Usher Quotes

We've searched our database for all the quotes and captions related to Usher. Here they are! All 100 of them:

Clouds come floating into my life, no longer to carry rain or usher storm, but to add color to my sunset sky.
Rabindranath Tagore (Stray Birds)
So Mr.Bass why do you think you should become an Usher?" asked the interviewer.Chuck smiled. Because I'm Chuck Bass.
Cecily von Ziegesar (Would I Lie to You (Gossip Girl, #10))
This, she realizes, is the basis of all fear. That a light you are powerless to stop will turn on you and usher a bullet to its mark.
Anthony Doerr (All the Light We Cannot See)
I USHERED SOULS INTO THE NEXT WORLD. I WAS THE GRAVE OF ALL HOPE. I WAS THE ULTIMATE REALITY. I WAS THE ASSASSIN AGAINST WHOM NO LOCK WOULD HOLD. "Yes, point taken, but do you have any particular skills?
Terry Pratchett (Mort (Discworld, #4; Death, #1))
The magic of the present moment that is warily stored in the granary of our memory may pop up at any time and usher us along the winding paths of our life, and light up the dead points in the dim curves of our journey. ("Voices of the sea") –
Erik Pevernagie
I'd always thought death would be some sort of peaceful homecoming - a sweet, sad lullaby to usher me into whatever waited afterward.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I wrote the song 'Down to Earth' a few years ago, and i was really excited to record it for My World album. It's a huge fan favourite. So many people feel where i'm coming from. It doesn't need any spectacular stage effects in the touring show; the best thing i can do is just sing it straight from my heart. I'm not afraid to show my emotions; if you love someone, you should tell them. If you think a girl is beautiful, you should say that. Usher says some songs work best when there's a sob in the singer's voice. You gotta let that deep feeling come through. And that's how i felt about this song. Sometimes the emotion of it is enough to bring tears to my eyes.
Justin Bieber
On the whole, I do not find Christians, outside of the catacombs, sufficiently sensible of conditions. Does anyone have the foggiest idea what sort of power we so blithely invoke? Or, as I suspect, does no one believe a word of it? The churches are children playing on the floor with their chemistry sets, mixing up a batch of TNT to kill a Sunday morning. It is madness to wear ladies’ straw hats and velvet hats to church; we should all be wearing crash helmets. Ushers should issue life preservers and signal flares; they should lash us to our pews. For the sleeping god may wake someday and take offense, or the waking god may draw us out to where we can never return.
Annie Dillard
His heart is a suspended lute; As soon as you touch it, it resonates.
Edgar Allan Poe (The Fall of the House of Usher)
When they reached a maintenance closet, Iko ushered the escort-droid inside. “I want you to know that I hold nothing against you,” she said, by way of introduction. “I understand that it isn’t your fault your programmer had so little imagination.” The escort-droid held her gaze with empty eyes. “In another life, we could have been sisters, and I feel it’s important to acknowledge that.” A blank stare. A blink, every six seconds. “But as it stands, I’m a part of an important mission right now, and I cannot be swayed from my goal by my sympathy for androids who are less advanced than myself.” Nothing. “All right then.” Iko held out her hands. “I need your clothes.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
As long as skies are blue, and fields are green Evening must usher night, night urge the morrow, Month follow month with woe, and year wake year to sorrow
Percy Bysshe Shelley
Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone shakes from the ripple of a thousand butterflies inside a single stomach. Somewhere someone is packing their bags to see the world with someone else. Somewhere someone is reaching through the most terrifying few feet of space to hold the hand of someone else. Somewhere someone is watching someone else’s chest rise and fall with the breath of slumber. Somewhere someone is pouring ink like blood onto pages fighting to say the truth that has no words. Somewhere someone is waiting patient but exhausted to just be with someone else. Somewhere someone is opening their eyes to a sunrise in someplace they have never seen. Somewhere someone is pulling out the petals twisting the apple stem picking up the heads up penny rubbing the rabbits foot knocking on wood throwing coins into fountains hunting for the only clover with only 4 leaves skipping over the cracks snapping the wishbone crossing their fingers blowing out the candles sending dandelion seeds into the air ushering eyelashes off their thumbs finding the first star and waiting for 11:11 on their clock to spend their wishes on someone else. Somewhere someone is saying goodbye but somewhere someone else is saying hello. Somewhere someone is sharing their first or their last kiss with their or no longer their someone else. Somewhere someone is wondering if how they feel is how the other they feels about them and if both theys could ever become a they together. Somewhere someone is the decoder ring to all of the great mysteries of life for someone else. Somewhere someone is the treasure map. Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone is wrong.
Tyler Knott Gregson
The want for that kiss had shocked him more than the interruption, and he fell back into the chair, cool and nonchalant as Quen came in with his questions and demands. He wasn't sure if he believed he'd really helped, but one thing was very clear. He wanted that again, that feeling of standing with her against all odds and succeeding. He wanted it so bad, he was going to risk destroying everything he and his father had worked for. He should walk away. Right now. But as she was ushered out the door under David's arm, all he wanted to do was follow her. What the hell was he doing, falling in love with a demon?
Kim Harrison (A Perfect Blood (The Hollows, #10))
If somebody steps on your shoes and ruins them, don't freak out.. get a new pair of shoes. If you miss something, don't freak out.. there's nothing you can do to change it.. just move on
Usher
Ah, Lovely October, as you usher in the season that awakens my soul, your awesome beauty compels my spirit to soar like an leaf caught in an autumn breeze and my heart to sing like a heavenly choir.
Peggy Toney Horton
Of all spiritual disciplines prayer is the most central because it ushers us into perpetual communion with the Father.
