tell me about how well the crops are doing these days. He thinks it’s because he is looking after them half of the time. What he doesn’t know is I throw bone marrow on them when I am working. Makes my job faster and gives me more free time so whatever you need to tell yourself, Steve.   Life may be easier switching every day between mines and farming, but it still doesn’t make me his biggest fan. I just don’t think he needs to fall in a hole, either. At least… Not right now. I would consider us to be frienemies; Friendly enemies. Yes. At times we pretend to get along, but most of the time, we are happiest doing our own thing.   6:00pm Mining this afternoon was super fun… Not! I got attacked by a partially hidden skeleton guy. I couldn’t see him enough to strike back until half of my life hearts were gone. I must not have made the space bright enough. Those guys are nasty. They are hard to kill too. If you don’t have a bow and arrow you might as well surrender. Plus, they kind of smell like death. Yuck.   Note to self: Bring more torches on the next mining day.   On the other hand, I came back with an overshare of Redstone, too much iron for my own good, and oddly, quite a few diamonds. I won’t be sharing the diamonds with anyone. They are far too precious. They will go to some new diamond pickaxes, and maybe some armor. Hmm, I could enchant those too! The iron and Redstone though, I am thinking a trip to the village may be in order. See what those up-tight weirdos are willing to trade me.   For now, it’s bedtime.   6:10pm You can only sleep at night. You can only sleep at night. You can only sleep at night.   6:11pm That stupid rule gets me every time. Why can’t I decide when it’s bed time?   First, I will go eat a cookie, then I will go to sleep. Day Thirty-Three   3:00am I just dreamt that our world was made of cookies.
Crafty Nichole (Diary of an Angry Alex: Book 3 (an Unofficial Minecraft Book))