Oskar Kokoschka Quotes

Karl Kraus ist abgestiegen zur Hölle, zu richten die Lebendigen und die Toten.

How do I define art? A work of art is not an object of monetary value; it is a timid attempt by man to recreate the miracle of which every young woman is capable: to produce life from nothing. Hence, only women and artists have respect for life, and the segment of the so-called "society" that denies women the right to vote and therefore to participate, and denies artists the right to exist, does not really care for life. It oppresses humanity,and it has, directly or indirectly, a vested interest in wars.

In October, Louise showed several new paintings at the Panoras Gallery on Fifty-Sixth Street. During this period, she painted nudes, interiors, several versions of MacDuff, many portraits, at least two paintings set in public buses, and other New York street-life subjects. Her stylized figures were often inspired by random encounters and eavesdropping. Observing underdogs and outsiders in action, she was drawn to faces and to cityscapes and to a style that incorporated storytelling and allegory. Louise’s new work was influenced by the scene painting of the Works Progress Administration and Mexican muralists; by Käthe Kollwitz and German expressionists like Max Beckmann, Oskar Kokoschka, and Egon Schiele; by Alice Neel, Francis Bacon, and other portraitists—and, to an increasing extent, by medieval tapestries and frescoes by Bolognese Renaissance artists such as Pellegrino Tibaldi. Louise kept working to reveal the lives behind the faces she portrayed—their backstory—and began to introduce some southern imagery from her own memories. She was fascinated by the story beneath the surface and whatever metaphysical qualities she could draw from the depths of her subject.