Richard J. Foster (Celebration of Discipline: The Path to Spiritual Growth)
Fall, leaves, fall; die, flowers, away; Lengthen night and shorten day; Every leaf speaks bliss to me Fluttering from the autumn tree. I shall smile when wreaths of snow Blossom where the rose should grow; I shall sing when night’s decay Ushers in a drearier day.
Emily Brontë (Bronte: Poems)
Not hear it? --yes, I hear it, and have heard it. Long --long --long --many minutes, many hours, many days, have I heard it --yet I dared not --oh, pity me, miserable wretch that I am! --I dared not --I dared not speak! We have put her living in the tomb!
Edgar Allan Poe (The Fall of the House of Usher)
So why are you so mad at me for kissing you?” “Because you took too long. If you'd done that, say, three years ago, we wouldn't have only had one kiss before we both get horribly mutilated.
Rusty Fischer (Ushers, Inc.)
That’s what time does. It ushers a return to equilibrium. Unease becomes ease. A shock, no matter how potent, always wears off with time.
Iain Reid (Foe)
I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher.
Edgar Allan Poe (The Fall of the House of Usher)
Romulan or Vulcan?' the ushers asked each guest. Marion, who had been poised to say 'friends of the bride' had responded to the question with an open-mouthed stare, and Jay Omega answered, 'Klingon!" which got them seats in the back row of the Romulan side.
Sharyn McCrumb (Bimbos of the Death Sun (Jay Omega, #1))
During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was--but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasureable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me--upon the mere house, and the simple landscape features of the domain--upon the bleak walls--upon the vacant eye-like windows--upon a few rank sedges--and upon a few white trunks of decayed trees--with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium--the bitter lapse into everyday life--the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart--an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime.
Edgar Allan Poe (The Fall of the House of Usher and Other Tales)
The man who can get believers to praying would, under God, usher in the greatest revival that the world has ever known.
Leonard Ravenhill (Why Revival Tarries)
Archbishop James Usher (1580-1656) published Annales Veteris et Novi Testaments in 1654, which suggested that the Heaven and the Earth were created in 4004 B.C. One of his aides took the calculation further, and was able to announce triumphantly that the Earth was created on Sunday the 21st of October, 4004 B.C., at exactly 9:00 A.M., because God liked to get work done early in the morning while he was feeling fresh. This too was incorrect. By almost a quarter of an hour. The whole business with the fossilized dinosaur skeletons was a joke the paleontologists haven't seen yet. This proves two things: Firstly, that God moves in extremely mysterious, not to say, circuitous ways. God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players, [ie., everybody.] to being involved in an obscure and complex version of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time. Secondly, the Earth's a Libra.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
I even tried to usher her into this century by explaining that wearing rainbows didn’t automatically mean a person was gay. The Lucky Charms leprechaun was not necessarily a homosexual. The Care Bear with the rainbow on his tummy did not have a life partner. He didn’t even have genitals. (6)
Elna Baker (The New York Regional Mormon Singles Halloween Dance: A Memoir)
And then there were the wallflowers who had recognized for years that the thing was hopeless, who had found in that information a kind of calm. They no longer tried, with a bright and desperate effort, to sustain a conversation with somebody's brother, somebody's usher, somebody's roommate, somebody's roommate's usher's brother... The category of wallflower who had given up on all this was very quiet, not indifferent, only quiet. And she always brought a book.
Renata Adler (Speedboat)
These are the ushers of Martius: before him He carries noise, and behind him he leaves tears. Death, that dark spirit, in's nervy arm doth lie, Which being advanc'd, declines, and then men die.
William Shakespeare (Coriolanus)
To enter a theatre for a performance is to be inducted into a magical space, to be ushered into the sacred arena of the imagination.
Simon Callow (Charles Dickens and the Great Theatre of the World)
My God - it's a green child!" said the American. "What is this place - the House of Usher?
Dodie Smith (I Capture the Castle)
Living, just by itself - what a dirge that is! Life is a classroom and Boredom's the usher, there all the time to spy on you; whatever happens, you've got to look as if you were awfully busy all the time doing something that's terribly exciting - or he'll come along and nibble your brain.
Louis-Ferdinand Céline (Journey to the End of the Night)
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
I have a lot of questions,” I announced the moment Casteel ushered me back into our room, and King Valyn left. “Not a single person in the entirety of either kingdom would be surprised by that,” Kieran stated as he closed the veranda doors behind him. “Not even remotely.
Jennifer L. Armentrout (The ​Crown of Gilded Bones (Blood and Ash, #3))
I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression.
Edgar Allan Poe (The Fall of the House of Usher)
Likewise, we continue to follow Jesus as we struggle with sin. Repentance ushers us into a life of greater struggle, not out of one.
J.D. Greear (Stop Asking Jesus Into Your Heart: How to Know for Sure You Are Saved)
Ignoring our emotions is turning our back on reality. Listening to our emotions ushers us into reality. And reality is where we meet God. . . . Emotions are the language of the soul. They are the cry that gives the heart a voice. . .
Peter Scazzero (Emotionally Healthy Spirituality: Unleash a Revolution in Your Life In Christ)
Intellectuals are a pretty unique species all by themselves, given to advocating things out of sheer brazenness that they could not themselves stomach if they were ushered in to witness the scene.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
He twisted the heavy gold ring around his finger. It had been in his family for generations, passed down to each eldest child along with the family mission of once again ushering in the Golden Age of Man. His great-great-grandfather had been the first of their Order to make physical progress toward the ultimate goal: to free the powerful prisoners from the center of the Earth.
Lisa Kessler (Lure of Obsession (Muse Chronicles, #1))
There's always that one person that will always have your heart You never see it coming cause you're blinded from the start Know that you're that one for me, it's clear for everyone to see Ooh baby, you will always be my boo
Usher (Selections from Usher - Confessions)
There was an iciness, a sinking, a sickening of the heart - an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime
Edgar Allan Poe (The Fall of the House of Usher and Other Tales)
When I was a child, I thought, Casually, that solitude Never needed to be sought. Something everybody had, Like nakedness, it lay at hand, Not specially right or specially wrong, A plentiful and obvious thing Not at all hard to understand. Then, after twenty, it became At once more difficult to get And more desired -- though all the same More undesirable; for what You are alone has, to achieve The rank of fact, to be expressed In terms of others, or it's just A compensating make-believe. Much better stay in company! To love you must have someone else, Giving requires a legatee, Good neighbours need whole parishfuls Of folk to do it on -- in short, Our virtues are all social; if, Deprived of solitude, you chafe, It's clear you're not the virtuous sort. Viciously, then, I lock my door. The gas-fire breathes. The wind outside Ushers in evening rain. Once more Uncontradicting solitude Supports me on its giant palm; And like a sea-anemone Or simple snail, there cautiously Unfolds, emerges, what I am." (Best Company)
Philip Larkin (Collected Poems)
Most people enter a library and don’t hear a thing. Eerie silence. I stand between the shelves and hear ten thousand conversations occurring all at once. Each ushering an invitation. The noise is raucous.
Charles Martin (Unwritten)
I read a lot of history, biographies, science, and novels,' he says, ushering a reporter out the door with a hint of relief. 'I do not read management or economics.' (from an interview in the Christian Science Monitor, July 26, 1993)
Peter F. Drucker
When I hear him sing and see what he can do, though, it's always a reminder of why I look up to Usher as my mentor and why I will always be an Usher fan to my core. But I'm lucky to say that he's an even better friend to me than he's a mentor. He's truly the real deal.
Justin Bieber (Justin Bieber: Just Getting Started)
There's great power in not fearing solitude. You don't allow yourself to be treated like crap because you're afraid of the alternative.
S. Usher Evans
Sleeping Atlantis Silent cool waters dancing upon her skin ~ silent cool water ushering dreams within...
Muse (Enigmatic Evolution)
Boys do not long for fathers who will usher them through the gauntlet of psychological disconnect. They long for fathers who have themselves survived intact. Boys do not ache for their father's masculinity. They ache for their fathers' hearts.
T. Real
They who dream by day are cognizant of many things which escape those who dream only by night. In their grey visions they obtain glimpses of eternity, and thrill, in awaking, to find that they have been upon the verge of the great secret. In snatches, they learn something of the wisdom which i of good, and more of the mere knowledge which is of evil.
Edgar Allan Poe (The Fall of the House of Usher and Other Tales)
And as no man knows the ubicity of his tumulus nor to what processes we shall thereby be ushered nor whether to Tophet or to Edenville in the like way is all hidden when we would backward see from what region of remoteness the whatness of our whoness hath fetched his whenceness.
James Joyce (Ulysses)
Lord Peter's library was one of the most delightful bachelor rooms in London. Its scheme was black and primrose; its walls were lined with rare editions, and its chairs and Chesterfield sofa suggested the embraces of the houris. In one corner stood a black baby grand, a wood fire leaped on a wide old-fashioned hearth, and the Sèvres vases on the chimneypiece were filled with ruddy and gold chrysanthemums. To the eyes of the young man who was ushered in from the raw November fog it seemed not only rare and unattainable, but friendly and familiar, like a colourful and gilded paradise in a mediæval painting
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
We were ushered into the special reception room that important people go to so they won't have to ensure Customs. It's luxurious and private, and you don't have to mingle with the public. It's the room that you wait in if you are very, very powerful and once got shitfaced with Joseph of Arimathea. Or if you are Mick Jagger.
Daniel O'Malley (The Rook (The Checquy Files, #1))
Thine eyes I love, and they, as pitying me, Knowing thy heart torment me with disdain, Have put on black and loving mourners be, Looking with pretty ruth upon my pain. And truly not the morning sun of heaven Better becomes the grey cheeks of the east, Nor that full star that ushers in the even, Doth half that glory to the sober west, As those two mourning eyes become thy face: O! let it then as well beseem thy heart To mourn for me since mourning doth thee grace, And suit thy pity like in every part. Then will I swear beauty herself is black, And all they foul that thy complexion lack
William Shakespeare (Shakespeare's Sonnets)
The conservative revolution that Reagan helped usher in gained traction because Reagan's central insight - that the liberal welfare state had grown complacent and overly bureaucratic, with Democratic policy makers more obsessed with slicing the economic pie than with growing the pie - contained a good deal of truth.
Barack Obama (The Audacity of Hope: Thoughts on Reclaiming the American Dream)
Twisted though it may be, that was the power of love. It could usher in warmth and light, and it could also turn a single ember into a raging inferno, destroying those who threatened it. Love might be the worst sin of them all, with its two sides.
Kerri Maniscalco (Kingdom of the Feared (Kingdom of the Wicked, #3))
Just try it,” he murmurs, reaching over to cover my hand gently. And I think, Whoa, that’s never happened before! Then: Is he just doing that because he thinks Wyatt is interested? And, finally, this: Who the hell cares?!
Rusty Fischer (Ushers, Inc.)
horrible types, specialists in the One, builders of middle-class castles, and upper-class Usher houses, writers of boring Commencement speeches, creepy otherworldly types, worse than Pope Paul, academics who resembled gray jars, and who would ruin a whole state like Tennessee if put into it; people totally unable to merge into the place where they live -- they could live in a valley for years and never become the valley
Robert Bly
The inner throne of man is both what the kingdom of Christ and the kingdom of Lucifer are after. And when this throne is yielded to the Almighty God, a man enters upon the sacred path of greatness right then and there...The destiny of a human soul depends entirely on who sits upon the throne of that soul...when the flesh is removed from its position of power, the human soul is made ready to usher in the glory of its true and rightful King
Eric Ludy (Wrestling Prayer: A Passionate Communion with God)
The sheep are in a terrible mood today as Bailey attempts to usher them from one field to another. They have resisted prodding, swearing, and pushing, insisting that the grass in their current field is much nicer than the grass just on the other side of the gate in the low stone wall, no matter how much Bailey tries to persuade them otherwise.
Erin Morgenstern (The Night Circus)
But beware of looking for goals: look for a way of life. Decide how you want to live and then see what you can do to make a living WITHIN that way of life.
Shaun Usher (Letters of Note: Correspondence Deserving of a Wider Circulation)
The fear of meeting the opposition of envy, or the illiberality of ignorance is, no doubt, the frequent cause of preventing many ingenious men from ushering opinions into the world which deviate from common practice. Hence for want of energy, the young idea is shackled with timidity and a useful thought is buried in the impenetrable gloom of eternal oblivion.
Robert Fulton (A Treatise on the Improvement of Canal Navigation: Exhibiting the Numerous Advantages to Be Derived from Small Canals and Boats of Two to Five Feet ... of the Machinery for Facilitating...)
There seemed a deep sense of life and joy about all; and although no airs blew from out the Heavens, yet everything had motion through the gentle sweepings to and fro of innumberable butterflies, that might have been mistaken for tullips with wings.
Edgar Allan Poe (The Fall of the House of Usher and Other Tales)
...those retrospectively blessed dozen years lasted from the chilly, fevered Central European night of November 9th, 1989 to that bright morning on the Eastern Seaboard of American of September 11th, 2001. One event symbolized the lifted threat of a worldwide nuclear holocaust, something which had been hanging over humanity for nearly forty years, and so ended an age of idiocy. The other ushered in a new one.
Iain Banks (Transition)
So if you blame Facebook, Trump, or Putin for ushering in a new and frightening era of post-truth, remind yourself that centuries ago millions of Christians locked themselves inside a self-reinforcing mythological bubble, never daring to question the factual veracity of the Bible, while millions of Muslims put their unquestioning faith in the Quran. For millennia, much of what passed for “news” and “facts” in human social networks were stories about miracles, angels, demons, and witches, with bold reporters giving live coverage straight from the deepest pits of the underworld. We have zero scientific evidence that Eve was tempted by the serpent, that the souls of all infidels burn in hell after they die, or that the creator of the universe doesn’t like it when a Brahmin marries a Dalit—yet billions of people have believed in these stories for thousands of years. Some fake news lasts forever.
Yuval Noah Harari (21 Lessons for the 21st Century)
This was the writer's true doppelgänger, I thought; not some invisible imp of the perverse who watched you from the shadows, periodically appearing, dressed in your clothes and carrying your house keys, to set fire to your life; but rather the typical protagonist of your work -- Roderick Usher, Eric Waldensee, Francis Macomber, Dick Diver -- whose narratives at first reflected but in time came to determine your life's very course.
Michael Chabon (Wonder Boys)
Showing up at a restaurant and hoping for the best is a young person’s game. If I’m going out, I need to know that there is a table with my name on it and a comfortable seat pulled up to it. I’m too old to hover anxiously near the door, sweating under my coat in my good outside clothes, watching people who actually planned ahead be ushered to their awaiting tables and served the foods I am dying to eat.
Samantha Irby (Wow, No Thank You.)
The door of Reverend Verringer’s impressive manse is opened by an elderly female with a face like a pine plank; the Reverend is unmarried, and has need of an irreproachable housekeeper. Simon is ushered into the library. It is so self-consciously the right sort of library that he has an urge to set fire to it.
Margaret Atwood (Alias Grace)
Current theories on the creation of the Universe state that, if it were created at all and didn't just start, as it were, unofficially, it came to being between ten and twenty thousand million years ago. By the same token the earth itself is generally supposed to be about four and a half thousand million years old. These dates are incorrect. Medieval Jewish scholars put the date of the Creation at 3760BC. Greek Orthodox theologians put Creation as far back as 5508BC. These suggestions are also incorrect. Archbishop James Usher (1580-1656) published Annales Veteris et Novi Testamenti in 1654, which suggested that the Heaven and the Earth were created in 4004BC. One of his aides took the calculation further, and was able to announce triumphantly that the Earth was created on Sunday the 21st of October, 4004BC, at exactly 9.00 a.m., because God liked to get work done early in the morning while he was feeling fresh. This too was incorrect. By almost a quarter of an hour. The whole business with the fossilized dinosaur skeletons was a joke the paleontologists haven't seen yet.
Terry Pratchett
It is at such times that the truth is known— The wounds ploughed into our hearts make them ripe for the seeds of change to be sown. At first, all we can see are the grooves left by the plough. The land—as the heart—appears barren and desolate now. Yet with the nourishing tears shed by remorse and guilt— Life springs forth emerging from the frostbitten wilt. When the cold winter of despair sets, ushering in the rising warmth of spring— At that time, the bells of hope will alert all, singing as they ring.
Mohamad Jebara (The Illustrious Garden)
Summer makes me suicidal. It sucks all the magick out of life, and even sleeping becomes an exercise in fruitless brutality. I cannot comprehend what it is in the souls who await this misery. Nothing worthwhile can survive the heat. The birds and the bees are harbingers of hell, ushering in a season of disease. There is nothing in these months that speaks to me. It conspires to keep me from ever reaching home.
Damien Echols (Life After Death)
She’d never spent entire days lying on her bed reading, entire nights making up complicated stories in her head. She’d not dreamed of willing herself into Anne of Green Gables and Jane Eyre so that she might have real friends, friends who understood her thorny desires and dreams. How could she spend her days—her life—ushering books into publication but not love them in the way that I did, the way that they needed to be loved?
Joanna Rakoff (My Salinger Year: A Memoir)
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps can’t.
C.S. Lewis (A Grief Observed)
I must perish in this deplorable folly. Thus, thus, and not otherwise, shall I be lost. I dread the events of the future, not in themselves, but in their results. I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed, no abhorrence of danger, except in its absolute effect—in terror. In this unnerved, in this pitiable, condition I feel that the period will sooner or later arrive when I must abandon life and reason together, in some struggle with the grim phantasm, FEAR.
Edgar Allan Poe (The Fall of the House of Usher)
We are often given pills or fluids to help remedy illness, yet little has been taught to us about the power of smell to do the exact same thing. It is known that the scent of fresh rosemary increases memory, but this cure for memory loss is not divulged by doctors to help the elderly. I also know that the most effective use of the blue lotus flower is not from its dilution with wine or tea – but from its scent. To really maximize the positive effects of the blue lily (or the pink lotus), it must be sniffed within minutes of plucking. This is why it is frequently shown being sniffed by my ancient ancestors on the walls of temples and on papyrus. Even countries across the Orient share the same imagery. The sacred lotus not only creates a relaxing sensation of euphoria, and increases vibrations of the heart, but also triggers genetic memory - and good memory with an awakened heart ushers wisdom.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
The people we invite on the train are those with whom we are prepared to be vulnerable and real, with whom there is no room for masks and games. They strengthen us when we falter and remind us of the journey’s purpose when we become distracted by the scenery. And we do the same for them. Never let life’s Iagos—flatterers, dissemblers—onto your train. We always get warnings from our heart and our intuition when they appear, but we are often too busy to notice. When you realize they’ve made it on board, make sure you usher them off the train; and as soon as you can, forgive them and forget them. There is nothing more draining than holding grudges.
Arianna Huffington (Thrive: The Third Metric to Redefining Success and Creating a Life of Well-Being, Wisdom, and Wonder)
If adults commit adultery, do infants commit infantry? If olive oil is made from olives, what do they make baby oil from? I a vegetarian eats vegetables, what does a humanitarian consume? A writer is someone who writes, and a stinger is something that stings. But fingers don't fing, grocers don't groce, hammers don't ham, humdingers don't humding, ushers don't ush, and haberdashers do not haberdash...If the plural of tooth is teeth, shouldn't the plural of booth be beeth? One goose, two geese-so one moose, two meese? If people ring a bell today and rang a bell yesterday, why don't we say that they flang a ball? If they wrote a letter, perhaps they also bote their tongue.
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
There is only one invitation it would kill me to refuse, yet I'm tempted to turn it down all the time. I get the invitation every morning when I wake up to actually live a life of complete engagement, a life of whimsy, a life where love does. It doesn't come in an envelope. It's ushered in by a sunrise, the sound of a bird, or the smell of coffee drifting lazily from the kitchen. It's the invitation to actually live, to fully participate in this amazing life for one more day. Nobody turns down an invitation to the White House, but I've seen plenty of people turn down an invitation to fully live. Turning down this invitation comes in lots of flavors. It looks like numbing yourself or distracting yourself or seeing something really beautiful as normal. It can also look like refusing to forgive or not being grateful or getting wrapped around the axle with fear or envy. I think every day God sends us an invitation to live and sometimes we forget to show up or get head-faked into thinking we haven't really been invited. But you see, we have been invited -- every day, all over again
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
Every man is the sum total of his reactions to experience. As your experiences differ and multiply, you become a different man, and hence your perspective changes. This goes on and on. Every reaction is a learning process; every significant experience alters your perspective.
Shaun Usher (Letters of Note: Volume 1: An Eclectic Collection of Correspondence Deserving of a Wider Audience)
As porn has gone mainstream, ushered two decades ago into middle-class living rooms and dens with VCRs and now available on the Internet, it has devolved into an open fusion of physical abuse and sex, of extreme violence, horrible acts of degradation against women with an increasingly twisted eroticism. Porn has always primarily involved the eroticization of unlimited male power, but today it also involves the expression of male power through the physical abuse, even torture, of women. Porn reflects the endemic cruelty of our society. This is a society that does not blink when the industrial slaughter unleashed by the United States and its allies kills hundreds of civilians in Gaza or hundreds of thousands of innocents in Iraq and Afghanistan. Porn reflects back the cruelty of a culture that tosses its mentally ill on the street, warehouses more than 2 million people in prisons, denies health care to tens of millions of the poor, champions gun ownership over gun control, and trumpets an obnoxious and super patriotic nationalism and rapacious corporate capitalism. The violence, cruelty, and degradation of porn are expressions of a society that has lost the capacity for empathy.
Chris Hedges (Empire of Illusion: The End of Literacy and the Triumph of Spectacle)
Desmond ushered the man inside. He was stooped and ugly, with an unkempt beard and unwashed clothes, yet Father greeted him pleasantly and asked his name. “Yoren, as it please m’lord. My pardons for the hour.” He bowed to Arya. “And this must be your son. He has your look.” “I’m a girl,” Arya said, exasperated. If the old man was down from the Wall, he must have come by way of Winterfell. “Do you know my brothers?” she asked excitedly. “Robb and Bran are at Winterfell, and Jon’s on the Wall. Jon Snow, he’s in the Night’s Watch too, you must know him, he has a direwolf, a white one with red eyes. Is Jon a ranger yet? I’m Arya Stark.” The old man in his smelly black clothes was looking at her oddly, but Arya could not seem to stop talking. “When you ride back to the Wall, would you bring Jon a letter if I wrote one?” She wished Jon were here right now. He’d believe her about the dungeons and the fat man with the forked beard and the wizard in the steel cap.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Outside, with Labor Day having come and gone, summer is fighting a dying battle against the fall air. The leaves are hanging perilously on the trees, knowing full well they're going to make the plunge, clinging on as if they stand a chance not to. The garbage smell that has wafted around us for the better part of August is dissipating, ushered out with the humidity, and in its place a briskness is filtering in, like something you'd smell from a bottle of Tide.
Allison Winn Scotch
Some of my pleasantest hours were during the long rain-storms in the spring or fall, which confined me to the house for the afternoon as well as the forenoon, soothed by their ceaseless roar and pelting; when an early twilight ushered in a long evening in which many thoughts had time to take root and unfold themselves. In those driving northeast rains which tried the village houses so, when the maids stood ready with mop and pail in front entries to keep the deluge out, I sat behind my door in my little house, which was all entry, and thoroughly enjoyed its protection.
Henry David Thoreau
The strategy worked like a charm, and in 1980 Jimmy Carter was swept away like offal by the “Reagan Revolution,” which ushered in eight years of berserk looting of the federal treasury and the economic crippling of the middle class. That was the eighties, folks. That was the feeding frenzy of the New Rich, who found themselves wallowing in excess profits as their maximum income tax rate got chopped down to 31 percent and who were welcomed like brothers in the White House at all hours of the day or night.
Hunter S. Thompson (Better Than Sex: Confessions of a Political Junkie (The Gonzo Papers series Book 4))
... to wander far from the familiar "home" of his adolescent ways of belonging, doing, and being. He must, as poet Mary Oliver puts it, "stride deeper and deeper into the world." His culture will greatly influence the manner in which he wanders, as will his gender, physical constitution, psychological temperament, age, and bio-region. In one culture, his wandering might take him geographically far from his hometown or village. In another culture, geographic movement will have little importance for the true depth of his wandering. What is critical is not whether he engages in this practice or that, or undergoes this ritual or another, but that his wandering changes his relationship to the world, that he leaves the home of his adolescent identity, and that his border crossings usher him into the mysteries of nature and psyché.
Bill Plotkin (Nature and the Human Soul: Cultivating Wholeness and Community in a Fragmented World)
Falling was such an elastic word. It was basically horrible. People got hurt and died, falling. There was force and pain and fear, if the height was great enough. Even sometimes when it wasn’t. The terror of not finding something solid underfoot was just as real for half a second as it was for twenty. Yet fall was the word most often coupled with love, falling in and falling out of. How was that even possible? They couldn’t be the same. One fall ushered in delirious, stupid happiness; the other fall expelled those euphoric emotions with blood and tears and scars. Bliss and agony. Fall and fall. It wasn’t the same. There should be a better word.
Abigail Johnson (If I Fix You)
Eventually, decades later, when the king was dying, the queen gently ushered everybody out into the corridor, closed the door to the royal bedchamber, and got into bed with her husband. She started singing to him. They laughed. He was short of breath, but he could still laugh. They asked each other, Is this silly? Is this...pretentious? But they both knew that everything there was to say had been said already, over and over, across the years. And so the king, relieved, released, free to be silly, asked her to sing him a song from his childhood. He didn't need to be regal anymore, he didn't need to seem commanding or dignified, not with her. They were, in their way, dying together, and they both knew it. It wasn't happening only to him. So she started singing. They shared one last laugh - they agreed that the cat had a better voice than she did. Still, she sang him out of the world.
Michael Cunningham (A Wild Swan: And Other Tales)
As long as there is one upright man, as long as there is one compassionate woman, the contagion may spread and the scene is not desolate. Hope is the thing that is left to us, in a bad time. I shall get up Sunday morning and wind the clock, as a contribution to order and steadfastness. Sailors have an expression about the weather: they say, the weather is a great bluffer. I guess the same is true of our human society—things can look dark, then a break shows in the clouds, and all is changed, sometimes rather suddenly. It is quite obvious that the human race has made a queer mess of life on this planet. But as a people we probably harbor seeds of goodness that have lain for a long time waiting to sprout when the conditions are right. Man’s curiosity, his relentlessness, his inventiveness, his ingenuity have led him into deep trouble. We can only hope that these same traits will enable him to claw his way out. Hang on to your hat. Hang on to your hope. And wind the clock, for tomorrow is another day.
Shaun Usher (Letters of Note: Correspondence Deserving of a Wider Circulation)
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
Joseph Brodsky
The celebrated opening image of 'The Love Song of J. Alfred Prufrock' is another case in point: Let us go then, you and I, When the evening is spread out against the sky Like a patient etherised upon a table... How, the reader wonders, can the evening look like an anaesthetised body? Yet the point surely lies as much in the force of this bizarre image as in its meaning. We are in a modern world in which settled correspondences or traditional affinities between things have broken down. In the arbitrary flux of modern experience, the whole idea of representation - of on thing predictably standing for another - has been plunged into crisis; and this strikingly dislocated image, one which more or less ushers in 'modern' poetry with a rebellious flourish, is a symptom of this bleak condition.
Terry Eagleton (How to Read a Poem)
I am fearful most men of this age are like you. They have forgotten what it is to huddle in a hut with the beasts and demons howling outside their door. They no longer have want of a great and terrible spirit to protect them. They have lost their fear of the wild and with it their need to believe. And I cannot blame them, for they now have the power to chase away the shadows with a mere flick of a switch. So I must ask myself, what role can I play in a world where men worship the moving-picture box, where they make and consume potions that eat away their own brains, where they ravage and pillage entire mountains, kill the very earth itself? “Mankind has lost its connection to the land, to the earth, to the beasts and spirits. They gather their food not from the forest and fields, but from plastic bins and ice boxes. Their lives are no longer tied to the cycles of the seasons and the harvest, no longer do they need the Yule Lord to chase away the winter darkness and usher in the light of spring. Man has only himself to fear now . . . he has become his own worst devil.
Brom (Krampus: The Yule Lord)
On differing perspectives: "At birth, we're yanked from a warm, safe place and thrust into a world we have no way of comprehending. Childhood is a constant routine of punishment and confusion. Hell we're depressed and misunderstood as teenagers, then frightened and unprepared as we become adults. In midlife, we watch as our youth slowly slips away; our dreams for greatness becoming pathetic memories. Old age brings loneliness, infirmity, and the constant fear of death." "At birth, we're rescued from a dark, silent place and ushered into a world full of wonder. Childhood is a magical time, free from responsibility. We're curious and filled with energy as teenagers, and then challenged to reach our full potential as we become adults. In mid-life, we watch as our pretensions slowly slip away, our dreams for happiness finally becoming realized. Old age brings wisdom, wonderful memories, and a passionate love of life.
Rick Reynolds
From the desperation of golden crowns and born of mortal flesh, a great primal power rises as the heir to the lands and seas, to the skies and all the realms. A shadow in the ember, a light in the flame, to become a fire in the flesh. When the stars fall from the night, the great mountains crumble into the seas, and old bones raise their swords beside the gods, the false one will be stripped from glory until two born of the same misdeeds, born of the same great and Primal power in the mortal realm. A first daughter, with blood full of fire, fated for the once-promised King. And the second daughter, with blood full of ash and ice, the other half of the future King. Together, they will remake the realms as they usher in the end. ‘And so it will begin with the last Chosen blood spilled, the great conspirator birthed from the flesh and fire of the Primals will awaken as the Harbinger and the Bringer of Death and Destruction to the lands gifted by the gods. Beware, for the end will come from the west to destroy the east and lay waste to all which lies between.
Jennifer L. Armentrout (A Shadow in the Ember (Flesh and Fire, #1))
The notion that a vast gulf exists between "criminals" and those of us who have never served time in prison is a fiction created by the racial ideology that birthed mass incarceration, namely that there is something fundamentally wrong and morally inferior about "them." The reality, though, is that all of us have done wrong. As noted earlier, studies suggest that most Americans violate drug laws in their lifetime. Indeed, most of us break the law not once but repeatedly throughout our lives. Yet only some of us will be arrested, charged, convicted of a crime, branded a criminal or a felon, and ushered into a permanent undercaste. Who becomes a social pariah and excommunicated from civil society and who trots off to college bears scant relationship to the morality of the crimes committed. Who is more blameworthy: the young black kid who hustles on the street corner, selling weed to help his momma pay rent? Or the college kid who deals drugs out of his dorm room so that he'll have cash to finance his spring break? Who should we fear? The kid in the 'hood who joined a gang and now carries a gun for security, because his neighborhood is frightening and unsafe? Or the suburban high school student who has a drinking problem but keeps getting behind the wheel? Our racially biased system of mass incarceration exploits the fact that all people break the law and make mistakes at various points in their lives with varying degrees of justification. Screwing up-failing to live by one's highest ideals and values-is part of what makes us human.
Michelle Alexander
Inside the church, the bondsmaids were walking slowly down the aisle, with the little petal girls. Trinity turned to give Mimi her last words of motherly advice: 'Walk straight. Don't slouch. And for heavens's sake, smile! It's your bonding!?' Then she too walked through the door and down the aisle. The door shut behind her, leaving Mimi alone. Finally, Mimi heard the orchestra play the first strains of the 'Wedding March.' Wagner. Then the ushers opened the doors and Mimi moved to the threshold. There was an appreciative gasp from the crowd as they took in the sight of Mimi in her fantastic dress. But instead of acknowledging her triumph as New York?s most beautiful bride, Mimi looked straight ahead, at Jack, who was standing so tall and straight at the altar. He met her eyes and did not smile. 'Let's just get this over with.' His words were like an ice pick to the heart. He doesn't love me. He has never loved me. Not the way he loves Schuyler. Not the way he loved Allegra. He has come to every bonding with this darkness. With this regret and hesitation, doubt and despair. She couldn't deny it. She knew her twin, and she knew what he was feeling, and it wasn't joy or even relief. What am I doing? "Ready" Forsyth Llewellyn suddenly appeared by her side. Oh, right, she remembered, she had said yes when Forsyth had offered to walk her down the aisle. Here goes nothing. As if in a daze, Mimi took his arm, Jack's words still echoing in her head. She walked, zombie-like, down the aisle, not even noticing the flashing cameras or the murmurs of approval from the hard-to-impress crowd.
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
Once upon a time, the great big world outside Bridgeton had seemed like Xanadu - miles of golden road lined with smiling people, waiting to usher me through hundreds of open doors. There was nothing out there but bright light and possibilities. There were big dreams of other places, other people, even other boys. There had even, for two hours in April, been somebody else. He was a glimpse of the future, where I would live and breath and love far, far away from this place. A future where behind a closed door, on Saturday mornings, a boy I hadn't met yet would wrap an arm around my waist and exhale damp heat into the curve of my neck. Where we would keep our eyes closed, pull the covers closer, burrow down and deeper to escape the nine-o'clock sunshine, and the sound of heavy breath echoing along the rusted steel confines of a pickup truck would be nothing but a memory.
Kat Rosenfield (Amelia Anne Is Dead and Gone)
Ecstasy is only recognizable when one has experienced pain. Beauty only exists when set against ugliness. Peace is not appreciated without war ahead of it. How we wish that life could support only the good. But it vanishes when its opposite no longer exists as a setting. It is a white marble on unmelting snow. And Jimmy stands clear and unique in a world where much is synthetic and dishonest and drab. He came and rearranged our molecules.
Shaun Usher (Letters of Note: Correspondence Deserving of a Wider Circulation)
In His free grace, God is for man in every respect; He surrounds man from all sides. He is man's Lord who is before him, above him, after him, and thence also with him in history, the locus of man's existence. Despite man's insignificance, God is with him as his Creator who intended and made mankind to be very good. Despite man's sin, God is with him, the One who was in Jesus Christ reconciling the world, drawing man unto Himself in merciful judgment. Man's evil past is not merely crossed out because of its irrelevancy. Rather, it is in the good care of God. Despite man's life in the flesh, corrupt and ephemeral, God is with him. The victor in Christ is here and now present through His Spirit, man's strength, companion, and comfort. Despite man's death God is with him, meeting him as redeemer and perfecter at the threshold of the future to show him the totality of existence in the true light in which the eyes of God beheld it from the beginning and will behold it evermore. In what He is for man and does for man, God ushers in the history leading to the ultimate salvation of man.
Karl Barth (The Humanity of God)
Why haven't you told me the truth about you and Archer?" "We were just friends," I said. "How many times do I have to say it?" When he didn't say anything, I rolled my eyes. "Okay,so I liked him. I had a crush on him,and-" I wasn't sure if the heat in my face was from embarrassment or anger. "And yes, one time we kissed. But it was just the once,and about ten seconds afterward,I found out he was an Eye." Dad nodded. "And that's it.That's the whole story." Why oh why wasn't there a giant hole in the floor that I could plummet through, perferably to my death? "That,that's it." "Well,that's something," Dad said, running a hand through his hair. "At some point, I want you to add that to your original statement." We were quiet for a long time before I wiped my sweaty palms on my dress and said, "Is there anything else horrible happening that I need to know about?" Dad gave a humorless laugh as he ushered me toward the door. "I believe that covers all the current horror.
Rachel Hawkins (Demonglass (Hex Hall, #2))
The Oscar-nominated documentary The Act of Killing tells the story of the gangster leaders who carried out anti-communist purges in Indonesia in 1965 to usher in the regime of Suharto. The film’s hook, which makes it compelling and accessible, is that the filmmakers get Anwar —one of the death-squad leaders, who murdered around a thousand communists using a wire rope—and his acolytes to reenact the killings and events around them on film in a variety of genres of their choosing. In the film’s most memorable sequence, Anwar—who is old now and actually really likable, a bit like Nelson Mandela, all soft and wrinkly with nice, fuzzy gray hair—for the purposes of a scene plays the role of a victim in one of the murders that he in real life carried out. A little way into it, he gets a bit tearful and distressed and, when discussing it with the filmmaker on camera in the next scene, reveals that he found the scene upsetting. The offcamera director asks the poignant question, “What do you think your victims must’ve felt like?” and Anwar initially almost fails to see the connection. Eventually, when the bloody obvious correlation hits him, he thinks it unlikely that his victims were as upset as he was, because he was “really” upset. The director, pressing the film’s point home, says, “Yeah but it must’ve been worse for them, because we were just pretending; for them it was real.” Evidently at this point the reality of the cruelty he has inflicted hits Anwar, because when they return to the concrete garden where the executions had taken place years before, he, on camera, begins to violently gag. This makes incredible viewing, as this literally visceral ejection of his self and sickness at his previous actions is a vivid catharsis. He gagged at what he’d done. After watching the film, I thought—as did probably everyone who saw it—how can people carry out violent murders by the thousand without it ever occurring to them that it is causing suffering? Surely someone with piano wire round their neck, being asphyxiated, must give off some recognizable signs? Like going “ouch” or “stop” or having blood come out of their throats while twitching and spluttering into perpetual slumber? What it must be is that in order to carry out that kind of brutal murder, you have to disengage with the empathetic aspect of your nature and cultivate an idea of the victim as different, inferior, and subhuman. The only way to understand how such inhumane behavior could be unthinkingly conducted is to look for comparable examples from our own lives. Our attitude to homelessness is apposite here. It isn’t difficult to envisage a species like us, only slightly more evolved, being universally appalled by our acceptance of homelessness. “What? You had sufficient housing, it cost less money to house them, and you just ignored the problem?” They’d be as astonished by our indifference as we are by the disconnected cruelty of Anwar.
Russell Brand
DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled luster by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodeled and inverted images of the gray sedge, and the ghastly tree stems, and the vacant and eye-like windows.
Edgar Allan Poe (The Best Short Stories of Edgar Allan Poe)
Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))